“
An animal?" Thorne said, and she realized he'd been waiting for her to further explain what she was seeing.
"It has long legs and horns and...and it's beautiful."
"Oh, good, we're back to this, then.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Man cannot survive except through his mind. He comes on earth unarmed. His brain is his only weapon. Animals obtain food by force. man had no claws, no fangs, no horns, no great strength of muscle. He must plant his food or hunt it. To plant, he needs a process of thought. To hunt, he needs weapons,and to make weapons - a process of thought. From this simplest necessity to the highest religious abstraction, from the wheel to the skyscraper, everything we are and we have comes from a single attribute of man -the function of his reasoning mind.
”
”
Ayn Rand (The Fountainhead)
“
In addition to the OPEN RANGE CAUTION, there were animal signs I'd never seen before-an antelope, a cow, and cow with horns...But it worried me that, without warning, a cow with horns might be running across the interstate. And that this had happened frequently enough that they'd had to erect a sign to warn people about it.
”
”
Morgan Matson (Amy & Roger's Epic Detour)
“
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon,
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.—Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.
”
”
William Wordsworth (The Major Works)
“
If one squinted into Cabeswater long enough, in the right way, one could see secrets dart between the trees. The shadows of horned animals that never appeared. The winking lights of another summer's fireflies. The rushing sound of many wings, the sound of a massive flock always out of sight. Magic.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Only when the last of the animals horns, tusks, skin and bones have been sold, will mankind realize that money can never buy back our wildlife
”
”
Paul Oxton
“
Music frees my soul, under its spell I heal and sorrow continues to fail at keeping me enraged, caged as if a circus animal. Armed with it, ready and willing I sit to crush the horns of Baphomet.
”
”
The Raveness (Night Tide Musings)
“
No one in the world needs a Rhino horn but a Rhino.
”
”
Paul Oxton
“
The war, therefore if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are incapable of hurting one another. But though it is unreal it is not meaningless. It eats up the surplus of consumable goods, and it helps to preserve the special mental atmosphere that the hierarchical society needs. War, it will be seen, is now a purely internal affair. In the past, the ruling groups of all countries, although they might recognize their common interest and therefore limit the destructiveness of war, did fight against one another, and the victor always plundered the vanquished. In our own day they are not fighting against one another at all. The war is waged by each ruling group against its own subjects, and the object of the war is not to make or prevent conquests of territory, but to keep the structure of society intact. The very word "war," therefore, has become misleading. It would probably be accurate to say that by becoming continuous war has ceased to exist. The peculiar pressure that is exerted on human beings between the Neolithic Age and the early twentieth century has disappeared and has been replaced by something quite different. The effect would be much the same if the three superstates, instead of fighting one another, should agree to live in perpetual peace, each inviolate within its own boundaries. For in that case each would still be a self-contained universe, freed forever from the sobering influence of external danger. A peace that was truly permanent would be the same as a permanent war. This--although the vast majority of Party members understand it only in a shallower sense--is the inner meaning of the Party slogan: WAR IS PEACE.
”
”
George Orwell (1984)
“
No Metal, No Magic. Metal makes everything techno magical.
”
”
Sybrina Durant (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns)
“
It might be very hard to believe but with no metal and no magic there’d be no technology.
”
”
Sybrina Durant (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns)
“
When the nettle is young, the leaves make excellent greens; when it grows old it has filaments and fibers like hemp and flax. Cloth made from the nettle is as good as that made from hemp. Chopped up, the nettle is good for poultry; pounded, it is good for horned cattle. The seed of the nettle mixed with the fodder of animals gives a luster to their skin; the root, mixed with salt, produces a beautiful yellow dye. It makes, however, excellent hay, as it can be cut twice in a season. And what does the nettle need? very little soil, no care, no culture; except that the seeds fall as fast as they ripen, and it is difficult to gather them; that is all. If we would take a little pains, the nettle would be useful; we neglect it, and it becomes harmful. Then we kill it. How much men are like the nettle! My friends, remember this, that there are no weeds, and no worthless men, there are only bad farmers.
”
”
Victor Hugo
“
Every animal with blood in its veins and horns on its head will fight when it is attacked.
”
”
Sun Tzu (The Art of War)
“
Osm – the unicorn with the multi-metal horn tipped with Osmium can do it all! He has the powers of all the metal horn unicorns. Osmium is much rarer than gold, about 1000 times, but it is only worth about ¼ the price because there are so few uses for it.
”
”
Sybrina Durant (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns)
“
Elk have not been seen in Switzerland for many a year. In the interests of scientific accuracy, please strike the idea of elk from your mind. If you must, think of ibexes instead, a fierce and agile type of goat with great spiraling horns. Marmots will also do in a pinch, but under no circumstances should you think of elk. No. Elk. The elkless among you may now proceed.
”
”
Maryrose Wood (The Unseen Guest (The Incorrigible Children of Ashton Place, #3))
“
The war, therefore, if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are set at such an angle that they are incapable of hurting one another.
”
”
George Orwell (1984)
“
The fundamental defect of the female character is a lack of a sense of justice. This originates first and foremost in their want of rationality and capacity for reflexion but it is strengthened by the fact that, as the weaker sex, they are driven to rely not on force but on cunning: hence their instinctive subtlety and their ineradicable tendency to tell lies: for, as nature has equipped the lion with claws and teeth, the elephant with tusks, the wild boar with fangs, the bull with horns and the cuttlefish with ink, so it has equipped woman with the power of dissimulation as her means of attack and defence, and has transformed into this gift all the strength it has bestowed on man in the form of physical strength and the power of reasoning. Dissimulation is thus inborn in her and consequently to be found in the stupid woman almost as often as in the clever one. To make use of it at every opportunity is as natural to her as it is for an animal to employ its means of defence whenever it is attacked, and when she does so she feels that to some extent she is only exercising her rights. A completely truthful woman who does not practice dissimulation is perhaps an impossibility, which is why women see through the dissimulation of others so easily it is inadvisable to attempt it with them. – But this fundamental defect which I have said they possess, together with all that is associated with it, gives rise to falsity, unfaithfulness, treachery, ingratitude, etc. Women are guilty of perjury far more often than men. It is questionable whether they ought to be allowed to take an oath at all.
”
”
Arthur Schopenhauer (Über die Weiber)
“
If one squinted in Cabeswater long enough, in the right way, one could see secrets dart between the trees. The shadows of horned animals that never appeared. The winking lights of another summer's fireflies. The rushing sound of many wings, the sound of a massive flock always out of sight. Magic.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
History is ending because the dominator culture has led the human species into a blind alley, and as the inevitable chaostrophie approaches, people look for metaphors and answers. Every time a culture gets into trouble it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa 15,000 years ago rocked in the cradle of the Great Horned Mushroom Goddess before history, before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism, before, before, before. And this is where the future is taking us because the secret faith of the twentieth century is not modernism, the secret faith of the twentieth century is nostalgia for the archaic, nostalgia for the paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock-n-roll and catastrophe theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom dotted plains of Africa where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are. And why does this matter? It matters because it shows that the way out is back and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together the community will be better able to streamline itself for flight into hyperspace because what we need is a new myth, what we need is a new true story that tells us where we're going in the universe and that true story is that the ego is a product of pathology, and when psilocybin is regularly part of the human experience the ego is supressed and the supression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of the feeling of immediate experience - and nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience, but that's what holds the community together. And as we break out of the silly myths of science, and the infantile obsessions of the marketplace what we discover through the psychedelic experience is that in the body, IN THE BODY, there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life. I think of going to the grave without having a psychedelic experience like going to the grave without ever having sex. It means that you never figured out what it is all about. The mystery is in the body and the way the body works itself into nature. What the Archaic Revival means is shamanism, ecstacy, orgiastic sexuality, and the defeat of the three enemies of the people. And the three enemies of the people are hegemony, monogamy and monotony! And if you get them on the run you have the dominators sweating folks, because that means your getting it all reconnected, and getting it all reconnected means putting aside the idea of separateness and self-definition through thing-fetish. Getting it all connected means tapping into the Gaian mind, and the Gaian mind is what we're calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet. And without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set, and that's the idea; figuring out how to reset the compass of the self through community, through ecstatic dance, through psychedelics, sexuality, intelligence, INTELLIGENCE. This is what we have to have to make the forward escape into hyperspace.
”
”
Terence McKenna
“
Nah. Hero, for sure. Think about it. In his first adventure, he took the form of a snake to free two prisoners being held naked in a Third World jungle prison by an all-powerful megalomaniac. At the same time, he broadened their diet and introduced them to their own sexuality. Sounds kind of like a cross between Animal Man and Dr. Phil to me.
”
”
Joe Hill (Horns)
“
Unicorn. Old french, unicorne. Latin ūnicornis. Literally one horned. Unus one and cornu a horn. A fabulous animal resembling a horse with one horn. Visible only to those who search and trust and generally mistaken for a white mare. Unicorn.
”
”
The Wise Butterfly
“
While not all elements in the Periodic Table are represented by letters of the alphabet, some in this book (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns), are introduced by alternate designations. For instance, Tungsten is also known as Wolfram so “W” is used as the entry for that alphabetical letter in this book. The letter “W” is also used as the atomic symbol for Tungsten in all periodic tables.
”
”
Sybrina Durant (Magical Elements of The Periodic Table: Presented Alphabetically by The Metal Horn Unicorns)
“
We are tamed animals (some with kind, some with cruel, masters) and should probably starve if we got out of our cage. That is one horn of the dilemma. But in an increasingly planned society, how much of what I value can survive? That is the other horn.
”
”
C.S. Lewis (Some Everyday Thoughts)
“
[...] In a lot of ways, I guess Satan was the first superhero.”
“Don’t you mean supervillain?”
“Nah. Hero, for sure. Think about it. In his first adventure, he took the form of a snake to free two prisoners being held naked in a Third World jungle prison by an all-powerful megalomaniac. At the same time, he broadened their diet and introduced them to their own sexuality. Sounds kind of like a cross between Animal Man and Dr. Phil to me.
”
”
Joe Hill (Horns)
“
The moose will perhaps one day become extinct; but how naturally then, when it exists only as a fossil relic, and unseen as that, may the poet or sculptor invent a fabulous animal with similar branching and leafy horns, — a sort of fucus or lichen in bone, — to be the inhabitant of such a forest as this!
”
”
Henry David Thoreau (The Maine Woods (Writings of Henry D. Thoreau))
“
I thought she had another animal pelt lying next to her, and then I realized it was a live animal—a deer with glittering fur and silver horns, its head resting contentedly in Artemis’s lap.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
How long he stood he did not know, but there was a foolish and yet delicious sense of knowing himself as an animal come from the forest, drawn by the fire. He was a thing of brush and liquid eye, of fur and muzzle and hoof, he was a thing of horn and blood that would smell like autumn if you bled it out on the ground. He stood a long time, listening to the warm crackle of the flames.
”
”
Ray Bradbury (Fahrenheit 451)
“
Until humans came and made anthills out of these mountains, Diwan Sahib was saying, looking up at the langurs, the land had belonged to these monkeys, and to barking deer, nilgai, tiger, barasingha, leopards, jackals, the great horned owl, and even to cheetahs and lions. The archaeology of the wilderness consisted of these lost animals, not of ruined walls, terracotta amulets, and potsherds.
”
”
Anuradha Roy (The Folded Earth)
“
Elephants, it turns out, are surprisingly stealthy. As the sunlight fades, other species declare their presence. Throngs of zebras and wildebeests thunder by in the distance, trailing dust clouds. Cape buffalo snort and raise their horns and position themselves in front of their young. Giraffes stare over treetops, their huge brown eyes blinking, then lope away in seeming slow motion. But no elephants.
”
”
Thomas French (Zoo Story: Life in the Garden of Captives)
“
Pa never told stories like Grandpa. Or treated the barn like family. Eli knew how Grandpa’s own pa had built the barn by hand, hauling bluestone for the foundation behind a stubborn ox with horns as wide as a tractor. How the smell of the plank walls was like family and how you never washed your chore coat so the animals would smell that you were family, too.
”
”
Sandra Neil Wallace
“
The link between animals and words goes way back. (Did you know that our letter A began its life as a drawing of the upside-down head of a bull? The two bits at the bottom that the A stands on, those were originally horns. The pointy top bit was its face and nose.)
”
”
Neil Gaiman (Unnatural Creatures: Stories Selected by Neil Gaiman)
“
A gem of an island glimmered in the bright, blue sea. Here the winged and webbed, hoofed and horned, mighty and meek, all lived in peace.
”
”
Rabiah York Lumbard (When the Animals Saved Earth: An Eco-Fable)
“
Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both. When I picked up the skulls to add to my growing collection of what Vanessa called "Bobo's smelly pile," the hooked horns fell away from each other and the story of the impalas' death struggle was undone.
”
”
Alexandra Fuller (Don't Let's Go to the Dogs Tonight: An African Childhood)
“
On the afternoon of the fifth day, as I made my way along a narrow and steep stretch of trail, I looked up to see an enormous brown horned animal charging at me. “Moose!” I hollered, though I knew that it wasn’t a moose. In the panic of the moment, my mind couldn’t wrap around what I was seeing and a moose was the closest thing to it.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Every animal with blood in its veins and horns on its head will fight when it is attacked. How much more so will man, who carries in his breast the faculties of love and hatred, joy and anger! When he is pleased, a feeling of affection springs up within him; when angry, his poisoned sting is brought into play. That is the natural law which governs his being. . .
”
”
Sun Tzu (The Art of War)
“
The Hebrew word, qeren (#H7161 קֶ֣רֶן), is a horn of a bull, or is sometimes used to describe the tusk of an elephant. The English translation here is, “might.” In either case, the business-end of either animal is the symbol of its strength.
pg 41
”
”
Michael Ben Zehabe (Lamentations: how narcissistic leaders torment church and family (The Hidden Series))
“
What do people get from all that devil mumbo-jumbo anyway?” “A sense of purpose, I guess.” “They could volunteer at an animal shelter instead.” “Yes, sir. But then they wouldn’t get to have group sex while wearing goat horns or kill people for fun.
”
”
Dean Koontz (Saint Odd (Odd Thomas, #7))
“
As Darwin noted, “It is certain that with almost all animals there is a struggle between the males for the possession of the female.” When males of a species battle it out directly, be it through the clashing antlers of deer, the stabbing horns of the stag beetle, the head butting of stalk-eyed flies, or the bloody battles of massive elephant seals, they win access to females by driving off competitors. Selection will favor any trait that promotes such victories so long as the increased chance of getting mates more than offsets any reduced survival. This kind of selection produces armaments: stronger weapons, larger body size, or anything that helps a male win physical contests.
”
”
Jerry A. Coyne (Why Evolution Is True)
“
Bad is that often wildlife trafficking is described as a “victimless” crime. Nothing could be further from the truth. Many of the trafficked items come from murdered animals; Rhinoceros Horn, Ivory and Tiger skins; and hundreds of thousands of birds and animals die in transit in the most horrible circumstances imaginable. Just because they cannot communicate with us does not mean they are not victims. They feel, fear and die, just like humans.
”
”
Christopher Gérard
“
Now journeys were not simple matters for Grace; nothing is simple if your mind is a fetch-and-carry wanderer from sliced perilous outer world to secret safe inner world; if when night comes your thought creeps out like a furred animal concealed in the dark, to fine, seize, and kill its food and drag it back to the secret house in the secret world, only to discover that the secret world has disappeared or has so enlarged that it's a public nightmare; if then strange beasts walk upside down like flies on the ceiling; crimson wings flap, the curtains fly; a sad man wearing a blue waistcoat with green buttons sits in the centre of the room, crying because he has swallowed the mirror and it hurts and he burps in flashes of glass and light; if crakes move and cry; the world is flipped, unrolled down in the vast marble stair; a stained threadbare carpet; the hollow silver dancing shoes, hunting-horns...
”
”
Janet Frame
“
I’d rather ride a unicorn than a unicycle. But my enemies, they could all ride a unicycle with a horn instead of a seat.
”
”
Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
“
The essential act of war is destruction, not necessarily of human lives, but of the products of human labor. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make masses too comfortable, and hence, in the long run, too intelligent. Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labor power without producing anything that can be consumed.
The war, therefore, if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are set at such an angle that they are incapable of hurting one another, but though it is unreal it is not meaningless. It eats up the surplus of consumable goods, and it helps to preserve the mental atmosphere that a hierarchical society needs.
”
”
George Orwell (1984)
“
There had been many definitions of Man; he would make another: “The noise-producing animal.” Now there was only the nearly imperceptible murmur of his own engine. He had no need to blow the horn. There were no back-firing trucks, no snorting trains, no pounding planes overhead. In the little towns no whistles blew or bells rang or radios blared or people talked. Even if it was the peace of death, still that was a kind of peace.
”
”
George R. Stewart (Earth Abides)
“
as the religious conflicts that animated the seventeenth century began to recede—Christian vs. Muslim; Catholic vs. Protestant—as the filthy wealth generated by slavery and dispossession accelerated, capitalism and profit became the new god, with its curia in the basilicas of Wall Street. This new religion had its own doctrine and theologies, with the logic of the market and its “efficient market theory” supplanting papal infallibility as the new North Star.
”
”
Gerald Horne (The Apocalypse of Settler Colonialism: The Roots of Slavery, White Supremacy, and Capitalism in 17th Century North America and the Caribbean)
“
A cowboy is someone who loves his work. Since the hours are long—ten to fifteen hours a day—and the pay is $30 he has to.
What's required of him is an odd mixture of physical vigor and maternalism. His part of the beef-raising industry is to birth and
nurture calves and take care of their mothers. For the most part his work is done on horseback and in a lifetime he sees and comes to know more animals than people. The iconic myth surrounding him is built on American notions of heroism: the index of a man's value as measured in physical courage. Such ideas have perverted manliness into a self-absorbed race for cheap thrills. In a rancher's world, courage has less to do with facing danger than with acting
spontaneously—usually on behalf of an animal or another rider. If a cow is stuck in a bog hole he throws a loop around her neck,
takes his dally (a half hitch around the saddle horn), and pulls her out with horsepower. If a calf is born sick, he may take her home,
warm her in front of the kitchen fire, and massage her legs until dawn. One friend, whose favorite horse was trying to swim a lake with hobbles on, dove under water and cut her legs loose with a knife, then swam her to shore, his arm around her neck lifeguard-style, and saved her from drowning. Because these incidents are usually linked to someone or something outside himself, the westerner's courage is selfless, a form of compassion.
”
”
Gretel Ehrlich (The Solace of Open Spaces)
“
The curtain rises. A vista opens across the lake. The moon hangs low above the horizon and is reflected in the water. NINA, dressed in white, is seen seated on a great rock.
NINA. All men and beasts, lions, eagles, and quails, horned stags, geese, spiders, silent fish that inhabit the waves, starfish from the sea, and creatures invisible to the eye—in one word, life—all, all life, completing the dreary round imposed upon it, has died out at last. A thousand years have passed since the earth last bore a living creature on her breast, and the unhappy moon now lights her lamp in vain. No longer are the cries of storks heard in the meadows, or the drone of beetles in the groves of limes. All is cold, cold. All is void, void, void. All is terrible, terrible—[A pause] The bodies of all living creatures have dropped to dust, and eternal matter has transformed them into stones and water and clouds; but their spirits have flowed together into one, and that great world-soul am I! In me is the spirit of the great Alexander, the spirit of Napoleon, of Caesar, of Shakespeare, and of the tiniest leech that swims. In me the consciousness of man has joined hands with the instinct of the animal; I understand all, all, all, and each life lives again in me.
”
”
Anton Chekhov (The Seagull)
“
As delightful as the Just So explanations are of how spots, stripes, humps and horns came to be, biology can now tell us stories about butterflies, zebras and leopards that I contend are every bit as enchanting as Kipling's fairy tales. What's more, they offer some simple, elegant truths that deepen our understanding of all animal forms, including ourselves.
”
”
Sean B. Carroll (Endless Forms Most Beautiful: The New Science of Evo Devo)
“
Moonlight: his ropy tail, his shaggy cloven hooves. God knits him together in the womb of Beauty beside his brother and he lives for three winters and dies hundreds of miles from home and for what? Tree lies down in the reeds and fouls the air around him and Omeir wonders what the animal understands and what will happen to Moonlight’s two beautiful horns and every breath sends another crack through his heart.
”
”
Anthony Doerr (Cloud Cuckoo Land)
“
Apparently the term refugee can be plausibly denied if both - I'm quoting direct from Neil's memo here - if both, a, no homemade wagons piled high with worldly goods are pulled by slow bovine animals with curvy horns, and b, if the percentage of children under six who are either, a, naked, or b, squalling at the top of their lungs, or c, both, is under 20% of the total number of children under six in transit.
”
”
David Foster Wallace
“
There are simply some things that all normal people understand that you must never under any circumstances do. You mustn’t tell lies, you mustn’t steal, you mustn’t kill, and you mustn’t throw stones at birds. We all agree on that. Except maybe swans, because swans can actually be passive-aggressive little bastards. But apart from swans, you mustn’t throw stones at birds. And you mustn’t tell lies. Unless… well, sometimes you have to, of course, like when your children ask: “Why does it smell like chocolate in here? ARE YOU EATING CHOCOLATE?” But you definitely mustn’t steal or kill, we can agree on that. Well, you mustn’t kill people, anyway. And most of the time you mustn’t even kill swans, even if they are bastards, but you’re allowed to kill animals if they’ve got horns and are standing in the forest. Or if they’re bacon. But you must never kill people.
”
”
Fredrik Backman (Anxious People)
“
In a lot of ways, I guess Satan was the first superhero.” “Don’t you mean supervillain?” “Nah. Hero, for sure. Think about it. In his first adventure, he took the form of a snake to free two prisoners being held naked in a Third World jungle prison by an all-powerful megalomaniac. At the same time, he broadened their diet and introduced them to their own sexuality. Sounds kind of like a cross between Animal Man and Dr. Phil to me.” She
”
”
Joe Hill (Horns)
“
Ode to the Beloved’s Hips"
Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.
O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.
They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.
Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.
More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.
At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.
O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.
Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer.
”
”
Natalie Díaz
“
It is a strange feeling to have an animal come toward you consciously seeking to kill you, his eyes open looking at you, and see the oncoming of the lowered horn that he intends to kill you with. It gives enough of a sensation so that there are always men willing to go into the capeas for the pride of having experienced it and the pleasure of having tried some bullfighting manœuvre with a real bull although the actual pleasure at the time may not be great.
”
”
Ernest Hemingway (Death in the Afternoon)
“
The war, therefore, if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are set at such an angle that they are incapable of hurting one another. But though it is unreal it is not meaningless. It eats up the surplus of consumable goods, and it helps to preserve the special mental atmosphere that a hierarchical society needs. War, it will be seen, is now a purely internal affair. In the past, the ruling groups of all countries, although they might recognize their common interest and therefore limit the destructiveness of war, did fight against one another, and the victor always plundered the vanquished. In our own day they are not fighting against one another at all. The war is waged by each ruling group against its own subjects, and the object of the war is not to make or prevent conquests of territory, but to keep the structure of society intact.
”
”
George Orwell (1984)
“
The body, then, is one's animal fate that has to be struggled against in some ways. At the same time, it offers experiences and sensations, concrete pleasure that the inner symbolic world lacks. No wonder man is impaled on the horns of sexual problems, why Freud saw that sex was so prominent in human life-especially in the neurotic conflicts of his patients. Sex is an inevitable component of man's confusion over the meaning of his life, a meaning split hopelessly into two realms-symbols (freedom) and body (fate). No wonder, too, that most of us never abandon entirely the early attempts of the child to use the body and its appendages as a fortress or a machine to magically coerce the world. We try to get metaphysical answers out of the body that the body-as a material thing-cannot possibly give. We try to answer the transcendent mystery of creation by experiences in one, partial, physical product of that creation. This is why the mystique of sex is so widely practiced-say, in traditional France-and at the same time is so disillusioning. It is comfortingly infantile in its indulgence and its pleasure, yet so self-defeating of real awareness and growth, if the person is using it to try to answer metaphysical questions. It then becomes a lie about reality, a screen against full consciousness. If the adult reduces the problem of life to the area of sexuality, he repeats the fetishization of the child who focuses the problem of the mother upon her genitals. Sex then becomes a screen for terror, a fetishization of full consciousness about the real problem of life.
”
”
Ernest Becker (The Denial of Death)
“
The Pyrenean ibex, an extinct form of wild mountain goat, was brought back to life in 2009 through cloning of dna taken from skin samples. This was followed in June of 2010 by researchers at Jeju National University in Korea cloning a bull that had been dead for two years. Cloning methods are also being studied for use in bringing back Tasmanian tigers, woolly mammoths, and other extinct creatures, and in the March/April 2010 edition of the respected Archaeology magazine, a feature article by Zah Zorich (“Should We Clone Neanderthals?”) called for the resurrection via cloning of what some consider to be man’s closest extinct relative, the Neanderthals. National Geographic confirmed this possibility in its May 2009 special report, “Recipe for a Resurrection,” quoting Hendrik Poinar of McMaster University, an authority on ancient dna who served as a scientific consultant for the movie Jurassic Park, saying: “I laughed when Steven Spielberg said that cloning extinct animals was inevitable. But I’m not laughing anymore.… This is going to happen.
”
”
Thomas Horn (Forbidden Gates: How Genetics, Robotics, Artificial Intelligence, Synthetic Biology, Nanotechnology, and Human Enhancement Herald The Dawn Of TechnoDimensional Spiritual Warfare)
“
Satan, the chief devil of the Western World, was originally an angel whose duty it was to report human delinquencies to God. It was not until the Fourteenth Century that he began to be depicted as an evil deity who was part man and part animal, with goat-like horns and hooves. Before Christianity gave him the names of Satan, Lucifer, ect., the carnal side of man's nature was governed by the god which was then called Dionysus, or Pan, depicted as a satyr or faun, by the Greeks. Pan was originally the "good guy" and symbolized fertility and fecundity.
”
”
Anton Szandor LaVey (The Satanic Bible)
“
Often, when an elephant has just died, other elephants will back up to touch its carcass gently with their hind feet, then cover the body with dirt and sticks, and stand guard. (Intriguingly, elephants have done the same to the bodies of people that they either find dead or have killed. One young orphaned elephant in a South African sanctuary shrieked and moaned when it discovered the buried remains of its daily companion, a rhinoceros, that poachers had killed for its horn.) Chimpanzees, gorillas, some corvids, and dolphins also spend time with their dead, but overall, most species do not.*
”
”
Virginia Morell (Animal Wise: The Thoughts and Emotions of Our Fellow Creatures)
“
Stupendous carnage was painted on the canvas, A depiction of repulsion was executed around the structure. It revealed its dark emblem by painting its sinister Red. Three intertwined bloated eyes are encrusted together, awfully deformed - the horrendous stench of decay can be smelt from it, for it exudes a sulfurous aroma of rotting animals. A torn torso of a butchered rabbit laid on the eye sockets, with all its arms, legs, and head severed off. A sludge-like, bubbling, dripping fluid oozed from the abnormally large eyes, leaving the ground deserted to rust and becoming the midst of a terrible famine. Blood Gushes from the slashes of each hideous eye, gouging out gore from the torn skin, spluttering and erupting gasping cries as it struggles in its own twisted misery of giving birth, as it was preparing to give shape-shifting life to a black-glass body, horn-like entity, unlike any childbirth you have ever witnessed. Satanic was this creature, whose muscle mass was disintegrated. All of his blood was squeezed out, forlorn and cold to the touch. The thorns on his head were intertwined into horns. A serpent's nose and wolf-like fangs were all this child had, as he had no gift of sight or hearing, he had only the smell of terror as his power.
”
”
D.L. Lewis
“
Dinosaurs dominated our planet for more than 160 million years. They evolved and changed to adopt many different lifestyles and live in every type of environment. Some ate plants, others ate meat, fish, or eggs. Some lived in forests, others in deserts or plains. Some were huge, others small. Some hunted using vicious claws and teeth, while others defended themselves with spikes, horns and armor plates. The dinosaurs were not alone - they shared the world with other reptiles that flew in the sky or swam in the seas. But it was dinosaurs that dominated in an age of reptiles that spanned nearly half the time animals have lived on land.
”
”
Lonely Planet Kids (The Dinosaur Book (The Fact Book))
“
I trudge toward the porch, entertaining the idea of running the other way. But technically, I shouldn't be in any trouble. It wasn't my car. I'm not the one who got a ticket. Samantha Forza did. And the picture on Samantha Forza's driver's license looks a lot like Rayna. She told Officer Downing that she swerved to keep from hitting a camel, which Officer Downing graciously interpreted as a deer after she described it as "a hairy animal with four legs and a horn."
Since no one formed a search party to look for either a camel or a unicorn, I figured we were in the clear. But from Mom's expression, I'm miles from clear.
"Hi," I say as I reach the steps.
"We'll see about that," she says, grabbing my face and shining a pen light in my eyes.
I slap it away. "Really? You're checking my pupils? Really?"
"Hal said you looked hazy," she says, clipping the pen back on the neckline of her scrubs.
"Hal? Who's Hal?"
"Hal is the paramedic who took your signature when you declined medical treatment. He radioed in to the hospital after he left you."
"Oh. Well, then Hal would have noticed I was just in an accident, so I might have been a little out of it. Doesn't mean I was high." So it wasn't small-town gossip, it was small-county gossip. Good ole Hal's probably transported hundreds of patients to my mom in the ER two towns over.
She scowls. "Why didn't you call me? Who is Samantha?"
I sigh and push past her. There's no reason to have this conversation on the porch. She follows me into the house. "She's Galen's sister. I didn't call because I didn't have a signal on my cell. We were on a dead road."
"Where was Galen? Why were you driving his car?"
"He was home. We were just taking it for a drive. He didn't want to come." Technically, all these statements are true, so they sound believable when I say them.
Mom snorts and secures the dead bolt on the front door. "Probably because he knows his sister is life threatening behind the wheel."
"Probably.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Lincoln received one more painful reminder that he was still a target for criticism. Walking between his home and office, he noticed a group of young boys teasing an agitated stray goat. When the animal hungrily spied the taller target, it turned from the children and tried butting Lincoln instead, until he was forced to seize it by the horns in self-defense. As the youngsters watched in delight, the president-elect of the United States gave his first post-election speech—to an angry goat. He might as well have been speaking to the South when he shouted: “I didn’t bother you. It was the boys. Why don’t you go and butt the boys. I wouldn’t trouble you.
”
”
Harold Holzer (Lincoln President-Elect : Abraham Lincoln and the Great Secession Winter, 1860-1861)
“
There are other noteworthy characteristics of this rock art style: Anthropomorphs without headdresses instead sport horns, or antennae, or a series of concentric circles. Also prominent in many of the figures' hands are scepters--each one an expression of something significant in the natural world. Some look like lightning bolts, some like snakes; other burst from the fingers like stalks of ricegrass. Colorado Plateau rock-art expert Polly Schaafsma has interpreted these figures as otherworldly--drawn by shamans in isolated and special locations, seemingly as part of a ceremonial retreat. Schaafsma and others believe that the style reflects a spirituality common to all hunter-gatherer societies across the globe--a way of life that appreciates the natural world and employs the use of visions to gain understanding and appreciation of the human relationship to the earth. Typically, Schaafsma says, it is a spirituality that identifies strongly with animals and other aspects of nature--and one that does so with an interdependent rather than dominant perspective. To underscore the importance of art in such a culture, Schaafsma points to Aboriginal Australians, noting how, in a so-called primitive society, where forms of written and oral communication are considered (at least by our standards) to be limited, making art is "one means of defining the mystic tenets of one's faith.
”
”
Amy Irvine (Trespass: Living at the Edge of the Promised Land)
“
I slipped my lasso from the horn of my saddle, and grasped the coil in my right hand. This time you should have seen him come! It was a business trip, sure; by his gait there was blood in his eye. I was sitting my horse at ease, and swinging the great loop of my lasso in wide circles about my head; the moment he was under way, I started for him; when the space between us had narrowed to forty feet, I sent the snaky spirals of the rope a-cleaving through the air, then darted aside and faced about and brought my trained animal to a halt with all his feet braced under him for a surge. The next moment the rope sprang taut and yanked Sir Sagramor out of the saddle! Great Scott, but there was a sensation!
”
”
Mark Twain (A Connecticut Yankee in King Arthur's Court)
“
This, yes this, is the animal who never was.
No one ever saw one, but they loved it all the same.
- Its gait, the way it carried itself, its little throat,
The radiance of its quiet gaze, - all were loved.
Truly, it never existed. But yet because they loved it,
A very creature came to be. They always kept a space for it.
And in that space, left clear and free, it readily
Raised its head and thus scarcely required actually
To exist. They nourished it, not with feed,
But merely with the conception that it might come to be.
And they bestowed such intensity upon the beast
That it impelled a horn to grow forth from its brow.
A single horn. It approached an unsullied maiden, all white.
And it is in her silver mirror; it is in her.
”
”
Rainer Maria Rilke (Sonnets to Orpheus)
“
In his work Maladies and Remedies of the Life of the Flesh, published in Leiden under the pseudonym Christianus Democritus, he claimed to have discovered the Elixir of Life—a liquid counterpart to the Philosopher’s Stone—which would heal any ailment and grant eternal life to the person who drank it. He tried, but failed, to exchange the formula for the deed to Frankenstein Castle, and the only use he ever made of his potion—a mixture of decomposing blood, bones, antlers, horns and hooves—was as an insecticide, due to its incomparable stench. This same quality led the German troops to employ the tarry, viscous fluid as a non-lethal chemical weapon (therefore exempt from the Geneva Convention), pouring it into wells in North Africa to slow the advance of General Patton and his men, whose tanks pursued them across the desert sands. An ingredient in Dippel’s elixir would eventually produce the blue that shines not only in Van Gogh’s Starry Night and in the waters of Hokusai’s Great Wave, but also on the uniforms of the infantrymen of the Prussian army, as though something in the colour’s chemical structure invoked violence: a fault, a shadow, an existential stain passed down from those experiments in which the alchemist dismembered living animals to create it, assembling their broken bodies in dreadful chimeras he tried to reanimate with electrical charges, the very same monsters that inspired Mary Shelley to write her masterpiece, Frankenstein; or, The Modern Prometheus, in whose pages she warned of the risk of the blind advancement of science, to her the most dangerous of all human arts.
”
”
Benjamín Labatut (When We Cease to Understand the World)
“
Before the eyes of monks intent on meditation, what is the meaning of those ridiculous grotesques, those monstrous shapes and shapely monsters? Those sordid apes? Those lions, those centaurs, those half-human creatures, with mouths in their bellies, with single feet, ears like sails? Those spotted tigers, those fighting warriors, those hunters blowing their horns, and those many bodies with single heads and many heads with single bodies? Quadrupeds with serpents’ tails, and fish with quadrupeds’ faces, and here an animal who seems a horse in front and a ram behind, and there a horse with horns, and so on; by now it is more pleasurable for a monk to read marble than manuscript, and to admire the works of man than to meditate on the law of God. Shame! For the desire of your eyes and for your smiles!
”
”
Umberto Eco (The Name of the Rose)
“
The treetops swayed high above the mists along the edge of the forest known as Wynne Holt. Five boys, all in their twelfth year, lay on their stomachs peering through the grasses of the headland near The Point. They watched as the cloaked Creature, the Ge-sceaft, wandered through the shifting fog that intermittently smothered the field ahead of them. Its shadow faded and resurfaced as it roamed through the grasses; and at times, eerie noises-- almost like singing-- drifted to the edge of the cliff from where they watched. Angus, the oldest and brawniest of the lads, began telling tales that terrified and delighted the others. “It has horns, it does. That’s why it wears the hood so far over its face. The horns aren’t at the back; they’re near the front, and it uses them to tear up its food like an animal uses claws and fangs.” “What does it eat?” The other boys turned
”
”
Chautona Havig (Shadows & Secrets (Annals of Wynnewood, #1))
“
Two seconds went by before I got a response.
Lenny: The offer stands, bish.
Lenny: You’re the best person I know, fyi.
I smiled down at my phone.
Me: I love you too
Lenny: [eye rolling emoji]
Lenny: I was texting you because Grandpa G is making margaritas and he was asking where you were.
Me: Tell him I love him.
Lenny: I will. You find Rip?
Me: I’m watching him.
Lenny: Stalker
Me: He’s standing in front of me, I can’t help it.
Lenny: Pretty sure that’s what every stalker thinks.
I chanced another glance at the man and held back a sigh.
Me: Sometimes I don’t understand why him.
Lenny: Because he looks like he’s been in jail and that’s about as far away from what every jackass you’ve ever dated looks like?
Lenny: Grandpa G says he loves you too and to come over and bring the girl with you if she’s around. I didn’t tell him you’re at the bar, otherwise he’d want to invite himself. You know how that man gets in public.
I almost laughed at the first comment and definitely laughed at the second one. Rip did look like he’d done time. That was unfair, but it was the truth.
For all I knew, he probably had.
Then again, I was probably judging him by a face he had no say in. For all I knew, he had a marshmallow heart and rescued and rehabilitated small animals when he wasn’t at work. Deep down, he might have a caring and loving disposition that he only shared around very few people—people who had won his trust.
You never knew.
The idea of that put a small smile on my face and kept it there as I typed a message back, leaving the first comment alone.
Me: I don’t know how much longer I’ll be here, but if I leave soon, I’ll drop by. Tell Grandpa G that the girl is working tonight. You’re all coming for the graduation, right?
Lenny: Yes. I’m legit ready to cry this Saturday.
Lenny: I’ve got the blow horn ready by the way. TOOT TOOT, bish.
She wasn’t the only one preparing herself to cry this weekend, and that made me happy for some reason.
”
”
Mariana Zapata (Luna and the Lie)
“
I am as happy here as I have ever been in my life: Ted and I take a long walk each day up to the moors (It’s generally rainy, or at least overcast) and never have I loved country so! All you can see us dark hills of heather stretching toward the horizon, as if you were striding on top of the world; last night at sunset the horizontal light turned us both luminous pink as we hiked in waterproof boots in the wuthering free wind, starting up rabbits that flicked away with a white flag of tail, staring back at the black-faced, gray furred moor sheep that graze, apparently wild, and with their curling horns looking like primeval yellow-eyed druid monsters. I never thought I could like any country as well as the ocean, but these moors are really even better, with the great luminous emerald lights changing always, and the animals and wildness. Read “Wuthering Heights” again here, and really felt it this time more than ever.
--from a letter to her mother Aurelia Schober Plath, written on 11 September 1956
”
”
Sylvia Plath (Letters of Sylvia Plath, Volume I: 1940-1956)
“
Hi, Georgie,” it said. George blinked and looked again. He could barely credit what he saw; it was like something from a made-up story, or a movie where you know the animals will talk and dance. If he had been ten years older, he would not have believed what he was seeing, but he was not sixteen. He was six. There was a clown in the stormdrain. The light in there was far from good, but it was good enough so that George Denbrough was sure of what he was seeing. It was a clown, like in the circus or on TV. In fact he looked like a cross between Bozo and Clarabell, who talked by honking his (or was it her?—George was never really sure of the gender) horn on Howdy Doody Saturday mornings—Buffalo Bob was just about the only one who could understand Clarabell, and that always cracked George up. The face of the clown in the stormdrain was white, there were funny tufts of red hair on either side of his bald head, and there was a big clown-smile painted over his mouth. If George had been inhabiting a later year, he would have surely thought of Ronald McDonald before Bozo or Clarabell. The clown held a bunch of balloons, all colors, like gorgeous ripe fruit in one hand. In the other he held George’s newspaper boat. “Want your boat, Georgie?” The clown smiled.
”
”
Stephen King (It)
“
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
Oh my god, said the sergeant.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Die Nützlichkeitslehrer würden glauben, ihren Gott zu verlieren, wenn sie nicht den anbeten sollen, der dem Ochsen die Hörner gab, damit er sich verteidige. Mir aber möge man erlauben, daß ich den verehre, der in dem Reichtum seiner Schöpfung so groß war, nach tausendfältigen Pflanzen noch eine zu machen, worin alle übrigen enthalten, und nach tausendfältigen Tieren ein Wesen, das sie alle enthält: den Menschen.
Man verehre ferner den, der dem Vieh sein Futter gibt und dem Menschen Speise und Trank, so viel er genießen mag; ich aber bete den an, der eine solche Produktionskraft in die Welt gelegt hat, daß, wenn nur der millionteste Teil davon ins Leben tritt, die Welt von Geschöpfen wimmelt, so daß Krieg, Pest, Wasser und Brand ihr nichts anzuhaben vermögen. Das ist mein Gott!
The teachers of utility would think that they lost their God if they did not worship Him who gave the ox horns to defend itself. But I hope I may be allowed to worship Him who, in the abundance of His creation, was great enough, after making a thousand kinds of plants, to make one more, in which all the rest should be comprised; and after a thousand kinds of animals, a being which comprises them all—a man.
Let people serve Him who gives to the beast his fodder, and to man meat and drink as much as he can enjoy. But I worship Him who has infused into the world such a power of production, that, when only the millionth part of it comes out into life, the world swarms with creatures to such a degree that war, pestilence, fire, and water cannot prevail against them. That is my God!
”
”
Johann Wolfgang von Goethe (Conversations of Goethe with Eckermann and Soret)
“
The central ceremony of Ritual Witchcraft was the so-called "Sabbath" - a word of unknown origin having no relation to its Hebrew homonym. Sabbaths were celebrated four times a year - on Candlemass Day, February 2nd, on Rood Mass Day, May 1st, on Lammas Day, August 1st, and on the eve of All Hallows, October 31st. These were great festivals, often attended by hundreds of devotees, who came from considerable distances. Between Sabbaths there were weekly "Esbats" from small congregations in the village where the ancient religion was still practiced. At all high Sabbaths the devil himself was invariably present, in the person of some man who had inherited, or otherwise acquired, the honor of being the incarnation of the two-faced god of the Dianic cult. The worshipers paid homage to the god by kissing his reverse face - a mask worn, beneath an animal's tail, on the devil's backside. There was then, for some at least of the female devotees, a ritual copulation with the god, who was equipped for this purpose with an artificial phallus of horn or metal. This ceremony was followed by a picnic (for the Sabbaths were celebrated out of doors, near sacred trees or stones), by dancing and finally by a promiscuous sexual orgy that had, no doubt, originally been a magical operation for increasing the fertility of the animals on which primitive hunters and herdsmen depend for their livelihood. The prevailing atmosphere at the Sabbaths was one of good fellowship and mindless, animal joy. When captured and brought to trial, many of the who had taken part in the Sabbath resolutely refused, even under torture, even at the stake, to abjure the religion which had brought them so much happiness.
”
”
Aldous Huxley (The Devils of Loudun)
“
Within our own species we have great variation between these two reactions. One man may beat his life away in furious assault on the barrier, where another simply waits for the tide to pick him up. Such variation is also observable among the higher vertebrates, particularly among domestic animals. It would be strange if it were not also true of the lower vertebrates, among the individualistic ones anyway. A fish, like the tuna or the sardine, which lives in a school, would be less likely to vary than this lonely horned shark, for the school would impose a discipline of speed and uniformity, and those individuals which would not or could not meet the school’s requirements would be killed or lost or left behind. The overfast would be eliminated by the school as readily as the over-slow, until a standard somewhere between the fast and slow had been attained. Not intending a pun, we might note that our schools have to some extent the same tendency. A Harvard man, a Yale man, a Stanford man—that is, the ideal—is as easily recognized as a tuna, and he has, by a process of elimination, survived the tests against idiocy and brilliance. Even in physical matters the standard is maintained until it is impossible, from speech, clothing, haircuts, posture, or state of mind, to tell one of these units of his school from another. In this connection it would be interesting to know whether the general collectivization of human society might not have the same effect. Factory mass production, for example, requires that every man conform to the tempo of the whole. The slow must be speeded up or eliminated, the fast slowed down. In a thoroughly collectivized state, mediocre efficiency might be very great, but only through the complete elimination of the swift, the clever, and the intelligent, as well as the incompetent. Truly collective man might in fact abandon his versatility. Among school animals there is little defense technique except headlong flight. Such species depend for survival chiefly on tremendous reproduction. The great loss of eggs and young to predators is the safety of the school, for it depends for its existence on the law of probability that out of a great many which start some will finish.
It is interesting and probably not at all important to note that when a human state is attempting collectivization, one of the first steps is a frantic call by the leaders for an increased birth rate—replacement parts in a shoddy and mediocre machine.
”
”
John Steinbeck (The Log from the Sea of Cortez)
“
The Scientific Revolution was revolutionary in a way that is hard to appreciate today, now that its discoveries have become second nature to most of us. The historian David Wootton reminds us of the understanding of an educated Englishman on the eve of the Revolution in 1600: He believes witches can summon up storms that sink ships at sea. . . . He believes in werewolves, although there happen not to be any in England—he knows they are to be found in Belgium. . . . He believes Circe really did turn Odysseus’s crew into pigs. He believes mice are spontaneously generated in piles of straw. He believes in contemporary magicians. . . . He has seen a unicorn’s horn, but not a unicorn. He believes that a murdered body will bleed in the presence of the murderer. He believes that there is an ointment which, if rubbed on a dagger which has caused a wound, will cure the wound. He believes that the shape, colour and texture of a plant can be a clue to how it will work as a medicine because God designed nature to be interpreted by mankind. He believes that it is possible to turn base metal into gold, although he doubts that anyone knows how to do it. He believes that nature abhors a vacuum. He believes the rainbow is a sign from God and that comets portend evil. He believes that dreams predict the future, if we know how to interpret them. He believes, of course, that the earth stands still and the sun and stars turn around the earth once every twenty-four hours.7 A century and a third later, an educated descendant of this Englishman would believe none of these things. It was an escape not just from ignorance but from terror. The sociologist Robert Scott notes that in the Middle Ages “the belief that an external force controlled daily life contributed to a kind of collective paranoia”: Rainstorms, thunder, lightning, wind gusts, solar or lunar eclipses, cold snaps, heat waves, dry spells, and earthquakes alike were considered signs and signals of God’s displeasure. As a result, the “hobgoblins of fear” inhabited every realm of life. The sea became a satanic realm, and forests were populated with beasts of prey, ogres, witches, demons, and very real thieves and cutthroats. . . . After dark, too, the world was filled with omens portending dangers of every sort: comets, meteors, shooting stars, lunar eclipses, the howls of wild animals.8 To the Enlightenment thinkers the escape from ignorance and superstition showed how mistaken our conventional wisdom could be, and how the methods of science—skepticism, fallibilism, open debate, and empirical testing—are a paradigm of how to achieve reliable knowledge. That knowledge includes an understanding of ourselves.
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Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
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I was standing lost, sunk, my hands in my pockets, gazing toward Tinker Mountain and feeling the earth reel down. All at once, I saw what looked like a Martian spaceship whirling towards me in the air. It flashed borrowed light like a propeller. Its forward motion greatly outran its fall. As I watched, transfixed, it rose, just before it would have touched a thistle, and hovered pirouetting in one spot, then twirled on and finally came to rest. I found it in the grass; it was a maple key…Hullo. I threw it into the wind and it flew off again, bristling with animate purpose, not like a thing dropped or windblown, pushed by the witless winds of convection currents hauling round the world’s rondure where they must, but like a creature muscled and vigorous, or a creature spread thin to that other wind, the wind of the spirit that bloweth where it listeth, lighting, and raising up, and easing down. O maple key, I thought, I must confess I thought, o welcome, cheers.
And the bell under my ribs rang a true note, a flourish of blended horns, clarion, sweet, and making a long dim sense I will try at length to explain. Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. That breath never ceases to kindle, exuberant, abandoned; frayed splinters spatter in every direction and burgeon into flame. And now when I sway to a fitful wind, alone and listing, I will think, maple key. When I see a photograph of earth from outer space, the planet so startlingly painterly and hung, I will think, maple key. When I shake your hand or meet your eyes, I will think two maple keys. If I am maple key falling, at least I can twirl.
Thomas Merton wrote, “There is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It’s no self-conscious, so apparently moral, simple to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus.
Ezekiel excoriates false prophets who have “not gone up into the gaps.” The gaps are the thing. The gaps are the spirit’s one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself for the first time like a once blind man unbound. The gaps are the cliffs in the rock where you cower to see the back parts of God; they are the fissures between mountains and cells the wind lances through, the icy narrowing fjords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock- more than a maple- a universe. This is how you spend the afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you.
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Annie Dillard (Pilgrim at Tinker Creek)
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Periodically, all hell breaks loose in all these places simultaneously, and then we have a flap, or wave, of UFO sightings, apparitions, poltergeists, sudden inexplicable disappearances of animals and human beings, mysterious fires, and even a form of mass madness.
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Thomas Horn (On the Path of the Immortals: Exo-Vaticana, Project L. U. C. I. F. E. R. , and the Strategic Locations Where Entities Await the Appointed Time)
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scientists inside Britain are comfortable now with up to 50/50 animal-human integration.
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Thomas Horn (Forbidden Gates: How Genetics, Robotics, Artificial Intelligence, Synthetic Biology, Nanotechnology, and Human Enhancement Herald The Dawn Of TechnoDimensional Spiritual Warfare)
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Cernunnos is a horned god associated with nature and animals. His name is usually translated as “Horned One”, and he is also known as “Lord of all Wild Things”. There was dispute about his name, as it is derived from a piece of altar found in Notre Dame (Paris) dating to 17 CE which reads ERNUNNO, and depicts a bull-horned god, not the stag-horned god of the Gundestrup Cauldron.[202]
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David Rankine (The Isles of the Many Gods: An A-Z of the Pagan Gods & Goddesses of Ancient Britain Worshipped During the First Millenium Through to the Middle Ages)
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show signs of having been dissected, sawn or cut. One skull has been drilled with several holes.” The original Times article reported that the bones were “deeply buried, probably to hide them because grave robbing was illegal.” They said, “There could be more buried, and there probably are.” But the story doesn’t end there. Later reports from the Benjamin Franklin House reveal that not only were human remains found, but animal remains were discovered as well. This is where things get very interesting. From the published photographs, some of the bones appear to be blackened or charred, as if by fire.… It is well documented that Satanists perform ritual killings of both humans and animals alike.[585] While many students of history are aware of the magic 666 square and its use by occultists down through time to control the spirit of Apollo/Osiris, what some will not know is how this magical binding and loosing of supernatural entities also extends to the testes of Washington’s 6,666-inch-high phallic obelisk, dedicated by Freemasons seventy-two years following 1776 [note again the magic number 72],
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Thomas Horn (On the Path of the Immortals: Exo-Vaticana, Project L. U. C. I. F. E. R. , and the Strategic Locations Where Entities Await the Appointed Time)
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In the frequent fits of anger to which the males especially are subject, the efforts of their inner feeling cause the fluids to flow more strongly towards that part of their head; in some there is hence deposited a secretion of horny matter, and in others of bony matter mixed with horny matter, which gives rise to solid protuberances: thus we have the origin of horns and antlers, with which the head of most of these animals is armed.
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Laura Otis (Literature and Science in the Nineteenth Century: An Anthology)
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the next smallest court, the Court of Priests. This was where the animals were cut and bled and burned on the large horned altar of unhewn stones that stood before the Temple, while a chorus of priests played their instruments and sang hymns of praise to the deity. A bronze laver stood nearby for what appeared to be cleansings. The Temple façade stood sixty feet high behind the altar, with its golden roof visible from anywhere on the entire temple mount.
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Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
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On this world you have the animals and they have as much right to be on this world as us; and it’s man who is the reason they are pushed to extinction. They’re killing them for their tusks and their horns, and these fucking idiots, they think claws will give them sex appeal and they get all fucking sissy on you.
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Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
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Poor thing” said Mrs. Wiggins. “But we’ll get him out, if we have to tear the whole house down with our horns and claws and beaks and hoofs! Won’t we, animals?
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Walter Rollin Brooks (Freddy Goes to Florida (Freddy the Pig))
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Ugh!” exclaimed the cow with a little shiver. “I know how that is! Nothing makes me more nervous than to have something watching me and not saying anything. I remember, when the rats used to live in our barn, that old Simon used to sit in his hole and just watch me without moving a whisker. Just did it to make me nervous. But excuse me, Freddy; I didn’t mean to mention the rats.” “Oh, that’s all right,” said the pig. “I don’t mind. Though I must confess I don’t know just what to do about them. It’s the only case so far that has given me much trouble.” “Nasty creatures!” exclaimed the cow. “If I could just get up in that loft, I’d show ’em!” “I wish you could,” said Freddy. “You could just pick the train up on one horn and walk off with it. But the stairs are too narrow. No, I’ve got to think out something else. Oh, I’ll get an idea sooner or later.” “That’s it,” said Mrs. Wiggins. “Ideas! You’ve got to have ’em to be a detective. And I can’t remember when I had my last one. But land sakes, there must be some way of getting the train. Couldn’t you tie a rope on it and pull it out?” “H’m,” said Freddy thoughtfully, “that’s an idea.” “An idea!” exclaimed the cow. “Gracious, Freddy, that isn’t an idea; it’s just something I thought of.” “It’s an idea all the same,” said the pig, “and a good one. But we’d have to do it quick, or they’d gnaw the rope in two. Come on, walk back to the barn with me and talk it over. I’d like to get at it tonight if I can.” So they strolled back, talking so earnestly that they never noticed that they were being rather clumsily shadowed by half a dozen animals of assorted sizes who dodged behind trees and darted across open places like Indians on the war-path. Mrs. Wiggins was so excited to find that she had really had an idea after all, and so flattered that Freddy was actually asking for her advice, that she hardly looked where she was going, and Alice remarked to Emma as they passed: “I’ve rarely seen Mrs. Wiggins so animated. She looks quite flushed.” “Humph!” replied Emma, who was a little upset that day because her Uncle Wesley had scolded her for eating minnows—“Humph! It always goes to her head when she gets a little attention!” Jinx was up in the loft where he spent much of his time now, though there was very little he could do there but watch the train make its periodic trips to the grain-box and back and listen to the insults and ribald songs that the rats shouted at him. He came down at once when Freddy called him, and went into conference with the pig and the cow. And when they finally separated to go to supper, they had decided on a plan. There was a door in the loft through which Mr.
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Walter Rollin Brooks (Freddy the Detective (Freddy the Pig))
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Well,” said the cow, “it doesn’t make sense. By all accounts, the Ignormus is pretty terrible to look at. Something like a hippopotamus with wings and horns, I gather. Now why should an animal like that take the trouble to push pieces of hose around and write notes? Why wouldn’t he just come to the head of the cellar stairs and say, ‘Grr-r-r!
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Walter Rollin Brooks (Freddy and the Ignormus (Freddy the Pig Book 8))
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I just can’t think of anybody abusing an animal; nor of allowing it to stay around, sick, hurt or hungry. I think that an animal is but a point short of human; and, having a skin varying but slightly from our own, will know as much pain from a whipping as would a human child. A blow upon any animal, if I am within sight, is almost as a blow upon my own body. You would think that, with that vast gap which Mankind is continually placing back of him in his onward march in improving this big world, Man would think, a bit, of his pals of hoof, horn and claw.
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Ernest Vincent Wright (Gadsby)
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their death by starting a grass fire. The escaping animals would flounder in a swamp or rush headlong off a cliff, as at Ulm Pishkun, outside of Great Falls, Montana, only to plummet to a horrible and lingering death from broken bones and damaged internal organs. And what about the natural respect for life and the “peaceful” Indians? We hear of Custer’s cruelty and murderous rampages against helpless and innocent Native Americans, but Indian wars between Iroquois and Huron, Comanche and Chickasaw were equally vicious
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Thomas Horn (Blood on the Altar: The Coming War Between Christian vs. Christian)
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Rio. Not only are the Blacks and the Indians slaves to the technology of the Whites, but they also have to be slaves of their nostalgia for origins. They have to fill the role of ancestor to the human race and bear witness to its mysterious and ritualistic origins. A division of labour: some exploit them physically, while others exploit them culturally, feeding on their music, their dance and their description within anthropology. There is no contradiction in this. Indeed it is quite the reverse: the slaves collude in all this themselves. In hunting, the whole animal is put to use: meat, horns, hair, blood and fur - even the entrails will serve to read the future and the mask will serve as emblem of the deity.
There are of course happier things you can say about Brazil. In particular, that a part of the happiness and the sensuality, the vital languor and the maternal seduction of everything here - in spite of the objective misery - derives precisely from that coupling of master and slave, which extends as far as the abduction of women and vital energy and as far as the absorption by all of the ritual signs of servitude. This is the revenge of the cultural order on the political, something which no longer occurs within Western societies, perhaps for want of sufficiently subtle slaves. Here time maintains a unity, is a time that lends itself to living, in its monotonous, languorous unfolding, the bodies all mingling together, both the master's and the slave's, even though the master tortures the slave and the slave devours the master. But perhaps all this is merely due to the heat.
The heat is like an objective sleep. There is no need for sleep here because it already envelops you like a dream, like a veiled form of the unconscious. Nothing is repressed. Everything is in the insane agitation of molecules. This is the way it is in the Tropics: violence itself is lazy and the subconscious takes on the form of dance. Hence the absurdity of psychoanalysis in these latitudes. It is a parody connected with European privilege, part of the colonial heritage. But in fact, what is the state of the unconscious for us, in Europe itself?
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Jean Baudrillard (Cool Memories)
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The war, therefore, if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are set at such an angle that they are incapable of hurting one another. But though it is unreal it is not meaningless. It eats up the surplus of consumable goods, and it helps to preserve the special mental atmosphere that a hierarchical society needs.
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George Orwell (1984 and Animal Farm : George Orwell Combo)
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I went to a store on the Upper West Side. This store is like a Museum of Natural History where everything is for sale: every taxidermic or skeletal animal that roams the earth is represented in this shop and, because of that, it is popular. I went with my brother last weekend. Near the cash register was a bowl of glass eyes and a sign reading “DO NOT HOLD THESE GLASS EYES UP AGAINST YOUR OWN EYES: THE ROUGH STEM CAN CAUSE INJURY.” I talked to the fellow behind the counter and he said, “It’s the same thing every time. First they hold up the eyes and then they go for the horns. I’m sick of it.” It frightened me that, until I saw the sign, my first impulse was to hold those eyes up to my own. I thought it might be a laugh riot. All of us take pride and pleasure in the fact that we are unique, but I’m afraid that when all is said and done the police are right: it all comes down to fingerprints.
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David Sedaris (Barrel Fever)
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For the next couple of hours the dark mass of the primeval forest whisked past my peripheral vision, thick and tall, the white-painted trees soaring into the cerulean sky like watchful sentinels. This was an apt metaphor because watched was exactly how I felt. I didn’t know why. Zero animal life populated the woods. Not a single moose, elk, bird, or deer. I suppose the uncanny sensation might have been due to the profound silence that pervaded the winter day, which the whine of the snowmobile engines only seemed to accentuate. It was the same silence I’d experienced outside Fyodor’s cabin. What had I called it then? Predatory? Yes, predatory. It insinuated something primordial, something threatening and patient that didn’t jive with the modern cacophony of honking car horns, coffee-shop chatter, TV news anchors rambling off the day’s events, radio DJs counting down top-ten lists. In place of all this existed…nothing, a void…and on an existential level that was alien and frightening and, yes, predatory. It hinted at death and reinforced the simple fact that we didn’t belong here. Disco, Olivia, Vasily, me. Not even Fyodor.
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Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
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They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home.
The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry.
And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem.
Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver.
And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast.
Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals.
And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world.
Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs.
And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world.
Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!
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Tom Robbins (Wild Ducks Flying Backward)
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A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tacked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' eats and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daublings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from hell more horrible yet than the brimstone land of christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
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Cormic McCarthy
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Along with such worthies as Almond L. Bliss, Archimedes Stevenson, Alton F. Pratt, Dusenberry J. Furman, and Deacon Ransom Todd, he was one of several hundred individuals profiled in the 1888 commemorative volume Portrait and Biographical Album of Lenawee County, Mich. That publication extoled him as a “valuable citizen” who had become known throughout the locality as a stock breeder, first of short-horn cattle, later of Shropshire fine-wool sheep and Poland-China hogs. His prize bull, Garfield—a “fine, well-proportioned animal”—was the envy of neighboring farmers.3 In addition to his business pursuits, he served in a number of official capacities, including township drain commissioner. He was a pillar of his church, St. Dominic in the township of Clinton.4
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Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
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So Charlie decided to take back what rightfully belonged to her. She was no longer as naive as she had once been. She learned everything she could about banking and finance and figured out how to establish a secure Swiss bank account. After that, through Barracuda, she hacked into Lightning’s corporate bank accounts, siphoned out a considerable amount of money, and deposited it in her own account. And then, because she couldn’t help herself, she enacted a little more vengeance on Lightning. On the company’s homepage, she altered the slogan to “Committing Evil for 120 years” and animated their lightning logo so that it struck a kennel and set several cartoon dogs on fire. She also removed all the software products for sale on their website, replacing them with particularly horrible items like elephant tusks, rhino horns, and giant panda skins. Finally, she wiped out all of Lightning’s access codes.
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Stuart Gibbs (Charlie Thorne and the Last Equation (Charlie Thorne, #1))
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The beat of things, their steady direction, had dissolved into nothing–this room wasn't happening then, it isn't happening now; maybe it's a dream of what's going to happen or what will happen never. The sound of her own voice injures her like a shock of electricity through her ears, but screaming herself to hoarse exhaustion is the only reprieve from breathing.
She looked up out of her voice and saw the angel.
He will have ears like a cartoon of organic growth. He is yellow with light but covered with mobile shadows, animated tattoos. His face kept changing. His voice will come from far off, like a train's. His body is steady and beautiful and hairless, the wings white, incinerating, and pure, but the head changes rapidly–the head of an eagle, a goat, an insect, a mouse, a sheep with spiraling horns that turn and lengthen almost imperceptibly–and the entire message had no words. The entire message will be only the beat and direction of time. Yes is Now.
The angel who says "It's time."
"Is it time?" she asked. "Does it hurt?" He will have the most beautiful face she has ever seen.
"Oh babe." The angel starts to cry. "You can't imagine," he said.
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Denis Johnson (Angels)
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It’s tempting to picture these early foragers as savage and uncivilized, because they were too ignorant to, say, live in overcrowded cities, fill oceans with single-use plastic containers, and breed animals in dark, crowded cages amid their own feces after cutting off their beaks, horns, and testicles without anesthetics.
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Matt Siegel (The Secret History of Food: Strange but True Stories About the Origins of Everything We Eat)