Alphabet Letters Quotes

My alphabet starts with this letter called yuzz. It s the letter I use to spell yuzz a ma tuzz. You ll be sort of surprised what there is to be found once you go beyond Z and start poking around

If plan A doesn't work, the alphabet has 25 more letters - 204 if you're in Japan.

I would rather write 10,000 notes than a single letter of the alphabet.

But for the first time, I don’t feel like the English language has developed enough letters in the alphabet to adequately express the words I want to say to you.

They felt, in fact, tremendously bucked-up, which was how Lady Ramkin would almost certainly have put it and which was definitely several letters of the alphabet away from how they normally felt.

To Alef, the letter that begins the alphabets of both Arabic and Hebrew- two Semitic languages, sisters for centuries. May we find the language that takes us to the only home there is - one another's hearts. ... Alef knows That a thread Of a story Stitches together A wound.

Why' is the only question that bothers people enough to have an entire letter of the alphabet named after it. The alphabet does not go 'A B C D What? When? How?' but it does go 'V W X Why? Z.

Listen baby, Muver love you. Muver not dumb. Listen baby: ABCDEFGHIJKLMNOPQRSTUVWXYZ. Thas the alphabet. Twenty- six letters in all. Them letters make up words. Them words everything.

There are only twenty-six letters in the English alphabet. You would think there would only be so much you could do with twenty-six letters. You would think there were only so many ways those letters could make you feel when mixed up and shoved together to make words. However, there are infinite ways those twenty-six letters can make a person feel, and this song is living proof. I’ll never understand how a few simple words strung together can change a person, but this song, these words, are completely changing me. I feel like my maybe someday just became my right now.

The Minotaur unstrapped his axe and swung it around. It was beautiful in a harsh I’m~going~togut~you~like~a~fish kind of way. Each of its twin blades was shaped like an omega: Ω—the last letter of the Greek alphabet. Maybe that was because the axe would be the last thing his victims ever saw

Each letter of the alphabet is a steadfast loyal soldier in a great army of words, sentences, paragraphs, and stories. One letter falls, and the entire language falters.

Tulips, I thought, staring at the jumble of letters before me. Had the ancient Greeks known them under a different name, if they’d had tulips at all? The letter psi, in Greek, is shaped like a tulip. All of a sudden, in the dense alphabet forest of the page, little black tulips began to pop up in a quick, random pattern like falling raindrops.

What creature is it that is female in nature and hides in its womb unborn children who, although they are voiceless, speak to people far away? The female creature is a letter. The unborn children are the letters (of the alphabet) it carries. And the letters, although they have no voices, speak to people far away.

Oh, how scary and wonderful it is that words can change our lives simply by being next to each other.

How could an alphabet—letters that didn't even mean anything by themselves—be important? But it was important. Our stories, our names, our alphabet. Even Uncle's newspaper. It was all about words. If words weren't important, they wouldn't try so hard to take them away.

Many years afterwards, we attempt to solve puzzles that were not mysteries at the time and we try to decipher half-obliterated letters from a language that is too old and whose alphabet we don't even know.

Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)

Dad says there are more than three thousand letters in the Japanese alphabet, which could pose a problem. There are only twenty-six letters in the English alphabet, and I get into enough trouble with them as it is.

One might almost say that affinities begin with the letters of the alphabet. In that sequence, O and P are inseparable. You might just as well say O and P as Orestes and Pylades. A true satellite of Enjolras, Grantaire lived within this circle of young men. He dwelt among them, only with them was he happy, he followed them everywhere. His pleasure was to watch these figures come and go in a wine-induced haze. They put up with him because of his good humour. In his belief, Enjolras looked down on this sceptic; and in his sobriety, on this drunkard. He spared him a little lordly pity. Grantaire was an unwanted Pylades. Always snubbed by Enjolras, spurned, rebuffed and back again for more, he said of Enjolras, ‘What marmoreal magnificence'.

Mr Vimes," said Mrs Winkings, "ve cannot help but notice that you still haf not employed any of our members in the Vatch..." Say 'Watch', why don't you? Vimes thought. I know you can. Let the twenty-third letter of the alphabet enter your life.

There are but twenty-six letters in the English alphabet, yet I must have read a quadrillion words.

I haven’t written you a poem in years it seems. How can it be my fault when the words to describe you have not yet been created? When the alphabet lacks the very letters? How can it be my fault when your loveliness only grows by the time I reach for pen and paper? Tell me how I am at fault when I am only a beginner in poems and you are exquisite poetry? To write you in words is to put a veil upon you. Why must I write when I can kiss you instead?

Genes are biochemical recipes written in a four-letter alphabet called DNA.

Now when I had mastered the language of this water, and had come to know every trifling feature that bordered the great river as familiarly as I knew the letters of the alphabet, I had made a valuable acquisition. But I had lost something, too. I had lost something which could never be restored me while I lived. All the grace, the beauty, the poetry, had gone out of the majestic river!

Let us change a letter from the word ‘EVIL’ Make it 'Ivil' as long as 'Israel' remains so… Let us protect the letter ‘P’ for Prayers.. for PALESTINE... for Peace..

I've been locked up for 264 days. 1 window. 4 walls. 144 square feet of space. 26 letters in an alphabet I haven't spoken in 264 days of isolation. 6.336 hours since I've touched another human being.

While not all elements in the Periodic Table are represented by letters of the alphabet, some in this book (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns), are introduced by alternate designations. For instance, Tungsten is also known as Wolfram so “W” is used as the entry for that alphabetical letter in this book. The letter “W” is also used as the atomic symbol for Tungsten in all periodic tables.

He remembered a story Madrigal had told him once: the human tale of the golem. It was a thing shaped of clay in the form of a man, brought to life by carving the symbol aleph into its brow. Aleph was the first symbol of an ancestral human alphabet, and the first letter of the Hebrew word truth; it was the beginning. Watching Karou rise to her feet, radiant in a fall of lapis hai, in a woven dress the colour of tangerines, with a loop of silver beads at her throat and a look of joy and relief and... love... on her beautiful face, Akiva knew that she was his aleph, his truth and beginning. His soul.

all that paddling around in the alphabet soup of one's childhood, scooping up letters, hoping to arrange them into enlightening sentences that would explain why things had turned out the way they had. It evoked a certain mutiny in me.

There will be pages. Lots and lots of pages. Most of the pages will have letters on them, and a vast majority of these letters will be in the Roman alphabet.

A four-letter alphabet called DNA.

It has always been difficult for Jews to take Christians serious, mostly because Christians lack the fundamentals that religious Jews learn in their youth. It remains an embarrassing fact, that modern Jews can comprehend the New Testament better than modern Christians. There is no excuse for this. Christians have dropped the ball and should be anxious to remedy that neglect. Not only would they benefit themselves, but their community too.

I’m intrigued that the same letters from the alphabet are used in the word silent and in the word listen. Perhaps it’s evidence that the most important part of listening involves remaining silent.

Not only does every Hebrew word have its own definition, but every Hebrew letter, within the word, has its own meaning. God placed before you a great banquet of universal truths. All this in 22 Hebrew letters. Every letter contains a progressive curriculum designed to teach you about this marvelous world that God gave us. These letters will flavor each word’s definition claiming its place in God’s well organized universe.

Each asana is like a sound or letter in an alphabet. Every letter in an alphabet produces a unique sound vibration. Each asana vibrates at a specific frequency. When asanas are performed in sequence, beautiful phrases or sutras result, producing a mystical language.

The start of a new novel carried with it a sense of occasion, and the alphabets in Luna’s mind started to shuffle their letters in anticipation. She opened the book and began to read...

If written in the three-letter words of the four-letter alphabet,a human being is determined by a genetic narrative long enough to fill the equivalent of 500 Bibles.In the meantime human beings have discovered this for themselves. That's right. They have uncovered our profoundest concept -- namely, that life is ultimately reading. They themselves are the Book of Books.

One who has not only the four S's, which are required in every good lover, but even the whole alphabet; as for example... Agreeable, Bountiful, Constant, Dutiful, Easy, Faithful, Gallant, Honorable, Ingenious, Kind, Loyal, Mild, Noble, Officious, Prudent, Quiet, Rich, Secret, True, Valiant, Wise; the X indeed, is too harsh a letter to agree with him, but he is Young and Zealous.

Jesus probably studied this same information, in his youth. The apostle Paul probably studied this same information. How can I make such a bold assertion? Because, without this knowledge, much of the New Testament would make no sense. Many of the idioms used in the New Testament are the result of lessons learned from this ancient Hebrew education system. Unfortunately, what was common in their day, has become forgotten in ours. For a Hebrew, math doesn’t get in the way. It blazes the way. Other languages are disconnected from this mathematical relationship . . . and it shows.

Eaters of Wonder Bread Must be underbred. So little to eat. Where's the wheat?

Take control of the situation. Be an alpha guy. Instead of—Hell, I don't know which letter of the Greek alphabet you're now, but it's not a good one. (Neal,"A Veil of Glass and Rain")

The nature of a letter can also be revealed within its numeric value. All letters and numbers behave in a certain but recognizable way, from which we can deduce its nature. The number two is the only even prime. There is an inherent mathematical dilemma with, “one.” No matter how many times you multiply it, by itself, you still can’t get past “one” (1 x 1 x 1 x 1 = 1). So, how does “one” move beyond itself? How does the same, produce the different? Mathematically, “one” is forced to divide itself and work from that duality. Therein, hides the divine puzzle of bet (b). To become “two,” the second must revolt from wholeness—a separation. Yet, the second could not have existed without the benefit of the original wholeness. Also, the first wanted the second to exist, but the first doesn’t know what the second will become. Again, two contains potential badness, to a Hebrew. (Ge 25:24)

The sound of One Lung filling with water drowned out by wave after wave of a million buzzing insects an invisible chorus that only knows how to sing the last letter of the alphabet.

If. If. If this all happened! I, F, - he had to hang on to those two little letters, just one tiny two letter word. If. So much hope and dread hung in the balance on those two little blips in the alphabet! A chasm in fact!

Y That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? Me with my arms outstretched, feet in first position. The chromosome half of us don't have. Second to last in the alphabet: almost there. Coupled with an L, let's make an adverb. A modest X, legs closed. Y or N? Yes, of course. Upside-down peace sign. Little bird tracks in the sand. Y, a Greet letter, joined the Latin alphabet after the Romans conquered Greece in the first century -- a double agent: consonant and vowel. No one used adverbs before then, and no one was happy.

I is the first letter of the alphabet, the first word of the language, the first thought of the mind, the first object of affection.

If Plan A didn't work, the alphabet has 25 more letters.

I write with the entire alphabet, not just the popular letters. Readers don't want to lose themselves in the text. They want to find themselves in it.

It only takes one letter of the alphabet to change reason to treason.

W (double U) has, of all the letters in our alphabet, the only cumbrous name, the names of the others being monosyllabic.

The quick brown fox jumps over the lazy dog. Every letter in the alphabet in that sentence.

Overwhelmed by life's complexity? Realize that our alphabet consists of only 26 letters, calculations are based on a set of 10 numbers, all variations in music are based on 7 musical notes, our DNA can be dissected into 4 letters and space on the Planck scale is probably made solely out of binary code

George Bernard Shaw’s famous spelling of “fish” as “ghoti”—the first two letters pronounced as the last two in “tough,” the middle letter as in “women,” and the last two as in “nation.

If this letter system works, it should be reproducible and consistent. If this letter system works, it should be demonstrated in biblical narrative—with consistency. It has. It does. It will. For instance: Daniel interpreted the handwriting on the Babylonian wall. (Da 5:1-31) The question has always been, “What method would produce the same interpretation?” If you will pull out your Strong’s Concordance and translate those same four words, you won’t get the same results that Daniel got. Was Daniel using a different method than modern Christians? Yes, obviously.

The Bible frequently uses symmetries and inversions. By such comparisons (parallels and contrasts) the unique aspects of reality begin to emerge. Comparing two objects makes their differences increasingly apparent. Only then can we ask, “Why does this one have that, and the other does not?” For instance: The phrase, “and it was 6 good” is present on all the days of creation—except the second day. Why? Because, “two” contains potential badness, to a Hebrew. We could not have discovered that insight, unless we contrasted God’s description of the creative days.

a b c a b c a b c She doesn't know what comes after. So we begin again: a b c a b c a b c But I can see the fourth letter: a strand of black hair - unraveled from the alphabet & written on her cheek.

Have you ever wondered why the keys on a typewriter are arranged in that particular order?” “No, I haven’t.” “We call it the QWERTY keyboard, because that’s the order of the letters on the first row of keys. I once wondered why it was like that, and I found the answer. The first machine was invented by Christopher Sholes, in 1873, to improve on calligraphy, but there was a problem: If a person typed very fast, the keys got stuck together and stopped the machine from working. Then Sholes designed the QWERTY keyboard, a keyboard that would oblige typists to type more slowly. ” “I don’t believe it.” “But it’s true. It so happened that Remington—which made sewing machines as well as guns at the time—used the QWERTY keyboard for its first typewriters. That meant that more people were forced to learn that particular system, and more companies started to make those keyboards, until it became the only available model. To repeat: The keyboard on typewriters and computers was designed so that people would type more slowly, not more quickly, do you understand? If you changed the letters around, you wouldn’t find anyone to buy your product.” When she saw a keyboard for the first time, Mari had wondered why the letters weren’t in alphabetical order, but she had then promptly forgotten about it. She assumed it was simply the best layout for people to type quickly.

It was a small thing, but wasn’t that what marriages were, in the end? The ability to hear love in an exhalation, to see frustration in the twitch of a finger, forgiveness in a single letter of the alphabet.

We appreciate your coming to us with a copy of your letter to your sister, but it was unnecessary. Your offense was known to us even before the letter's receipt by your sister. Effective as of September 15 the primary responsibility of our isle's new assistant chief postal inspector has been to scan all post for use of illegal letters of the alphabet, then to make nightly reports to the Council. A report has been put on file on your behalf, your official sentence to be forthwith in issuance.

I stared at the paper. I said, “This isn’t reading. This is drawing.” “Writing,” she corrected. “It’s like buttons and hems. You’ve got to learn those before you can sew on the machine. You’ve got to know your letters before you can read.” I supposed so, but it was boring. When I said so she got up again and wrote something along the bottom of the paper. “What’s that?” I asked. “‘Ada is a curmudgeon,’” she replied. “Ada is a curmudgeon,” I copied at the end of my alphabet. It pleased me. After

x, n. Doesn’t it strike you as strange that we have a letter in the alphabet that nobody uses? It represents one-twenty-sixth of the possibility of our language, and we let it languish. If you and I really, truly wanted to change the world, we’d invent more words that started with x.

The alphabet is male and female. If you will know the correct order of letters, you make a world, you make creation. This is why they will hide the order. If you will know the combinations, you make all life and death.

There are only twenty-six letters in the English alphabet. You would think there would only be so much you could do with twenty-six letters. You would think there were only so many ways those letters could make you feel when mixed up and shoved together to make words. However, there are infinite ways those twenty-six letters can make a person feel, and this song is living proof.

Opinions are not to be learned by rote, like the letters of an alphabet, or the words of a dictionary. They are conclusions to be formed, and formed by each individual in the sacred and free citadel of the mind, and there enshrined beyond the arm of law to reach, or force to shake; ay! and beyond the right of impertinent curiosity to violate, or presumptuous arrogance to threaten.

Much of my unassisted self, and more by the help of Biddy than of Mr. Wopsle's great-aunt, I struggled through the alphabet as if it had been a bramble-bush; getting considerably worried and scratched by every letter. After that, I fell among those thieves, the nine figures, who seemed every evening to do something new to disguise themselves and baffle recognition. But, at last I began, in a purblind groping way, to read, write, and cipher, on the very smallest scale

Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer’s head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.

I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee. ... I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck. I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said: “Well, what’s the matter with you?” I said: “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.” And I told him how I came to discover it all. Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out. I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back. He said he didn’t keep it. I said: “You are a chemist?” He said: “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.” I read the prescription. It ran: “1 lb. beefsteak, with 1 pt. bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don’t stuff up your head with things you don’t understand.” I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.

But I have never ceased to think of that girl. I have written to her, but I can not direct the epistle because her name is one of those nine-jointed Russian affairs, and there are not letters enough in our alphabet to hold out. I am not reckless enough to try to pronounce it when I am awake, but I make a stagger at it in my dreams,

The problem is obvious, once the Father began creating, He risked that, although perfect, His new and autonomous family could choose badness. How else did we get demon angels? Two is a risky number. The solution is unifying, or amening, with the original “one.” Only recently has science been able to monitor a quasar. The elements that compose the stars is too base for the creation of higher forms of life. When these stars die, however, they go through two steps: First, the star implodes. Second, the star explodes. Only after the second step does the quasar create higher elements, from which we are formed. Stardust: We are made of stardust. The universe we come from is lyrical. From polarity, matter, energy and light eventuate. Even a black hole emits a super-charged jet. For the birth of any new thing, there must be polarity. For any children to exist, there must be a man and his opposite, woman. It is no mystery why the ancient Sumerian words for, “one” and “two” are the same words for, “man” and “woman.

I have nothing but a small notebook and a broken pen and the numbers in my head to keep me company. 1 window. 4 walls. 144 square feet of space. 26 letters in an alphabet I haven’t spoken in 264 days of isolation. 6,336 hours since I’ve touched another human being.

He was fairly drunk, and feeling melancholy about all the sinking he had done in the world. Throughout the rough years the Greek alphabet had leaked out of his mind a letter at a time—in fact, the candle of knowledge he had set out with had burned down to a sorry stub.

I told her I'd made a huge mistake and that sparkles was definitely a letter. The kindergarten teacher was like, please don’t ever talk about the alphabet again.

I know you are reading this poem through your failing sight, the thick lens enlarging these letters beyond all meaning yet you read on because even the alphabet is precious.

Rushing toward her are all the letters of the alphabet. Each one moves in its own way, X cartwheeling over and over, C hopping forward, M and N marching stiff-legged and resolute.

He couldn't finish the name. The final letter swelled in his throat, to the size of the whole alphabet.

If with the same 26 alphabet letters we form a constructive world, then there will be no place for destruction in all its forms.

Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.

I thought I'd go home and reread Sue Grafton. It's been a while since I last read the one about the topless dancer who gets poison injected into one of her implants." "'D' Is For Cup." "Right. Bern, you know what I wish? I wish she didn't have to stop at twenty-six. When the alphabet's used up, what happens to Kinsey?" "Are you kidding? She goes straight into doublé letters. 'AA' Is For drunks, 'BB' Is For Gun, 'CC' Is For Rider. There was a whole list in Publishers Weekly a few months back. 'PP' Is For Golden Showers, 'ZZ' Is For Topp- I can't remember them all, but it looks as though she can go on forever." "Bern, that's wonderful news." "You'll be reading about Kinsey fifty years from now," I told her. "'AAA' Is for Motorists, 'MMM' Is for Scotch Tape. You'll never have to stop.

There are no boundaries concerning your passion for education. No harm done, no offense given! Those who take education as an ass-suffering task makes it so because they have a phobia for alphabets.

the transliterated name and address of the addresser of the 3 letters in reversed alphabetic boustrophedonic punctated quadrilinear cryptogram (vowels suppressed) N. IGS./WI. UU. OX/W. OKS. MH/Y. IM:

For a moment the rank felt as though they had just returned from single-handedly conquering a distant province. They felt, in fact, tremendously bucked-up, which was how Lady Ramkin would almost certainly have put it and which was definitely several letters of the alphabet away from how they normally felt.

In the act of writing he experiences, today, an exceptional sensual pleasure -- in the feel of the pen, snug in the crook of his thumb, but even more in the feel of his hand being tugged back lightly from its course across the page by the strict, unvarying shape of the letters, the discipline of the alphabet.

These Phoenicians who came with Cadmus and of whom the Gephyraeans were a part brought with them to Hellas, among many other kinds of learning, the alphabet, which had been unknown before this, I think, to the Greeks. As time went on the sound and the form of the letters were changed. At this time the Greeks who were settled around them were for the most part Ionians, and after being taught the letters by the Phoenicians, they used them with a few changes of form. In so doing, they gave to these characters the name of Phoenician, as was quite fair seeing that the Phoenicians had brought them into Greece. (5-58-59)

Taking the alphabet first and learning one letter a year for twenty-six years he will be able to read and write as early in life as he ought to. If we were more careful not to teach our children to read in their childhood we should not be so anxious about the effects of pernicious literature upon their adolescent morals.

It was a splendid mind. For if thought is like the keyboard of a piano, divided into so many notes, or like the alphabet is ranged in twenty-six letters all in order, then his splendid mind had one by one, firmly and accurately, until it had reached, say, the letter Q. He reached Q. Very few people in the whole of England ever reach Q. Here, stopping for one moment by the stone urn which held the geraniums, he saw, but now far, far away, like children picking up shells, divinely innocent and occupied with little trifles at their feet and somehow entirely defenceless against a doom which he perceived, his wife and son, together, in the window. They needed his protection; he gave it them. But after Q? What comes next? After Q there are a number of letters the last of which is scarcely visible to mortal eyes, but glimmers red in the distance. Z is only reached once by one man in a generation. Still, if he could reach R it would be something. Here at least was Q. He dug his heels in at Q. Q he was sure of. Q he could demonstrate. If Q then is Q--R--. Here he knocked his pipe out, with two or three resonant taps on the handle of the urn, and proceeded. "Then R ..." He braced himself. He clenched himself.

The inconsistent spelling of words in the English language also vexed Dad to no end. Digraphs such as “sh” and “ph” infuriated him, and silent letters made him grieve. If words were simply spelled the way they were pronounced, he argued, pretty much anyone who learned the alphabet could read, and that would virtually wipe out illiteracy

Brenna, Beth, Britt…and Blake. Did your parents stop watching Sesame Street after the letter B and didn’t realize there was more to the alphabet?” I snicker. “That’s a good one. Remind me to tell it to my ma next time I see her.

Children write essays in school about the unhappy, tragic, doomed life of Anna Karenina. But was Anna really unhappy? She chose passion and she paid for her passion—that's happiness! She was a free, proud human being. But what if during peacetime a lot of greatcoats and peaked caps burst into the house where you were born and live, and ordered the whole family to leave house and town in twenty-four hours, with only what your feeble hands can carry?... You open your doors, call in the passers-by from the streets and ask them to buy things from you, or to throw you a few pennies to buy bread with... With ribbon in her hair, your daughter sits down at the piano for the last time to play Mozart. But she bursts into tears and runs away. So why should I read Anna Karenina again? Maybe it's enough—what I've experienced. Where can people read about us? Us? Only in a hundred years? "They deported all members of the nobility from Leningrad. (There were a hundred thousand of them, I suppose. But did we pay much attention? What kind of wretched little ex-nobles were they, the ones who remained? Old people and children, the helpless ones.) We knew this, we looked on and did nothing. You see, we weren't the victims." "You bought their pianos?" "We may even have bought their pianos. Yes, of course we bought them." Oleg could now see that this woman was not yet even fifty. Yet anyone walking past her would have said she was an old woman. A lock of smooth old woman's hair, quite incurable, hung down from under her white head-scarf. "But when you were deported, what was it for? What was the charge?" "Why bother to think up a charge? 'Socially harmful' or 'socially dangerous element'—S.D.E.', they called it. Special decrees, just marked by letters of the alphabet. So it was quite easy. No trial necessary." "And what about your husband? Who was he?" "Nobody. He played the flute in the Leningrad Philharmonic. He liked to talk when he'd had a few drinks." “…We knew one family with grown-up children, a son and a daughter, both Komsomol (Communist youth members). Suddenly the whole family was put down for deportation to Siberia. The children rushed to the Komsomol district office. 'Protect us!' they said. 'Certainly we'll protect you,' they were told. 'Just write on this piece of paper: As from today's date I ask not to be considered the son, or the daughter, of such-and-such parents. I renounce them as socially harmful elements and I promise in the future to have nothing whatever to do with them and to maintain no communication with them.

Speech therapy is an art that deserves to be more widely known. You cannot imagine the acrobatics your tongue mechanically performs in order to produce all the sounds of a language. Just now I am struggling with the letter l, a pitiful admission for an editor in chief who cannot even pronounce the name of his own magazine! On good days, between coughing fits, I muster enough energy and wind to be able to puff out one or two phonemes. On my birthday, Sandrine managed to get me to pronounce the whole alphabet more or less intelligibly. I could not have had a better present. It was as if those twenty-six letters and been wrenched from the void; my own hoarse voice seemed to emanate from a far-off country. The exhausting exercise left me feeling like a caveman discovering language for the first time. Sometimes the phone interrupts our work, and I take advantage of Sandrine's presence to be in touch with loved ones, to intercept and catch passing fragments of life, the way you catch a butterfly. My daughter, Celeste, tells me of her adventures with her pony. In five months she will be nine. My father tells me how hard it is to stay on his feet. He is fighting undaunted through his ninety-third year. These two are the outer links of the chain of love that surrounds and protects me. I often wonder about the effect of these one-way conversations on those at the other end of the line. I am overwhelmed by them. How dearly I would love to be able to respond with something other than silence to these tender calls. I know that some of them find it unbearable. Sweet Florence refuses to speak to me unless I first breathe noisily into the receiver that Sandrine holds glued to my ear. "Are you there, Jean-Do?" she asks anxiously over the air. And I have to admit that at times I do not know anymore.

I live in gratitude to my parents for initiating me--and as early as I begged for it, without keeping me waiting--into knowledge of the word, into reading and spelling, by way of the alphabet. They taught it to me at home in time for me to begin to read before starting school. My love for the alphabet, which endures, grew out of reciting it but, before that, out of seeing the letters on the page. In my own story books, before I could read them for myself I fell in love with various winding, enchanted-looking initials drawn by Walter Crane at the head of fairy tales. In "Once upon a time," an "o" had a rabbit running it as a treadmill, his feet upon flowers. When the day came years later for me to see the Book of Kells, all the wizardry of letter, initial, and word swept over me a thousand times, and the illumination, the gold, seemed a part of the world's beauty and holiness that had been there from the start.

He was creating the first letters of the Slavonic alphabet. He started with rounded letters, but the Slavonic language was so wild that the ink could not hold it, and so he made a second alphabet of barred letters and caged the unruly language in them like a bird.

When did your name change from a proper noun to a charm? Its three vowels like jewels on the thread of my breath. Its consonants brushing my mouth like a kiss. I love your name. I say it again and again in this summer rain. I see it, discreet in the alphabet, like a wish. I pray it into the night till its letters are light. I hear your name rhyming, rhyming, rhyming with everything. "Name

The truth was, Margaret wasn't sure she knew precisely what love was. Sometimes she lay awake later at night, thinking about the word until it came apart like little bits of alphabet soup, the letters drifting off in opposite directions and the meaning lost somewhere in the gaps.

Art is a kind of magic. Creativity is mysterious, even to artists, who might be able to name their inspiration but can't always explain how their influences and experiences came together to create this new thing- this painting, this story, this song. If you break art down to its base elements, there's nothing miraculous about the letters of the alphabet or a drop of paint. But an artist can put those elements together to create something powerful, something that moves us and withstands the test of time. A work that no one but that artist could have imagined, let alone created.

It has no reference to anything other than itself. You can name the notes with the letters of the alphabet if you like but it doesnt change anything. Oddly, they are not abstractions. Is music as we know it complete? In what sense? Are there classes such as major and minor we’ve yet to discover?

Next to it were five potted photographs of the Lisbon girls, pinned with rusty tacks. We didn't remember putting them up, but there they were, dim from time and weather so that all we could make out were phosphorescent outlines of the girls' bodies, each a different glowing letter of an unknown alphabet.

To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt. Well, true enough, any word worth repeating is greater than the sum of its parts; and the particular word-part Z can, from a certain perspective, appear anally wired. On those of us neither prosaic nor jaded, however, those whom the Fates have chosen to monitor such things, Z has had an impact above and beyond its signifying function. A presence in its own right, it’s the most distant and elusive of our twenty-six linguistic atoms; a mysterious, dark figure in an otherwise fairly innocuous lineup, and the sleekest little swimmer ever to take laps in a bowl of alphabet soup. Scarcely a day of my life has gone by when I’ve not stirred the alphabetical ant nest, yet every time I type or pen the letter Z, I still feel a secret tingle, a tiny thrill… Z is a whip crack of a letter, a striking viper of a letter, an open jackknife ever ready to cut the cords of convention or peel the peach of lust. A Z is slick, quick, arcane, eccentric, and always faintly sinister - although its very elegance separates it from the brutish X, that character traditionally associated with all forms of extinction. If X wields a tire iron, Z packs a laser gun. Zap! If X is Mike Hammer, Z is James Bond. If X marks the spot, Z avoids the spot, being too fluid, too cosmopolitan, to remain in one place. In contrast to that prim, trim, self-absorbed supermodel, I, or to O, the voluptuous, orgasmic, bighearted slut, were Z a woman, she would be a femme fatale, the consonant we love to fear and fear to love.

There’s only ever been one good answer to that question “Why?” and perhaps we should have that in the alphabet as well. There’s room for it. “Why?” doesn’t have to be the last word, it isn’t even the last letter. How would it be if the alphabet ended, “V W X Why? Z,” but “V W X Why not?” Don’t ask stupid questions. —

Jaxon sits up like a novel thought has occurred to him. “Hey, you know what I was thinking? What is W’s deal? I mean, all the other letters in the alphabet have one syllable. But look at W. Double youuuu. Why’s it got to last so long? Right when you get to the end of the alphabet song, there’s W screwing things up. Am I right?

For example, missionary linguists are working on modified Roman alphabets for hundreds of New Guinea and Native American languages. Government linguists devised the modified Roman alphabet adopted in 1928 by Turkey for writing Turkish, as well as the modified Cyrillic alphabets designed for many tribal languages of Russia. In a few cases, we also know something about the individuals who designed writing systems by blueprint copying in the remote past. For instance, the Cyrillic alphabet itself (the one still used today in Russia) is descended from an adaptation of Greek and Hebrew letters devised by Saint Cyril, a Greek missionary to the Slavs in the ninth century A.D. The first preserved texts for any Germanic language (the language family that includes English) are in the Gothic alphabet created by Bishop Ulfilas, a missionary living with the Visigoths in what is now Bulgaria in the fourth century A.D. Like Saint Cyril’s invention, Ulfilas’s alphabet was a mishmash of letters borrowed from different sources: about 20 Greek letters, about five Roman letters, and two letters either taken from the runic alphabet or invented by Ulfilas himself. Much

And if words existed before matter of any kind, before suns and worlds and seas and human beings and fortune-tellers…well, then an alphabet must have existed even earlier, so that words could be formed. Therefore letters are more fundamental and powerful than anything else a diviner could use to force the secrets of the universe into view.

some write, the quick brown fox jumps over the lazy dog, as it has all the letters in the alphabet in it.

If Plan A Doesn't Work, Don't Worry and Don't Stay Stuck In The Mud. Just Move On Because God Knows There's 25 Letters Left In The Alphabet & There's Always Numbers Too ;)

With DNA as with words, the sequence carries the meaning. Dissolve DNA into its constituent bases, and it turns into a primordial four-letter alphabet soup.

B?  As in the second letter of the Latin alphabet?” he asked, walking closer to the desk.   “No, the Etruscan.  I’m wild like that,

If Nature is Your alphabet, what letter is this rope?

Why?’ is the only question that bothers people enough to have an entire letter of the alphabet named after it.

... [T]he letters of the alphabet (two Cs, a large D; the combination of Y, S, and L) belong on an ophthalmologist's chart. For the Parisienne, luxury should never be spelled out.

As you are aware, E is the most common letter in the English alphabet,

The ABCs of Going Down If you use the alphabet technique when you go down on a woman for the first time, remember to skip the letter 'X'~ otherwise she might feel she was targeted.

… a compass vibrated mysteriously… the letters around its edge corresponded to one of the alphabets of Tlön. Such was the first intrusion of this fantastic world into the world of reality.

To distort the letters of the alphabet in “the style of” Chinese calligraphy (sometimes referred to as chop suey lettering), because the subject happens to deal with the Orient is to create the typographic equivalent of a corny illustration. To mimic a woodcut style of type to “go with” a woodcut; to use bold type to “harmonize with” heavy machinery, etc., is cliché-thinking. The designer is unaware of the exciting possibilities inherent in the contrast of picture and type matter. Thus, instead of combining a woodcut with a “woodcut style” of type (Neuland), a happier choice would be a more classical design (Caslon, Bodoni, or Helvetica) to achieve the element of surprise and to accentuate by contrast the form and character of both text and picture.

There are only twenty-six letters in the English alphabet. You would think there would only be so much you could do with twenty-six letters. You would think there were only so many ways those letters could make you feel when mixed up and shoved together to make words. However, there are infinite ways those twenty-six letters can make a person feel, and this song is living proof. I’ll never understand how a few simple words strung together can change a person, but this song, these words, are completely changing me. I feel like my maybe someday just became my right now.

I had taken up my quill to begin writing many times before now, but I always abandoned it quickly: each time I was overcome with fear. Yes, may God forgive me, but the letters of the alphabet frighten me terribly. They are sly, shameless demons—and dangerous! You open the inkwell, release them: they run off—and how will you ever get control of them again! They come to life, join, separate, ignore your commands, arrange themselves as they like on the paper—black, with tails and horns. You scream at them and implore them in vain: they do as they please. Prancing, pairing up shamelessly before you, they deceitfully expose what you did not wish to reveal, and they refuse to give voice to what is struggling, deep within your bowels, to come forth and speak to mankind.

But, as I delved into Chinese for Dummies, I couldn’t help but conclude that the Chinese language is the Great Wall of languages, a clever linguistic barrier erected to keep outsiders out. What, frankly, is wrong with Esperanto? Or alphabets? What is so deficient about an alphabet that uses a judicious twenty-six letters? We can make lots of words with those twenty-six letters, big words even.

Why is gold called זהב (zahab)? Because there are three principles contained in it: the masculine, zakhar, and the ז (zayin) points to that; the soul, and the ה (he), points to that [obviously the feminine, since the consonant he in the mysticism of the alphabet has always been interpreted as such]; … and ב (bet) avouches its duration, as is written [in the Torah, which starts with this letter]: “in the beginning.

Woolly had set about alphabetizing the spice rack. And it didn’t take long for him to discover just how many spices began with the letter C. In the entire rack there was only one that started with the letter A: Allspice,

Many modern alphabets, including ours, retain with minor modifications that original sequence (and, in the case of Greek, even the letters’ original names: alpha, beta, gamma, delta, and so on) over 3,000 years later. One

I would like to dedicate this book to the alphabet. For those twenty-six letters have changed my life. Within those twenty-six letters, I found myself and live my dream. Next time you say the alphabet remember its power. I do every day.

Much of my unassisted self, and more by the help of Biddy than of Mr. Wopsle's great-aunt, I struggled through the alphabet as if it had been a bramble-bush; getting considerably worried and scratched by every letter. After that I fell among those thieves, the nine figures, who seemed every evening to do something new to disguise themselves and baffle recognition. But, at last I began, in a purblind groping way, to read, write, and cipher, on the very smallest scale. One

Finding patterns and structure in information is how our brains extract meaning from the world, and putting words to music and rhyme are a way of adding extra levels of pattern and structure to language. It’s the reason Homeric bards sang their epic oral poems, the reason that the Torah is marked up with little musical notations, and the reason we teach kids the alphabet in a song and not as twenty-six individual letters. Song is the ultimate structuring device for language.

Ruby: I’ve decided. I’m putting my Gary on a diet. Rosie: You’re putting him on a diet? How on earth can you control what your twenty-one-year-old son eats? Ruby: Oh it’s easy; I’ll just nail down everything to the floor. Rosie: So what kind of diet is it? Ruby: I don’t know. I bought a magazine, but there are so many stupid diets out there I don’t know which one to pick. Remember that ridiculous one that you and I did last year? The alphabet one where we had to eat foods beginning with a certain letter every day? Rosie: Oh yeah! How long did we do that for?! Ruby: Em . . . that would be 26 days of course Rosie Rosie: Oh . . . right . . . of course. You put on weight on the third day. Ruby: That’s because the third day was the lucky letter “C” . . . Cakes . . . mmmm Rosie: Well we made up for it on the last day. I was bloody starving on “Z” day; I was practically chasing zebras with a kitchen knife around the zoo. Could have eaten the zoo I suppose . . . Ruby: You should have done what I did, I ate like a queen. I became German for the day and ate “ze cakes” and “ze buns.” Oh I don’t know Rosie. I think I’ll just invent a diet of my own and give those stupid magazines a run for their money

I would like to dedicate this book to the alphabet, for those twenty-six letters have changed my life. Within those twenty-six letters I found myself, and now I live my dream. Next time you say the alphabet, remember its power. I do every day.

How had it come about that these particular designs were chosen as our letters? Who decreed what sound would accompany each shape? And how was it decided the manner they would come together to form a word? 'Why is this so?' I demanded to know.

I would eat my soup in silence, but it’s alphabet soup. They’re all capital letters and they are shouting at me. I’m not anorexic or illiterate, so alphabet soup is like a nourishing novel. An anorexic should make a suicide note out of the letters.

As her head rests on her pillow, she’ll go through the alphabet from A to Z and try to think of something to be grateful for that starts with each letter—A for her husband Andrew’s blueberry pancakes; B for bocce, her favorite game in the summer; etc.

existence. If we think of it, all that a University, or final highest School can do for us, is still but what the first School began doing,—teach us to read. We learn to read, in various languages, in various sciences; we learn the alphabet and letters of all manner of Books. But the place where we are to get knowledge, even theoretic knowledge, is the Books themselves! It depends on what we read, after all manner of Professors have done their best for us. The true University of these days is a Collection of Books.

They said Woody’s IQ was 186. His reading comprehension rate was 160 words per minute. Deduct 160 from 186, and you had the number of letters in the alphabet. He was born at 4:00 a.m., July 26. July was the seventh month. Twenty-six multiplied by seven was 182.

A Plan for the Improvement of English Spelling For example, in Year 1 that useless letter "c" would be dropped to be replased either by "k" or "s", and likewise "x" would no longer be part of the alphabet. The only kase in which "c" would be retained would be the "ch" formation, which will be dealt with later. Year 2 might reform "w" spelling, so that "which" and "one" would take the same konsonant, wile Year 3 might well abolish "y" replasing it with "i" and Iear 4 might fiks the "g/j" anomali wonse and for all. Jenerally, then, the improvement would kontinue iear bai iear with Iear 5 doing awai with useless double konsonants, and Iears 6-12 or so modifaiing vowlz and the rimeining voist and unvoist konsonants. Bai Iear 15 or sou, it wud fainali bi posibl tu meik ius ov thi ridandant letez "c", "y" and "x" -- bai now jast a memori in the maindz ov ould doderez -- tu riplais "ch", "sh", and "th" rispektivli. Fainali, xen, aafte sam 20 iers ov orxogrefkl riform, wi wud hev a lojikl, kohirnt speling in ius xrewawt xe Ingliy-spiking werld.

There are only twenty-six letters in the English alphabet. You would think there would only be so much you could do with twenty-six letters. You would think there were only so many ways those letters could make you feel when mixed up and shoved together to make words.

If we can break the code on what the word ‘Hagalaz’ meant to him, maybe we’ll have a lead. Nobody with the surname, so forget that. The anagram parsing leads nowhere. In fact, there is no known seven-letter anagram of the word. Or six letters. Now, there are some meanings of the word out there. It’s a Norse rune. The ninth rune in the twenty-four letter magical Norse alphabet. Its meaning is, to me, difficult to understand. Best I can decipher is, ‘Don’t try to fix what we should break before it breaks us.’” That got Pack’s attention.

I FEEL AS THOUGH I AM EATING the alphabet. Twenty-six courses of letters, each with its own distinctive flavor. It is inevitable that some letters will taste delicious, others not so much. Some will have a delicate flavor, others will be more like a hearty peasant stew.

Ages passed slowly, like a load of hay, As the flowers recited their lines And pike stirred at the bottom of the pond. The pen was cool to the touch. The staircase swept upward Through fragmented garlands, keeping the melancholy Already distilled in letters of the alphabet. It would be time for winter now, its spun-sugar Palaces and also lines of care At the mouth, pink smudges on the forehead and cheeks, The color once known as "ashes of roses.-" How many snakes and lizards shed their skins For time to be passing on like this, Sinking deeper in the sand as it wound toward The conclusion. It had all been working so well and now, Well, it just kind of came apart in the hand As a change is voiced, sharp As a fishhook in the throat, and decorative tears flowed Past us into a basin called infinity. There was no charge for anything, the gates Had been left open intentionally. Don't follow, you can have whatever it is. And in some room someone examines his youth, Finds it dry and hollow, porous to the touch... O keep me with you, unless the outdoors Embraces both of us, unites us, unless The birdcatchers put away their twigs, The fishermen haul in their sleek empty nets And others become part of the immense crowd Around this bonfire, a situation That has come to mean us to us, and the crying In the leaves is saved, the last silver drops.

The alphabet Miss Poobner taught was represented on the wall above her head by a series of personified cartoonlike letters--Mr. A, Eating an Apple; Mrs. B, Buying a Broom; and so on--and something insipid about the parade of grinning letters defeated Dylan's will utterly.

I struggled through the alphabet as if it had been a bramble bush, getting considerably worried and scratched by every letter. After that, I fell among those thieves, the nine figures, who seemed every evening to do something new to disguise themselves and baffle recognition.

Snakes can have dozens of young at a time, and so they are often symbols of fertility. They resemble vegetation, especially roots, in their form and often in the green and brown of their skins. The undulating form of a snake also suggests a river. A point of muscular tension passes through the body of a snake and drives the animal forward, like a moment moving along a continuum of days and years. Like time itself, a snake seems to progress while remaining still. In addition, the body of a snake also resembles those marks with a stylus, brush, or pen that make up our letters. Ornamental alphabets of the ancient Celts and others were often made up of intertwined serpents. It could even be that the tracks of a snake in sand helped to inspire the invention of the alphabet. The manner in which snakes curl up in a ball has made people associate them with the sun.

Acquiring expertise in chess is harder and slower than learning to read because there are many more letters in the “alphabet” of chess and because the “words” consist of many letters. After thousands of hours of practice, however, chess masters are able to read a chess situation at a glance.

Marissa keeps herself entertained by rating the guys that cruise by. She has her own rating scale: each guy is assigned a letter of the alphabet. But it isn’t A to Z order—Marissa must have like a touch of autism or something, because she has this theory that some letters are sexier than others.

There’s twenty-six letters in the alphabet that can be arranged to express an infinity of emotions.” I shake my head. “But not mine, not for you. There are no words to express the way my whole world falls at your feet, staring up in awe at my best friend, my lover … my forever. The river of love for you that runs through me is deep and all consuming. I came alive for you. With the soft stroke of your brush, you painted my life a million shades of amazing and now my heart finds its rhythm from your love … our love … forever. So be my husband, Trick. Let our story be the only one that matters.

We are but beginners now in spiritual education; for although we have learned the first letters of the alphabet, we cannot read words yet, much less can we put sentences together; but as one says, "He that has been in heaven but five minutes, knows more than the general assembly of divines on earth.

In the name of speed, Morse and Vail had realized that they could save strokes by reserving the shorter sequences of dots and dashes for the most common letters. But which letters would be used most often? Little was known about the alphabet’s statistics. In search of data on the letters’ relative frequencies, Vail was inspired to visit the local newspaper office in Morristown, New Jersey, and look over the type cases. He found a stock of twelve thousand E’s, nine thousand T’s, and only two hundred Z’s. He and Morse rearranged the alphabet accordingly. They had originally used dash-dash-dot to represent T, the second most common letter; now they promoted T to a single dash, thus saving telegraph operators uncountable billions of key taps in the world to come. Long afterward, information theorists calculated that they had come within 15 percent of an optimal arrangement for telegraphing English text.

But the Semitic names did possess meaning in Semitic languages: they were the words for familiar objects (’aleph = ox, beth = house, gimel = camel, daleth = door, and so on). These Semitic words were related “acrophonically” to the Semitic consonants to which they refer: that is, the first letter of the word for the object was also the letter named for the object (’a, b, g, d, and so on). In addition, the earliest forms of the Semitic letters appear in many cases to have been pictures of those same objects. All these features made the forms, names, and sequence of Semitic alphabet letters easy to remember. Many

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

The inventory of your scars, in particular the ones on your face, which are visible to you each morning when you look into the bathroom mirror to shave or comb you hair. You seldom think about them, but whenever you do, you understand that they are marks of life, that the assorted jagged lines etched into the skin of your face are letters from the secret alphabet that tells the story of who you are, for each scar is the trace of a healed wound, and each wound was caused by an unexpected collision with the world – that is to say, an accident, or something that need not have happened, since by definition an accident is something that need not to happen.

The truly perfect pangram would contain all the letters of the alphabet in the right order, but the only thing that achieves that is the alphabet. There are phrases that use fewer characters, but they are not as catchy. And this is not for want of trying. Here are two of the shortest: 'Quick wafting zephyrs vex bold Jim.' 'Sphinx of black quartz judge my vow.

The frequent hearing of my mistress reading the bible--for she often read aloud when her husband was absent--soon awakened my curiosity in respect to this mystery of reading, and roused in me the desire to learn. Having no fear of my kind mistress before my eyes, (she had given me no reason to fear,) I frankly asked her to teach me to read; and without hesitation, the dear woman began the task, and very soon, by her assistance, I was master of the alphabet, and could spell words of three or four letters...Master Hugh was amazed at the simplicity of his spouse, and, probably for the first time, he unfolded to her the true philosophy of slavery, and the peculiar rules necessary to be observed by masters and mistresses, in the management of their human chattels. Mr. Auld promptly forbade the continuance of her [reading] instruction; telling her, in the first place, that the thing itself was unlawful; that it was also unsafe, and could only lead to mischief.... Mrs. Auld evidently felt the force of his remarks; and, like an obedient wife, began to shape her course in the direction indicated by her husband. The effect of his words, on me, was neither slight nor transitory. His iron sentences--cold and harsh--sunk deep into my heart, and stirred up not only my feelings into a sort of rebellion, but awakened within me a slumbering train of vital thought. It was a new and special revelation, dispelling a painful mystery, against which my youthful understanding had struggled, and struggled in vain, to wit: the white man's power to perpetuate the enslavement of the black man. "Very well," thought I; "knowledge unfits a child to be a slave." I instinctively assented to the proposition; and from that moment I understood the direct pathway from slavery to freedom. This was just what I needed; and got it at a time, and from a source, whence I least expected it.... Wise as Mr. Auld was, he evidently underrated my comprehension, and had little idea of the use to which I was capable of putting the impressive lesson he was giving to his wife.... That which he most loved I most hated; and the very determination which he expressed to keep me in ignorance, only rendered me the more resolute in seeking intelligence.

At first, the letters were arrayed in alphabetical order, an arrangement hinted at on modern keyboards by the sequences F-G-H, J-K-L and O-P, but the fact that no two other letters are alphabetical, that the most popular letters are not only banished to the periphery but given mostly to the left hand while the right is left with a sprinkling of secondary letters, punctuation marks and little-used symbols, are vivid reminders of the extent to which Sholes had to abandon common sense and order just to make the damn thing work. There is a certain piquant irony in the thought that every time you stab ineptly at the letter a with the little finger of your left hand, you are commemorating the engineering inadequacies of a nineteenth-century inventor.

[Cadmus the Phoenician founds Thebes in Boeotia and introduces vulgar letters into Greece. Year of the world 2448.] 72 Since he introduced the Phoenician alphabet there, Boeotia should have been from its literate beginnings the most ingenious of all the nations of Greece; but it produced men of such doltish minds that “Boeotian” became a proverbial term for a man of slow wit.

The shelves of this store are stacked with stock. You will find a steamship, a sailing ship, and even a spaceship. There are several sorts of shoe and scores of signs and symbols. There is a sketch of a squinch, a selection of shells (not all from the sea), a siamang settled on a seat, a sponge to be studied, and sundry stuff suspended from strings. In all I included 1,234 Ss for you to see.

But, Mr. Grewgious seeing nothing there, not even a light in the windows, his gaze wandered from the windows to the stars, as if he would have read in them something that was hidden from him. Many of us would, if we could; but none of us so much as know our letters in the stars yet- or seem likely to, in this state of existence - and few languages can be read until their alphabets are mastered.

All the words in the world are made up of just twenty-six letters,” she said. “There’s a big and a little version of each.” She wrote the letters out on the paper, and named them all. Then she went through them again. Then she told me to copy them onto another piece of paper, and then she went back to her chair. I stared at the paper. I said, “This isn’t reading. This is drawing.” “Writing,” she corrected. “It’s like buttons and hems. You’ve got to learn those before you can sew on the machine. You’ve got to know your letters before you can read.” I supposed so, but it was boring. When I said so she got up again and wrote something along the bottom of the paper. “What’s that?” I asked. “‘Ada is a curmudgeon,’” she replied. “Ada is a curmudgeon,” I copied at the end of my alphabet. It pleased me.

Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born.

I am a writer who does not enjoy writing. I can find innumerable ways to avoid it. But, to rip off Dorothy Parker, nothing else—nothing—gives me the same thrill as having written. I’m the same way with knitting. The process is fine, mind you, and keeps my hands busy. But nothing else—nothing—gives me the rush that I get from finishing something. "The parallels between writing and knitting go even further. Like writing, knitting has a finite number of raw ingredients. There are twenty-six letters in the alphabet. Those letters can combine to give you David Foster Wallace or freshman composition papers. There are only two basic stitches: the knit and the purl. Those stitches can add up to a gorgeously complicated sweater or a pastel pink toilet paper cozy. The difference is in the mind that shapes them.

designer can inject the most artistic flair. The word “ampersand” didn’t come into being until the nineteenth century. At that time & was customarily taught as the twenty-seventh letter of the alphabet and pronounced “and.” When schoolchildren recited their ABCs, they concluded with the words “and, per se [i.e., by itself ], ‘and.’” This eventually became corrupted to “ampersand.” The symbol is a favorite of law and

In the name of speed, Morse and Vail had realized that they could save strokes by reserving the shorter sequences of dots and dashes for the most common letters. But which letters would be used most often? Little was known about the alphabet’s statistics. In search of data on the letters’ relative frequencies, Vail was inspired to visit the local newspaper office in Morristown, New Jersey, and look over the type cases.

Moreover, in order to show forth her wisdom and the excellence of her mind to the centuries to come, she [Nicostrata/Carmentis] worked and studied so hard that she invented her own letters, which were completely different from those of other nations, that is, she established the Latin alphabet and syntax, spelling, the difference between the vowels and consonants, as well as a complete introduction to the science of grammar.

There’s an alphabet in things, and it’s no coincidence. If you pay attention, if you really look, you’ll see that all around you is an architecture of letters, emerging from the shapes of things. It seems almost obvious: our sense of vision is much more alert to lines, to contrasts, than to the flat or formless surfaces that contain them. What’s happening at the edges, the borders, the interstices—that’s what strikes our eyes.

(1) Phonological awareness is recognizing the sound structures of spoken language, not just the meanings it conveys. This is a reading prerequisite. (2) Phonemic awareness is the skill of recognizing and manipulating individual speech sounds or phonemes. Students must be able to segment words and syllables into phonemes to learn to read. (3) The Alphabetic Principle is the concept that printed language consists of alphabet letters that are deliberately and systematically related to the individual sounds of spoken language. Reading depends on understanding this concept. (4) Orthographic awareness is recognition of printed language structures, such as orthographic rules, patterns in spelling; derivational morphology and inflectional morphology, i.e. structural changes indicating word types and grammatical differences; and etymology, i.e. word and meaning

You've never seen that? Tiny little pieces of pasta in the shape of letters of the alphabet. The letters are mixed together, they float in the broth as if it were a three-dimensional book. When you eat them, you feel like you're gobbling words, sentences, entire conversations, entire chapters of novels. Kids love it. It's like the opposite of speaking: rather than syllables coming out of your mouth, letters go in your mouth and are swallowed.

… the world itself demands to be narrated, and only then does it truly exist, only then can it flourish fully. But also that by telling the story of the world, we are changing the world. That is why God created the letters of the alphabet, that we might have the opportunity to narrate to him what he created. Reb Mordke always chuckled at this. “God is blind. Did you not know that?” he would say. “He created us that we would be his guides, his five senses.

The English word Atonement comes from the ancient Hebrew word kaphar, which means to cover. When Adam and Eve partook of the fruit and discovered their nakedness in the Garden of Eden, God sent Jesus to make coats of skins to cover them. Coats of skins don’t grow on trees. They had to be made from an animal, which meant an animal had to be killed. Perhaps that was the very first animal sacrifice. Because of that sacrifice, Adam and Eve were covered physically. In the same way, through Jesus’ sacrifice we are also covered emotionally and spiritually. When Adam and Eve left the garden, the only things they could take to remind them of Eden were the coats of skins. The one physical thing we take with us out of the temple to remind us of that heavenly place is a similar covering. The garment reminds us of our covenants, protects us, and even promotes modesty. However, it is also a powerful and personal symbol of the Atonement—a continuous reminder both night and day that because of Jesus’ sacrifice, we are covered. (I am indebted to Guinevere Woolstenhulme, a religion teacher at BYU, for insights about kaphar.) Jesus covers us (see Alma 7) when we feel worthless and inadequate. Christ referred to himself as “Alpha and Omega” (3 Nephi 9:18). Alpha and omega are the first and last letters of the Greek alphabet. Christ is surely the beginning and the end. Those who study statistics learn that the letter alpha is used to represent the level of significance in a research study. Jesus is also the one who gives value and significance to everything. Robert L. Millet writes, “In a world that offers flimsy and fleeting remedies for mortal despair, Jesus comes to us in our moments of need with a ‘more excellent hope’ (Ether 12:32)” (Grace Works, 62). Jesus covers us when we feel lost and discouraged. Christ referred to Himself as the “light” (3 Nephi 18:16). He doesn’t always clear the path, but He does illuminate it. Along with being the light, He also lightens our loads. “For my yoke is easy,” He said, “and my burden is light” (Matthew 11:30). He doesn’t always take burdens away from us, but He strengthens us for the task of carrying them and promises they will be for our good. Jesus covers us when we feel abused and hurt. Joseph Smith taught that because Christ met the demands of justice, all injustices will be made right for the faithful in the eternal scheme of things (see Teachings, 296). Marie K. Hafen has said, “The gospel of Jesus Christ was not given us to prevent our pain. The gospel was given us to heal our pain” (“Eve Heard All These Things,” 27). Jesus covers us when we feel defenseless and abandoned. Christ referred to Himself as our “advocate” (D&C 29:5): one who believes in us and stands up to defend us. We read, “The Lord is my rock, and my fortress, and my deliverer; my God, my strength, in whom I will trust; my buckler” (Psalm 18:2). A buckler is a shield used to divert blows. Jesus doesn’t always protect us from unpleasant consequences of illness or the choices of others, since they are all part of what we are here on earth to experience. However, He does shield us from fear in those dark times and delivers us from having to face those difficulties alone. … We’ve already learned that the Hebrew word that is translated into English as Atonement means “to cover.” In Arabic or Aramaic, the verb meaning to atone is kafat, which means “to embrace.” Not only can we be covered, helped, and comforted by the Savior, but we can be “encircled about eternally in the arms of his love” (2 Nephi 1:15). We can be “clasped in the arms of Jesus” (Mormon 5:11). In our day the Savior has said, “Be faithful and diligent in keeping the commandments of God, and I will encircle thee in the arms of my love” (D&C 6:20). (Brad Wilcox, The Continuous Atonement, pp. 47-49, 60).

Alternatively, the name may refer to the prized textile dye, ranging in hue from red to dark purple, which was Phoenicia’s prime luxury product. Extracted from sea mollusks’ dead bodies through a secret process, this uniquely beautiful and expensive purple, exported in woven clothing and furnishings, became an international status symbol in antiquity, its use confined to the very rich, chiefly royalty. Down through the early 20th century A.D., the color purple was associated in Europe with kings and emperors.

In the wisdom of God, the revelation of his will was given in the Hebrew tongue, with an alphabet of twenty-two letters, some of which, as inscribed on the Moabite stone, b.c. 900, are identical in form and sound with those now used in English books. This Hebrew alphabet, so simple that a child might learn it in a day, has never been lost or forgotten. The Hebrew language in which the Oracles of God were given to man, has never become a dead language. Since the day when the Law was given to Moses on Mount Sinai, there never has been a day or hour when the language in which it was written was not known to living men, who were able to read, write, and expound it. And the Hebrew is the only language of those ages that has lived to the present time, preserving the record of a divine revelation, and being conserved by it through the vicissitudes of conflict, conquest, captivity, and dispersion; while the surrounding idolatrous nations perished in their own corruption, and their languages and literature were buried in oblivion.

There are only twenty-six letters in the English alphabet. You would think there would only be so much you could do with twenty-six letters. You would think there were only so many ways those letters could make you feel when mixed up and shoved together to make words. However, there are infinite ways those twenty-six letters can make a person feel, and this song is living proof. I’ll never understand how a few simple words strung together can change a person, but this song, these words, are completely changing me.

The twenty-seventh was Blackstar, or simply (the symbol of blackstar) - a suggestion that the A-Z was over, but there was more to come, beyond the known alphabet, beyond ordinary language; a second set of letters, communications, a rebirth. Inside the A to Z, and all the possible combinations of songs, styles, secrets, themes, discoveries, redirections, emotional climaxes, sheer drama, tension, relief, beauty, there was all you needed to know in order to construct and understand the language of Bowie (re morley's alphabet of bowie albums)

right.” Inspired by mid-century architectural lettering of New York City, Gotham celebrates the alphabet’s most basic form. These qualities made Gotham the most popular release of recent years. It’s used everywhere, in logos, in magazines, in the very things that inspired it: signs. Gotham’s simplicity is not merely geometric — like Avenir, it feels more natural than mechanical. In fact, its lowercase shares a lot with Avenir’s, despite being much larger. But Gotham’s essence is in the caps: broad, sturdy “block” letters of very consistent

In the name of God, with the help of God I liked to clarify little bit regarding those Ayahs in the beginning of some Swras in the holy Quran which they are 29 Swras, these Ayas are as follows: {الم ,Swra Al-Baqara, Al-Imran, Al- Ankabwt, Al-Rom, Lukman, Al-Sajda} {المص ,Swra Al-Aaraf} {الر ,Swra Younis, Hud, Yousif, Ibrahim, Al-Hijr} {الر, Swra Al- Raied} {کهیعص, Swra Maryam} {طه, Swra Taha} {طسم, Swra Al-Shuaraa, Al-Qasas} {،طس Swra Al-Naml} {یس, Swra Yasin} {ص Swra Sad} {حم, Swra Ghafir, Fwsilat,Al- Zakhraf, Al-Dwkhan, Al-Jathya, Al-Ahqaf} { حمعسق, Swra Shwra} { ق, Swra Qaf} { ن, Swra Al-Qalam} Dear brothers and sisters if these Ayahs are clarified they will take years. With the assistance of God I would clarify one of the clarifications the letters of the Arabic alphabetical Abjadyah are 28 letters 14 letters are brightness {النورانیة} and 14 letters are darkness {الظلمانیة} the brightness letters are: { ا ح ر س ص ط ع ق ك ل م ن ‌ه ي} the rest of letters are darkness the clarification of these Ayahs In most Swras the God says these Ayahs as oaths and endless sacred God refer to these letters saying these are the holy Quran these are the miracles of Quran , the holy Quran is the light and guidance in the holy Quran lightness is above darkness go and discover the Quran more than the three fourths 3/4 of Quran consist on brightness letters. These Ayahs are the key of supplication, if someone attained the key of God’s door, easily will get close to God’s throne. The letters of Arabic alphabetical Abjadyah as follows: أ ب ج د هـ و ز ح ط ي ك ل م ن س ع ف ص ق ر ش ت ث خ ذ ض ظ غ Clarified by Kamaran Ihsan Salih on 09/06/2027

Poetry is the report of a nuance between two moments, when people say 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?' Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water. Poetry is a slipknot tightened around a time-beat of one thought, two thoughts, and a last interweaving thought there is not yet a number for. Poetry is the journal of a sea animal living on land, wanting to fly the air. Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams. Poetry is a type-font design for an alphabet of fun, hate, love, death. Poetry is the silence and speech between a wet struggling root of a flower and a sunlit blossom of that flower. Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night. Poetry is a packsack of invisible keepsakes. Poetry is the establishment of a metaphorical link between white butterfly-wings and the scraps of torn-up love letters. Poetry is the achievement of the synthesis of hyacinths and biscuits.

He sought to create a single alphabet that could be used to write all the languages of the world. He assigned this task to the Tibetan Buddhist lama Phagspa, who in 1269 presented the khan with a set of forty-one letters derived from the Tibetan alphabet. Khubilai Khan made Phagspa’s script the empire’s official script, but rather than force the system on anyone, he allowed the Chinese and all other subjects to continue using their own writing system as well in the hope that the new script would eventually replace the old by showing its superiority.

Each letter in the Celtic ogham alphabet stood for a tree and its magical associations, and the symbology of trees is a richly poetic presence in Celtic myths. The English poet Robert Graves, in his extraordinary book The White Goddess, deals at great length with the order and meanings of the letters comprising this tree alphabet. He conjectures that the famous Welsh Battle of the Trees (a group of ancient poems preserved in the sixteenth century manuscript The Romance of Taliesin) refers to a druidic battle of words rather than a literal battle of vegetation.

Our house is full of tulips, if you want any,” said Charles inexplicably. “What do you mean?” “I mean, before the snow got too deep, we went outside and brought them in. Everything’s full of them. The water glasses, even.” Tulips, I thought, staring at the jumble of letters before me. Had the ancient Greeks known them under a different name, if they’d had tulips at all? The letter psi, in Greek, is shaped like a tulip. All of a sudden, in the dense alphabet forest of the page, little black tulips began to pop up in a quick, random pattern like falling raindrops.

There was one panicked moment. He picked a book from the wall, and the shapes inside, all the letters, were friends to him; but as he settled before them and began to mouth and mutter them, waiting for them to sound as words in his head, they were all gibberish. He grew frantic very quickly, fearing that he had lost what it was he had gained.t pieced it together into a different language. Shekel was dumbstruck at the realization that these glyphs he had conquered could do the same job for so many peoples who could not understand each other at all. He grinned as he thought about it. He was glad to share. He opened more foreign volumes, making or trying to make the noises that the letters spelled and laughing at how strange they sounded. He looked carefully at the pictures and cross-referenced them again, tentatively he concluded that in this lanugage, this particular clutch of letters meant 'boat' and this other set 'moon'. ....he reached new shelving and opened a book whose script was like nothing he knew. He laughed, delighted at its strange curves. He moved off further and found yet another alphabet. And a little way off there was another. For hours he found intrigue and astonishment by exploring the non-Ragamoll shelves. He found in those meaningless words and illegible alphabets not only an awe at the world, but the remnants of the fetishism to which he had been subjected before, when all books had existed for him as those did now, only as mute objects with mass and dimension and color, but without content. .... He gazedc at the books in Base and High Kettai and Sunglari and Lubbock and Khadohi with a kind of fascinated nostalgia for his own illiteracy, without for a fraction of a moment missing it.

God's creation was linguistic, & the letters of the first potent word that (S)He uttered contained all the forms of creation, each form presided over by the name of a letter of the alphabet, which is in turn composed of letters, each of which has a name, & so on to infinity... Creation, on other words, is eternal & ongoing: "the multitude of letters swells out into the infinitude," & "letters are continually generating other letters." The alphabet speaks a divine language, ... each letter calling up, but never pinning down, the enigmatic nature of reality, the word of God. (S.177)

The Moors had been in Spain for several years when they decided to settle in the valleys of the Alpujarras mountains. A people called Turdules or Turdetains then lived in these valleys. The natives called themselves Tarsis and claimed to have lived formerly in the region of Cadiz. They still used several words of their ancient language, which they could even write. The letters of their alphabet were what are known in Spain as desconocidas.fn1 Under Roman and later Visigoth domination the Turdetains paid considerable tribute and were able in return to retain their liberty and their old religion.

Just like literature, wine takes time to learn. Before having access to the emotion of a stunning poem or to the vigor of a captivating novel, we all had to go through a long initiation. First, we need to learn the alphabet, the sound of each letter. In wine, that would be learning about the grapes and their characteristics. Then, once we master our letters, we need to learn the arrangements of letters, the pronunciation, the grammar, the structure of sentences. Now we can read. In wine, that would be the stage when we start noticing differences between two reds. You no longer drink wine: you start drinking this wine.

(...) rest content and satisfied that as you are caught in the noose of love it is one of worth and merit that has taken you, and one that has not only the the four S's that they say true lovers ought to have, but a complete alphabet; only listen to me and you will see how I can repeat it by rote. He is to my eyes and thinking, Amiable, Brave, Courteous, Distinguished, Elegant, Fond, Gay, Honorable, Illustrious, Loyal, Manly, Noble, Open, Polite, Quickwitted, Rich, and the S's according to the saying, and then Tender, Veracious: X does not suite him, for it is a rough letter; Y has been given already; and Z Zealous for your honour.

Gentlemen,” he said, “I invite you to go and measure that kiosk. You will see that the length of the counter is one hundred and forty-nine centimeters – in other words, one hundred-billionth of the distance between the earth and the sun. The height at the rear, one hundred and seventy-six centimeters, divided by the width of the window, fifty-six centimeters, is 3.14. The height at the front is nineteen decimeters, equal, in other words, to the number of years of the Greek lunar cycle. The sum of the heights of the two front corners and the two rear corners is one hundred and ninety times two plus one hundred and seventy-six times two, which equals seven hundred and thirty-two, the date of the victory at Poitiers. The thickness of the counter is 3.10 centimeters, and the width of the cornice of the window is 8.8 centimeters. Replacing the numbers before the decimals by the corresponding letters of the alphabet, we obtain C for ten and H for eight, or C10H8, which is the formula for naphthalene.” “Fantastic,” I said. “You did all these measurements?” “No,” Aglie said. “They were done on another kiosk, by a certain Jean-Pierre Adam. But I would assume that all lottery kiosks have more or less the same dimensions. With numbers you can do anything you like. Suppose I have the sacred number 9 and I want to get the number 1314, date of the execution of Jacques de Molay – a date dear to anyone who, like me, professes devotion to the Templar tradition of knighthood. What do I do? I multiply nine by one hundred and forty-six, the fateful day of the destruction of Carthage. How did I arrive at this? I divided thirteen hundred and fourteen by two, by three, et cetera, until I found a satisfying date. I could also have divided thirteen hundred and fourteen by 6.28, the double of 3.14, and I would have got two hundred and nine. That is the year in which Attalus I, king of Pergamon, joined the anti-Macedonian League. You see?

He had always assumed that a time would come in adulthood, a kind of plateau, when he would have learned all the tricks of managing, of simply being. All mail and e-mails answered, all papers in order, books alphabetically on the shelves, clothes and shoes in good repair in the wardrobes, and all his stuff where he could find it, with the past, including its letters and photographs, sorted into boxes and files, the private life settled and serene, accommodation and finances likewise. In all these years this settlement, the calm plateau, had never appeared, and yet he had continued to assume, without reflecting on the matter, that it was just around the next turn, when he would exert himself and reach it, that moment when his life became clear and his mind free, when his grown-up existence could properly begin. But not long after Catriona's birth, about the time he met Darlene, he thought he saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply, and lovers he had not owned up to. Oblivion, the last word in organization, would be his only consolation.

BREATHING HIS NAME INTO ABRAHAM Originally, Abraham's name was Abram (Gen. 17:1). After God confirmed His covenant to him, God inserted the fifth letter of the Hebrew alphabet, a letter in His own sacred name, into Abram's name making the name Abraham. When you pronounce ABRAHAM you can hear the breathing sound of the letter hei (pronounced "hey") inserted into Abraham's name. Abraham's wife, Sarah, was formerly known as Sarai (Gen. 16:1), until God confirmed a covenant to Abraham in Genesis 17. God inserted the letter hei (H) into Sarai's name making it Sarah! Once again, we hear the breathing sound inserted into the names of Sarah and Abraham. Symbolically, God was breathing His name into this couple so a child could be born to them in their old age. God's Breath brought new life.

Stress physiologists have found a biological explanation for this phenomenon as well. The part of the brain most affected by early stress is the prefrontal cortex, which is critical in self-regulatory activities of all kinds, both emotional and cognitive. As a result, children who grow up in stressful environments generally find it harder to concentrate, harder to sit still, harder to rebound from disappointments, and harder to follow directions. And that has a direct effect on their performance in school. When you’re overwhelmed by uncontrollable impulses and distracted by negative feelings, it’s hard to learn the alphabet. And in fact, when kindergarten teachers are surveyed about their students, they say that the biggest problem they face is not children who don’t know their letters and numbers; it is kids who don’t know how to manage their tempers or calm themselves down after a provocation.

harbinger, n. When I was in third grade, we would play that game at recess where you’d twist an apple while holding on to its stem, reciting the alphabet, one letter for each turn. When the stem broke, the name of your true love would be revealed. Whenever I played, I always made sure that the apple broke at K. At the time I was doing this because no one in my grade had a name that began with K. Then, in college, it seemed like everyone I fell for was a K. It was enough to make me give up on the letter, and I didn’t even associate it with you until later on, when I saw your signature on a credit card receipt, and the only legible letter was that first K. I will admit: When I got home that night, I went to the refrigerator and took out another apple. But I stopped twisting at J and put the apple back. You see, I didn’t trust myself. I knew that even if the apple wasn’t ready, I was going to pull that stem

Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining-rod and thin rising vapors I judge; and here I will begin to mine.

I occasionally return to some very basic, mathematical thoughts: There are only so many letters in our Roman alphabet. It is then by the power of the math—the infinite (or not strictly infinite, but huge) number of combinations of letters—that we have so many words. But then, further expanding the number of possibilities, truly to infinity, one word (one combination of letters) can have multiple meanings. Further multiplying the number of meanings, even within one given dictionary definition of a word, is the effect of its context, both immediate and larger, which can endow it with, again, an infinite number of subtly differing shades of meaning. Further enriching the single word, within and beyond its contexts, is one’s own personal associations with it, either from one’s reading or from one’s life experiences. And even in one’s own native language, there are a great many words, meanings, and shades of meaning that one simply doesn’t know and may never encounter.

A striking example from the history of writing is the origin of the syllabary devised in Arkansas around 1820 by a Cherokee Indian named Sequoyah, for writing the Cherokee language. Sequoyah observed that white people made marks on paper, and that they derived great advantage by using those marks to record and repeat lengthy speeches. However, the detailed operations of those marks remained a mystery to him, since (like most Cherokees before 1820) Sequoyah was illiterate and could neither speak nor read English. Because he was a blacksmith, Sequoyah began by devising an accounting system to help him keep track of his customers’ debts. He drew a picture of each customer; then he drew circles and lines of various sizes to represent the amount of money owed. Around 1810, Sequoyah decided to go on to design a system for writing the Cherokee language. He again began by drawing pictures, but gave them up as too complicated and too artistically demanding. He next started to invent separate signs for each word, and again became dissatisfied when he had coined thousands of signs and still needed more. Finally, Sequoyah realized that words were made up of modest numbers of different sound bites that recurred in many different words—what we would call syllables. He initially devised 200 syllabic signs and gradually reduced them to 85, most of them for combinations of one consonant and one vowel. As one source of the signs themselves, Sequoyah practiced copying the letters from an English spelling book given to him by a schoolteacher. About two dozen of his Cherokee syllabic signs were taken directly from those letters, though of course with completely changed meanings, since Sequoyah did not know the English meanings. For example, he chose the shapes D, R, b, h to represent the Cherokee syllables a, e, si, and ni, respectively, while the shape of the numeral 4 was borrowed for the syllable se. He coined other signs by modifying English letters, such as designing the signs , , and to represent the syllables yu, sa, and na, respectively. Still other signs were entirely of his creation, such as , , and for ho, li, and nu, respectively. Sequoyah’s syllabary is widely admired by professional linguists for its good fit to Cherokee sounds, and for the ease with which it can be learned. Within a short time, the Cherokees achieved almost 100 percent literacy in the syllabary, bought a printing press, had Sequoyah’s signs cast as type, and began printing books and newspapers. Cherokee writing remains one of the best-attested examples of a script that arose through idea diffusion. We know that Sequoyah received paper and other writing materials, the idea of a writing system, the idea of using separate marks, and the forms of several dozen marks. Since, however, he could neither read nor write English, he acquired no details or even principles from the existing scripts around him. Surrounded by alphabets he could not understand, he instead independently reinvented a syllabary, unaware that the Minoans of Crete had already invented another syllabary 3,500 years previously.

Sir Julian, exercising his prerogatives, named the planets for boyhood heroes: Lord Kitchener, William Gladstone, Archbishop Rollo Gore, Edythe MacDevott, Rudyard Kipling, Thomas Carlyle, William Kircudbright, Samuel B. Gorsham, Sir Robert Peel, and the like. But Sir Julian was to be deprived of his privilege. He telegraphed ahead the news of his return to Maudley Space Station, together with a description of the Concourse and the names he had bestowed upon the members of this magnificent group. The list passed through the hands of an obscure young clerk, one Roger Pilgham, who rejected Sir Julian’s nominations in disgust. To each of the twenty-six planets he assigned a letter of the alphabet and hurriedly supplied new names: Alphanor, Barleycorn, Chrysanthe, Diogenes, Elfland, Fiame, Goshen, Hardacres, Image, Jezebel, Krokinole, Lyonnesse, Madagascar, Nowhere, Olliphane, Pilgham, Quinine, Raratonga, Somewhere, Tantamount, Unicorn, Valisande, Walpurgis, Xion, Ys and Zacaranda — the names derived from legend, myth, romance, his own whimsy.

Chicken Roast Puff your plume in anger and fight, cock, delight the owner of knife smear sting with pollen and flap your wings As I said: Twist the arms and keep them bent roll the rug and come down the terrace after disturbed sleep Shoeboots-rifle-whirring bullets-shrieks The aged undertrial in the next cell weeps and wants to go home Liberate me let me go let me go home On its egg in the throne the gallinule doses asphyxiate in dark fight back, cock, die and fight, shout with the dumb Glass splinters on tongue-breast muscles quiver Fishes open their gills and enfog water A piece of finger wrapped in pink paper With eyes covered someone wails in the jailhouse I can't make out if man or woman Keep this eyelash on lefthand palm- and blow off with your breath Fan out snake-hood in mist Cobra's abdomen shivers in the hiss of female urination Deport to crematorium stuffing blood-oozing nose in cottonwool Shoes brickbats and torn pantaloons enlitter the streets I smear my feet with the wave picked up from a stormy sea That is the alphabet I drew on for letters. (Translation of Bengali original 'Murgir Roast')

Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!

Every entry, whether revised or reviewed, goes through multiple editing passes. The definer starts the job, then it’s passed to a copy editor who cleans up the definer’s work, then to a bunch of specialty editors: cross-reference editors, who make sure the definer hasn’t used any word in the entry that isn’t entered in that dictionary; etymologists, to review or write the word history; dating editors, who research and add the dates of first written use; pronunciation editors, who handle all the pronunciations in the book. Then eventually it’s back to a copy editor (usually a different one from the first round, just to be safe), who will make any additional changes to the entry that cross-reference turned up, then to the final reader, who is, as the name suggests, the last person who can make editorial changes to the entry, and then off to the proofreader (who ends up, again, being a different editor from the definer and the two previous copy editors). After the proofreaders are done slogging through two thousand pages of four-point type, the production editors send it off to the printer or the data preparation folks, and then we get another set of dictionary pages (called page proofs) to proofread. This process happens continuously as we work through a dictionary, so a definer may be working on batches in C, cross-reference might be in W, etymology in T, dating and pronunciation in the second half of S, copy editors in P (first pass) and Q and R (second pass), while the final reader is closing out batches in N and O, proofreaders are working on M, and production has given the second set of page proofs to another set of proofreaders for the letter L. We all stagger our way through the alphabet until the last batch, which is inevitably somewhere near G, is closed. By the time a word is put in print either on the page or online, it’s generally been seen by a minimum of ten editors. Now consider that when it came to writing the Collegiate Dictionary, Eleventh Edition, we had a staff of about twenty editors working on it: twenty editors to review about 220,000 existing definitions, write about 10,000 new definitions, and make over 100,000 editorial changes (typos, new dates, revisions) for the new edition. Now remember that the 110,000-odd changes made were each reviewed about a dozen times and by a minimum of ten editors. The time given to us to complete the revision of the Tenth Edition into the Eleventh Edition so production could begin on the new book? Eighteen months.

ACORDING to the Apostle, “in many things we all offend” not only once but many times, for “the just man falls seven times a day”. To the wise it is evident that we offend greatly, for we should not commit even a venial sin for all the world could give us.[748] As we offend greatly and in many ways and things, we need to be constantly corrected. Therefore our Letter bids us to constantly correct our soul, lovingly and without anger.   Man should correct himself in two ways. The first and most necessary is to withdraw from evil to good as we are bound to do, for if fraternal correction is binding on a Christian, much more so is the correction of his own soul, with which he is in closer relation. Regarding this correction from evil to good, the wise man says: “The perverse are hard to be corrected.” [749]   One whose good habits are perverted and become evil requires more time to reform than he took to go wrong. For if he gave way to some vice for a year, he will need to practice the contrary virtue for two years in order to change his bad habits for good ones. Hence the sage declares that the perverse are hard to correct, for not only must they uproot the vice but must plant the virtue in its place and wait until it flourishes as the vice did.

The helix contains two intertwined strands of DNA. It is "right-handed"-twisting upward as if driven by a right-handed screw. Across the molecule, it measures twenty-three angstroms-one-thousandth of one-thousandth of a millimeter. One million helices stacked side by side would fit in this letter: o. the biologist John Sulston wrote, "We see it as a rather stubby double helix, for they seldom show its other striking feature: it is immensely long and thin. In every cell in your body, you have two meters of the stuff; if we were to draw a scaled-up picture of it with the DNA as thick as sewing thread, that cell's worth would be about 200 kilometers long." Each strand of DNA, recall, is a long sequence of "bases"-A,T,G,and C. The bases are linked together by the sugar-phosphate backbone. The backbone twists on the outside, forming a spiral. The bases face in, like treads in a circular staircase. The opposite strand contains the opposing bases: A matched with T and G matched with C. Thus, both strands contain the same information-except in a complementary sense: each is a "reflection," or echo, of the other (the more appropriate analogy is a yin-and-yang structure). Molecular forces between the A:T and G:C pairs lock the two strands together, as in a zipper. A double helix of DNA can thus be envisioned as a code written with four alphabets-ATGCCCTACGGGCCCATCG...-forever entwined with its mirror-image code.

I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee.

The belief in the magical power of language is not unusual, both in mystical and academic literature. The Kabbalists -- Jewish mystics of Spain and Palestine -- believed that super-normal insight and power could be derived from properly combining the letters of the Divine Name. For example, Abu Aharon, an early Kabbalist who emigrated from Baghdad to Italy, was said to perform miracles through the power of the Sacred Names." "What kind of power are we talking about here?" "Most Kabbalists were theorists who were interested only in pure meditation. But there were so-called 'practical Kabbalists' who tried to apply the power of the Kabbalah in everyday life." "In other words, sorcerers." "Yes. These practical Kabbalists used a so-called 'archangelic alphabet,' derived from first-century Greek and Aramaic theurgic alphabets, which resembled cuneiform. The Kabbalists referred to this alphabet as 'eye writing,' because the letters were composed of lines and small circles, which resembled eyes." "Ones and zeroes." "Some Kabbalists divided up the letters of the alphabet according to where they were produced inside the mouth." "Okay. So as we would think of it, they were drawing a connection between the printed letter on the page and the neural connections that had to be invoked in order to pronounce it." "Yes. By analyzing the spelling of various words, they were able to draw what they thought were profound conclusions about their true, inner meaning and significance.

The intrinsic non-existence at the heart of entity is what Spare designated the Kiã, and he strove to convey his vision in a theory enshrined as the very keystone of the Book of Pleasure.To this, he wedded a new and radical model of transcendental sorcery that completely rejected all religious ethos and utilised instead those techniques that were most familiar to him, and most fully within his mastery as an artist and designer: for its language, line and letter synthesized as the Sigil and the Sacred Alphabet; for its praxis, the sense of sight extended through touch, emotion and profound nostalgia into a willed and magically fecund synaesthesia that attains its apotheosis in the Death Posture. The Book of Pleasure was a radical departure for magic when it was published in 1913, in its refusal to advance a new dispensation or ‘doctrine’ (as Crowley had done) – indeed, in its intent to overcome the bonds imposed upon raw sorcery by traditional religious thinking. Its concepts remain as radical today, whether applied in a strictly magical or psychological context. Why, then, did Spare’s ideas fail to gain any currency until around sixty years after his exposition? Was it purely because the work itself remained inaccessible until the books of Kenneth and Steffi Grant, and later Francis King and Neville Drury, brought them into wider circulation? In part, yes, but that is not the sole reason. Even given the masterly expositions of Spare’s creed from these authors, the work itself is yet little understood or applied.

The knowledge of the alphabet is one of the most common things in the world. It lies at the very foundation of all learning. No one ridicules the child saying that he knows the letters of the alphabet, and for declaring most positively, in spite of all contradiction, that “A” is “A”. And yet he knows that only by faith. He has never investigated the subject for himself; he has accepted the statement of his teacher. The teacher himself had to learn the alphabet in the same way - by faith. It was not demonstrated to him that “A” is “A.” It could not have been. If he had refused to believe the fact till it was demonstrated to him, he never would have learned to read. He had to accept the fact by faith, and then it would prove itself true under every circumstance. There is nothing of which people are more absolutely sure than they are of the letters of the alphabet, and there is nothing for which they are more absolutely dependent on faith. Now, just as the child learns the alphabet, so we learn the truths of God. Whoever receives the kingdom of heaven must receive it as a little child. By faith we learn to know Jesus Christ, who is the Alpha and the Omega, - the entire alphabet of God. He who believes the simple statement of the Bible, concerning creation, may know for a certainty that God did create the heaven and the earth by the power of His Word. The fact that some unbeliever doubts this, and thinks it is foolish, does not shake his knowledge, nor prove that he does not know it, any more than our knowledge of the alphabet is shaken or disproved by some other person’s ignorance of it.

We cannot provide a definition of those products from which the age takes it name, the feuilletons. They seem to have formed an uncommonly popular section of the daily newspapers, were produced by the millions, and were a major source of mental pabulum for the reader in want of culture. They reported on, or rather "chatted" about, a thousand-and-one items of knowledge. The cleverer writers poked fun at their own work. Many such pieces are so incomprehensible that they can only be viewed as self-persiflage on the part of the authors. In some periods interviews with well-known personalities on current problems were particularly popular. Noted chemists or piano virtuosos would be queried about politics, for example, or popular actors, dancers, gymnasts, aviators, or even poets would be drawn out on the benefits and drawbacks of being a bachelor, or on the presumptive causes of financial crises, and so on. All that mattered in these pieces was to link a well-known name with a subject of current topical interest. It is very hard indeed for us to put ourselves in the place of those people so that we can truly understand them. But the great majority, who seem to have been strikingly fond of reading, must have accepted all these grotesque things with credulous earnestness. If a famous painting changed owners, if a precious manuscript was sold at auction, if an old palace burned down, the readers of many thousands of feature articles at once learned the facts. What is more, on that same day or by the next day at the latest they received an additional dose of anecdotal, historical, psychological, erotic, and other stuff on the catchword of the moment. A torrent of zealous scribbling poured out over every ephemeral incident, and in quality, assortment, and phraseology all this material bore the mark of mass goods rapidly and irresponsibly turned out. Incidentally, there appear to have been certain games which were regular concomitants of the feature article. The readers themselves took the active role in these games, which put to use some of their glut of information fodder. Thousands upon thousands spent their leisure hours sitting over squares and crosses made of letters of the alphabet, filling in the gaps according to certain rules. But let us be wary of seeing only the absurd or insane aspect of this, and let us abstain from ridiculing it. For these people with their childish puzzle games and their cultural feature articles were by no means innocuous children or playful Phaeacians. Rather, they dwelt anxiously among political, economic, and moral ferments and earthquakes, waged a number of frightful wars and civil wars, and their little cultural games were not just charming, meaningless childishness. These games sprang from their deep need to close their eyes and flee from unsolved problems and anxious forebodings of doom into an imaginary world as innocuous as possible. They assiduously learned to drive automobiles, to play difficult card games and lose themselves in crossword puzzles--for they faced death, fear, pain, and hunger almost without defenses, could no longer accept the consolations of the churches, and could obtain no useful advice from Reason. These people who read so many articles and listened to so many lectures did not take the time and trouble to strengthen themselves against fear, to combat the dread of death within themselves; they moved spasmodically on through life and had no belief in a tomorrow.

You can have Fitzy feed you the rest of these when I’m gone—otherwise I’m going to puke. Right now, we need to find Krakie a new home.” He grabbed a roll of wide gauze from one of the shelves and wrapped it carefully around her left wrist to form a loose-fitting cuff. Then carefully attached each of the pins. “Is that a K ?” Fitz asked, tilting his head to study the new arrangement. Keefe nodded. “Best letter in the whole alphabet! But don’t worry, Foster, this isn’t like when Dizznee gave you those bracelets.” “What bracelets?” Fitz asked. Keefe had the wisdom to look sheepish. “They were . . . a prototype,” Sophie told Fitz. “Dex has been trying to design a gadget to help me control my enhancing, and he needed something to camouflage what they were, so he used some bracelets he’d bought.” Fitz’s eyebrows shot up. “Cloth bracelets?” She was pretty sure he already knew the answer. But even if he did, she’d promised Dex she wouldn’t tell anyone what had happened between them. “It doesn’t matter,” she said quietly. “They . . . didn’t work.” “In more ways than one,” Keefe said under his breath—but Fitz still must’ve heard him. His eyes narrowed. “How do you know so much about it?” Keefe shrugged. “I’m the reigning president of the Foster Fan Club. It’s my job to know these things. But don’t worry, Fitzy, you’re still the runner-up.” If he’d been standing any closer, Sophie would’ve smacked him. But he was just out of her reach. “I thought you weren’t supposed to be teasing Fitz,” Sophie reminded him instead. “I’m not, but . . . he makes it so easy.” Fitz rolled his eyes. “Sometimes I can’t remember why we’re friends.” “Pretty sure everyone wonders that at some point,” Ro pointed out. Keefe flashed the smuggest of smiles. “It’s because I make everything better.

I know my alphabet,' I said sharply as he laid a piece of paper in front of me. 'I'm not that stupid.' I twisted my fingers in my lap, then pinned my restless hands under my thighs. 'I didn't say you were stupid,' he said. 'I'm just trying to determine where we should begin.' I leaned back in the cushioned seat. 'Since you've refused to tell me a thing about how much you know.' My face warmed. 'Can't you hire a tutor?' He lifted a brow. 'Is it that hard for you to even try in front of me?' 'You're a High Lord- don't you have better things to do?' 'Of course. But none as enjoyable as seeing you squirm.' 'You're a real bastard, you know that?' Rhys huffed a laugh. 'I've been called worse. In fact, I think you've called me worse.' He tapped the paper in front of him. 'Read that.' A blur of letters. My throat tightened. 'I can't.' 'Try.' The sentence had been written in elegant, concise print. His writing, no doubt. I tried to open my mouth, but my spine locked. 'What exactly, is your stake in all this? You said you'd tell me if I worked with you.' 'I didn't specify when I'd tell you.' I peeled back from him as my lip curled. He shrugged. 'Maybe I resent the idea of you letting those sycophants and war-mongering fools in the Spring Court make you feel inadequate. Maybe I indeed enjoy seeing you squirm. Or maybe-' 'I get it.' He snorted. 'Try to read it, Feyre.' Prick. I snatched the paper to me, nearly ripping it in half in the process. I looked at the first word, sounding it out in my head. 'Y-you...' The next I figured out with a combination of my silent pronunciation and logic. 'Look...' 'Good,' he murmured. 'I didn't ask for your approval.' Rhys chuckled. 'Ab... absolutely.' It took me longer than I wanted to admit to figure that out. The next word was even worse. 'De... Del...' I deigned to glance at him, brows raised. 'Delicious,' he purred. My brows knotted. I read the next two words, then whipped my face toward him. 'You look absolutely delicious today, Feyre?! That's what you wrote?' He leaned back in his seat. As our eyes met, sharp claws caressed my mind and his voice whispered inside my head. It's true, isn't it? I jolted back, my chair groaning. 'Stop that!' But those claws now dug in- and my entire body, my heart, my lungs, my blood yielded to his grip, utterly at his command as he said, The fashion of the Night Court suits you.

The Golem If (as affirms the Greek in the Cratylus) the name is archetype of the thing, in the letters of “rose” is the rose, and all the Nile flows through the word. Made of consonants and vowels, there is a terrible Name, that in its essence encodes God’s all, power, guarded in letters, in hidden syllables. Adam and the stars knew it in the Garden. It was corroded by sin (the Cabalists say), time erased it, and generations have forgotten. The artifice and candor of man go on without end. We know that there was a time in which the people of God searched for the Name through the ghetto’s midnight hours. But not in that manner of those others whose vague shades insinuate into vague history, his memory is still green and lives, Judá the Lion the rabbi of Prague. In his thirst to know the knowledge of God Judá permutated the alphabet through complex variations and in the end pronounced the name that is the Key the Door, the Echo, the Guest, and the Palace, over a mannequin shaped with awkward hands, teaching it the arcane knowledge of symbols, of Time and Space. The simulacrum raised its sleepy eyelids, saw forms and colors that it did not understand, and confused by our babble made fearful movements. Gradually it was seen to be (as we are) imprisoned in a reverberating net of Before, Later, Yesterday, While, Now, Right, Left, I, You, Those, Others. The Cabalists who celebrated this mysterium, this vast creature, named it Golem. (Written about by Scholem, in a learned passage of his volume.) The rabbi explained the universe to him, “This is my foot, this yours, and this the rope,” but all that happened, after years, was that the creature swept the synagogue badly. Perhaps there was an error in the word or in the articulation of the Sacred Name; in spite of the highest esoteric arts this apprentice of man did not learn to speak. Its eyes uncanny, less like man than dog and much less than dog but thing following the rabbi through the doubtful shadows of the stones of its confinement. There was something abnormal and coarse in the Golem, at its step the rabbi’s cat fled in fear. (That cat not from Scholem but of the blind seer) It would ape the rabbi’s devotions, raising its hands to the sky, or bend over, stupidly smiling, into hollow Eastern salaams. The rabbi watched it tenderly but with some horror. How (he said) could I engender this laborious son? Better to have done nothing, this is insanity. Why did I give to the infinite series a symbol more? To the coiled skein on which the eternal thing is wound, I gave another cause, another effect, another grief. In this hour of anguish and vague light, on the Golem our eyes have stopped. Who will say the things to us that God felt, at the sight of his rabbi in Prague?

Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…

experience, and to our consequent estrangement from the earthly world around us. So the ancient Hebrews, on the one hand, and the ancient Greeks on the other, are variously taken to task for providing the mental context that would foster civilization’s mistreatment of nonhuman nature. Each of these two ancient cultures seems to have sown the seeds of our contemporary estrangement—one seeming to establish the spiritual or religious ascendancy of humankind over nature, the other effecting a more philosophical or rational dissociation of the human intellect from the organic world. Long before the historical amalgamation of Hebraic religion and Hellenistic philosophy in the Christian New Testament, these two bodies of belief already shared—or seem to have shared—a similar intellectual distance from the nonhuman environment. In every other respect these two traditions, each one originating out of its own specific antecedents, and in its own terrain and time, were vastly different. In every other respect, that is, but one: they were both, from the start, profoundly informed by writing. Indeed, they both made use of the strange and potent technology which we have come to call “the alphabet.” — WRITING, LIKE HUMAN LANGUAGE, IS ENGENDERED NOT ONLY within the human community but between the human community and the animate landscape, born of the interplay and contact between the human and the more-than-human world. The earthly terrain in which we find ourselves, and upon which we depend for all our nourishment, is shot through with suggestive scrawls and traces, from the sinuous calligraphy of rivers winding across the land, inscribing arroyos and canyons into the parched earth of the desert, to the black slash burned by lightning into the trunk of an old elm. The swooping flight of birds is a kind of cursive script written on the wind; it is this script that was studied by the ancient “augurs,” who could read therein the course of the future. Leaf-miner insects make strange hieroglyphic tabloids of the leaves they consume. Wolves urinate on specific stumps and stones to mark off their territory. And today you read these printed words as tribal hunters once read the tracks of deer, moose, and bear printed in the soil of the forest floor. Archaeological evidence suggests that for more than a million years the subsistence of humankind has depended upon the acuity of such hunters, upon their ability to read the traces—a bit of scat here, a broken twig there—of these animal Others. These letters I print across the page, the scratches and scrawls you now focus upon, trailing off across the white surface, are hardly different from the footprints of prey left in the snow. We read these traces with organs honed over millennia by our tribal ancestors, moving instinctively from one track to the next, picking up the trail afresh whenever it leaves off, hunting the meaning, which would be the meeting with the Other.2