Amongst The Flowers Quotes

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At Highgarden we have many spiders amongst the flowers. So long as they keep to themselves we let them spin their little webs, but if they get underfoot we step on them.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
She was an exotic flower amongst the snowdrifts, out of place, a Technicolor misfit in a monochrome Christmas movie.
Thomm Quackenbush (We Shadows (Night's Dream, #1))
Going out to the garden is to go on a holiday; when you travel amongst the flowers, your body touches heaven and your mind tastes the secrets of ataraxia!
Mehmet Murat ildan
Here is a dream-life: A life amongst the flowers!
Mehmet Murat ildan
Amongst the flowers I am alone with my pot of wine drinking by myself; then lifting my cup I asked the moon to drink with me, its reflection and mine in the wine cup, just the three of us; then I sigh for the moon cannot drink, and my shadow goes emptily along with me never saying a word; with no other friends here, I can but use these two for company; in the time of happiness, I too must be happy with all around me; I sit and sing and it is as if the moon accompanies me; then if I dance, it is my shadow that dances along with me; while still not drunk, I am glad to make the moon and my shadow into friends, but then when I have drunk too much, we all part; yet these are friends I can always count on these who have no emotion whatsoever; I hope that one day we three will meet again, deep in the Milky Way.
Li Bai
The daisies remind you to be happy. The hydrangeas remind you to be colorful. The lilacs remind us to breath deeply. The pansies reflect our own images back at us. The hollyhocks remind us to stand tall in this world. And the roses - oh, the roses! - they remind us that beauty is always present even amongst the thorns.
Viola Shipman (The Heirloom Garden)
And what does it matter whether God speaks to us from amongst the thorns or the flowers?
Francis de Sales
The Child Angel Let your life come amongst them like a flame of light, my child, unflickering and pure, and delight them into silence. They are cruel in their greed and their envy, their words are like hidden knives thirsting for blood. Go and stand amidst their scowling hearts, my child, and let your gentle eyes fall upon them like the forgiving peace of the evening over the strife of the day. Let them see your face, my child, and thus know the meaning of all things, let them love you and love each other. Come and take your seat in the bosom of the limitless, my child. At sunrise open and raise your heart like a blossoming flower, and at sunset bend your head and in silence complete the worship of the day.
Rabindranath Tagore
Which is better? - To have surrendered to temptation; listened to passion; made no painful effort - no struggled; - but to have sunk down in the silken snare; fallen asleep on the flower covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester's mistress; delirious with his love half my time - for he would - oh, yes, he would have love me well for a while.
Charlotte Brontë (Jane Eyre)
be a wildflower amongst cut flowers
Dahi Tamara Koch (Within the event horizon: poetry & prose)
Cities make people sick; they create living dead! Get away from the cities in every possible occasion! River does no harm to you; forest does no harm to you; wild flowers do no harm to you! When you are in nature, you are amongst the friends! Be clever, be in the nature!
Mehmet Murat ildan
Meantime, let me ask myself one question--Which is better?--To have surrendered to temptation; listened to passion; made no painful effort--no struggle;--but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester's mistress; delirious with his love half my time--for he would--oh, yes, he would have loved me well for a while. He DID love me--no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace--for never to any one else shall I seem to possess these charms. He was fond and proud of me--it is what no man besides will ever be.--But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool's paradise at Marseilles--fevered with delusive bliss one hour- -suffocating with the bitterest tears of remorse and shame the next- -or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England?
Charlotte Brontë (Jane Eyre)
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
You are a blue rose, Letti. It’s almost impossible that you exist amongst the other roses but you do. You bring wonder to those who are lucky enough to find you. The blue rose is lonely, lost and awaits someone special to believe in them; the same feeling I got from you the day we met. Blue roses are incomprehensible and mysterious. And so are you.
S.R. Crawford (No Secrets: Remastered)
A feeling of calm always fell over her like a cloak of happiness settling on her shoulders when she entered her father’s woods. Tall trees welcomed her under their canopy, offering her protection, while a carpet of yellow lesser celandine, with their shiny star-like flowers and dark green heart-shaped leaves, tickled her ankles as she walked amongst them.
Ellen Read (The Treasure)
It's her. The woman from the photo." The plate was foxed around the edges, but the painting at its center was still intact. The annotation beneath gave the title as Sleeping Beauty and the artist's name, Edward Radcliffe. The woman in the painting was lying in a fantastical treetop bower of leaves and flower buds, all of which were waiting in stasis for the chance to bloom. Birds and insects were interspersed amongst the woven branches; long red hair flowed in waves around her sleeping face, which was glorious in repose. Her eyes were closed, but the features of her face- the elegant cheekbones and bow lips- were unmistakable. "She was his model," Elodie whispered.
Kate Morton (The Clockmaker's Daughter)
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
They clung to the purple moors behind and around their dwelling - to the hollow vale into which wound between fern-bank first, and then amongst a few of the wildest little pasture that ever bordered a wilderness of heath, or gave sustenance to a flock of grey moorland sheep, with their little mossy-faced lambs: - they clung to this scene, I say, with a perfect enthusiasm of attachment. I could comprehend the feeling, and share both its strength and truth. I saw the fascination of the locality. I felt the consecration of its loneliness: my eye feasted on the outline of swell and sweep - on the wild colouring communicated to ridge and dell by moss, by heath-bell, by flower-sprinkled turf, by brillant bracken, and mellow granite crag.
Charlotte Brontë (Jane Eyre)
I am above the forest region, amongst grand rocks & such a torrent as you see in Salvator Rosa's paintings vegetation all a scrub of rhodos. with Pines below me as thick & bad to get through as our Fuegian Fagi on the hill tops, & except the towering peaks of P. S. [perpetual snow] that, here shoot up on all hands there is little difference in the mt scenery—here however the blaze of Rhod. flowers and various colored jungle proclaims a differently constituted region in a naturalist's eye & twenty species here, to one there, always are asking me the vexed question, where do we come from? [Letter to Charles Darwin 24 Jun 1849]
Joseph Dalton Hooker (Life and Letters of Sir Joseph Dalton Hooker O.M., G.C.S.I. (Cambridge Library Collection - Botany and Horticulture))
You know, I've never known much about fashion, living in the country and all," she said innocently. "What sort of hat would a lady like myself wear to an afternoon tea outside, in the garden, with other ladies? Assuming I'm ever invited, of course." "Oh, that's easy... a lovely straw number, with a wide brim, en grecque curls if you're dining amongst the ruins, or piles of flowers and feathers, and tipped, just so..." Belle allowed herself a little smile. "No one has worn hats like that, even in this remote part of the world, for at lest ten years. Not even Madame Bussard has pulled one out of her own wardrobe recently. And she is very thrifty with her accessories. So whatever happened here must have happened at least a decade ago.
Liz Braswell (As Old as Time)
Through Poppy’s eyes, she learned to see the treasures that the mountains held for those who lowered their eyes and let them linger on the ground: neat little mats of wild thyme encrusted on sun-baked rocks and stones covered with pin cushions of yellow saxifrage bobbing up and down between the sparkling ripples of the mountain streams. Lucy had passed waterfalls where tall, pink adenostyles stood proudly at the edge to be showered and splashed, and frothy clumps of white saxifrage cascaded from crannies in the shining, rocky sides into the tumbling waters below. She had wandered across hillsides where wild cumin blew on the breeze, ambled under the cool shadows of the pinewoods punctuated by bright, dainty astrantia and plodged through mountain bogs amongst the fluffy white drumsticks of cotton grass. 
Kathryn Adams Death in Grondère
As we age, we become more aware of the rarity and exquisiteness of beauty, and come to admire the flowers blooming amongst rubble. With each advancing decade, nature’s beauty and the magnificence of life increasingly amazes me. Maturation allows a person to appreciate the springtime frolic of youth and to inventory the knowledge garnered from a rigorous summer reflecting upon adulthood’s long pull. Ageing allows people to free themselves from the strife and strivings of their younger self. Reflective contemplation nurtures the cherished milk of wisdom. I shall rejoice in the commonplace acts of being. Today is an apt time to embrace learning at all stages of life. It is also an apt time to commence exercising the principles of good husbandry by beginning to making preparation for the inevitable freeze of winter.
Kilroy J. Oldster (Dead Toad Scrolls)
At the lawn's edge, a grand set of graystone stairs led into Lady Ashbury’s rose garden. Pink blooms hugged the trellises, alive with the warm drone of diligent bees hovering about their yellow hearts. I passed beneath the arbor, unlatched the kissing gate and started down the Long Walk: a stretch of gray cobblestones set amongst a carpet of white alyssum. Halfway along, tall hornbeam hedges gave way to the miniature yew that bordered the Egeskov Garden. I blinked as a couple of topiaries came to life, then smiled at myself and the pair of indignant ducks that had wandered up from the lake and now stood regarding me with shiny black eyes. At the end of the Egeskov Garden was the second kissing gate, the forgotten sister (for there is always a forgotten sister), victim of the wiry jasmine tendrils. On the other side lay the Icarus fountain, and beyond, at the lake’s edge, the boathouse.
Kate Morton (The House at Riverton)
For you: anthophilous, lover of flowers, green roses, chrysanthemums, lilies: retrophilia, philocaly, philomath, sarcophilous—all this love, of the past, of beauty, of knowledge, of flesh; this is catalogue & counter: philalethist, negrophile, neophile. A negro man walks down the street, taps Newport out against a brick wall & stares at you. Love that: lygophilia, lithophilous. Be amongst stones, amongst darkness. We are glass house. Philopornist, philotechnical. Why not worship the demimonde? Love that—a corner room, whatever is not there, all the clutter you keep secret. Palaeophile, ornithophilous: you, antiquarian, pollinated by birds. All this a way to dream green rose petals on the bed you love; petrophilous, stigmatophilia: live near rocks, tattoo hurt; for you topophilia: what place do you love? All these words for love (for you), all these ways to say believe in symphily, to say let us live near each other.
Reginald Dwayne Betts
It is not death that human beings are most afraid of, it is love. The heart is bigger than a mountain. One human life is deeper than the ocean. Strange fishes and sea-monsters and mighty plants live in the rock-bed of our spirits. The whole of human history is an undiscovered continent deep in our souls. There are dolphins, plants that dream, magic birds inside us. The sky is inside us. The earth is in us. The trees of the forest, the animals of the bushes, tortoises, birds, and flowers know our future. The world that we see and the world that is there are two different things. Wars are not fought on battlegrounds but in a space smaller than the head of a needle. We need a new language to talk to one another. Inside a cat there are many histories, many books. When you look into the eyes of dogs strange fishes swim in your mind. All roads lead to death, but some roads lead to things which can never be finished. Wonderful things. There are human beings who are small but if you can SEE you will notice that their spirits are ten thousand feet wide. In my dream I met a child sitting on a cloud and his spirit covered half the earth. Angels and demons are amongst us; they take many forms. They can enter us and dwell there for one second or half a lifetime. Sometimes both of them dwell in us together. Before everything was born there was first the spirit. It is the spirit which invites things in, good things, or bad. Invite only good things, my son. Listen to the spirit of things. To your own spirit. Follow it. Master it. So long as we are alive, so long as we feel, so long as we love, everything in us is an energy we can use. There is a stillness which makes you travel faster. There is a silence which makes you fly. If your heart is a friend of Time nothing can destroy you. Death has taught me the religion of living – I am converted – I am blinded – I am beginning to see – I am drunk on sleep – My words are the words of a stranger – Wear a smile on your faces – Pour me some wine and buy me some cigarettes, my son, for your father has returned to his true home.
Ben Okri (The Famished Road)
Meantime, let me ask myself one question—Which is better?—To have surrendered to temptation; listened to passion; made no painful effort—no struggle;—but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester’s mistress; delirious with his love half my time—for he would—oh, yes, he would have loved me well for a while. He did love me—no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace—for never to any one else shall I seem to possess these charms. He was fond and proud of me—it is what no man besides will ever be.—But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool’s paradise at Marseilles—fevered with delusive bliss one hour—suffocating with the bitterest tears of remorse and shame the next—or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England?
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Meantime, let me ask myself one question—Which is better?—To have surrendered to temptation; listened to passion; made no painful effort—no struggle;—but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester’s mistress; delirious with his love half my time—for he would—oh, yes, he would have loved me well for a while. He did love me—no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace—for never to any one else shall I seem to possess these charms. He was fond and proud of me—it is what no man besides will ever be.—But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool’s paradise at Marseilles—fevered with delusive bliss one hour—suffocating with the bitterest tears of remorse and shame the next—or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England? Yes; I feel now that I was right when I adhered to principle and law, and scorned and crushed the insane promptings of a frenzied moment. God directed me to a correct choice: I thank His providence for the guidance!
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
One day, at a quiet hour, I found myself alone in a certain gallery, wherein one particular picture of pretentious size set up in the best light, having a cordon of protection stretched before it, and a cushioned bench duly set in front for the accommodation of worshipping connoisseurs, who, having gazed themselves off their feet, might be fain to complete the business sitting. This picture, I say, seemed to consider itself the queen of the collection. It represented a woman, considerably larger, I thought, than the life. I calculated that this lady, put into a scale of magnitude suitable for the reception of a commodity of bulk, would infallibly turn from fourteen to sixteen stone. She was indeed extremely well fed, very much butcher's meat, to say nothing of bread, vegetables, and liquids must she have consumed to attain that breadth and height, that wealth of muscle, that affluence of flesh. She lay half reclined on a couch – why, it would be difficult to say. Broad daylight blazed round her. She appeared in hearty health, strong enough to do the work of two plain cooks. She could not plead a weak spine. She ought to have been standing, or at least sitting bolt upright. She had no business to lounge away the noon on a sofa. She ought likewise to have worn decent garments – a gown covering her properly, which was not the case. Out of abundance of material, seven and twenty yards I should say, of drapery, she managed to make inefficient raiment. Then, for the wretched untidiness surrounding her, there could be no excuse. Pots and pans – or perhaps I ought to say, vases and goblets – were rolled here and there on the foreground, a perfect rubbish of flowers was mixed amongst them, and an absurd and disorderly mass of curtain upholstery smothered the couch and cumbered the floor. On referring to the catalog, I found that this this notable production bore name: 'Cleopatra.
Charlotte Brontë (Villette)
When a kind person is amongst the rude, he is amongst the tree stumps! When a rude person is amongst the kind, he is amongst the flowers!
Mehmet Murat ildan
When at last she scooted over to him, Hunter experienced a feeling like none he had ever felt. It went beyond satisfaction, beyond contentment. Having her fair head on his shoulder felt perfectly right, as if the Great Ones had hollowed the spot for her long ago, and he had been waiting all his life for her to fill it. He curled his arm around her, his hand on her back. “It is good, eh?” She placed a palm lightly on his chest. In a dubious tone she replied, “Yes, it is good.” Another silence settled over them. He measured the thrums of her heart beneath his hand, pleased that the rhythm no longer reminded him of the frantic wing beats of a trapped bird. Staring at the conical roof, he longed for the weariness he had pretended. It didn’t come. He was relieved when she broke the silence. “Hunter, what did you mean when you said you had made no talk of marriage because I’m a White Eyes?” He brushed his lips across the top of her head, loving the flower smell that still clung to her hair. He would never again smell springtime and not think of her. “My chief wife will be a woman of my own blood.” He felt her stiffen and, seeking to mollify her, added, “You can be second wife, eh? Or third?” To his surprise she bolted upright, shaking again, this time in anger. With an indignant lift of her small chin, she flung herself away from him. “You are angry?” Her reply was frigid silence. “Blue Eyes, what wrong words have I said?” “What have you said?” Hunter frowned. “It would not please you to marry with me? Better a wife than a slave, yes?” “I will never play second fiddle, never!” Hunter studied her, trying to figure out why she had switched the topic of conversation from marriage to making music. “How dare you!” she cried. “Of all the-- You arrogant, simple-- Oh, never mind! Just you understand this! Amongst my people, a man has one wife, only one, and he looks at no other, thinks of no other, touches no other, until death do they part. I wouldn’t marry you if you got on your knees and begged me!
Catherine Anderson (Comanche Moon (Comanche, #1))
Well,” Sadi said in her matter-of-fact way, “the story goes that after the Creator had made all the plants and flowers in the world, he noticed that one flower, in particular, couldn’t quite keep its shape. It kept shifting and changing as if it couldn’t decide what it wanted to be or look like. Like it was trying to hide amongst the other flowers. The Creator didn’t want it to hide or be unsure of what it wanted it to be. He realized doing that over and over made it sick. So, he lovingly placed one of his hands on its petals and fused all its different forms into one. He told it that out of all the flowers in all the world it would be the strongest and most resilient, hence the reason it can bloom in the desert. Ever since then the flower has represented boldness to accept inevitable changes, that being different and unique is beautiful. It reminds us that the Creator made us all different, some more than others, but that doesn’t make us any less beautiful or worthy of acceptance and love.
Melody Personette (Desert Flower)
And my shadow touched hers as though in an embrace. Then, as if taken with a fleeting thought, I stepped over to the window and laid the rose I had just broken off in Maria's lap. I then slid silently away, as though I feared being caught in the act. How often was this little course of events, which seemed so significant to me, repeated! I scarcely know. To me it is as if I had laid a thousand roses in the ailing Maria's lap, as if our shadows had embraced innumerable times. Never once did Maria mention this episode; yet from the gleam in her great radiant eyes, I sensed that she was happy about it. Perhaps these hours, when we two sat together and in silence enjoyed a great, tranquil, deep joy, were so beautiful that I felt no need for any that were more beautiful still. My old uncle quietly left us to ourselves. One day, however, as I sat by him amongst all the resplendent flowers over which great golden butterflies hovered dreamily, he spoke to me in a quiet, thoughtful voice: 'Your soul is drawn to suffering, my boy.' And therewith he laid his hand upon my head as though wishing to add something more. Yet he remained silent. Perhaps he didn't know either what he had awakened in me by this, and what was mightily stirred to life in me from that day. One day, as I again stepped over to the window where Maria sat as usual, I saw that her face had turned pale and rigid in death. Sunbeams darted across her bright, delicate form; her untied golden hair fluttered in the wind and it seemed to me as if no illness had carried her off but that she had died without visible cause - an enigma. I placed the last rose in her hand. She took it with her to the grave. Soon after Maria's death I left for the city. But the memory of those tranquil days filled with sunshine have remained alive in me, more alive perhaps than the noisome present. I shall never again see the little town at the bottom of the valley - yes, I am loath to return to it again. I believe I should be unable to do so, even though I am at times seized by a deep yearning for those ever youthful things of the past. For I know that I should only look in vain for that which is lost without trace; I would no longer find there what lives on in my memory alone - just like the here and now- and what would that bring me but endless torment.
Georg Trakl (Poems and Prose)
So we see according to God’s command, almond flowers blossomed on Aaron’s staff representing the tribe of Levi amongst the twelve tribes who had placed their staffs; through this it proved to them that the priesthood was given to the house of Aaron by God (Numbers 17:1-10). When Aaron died at the age of 123,
Paul C. Jong (The Relationship Between the Ministry of JESUS and That of JOHN the BAPTIST Recorded in the Four Gospels)
Heart, if you sit amongst thorns and don't choose To pick flowers all day from the garden, What can I do? His face lights the whole world, But if you can't see it, what can I do? ***** மனமே! நாளெல்லாம் முள்ளுடன் நீ அமர்ந்திருந்தால் நான் என்னதான் செய்ய? தோட்டத்தில் ஒரு பூவையும் நீ சேகரிக்காதிருந்தால் நான் என்னதான் செய்ய? முழு உலகமும் அவனின் ஒளியில் பிரகாசமாகிறது; உன்னால் பார்க்க முடியவில்லை என்றால் நான் என்னதான் செய்ய?
Jalal ad-Din Muhammad ar-Rumi
When I am amongst the trees and flowers, I feel like I'm home.
Charlotte Symonds (What The Heart Can Hold)
It was a joke to think anything good could blossom in Whitlock. Flowers didn’t grow in the dark. Love didn’t flourish amongst evil.
A.A. Dark (Black Out (24690 #3))
Everything represents a twisted sort of beauty. Delicate flowers whose thorns draw blood from the hand holding them. Snakes hidden amongst twisted berry brambles. Butterflies with their wings pulled off. Flies trapped in honey. Skulls—because deep down he’s just your typical bad boy.
Willow Prescott (Breakaway (Stolen Away, #2))
The Englishmen in the Middle East divided into two classes. Class one, subtle and insinuating, caught the characteristics of the people about him, their speech, their conventions of thought, almost their manner. He directed men secretly, guiding them as he would. In such frictionless habit of influence his own nature lay hid, unnoticed. Class two, the John Bull of the books, became the more rampantly English the longer he was away from England. He invented an Old Country for himself, a home of all remembered virtues, so splendid in the distance that, on return, he often found reality a sad falling off and withdrew his muddle-headed self into fractious advocacy of the good old times. Abroad, through his armoured certainty, he was a rounded sample of our traits. He showed the complete Englishman. There was friction in his track, and his direction was less smooth than that of the intellectual type: yet his stout example cut wider swathe. Both sorts took the same direction in example, one vociferously, the other by implication. Each assumed the Englishman a chosen being, inimitable, and the copying him blasphemous or impertinent. In this conceit they urged on people the next best thing. God had not given it them to be English; a duty remained to be good of their type. Consequently we admired native custom; studied the language; wrote books about its architecture, folklore, and dying industries. Then one day, we woke up to find this chthonic spirit turned political, and shook our heads with sorrow over its ungrateful nationalism - truly the fine flower of our innocent efforts. The French, though they started with a similar doctrine of the Frenchman as the perfection of mankind (dogma amongst them, not secret instinct), went on, contrarily, to encourage their subjects to imitate them; since, even if they could never attain the true level, yet their virtue would be greater as they approached it. We looked upon imitation as a parody; they as a compliment.
T.E. Lawrence (The Seven Pillars of Wisdom)
When storm-clouds rumble in the sky and June showers come down, the moist east wind comes marching over the heath to blow its bagpipes amongst the bamboos. The crowds of flowers come out of a sudden, from nobody knows where, and dance upon the grass in wild glee.
Alka Joshi (The Henna Artist (The Jaipur Trilogy, #1))
This year Britain has become our last stronghold. A fortress defended with small aircraft flown by these strange, unknown young men.’ His glance flicked over Andrew and Bryan. ‘But are they unknown? Look at them and you will realise you do know them. They are our sons, our nephews, friends of our sons and daughters. Each a vibrant spark of God’s beloved humanity. All of them welcome in our houses and at our tables. ‘Cast your mind back a few short years. We watched them in those summer days when our stronghold was nothing but their playground. They picnicked on the village greens amongst the sweet bird-chatter. They laughed and played on the beaches, kicking the water with bare toes. And later they watched and then loved the young girls dressed in coloured frocks like the most wonderful of God’s flowers. ‘Now the flowers have faded to khaki and the bird-chatter is stilled under the clattering machines of war. These young men have stepped forward, separated in their blue, to become the winged warriors at the end of the trails that track the vaults above our heads. ‘George has gone, but he is not so far away that he cannot still see England’s face. The woods he played in, the fields he crossed, the town where he grew up and the prettiest flowers that remain unpicked. ‘He has flown on English air to a new world. But he can still see the world he knew just a few days past. And, in our hearts, we may yet see his frozen trail looped white across the heavens. For the air was his kingdom and he was a shield for those who lived under his wings. ‘His brief life has been given up as a ransom, that we might one day be free again. He has given up the richness of days not yet lived, the chance to hear his child’s voice and the solace of true love to ease his years of frailty. All this lost in a moment of willing sacrifice. ‘No thanks we may give him can weigh sufficiently against what he gave. But the clouds in our English skies can entwine with our eternal remembrance and together we may bind a wreath of honour that is worthy for his grave.’ ◆◆◆
Melvyn Fickling (Bluebirds: A Battle of Britain Novel (The Bluebird Series Book 1))
I am a flower. Amongst a heavy garden. I am orange. They are purple. As can be said by so many. I wait for my fate. What lies beneath?
Dina Husseini
Those dreams—the flashes of that person, that woman … I treasured them. They were a reminder that there was some peace out there in the world, some light. That there was a place, and a person, who had enough safety to paint flowers on a table. They went on for years, until … a year ago. I was sleeping next to Amarantha, and I jolted awake from this dream … this dream that was clearer and brighter, like that fog had been wiped away. She—you were dreaming. I was in your dream, watching as you had a nightmare about some woman slitting your throat, while you were chased by the Bogge … I couldn’t reach you, speak to you. But you were seeing our kind. And I realized that the fog had probably been the wall, and that you … you were now in Prythian. “I saw you through your dreams—and I hoarded the images, sorting through them over and over again, trying to place where you were, who you were. But you had such horrible nightmares, and the creatures belonged to all courts. I’d wake up with your scent in my nose, and it would haunt me all day, every step. But then one night, you dreamed of standing amongst green hills, seeing unlit bonfires for Calanmai.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Metamorphosis A beetle woke up one morning to find it had become Franz Kafka. There were many challenging issues. It had no literary background. How it yearned for its former life, free amongst the silky flowers and fragrant leaves. The beetle’s journals in their scratchy scrawl were dark with pessimism and thoughts of suicide. What is the point of books it kept asking. What is the point. In the end they will only be consumed by insects. so its books came slowly. It was stuck with a tedious public service job. An angry fiancée turned up and demanded it marry her without further delay. The beetle felt no attraction to her but could not explain why.
Philip Neilsen
Walking through the end, the beginning is near. Forever seeing clear, with each step and each breath, the Soul expands and yearns to be a part of creation, to serve you. Each turn, every flicker of light, it offers such delight. The threshold, the point of no return. Ever so near, there is nothing to fear. Walk with me, sweet spirit. Standing amongst the flower, ever reflecting the light, embracing the sweet fragrance of the sacred vibrations- turn to your Soul. Awaken the spirit. An opening has been there all along. Walk forward, trust and embrace the mystery. Know that the beginning is the end, just as the end is the beginning.
Ulonda Faye (Sutras of the Heart: Spiritual Poetry to Nourish the Soul)
I don’t want to understand life. I want to live it, just the way I like amongst flowers of all types.
Bhuwan Thapaliya
My aunt's life was now practically confined to two adjoining rooms, in one of which she would rest in the afternoon while they, aired the other. They were rooms of that country order which (just as in certain climes whole tracts of air or ocean are illuminated or scented by myriads of protozoa which we cannot see) fascinate our sense of smell with the countless odours springing from their own special virtues, wisdom, habits, a whole secret system of life, invisible, superabundant and profoundly moral, which their atmosphere holds in solution; smells natural enough indeed, and coloured by circumstances as are those of the neighbouring countryside, but already humanised, domesticated, confined, an exquisite, skilful, limpid jelly, blending all the fruits of the season which have left the orchard for the store-room, smells changing with the year, but plenishing, domestic smells, which compensate for the sharpness of hoar frost with the sweet savour of warm bread, smells lazy and punctual as a village clock, roving smells, pious smells; rejoicing in a peace which brings only an increase of anxiety, and in a prosiness which serves as a deep source of poetry to the stranger who passes through their midst without having lived amongst them. The air of those rooms was saturated with the fine bouquet of a silence so nourishing, so succulent that I could not enter them without a sort of greedy enjoyment, particularly on those first mornings, chilly still, of the Easter holidays, when I could taste it more fully, because I had just arrived then at Combray: before I went in to wish my aunt good day I would be kept waiting a little time in the outer room, where the sun, a wintry sun still, had crept in to warm itself before the fire, lighted already between its two brick sides and plastering all the room and everything in it with a smell of soot, making the room like one of those great open hearths which one finds in the country, or one of the canopied mantelpieces in old castles under which one sits hoping that in the world outside it is raining or snowing, hoping almost for a catastrophic deluge to add the romance of shelter and security to the comfort of a snug retreat; I would turn to and fro between the prayer-desk and the stamped velvet armchairs, each one always draped in its crocheted antimacassar, while the fire, baking like a pie the appetising smells with which the air of the room, was thickly clotted, which the dewy and sunny freshness of the morning had already 'raised' and started to 'set,' puffed them and glazed them and fluted them and swelled them into an invisible though not impalpable country cake, an immense puff-pastry, in which, barely waiting to savour the crustier, more delicate, more respectable, but also drier smells of the cupboard, the chest-of-drawers, and the patterned wall-paper I always returned with an unconfessed gluttony to bury myself in the nondescript, resinous, dull, indigestible, and fruity smell of the flowered quilt.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
When the Bishop Projectius brought the relics of St. Stephen to the town called Aquae Tibiltinae, the people came in great crowds to honour them. Amongst there was a blind woman, who entreated the people to lead her to the bishop who had the HOLY RELICS. They did so, and the bishop gave her some flowers which he had in his hand. She took them, and put them to her eyes, and immediately her sight was restored, so that she passed speedily on before all the others, no longer requiring to be guided." In Augustine's day, the formal "worship" of the relics was not yet established; but the martyrs to whom they were supposed to have belonged where already invoked with prayers and supplications, and that with the high approval of the Bishop of Hippo, as the following story will abundantly show: Here, in Hippo, says he, there was a poor and holy old man, by name Florentius, who obtained a living by tailoring. This man once lost his coat, and not being able to purchase another to replace it, he came to the shrine of the Twenty Martyrs, in this city, and prayed aloud to them, beseeching that they would enable him to get another garment. A crowd of silly boys who overheard him, followed him at his departure, scoffing at him, and asking him whether he had begged fifty pence from the martyrs to buy a coat. The poor man went silently on towards home, and as he passed near the sea, he saw a large fish which had been cast up on the sand, and was still panting. The other persons who were present allowed him to take up this fish, which he brought to one Catosus, a cook, and a good Christian, who bought it from him for three hundred pence. With this he meant to purchase wool, which his wife might spin, and make into a garment for him. When the cook cut up the fish, he found within its belly a ring of gold, which his conscience persuaded him to give to the poor man from whom he brought the fish. He did so, saying, at the same time, "Behold how the Twenty Martyrs have clothed you!" Thus did the great Augustine inculcate the worship of dead men, and the honouring of their wonder-working relics. The "silly children" who "scoffed" at the tailor's prayer seem to have had more sense than either the "holy old tailor" or the bishop. Now, if men professing Christianity were thus, in the fifth century, paving the way for the worship of all manner of rags and rotten bones;
Alexander Hislop (The Two Babylons)
A Lover's Call XXVII Where are you, my beloved? Are you in that little Paradise, watering the flowers who look upon you As infants look upon the breast of their mothers? Or are you in your chamber where the shrine of Virtue has been placed in your honor, and upon Which you offer my heart and soul as sacrifice? Or amongst the books, seeking human knowledge, While you are replete with heavenly wisdom? Oh companion of my soul, where are you? Are you Praying in the temple? Or calling Nature in the Field, haven of your dreams? Are you in the huts of the poor, consoling the Broken-hearted with the sweetness of your soul, and Filling their hands with your bounty? You are God's spirit everywhere; You are stronger than the ages. Do you have memory of the day we met, when the halo of You spirit surrounded us, and the Angels of Love Floated about, singing the praise of the soul's deed? Do you recollect our sitting in the shade of the Branches, sheltering ourselves from Humanity, as the ribs Protect the divine secret of the heart from injury? Remember you the trails and forest we walked, with hands Joined, and our heads leaning against each other, as if We were hiding ourselves within ourselves? Recall you the hour I bade you farewell, And the Maritime kiss you placed on my lips? That kiss taught me that joining of lips in Love Reveals heavenly secrets which the tongue cannot utter! That kiss was introduction to a great sigh, Like the Almighty's breath that turned earth into man. That sigh led my way into the spiritual world, Announcing the glory of my soul; and there It shall perpetuate until again we meet. I remember when you kissed me and kissed me, With tears coursing your cheeks, and you said, "Earthly bodies must often separate for earthly purpose, And must live apart impelled by worldly intent. "But the spirit remains joined safely in the hands of Love, until death arrives and takes joined souls to God. "Go, my beloved; Love has chosen you her delegate; Over her, for she is Beauty who offers to her follower The cup of the sweetness of life. As for my own empty arms, your love shall remain my Comforting groom; your memory, my Eternal wedding." Where are you now, my other self? Are you awake in The silence of the night? Let the clean breeze convey To you my heart's every beat and affection. Are you fondling my face in your memory? That image Is no longer my own, for Sorrow has dropped his Shadow on my happy countenance of the past. Sobs have withered my eyes which reflected your beauty And dried my lips which you sweetened with kisses. Where are you, my beloved? Do you hear my weeping From beyond the ocean? Do you understand my need? Do you know the greatness of my patience? Is there any spirit in the air capable of conveying To you the breath of this dying youth? Is there any Secret communication between angels that will carry to You my complaint? Where are you, my beautiful star? The obscurity of life Has cast me upon its bosom; sorrow has conquered me. Sail your smile into the air; it will reach and enliven me! Breathe your fragrance into the air; it will sustain me! Where are you, me beloved? Oh, how great is Love! And how little am I!
Kahlil Gibran
The area that I call my home is the kind of place that people walk in and out of it all day and night, but that’s mostly stupid teens who like to dare one another. It hasn’t got a sign hanging outside saying a designated number, a nice plot of freshly planted flowers or a chimney amongst other furnishings. It hasn’t even got a ‘crash pad’, although how you can define one of those is subjective I know. Most importantly, the place I call my home doesn’t exactly evoke happy emotions. Truthfully, it has a ‘gloom and doom’ atmosphere attached to it – not the best description to advertise on ‘Rightmove’.
Adele Rose (Damned (The Devil’s Secret #1))
THE BIRD, MFONISO Not with the eyes of an eagle, for it sees and preys But the eyes of a pelican has your nature be built The selfless blood to revive those dying even if it hurts Your elegance with the tweeting melodies Your lips with the news of hope Let the flowers bow as you make flaps to land Your eyes with the flashing flowers Roses beneath your print blossom For nature got envy when your cheeks part Your tears waters every soul from a distance Your feelings are theirs in reflection And Empathy bows to your glow Daniel amongst the lions Oh Mfoniso, bird speaks great tidings Poem by Victor Vote for Mfoniso Daniel ©️2021 - VVF
Victor Vote (Keeping Spirituality)
Amongst the flowers you always feel yourself you are endlessly far away from all the dangers!
Mehmet Murat ildan
Amongst the best known of these plants are peaches, peonies, chrysanthemums, camellias, gardenias, azaleas, forsythias, wisteria, and crabapples, to mention but a few. And the development of the modern repeat-flowering roses would not have occurred had the so-called monthly roses not been brought to Europe from Chinese gardens.
Amitav Ghosh (Smoke and Ashes: Opium's Hidden Histories)
I want to lay you down in a field of grass and flowers,” he murmured, his words only for her. “I want to kiss every inch of your naked body and make good on my threat to count every single freckle you own.” He tightened his grasp on her thigh, just a little. “I want to bring you pleasure like you have never known. I will make you feel as though you are amongst the stars. You will feel such bliss, Abigail…that is all I want from you.
Kathryn Ann Kingsley (The Unseelie Throne (Maze of Shadows #3))