Ams Stock Quotes

We've searched our database for all the quotes and captions related to Ams Stock. Here they are! All 30 of them:

OH, THERE HAS TO BE SOMETHING IN THE STOCKING THAT MAKES A NOISE, said Death. OTHERWISE, WHAT IS 4:30 A.M. FOR?
Terry Pratchett (Hogfather (Discworld #20))
Like anybody can tell you, I am not a very nice man. I don't know the word. I have always admired the villain, the outlaw, the son of a bitch. I don't like the clean-shaven boy with the necktie and the good job. I like desperate men, men with broken teeth and broken minds and broken ways. They interest me. They are full of surprises and explosions. I also like vile women, drunk cursing bitches with loose stockings and sloppy mascara faces. I'm more interested in perverts than saints. I can relax with bums because I am a bum. I don't like laws, morals, religions, rules. I don't like to be shaped by society.
Charles Bukowski (South of No North)
I don't know what to do!" cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoön of himself with his stockings. "I am as light as a feather, I am as happy as an angel, I am as merry as a school-boy. I am as giddy as a drunken man. A merry Christmas to every-body! A happy New Year to all the world! Hallo here! Whoop! Hallo!
Charles Dickens (A Christmas Carol)
It was a face which darkness could kill in an instant a face as easily hurt by laughter or light 'We think differently at night' she told me once lying back languidly And she would quote Cocteau 'I feel there is an angel in me' she'd say 'whom I am constantly shocking' Then she would smile and look away light a cigarette for me sigh and rise and stretch her sweet anatomy let fall a stocking
Lawrence Ferlinghetti (Pictures of the Gone World)
Who am I? And how I wonder, will this story end? . . . My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough. The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way. Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . . There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible. I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail. And maybe, just maybe, it will.
Nicholas Sparks (The Notebook (The Notebook, #1))
If anybody is looking to rent a dancing partner for an evening, I have one left in stock. That one is me, and I am on sale ‘til Tuesday at two.
Jarod Kintz (This Book is Not for Sale)
So @Mizzou has a student shortage problem, but they haven't called me to try to fill demand. I have one student in stock, and I am ON SALE.
Jarod Kintz (This Book is Not for Sale)
The prince set her down and dismissed his valet. The latter left with a bow and closed the door. Leaning against the wall, the prince pulled off his stockings. As he walked toward the amethyst tub, he yanked his shirt over his head. He was lean and tightly sinewed. Her little bird heart thudded. He glanced at her, his lips curved in not quite a smile. The next thing she knew, his shirt had flown through the air and landed on the cage, blocking her view toward the bathtub. “Sorry, sweetheart. I am shy.” She chirped indignantly. It was not as if she would have continued to watch him disrobe beyond a certain point.
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
If you have a son, how will you love him? She is pacing the living room, while the Thanksgiving Day Parade plays behind her, a montage of inflated cartoon bodies, floating slow down 6th Avenue, smiles painted onto their faces. I consider not responding. I consider explaining that I can love him and not trust him. I consider saying that I won’t love him at all. Just to scare her. Instead, I say, If I am ever murdered, like, body found in a ditch, mouth stuffed with dirt, stocking around my neck, identified by my toenails, please don’t go looking for a guilty woman. ("My Grandmother Asks Why I Don't Trust Men")
Olivia Gatwood (Life of the Party)
Child, you do not know me. You have created a mythical being in my likeness whom you have set up as a god. It is not I. Many times, infant, I have told you that I am no hero, but I think you have not believed me. I tell you now that I am no fit mate for you...My reputation is damaged beyond repair, child. I come from vicious stock, and I have brought no honor to the name I bear. To no women have I been faithful; behind me lies scandal upon sordid scandal...You have seen perhaps the best of me; you have not seen the worst' 'Ah, Monseigneur, you need not have told me this! I know--I have always known, and still I love you. I do not want a boy. I only want Monseigneur.
Georgette Heyer (These Old Shades (Alastair-Audley, #1))
I am the happiest man in the world and here's why: I walk down a street and I see a woman, not tall but well-proportioned, very dark-haired, very neat in her dress, wearing a dark skirt with deep pleats that swing with the rhythm of her rather quick steps; her stockings, of dark color, are carefully, impeccably smooth; her face is not smiling, this woman walks down the street without trying to please, as if she were unconscious of what she represented: a good carnal image of woman, a physical image, more than a sexy image, a sexual image. --Francois Truffaut, "Is Truffaut the Happiest Man on Earth? Yes," 1970
François Truffaut
From the baking aisle to the post office line to the wrapping paper bin in the attic, women populate every dark corner of Christmas. Who got up at 4 a.m. to put the ham in the oven? A woman. . . . Who sent the Christmas card describing her eighteen-year-old son's incarceration as 'a short break before college?' A woman. Who remembered to include batteries at the bottom of each stocking? A woman. And who gets credit for pulling it all off? Santa. That's right. A man.
Rachel Held Evans (A Year of Biblical Womanhood)
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
But you are a pureblood, aren’t you, my brave boy?” Voldemort asked Neville, who stood facing him, his empty hands curled in fists. “So what if I am?” said Neville loudly. “You show spirit and bravery, and you come of noble stock. You will make a very valuable Death Eater. We need your kind, Neville Longbottom.” “I’ll join you when hell freezes over,” said Neville. “Dumbledore’s Army!” he shouted, and there was an answering cheer from the crowd, whom Voldemort’s Silencing Charms seemed unable to hold.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
These are the voices which we hear in solitude, but they grow faint and inaudible as we enter into the world. Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint stock company in which the members agree for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It [That is, conformity.] loves not realities and creators, but names and customs. "Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of our own mind. Absolve you to yourself, and you shall have the suffrage of the world. I remember an answer which when quite young I was prompted to make to a valued adviser who was wont to importune me with the dear old doctrines of the church. On my saying, What have I to do with the sacredness of traditions, if I live wholly from within? my friend suggested--'But these impulses may be from below, not from above.' I replied, 'They do not seem to me to be such; but if I am the devil's child, I will live them from the devil.' No law can be sacred to me but that of my nature. Good and bad are but names very readily transferable to that or this; the only right is what is after my constitution, the only wrong what is against it. A man is to carry himself in the presence of all opposition as if everything were titular and ephemeral but he. I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions. Every decent an well-spoken individual affects and sways me more than is right. I ought to go upright and vital, and speak the rude truth in all ways.
Ralph Waldo Emerson
If you’re worried you have a psychosis, you probably don’t, but even if you do, there’s help for it. Fighting with anxiety makes it worse; instead, accept the anxiety, and it will become less scary. Take a moment to breathe and take stock of your surroundings. Remember what’s real. Say, “This sucks, but it will pass.” We aren’t responsible for our thoughts, we are only responsible for what we do with them. Mental health care can and should be taken as seriously as physical health care. A diagnosis is not a bad thing.
Mara Wilson (Where Am I Now?: True Stories of Girlhood and Accidental Fame)
I had a neat stock of fixed opinions, but they dropped away one by one; and the further I get the less sure I am. I doubt if I have anything more for my present rule of life than following inclinations which do me and nobody else any harm, and actually give pleasure to those I love best. There, gentlemen, since you wanted to know how I was getting on, I have told you. Much good may it do you! I cannot explain further here. I perceive there is something wrong somewhere in our social formulas: what it is can only be discovered by men or women with greater insight than mine--if, indeed, they ever discover it-- at least in our time. 'For who knoweth what is good for man in this life?--and who can tell a man what shall be after him under the sun?
Thomas Hardy (Jude the Obscure)
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
Bernard Levin
Bipolar disorder is about buying a dozen bottles of Heinz ketchup and all eight bottles of Windex in stock at the Food Emporium on Broadway at 4:00 a.m., flying from Zurich to the Bahamas and back to Zurich in three days to balance the hot and cold weather (my sweet and sour theory of bipolar disorder), carrying $20,000 in $100 bills in your shoes into the country on your way back from Tokyo, and picking out the person sitting six seats away at the bar to have sex with only because he or she happens to be sitting there. It's about blips and burps of madness, moments of absolute delusion, bliss, and irrational and dangerous choices made in order to heighten pleasure and excitement and to ensure a sense of control. The symptoms of bipolar disorder come in different strengths and sizes. Most days I need to be as manic as possible to come as close as I can to destruction, to get a real good high -- a $25,000 shopping spree, a four-day drug binge, or a trip around the world.
Andy Behrman (Electroboy: A Memoir of Mania)
Now, Miss Bentley,” he said with mock seriousness.   “I’ll have you know that yes, you are correct, I will always be the master in a relationship.   I will always be the master when it comes to sex.   I am the man.” Harly was having a hard time trying to maintain her own contrite, meek expression; her quivering lips gave that away.   “Yes, Sir.” “See, when I say strip, you strip.   When I say come here, you come.   When I say kiss me, you kiss me.   When I say you’re walking around in my presence in nothing but silk stockings and a garter belt and a red satin bra, you will do so.” “Not happening.” “Insubordination will not be tolerated.” “I’ll tell my mother.” “I’m not scared of her.” “All right.   I’ll tell your mother.” “Okay, some insubordination will be tolerated.” “I thought so.” “And when I say get the bondage gear-” She guffawed right in his face.
Angela Verdenius (Alex (The Lawson Boys #1))
...what I appear, a sick and poor man, is not the worst of me. I am in a chaos of principles--groping in the dark--acting by instinct and not after example. Eight or nine years ago when I came here first, I had a neat stock of fixed opinions, but they dropped away one by one; and the further I get the less sure I am. I doubt if I have anything more for my present rule of life than following inclinations which do me and nobody else any harm, and actually give pleasure to those I love best.
Thomas Hardy
Jamie. I want you to mark me." "What?" he said, startled. The tiny sgian dhu he carried in his stocking was lying within reach, its handle of carved staghorn dark against the piled clothing. I reached for it and handed it to him. "Cut me," I said urgently. "Deep enough to leave a scar. I want to take away your touch with me, to have something of you that will stay with me always. I don't care if it hurts; nothing could hurt more than leaving you. At least when I touch it, wherever I am, I can feel your touch on me.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
... Anyway, you put too much stock in hierarchy and fear.” “Me?” “Who else? I could spot it a mile away. All you cared about was your mission, whatever it is. You’re like a driven arrow with a very depressing shadow. First time I met you, I knew you’d cut my throat to get whatever it is you want.” She waits for a moment. “What is it that you want, by the way?” “To win,” I say. “Oh, please. You’re not that simple.” “You think you know me?” The rabbit hisses out fat over the fire. “I know you cry in your sleep for a girl named Eo. Sister? Or a girl you loved? It is a very offColor name. Like yours.” “I’m a farplanet hayseed. Didn’t they tell you?” “They wouldn’t tell me anything. I don’t get out much.” She waves a hand. “Anyway, doesn’t matter. All that matters is that no one trusts you because it’s obvious you care more about your goal than you do about them.” “And you’re something different?” “Oh, very much so, Sir Reaper. I like people more than you do. You are the wolf that howls and bites. I am the mustang that nuzzles the hand. People know they can work with me. With you? Hell, kill or be killed.
Pierce Brown (Red Rising (Red Rising Saga, #1))
If I could believe," said Rhoda, "that I should grow old in pursuit and change, I should be rid of my fear: nothing persists. One moment does not lead to another. The door opens and the tiger leaps. You do not see me come...I cannot make one moment merge in the next. To me they are all violent, all separate; and if I fall under the shock of the leap of the moment you will be on me, tearing me to pieces. I have no end in view. I do not know how to run minute to minute, and hour to hour, solving them by some natural force until they make the whole and indivisible mass that you call life. Because you have an end in view--one person, is it, to sit beside, an idea is it, your beauty is it? I do not know--your days and hours pass like the boughs of forest trees and the smooth green of forest rides to a hound running in the scent... But since I wish above all things to have lodgment, I pretend, as I go upstairs lagging behind Jinny and Susan, to have an end in view. I pull on my stockings as I see them pull on theirs. I wait for you to speak and then speak like you. I am drawn here across London to a particular spot, to a particular place, not to see you or you or you, but to light my fire at the general blaze of you who love wholly, indivisibly, and without caring in the moment.
Virginia Woolf
I am in a chaos of principles—groping in the dark—acting by instinct and not after example. Eight or nine years ago when I came here first, I had a neat stock of fixed opinions, but they dropped away one by one; and the further I get the less sure I am. I doubt if I have anything more for my present rule of life than following inclinations which do me and nobody else any harm, and actually give pleasure to those I love best. There, gentlemen, since you wanted to know how I was getting on, I have told you. Much good may it do you! I cannot explain further here. I perceive there is something wrong somewhere in our social formulas: what it is can only be discovered by men or women with greater insight than mine—if, indeed, they ever discover it—at least in our time. Gekürzt: Meine Grundsätze sind in Wirrwarr geraten – ich taste im dunkeln -, handle aus Instinkt und nicht nach Vorbildern. Vor acht oder neun Jahren, […] hatte ich einen schönen Vorrat feststehender Meinungen; aber die sind mir eine nach der andern abhanden gekommen; je älter ich werde , um so weniger sicher bin ich. Eigentlich befolge ich jetzt keine andere Lebensregel, als dass ich Neigungen nachgehe, die weder mir noch sonst jemandem schaden, sondern denen, die ich liebe, wirklich Freude machen. […] Ich spüre, dass etwas in unserem sozialen Gefüge nicht stimmt: aber was es ist, das können nur Männer und Frauen mit besserer Einsicht als ich herausfinden – wenn sie es überhaupt herausfinden können – wenigstens in unserer Zeit.
Thomas Hardy (Jude: The Shooting Script (Shooting Scripts))
Vanda (as Dunayev): I am a pagan. I am a Greek. I love the ancients not for their pediments or their poetry, but becausein their world Venus could love Paris one day and Anchises the next. Because they're not the moderns, who live in their mind, and because they're the opposite of Christians, who live on a cross. I don't live in my mind, or on a cross. I live on this divan. In this dress. In these stockings and these shoes. I want to live the way Helen and Aspasia lived, not the twisted women of today, who are never happy and never give happiness. Who won't admit that they want love without limit. Why should I forgo any possible pleasure, abstain from any sensual experience? I'm young, I'm rich, and I'm beautiful and I shall make the most of that. I shall deny myself nothing. Thomas (as Kushemski): I certainly respect your devotion to principle. Vanda (as Dunayev): I don't need your respect, excuse me. I'll take happiness. My happiness, not society's happiness. I will love a man who pleases me, and please a man who makes me happy--but only as long as he makes me happy, not a moment longer.
David Ives (Venus in Fur)
Birthdays are a time when one stock takes, which means, I suppose, a good spineless mope: I scan my horizon and can discern no sail of hope along my own particular ambition. I tell you what it is: I'm quite in accord with the people who enquire 'What is the matter with the man?' because I don't seem to be producing anything as the years pass but rank self indulgence. You know that my sole ambition, officially at any rate, was to write poems & novels, an activity I never found any difficulty fulfilling between the (dangerous) ages of 17-24: I can't very well ignore the fact that this seems to have died a natural death. On the other hand I feel regretful that what talents I have in this direction are not being used. Then again, if I am not going to produce anything in the literary line, the justification for my selfish life is removed - but since I go on living it, the suspicion arises that the writing existed to produce the life, & not vice versa. And as a life it has very little to recommend it: I spend my days footling in a job I care nothing about, a curate among lady-clerks; I evade all responsibility, familial, professional, emotional, social, not even saving much money or helping my mother. I look around me & I see people getting on, or doing things, or bringing up children - and here I am in a kind of vacuum. If I were writing, I would even risk the fearful old age of the Henry-James hero: not fearful in circumstance but in realisation: because to me to catch, render, preserve, pickle, distil or otherwise secure life-as-it-seemed for the future seems to me infinitely worth doing; but as I'm not the entire morality of it collapses. And when I ask why I'm not, well, I'm not because I don't want to: every novel I attempt stops at a point where I awake from the impulse as one might awake from a particularly-sickening nightmare - I don't want to 'create character', I don't want to be vivid or memorable or precise, I neither wish to bathe each scene in the lambency of the 'love that accepts' or be excoriatingly cruel, smart, vicious, 'penetrating' (ugh), or any of the other recoil qualities. In fact, like the man in St Mawr, I want nothing. Nothing, I want. And so it becomes quite impossible for me to carry on. This failure of impulse seems to me suspiciously like a failure of sexual impulse: people conceive novels and dash away at them & finish them in the same way as they fall in love & will not be satisfied till they're married - another point on which I seem to be out of step. There's something cold & heavy sitting on me somewhere, & until something budges it I am no good.
Philip Larkin (Philip Larkin: Letters to Monica)
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit. “Try me.” His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.” “Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform. “So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.” “Good answer.” “Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’” “Uh-oh again.” Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.” Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.” “I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—” “You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help. “He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .” “So what happened then?” “Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.” I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended. “So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.” “Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.” “I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’” I can’t stop laughing. “He didn’t. He did not mention your mother.” “I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
Huntley Fitzpatrick (My Life Next Door)
[A Chinese Restaurant.] Roma is seated alone at the booth.Lingk is at the booth next to him.Roma is talking to him. * * * Roma: . . . Eh? What I’m saying, what is our life? (Pause.) It’s looking forward or it’s looking back. And that’s our life. That’s it. Where is the moment? (Pause.) And what is it that we’re afraid of? Loss. What else? (Pause.) The bank closes. We get sick, my wife died on a plane, the stock market collapsed . . . the house burnt down . . . what of these happen . . . ? None of ’em. We worry anyway. What does this mean? I’m not secure. How can I be secure? (Pause.) Through amassing wealth beyond all measure? No. And what’s beyond all measure? That’s a sickness. That’s a trap. There is no measure. Only greed. How can we act? The right way, we would say, to deal with this: “There is a one-in-a million chance that so and so will happen. . . . Fuck it, it won’t happen to me. . . .” No. We know that’s not the right way I think. (Pause.) We say the correct way to deal with this is “There is a one-in-so-and-so chance that this will happen . . . God protect me. I am powerless, let it not happen to me. . . .” But no to that. I say. There’s something else. What is it? “If it happens, AS IT MAY for that is not within our powers, I will deal with it, just as I do today with what draws my concern today.” I say this is how we must act. I do those things which seem correct to me today. I trust myself. And if security concerns me, I do that which today I think will make me secure. And every day I do that, when that day arrives that I need a reserve, (a) odds are that I have it, and (b) the true reserve that I have is the strength that I have of acting each day without fear. (Pause.) According to the dictates of my mind. (Pause.)
David Mamet (Glengarry Glen Ross)
I ask him if he tried to rape Nyla. “Laws are silent in times of war,” Tactus drawls. “Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.” “In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.” “The measure of a man is what he does when he has power,” I say loudly. “Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.” “I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?” He’s silent, realizing he’s fallen into a trap. “You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.” He smirks at that. “Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.” I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak. “But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.” Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too. I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment. Tactus barely manages to stagger to his feet, wrath burning in his eyes. “A mistake,” he whispers to me. “Such a mistake.” Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head. “You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
Pierce Brown (Red Rising (Red Rising Saga, #1))