Sage Green Quotes

We've searched our database for all the quotes and captions related to Sage Green. Here they are! All 100 of them:

He shook his head. “No. Because there's no one else out there who understands you like I do.” I waited for more. “That's it? You're not going to elaborate on what that means?” Those green eyes held me. “I don't think I need to.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Is Adrian here?” “Who?” “Adrian. Tall. Brown hair. Green eyes.” She frowned. “Do you mean Jet?” “I … I’m not sure. Does he smoke like a chimney?” The girl nodded sagely. “Yup. You must mean Jet.
Richelle Mead (Bloodlines (Bloodlines, #1))
Sydney Katherine Sage,” he said, his green eyes full of love and earnestness. “Would you do a brooding, deadbeat Moroi the honor of being his wife?
Richelle Mead (Silver Shadows (Bloodlines, #5))
I tried to dredge up the same reaction other girls had around Marcus, but nothing happened. No matter how hard I tried, I just didn't have that same attraction His hair was too blond, I decided. And his eyes needed a little more green.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Emerald green eyes studied us from a face that could have been sculpted by one of the classical artists I so admired. Shocked, I dismissed the comparison as soon as it popped into my head. This was a vampire, after all. It was ridiculous to admire him the way I would some hot human guy.
Richelle Mead (Bloodlines (Bloodlines, #1))
Blue to get ready Green to go Yellow to guide you through the snow Orange to warn you that over you’ll go Then red will be the final glow Now seek the black, there’s no going back.
Angie Sage (Queste (Septimus Heap, #4))
The world is exploding in emerald, sage, and lusty chartreuse - neon green with so much yellow in it. It is an explosive green that, if one could watch it moment by moment throughout the day, would grow in every dimension.
Amy Seidl (Early Spring: An Ecologist and Her Children Wake to a Warming World)
I knew I sounded hysterical, and Adrian’s calmness only drove that home. “I think I have an idea,” he said. “An idea that’ll get us some hardcore protection … but I don’t know how you’ll feel about it.” “I’m open to anything,” I assured him. He hesitated a moment and gave a decisive nod. Then, to my complete and utter astonishment, he got down on his knees before me and clasped my hands in his. “Sydney Katherine Sage,” he said, his green eyes full of love and earnestness. “Would you do a brooding, deadbeat Moroi the honor of being his wife?
Richelle Mead (Silver Shadows (Bloodlines, #5))
Something clenched in my chest, and for a moment, the whole world narrowed down to the green of his eyes.
Richelle Mead
Sage!" he called. "You have got to see this." Eddie and I reached the next green and stared in astonishment. Then I burst out laughing. We had reached Dracula's Castle. (...) I couldn't stop laughing. Adrian and Eddie looked at me as though they'd never seen me before. "I don't think I've ever heard her laugh," Eddie told him. "Certainly not the reaction I was expecting," mused Adrian. "I'd been counting on abject terror, judging from past Alchemist behaviour. I didn't think you liked vampires.
Richelle Mead (Bloodlines (Bloodlines, #1))
As moonlight unto sunlight is that desert sage to other greens.
Wallace Stegner (Angle of Repose)
In Summer there were white and damask roses, and the smell of thyme and musk. In Spring there were green gooseberries and throstles [thrush], and the flowers they call ceninen [daffodils]. And leeks and cabbages also grew in that garden; and between long straight alleys, and apple-trained espaliers, there were beds of strawberries, and mint, and sage.
Beatrix Potter
Septimus look at Jenna, his green eyes serious, “It’s a luxury Jen,” he said. “What do you mean?” Septimus stared at the scraped and bloody snow at his feet. It took him some moments to reply. “I mean…” he began slowly. “I mean that if you go through life and never face a situation where, in order for your to survive, someone else has to die, then you’re lucky. That’s what I mean.
Angie Sage (Queste (Septimus Heap, #4))
She had married him because she felt sage, because she'd had enough pain to last her a lifetime, and because although he had many faults, faults she was aware of before she married him, she knew he wouldn't hurt her. She knew because there was no passion, and the only time she had felt passion, it had come with a price.
Jane Green (Dune Road)
Agatha surveys the garden, its rows of crinkled spring cabbages and beanstalks entwining bowers of hawthorn and hazel. The rosemary is dotted with pale blue stars of blossom and chives nod heads of tousled purple. New sage leaves sprout silver green among the brittle, frost-browned remains of last year's growth. Lily of the valley, she thinks, that will be out in the cloister garden at Saint Justina's by now.
Sarah Bower (The Needle in the Blood)
... He told the green woman to open the bad-word door and he would go and get the bad-word Apprentice himself, seeing as everyone else around him was so bad-word useless. Especially bad-word witches ... - Kaznim
Angie Sage (SandRider (TodHunter Moon, #2))
The banquet proceeded. The first course, a mince of olives, shrimp and onions baked in oyster shells with cheese and parsley was followed by a soup of tunny, cockles and winkles simmered in white wine with leeks and dill. Then, in order, came a service of broiled quail stuffed with morels, served on slices of good white bread, with side dishes of green peas; artichokes cooked in wine and butter, with a salad of garden greens; then tripes and sausages with pickled cabbage; then a noble saddle of venison glazed with cherry sauce and served with barley first simmered in broth, then fried with garlic and sage; then honey-cakes, nuts and oranges; and all the while the goblets flowed full with noble Voluspa and San Sue from Watershade, along with the tart green muscat wine of Dascinet.
Jack Vance (The Green Pearl (Lyonesse, #2))
WHERE ONCE THE WATERS ON YOUR FACE Where once the waters of your face Spun to my screws, your dry ghost blows, The dead turns up its eye; Where once the mermen through your ice Pushed up their hair, the dry wind steers Through salt and root and roe. Where once your green knots sank their splice Into the tided cord, there goes The green unraveller, His scissors oiled, his knife hung loose To cut the channels at their source And lay the wet fruits low. Invisible, your clocking tides Break on the lovebeds of the weeds; The weed of love’s left dry; There round about your stones the shades Of children go who, from their voids, Cry to the dolphined sea. Dry as a tomb, your coloured lids Shall not be latched while magic glides Sage on the earth and sky; There shall be corals in your beds, There shall be serpents in your tides, Till all our sea-faiths die.
Dylan Thomas (The Collected Poems of Dylan Thomas: The Original Edition)
Adrian, we’re focusing on Jil here. This isn’t about your personal entertainment.” “Not true,” he said, green eyes sparkling. “Everything’s about my personal entertainment. The world is my stage. Keep it up—you’re becoming a star performer in the show.
Richelle Mead (Bloodlines (Bloodlines, #1))
Hi," she said. The gloomy interior of the car lit up with a warm green glow and the scent of sage filled the air. Virginia rubbed her forefinger and thumb together, and in the mirror, Josh saw a tiny ball of green energy appear. She flicked the ball at the motorcyclist. "You missed!" Dee snapped. "Here,let me..." "Patience,Doctor,patience," Virginia said. The rubber on the bike's front tire abruptly crumbled to black powder. Spokes collapsed, the wheel buckled and the bike careered across the road, the front forks scraping a shower of sparks from the concrete. Then the bike hit the low restraining wall on the bay side of the road and the rider was catapulted over it, disappearing without a sound. "Subtle,as always, Virginia," Dee said.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
The land is green! Live your dreams.
Anyaele Sam Chiyson (The Sagacity of Sage)
Whose sage counsel has saved me from countless disasters
John Green (The Fault in Our Stars)
When she dipped her toes in the sea that morning, she broke its smooth olive-green skin. And when she turned, she saw the mountain, looming behind her, sitting sage in its skirt of clouds.
Karen Foxlee (The Midnight Dress)
PROSCIUTTO- AND SAGE-WRAPPED DATES (Serves 6)   INGREDIENTS 24 fresh sage leaves 12 dates, halved, pits removed 1 pack prosciutto, each slice sliced lengthways down the middle 2 Tablespoons maple syrup   Preheat oven to 350 degrees. Place a sage leaf on each date half, wrap with prosciutto, place flat side down on a baking sheet. Bake 10 minutes. Brush with maple syrup and serve.
Jane Green (Saving Grace)
She still smelled faintly of sage and willowherb, and the green, living things of the forest. … I wanted to exist only in this moment, with this woman, in this forest, beneath the endless, starlit sky.
Kiran Millwood Hargrave
Those green irises were like gentle pools of brilliant meadows of sage and green-envy coneflowers swaying in a warm breeze. HOLY fuck. What the hell sort of poetry was that dribbling out of my twisted brain?
Christine Zolendz (Brutally Beautiful (Beautiful, #1))
I selected a simple but graceful gown with a sage-colored organza overdress and a seed-pearl choker, hoping that I had chosen well, and I swept my hair up with long, pearl-dotted pins from a small ivory box on the vanity.
Karen Essex (Dracula in Love)
It is an imposing monarch of the forest in exquisite miniature, is the “sage-brush.” Its foliage is a grayish green, and gives that tint to desert and mountain. It smells like our domestic sage, and “sage-tea” made from it tastes like the sage-tea which all boys are so well acquainted with. The sage-brush is a singularly hardy plant, and grows right in the midst of deep sand, and among barren rocks, where nothing else in the vegetable world
Mark Twain (Roughing It)
The doctor had installed a portal that connected Emily’s store to her house, allowing her to bypass her commute. The portal was sage green and had three golden dots painted on the side: Emily studied the dots. “Is that an upside-down ‘therefore’ symbol?” “When the dots are placed this way, they mean ‘because.’ I know my house is closer to town than yours. If you do ever decide to marry me,” Daedalus said, “I did not wish convenience to be a factor in your decision.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
And romance is just the place for creating mythic figures doing mythic things. Like carving 'civilzation' out of the wilderness. Like showing us what a hero looks life, a real, American, sprung-from-the soil, lethal-weapon-with-leggings, bona fide hero. And for a guy who never marries, he has a lot of offspring. Shane. The Virginian. The Ringo Kid. The Man with No Name. Just think how many actors would have had no careers without Natty Bumppo. Gary Cooper. John Wayne. Alan Ladd. Tom Mix. Clint Eastwood. Silent. Laconic. More committed to their horse or buddy than to a lady. Professional. Deadly. In his Studies in Classic American Literature, D.H. Lawrence waxes prolix on Natty's most salient feature: he's a killer. And so are his offspring. This heros can talk, stiltedly to be sure, but he prefers silence. He appreciates female beauty but is way more committed to his canoe or his business partner (his business being death and war) or, most disturbingly, his long rifle, Killdeer. Dr. Freud, your three-o'clock is here. Like those later avatars, he is a wilderness god, part backwoods sage, part cold-blooded killer, part unwilling Prince Charming, part jack-of-all-trades, but all man. Here's how his creator describes him: 'a philosopher of the wilderness, simple-minded, faithful, utterly without fear, yet prudent.' A great character, no doubt, but hardly a person. A paragon. An archetype. A miracle. But a potentially real person--not so much.
Thomas C. Foster (Twenty-five Books That Shaped America: How White Whales, Green Lights, and Restless Spirits Forged Our National Identity)
They walked on with him until they came to a dirty shop window in a dirty street, which was made almost opaque by the steam of hot meats, vegetables, and puddings. But glimpses were to be caught of a roast leg of pork bursting into tears of sage and onion in a metal reservoir full of gravy, of an unctuous piece of roast beef and blisterous Yorkshire pudding, bubbling hot in a similar receptacle, of a stuffed fillet of veal in rapid cut, of a ham in a perspiration with the pace it was going at, of a shallow tank of baked potatoes glued together by their own richness, of a truss or two of boiled greens, and other substantial delicacies.
Charles Dickens (Little Dorrit)
man should learn to detect and watch that gleam of light which flashes across his mind from within, more than the luster of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. —RALPH WALDO EMERSON
Robert Greene (Mastery)
Lou recovered some foie gras, duck confit, and assorted veggies and herbs. As she grabbed the items, a menu started bubbling to the surface: foie gras ravioli with a cherry-sage cream sauce, crispy goat cheese medallions on mixed greens with a simple vinaigrette, pan-fried duck confit, and duck-fat-roasted new potatoes with more of the cherry-sage cream sauce. For dessert, a chocolate souffle with coconut crisps.
Amy E. Reichert (The Coincidence of Coconut Cake)
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)
Chorus of Comforters We are gardeners who have no flowers, No herb may be transplanted From yesterday to tomorrow. The sage has faded in the cradles-- Rosemary lost its scent facing the new dead-- Even wormwood was only bitter yesterday. The blossoms of comfort are too small Not enough for the torment of a child's tear. New seed may perhaps be gathered In the heart of a nocturnal singer. Which of us may comfort? In the depth of the defile Between yesterday and tomorrow The cherub stands Grinding the lightnings of sorrow with his wings But his hands hold apart the rocks Of yesterday and tomorrow Like the edges of a wound Which must remain open That may not yet heal. The lightnings of sorrow do not allow The field of forgetting to fall asleep. Which of us may comfort? We are gardeners who have no flowers And stand upon a shining star And weep.
Nelly Sachs (Collected Poems I: (1944-1949) (Green Integer))
And noted all the things he wished to fix up for the feast I think we’ll have a pastry, yes, of peas and onions, sage and cress I think we’ll have an egg soufflé or tartlet at the least I think we’ll have a roast of squash, full of flavor, nothing posh I think we’ll have a soup of greens with warm and toasty bread A meal of oats to warm the heart, I think would make a lovely start And jugs of wine with berries spiced the prefect shade of red
Jonathan Edward Durham (Winterset Hollow)
TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.
Pattiann Rogers (Quickening Fields (Penguin Poets))
We walked among the different plants and by using The Book, we did our best to identify them and understand how to use them. Some were easy- spearmint, "for refreshment, strength, and healing," and rosemary, "for remembrance, and the prevention of nightmares." We also found a swathe of sage, which could be used "to cultivate wisdom and intelligence." When I came across a bunch of plants with dark green leaves and tiny white flowers, it took us quite a while to identify it by its drawing in The Book: gotu kola, an herb that could "restore the senses and clear confusion." "Oh, look at this one," I said. "Saffron, for success. I should probably bake with that." "If only it grew here," said Vik. Finally, on the bank of a small stream, we found gigantic thyme stems, almost two feet tall and topped with plump clusters of purple flowers. "What's thyme good for?" I asked Vik as I plucked a dozen stems and inhaled their herbaceous scent. "Thyme attracts affection, loyalty, and the goodwill of others," read Vik, "and can foster strength and courage when needed.
Rajani LaRocca (Midsummer's Mayhem)
Psychoanalysis: An Elegy" What are you thinking about? I am thinking of an early summer. I am thinking of wet hills in the rain Pouring water. Shedding it Down empty acres of oak and manzanita Down to the old green brush tangled in the sun, Greasewood, sage, and spring mustard. Or the hot wind coming down from Santa Ana Driving the hills crazy, A fast wind with a bit of dust in it Bruising everything and making the seed sweet. Or down in the city where the peach trees Are awkward as young horses, And there are kites caught on the wires Up above the street lamps, And the storm drains are all choked with dead branches. What are you thinking? I think that I would like to write a poem that is slow as a summer As slow getting started As 4th of July somewhere around the middle of the second stanza After a lot of unusual rain California seems long in the summer. I would like to write a poem as long as California And as slow as a summer. Do you get me, Doctor? It would have to be as slow As the very tip of summer. As slow as the summer seems On a hot day drinking beer outside Riverside Or standing in the middle of a white-hot road Between Bakersfield and Hell Waiting for Santa Claus. What are you thinking now? I’m thinking that she is very much like California. When she is still her dress is like a roadmap. Highways Traveling up and down her skin Long empty highways With the moon chasing jackrabbits across them On hot summer nights. I am thinking that her body could be California And I a rich Eastern tourist Lost somewhere between Hell and Texas Looking at a map of a long, wet, dancing California That I have never seen. Send me some penny picture-postcards, lady, Send them. One of each breast photographed looking Like curious national monuments, One of your body sweeping like a three-lane highway Twenty-seven miles from a night’s lodging In the world’s oldest hotel. What are you thinking? I am thinking of how many times this poem Will be repeated. How many summers Will torture California Until the damned maps burn Until the mad cartographer Falls to the ground and possesses The sweet thick earth from which he has been hiding. What are you thinking now? I am thinking that a poem could go on forever.
Jack Spicer (My Vocabulary Did This to Me: The Collected Poetry)
A girl and a boy, sitting lazily cross-legged under a pale green willow, picking at the grass. She is lying with her head in his lap, long red hair fanned against his knee. Her skin is not my unnatural red but like honeyed cream. She grins up at him, his eyes the color of an evergreen forest, of dragonfly wings, his corn-gold, too-long hair falling over his forehead. And she laughs. When she does her back, her throat arches slightly, and he blushes. He smells of wheat fields and fallen autumn apples soft against the earth, and it is a smell she knows like her own. Under the filmy reed-curtain of the old willow tree, they hold hands and talk quietly, shoes discarded like peach pits. The sun is low in the sky, warm and orange-gold on their young faces, their strong white smiles and freshly washed hair. The light spills onto their shoulders like water from a well. There are sharp-smelling rosemary branches braided into her hair, with their little blue blossoms, and the oil is on their brown fingers. The boy whispers something in the girl’s ear, and she closes her eyes, lashes smoking cheekbones like bundles of sage.
Catherynne M. Valente (The Labyrinth)
Greenery Juniper, Oracle Oak and Hop Tree, California Buckeye, and Elderberry. Pacific Dogwood and the pale green Eucalyptus, Quaking Aspen and Flannelbush. raw, sprouting, lush green love green with envy green with youth green with early spring olive, emerald, avocado, greenlight ready, set, GO! greenhouse, greenbelts, ocean kelp, cucumber, lizard, lime and forest green, spruce, teal, and putting green. green-eyed, verdant, grassy, immature green and leafy green half-formed tender, pleasant, alluring temperate freshly sawed vigorous not ripe yet promising greenbriar, greenbug, green dragon greenshanks running along the ocean's edge greenlings swimming greenlets singing greengage plums green thumbs greenhorns and greenflies- how on earth amid sage swells kelly hillsides and swirls of firs did I ever find that green of hers? holly, drake, and brewster green, pistachio, shamrock, serpentine terre verde, Brunswick, tourmaline, lotus, jade, and spinach green: start to finish lowlands to highs no field, no forest, no leaf, no blade can catch the light or trap the shade; no earthly tones will ever rise to match the green enchantment of her eyes.
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
Wind now Sweeping over my Bare Back I wish I could wrap up the glitter star-green of this moment and hand it to you like an angel gift. Give you the heat lightning flying in jagged silence over the distant mountains. And the smell of September prairie grass and the even fainter scent of October pine now descending . . . Give you the invisible sage wind whisking past your cheeks. And the cricket quartets and frog symphonies that play near the creek’s edge. To collect these sensations like a scientist of the soul and give them to you in their finest hour of coincidence and destiny.
Carew Papritz (The Legacy Letters: his Wife, his Children, his Final Gift)
Ahead, a house sits close to the road: a small, single-story place painted mint green. Ivy grows up one corner and onto the roof, the green tendrils swaying like a girl's hair let loose from a braid. In front there's a full and busy vegetable garden, with plants jostling for real estate and bees making a steady, low, collective hum. It reminds me of the aunties' gardens, and my nonna's when I was a kid. Tomato plants twist gently skywards, their lazy stems tied to stakes. Leafy heads of herbs- dark parsley, fine-fuzzed purple sage, bright basil that the caterpillars love to punch holes in. Rows and rows of asparagus. Whoever lives here must work in the garden a lot. It's wild but abundant, and I know it takes a special vigilance to maintain a garden of this size. The light wind lifts the hair from my neck and brings the smell of tomato stalks. The scent, green and full of promise, brings to mind a childhood memory- playing in Aunty Rosa's yard as Papa speaks with a cousin, someone from Italy. I am imagining families of fairies living in the berry bushes: making their clothes from spiderweb silk, flitting with wings that glimmer pink and green like dragonflies'.
Hannah Tunnicliffe (Season of Salt and Honey)
Cold leek and potato soup. Little pastry boats filled with minced chicken or fish in a white sauce. A large green salad, a tomato and spring onion salad, a cold roast of beef with horseradish or port wine jelly to taste, cold roasted chickens with sage and onion stuffing, with a variety of crisp cold vegetables, each with their proper sauces. Fruit salad. A marmalade-filled roulade with slices of sugared oranges and crème Chantilly which was even now rolling in its damp tea towel as though there were no such things as culinary accidents in the world. Cheeses and fruits and coffee or tea.
Kerry Greenwood (Murder and Mendelssohn (Phryne Fisher, #20))
Then stole into her the hint of ecstasy. She pressed her face to her knees. The very terribleness of the winters-the very fear and dread subduced her and filled her veins with strong wine. And the beauty-the fierce, dreadful beauty of winter! The summers-Oh, the summers! The unbelievable deep blue of the mountain sky-the huge sculptured skies, the green grass-the young animals, wild and free with startled eyes, the swift-running heels kicking, the perfume, smell of sage and mint and pine and grass and clover and snow, clean from the sweep of hundreds of miles of emptiness-and the loneliness-ah, not loneliness, but serene, deep, tranquil solitude.
Mary O'Hara (Thunderhead (Flicka, #2))
I placed the tubes of paint on the palette and selected a small canvas. I prepared the palette with an assortment of colors, then closed my eyes, remembering the way the moors had looked when I rode into town with Lord Livingston. He'd been so different on that drive into the village before he left for London. Had that been the side of him that Lady Anna had fallen in love with? I dipped my brush into the black paint and then mixed in some white until I'd created the right shade of gray, then touched the brush to the canvas. I loved the feeling of the paintbrush in my hand. He'd been kind to buy me the art supplies, but I remembered how he'd behaved in the dining room and at other times before that. 'How could he be so cruel, so unfeeling?' Once I'd painted the clouds, I moved on to the hills, mixing a sage green color for the grass and then dotting the foreground with a bit of lavender to simulate the heather. I stepped back from the canvas and frowned. It needed something else. But what? I looked out the window to the orchard. The Middlebury Pink. 'Who took the page from Lady Anna's book? Lord Livingston?' I dabbed my brush into the brown paint and created the structure of the tree. Next I dotted the branches with its heart-shaped leaves and large, white, saucer-size blossoms with pink tips.
Sarah Jio (The Last Camellia)
I call this our Thursday special. We have it regularly." This was a lie. In all the years not one single dish resembled another. Was this one from the deep green sea? Had that one been shot from blue summer air? Was it a swimming food or a flying food, had it pumped blood or chlorophyll, had it walked or leaned after the sun? No one knew. No one asked. No one cared. The most people did was stand in the kitchen door and peer at the baking-powder explosions, enjoy the clangs and rattles and bangs like a factory gone wild where Grandma stared half blindly about, letting her fingers find their way among canisters and bowls. Was she conscious of her talent? Hardly. If asked about her cooking, Grandma would look down at her hands which some glorious instinct sent on journeys to be gloved in flour, or to plumb disencumbered turkeys, wrist-deep in search of their animal souls. Her gray eyes blinked from spectacles warped by forty years of oven blasts and blinded with strewings of pepper and sage, so she sometimes flung cornstarch over steaks, amazingly tender, succulent steaks! And sometimes dropped apricots into meat loaves, cross-pollinated meats, herbs, fruits, vegetables with no prejudice, no tolerance for recipe or formula, save that at the final moment of delivery, mouths watered, blood thundered in response. Her hands then, like the hands of Great-grandma before her, were Grandma's mystery, delight, and life. She looked at them in astonishment, but let them live their life the way they must absolutely lead it.
Ray Bradbury (Dandelion Wine)
Despair could never touch a morning like this. The air was cool, and smelled of sage. It had the clarity that comes to Southern California only after a Santa Ana wind has blown all haze and history out to sea — air like telescopic glass, so that the snowcapped San Gabriela seemed near enough to touch, though they were forty miles away. The flanks of the blue foothills revealed the etching of every ravine, and beneath the foothills, stretching to the sea, the broad coastal plain seemed nothing but treetops: groves of orange, avocado, lemon, olive; windbreaks of eucalyptus and palm; ornamentals of a thousand different varieties, both natural and genetically engineered. It was as if the whole plain were a garden run riot, with the dawn sun flushing the landscape every shade of green.
Kim Stanley Robinson (Pacific Edge (Three Californias Triptych, #3))
The pressure is on. They've teased me all week, because I've avoided anything that requires ordering. I've made excuses (I'm allergic to beef," "Nothing tastes better than bread," Ravioli is overrated"), but I can't avoid it forever.Monsieur Boutin is working the counter again. I grab a tray and take a deep breath. "Bonjour, uh...soup? Sopa? S'il vous plait?" "Hello" and "please." I've learned the polite words first, in hopes that the French will forgive me for butchering the remainder of their beautiful language. I point to the vat of orangey-red soup. Butternut squash, I think. The smell is extraordinary, like sage and autumn. It's early September, and the weather is still warm. When does fall come to Paris? "Ah! soupe.I mean,oui. Oui!" My cheeks burn. "And,um, the uh-chicken-salad-green-bean thingy?" Monsieur Boutin laughs. It's a jolly, bowl-full-of-jelly, Santa Claus laugh. "Chicken and haricots verts, oui. You know,you may speek Ingleesh to me. I understand eet vairy well." My blush deepends. Of course he'd speak English in an American school. And I've been living on stupid pears and baquettes for five days. He hands me a bowl of soup and a small plate of chicken salad, and my stomach rumbles at the sight of hot food. "Merci," I say. "De rien.You're welcome. And I 'ope you don't skeep meals to avoid me anymore!" He places his hand on his chest, as if brokenhearted. I smile and shake my head no. I can do this. I can do this. I can- "NOW THAT WASN'T SO TERRIBLE, WAS IT, ANNA?" St. Clair hollers from the other side of the cafeteria. I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time." "My pleasure. Always happy to educate." He's wearing the same clothing as yesterday, jeans and a ratty T-shirt with Napolean's silhouette on it.When I asked him about it,he said Napolean was his hero. "Not because he was a decent bloke, mind you.He was an arse. But he was a short arse,like meself." I wonder if he slept at Ellie's. That's probably why he hasn't changed his clothes. He rides the metro to her college every night, and they hang out there. Rashmi and Mer have been worked up, like maybe Ellie thinks she's too good for them now. "You know,Anna," Rashmi says, "most Parisians understand English. You don't have to be so shy." Yeah.Thanks for pointing that out now.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
And what of all these spices? They're worth a pretty fortune." She waves a juddering arm across the table, at the tins and glass jars and earthenware pots. All at once a shaft of thin northern light swoops over them, jolting them into luminous life: bubbled glass jars of briny green peppercorns, salted capers, gleaming vanilla pods, rusted cinnamon sticks, all leaping and glinting. The sudden startling beauty of it, the palette of hues--ocher, terra-cotta, shades of earth and sand and grass---the pale trembling light. All thoughts of running a boardinghouse vanish. I reach for a jar, lift its cork lid. The scent of bark, earth, roots, sky. And for a second I am somewhere else. "The mysterious scent of a secret kingdom," I murmur. The jar contains little pellets, brown, spherical, unexotic. How marvelous that something so plain can have such an enthralling perfume, I think. "Oh, Miss Eliza. Always the poetess! It's only allspice." Cook gives a wan smile and gestures at the ceiling, where long bunches of herbs hang from a rack. Rosemary, tansy, sage, nettles, woodruff. "And what of these? All summer I was collecting these and they still ain't properly dry." "May I lower it?" Not waiting for an answer I wind down the rack until the drying herbs are directly in front of me---a farmyard sweetness, a woody sappy scent, the smell of bruised apples and ripe earth and crushed ferns.
Annabel Abbs (Miss Eliza's English Kitchen)
Did you find something?” said Mara, his best friend. She wore sage-green hunting pants and a ridiculously frilly white lace top, why, he had no idea. She was funny like that. As she came alongside, she raised her big brown eyes in concern, and glanced at the tracks. She chewed a cinnamon stick and frowned.  He
John Forrester (Fire Mage (Blacklight Chronicles, #1))
father’s men had pursued. Lad, don’t want you dying like your brother, you’re the last son of the Storm family lineage, and all.  Finding nothing all day, he scanned the muddy ground for tracks, kicking away needles and sticks. Off to the corner of his eye he spotted an indentation in the wet leaves. He strode over and bent down, flipping his hair away from his eyes for a better look. A thrill raced through him at the sight of fresh tracks. He raised his head and studied a sloshing stream blanketed with a soft mist, and squinted at a path illuminated by the four moon sisters. This was his kill.  “Did you find something?” said Mara, his best friend. She wore sage-green hunting pants and a ridiculously frilly white lace top, why, he had no idea. She was funny like that. As she came alongside, she raised her big brown eyes in concern, and glanced at the tracks. She chewed a cinnamon stick and frowned.  He grunted in response and pointed a short
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Did you find something?” said Mara, his best friend. She wore sage-green hunting pants and a ridiculously frilly white lace top, why, he had no idea. She was funny like that. As she came alongside, she raised her big brown eyes in concern, and glanced at the tracks. She chewed a cinnamon stick and frowned.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
every hunting trip his father’s men had pursued. Lad, don’t want you dying like your brother, you’re the last son of the Storm family lineage, and all.  Finding nothing all day, he scanned the muddy ground for tracks, kicking away needles and sticks. Off to the corner of his eye he spotted an indentation in the wet leaves. He strode over and bent down, flipping his hair away from his eyes for a better look. A thrill raced through him at the sight of fresh tracks. He raised his head and studied a sloshing stream blanketed with a soft mist, and squinted at a path illuminated by the four moon sisters. This was his kill.  “Did you find something?” said Mara, his best friend. She wore sage-green hunting pants and a ridiculously frilly white lace top, why, he had no idea. She was funny like that. As she came alongside, she raised her big brown eyes in concern, and glanced at the tracks. She chewed a cinnamon stick and frowned.  He grunted in response and pointed a short spear with a menacing, curved blade at the stream. This was his hunt and even though he’d failed to even bag anything as big as a deer, he swore he’d do whatever it took to bring it back home to father. Mara shook her head, the movement stubborn and terse, her short, brown hair slashing along her neck. “It’s too late. I’m serious, don’t look at me with those oh-please-Mara eyes of yours.”   “But the prints are fresh, an hour old at the most—”  “What are you trying to prove? We’ve been
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Ben found himself quite uncomfortable, like every time he was forced to acknowledge Piper Stone’s appearance. Damn her, but his assistant was hot. He didn’t often allow himself to look past her green eyes, but when he did, he always frowned, displeased. Assistants shouldn’t look like that; those who did were the reason why so many men ended up requesting blow jobs in the copy room.
May Sage (Scrooge McFuck (Some Girls Do It, #2))
Defense: DNA Protection Acerola Almond butter Almonds Anchovies Apricots Arctic char Arugula Bamboo shoots Basil Bigeye tuna Black bass Black tea Blueberries Bluefin tuna Bluefish Bok choy Bottarga Brazil nuts Broccoli Broccoli rabe Broccoli sprouts Cabbage Camu camu Carrots Cashew butter Cashews Cauliflower Caviar (sturgeon) Chamomile tea Cherries Cherry tomatoes Chestnuts Cockles (clam) Coffee Concord grape juice Dark chocolate Eastern oysters Eggplant Fiddleheads Fish roe (salmon) Flax seeds Grapefruit Gray mullet Green tea Guava Hake Halibut Hazelnuts John Dory (fish) Kale Kiwifruit Lychee Macadamia nuts Mackerel Mangoes Manila clams Marjoram Mediterranean sea bass Mixed berry juice Nectarines Olive oil (EVOO) Oolong tea Orange juice Oranges Oyster sauce Pacific oysters Papaya Peaches Peanut butter Peanuts Pecans Peppermint Pine nuts Pink grapefruit Pistachios Plums Pompano Pumpkin seeds Rainbow trout Red black-skin tomatoes Red mullet Redfish Romanesco Rosemary Rutabaga Sage Salmon San Marzano tomato Sardine Sea bass Sea bream Sea cucumber Sesame seeds Soy Spiny lobster Squash blossoms Squash seeds Squid ink Strawberries Sunflower seeds Swordfish Tahini Tangerine tomatoes Thyme Truffles Tuna Turmeric Turnips Walnuts Watermelon Yellowtail (fish)
William W. Li (Eat to Beat Disease: The New Science of How Your Body Can Heal Itself)
All varieties of sage represent the wisdom of elders and ancient generations.
Paige Vanderbeck (Green Witchcraft: A Practical Guide to Discovering the Magic of Plants, Herbs, Crystals, and Beyond)
That might be the story of Riverside. Tying to fit in with the big boys by accommodating their oversized posteriors. ... That's how we say it. We say, 'This is a horsey area.' ... That means go slow. We have feed stores and tack shops and desert, a really beautiful desert. It's the desert that has me here in 909. Technically, the Badlands is chaparral. The hills are filled with sage, wild mustard, fiddleheads and live oaks. Bobcats, meadowlarks, geckos, horned lizards, red tailed hawks, kestrels, coach whip snakes, king snakes, gopher snakes. Rattlesnakes and coyotes. We don't see rain for seven months of the year and when we do we often flood. In the spring, the hillsa re green. They are layered and gorgeous. This is in contrast to the rest of the year when the hills are brown and ochre and layered and gorgeous. ~ 909, Percival Everett
Gayle Wattawa (Inlandia: A Literary Journey Through California's Inland Empire (California Legacy))
That One is Being itself, the constant in the endlessly changing evolutionary parade." "Nuclear physicists and cosmologists have become the new Kabbalists of our age, speculating in ever more refined ways on the first few seconds of existence much as our mystical sages meditated on the highest triad of the ten divine emanations." "How would such a reframed tale read? It would be a narrative of the great reaching out by the inner One that inhabits each of us and binds us all together, a constant stretching forth of Y-H-W-H ("Being") in the endless adventure of becoming HWYH (Hebrew for ''being'' or "existence"), or of the One garbing itself in the multicolored garment of diversity and multiplicity." "I do not view humans - surely not as we are now - as the end purpose of evolution. We, like all other species, are a step along the way. If existence survives on this planet, Mind will one day be manifest to a degree far beyond our present ability to comprehend or predict. On that day, says Scripture, "Earth will be filled with knowledge of Y-H-W-H as water fills the sea" (Isaiah 11:9) - just that wholly and naturally.
Arthur Green (Radical Judaism: Rethinking God and Tradition (The Franz Rosenzweig Lecture Series))
Oh, would you look at this, now,” she said, pointing at a hole in her sage-green velvet couch. Never mind the brain and hair on it, she could clean those off with a stiff brush. And never mind the point-blank gunshot to the face she’d absorbed. It was the bullet hole in her couch that pissed her off.
Christopher Buehlman (The Lesser Dead)
[Taos is] a high, wise, sage-covered plain. In the evening, with the sun at your back, it looks like an ocean, like water. The color up there is different . . . the blue-green of the sage and mountains, the wildflowers in bloom. It's a different kind of color from any I'd ever seen---there's nothing like that in north Texas or even in Colorado. And it's not just the color that attracted me either The world is so wide up there, so big.
Georgia O'Keeffe
Did you find something?”said Mara, his best friend. She wore sage- green hunting pants and a ridiculously frilly white lace top. Why she wore such a silly outfit, he had no idea. She was eccentric, to say the least. As she came alongside, she raised her big brown eyes in concern and glanced at the tracks. She chewed a cinnamon stick and frowned.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
The rest of the house had a casual California boho-beach vibe, with its distressed wood floors, ivory furniture, and gauzy curtains, but the bedroom was very Zen. Decorated in a cool palette of sage greens and charcoal grays, with a floor-to-ceiling window along one wall that looked over a tiny tranquility garden of stones and succulents, it was my little oasis.
J.T. Geissinger (Sweet as Sin (Bad Habit, #1))
I remember the day I jotted down that advice in the sage green notebook I used for my cyberbriefings. At the top I put a gold-and-purple logo sticker from LSU, my alma mater, and at the left corner below, a midnight blue circle with white letters that said VOTE FOR SETH RICH.
Donna Brazile (Hacks: The Inside Story of the Break-ins and Breakdowns That Put Donald Trump in the White House)
I’m starving,” I said as we sat in Healer Hanna’s cozy waiting room. The place had been painted with sage green and sunset orange
Deanna Chase (Hexed on Bourbon Street (Jade Calhoun, #8))
she’d instruct the sages to rewrite the calendars so that time would be measured in liquid—by “half a bottle ago,” or “when the vintage has matured.” Poetry would soar again, and music would fill the halls. It might subvert punctuality. But what really matters—birth, love, death—doesn’t abide by the clock
Derek B. Miller (The Girl in Green)
Through Evernight he back was borne on black and roaring waves that ran o'er leagues unlit and foundered shores that drowned before the Days began, until he heard on strands of pearl where ends the world the music long, where ever-foaming billows roll the yellow gold and jewels wan. He saw the Mountain silent rise where twilight lies upon the knees of Valinor, and Eldamar beheld afar beyond the seas. A wanderer escaped from night to haven white he came at last, to Elvenhome the green and fair where keen the air, where pale as glass beneath the Hill of Ilmarin a-glimmer in a valley sheer the lamplit towers of Tirion are mirrored on the Shadowmere. He tarried there from errantry, and melodies they taught to him, and sages old him marvels told, and harps of gold they brought to him. They clothed him then in elven-white, and seven lights before him sent, as through the Calacirian to hidden land forlorn he went. He came unto the timeless halls where shining fall the countless years, and endless reigns the Elder King in Ilmarin on Mountain sheer; and words unheard were spoken then of folk of Men and Elven-kin, beyond the world were visions showed forbid to those that dwell therein. A ship then new they built for him of mithril and of elven-glass with shining prow; no shaven oar nor sail she bore on silver mast: the Silmaril as lantern light and banner bright with living flame to gleam thereon by Elbereth herself was set, who thither came and wings immortal made for him, and laid on him undying doom, to sail the shoreless skies and come behind the Sun and light of Moon.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Starbucks. The calm and connection marked a shift from grasping for a receding future to the feeling of inhabiting a breathtaking if transient present. It was a shift, for me, compelled by a cosmological counterpart to the guidance offered through the ages by poets and philosophers, writers and artists, spiritual sages and mindfulness teachers, among countless others who tell us the simple but surprisingly subtle truth that life is in the here and now. It’s
Brian Greene (Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe)
Many great trees grew there, planted long ago, falling into untended age amid a riot of careless descendants; and groves and thickets there were of tamarisk and pungent terebinth, of olive and of bay; and there were junipers and myrtles; and thymes that grew in bushes, or with their woody creeping stems mantled in deep tapestries the hidden stones; sages of many kinds putting forth blue flowers, or red, or pale green; and marjorams and new-sprouting parsleys, and many herbs of forms and scents beyond the garden-lore of Sam.
J.R.R. Tolkien (The Lord of the Rings)
Beyond her, along the edge of the patio, a rainbow of color danced in the evening breeze. Olive's backyard efforts had gone well beyond the leafy herb garden. Arranged in sweet clusters, with a backdrop of desert sage and tall grasses, sat well-tended terracotta pots brimming with yellow snapdragons, deep-violet lobelia, and powder-blue pansies. Even in the dimming evening light, Julia noticed a couple of butterflies flitting near the bright arrangement of petals. It was such a charming sight, and her niece had been responsible for the entire thing. There was no doubt this girl had a serious green thumb.
Nicole Meier (The Second Chance Supper Club)
The interior of Toast was just as charming as the outside. White walls reflected the light streaming in through the huge picture windows, and the wooden floor was painted a pale jade green. A jumble of endearingly mismatched tables and chairs dotted the main room, each decorated with a vintage cut-glass vase of winter branches. The entire back wall of the restaurant had floor-to-ceiling shelves stocked with local edible goods. Jars of East Sussex honey. Bottles of cider. Bunches of lavender and sage. It was cozy and serene and tidy. For so many years I'd dreamed of this place, and to see it here in real life was overwhelming. I felt a swell of emotion as I took it all in, pride mixed with sorrow, bittersweet.
Rachel Linden (The Magic of Lemon Drop Pie)
And face-to-face with the lush vineyard, I feel my worries melt away. The grapes glow with that magical golden sunlight, but from here, it feels far more real. I turn and turn, drinking in the sights of the green vines, thick with plump grapes, the same sage green as the broad leaves fluttering in the breeze. Dusty paths stretch between the rows, and I want to walk through them forever, listening to the almost-quiet of this strange, beautiful world.
Julie Abe (The Charmed List)
The dormouse was a jolly plump old fellow, clad in a rust-colored jerkin, his white beard curled and trimmed neatly. An infant mole, who could not sleep because of the onset of spring, sat beside him on a mossy beechlog in the orchard. Together they shared an early breakfast of oatcakes, hot from the kitchens, and two of last autumn’s russet apples. Dawn was touching the earth with its rosy paws, promising sunny spring days as a compensation for the long winter Redwall Abbey had endured. Soft white clouds with golden underbellies hung on the still air, dewdrops glistened on new green grass, budding narcissus and snowdrop awaited the coming of the sun-warmed day. The dormouse nodded sagely. “Soon be pickin’ a Nameday for this good season, aye, soon.” The small mole chewed slowly at his oatcake, wrinkling a black button snout as he gazed up at the elder. “You’m said you’m tell oi a story, zurr.
Brian Jacques (Salamandastron: A Tale from Redwall)
I get straight to work preparing my yeast, mixing it with a splash of milk and warming it in a pan as an image of a Swedish cardamom twist comes into my head. With its elaborate plaiting, it's like a cinnamon roll but more complex. I love a bread tied in knots. I'll make mine savory. That will be interesting. I turn off the burner and rush to my designated sage-green refrigerator on the side of the tent. It's stocked to the brim, stuffed full of fresh produce, exotic fruits, and dairy from local farms. I get to work, sorting through my options. What is this? Spring onion? No, chives. That'll be perfect. I'll dice them and mix them with olive oil, so they crisp up in the cracks of the bread, along with some mature cheddar. I dig deeper in the dairy compartment and find a log of expensive goat cheese. Even better! Then I'll add a ton of fresh-ground black pepper and top with some flaky sea salt. My mouth is already watering. Pair a few of these freshly baked buns with a crisp, mineral white and aperitvo is served!
Jessa Maxwell (The Golden Spoon)
The Spinning Year by Stewart Stafford Warm days, leaves of green, Winter's looming touch between, Harvesting in chill of night, Spiders crawl in roused delight. Rearranging the hibernacle, My living quarter tabernacle, To see out the darkened months, Until come Spring's timed shunts. Emerge into a world of change, Earth's mother hand will rearrange, Another tree ring sagely earned, See around a new corner turned. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
Your quarters are this way,” said Thifer and led Magnus Ridolph down a hall walled with corrugated aluminum to a room overlooking the pool. The room was furnished with a narrow bed, a chest of drawers painted gray-green, a straight-back chair painted white. “You are very wise,” Magnus Ridolph observed sagely. “Very sensitive.” “How so?” inquired Thifer. “You have accurately grasped the personality of the planet and have carried the feeling in its most subtle nuances into the furnishings of your house. Quite correctly you decided that starkness and rigor was the only answer to the blank simplicity of the landscape.
Jack Vance (Magnus Ridolph)
As she drank, she closed her eyes and tried to imagine she was drinking her grandmother's porridge. What she wouldn't give for a hot bowl of fish congee, sprinkled with green scallions and topped with a dollop of sesame oil! She'd even have willingly downed one of her mother's herbal soups; Fa Li used to make red sage soup almost every day when Mulan was growing up. How she'd hated the smell and pungent taste. She used to pick out the chopped pieces of the root and chew on the sweet wolfberries instead. She missed home so much.
Elizabeth Lim (Reflection)
Between the sky and the egg-shaped, egg-smooth granite boulder that floats out in the middle of the meadow’s widest field, everything has its own green: cattails, willow leaves, the flip side of an aspen leaf, the gray-green sage, the yellow-green native pasture, the loden timber, all circling around, with that boulder at the center, as if the meadow were a green ear held up to listen to the sky’s blue, and there is an axis drawn between the boulder and the sun. Elsewhere on the mountain, most of the green stays locked in pines, the prairie is scorched yellow. But Lyle’s meadow is a hemorrhage of green, and a green clockwork of waterways and grasses, held up to the sky in its ring of ridges, held up for the sky to listen, too. The granite boulder is only there to hold it down.
James Galvin (The Meadow)
With the fireflies dancing around her head, their yellow glow illuminating her brilliant sage-green skin, she looked achingly beautiful tonight.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
While she waited there she forgot the prospect of untoward change. The bray of a lazy burro broke the afternoon quiet, and it was comfortingly suggestive of the drowsy farmyard, and the open corrals, and the green alfalfa fields. Her clear sight intensified the purple sage-slope as it rolled before her. Low swells of prairie-like ground sloped up to the west. Dark, lonely cedar trees, few and far between, stood out strikingly, and at long distances ruins of red rocks. Farther on, up the gradual slope, rose a broken wall, a huge monument, looming dark purple and stretching its solitary, mystic way, a wavering line that faded in the north. Here to the westward was the light and color and beauty. Northward the slope descended to a dim line of canyons from which rose an up-flinging of the earth, not mountainous, but a vast heave of purple uplands, with ribbed and fan-shaped walls, castle-crowned cliffs, and gray escarpments. Over it all crept the lengthening, waning afternoon shadows.
Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
Alek stalked towards him, his black hair ruffled, sage-green eyes promising revenge. He was tall like Ian, but the similarities stopped there. Alek’s skin was a warm olive, except so pale it was almost sickly-looking—probably because he hardly ever saw the sun—and his body was chiseled in hard angles, sinewy like a big cat that hadn’t had a good meal in a while, and with all the same threat of danger.
Thea Verdone (Never Leave, Never Lie)
Sandra nodded sagely. “Don’t be afraid to advocate for yourself. If you need something—or even if you just feel like you want it—tell someone. Tell the nurses, tell your doctor, tell Angie. That’s what they’re all here for.” “I will.” “I mean it.” Sandra’s green eyes grew shrewdly assessing. “I can tell you’re a caretaker personality, so you’re probably not used to accepting or asking for help. Your instinct is to not be a burden or make trouble for anyone.
Susannah Nix (Mad About Ewe (Common Threads, #1))
His eyes were dead on mine. Up close, they weren’t exactly green. They were a wild mixture of sage and blue, rimmed by dark jade.
L.J. Shen (Playing with Fire)
Blessed be the land of sages, saints, yogis, sadhus, and sanyasis, Blessed be the land of brave hearts, souls, and of light, Blessed be the land of spirituality, mystics, gnostics, and peace, Blessed be the land full of colors, diversity, and unity, Blessed be the land of the righteous, righteousness and on the rightful sight, Blessed be the land of river, mountains, and seas, Blessed be the land of nature, greens, and antiques, Blessed be the land of beauty, culture, and care, Blessed be the land of mother of eastern spirituality and wisdom, Blessed be the land that produced peaceful warriors, godly souls, and the greatest humanitarians. Blessed be the land of diversity, Blessed be the land of honor, prosperity, and growth, Blessed be the land of righteous kings, maharajas, rulers, and governors, Blessed be the land of truth and bliss, Blessed be the soul of India!
Aiyaz Uddin
•  Tea: People in all the blue zones drink tea. Okinawans nurse green tea all day. Green tea has been shown to lower the risk of heart disease and several cancers. Ikarians drink brews of rosemary, wild sage, and dandelion—all herbs known to have anti-inflammatory properties.
Dan Buettner (The Blue Zones Challenge: A 4-Week Plan for a Longer, Better Life)
Many female devotees 'babied' Vivekananda. Sara Ellen Waldo traveled for hours in a jogging horsecar to care for him and was pleased when the cooked for her; he said he 'found genuine rest and relaxation in the freedom and quiet of Miss Waldo's simple home.' There he 'invented new dishes or tried experiments with Western provisions and ran back and forth from one room to the other like a child at play.' Josephine MacLeod loved the combination of holiness and childlike absorption when, after a talk on Jesus, he 'seemed to radiate a white light from head to foot.' On the way home, she did not want to interrupt his 'great thoughts,' but was delighted to learn that, despite the halo 'over his head,' he was in fact pondering 'the best way to complete a recipe for mulligatawny soup.' The admired his 'learning of a university president' or 'dignity of an archbishop,' but loved the 'child side' when the 'prophet and sage would disappear.' Maud Stumm, who gave Vivekananda drawing lessons, loved to watch him 'lying at full length on the green couch in the hall, sound asleep like a tired child.' Sometimes, he would get up after a meal to smoke or think, but he lured back to the table by ice cream: 'he would sink into his place with a smile of expectancy and pure delight seldom seen on the face of anybody over sixteen.
Ruth Harris (Guru to the World: The Life and Legacy of Vivekananda)
Guy's only thought was to help her. It wasn't until he'd shoved aside the curtain and held her very wet, very naked body against him that he realized what he'd done. Her sage green eyes were wide as she stared at him. For long moments, they simply looked at each other. "I heard you cry out." "My... my ankle," she said after clearing her throat. "I put too much pressure on it." "A bath would have been better." He was valiantly trying to keep his gaze on her face, but it was difficult with her pert breasts against him and her bare ass beneath his hand as he held her up. "Probably," she whispered.
Donna Grant (Night's Awakening (Dark Kings, #0.2))
the hospital in years past, former directors, and a big map of the service area provided by the hospital. Green chairs
Micheal Maxwell (Diamonds and Cole (A Cole Sage Mystery, #1))
He hesitated a moment and gave a decisive nod. Then, to my complete and utter astonishment, he got down on his knees before me and clasped my hands in his. “Sydney Katherine Sage,” he said, his green eyes full of love and earnestness. “Would you do a brooding, deadbeat Moroi the honor of being his wife?
Richelle Mead (Silver Shadows (Bloodlines, #5))
Books of the sages of the ages reflect upon in stages; like honey their words on the tongue give due savour.” {Source: A Green Desert Father}
Richard Mc Sweeney (A Green Desert Father)
Did you find something?” said Mara, his best friend. She wore sage-green hunting pants and a ridiculously frilly white lace top. Why she wore such a silly outfit, he had no idea. She was eccentric, to say the least. As she came alongside, she raised her big brown eyes in concern and glanced at the tracks. She chewed a cinnamon stick and frowned.  He grunted in response and pointed a short spear with a menacing, curved blade at the stream. This was their hunt and even though they’d failed to even bag anything as big as a deer, he swore he’d do anything to bring it back home to father. Mara shook her head, the movement stubborn and terse, her short, brown hair slashing along her neck. “It’s too late. I’m serious, don’t look at me with those
John Forrester (Fire Mage (Blacklight Chronicles, #1))
She sees the real man behind the façade of smiles and jokes and my big mouth. Heartache, loneliness, and guilt look back at her. She doesn’t shy away though. No, Sage with the glittering gray-green eyes steps closer. Her cheeks are pink and her ears are red. Embarrassed and shy, but determined. That small glint in her stare, coupled with the way she lifts her chin slightly, pulls me the rest of the way from my dark, clouded mood and tethers me to her light. I caught a shooting star. … She’s soaring through the darkness and I’ve grabbed hold. I don’t want to let go.
K. Webster (Like Dragonflies)
At the far end of our plot he'd cleared a little square patch of land and planted herbs: thyme, rosemary, parsley, coriander, chives, sage and mint. I asked him if he was worried they'd be polluted by the city air. "You're all polluted yourselves," he said, but without animosity, not judgmental. "You breathe the air, what difference does it make if you eat it? It's already inside you." At night I used to visit our vegetable patch with a torch. I would crouch down with my feet on the bare earth and watch the velvety sage leaves catching the moisture, covering themselves in it, soaking it up. The rosemary held up its tiny daggers in the darkness as if trying to burst bubbles of water hovering just above the ground. And the tall tubes of chives, the spiky, green, seriously weird hair-style of a subterranean onion reaching upwards. Thyme crawled over the soil, like a detachment of the Resistance, grouped together, efficient, close-knit. I used to stay there thinking, resting. I liked being with plants, they're neutral, they don't talk, don't hear anything, have no longings or needs.
Agnès Desarthe (Chez Moi: A Novel)
Did you find something?”asked Mara. She wore sage-green hunting pants and a ridiculously frilly white lace top. Why she wore such an outfit, he had no idea. She had her own unique sense of fashion, to say the least. Not that he minded it at all. It was part of many reasons why he liked her.   As she approached him, she lowered her big brown eyes in keen interest and studied at the tracks. She chewed a cinnamon stick and grinned.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Something was wrong; Raymond McGregor could sense it. He blew his breath into the palm of his hands and rubbed them together. Even his sage green hunting jacket and insulated long-sleeved shirt could not deter the dampness from seeping through to his very bones as the sun began to settle on Cape Peril off the coast of Maine.
Delphine Boswell (Unholy Secrets (Dana Greer Mystery, #1))
Did you find something?” asked Mara. She wore sage-green hunting pants and a ridiculously frilly white lace top. Why she wore such an outfit, he had no idea. She had her own unique sense of fashion, to say the least. Not that he minded it at all. It was part of many reasons why he liked her.  As she approached him, she lowered her big brown eyes in keen interest and studied at the tracks. She chewed a cinnamon stick and grinned.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
She keeps walking, so I keep following, making our way down a stone path that leads to a set of tiered gardens. It is magical back here, garden after garden, the first filled with herbs like Mama grows, rosemary and lavender and mint and sage. Beyond that is a rose garden. There must be fifty rosebushes in it, all with different-colored blooms. We keep walking, down to the third tier, where there are tended beds like Daddy's vegetable patch in our backyard. "Look at this," Keisha says. She stands beside row upon row of little green plants with thick green leaves. She kneels beside one of them and pulls back a leaf. There are small red strawberries growing underneath. She picks one and hands it to me. I've never eaten a strawberry that tastes like this before. It's so rich, with juice like honey. It's nothing like the ones Mama buys at Kroger.
Susan Rebecca White (A Place at the Table)
She is never going to let me live down that stupid Thanksgiving," Kai says. I can't help but take the bait. "You made prime rib!" "It was delicious," Kai says, shrugging. "IT WAS BEEF! You can't have beef on Thanksgiving, except for appetizers like meatballs or something. You have TURKEY on Thanksgiving." Last Thanksgiving I spent with Phil and Kai, since I was orphaned and separated and Gilly couldn't make it from London. Everything was delicious, but it was like a dinner party and not Thanksgiving. The prime rib wasn't the only anomaly. No mashed potatoes or stuffing or sweet potatoes with marshmallows or green bean casserole. He had acorn squash with cippolini onions and balsamic glaze. Asparagus almondine. Corn custard with oyster mushrooms. Wild rice with currants and pistachios and mint. All amazing and perfectly cooked and balanced, and not remotely what I wanted for Thanksgiving. When I refused to take leftovers, his feelings were hurt, and when he got to the store two days later, he let me know. "Look," Kai says with infinite patience. "For a week we prepped for the Thanksgiving pickups." He ticks off on his fingers the classic menu we developed together for the customers who wanted a traditional meal without the guilt. "Herb-brined turkey breasts with apricot glaze and roasted shallot jus. Stuffing muffins with sage and pumpkin seeds. Cranberry sauce with dried cherries and port. Pumpkin soup, and healthy mashed potatoes, and glazed sweet potatoes with orange and thyme, and green beans with wild mushroom ragu, and roasted brussels sprouts, and pumpkin mousse and apple cake. We cooked Thanksgiving and tasted Thanksgiving and took Thanksgiving leftovers home at the end of the day. I just thought you would be SICK OF TURKEY!
Stacey Ballis (Good Enough to Eat)
Plumes of white, pink, and purple blossoms offset the one hundred shades of green our little city is known for this time of year: lime, celery, and avocado, butter lettuce and kale, Granny Smith apple and broccoli and sage.
Jennie Shortridge (Eating Heaven)