Allied Movie Quotes

...nothing ever happens quickly (except when it does). Nothing is ever, ever easy (except when it is). And, most of all, nothing ever goes perfectly according to plan (except in the movies).

So I hear we get to go to town this weekend. Want to catch a movie or something? --Z P.S. That is, if Jimmy doesn't mind. Translation: This weekend might be a good chance for us to see each other outside our school in a social environment, free of competetiton. I do not view other boys as threats, and I enjoy making them seem insignificant by calling them the wrong names. (Translation by Macey McHenry)

I know in the spy movies it always looks really cool when the operative goes from a maid's uniform to a slinky, sexy, ballgown in the amount of time it takes an elevator to climb three floors. Well, I don't know how it is for TV spies, but I can tell you that even with Velcro, the art of the quick change is one that must take a lot of practice (not to mention better lighting than one is likely to find in a tunnel that was once part of the underground railroad).

If you were sitting quietly on your couch, waiting for your girlfriend to come back inside so you could finish watching your movie, and while you were waiting, someone called you up and said “I’ll give you a million dollars if you can guess what’s going to happen next,” you absolutely would not guess “I am going to be brutally and unexpectedly attacked by a goose in my own home.” Even if you had a hundred guesses, you would not guess that.

This was the Mecca of the American Dream, the world that everyone wanted. A world of sleek young women (allied with Slenderella to be so) in shorts and halters, driving 400-horsepower station wagons to air-conditioned, music-serenaded supermarkets of baby-sitter corporations and culture condensed into Great Books discussion groups. A life of barbecues by the swimming pool and drive in movies open all year. It did't appeal to me. Fuck health insurance plans and life insurance. They wanted to live without leaving the womb. It made me more alive to play a game without rules against society, and I was prepared to play it to the end. A tremor almost sexual passed through me as I anticipated the comming robbery.

I doubt she likes the idea of seeing him put back in a cage.” “Maybe not,” he said. “But she knows that the Authority are the only people who might be able to help him.” “Or kill him,” I said. “That too. What is life without risk?” “Long?” Terric laughed, a sort of high whooping that made me—and Zayvion, much to my surprise—smile. Contagious. For all he had a serious exterior, Terric was the guy you’d want to sit next to at a funny movie, just to hear him laugh.

We need allies who are going to help us achieve a victory, not allies who are going to tell us to be nonviolent. If a white man wants to be your ally, what does he think of John Brown? You know what John Brown did? He went to war. He was a white man who went to war against white people to help free slaves. He wasn’t nonviolent. White people call John Brown a nut. Go read the history, go read what all of them say about John Brown. They’re trying to make it look like he was a nut, a fanatic. They made a movie on it, I saw a movie on the screen one night. Why, I would be afraid to get near John Brown if I go by what other white folks say about him. But they depict him in this image because he was willing to shed blood to free the slaves. And any white man who is ready and willing to shed blood for your freedom—in the sight of other whites, he’s nuts. As long as he wants to come up with some nonviolent action, they go for that, if he’s liberal, a nonviolent liberal, a love-everybody liberal. But when it comes time for making the same kind of contribution for your and my freedom that was necessary for them to make for their own freedom, they back out of the situation. So, when you want to know good white folks in history where black people are concerned, go read the history of John Brown. That was what I call a white liberal. But those other kind, they are questionable. So if we need white allies in this country, we don’t need those kind who compromise. We don’t need those kind who encourage us to be polite, responsible, you know. We don’t need those kind who give us that kind of advice. We don’t need those kind who tell us how to be patient. No, if we want some white allies, we need the kind that John Brown was, or we don’t need you. And the only way to get those kind is to turn in a new direction.

I felt my thoughts drift to that scene in The Notebook -- the one where Noah and Allie lie in the middle of the empty road. You could not be that romantic in England. I'd get frostbite of the bumhole if Harry and I lay on the ice tonight.

It wasn’t Dean’s fault,” Allie insists. “Seriously, it’s all on me. I freaked out for no reason.” She finally looks over at me. “See? This is why I don’t like horror movies! You watch one scary movie when you’re a kid and suddenly everyone who comes to your door is a serial killer.” “Are you kidding me right now? You’ll watch a horror movie with my sister but not me? We have to watch the cancer movie?” “Dicky,” Summer chides. “You’re being grumpy.” I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?” From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter. The EMT blocks my line of sight by squatting in front of me. “I need to examine you for a concussion.” Oh for fuck’s sake.

Here’s the thing you need to know about surveillance: it’s boring. Sure, sometimes we blow stuff up and jump off buildings and/or moving trains, but most of the time we just hang around waiting for something to happen (a fact that almost never makes it into the movies), so I might have felt pretty silly if I were a normal girl and not a highly trained secret-agent-type person as I sat on that park bench, trying to act normal when, by definition, I’m anything but.

One of the most terrifying things that has ever happened to me was watching myself over and over again--thirty-five days in a row--not to return a movie I had rented. Every day, I saw it sitting there on the arm of my couch. And every day, I thought, "I should really do something about that..." and then I just didn't.

You think darkness is your ally,” Bane said. “But you merely adopted the dark. I was born in it. Formed by it…

My perfectly measured ingredients should have mixed and turned into an epic lava. Instead it looks like an outtake from an old sci-fi movie. Green goo has killed my volcano. My chance to win the science fair at Sendak has been slimed!

Until black people, and our allies in love and struggle, become militant about how we are represented on television, in movies, and in books, we will not see imaginative work that offers images of black characters who love. If love is not present in our imaginations, it will not be there in our lives.

As time passed there was no more buying food, no money, no supplies. On some days, we wouldn’t even have a crumb to eat. There’s a vivid scene in Nanni Loy’s The Four Days of Naples, a movie made after the war about the uprising of the Neapolitans against the occupying Germans, in which one of the young characters sinks his teeth into a loaf of bread so voraciously, so desperately, I can still identify with him. In those four famous days in late September, when Naples rose up against the Germans—even before the Allies arrived, it was the climax of a terrible period of deprivation and marked the beginning of the end of the war in Italy.

So what's your story?" Maddie didn't try to hide the singsong lilt of her voice as she spoke. She didn't want to. She'd learned at a very young age that nothing annoyed manly men more than girly girls, and if Maddie had one talent, it was truly exceptional girliness. "Shut up and be quiet," Stefan snapped. "That's just a tad redundant, FYI." "Shut up!" he hissed near her ear. Maddie couldn't help but shift her weight from foot to foot, almost pacing in place. She was careful of the ice and the snow, though. No use falling to the ground and having Stefan accidentally pull the trigger. "You really do give a lot of orders," she told him. He tightened his grip. "I'm the one with the gun." "Well, yeah. Sure. Technically. But I'm the one with the winning personality, and that should count for something." "You should be scared," he said in the same tone a movie villain might use to say You should be dead when the hero materializes five years later, hungry for vengeance. Stefan was confused, and Maddie couldn't blame him. So she turned back and shrugged. "Maybe. But I don't think you're a bad guy." He let her go and spun her around, grabbing Logan's unzipped coat and pulling her closer. "I. Have. The. Gun," he reminded her. Maddie smiled and pulled away. "And I have Taylor Swift's signature scent. Doesn't make me a pop star. It just makes me smell like Taylor Swift, which isn't as great as it sounds because, to a bear, Taylor Swift smells delicious. Stefan stuttered for a moment, then fell silent.

Think of developing the situation as enlightened procrastination. Instead of indecision, going off half-cocked, or doing nothing, we understand that time is an ally that allows us to actively build context and uncover the options hidden from those who create “traditional plans” based on limited information that’s frozen in the past—before most options and opportunities have availed themselves. Developing the situation treats life like a movie, not a snapshot.

If observing Trump’s schoolboy act in relationship to North Korea felt like watching a disaster movie, then witnessing his Greenland bid and subsequent tantrum was more like seeing a guest at a fancy dinner party blow his nose in an embroidered napkin and proceed to use a silver fork to scratch his foot under the table. But not only did most journalists cover the debacle with restraint—many also provided historical and political context. Explanations of the strategic and economic importance of the Arctic proliferated; many media outlets noted that President Harry S Truman had also wanted to buy Greenland. Washington Post columnist Anne Applebaum, a consistent Trump critic, tried the opposite approach and wrote a piece explaining why the United States needs a tiny country like Denmark to be its ally. The media were doing what media should do—providing context, organizing relevant information, creating narrative—and this too had a normalizing effect, simply by helping media consumers to absorb the unabsorbable. It was as though the other dinner guests had carried on with their polite conversation and even handed the disruptive, deranged visitor a clean fork so that he wouldn’t have to eat dessert with the utensil he had stuck in his shoe.

Yet this wasn’t like sports, let alone sports movies. The roles weren’t fixed, nor the meaning of the scaffolding. It didn’t have to be this way. They might have, for instance, all felt stronger. They might have felt stronger and come together. They might have decided that, rather than now, as they’d been mistaken before: that if their enemies cheered the same damage as they, then they weren’t their enemies after all. They might have concluded their interests were mutual, that some other force, earlier—some other enemy—had confused and divided them, and that all those who cheered were thus allies unmasked. Instead they felt bitter, tricked by each other, last-strawed underdogs, suckers on the mend. Their enmity swelled and they fought even harder.

Everything is subservient to the system, yet at the same time escapes its control. Those groups around the world who adopt the Western lifestyle never really identify with it, and indeed are secretly contemptuous of it. They remain excentric with respect to this value system. Their way of assimilating, of often being more fanatical in their observance of Western manners than Westerners themselves, has an obviously parodic, aping quality: they are engaged in a sort of bricolage with the broken bits and pieces of the Enlightenment, of 'progress' . Even when they negotiate or ally themselves with the West, they continue to believe that their own way is fundamentally the right one. Perhaps, like the Alakaluf, these groups will disappear without ever having taken the Whites seriously. (For our part we take them very seriously indeed, whether our aim is to assimilate them or destroy them: they are even fast becoming the crucial negative - reference point of our whole value system.)

Who’s the guy?” “What guy?” “The guy you’re dating.” That’s when I see him. Peter Kavinsky, walking down the hallway. Like magic. Beautiful, dark-haired Peter. He deserves background music, he looks so good. “Peter. Kavinsky. Peter Kavinsky!” The bell rings, and I sail past Josh. “I’ve gotta go! Talk later, Josh!” “Wait!” he calls out. I run up to Peter and launch myself into his arms like a shot out of a cannon. I’ve got my arms around his neck and my legs hooked around his waist, and I don’t even know how my body knows how, because I’ve for sure never touched a boy like this in my life. It’s like we’re in a movie and the music is swelling and waves are crashing around us. Except for the fact that Peter’s expression is registering pure shock and disbelief and maybe a drop of amusement, because Peter likes to be amused. Raising his eyebrows, he says, “Lara Jean? What the--?” I don’t answer. I just kiss him. My first thought is: I have muscle memory of his lips. My second thought is: I hope Josh is watching. He has to be watching or it’s all for nothing. My heart is beating so fast I forget to be afraid of doing it wrong. Because for about three seconds, he’s kissing me back. Peter Kavinsky, the boy of every girl’s dreams, is kissing me back. I haven’t kissed that many boys before. Peter Kavinsky, John Ambrose McClaren, Allie Feldman’s cousin with the weird eye, and now Peter again. I open my eyes and Peter’s staring at me with that same expression on his face. Very sincerely I say, “Thank you.” He replies, “You’re welcome,” and I hop out of his arms and sprint off in the opposite direction.

Islamophobia” as a weapon of jihad The charge of “Islamophobia” is routinely used to shift attention away from jihad terrorists. After a rise in jihadist militancy and the arrest of eight people in Switzerland on suspicion of aiding suicide bombers in Saudi Arabia, some Muslims in Switzerland were in no mood to clean house: “As far as we’re concerned,” said Nadia Karmous, leader of a Muslim women’s group in Switzerland, “there is no rise in Islamism, but rather an increase in Islamophobia.”5 This pattern has recurred in recent years all over the world as “Islamophobia” has passed into the larger lexicon and become a self-perpetuating industry. In Western countries, “Islamophobia” has taken a place beside “racism,” “sexism,” and “homophobia.” The absurdity of all this was well illustrated by a recent incident in Britain: While a crew was filming the harassment of a Muslim for a movie about “Islamophobia,” two passing Brits, who didn’t realize the cameras were rolling, stopped to defend the person being assaulted. Yet neither the filmmakers nor the reporters covering these events seemed to realize that this was evidence that the British were not as violent and xenophobic as the film they were creating suggested.6 Historian Victor Davis Hanson has ably explained the dangerous shift of focus that “Islamophobia” entails: There really isn’t a phenomenon like “Islamophobia”—at least no more than there was a “Germanophobia” in hating Hitler or “Russophobia” in detesting Stalinism. Any unfairness or rudeness that accrues from the “security profiling” of Middle Eastern young males is dwarfed by efforts of Islamic fascists themselves—here in the U.S., in the UK, the Netherlands, France, Turkey, and Israel—to murder Westerners and blow up civilians. The real danger to thousands of innocents is not an occasional evangelical zealot or uncouth politician spouting off about Islam, but the deliberately orchestrated and very sick anti-Semitism and anti-Americanism that floods the airways worldwide, emanating from Iran, Lebanon, and Syria, to be sure, but also from our erstwhile “allies” in Egypt, Saudi Arabia, and Qatar.7

Movie stars didn’t become irrelevant, but they became very inconsistent in attracting an audience. People used to go to almost any movie with Tom Cruise in it. Between 1992 and 2006, Cruise starred in twelve films that each grossed more than $100 million domestically. He was on an unparalleled streak, with virtually no flops. But in the decade since then, five of Cruise’s nine movies—Knight and Day, Rock of Ages, Oblivion, Edge of Tomorrow, and The Mummy—were box-office disappointments. This was an increasingly common occurrence for A-listers. Will Ferrell and Ben Stiller couldn’t convince anyone to see Zoolander 2. Brad Pitt didn’t attract audiences to Allied. Virtually nobody wanted to see Sandra Bullock in Our Brand Is Crisis. It’s not that they were being replaced by a new generation of stars. Certainly Jennifer Lawrence and Chris Pratt and Kevin Hart and Melissa McCarthy have risen in popularity in recent years, but outside of major franchises like The Hunger Games and Jurassic World, their box-office records are inconsistent as well. What happened? Audiences’ loyalties shifted. Not to other stars, but to franchises. Today, no person has the box-office track record that Cruise once did, and it’s hard to imagine that anyone will again. But Marvel Studios does. Harry Potter does. Fast & Furious does. Moviegoers looking for the consistent, predictable satisfaction they used to get from their favorite stars now turn to cinematic universes. Any movie with “Jurassic” in the title is sure to feature family-friendly adventures on an island full of dinosaurs, no matter who plays the human roles. Star vehicles are less predictable because stars themselves get older, they make idiosyncratic choices, and thanks to the tabloid media, our knowledge of their personal failings often colors how we view them onscreen (one reason for Cruise’s box-office woes has been that many women turned on him following his failed marriage to Katie Holmes).

Kara and Brayden are Girlfriend and Boyfriend, Dani and Easton are Beautiful and Handsome, Ally and Zack are Ponytail and Motorcycle Hottie, and me and Asher are Tutor and Pupil.

Dart initially echoed Darwin’s theory that bipedalism freed the hands of early hominins to make and use hunting tools, which in turn selected for big brains, hence better hunting abilities. Then, in a famous 1953 paper, clearly influenced by his war experiences, Dart proposed that the first humans were not just hunters but also murderous predators.18 Dart’s words are so astonishing, you have to read them: The loathsome cruelty of mankind to man forms one of his inescapable characteristics and differentiative features; and it is explicable only in terms of his carnivorous, and cannibalistic origin. The blood-bespattered, slaughter-gutted archives of human history from the earliest Egyptian and Sumerian records to the most recent atrocities of the Second World War accord with early universal cannibalism, with animal and human sacrificial practices of their substitutes in formalized religions and with the world-wide scalping, head-hunting, body-mutilating and necrophilic practices of mankind in proclaiming this common bloodlust differentiator, this predaceous habit, this mark of Cain that separates man dietetically from his anthropoidal relatives and allies him rather with the deadliest of Carnivora. Dart’s killer-ape hypothesis, as it came to be known, was popularized by the journalist Robert Ardrey in a best-selling book, African Genesis, that found a ready audience in a generation disillusioned by two world wars, the Cold War, the Korean and Vietnam Wars, political assassinations, and widespread political unrest.19 The killer-ape hypothesis left an indelible stamp on popular culture including movies like Planet of the Apes, 2001: A Space Odyssey, and A Clockwork Orange. But the Rousseauians weren’t dead yet. Reanalyses of bones in the limestone pits from which fossils like the Taung Baby came showed they were killed by leopards, not early humans.20 Further studies revealed these early hominins were mostly vegetarians. And as a reaction to decades of bellicosity, many scientists in the 1970s embraced evidence for humans’ nicer side, especially gathering, food sharing, and women’s roles. The most widely discussed and audacious hypothesis, proposed by Owen Lovejoy, was that the first hominins were selected to become bipeds to be more cooperative and less aggressive.21 According to Lovejoy, early hominin females favored males who were better at walking upright and thus better able to carry food with which to provision them. To entice these tottering males to keep coming back with food, females encouraged exclusive long-term monogamous relationships by concealing their menstrual cycles and having permanently large breasts (female chimps advertise when they ovulate with eye-catching swellings, and their breasts shrink when they are not nursing). Put crudely, females selected for cooperative males by exchanging sex for food. If so, then selection against reactive aggression and frequent fighting is as old as the hominin lineage.22

WHEN MY HUSBAND, Stan Cloud, and I were researching the early years of World War II for our first book, The Murrow Boys, we happened to see an old movie about the Battle of Britain, which included a scene about a squadron of Polish pilots. Until then, we had no idea that any but British pilots had flown in that epic fight, and we wanted to find out more. In doing so, we discovered that dozens of Poles not only had participated but actually had played a critical role in winning the battle. We decided that their story, unknown to most Americans, deserved telling. But as we dug deeper, we realized that the importance of the Polish contribution to the Allied victory went far beyond the pilots’ exploits. The Poles and their wartime experiences became the subject of A Question of Honors, the second book we wrote together.

movies, and a lot of them involve wagers in which plain-looking girls (like me) are approached by really cute boys (like Josh).

In the classic comedy movie The Producers by Mel Brooks, there is a scene where dozens of glitter-clad Nazis sing a joyous song called “Springtime for Hitler.” At the end of the song, the opening night audience, adorned in black tie and gala dresses, are stunned into a deafening silence with mouths literally stuck open. That was the effect of Trump’s speech. His followers loved it. When their senses came back to them, it was the consensus of the Washington punditocracy that this was the darkest inaugural speech given in American history. It would simply be referred to as the “American carnage” speech. Republican Michael Green told Foreign Policy magazine: “Where friends and allies around the world look to new presidents’ inaugural addresses in hopes of seeing Aragorn, they heard from Trump only Gollum.”9 Former president George W. Bush was overheard to mutter, “That was some weird shit.

Caller A summoning specialist. They can pull monsters from pretty much any dimension, and said monsters will fight for them. Or at least do something cool, like breathe fire or heal the caster's allies.

New York journalist Richard Carter, a Corridan ally, quickly arranged to co-write a tell-all article with DeVincenzo for the May 1953 issue of True, a men’s magazine found in virtually every barbershop in urban America during the 1950s and 1960s.

He wouldn’t attract flies,’ was the verdict of a club owner invited to book Sinatra for a week of performances. Most believed that and because he’d angered so many people in the movies and recording industry few were willing to help including those who had made good money from his career. His friend Mickey Cohen stepped in with a ‘testimonial dinner’ in early 1951 at the Beverly Hills Hotel, the pink palace standing proudly on that tributary for fading stars, Sunset Boulevard, but it was a disappointing affair. Cohen had to outfit his own bodyguards and assorted other hoods in evening wear to make up the numbers. The invited ‘girls’ got more attention in the hotel’s Polo Lounge. Most of Hollywood thought it was all over for Frank Sinatra but across the country in New Jersey, which has a warm approach to all things Italian, was a pal who always believed the best was yet to come. Paul ‘Skinny’ D’Amato, a maestro of the entertainment business in Atlantic City, a Mafia indulged fixture of the Boardwalk, a gambler, and a fixer and, importantly, an entertaining and loveable man, met Sinatra in 1939. He proved a valuable connection and loyal ally.

I saw it as a movie about this uncontrolled, individualistic, do-it-your-way form of life—our way of life—which defeated those dictatorial sons-a-bitches.” -- director John Sturges

If there were a cultural issue around which, in 1945 itself, a large measure of agreement existed, it was that the new cinema in Europe should be democratic and the inema should never again be allowed to be used, as it had been in Nazi Germany and to a lesser extent Fascist Italy, as an instrument of totalitarian ideology. Over this question it was the Americans who took the lead. Following the Allied combat troops into Italy and France came the spiritual crusaders of the Psychological Warfare Branch (PWB), armed not with guns but with movies, mostly documentaries but also a handful of features, designed to re-educate the peoples of formerly Fascist and occupied Europe about the virtues of democracy.

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Part Two: When St. Kari of the Blade Met Darth Vader, Star Wars Dark Lord of the Sith  (Earlier, the Emperor commanded Lord Vader to make contact . . . “I have felt a non-tremor in the Nether-Force” “I have not, my master.” “Yes, well, that is why I’m ‘the Emp’ and you are not . . . Um, we have a new enemy, the non-entity known as Blade Kári. She’s running around all over the place gunning for that brat kid of yours.” “Hmm. Interesting,” tight-lipped Darth. “Anyway, I–hey, how can all this mish-mash be?” “Search your feelings, Lord Vader” the Emperor solemnized. “If you feel nothing as usual, you know it to be true or false. By now your guess is as good as mine with this Force stuff.” “Damn!–If you say so,” Vader said smacking his hand. “If she could be turned she would make a powerful ally.” “Yesss . . . can it be done? Bring the Valkyrie creature to me. See to it personally, Lord Vader. The more she is loose the more of a train wreck waiting to happen she becomes to us. Besides, it will break up the monotony until Bingo Wednesday night.” “Okay. She will join us or die–again and again and again–until we all get it right. “Now, what about my son?” grumbed Vader deeply. “Why fish for guppies when you can land a Megalodon? Go on. Get out of here. You Annoy me.” “Yes, my Mahhster . . . ”). back to the action . . . “—Oh yeah? Who is he, this Vader person? Someone I should meet?” Kari percolated. Luke mulled. “No. He is evil and very powerful. A ȿith lord.” “A Scythian, eh? Humm.—for a minute there, you had me worried. “Look—there he is!” Luke shouted scrunching down and pulling the girl besides him. Vader stwalked down the landing craft’s platform decked in his usual evil attire looking at the pile of messy clones. “He doesn’t look so tough’st to me. Pretty trippy wardrobe though. Maybe that is why he is evil. Clothes do that, costuming up n’ all. I think I’ll go down and see him.” Kari launched off to meet him. Luke trying to pull her back, she running up to the battle line strewn with dead clones. “Hey Darth’st.” “Did you do all this? Hmmph. The Force is with you, young Blade Kári, but you are not a Valkyrie yet.” “Sez ‘st who? You’st? Do not be so blamed melodramatic. This ’tain’t no movie ʎ’know’st, well leastways, not yet. I shall have you know I am a charter member of your friendly neighborhood Valkyrie club and my dues are so in.” Vader ignited his red lightsaber (he was not one for small talk). “Where can I get one of those, she asked Vader, pointing to his glowing blade of laser evil. Do they come in assorted colors? I want one!” she yelled back at Luke. Vader struck savagely at the girl, she mildly pirouetting on her heels to evade the cut then giggling, diminutively popped him squarely in his breather-chest contraption bugging him. Again, he struck, the blade harmlessly passing through her. “Impressive, most impressive. And you say you can’t get a date?” “Best take it easy Sith-meister. You’re riling me.” Luke’s eyes bulged. He could not believe it, remembering his own stupid head words to Yoda, his spry little green master. Vader paused, breathing heavily as was typical of him like he was a 20-pack a day smoker. “Your destiny lies with me, young Kári. Look here, if you really want one of these red glow in the Nether dark cutters, come with me.” “Honestly?” Luke nodded his head back and forth as if agreeing with himself. Where had he heard that before . . . ? The kid was going to be nothing but trouble from here on out he foresaw. end stay tuned for part iii  

Movie stars didn’t become irrelevant, but they became very inconsistent in attracting an audience. People used to go to almost any movie with Tom Cruise in it. Between 1992 and 2006, Cruise starred in twelve films that each grossed more than $100 million domestically. He was on an unparalleled streak, with virtually no flops. But in the decade since then, five of Cruise’s nine movies—Knight and Day, Rock of Ages, Oblivion, Edge of Tomorrow, and The Mummy—were box-office disappointments. This was an increasingly common occurrence for A-listers. Will Ferrell and Ben Stiller couldn’t convince anyone to see Zoolander 2. Brad Pitt didn’t attract audiences to Allied. Virtually nobody wanted to see Sandra Bullock in Our Brand Is Crisis.

She later described a fear so complete that it replaced every feeling in her body. Like an animal hiding inside her, it opened to its full size and stood up using the muscles in her legs. “I had nothing to do with it,” she explained. “I was a passenger moving down that hallway.” What she experienced was real fear, not like when we are startled, not like the fear we feel at a movie, or the fear of public speaking. This fear is the powerful ally that says, “Do what I tell you to do.” Sometimes, it tells a person to play dead, or to stop breathing, or to run or scream or fight, but to Kelly it said, “Just be quiet and don’t doubt me and I’ll get you out of here.” Kelly told me she felt new confidence in herself, knowing she had acted on that signal, knowing she had saved her own life.

You may think that sending equipment hidden in a gift to prisoners is purely an invention of the movies, yet you might be surprised to learn it happened for real - and most likely in a more amazing way that you would expect. In the Second World War, Germany allowed the International Red Cross to send packages to POWs; amongst the items the Nazis permitted was a Monopoly set. With this in mind, Allied forces made special versions of the game that helped the prisoners to escape. German, French and Italian money was hidden amongst the standard Monopoly notes; a metal file was hidden within the board itself; a small compass could be found in one of the playing pieces and maps of the camp the prisoners were in were printed on silk and hidden inside the house and hotel pieces!

Erskine Caldwell's Tobacco Road, which showed the darker side of American society, was one example of the banned book, while samurai movies were among the 236 films condemned by Supreme Commander for the Allied Powers as feudalistic and militaristic. Alle reference do SCAP's involvement in government reforms were also prohibited.

Almost immediately after World War II, our most important ally, the Soviet Union, became our most serious adversary-cum-enemy. For Americans in 1950, it was not delusional to worry about international Communist aggression or Soviet espionage in the United States. But that’s the problem with a conspiracist mindset. After some kernel of reality triggers exaggerated fears and a possible explanation, it grows into an imaginary labyrinth of all-powerful evil, an elaborate based-on-a-true-story fiction that passes for nonfiction, such as the fantasy that thousands of committed Communists were covertly using movies and TV shows to propagandize on behalf of Communism and the Soviet Union. Anti-Communism was realistic; McCarthyism was fantastical.

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