Turning Torso Quotes

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He steps back, still looking. In the painting, Willem's torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning towards something or someone and smiling. And because he knows Willem's smiles, he knows that Willem has been captured looking at something he loves, he knows Willem in that instant is happy. Willem's face and neck dominate the canvas and although the background is suggested rather than shown, he knows that Willem is at their table. He knows it from the way that JB has drawn the light and shadows on Willem's face. He has the sense that if he says Willem's name that the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas he will feel beneath his fingertips Willem's hair, his fringe of eyelashes. But he doesn't do this, of course, just looks up at last and sees JB smiling at him, sadly. "The title card's been mounted already," JB says, and he goes slowly to the wall behind the painting and sees its title - "Willem Listening to Jude Tell a Story, Greene Street"-and he feels his beneath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
He steps back, still looking. In the painting, Willem’s torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning toward something or someone and smiling. And because he knows Willem’s smiles, he knows Willem has been captured looking at something he loves, he knows Willem in that instant was happy. Willem’s face and neck dominate the canvas, and although the background is suggested rather than shown, he knows that Willem is at their table; he knows it from the way JB has drawn the light and shadows on Willem’s face. He has the sense that if he says Willem’s name, the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas, he will feel beneath his fingertips Willem’s hair, his fringe of eyelashes. But he doesn’t do this, of course, just looks up at last and sees JB smiling at him, sadly. “The title’s card’s been mounted already,” JB says, and he goes slowly to the wall behind the painting and sees its title—Willem Listening to Jude Tell a Story, Greene Street—and he feels his breath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
The less he says, the colder the concrete floor gets. The cold refrigerated air brushes over my feet and curls up my ankles. The coldness turns my toes inward, and I rock uneasily. Fear makes your body do things you can’t control. In battle, soldiers experience fight-or-flight, and their blood retreats into their core, their torso, depleting the extremities—which includes the brain.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
We cannot know his legendary head with eyes like ripening fruit. And yet his torso is still suffused with brilliance from inside, like a lamp, in which his gaze, now turned to low, gleams in all its power. Otherwise the curved breast could not dazzle you so, nor could a smile run through the placid hips and thighs to that dark center where procreation flared. Otherwise this stone would seem defaced beneath the translucent cascade of the shoulders and would not glisten like a wild beast's fur: would not, from all the borders of itself, burst like a star: for here there is no place that does not see you. You must change your life.
Rainer Maria Rilke (Ahead of All Parting: The Selected Poetry and Prose)
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He cupped my chin with his big hand and watched me. He breathed hard through his nose. His shoulders heaved way harder than they should have after a few minutes of kissing. I was about to suggest some additional conditioning exercises before football season started. I opened my mouth to tell him. He kissed me again. His tongue passed my lips and played across my teeth. We’d only been kissing like this for a week, but it seemed very natural when I kissed him back the same way. My body was on autopilot as I reached blindly for his waist and dragged him even closer, his torso skin-to-skin with mine against the tree. Who were we? I was turning into any of the assorted older girls who’d been seen leaving the cab of Sean’s truck at night. I’d always viewed those girls with a mixture of awe and derision. Sexual attraction was funny. Lust was hilarious. Now, not so much. Those girls had my sympathy, because I totally got it. I ran my fingers lightly up Adam’s bare back. He gasped. I opened my eyes to see if I’d done something wrong. He still touched the tree, but his muscles were taut, holding on to it for dear life. His eyes were closed. He rubbed his rough cheek slowly against mine. I had done nothing wrong. He was savoring. I knew how he felt. Tracing my fingernails down his back again, I whispered, “Stubble or what?” Eyes still closed, he chuckled. “I’m not shaving until our parents let us date again.” He kissed my cheek. “What if it takes… a… while?” I asked, struggling to talk.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Beginning at her shoulders, he skimmed a touch down her arms until he clasped her hands in his. He took and lifted them to the level of her torso, then fitted her palms over her own pale, smooth breasts. “Hold these for me,” he said. Then he reclined to the pillow, once again lacing his hands beneath his head. She gave him a quizzical look. Then she turned that quizzical expression on her own breasts, plumping them lightly in her hands. “What am I to do with them?” “Whatever feels good.” “And you’re just going to lie there and watch?” He nodded. Her brow wrinkled. “Truly. This is something men fantasize about?” “With regularity.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
God began to slowly bend his knees and slide down Day’s torso, bringing his eyes level with his partner's. “What are you doing?” Day whispered. God brought his arms up and slid them under Day’s, securing them behind his back as if he was positioning them for another hug. “Cash.” Day breathed his name into his cheek while bringing his arms up around his neck. God squeezed his eyes shut and enjoyed the contact for a few seconds before lifting Day completely off his feet, up into a bear hug and turning him around so that he was no longer blocking the door. He slowly set his friend back down and did something that shocked the hell out of both of them… he kissed Day gently on the forehead before turning to leave.  
A.E. Via (Nothing Special)
Joe and Carter and Kelly were coming out of the woods, finishing up their run as I came back from the garden. They were laughing and shoving each other the way brothers do. I loved all three of them. Except. Except. Joe wore a pair of low-slung shorts. Just the smallest things. And that was it. He was almost as big as I was now. We were eye level, or so close that it didn’t matter, which put him a couple of inches over six feet. There was a sheen of sweat over his torso. A spattering of wet blond hairs curling on his chest that looked to be cut out of granite. The soft definition of muscles on his stomach. A line of sweat that hit his happy trail and soaked into the waistband of his shorts. He turned, saying something back to Carter, and I saw the dimples above his ass. The way his legs flexed and shifted as he hopped from one foot to the other. He pointed wildly at something back in the woods and there was a blue vein that stuck out along his bicep and I wanted to trace with my fingers because when had that happened? And those hands. Those big fucking hands and I— Joe had grown up. And somehow, I hadn’t really seen it until it was on full display. Right in front of me. He
T.J. Klune (Wolfsong (Green Creek, #1))
Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
I have indeed lived life in a very rough school and have seen more than the average man's share of inhumanity and cruelty, from the forecastle and the prison, the slum and the desert, the execution-chamber and the lazar-house, to the battlefield and the military hospital. I have seen horrible deaths and mutilations. I have seen imbeciles hanged, because, being imbeciles, they did not possess the hire of lawyers. I have seen the hearts and stamina of strong men broken, and I have seen other men, by ill-treatment, driven to permanent and howling madness. I have witnessed the deaths of old and young, and even infants, from sheer starvation. I have seen men and women beaten by whips and clubs and fists, and I have seen the rhinoceros-hide whips laid around the naked torsos of black boys so heartily that each stroke stripped away the skin in full circle. And yet, let me add finally, never have I been so appalled and shocked by the world's cruelty as have I been appalled and shocked in the midst of happy, laughing, and applauding audiences when trained-animal turns were being performed on the stage.
Jack London (Michael Brother of Jerry)
Mr. Wonderful was probably taking his sweet time, right?” “No, it was actually my fault this morning. I was busy with…paperwork.” “Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?” He smiled. “Nothing important.” Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact. Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor. He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century. I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together. As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!” Mr. Kadam asked, “What was that, Miss Kelsey?” “Nothing.” Ren raised an eyebrow and smirked. He probably heard me. Stupid tiger hearing. The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence. When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He lifted the book from the purse. The cover sported a painting of a stunning redhead in a long, pink gown who stared out the window over rolling green hills. The cover was slightly narrower than the rest of the book, and from underneath peeked out what looked to be a second cover. He turned the page and was startled at what he saw. Another full-color painting, but this one of a shirtless man smashing the heavily bosomed redhead onto a red couch. Her clothes were torn and their torsos met violently. The man’s face was savage; the woman’s head thrown back in surrender. Sam flicked back and forth between the image of the prim, composed woman on the front cover and her ribald, passionate abandon on the inside cover. He glanced out the window to see Ally emerge onto the street below, her head held high and her gait tight and focused as she marched away, prim and composed. He flipped to the inside cover. Hot damn.
Diana Holquist (How to Tame a Modern Rogue)
This gesture is one of the motifs of modernity's turn against the principle of imitating nature, that is to say, imitating predefined morphological expectations. It is still capable of perceiving message-totalities and autonomous thing-signals when no morphologically intact figures are left - indeed, precisely then. The sense for perfection withdraws from the forms of nature - probably because nature itself is in the process of losing its ontological authority. The popularization of photography also increasingly devalues the standard views of things. As the first edition of the visible, nature comes into discredit. It can no longer assert its authority as the sender of binding messages - for reasons that ultimately come from its disenchantment through being scientifically explored and technically outdone. After this shift, 'being perfect' takes on an altered meaning: it means having something to say that is more meaningful than the chatter of conventional totalities. Now the torsos and their ilk have their turn: the hour of those forms that do not remind us of anything has come. Fragments, cripples and hybrids formulate something that cannot be conveyed by the common whole forms and happy integrities; intensity beats standard perfection.
Peter Sloterdijk (Du mußt dein Leben ändern)
Are you cold?” My hands are clamped around my upper arms, my torso curled into my legs to keep the heat in. “Um.” “Here.” Wallace sits up and pulls a thick knitted blanket from beneath the other sheets on his bed. “Insulation layer. Hope it doesn’t smell bad.” He wraps it around me. It’s already warm. Probably warm from him, considering he sleeps with it touching him every freaking night. “Smells like Irish Spring and spicy boy shampoo,” I say. “Is that good or bad?” “It’s great.” I have never been so close to something that smells like Irish Spring and spicy boy shampoo, unless you count anything my dad goes near, and I do not. I’m not entirely sure my brothers shower. I curl up in his blanket but stay turned away from him.
Francesca Zappia (Eliza and Her Monsters)
Language shows clearly that memory is not an instrument for exploring the past but its theater. It is the medium of past experience, as the ground is the medium in which dead cities lie interred. He who seeks to approach his own buried past must conduct himself like a man digging. This confers the tone and bearing of genuine reminiscences. He must not be afraid to return again and again to the same matter, to scatter it as one scatters earth, to turn it over as one turns over soil. For the matter itself is only a deposit, a stratum, which yields only to the most meticulous examination what constitutes the real treasure hidden within the earth: the images, severed from earlier associations, that stand—like precious fragments or torsos in a collector’s gallery—in the prosaic rooms of our later understanding.
Walter Benjamin (Reflections: Essays, Aphorisms, Autobiographical Writings)
get out. “I would tell you to send Josephine my kindest regards, but I doubt it would be appreciated.” “Without doubt.” I slide from the car and turn to shut the door. The window lowers and I bend to get William back into my field of vision. His gray eyes are shining, his big body reclined, putting emphasis on his torso. He’s incredibly fit for a man in his mid-forties. “She would probably take a baseball bat to your posh
Jodi Ellen Malpas (One Night: Denied (One Night, #2))
I fall down on my back and instantly feel the pain of my tail splitting in two. The two parts glow a bright green that fades to a dull white glow. I cannot believe my eyes. My black scales turn to skin the same color as my torso. I reach down and touch the space between them that never existed before. It is a moist opening, like a perpetual wound. I insert a finger. It doesn't hurt. It feels just like the inside of a clam.
Leza Cantoral
I leaned against the SUV he was working on. “So….” “So?” he asked, looking back down at the tablet. “How rich are we?” He snorted. “Get back to work.” And I was going to do just that, except that Kelly Bennett decided to appear right at that moment. Wearing a deputy’s uniform. Tight green pants with a tan button-up shirt that pulled against his torso. He had a mic clipped near his shoulder and a black utility belt around his waist. He wasn’t carrying a gun, but I barely noticed because at that exact moment, I discovered my legs decided to quit working and I tripped and fell into the side of the SUV. Everyone stopped what they were doing to look at me. “Sorry,” I said quickly, using the SUV to pull myself back up. And immediately hit the top of my head on the open hood. “Son of a bitch.” “What are you doing?” Gordo asked slowly. I laughed wildly. “Nothing! It’s nothing. Just… don’t even worry about it.” He turned toward the front of the garage. “Oh no,” he said when he saw who was standing there. “Not this again.” He pointed the tablet at Kelly. “I swear to god, if I find an animal carcass brought here at any point, I will make both your lives a living hell. Do you understand me? I’m getting too old for this shit.” “I can’t believe we have to watch this all over again,” Chris said to Tanner. “It was bad enough the first time. Remember when Robbie figured out that he wanted to put himself all over Kelly?” “Yeah,” Tanner said. “How could I forget? We had to tell Ms. Martin that her side mirror was broken by accident instead of telling her the truth, that Robbie got a weird wolf boner and forgot his own strength.” “Maybe it’ll be like it was with Ox and Joe,” Rico said, tapping a socket wrench against his hand. “Mini muffins, you know? I ate, like, ten of them.” Chris looked scandalized. “You did what? That was one of their mystical moon magic presents! You don’t touch another man’s mystical moon magic present, Rico. They could have killed you, or worse, gotten confused and made you their mate.” He frowned. “Are there werewolf threesomes? That sounds complicated. Too many limbs. I don’t know anything about being a wolf.
T.J. Klune (Heartsong (Green Creek, #3))
I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.
Melissa Jensen (The Fine Art of Truth or Dare)
As with the first Nightmare, we shot a couple of interesting scenes that didn’t make it into the final cut, most notably one featuring a female Freddy. One of the kids in the hospital has a Freddy dream in which he’s being seduced by a sexy nurse. The nightmare evolves into a kinky S&M fantasy, but becomes less M and more S when the ropes that bind the kid to the bed become Freddy tongues, and the nurse’s face morphs into Freddy’s, but her topless torso, which features a pair of perfect Playboy breasts, remains smooth and inviting… that is, for a moment. All of a sudden, the veins in her areolas come to life and turn into Freddy-like burn scars and snake up her cleavage, past her neck, and onto her face. (I’m pretty sure Kevin enjoyed the four hours it took to apply makeup to those tits.) This troubling, erotic transformation didn’t make the final cut for some reason. Occasionally I find myself signing bootleg stills from the missing sequence. Especially in Europe. Ooh la la!
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
I slid my thigh between her warm ones. Damp heat ground into my muscle as she clamped down and rolled her hips with a small helpless groan. "That feel good, honey?" She was mostly shadows, and I itched to turn on a lamp so I could see her properly. But that would mean stopping, and I wasn't willing to let her go. I relied on touch, running my fingers along her arm, up to her neck, where sweat dewed on her skin. "You like riding my thigh?" "Yes. Yes." That word again. Best word ever. Her lips tickled mine as she panted, her sweet sex working in a little circle. I cupped her cheek and ate at her mouth as she took her pleasure. I'd been wanting to give it to her for so long. So fucking long. Her hands found my chest and slid down, mapping their way along my torso. It was nothing in the scheme of things, but that simple exploration, the way she whimpered and gasped into my mouth, sent licks of heat over my skin. When her slim hand reached my cock and squeezed me through the barrier of my boxers, a groan tore from me. I shuddered, so close to coming from a furtive grope in the dark it would almost be funny if I weren't so worked up. "Take it out," I rasped, flexing my thigh, knowing she'd feel it. I needed her hand on my bare skin. "Please." Deftly she stole beneath the waistband and wrapped her fingers around my needy dick, giving it a firm tug. Then I was the one whimpering and gasping, fucking into the clasp of her hand because it felt so good. Sweet relief, hot pleasure.
Kristen Callihan (Make It Sweet)
All around me, I see misery. A blind man with sunglasses and cane, like some caricature of a blind man, hobbling down the street. An old woman hunched over so far that her torso is nearly parallel to the ground. I hear someone sobbing behind me, and turn to see a middle-aged woman with dark hair, her eyes red from crying. I wonder, though: Is this place really so miserable, or have I fallen prey to what social scientists call confirmation bias? I expect Moldova to be miserable, so I see misery everywhere.
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
Just one thing. . .” Dallas starts. I can tell by the tone that he thinks he’s going to be funny. I turn and look at him, waiting. He’s scrunching up his face. “Him? You picked him?” “Shut up right now if you know what’s good for you.” “I mean, maybe with the lights off, or from far away, maybe, but up close?” he shudders. “That’s it. You’re on lockdown.” He gets on his knees. “Wait! No! I was kidding! I. . .” I hold up a hand. “Nope.” I take my pointer finger and circle my face and torso. “This? All of this? Now off limits.
Courtney Walsh (My Phony Valentine (Holidays with Hart #1))
I love the quiet beauty of the night sky," she continued thoughtfully, "filled with mystery and starlight, but there is something magical about the dawn. It is strange, When the sky begins to lighten and soft colors first appear, the transition is so gentle you hardly notice it. But if you are aware enough to observe, if you take the time to really be a part of the transformation, it feels..." Her explanation trailed off. She found it difficult to find the words to properly describe the wonder she felt as she experienced the very common daily occurrence. "It feels like it possesses all the possibilities of life," Avenell offered quietly. Lily turned in place. She slipped her arms around his naked torso and tipped her head back to look into his face. Her smile was so wide her cheeks ached, but she did not hold back. Her joy in the past few months had grown by leaps and bounds, and only because of how much she had seen her happiness reflected in the man she loved. Love flowed freely between them as he lowered his head to take her mouth in a kiss that was slow and deep.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic. “Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure. His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.” Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly. Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.” “The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories. No, he doesn’t think I have the red fever. Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?” “It’s sore.” “Have you asked anyone about it?” “I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else. Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail. “I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.” Galen grins, letting his tail fall. “For a minute there I thought you really cared.” Toraf shrugs. “Being self-conscious doesn’t suit you.” Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?” “I think I know where Nalia and Emma get their temper.” Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.” “He’s not very good at interacting with others anymore, is he?” “I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.” It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face. “Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma. “Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.” That’s almost as bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Waqar Younis arrived as a child, but a fully grown man. For five years, the only thing that slowed down his deliveries were stumps and toes. His superpower seemed to be that his torso could detach from his waist, turn all the way back and then hurl the ball from a wind-up that mortal spines could not maintain. You knew where he was going to bowl it, how it was going to get there, how fast it would come, and what would happen if you missed it. Still, you were out. From 1990 to 1994 Waqar took a wicket every 32 balls in Test cricket. No one has ever done better for that long. Ever.
Jarrod Kimber (Test Cricket: The unauthorised biography)
Academician Amosov’s ‘1000 Moves’ Morning ‘Recharge’ Complex 1. Squat –100 repetitions 2. Side bends –100 repetitions 3. Pushups on the floor –50 repetitions 4. Forward bends –100 repetitions 5. Straight arm lateral raises overhead –100 repetitions 6. Torso turns –50 repetitions 7. Roman chair situps –100 repetitions 8. One legged jumps in place –100 repetitions per leg 9. Bringing the elbows back –100 repetitions 10. ‘The birch tree’ –hold for the count of 100 11. Leg and hip raises. Lie on your back and bring your feet behind your head while keeping your legs reasonably straight. –100 repetitions 12. Sucking in the stomach –50 repetitions
Pavel Tsatsouline (Super Joints: Russian Longevity Secrets for Pain-Free Movement,: Russian Longevity Secrets for Pain-Free Movement, Maximum Mobility & Flexible Strength)
Olive barely managed to wait until she was outside to fist-pump, then jump around a few times, then fist-pump again. “You all done?” Adam asked. She turned around, remembering that she wasn’t alone. His arms were folded on his chest, fingers drumming against his biceps. There was an indulgent expression in his eyes, and—she should have been embarrassed, but she just couldn’t help it. Olive threw herself at him and hugged his torso as tight as she could. She closed her eyes when, after a few seconds of hesitation, he wrapped his arms around her. “Congratulations,” he whispered softly against her hair. Just like that Olive was on the verge of tears all over again.
Ali Hazelwood (The Love Hypothesis)
As you entered the room the thing drew your eyes: you turned sharply as to a sound, expecting movement. But it was marble, it could not move. And when you tore your eyes away and turned your back on it at last, you got again untarnished and high and clean that sense of swiftness, of space encompassed; but on looking again it was as before: motionless and passionately eternal — the virginal breastless torso of a girl, headless, armless, legless, in marble temporarily caught and hushed yet passionate still for escape, passionate and simple and eternal in the equivocal derisive darkness of the world. Nothing to trouble your youth or lack of it: rather something to trouble the very fibrous integrity of your being.
William Faulkner (Mosquitoes)
tortured, unashamedly reproachful. They seemed to burn right through me. I peered at the picture more closely – at the incongruous item strapped to Gabriel’s torso. A rifle. ‘That’s the gun that killed him?’ Jean-Felix nodded. ‘Yes. It belonged to him, I think.’ ‘And this was painted before his murder?’ ‘A month or so before. It shows you what was on Alicia’s mind, doesn’t it?’ Jean-Felix moved on to the third picture. It was a larger canvas than the others. ‘This one’s the best. Stand back to get a better look.’ I did as he said and took a few paces back. Then I turned and looked. The moment I saw the painting, I let out an involuntary laugh. The subject was Alicia’s aunt, Lydia Rose. And it was obvious why she had been so upset by it. Lydia was nude, reclining on a tiny bed. The bed was buckling under her weight. She was enormously, monstrously fat – an explosion of flesh spilling over the bed and hitting the floor and spreading across the room, rippling and folding like waves of grey custard. ‘Jesus,’ I said. ‘That’s cruel.’ ‘I think it’s quite lovely.’ Jean-Felix looked at me with interest. ‘You know Lydia?’ ‘Yes, I went to visit her.’ ‘I see,’ he said with a smile. ‘You have been doing your homework. I never met Lydia. Alicia hated her, you know.’ ‘Yes,’ I said, staring at the painting. ‘Yes, I can see that.’ Jean-Felix began carefully wrapping up the pictures again. ‘And the Alcestis?’ I said. ‘Can I see it?’ ‘Of course. Follow me.’ Jean-Felix led me along the narrow passage to the end of the gallery. There the Alcestis occupied a wall to itself. It was just as beautiful and mysterious as I remembered it. Alicia naked in the studio, in front of a blank
Alex Michaelides (The Silent Patient)
Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.
Philip Appleman
In Texas in May 1916, a black farm worker named Jesse Washington, accused of murdering the white woman he worked for, was lynched in front of the Waco city hall. Washington was not hanged. First he was castrated, then his fingers were cut off, then he was raised and lowered over a bonfire for two hours, until he finally died. His charred body was then dismembered, the torso dragged through the streets, and other parts of his body sold as souvenirs. It happened in broad daylight, in the middle of the day, as some 10,000 spectators watched, including local officials, police officers and children on their school lunch break. Photographs were taken of Washington’s carbonised body hanging above grinning white people and turned into postcards. That’s the reality of what being ‘one hundred per cent American’ and for ‘America first’ meant to a great many citizens of the United States in the first decades of the twentieth century.
Sarah Churchwell (Behold, America: The Entangled History of "America First" and "the American Dream")
Mag Rogan and I stood on the edge of a cliff. Below us, the ground plunged so far down that it was as if the planet itself had ended at our feet. The wind tugged at my hair. He was wearing those dark pants again and nothing else. The hard muscle corded his torso, fueled by an overpowering, almost savage strength. Not the mindless brutality of a common thug or the cruel power of an animal, but an intelligent, stubborn, human strength. It was everywhere: in the set of his broad shoulders, in the turn of his head on a muscular neck, in the tilt of his square jaw. He turned to me and his whole body tightened, the muscles flexing and hardening, his hands ready to grip and crush, his eyes alert, missing nothing, and blazing with the brilliant electric blue of magic. I could picture him getting his sword and walking alone onto the drawbridge to defend his castle against a horde of invaders with that exact look on his face. He was terrifying, and I wanted to run my hands down that chest and feel the hard ridges of his abs. I was some special kind of idiot. Magic roiled about him, ferocious and alive, a pet monster with vicious teeth. He moved toward me, bringing it with him. “Tell me about Adam Pierce.” I reached over and put my hand on his chest. His skin was burning hot. The muscle tensed under my fingers. An eager electric shiver ran through me. I wanted to lean against that chest and kiss the underside of that jaw, tasting his sweat on my tongue. I wanted him to like it. “What happened to the boy?” I asked. “The one who destroyed a city in Mexico? Is he still inside?” “Nevada!” My mother’s voice cut through my dreams like a knife. I sat straight up in my bed. Okay. I was either way more messed up inside, or Mad Rogan was a strong projector and could shoot images straight into my mind. Either way was bad. What happened to the boy . . . I needed to have my head examined.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Purrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr. Trez frowned at the sound. Cracking one eye open, he found his brother standing over his bed, Boo the black cat in the male’s arms, an expression of disapproval narrowing those icy eyes. His brother’s, not the cat’s. “Are you spending another night on your ass,” iAm bit out. Not a question, so why bother throwing out an answer. Groaning as he sat up, Trez had to brace his arms to keep his torso vertical. Apparently, while he’d been out of it, the world had turned into a hula hoop and the planet was going around and around his neck. Losing the fight, he flopped back down. As his brother kept standing there, he knew that this was the siren call back to reality. And he wanted to answer it, he really did. His body, however, was out of gas. “When was the last time you fed?” iAm demanded. He shifted his eyes over and dodged the question. “Since when are you an animal lover?” “I hate this g*dd*mn cat.” “I can tell.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Down at the foamy shoreline, where small tight waves explode against black rocks, a lifeguard with feet wedged in the wet and vaguely tangerine sand stands shirtless like a magnificent sea-Jesus. An ill-timed journey into a breaker knocks a boy on his little back. A bald man throws a tennis ball for his Labrador and a second, unrelated dog bounds in after it. Through a gauze of mist a brunette—tall, and from where we’re sitting seemingly riddled with breasts—kicks water on the sunlit torso of her blond companion. There are three other drinkers in the place, already tethered to the sunbleached bar. It is eleven a.m. Slumped in his cumbersome mechanised wheelchair that squeaks somewhere down by the left back wheel when he’s doing pressure lifts, Aldo squints out from sand-whipped windows into the tumour of searing light. He turns to me and says, ‘I’m nobody’s muse.’ I think: That’s a great line right there. I take out my notebook and when he shoots me an outraged look I say, ‘That’s right, motherfucker. I’m writing it down.
Steve Toltz (Quicksand)
Cassian was sizing up Nesta, a gleam in his eyes that I could only interpret as a warrior finding himself faced with a new, interesting opponent. Then, Mother above, Nesta shifted her attention to Cassian, noticing that gleam- what it meant. She snarled softly. 'What are you looking at?' Cassian's brows rose- little amusement to be found now. 'Someone who let her younger sister risk her life every day in the woods while she did nothing. Someone who let a fourteen-year-old child go out into that forest, so close to the wall.' My face began heating, and I opened my mouth. To say what, I don't know. 'Your sister died- died to save my people. She is willing to do so again to protect you from war. So don't expect me to sit here with my mouth shut while you sneer at her for a choice she did not get to make- and insult my people in the process.' Nesta didn't bat an eyelash as she studied the handsome features, the muscled torso. Then turned to me. Dismissing him entirely. Cassian's face went almost feral. A wolf who had been circling a doe... only to find a mountain cat wearing its hide instead.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Without thinking it through, I whirled and dashed a few steps down the hall to my bedroom. I barely made it through the door when he was on me. His arms wrapped around me from behind, one of his hands cupping my chin to tilt my head back and to the side. Conner’s lips slid up my neck to my ear. “You shouldn’t have done that, Donna. Never run from a vampire. Like any predator, if you run from one of us, we will chase you.” His voice was dark. My heart started pounding as his other hand moved up my torso to cup my breast through my bra. I gasped when I felt the sharp scrape of his fangs on my neck. Since the first night we made love, he was careful not to get his teeth near my skin. I appreciated his restraint, but I had woken the beast within tonight, and he seemed hungry. While he kissed my neck and scraped the skin with his teeth, Conner’s hands drifted down to my stomach and started pushing my jeans down. I helped him until I was standing with my back to him, clad only in my underwear. My bra loosened and the straps fell down my arms. I let it fall to the floor before I turned to face him. When I saw his face, my knees weakened. His eyes were literally two burning orbs of blue and his fangs had lengthened so that they dented his bottom lip.
C.C. Wood (Bite Me (Bitten, #1))
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Fusing Fire and Water This is a moving exercise in which the hands help raise and lower chee between the Sea of Energy (water) and the heart (fire). Posture: Horse stance, or sitting Technique: Exhale thoroughly and bring your hands together just below the navel, with palms up and fingertips about an inch apart. Begin inhaling slowly through the nose and slowly raise your upturned hands the torso until they reach the nipples. Time it so that inhalation is complete and hands reach the heart about the same time. Apply the Three Locks and retain the breath 3 to 5 seconds, then turn the palms over to face downward and slowly push them back down the torso as you exhale slowly through the nose, timing it so that hands reach bottom as lungs empty. Pause briefly, relax abdomen, then turn the palms back up and begin another cycle. Repeat 6 to 10 breaths. Pointers: Breathe and move hands in unison. Keep shoulders, arms, and neck muscles loose and relaxed, and “sink” the breath down as deeply as possible during retention. Benefits: This exercise moves energy up and down between the “fire” of heart and the “water” of the navel region, thus blending and balancing these two types of energy. It regulates and deepens heartbeat and develops awareness of the Sea of Energy as the body’s chee headquarters.
Daniel Reid (The Tao of Health, Sex, and Longevity: A Modern Practical Guide to the Ancient Way)
Muriah approached him with a new pair of khakis and a couple of T-shirts. “I guessed at the size so you might want to go try these on first.” He took the clothes and slid his arm around her waist, maneuvering her toward the fitting room. “Hey, I didn’t sign on to be your dresser.” She grumbled, but didn’t struggle. He pulled the door closed and turned to meet her eyes. “It’s light in here and full of people. Apep will not be able to surprise us, and his serpents cannot spy. We need to talk.” *** He stripped off the wet shirt, exposing his chiseled torso. She did her best not to choke on her tongue. His tanned skin and taut muscles tempted her, luring her to touch him. Turning around to give him privacy seemed like the right thing to do, but there wasn’t a hint of modesty in this Mayan god, and if he could handle getting this personal, then she could, too. When he unzipped the wet pants, she held her breath. Would an ancient guy wear underwear? She was about to find out. He bent over to lower the wet slacks. When he straightened up, she realized he’d been talking, but she didn’t have a clue what he had said. Instead, all her attention was focused on a fine trail of dark hair leading from just below his navel and disappearing under the low-slung elastic band of his boxer briefs. “Muriah?” Her gaze snapped up to meet his. Thank the universe he couldn’t read her thoughts. “Yeah?” “Did you hear my question?” He stood two feet from her in only his underwear, and he thought she was listening? He was either completely unaware of his sex appeal, or he was way too accustomed to being obeyed. Probably both. She cleared her throat. “I must’ve missed it.” A spark lit his eyes that told her he might have more than a clue to his sex appeal. He picked up the T-shirt and pulled it on. “I asked if you knew of another hotel closer to the airport so we can get out of New York as soon as the sun sets tomorrow.” “I’m sure I can find one.” She pulled out her phone, grateful to have something to pretend to focus on besides him tucking his package into the new khakis she pulled off the rack for him. “I probably should’ve grabbed some dry underwear, too.” “They are nearly dry now. I will be fine.” He popped the tags off, and she glanced up from her hotel search. “They’re not going to like you taking the tags off before you pay.” The corner of his mouth curved up. “They will be honored to take my money.” She groaned and rolled her eyes. “Do you ever not get your way?” He stepped closer to her, his chest an inch from hers until her back pressed against the modular wall of the fitting room. “Rarely.” His dark gaze held hers, and the deep rumble of his voice sent heat through her body. “But some things are worth the extra effort.
Lisa Kessler (Night Child (Night, #3))
I take a deep breath, relishing in the fresh air and open space around me. Something wet splatters on my cheek, and I turn my face toward the cloudy sky that is now beginning to drizzle down on me. I spread out my arms and tilt my head up, loving the feel of rain pelting my skin. The the drizzle turns into a downpour. Rain is falling rapidly while I'm smiling stupidly. My head feels clearer than it has in days as cool water coats my skin, my dress, my hair. I spin in place, the skirts of my gown swishing around my ankles, feeling like an idiot and absolutely loving it. I slip the shoes from my aching feet and pad through puddles like I did as a little girl, reminding me of a time when I was younger... Laughter bubbles out of me. Hysterical. I am completely hysterical. Rain is sticking strands of hair to my face and dripping down the tip of my nose while I smile through it all, momentarily forgetting about my troubles and simply taking a moment to exist. "I don't know that I ever lived before lying eyes on the likes of you." I spin, blinking through the steady stream of rain before my eyes find the gray ones blending in with the sheet of water falling down on us. His hair is dripping wet, all wavy and tousled. His white button-down shirt is sticky and see-through, showing off an inked chest and tanned torso beneath. And the sight of him has me smiling. "oh, but I only have eyes for one little lady, and I can't seem to take them off of her." His chest is rising and falling just as rapidly as the rain while my heart is thundering just as loudly as the storm.
Lauren Roberts, Powerless
finally there was only one corpse left. A large man, weighing well over two hundred pounds, lay tightly wedged between two boulders deeply imbedded in the earth. His shirtless torso had a sickly greenish sheen. The only way to dislodge the man was to wrap arms around him in a bear hug and pull him from the rocks—not a pleasant prospect. We huddled in a silent group and looked at the dead man, building our resolve. Finally, SSgt. Ken Bollinger spoke, “I’ll do it.” The rest of us sighed in relief. Ken had a body builder’s muscular physique. He would need his great strength to free the wedged corpse. Sergeant Bolliger positioned a vinyl body bag next to the man-in-the-rocks. Then he lay on top of the corpse and worked his arms under and around the dead man’s chest. He intertwined his fingers, locked his grip and squirmed to his knees, struggling for leverage. As Ken heaved upwards we watched in awe as his muscles bunched and his face reddened with herculean exertion. And suddenly, the man-in-the-rocks came apart in the middle, his entrails spilling onto the ground. Some of us groaned and turned away, but Sergeant Bollinger was unfazed. He methodically filled the body bag with the largest parts of the corpse, then scooped the remaining organs and pieces into the bag. When he was finished not a speck of the person remained on the ground. We gave him kudos as he slowly stood. His uniform was slick with gore and stank of death, but he appeared totally unfazed. We all praised him, “That was hardcore Ken.” he looked at us quizzically, genuinely taken aback. “No big deal.” he said.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
He grasped the rope and slowly began hoisting himself. Suddenly it began to stretch as if it were rubber. He was startled, and the perspiration gushed from his pores. Fortunately the stretching stopped after about a foot. He tried bringing all his weight to bear, and this time there seemed to be no further cause for worry. He spit on his hands, fitted the rope between his legs, and began to climb hand over hand. He rose like a toy monkey climbing a toy coconut tree. Perhaps it was his excitement, but the perspiration on his forehead felt strangely cold. In an effort to keep sand from falling on him, he avoided brushing against it and depended solely on the rope. But he felt uneasy as his body turned round and round in the air. The dead weight of his torso was more than he had anticipated, and his progress was slow. And whatever was this trembling? His arms had begun to jerk in spite of him, and he felt almost as if he were snapping himself like a whip. Perhaps it was a natural reaction, in view of those forty-six horrible days. When he had climbed a yard the hole seemed a hundred yards deep ... two yards, two hundred yards deep. Gradually, as the depth of the hole increased, he began to be dizzy. He was too tired. He mustn't look down! But there! There was the surface! The surface where, no matter which way he went, he would walk to freedom ... to the very ends of the earth. When he got to the surface, this endless moment would become a small flower pressed between the pages of his diary ... poisonous herb or carnivorous plant, it would be no more than a bit of half-transparent colored paper, and as he sipped his tea in the parlor he would hold it up to the light and take pleasure in telling its story.
Kōbō Abe (The Woman in the Dunes)
Trash first. Then supplies. Stepping forward, I kicked a pile of takeout containers to one side, wanting to clear a path to the cabinets so I could look for latex gloves. But then I stopped, stiffening, an odd scratching sound coming from the pile I’d just nudged with my foot. Turning back to it, I crouched on the ground and lifted a greasy paper at the top of the mess. And that’s when I saw it. A cockroach. In Ireland. A giant behemoth of a bug, the likes I’d only ever seen on nature programs about prehistoric insects. Okay, perhaps I was overexaggerating its size. Perhaps not. Honestly, I didn’t get a chance to dwell on the matter, because the roach-shaped locust of Satan hopped onto my hand. I screamed. Obviously. Jumping back and swatting at my hand, I screamed again. But evil incarnate had somehow crawled up and into the sleeve of my shirt. The sensation of its tiny, hairy legs skittering along my arm had me screaming a third time and I whipped off my shirt, tossing it to the other side of the room as though it was on fire. “What the hell is going on?” I spun toward the door, finding Ronan Fitzpatrick and Bryan Leech hovering at the entrance, their eyes darting around the room as though they were searching for a perpetrator. Meanwhile, I was frantically brushing my hands over my arms and torso. I felt the echo of that spawn of the devil’s touch all over my body. “Cockroach!” I screeched. “Do you see it? Is it still on me?” I twisted back and forth, searching. Bryan and Ronan were joined in the doorway by more team members, but I barely saw them in my panic. God, I could still feel it. I. Could. Still. Feel. It. Now I knew what those hapless women felt like in horror movies when they realized the serial killer was still inside the house.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
Let’s go home,” she said. He arched his brows. “Already? I thought you would want to stay for a while.” Dark eyes flashed. “No, I want to take you home where women can’t stare at you like hyenas after a baby chick.” He laughed-loudly, which caught a fair bit of attention. “Surely I’m more threatening than a chick?” She smiled, ruining her petulant expression. “A puppy perhaps.” Grey stepped closer so that their torsos touched. It was totally improper behavior, but the gossips already had so much to talk about, one more thing would hardly matter. “Is that all you want to take me home for? To protect me?” Her gaze turned coy. “I received the newest edition of Voluptuous today. I thought I might read to you.” Was it just him or had the temperature in the room suddenly climbed ten degrees. “Let’s go.” He grabbed her by the hand and started weaving their way toward the door. People stopped hi to say hello, and he was forced to speak to them rather than be as rude as he wanted. A good fifteen minutes passed before he and Rose finally made it to the entrance of the ballroom, only to have Vienne La Rieux descend upon them. “Monsieur et Madame le Duc!” she cried, clasping her hands together in front of her breast-abundantly displayed above a peacock-colored gown that must have cost a small fortune. “Finally, you leave my club together, non?” Grey winked at her. “At last, madam. But we may want a room again someday.” The French woman grinned, delighting in Rose’s obvious embarrassment. “Mais oui! An anniversary present, Your Grace. On the house.” He thanked her and bade her farewell. “She knew?” Rose’s tone was incredulous as they made their way closer to the exit. “How could she know?” Grey shrugged. “The woman seems to know deuced near everything that happens here.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
When the bullhorn signaled that he'd met the qualifying time,he struggled to gather his wits,waiting until Devil was right alongside the gate before he freed his hand,cutting himself loose. He flew through the air and over the corral fence,landing in the dirt at Marilee Trainor's feet. "My God! Don't move." She was beside him in the blink of an eye,kneeling in the dirt,probing for broken bones. Wyatt lay perfectly still,enjoying the feel of those clever, practiced hands moving over him.When she moved from his legs to his torso and arms,he opened his eyes to narrow slits and watched her from beneath lowered lids. She was the perfect combination of beauty and brains.He could see the wheels turning as she did a thorough exam.Even her brow,furrowed in concentration,couldn't mar that flawless complexion. Her eyes, the color of the palest milk chocolate, were narrowed in thought.Strands of red hair dipped over one cheek, giving her a sultry look. Satisfied that nothing was broken, she sat back on her heels,feeling a moment of giddy relief. That was when she realized that he was staring. She waved a hand before his eyes. "How many fingers can you see?" "Four fingers and a thumb. Or should I say four beautiful,long,slender fingers and one perfect thumb,connected to one perfect arm of one perfectly gorgeous female? And,I'm happy to add,there's no ring on the third finger of that hand." She caught the smug little grin on his lips. Her tone hardened. "I get it. A showboat.I should have known.I don't have time to waste on some silver-tongued actor." "Why,thank you.I had no idea you'd examined my tongue.Mind if I examine yours?" She started to stand,but his hand shot out,catching her by the wrist. "Sorry.That was really cheesy, but I couldn't resist teasing you." His tone altered,deepened,just enough to have her glancing over to see if he was still teasing. He met her look. "Are you always this serious?" Despite his apology,she wasn't about to let him off the hook,or change her mind about him.
R.C. Ryan (Montana Destiny)
At last Angela turned in to the space between the pews. She picked her way around Solembum--who crouched next to the novitiate he had killed, every hair on his body standing on end--and then carefully made her way over the corpses of the three novitiates Eragon had slain. As she approached, the High Priest began to thrash like a hooked fish in an attempt to push itself farther up the pew. At the same time, the pressure on Eragon’s mind lessened, although not enough for him to risk moving. The herbalist stopped when she reached the High Priest, and the High Priest surprised Eragon by giving up its struggle and lying panting on the seat of the bench. For a minute, the hollow-eyed creature and the short, stern-faced woman glared at each other, an invisible battle of wills taking place between them. Then the High Priest flinched, and a smile appeared on Angela’s lips. She dropped her poniard and, from within her dress, drew forth a tiny dagger with a blade the color of a ruddy sunset. Leaning over the High Priest, she whispered, ever so faintly, “You ought to know my name, tongueless one. If you had, you never would have dared oppose us. Here, let me tell it to you… Her voice dropped even lower then, too low for Eragon to hear, but as she spoke, the High Priest blanched, and its puckered mouth opened, forming a round black oval, and an unearthly howl emanated from its throat, and the whole of the cathedral rang with the creature’s baying. “Oh, be quiet!” exclaimed the herbalist, and she buried her sunset-colored dagger in the center of the High Priest’s chest. The blade flashed white-hot and vanished with a sound like a far-off thunderclap. The area around the wound glowed like burning wood; then skin and flesh began to disintegrate into a fine, dark soot that poured into the High Priest’s chest. With a choked gargle, the creature’s howl ceased as abruptly as it had begun. The spell quickly devoured the rest of the High Priest, reducing its body to a pile of black powder, the shape of which matched the outline of the priest’s head and torso. “And good riddance,” said Angela with a firm nod.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Here before you lies the memorial to St. Cefnogwr, though he is not buried here, of course.” At her words, an uncanny knowing flushed through Katy and, crazy-of-crazy, transfixed her. “Why? Where is he?” Traci stepped forward, hand on her hip. A you’re-right-on-cue look crossed the guide’s face. She pointed to the ceiling. Traci scoffed. “I meant, where’s the body?” Her American southern accent lent a strange contrast to her skepticism. Again, the tour guide’s arthritic finger pointed upward, and a smile tugged at her lips, the smokers’ wrinkles on her upper lip smoothing out. “That’s the miracle that made him a saint, you see. Throughout the twelve hundreds, the Welsh struggled to maintain our independence from the English. During Madog’s Rebellion in 1294, St. Cefnogwr, a noble Norman-English knight, turned against his liege lord and sided with the Welsh—” “Norman-English?” Katy frowned, her voice raspy in her dry throat. “Why would a Norman have a Welsh name and side with the Welsh?” She might be an American, but her years living in England had taught her that was unusual. “The English nicknamed him. It means ‘sympathizer’ in Welsh. The knight was captured and, for his crime, sentenced to hang. As he swung, the rope creaking in the crowd’s silence, an angel of mercy swooped down and—” She clapped her hands in one decisive smack, and everyone jumped. “The rope dangled empty, free of its burden. Proof, we say, of his noble cause. He’s been venerated ever since as a Welsh hero.” Another chill danced over Katy’s skin. A chill that flashed warm as the story seeped into her. Familiar. Achingly familiar. Unease followed—this existential stuff was so not her. “His rescue by an angel was enough to make him a saint?” ever-practical Traci asked. “Unofficially. The Welsh named him one, and eventually it became a fait accompli. Now, please follow me.” The tour guide stepped toward a side door. Katy let the others pass and approached the knight covered in chainmail and other medieval-looking doodads. Only his face peeked out from a tight-fitting, chainmail hoodie-thing. One hand gripped a shield, the other, a sword. She touched his straight nose, the marble a cool kiss against her finger. So. This person had lived about seven hundred years ago. His angular features were starkly masculine. Probably had women admiring them in the flesh. Had he loved? An odd…void bloomed within, tugging at her, as if it were the absence of a feeling seeking wholeness. Evidence of past lives frozen in time always made her feel…disconnected. Disconnected and disturbed. Unable to grasp some larger meaning. Especially since Isabelle was in the past now too, instead of here as her maid of honor. She traced along the knight’s torso, the bumps from the carved chainmail teasing her fingers. “The tour group is getting on the bus. Hurry.” Traci’s voice came from the door. “Coming.” One last glance at her knight. Katy ran a finger down his strong nose again. “Bye,” she whispered.
Angela Quarles (Must Love Chainmail (Must Love, #2))
Because I like you,” she blurted out, and realized that for once it was true. It was a rather unsettling revelation. “You’re . . . , well, you.” Not just a body on a balcony, not just a pair of lips to blot out boredom, but Alex, Alex who argued with her and watched out for her and woke absurdly early in the mornings to ride with her every day, whether he had the time to do so or not. Perhaps this wasn’t such a good idea after all. Alex didn’t seem to think so, either. His dark eyes were intent on her face, watching her in that way of his, as though he were learning her from the inside out, peering into every little dark nook and cranny of her soul. There were plenty of those to choose from. Dark nooks were one of Penelope’s specialties. He might have wanted her last night, in the still of the bungalow, with the lingering scent of moonflowers on the breeze, but not in daylight, when he saw her again for what she was, brash, impetuous, with her face gone unfashionably tan and curry stains on her habit. He was undoubtedly mustering the words with which to turn her down politely. Penelope suddenly, very desperately, didn’t want to hear them. She jumped to her feet, leaning over to gather up the empty tins. “Or we can just ride on,” she said brusquely, not looking at him. A lean brown hand closed around her wrist. Penelope regarded it blankly, as though not quite sure what it was doing there, alien against the white lace frill of her sleeve. Slowly, her breath catching somewhere in the vicinity of her corset, she lifted her eyes to Alex’s face. What she saw banished any doubts she might have had. In his eyes blazed a reflection of the desire she felt in her own. Nothing more needed to be said. Without a word, he drew her down beside him on the blanket, the blanket that had seemed so prosaic only moments before, but now presented the prospect of a host of exotic and illicit possibilities. Penelope plunked down hard on her knees, catching at his shoulders for balance as she tilted her head down to kiss him, enjoying the unusual advantage of height. “Are you sure?” he murmured, his teeth tugging at her earlobe, even as his hands moved intimately up and down her torso. In answer, Penelope pushed hard at his shoulders, sending him toppling back onto the blanket, narrowly missing sheer disaster with a fork. She followed him down, bracing herself on her elbows and scattering kisses across his upturned face as he busied himself with the buttons on her riding jacket. The fabric parted, and his hands slid beneath, burning through the linen of her blouse, drawing her down on top of him with drugging kisses that made the noon sky dim to dusk and the rustling of the tree leaves blur in her ears. Penelope wriggled her hands beneath his shirt, feeling the hard edges of muscle beneath, delighting in the way they contracted with each labored breath, with a flick of her tongue against the hollow of his throat and an exploratory expedition taken by her lips along his collarbone.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
S.R. Crawford (Bloodstained Betrayal)
He recognized her deft hand and eye for detail immediately. He flipped through the pages, past vignettes of the dairymaid and her vague-featured gentleman engaged in a courtship of sorts: a kiss on the hand, a whisper in the ear. By the book’s midpoint, the chit’s voluminous petticoats were up around her ears, and the illustrations comprised a sequence of quite similar poses in varying locales. Not just the dairy, but a carriage, the larder, in a hayloft lit with candles and strewn with…were those rose petals? I’ll be damned. Gray was fast divining the true source of the French painting master’s mythic exploits. More unsettling by far, however, as he perused the book, he noted a subtle alteration in the gentleman lover’s features. With each successive illustration, the hero appeared taller, broader in the shoulders, and his hair went from a cropped style to collar length in the space of two pages. The more pages Gray turned, the more he recognized himself. It was unmistakable. She’d used him as the model for these bawdy illustrations. She’d sketched him in secret; not once, but many times. And here he’d nearly gone mad with envy over each scrap of foolscap she’d inked for once crewman or another. His emotions underwent a dizzying progression-from surprised, to flattered, to (with the benefit of one especially inventive situation in an orchard) undeniably aroused. But as he lingered over a nude study of this amalgam of the real him and some picaresque fantasy, he began to feel something else entirely. He felt used. She’d rendered his form with astonishing accuracy, given that it must have been drawn before she’d any opportunity to actually see him unclothed. Not that she’d achieved an exact likeness. Her virgin’s imagination was rather generous in certain aspects and somewhat stinting in others, he noted with a bitter sort of amusement. But she’d laid him bare in these pages, without his knowledge or consent. God, she’d even drawn his scars. All in service of some adolescent erotic fantasy. And now he began to grow angry. He had been handling the leaves of the book with his fingertips only, anxious he might smudge or rip the pages. Now he abandoned all caution and flipped roughly through the remainder of the volume. Until he came to the end, and his hand froze. There they were, the two of them. He and she fully clothed and unengaged in any physical intimacies-yet intimate, in a way he had never known. Never dreamed. Sitting beneath a willow tree, his head in her lap. One of her hands lay twined with his, atop his chest. The other rested on his brow. The sky soared vast and expansive above, gauzy clouds spinning into forever. The hot fist of desire that had gripped his loins loosened, moved upward through his torso, churning the contents of his gut along the way. Then it clutched at his heart and squeezed until it hurt. Somehow, this illustration was the most dismaying of all. So naïve, so ridiculous. at least the bawdy situations were plausible, if sometimes physically improbable. This was utterly impossible. To her, he'd never been more than a fantasy. It occurred to Gray that more secrets might be packed within these trunks. If he sorted through her belongings, he might find the answers to all his questions. Perhaps answers to questions he'd never thought to ask. In spite of this, he let the lid of the trunk clap shut and fastened the strap with shaking fingers. He'd suffered as many of her fantasies as he could bear for one day. It was time to acquaint her with reality.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
Zoey Shores (Touch Back (Playing for Keeps #1))
Standing on it, she craned her neck out, turning it this way and that until head, shoulders, and a goodly share of her torso were hanging out over the sun-splattered water. It was thus that Alex found her when he came down at midday. He sighed deeply enough to tell her he was there. She withdrew with as good grace as she could manage and assumed a look of cheerful innocence. “Beautiful day, my lord.” She hadn’t quite gotten round to calling him kreon but she was resolved to manage it once they reached Akora. Anything for Royce. His eyebrows were quite extraordinarily eloquent. She had almost learned to chart his moods, some of them at least, by the rise and fall of those ebony wings. “Some people might think it overly risky to stick half their bodies out the porthole of a ship moving as fast as this one.” This close to her goal, she was in an extremely good mood, so much so that neither his sardonic drawl or the surge of sensual awareness he provoked troubled her. At least not much. Brightly, she said, “Isn’t it a good thing the world is made of different sorts? There’s use even for the foolishly cautious, I’m sure.” “But you’d be hard pressed to say what it might be.
Josie Litton (Dream Island (Akora, #1))
She felt his presence behind her even before she heard the crunch of his boots in the hay. Before she could turn, his hands slid around her waist. “My beautiful wife,” he whispered against her ear. His breath bathed her neck in warmth. His strong arms pulled her back against his torso, and his lips found the skin beneath her ear. She gasped and tilted her head, giving him access to her neck, to her very soul. “How is my littlest princess?” She smiled at his question and placed her hands over his as he made a leisurely tour over her well-rounded abdomen. “And what if it’s a prince?” “Then after he’s born, I shall have to set to work immediately procuring another princess.” Heat bloomed in her middle and fanned into her cheeks. “I missed you.” His lips descended again to her neck and made a warm trail to her collarbone. “I couldn’t live another day without you.” “Then it’s a very good thing you came home.” She loved the gentleness of his hands on her belly. “I certainly wouldn’t want you to perish on account of me.
Jody Hedlund (A Noble Groom (Michigan Brides, #2))
The room we entered housed a large TV, a pool table, and a few other games for the inmates to enjoy, including a collapsible table tennis set that had been folded in half with someone still inside it, crushing the man to death. Three massive couches had been upturned and thrown to the sides, exposing a large, empty section of floor. A lone arm, torn off from the shoulder, sat in the very center in a pool of blood. At the far end of the room, the TV had been torn from the wall and tossed aside. In its place was a body. Or at least the remains of one. Two pool cue ends protruded out of his chest, and blood had sprayed from his torso where his arms should have been, drenching the wall in red on either side of him. Identification would be difficult since the victim’s head was missing. “What the fuck happened here?” I asked, not sure if I wanted to know. Olivia turned away from talking to one of her agents. “The best Doctor Grayson can determine is that Neil was nailed to the wall by those pool cues after having his arms and his head ripped off and thrown into the nearest bin.” “That’s Neil Hatchell?” Olivia nodded.
Steve McHugh (Born of Hatred (Hellequin Chronicles, #2))
I hit the arrow key one last time and froze. I’d captured it, all right. It nearly filled the frame, so big it would have to squeeze through the loft’s doors to move around. Or squirm through. I couldn’t take it all in at first. My eyes darted around, trying to make sense of what I was seeing. There were broken arms and opposite-facing legs, a bloated torso lined with sewn-on hands that grasped and pinched. And there were heads. I counted five, sprouting like tumors from the creature’s body, including the head on the floor being dragged along by a tentacle of meat. A man’s head and torso rose up from the back of the creature, spine curved like a scorpion’s tail. His one arm aimed directly at the camera lens, pointing an accusing finger. That was when I realized all of the heads were staring right at me. And screaming. They had seen me photographing them from across the street. While I was watching the loft, they were watching me. I shut the laptop’s lid and sat very still, alone in my motel room. A moment later, I got up and turned on the television set, tuning it to some inane sitcom. The silence wasn’t my friend.
Craig Schaefer (A Plain-Dealing Villain (Daniel Faust, #4))
She’s read many detailed accounts of the hungries’ feeding, but never observed it at first hand (the feeding of the test subjects, under artificial and controlled conditions, was an entirely different thing). She finds it striking that the hungries who fed on the man in the car continued to eat until his body was non-viable–until there was almost no flesh left on his upper torso and he had been virtually decapitated. This is counterintuitive. Caldwell would have expected the hungry pathogen to be better adapted. She would have expected Ophiocordyceps to manipulate the cells of the host’s hypothalamus more skilfully, suppressing the hunger drive after the first few bites so that the newly infected have a robust chance of survival. That would obviously be far more efficient, since a viable new host will become a new vector in its turn, providing increased opportunities for the pathogen to multiply quickly within a given ecological range. Perhaps
M.R. Carey (The Girl With All the Gifts)
What’s wrong?” She closed her eyes as if she could erase the sound of his anguish. “I can’t.” He was suspended above her for the space of a dozen heartbeats, then he eased his hips down beside her, his weight braced on the arm that spanned her torso. In the quiet moment they caught their breath. Unspent desire coursed through her veins, making her want to whimper. “Talk to me,” he said. She couldn’t find the words. They were there, in her mind, but they danced just out of reach. “What’s going on in that head of yours?” “I—I don’t want this.” “You did a minute ago.” His gentle tone made the truth go down a little easier. “Come on, Travis. We’re both grown-ups. What you want and what’s good for you are two different things.” He turned her face toward him, and she opened her eyes. “Give me another chance. I know I don’t deserve it, but . . .” There was more he wanted to say. She watched him struggle, wished the shadows would part and reveal his thoughts. But he didn’t finish his sentence. “Nothing’s changed.” She wouldn’t trust her heart to him again. Not after last time. Not after Garrett. She was done trusting her heart to men. It hurt too much when they left, wasn’t worth the risk. “I’ve changed.” She didn’t like looking up at him, didn’t like being trapped by his arm. She scooted backward, came to a sitting position a safe distance away—if there was such a thing. “I’m not going anywhere,” he said. But he would. In three months or three years. He’d leave her, and she’d hate herself for trusting him again, for giving herself fully only to be hurt. One time you could excuse. Twice just made you stupid. “It’s late.” She stood, tugged her nightshirt into place. “Get some sleep.” She turned toward her room. Her body felt heavy, her legs trembling with each step. “It won’t go away, you know.
Denise Hunter (The Accidental Bride (A Big Sky Romance, #2))
The television seemed to grow quieter, and they moved closer to it, from the couch to the carpet, and sitting on the floor with her corset still stiffening her back, she had to lean against him to be comfortable. And then his arm was around her shoulder, and his smell was delicious. She felt drunk on root beer, and soothed by the twitching of the tiny television. He started to play with her fingers, and she turned her head. Their breaths touched. Then their lips. And then, they really made out. It was fun, kissing a guy she barely knew. She’d never done this before, and it made her feel rowdy and pretty and miles removed from her issues. She didn’t think or fret. She just played. “Good shot,” she said, her eyes closed, pretending to watch the game. “Watch that defense,” he whispered, kissing her neck. An evening dress allowed for a lot of neck, and somehow he got it all. “Get the rebound, you clumsy oaf.” And it was fun to stop kissing and look at each other, breathless, feeling the thrill and anticipation of the undone. “Good game,” she said. The television buzzed with static. She didn’t know how long the game had been over, but her heavy eyes and limbs told her that it was very late. She thought if she stayed longer, she would fall asleep on his chest, and because that idea pleased her, she left immediately. Her torso stiff inside her corset exoskeleton, he had to help her to her feet. With one hand, he pulled her onto her toes as though she were the weight of a pillow. He walked her to the door and swatted her on the butt. “Good game, coach. See you tomorrow.” “Um, who won?” she asked, indicating the television still droning angrily at having no picture to show. “We did.
Shannon Hale (Austenland (Austenland, #1))
Words didn’t come. I couldn’t formulate a thought. I was too startled. These three figures lying in the sand in front of me weren’t surfers at all. They weren’t even people. From their facial features and upper torsos, they looked kind of like women, but all three of them had silver-colored skin. They were bald, with strange ridges marking their skulls. None of them seemed to have ears, only holes in the sides of their heads. No nose was visible, not even a bone or nostrils filled that space between their eyes and mouths. Although their mouths seemed to be moving, they were actually breathing through what looked like gills in their necks. And if that wasn’t weird enough, instead of legs, their upper torsos stretched out into long, scale-covered, silver fishtails. If I had to say what these things stranded in front of me, splattered with oil, appeared to be, I’d say mermaids. And no, they didn’t look like they’d start singing songs or granting me wishes. They looked a little bit scary—but fragile too. Most of all, they looked like they were going to die, and no handsome prince was there to kiss them and keep them from turning into sea foam.
D.G. Driver (Cry of the Sea (Juniper Sawfeather, #1))
I have to see you in daylight.” His mouth chased lightly, hungrily over her throat and shoulder. “Monisha, you are the most beautiful woman, the most…” His hands moved with increasing impatience, pulling hard at her clothes until a few stitches popped. “Don’t, this dress doesn’t belong to me,” Amelia said anxiously, fumbling to unfasten the borrowed garments herself rather than have them torn. She froze at the sound of footsteps coming along the hallway, passing the closed door without stopping. Most likely it was a servant. But what if someone had seen her entering Cam’s room?… What if someone were searching for her at this very moment? “Cam, please, not now.” “I’ll be gentle.” He lifted her from the circle of discarded clothes. “I know it’s soon after your first time.” She shook her head as he laid her on the bed. Clenching the fabric of her chemise with both hands to keep it in place, she whispered, “No, it’s not that. Someone will find out. Someone will hear. Someone will—” “Let go, hummingbird, so I can take this off you.” There was a flick of devil’s fire in his eyes as he said mildly, “Let go, or I’ll rip it.” “Cam, don’t—” She was interrupted by the sound of rending linen. He had torn it completely down the front, the fragile material drooping on either side of her. “You’ve ruined it,” she said in disbelief. “How am I to explain this to the maid? And how am I to put my corset back on?” Cam didn’t look at all apologetic as he pulled the remnants of the chemise away from her body. “Take off your drawers. Or I’ll have to rip those, too.” “Oh, God.” Seeing no way to stop him, Amelia pulled the drawers down over her hips. “Lock the door,” she whispered with a scarlet face. “Please, please lock it.” A quick smile passed over Cam’s mouth. He left the bed and went to the door, stripping off his jerkin and shirt along the way. After turning the key in the lock, he took his time about returning to the bed, seeming to enjoy the sight of her burrowing beneath the bed linens. He stood before her half-naked, the breeches riding low on his hips. Amelia dragged her gaze away from the sleek, tightly muscled surface of his torso, and shivered between the cold layers of the bedclothes. “You’re putting me in a terrible position.” Cam finished undressing and joined her beneath the covers. “I know other positions you’ll like much better.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
And on June 10, 1990, an improperly installed left-side windscreen failed at 17,300 feet on a British Airways BAC One-Eleven, a short-range jetliner, after the plane took off from Birmingham Airport. The captain, 42-year-old Tim Lancaster, was yanked out of his seat, but his knees snagged on the controls, leaving his head and torso outside the plane. Flight attendants took turns holding onto Lancaster, who was being battered by 345-mile-per-hour winds. It took another 20 minutes for the copilot to land the jet, after which it was discovered that Lancaster was still alive but suffering from frostbite and fractures to his arms and wrists. He recovered and was back to flying planes for British Airways just five months later.
Samme Chittum (The Flight 981 Disaster: Tragedy, Treachery, and the Pursuit of Truth (Air Disasters Book 1))
Like the pear tree, our whole body is sonified. Hearing is not only an aural sensation. In my ear canals bundles floats enclosed in a few drops of ocean water. Rooted in a cell surface, each bundle turns flickers of high and low pressure into nerve signals. The bundles translate fibrillating fluid into electric charge, thence to the brain. Cranium is a dish and a drum, mouth is a wet horn, throat and spine are passageways from the lower body. Torso is pumpkin, half seedy gut, half hollow lung gourd…hearing is modulated by tongue taste, emotion, foot soles, hairs on a skin. What we perceive is the conclusion of our body conversing within a purring, stridulating world.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
. He couldn’t keep the paddle ruddering, and the raft immediately turned sideways, sending sailors away from the wave and digging the front tube low into the water. The crashing whitewater lifted the other side and threw it over the top, capsizing them. Everyone on the lead raft saw the second raft go over. Winkleman cranked on the paddle, turning his raft sideways on the now-benign wave. He yelled, “Paddle forward!” The men were dazed, watching for bobbing heads, but snapped into action, digging their paddles in and pulling themselves from the wave that was giving them a free ride into the beach. The second raft was still upside down and was surfing in on the now-broken wave. Heads popped up behind the raft. Men who’d been thrown and were still in the impact zone of oncoming waves were thrashing their arms, struggling to stay on the surface. The next wave crashed over them, driving them deeper into the sharp reef. The capsized raft tumbled toward the first and Tarkington yelled, “Grab it!” Two men jumped onto the bottom and tried to turn it right-side up while it was surfing in. Winkleman steered, and the exhausted men paddled back toward the breakers. More heads were popping up, some bleeding from fresh wounds. They stood in the shallows and struggled forward, but the incessant breakers knocked them down and they’d come up spluttering, sporting more wounds. Some weren’t able to stand, their life-jackets floating them, and they tumbled with the broken waves, like so much driftwood. The men on the raft hauled them in and soon were too full, forcing the uninjured back into the water to help whomever they could find toward the beach. Finally, both boats, and everyone who’d been on them, sprawled on the beach. One sailor, who’d been unconscious from the initial air attack, was dead. They found him washed up on the beach, facedown and unresponsive. Everyone from the capsized raft was banged up to some degree. The cuts on their arms, legs, torsos and faces looked as though they’d been attacked by razor blades. The capsized raft had one sizable hole which had deflated one of the four compartmentalized chambers, leaving that segment flat and floppy. They found all the wooden paddles, but two were broken. The sun beat down upon them like an angry god. None of them wanted to move. Tarkington sat up after catching his breath. His tongue was thick with thirst and he was sure he wouldn’t
Chris Glatte (Tark's Ticks Gauntlet (Tark's Ticks, #3))
He’s turned on, and there’s nothing funny about it. “You’re so perfect, lick those lips for me,” he whispers, and I can see his hand descending as I dart my tongue along my lips. “Let me see.” The phone drifts down his ripped torso, and I nearly gasp when he pulls out his rock-hard
Kate Stewart (The Guy on the Left (The Underdogs, #2))
We need to find more body parts if possible, and we need divers and evidence retrieval specialists. You got those, too?” “Just say the word, and they are yours, like the song goes.” “What song?” “The Tom Jones song. ‘Help Yourself.’ Do you guys remember that one?” “You’re really old, Micah. How old is Tom Jones, anyway? Eighty?” “I don’t know. So what? Is it illegal to remember Tom Jones?” Micah turned his fist into a microphone, held it up to his mouth, and began to sing and gyrate his lower torso in a circular manner, his best imitation of Tom Jones in his prime years. “Now there’s an image that will be impossible to erase from my mind,” Zack said, looking repulsed.
Mark M. Bello (Betrayal In Blue (Zachary Blake Legal Thriller, #3))
Oh, no,” Kirihime whispered in horror. A naked Camellia running around the base was not something she wanted to deal with. This is not good! Kirihime burst out the door. She didn’t even bother locking up and just ran down the hall, using the enhancement technique to run faster. “Lady Camellia!” She turned a corner and was just in time to see Camellia standing inside of an elevator, the doors slowly sliding shut. “Bye, bye, Kiri-Kiri!” Camellia waved at Kirihime, who rushed for the door. However, not even the enhancement technique gave her enough speed to reach her mistress before the doors shut. Kirihime slammed into the door, then fell onto her back, staring up at the ceiling. “This… this is really not good. Not good at all.” *** Kevin, dressed in jeans and a white T-shirt that conformed to his torso, exited the locker room and began the long walk back to his apartment. His muscles ached from his most recent exercises. He and Kiara had been trying to discover more about his power. They had learned a lot through experimentation. It seemed his strange ability only worked on barriers, but they didn’t work on anything else, which he’d learned the hard way after suffering several full-on youki attacks from the powerful inu. Still, this power is pretty useful, even if it’s just the ability to break barriers. Kevin looked at his left hand. This hand seemed to be where this strange power was contained. He’d tried breaking through Kiara’s barrier with his right hand but had only received severe burns for his troubles. I wonder if it only works on barriers? Can I use it for anything else? Kiara had described his unique skill as the “ability to unlock barriers,” and indeed, when watching his power at work, it did look more like unlocking than destroying. When he touched Kiara’s aura, the red energy would peel apart like a blooming flower. The energy didn’t dissipate either. It still existed, but it moved around his hand, meaning that he wasn’t destroying it, just moving it out of the way. Kiara’s aura isn’t a barrier either, not really. It stands to reason this power can work on more than just barriers. “Kkkkkeeeeeevvvvviiiinnnnnn…………….” Kevin stopped walking, his head tilting in idle curiosity as he heard someone calling his name. “Kkkkkkyyyyyuuuuuunnnnnnnn!!!!” His eyes widening, Kevin swiftly spun around as the source of the voice got louder. He promptly found two large, round, soft things being shoved into his face. “Uwa!!” He tumbled to the floor, taking the other person with him. Delightful, childish laughter told him exactly who had crashed into him tits first. Kevin felt almost resigned. Why do these things keep happening to me?
Brandon Varnell (A Fox's Hostility (American Kitsune, #9))
Thanks, Neel. I’m so sorry to put you through this again.” “Of course. It makes these things kinda fun.” He grinned and straightened his rimless glasses. If he was surprised that she was here, he hid it well and she loved him for it. “Nisha wants you to wear the green one.” He nodded at the green garment bag Trisha had taken from him. “But she thought you should have choices.” They smiled knowingly at each other. If Nisha had decided on the green one, the green one it would be. Trisha was currently wearing standard-issue blue scrubs with a coffee stain that spanned her entire torso, which pretty much summed up her fashion expertise. “Which shoes?” she asked. Neel handed her a box and glanced at the stain painted across her chest. “Tough surgery?” He pointed to the cobblestone path that circled around the side of the house. She followed him toward the pool house. “Hit the wrong artery. You wouldn’t believe the force of the blood.” “You’ve been watching Kill Billagain, haven’t you?” “It’s surgeon catnip. I can’t stop.” Smiling, she twisted around and pushed the door to the pool house open with her back. “Is Nisha going to come and help with my hair?” Because if she didn’t get to tell her sister about the grant in the next two minutes, she was going to burst. Plus, she had to know how Nisha had managed to break it to their father that she was going to be here. “Your hair looks just—” Neel’s cell phone buzzed and he looked down at it. Her own phone sat dead in her pocket. She’d forgotten to charge it. “I’m not supposed to tell you your hair looks nice. Nisha’s sending someone. And you’ve got to hurry. There’s an angry emoji. She can’t believe you’re late.” He kept his face carefully neutral as he dumped the rest of the items he was carrying on the couch. As he headed for the door, he stopped and turned around, reading off his phone again. “She says it’s okay. Don’t worry. Smiley emoji.” Neel did the most adorable subtle eye rolls he thought no one saw. “And she wants you to know you won’t be sorry you came.” He looked up from his wife’s message, the slightest flush on his cheeks. “An emoji’s winking at you, and fanning itself. And—oh, for heaven’s sake. Just hurry up and get in there. Apparently, there’s a butt in there you have to see to believe.
Sonali Dev (Pride, Prejudice, and Other Flavors (The Rajes, #1))
The blows are inflicted in a smooth order, at various angles; These blows are based on the principle of shifting the weight of the body from foot to foot, combined with the torsion of the torso. With the right hand, the weight of the body is transferred to the left leg, the torso turns left; the right hand, bent at the right angle at the elbow, performs a short, semicircular movement in the horizontal plane (or slightly from the bottom upwards or from the top downwards); fist twisted half a turn of his fingers towards the body.
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
It is very important to teach the boxer how to maintain the direction of the boxing position in relation to the constantly changing opponent's place. This is achieved by returns. Returns are made on the front of the foot, bearing the weight of the body. Returns can be made on any leg. If, for example, you want to lean on the right leg around which the turn is made, the left leg is set aside towards the opponent. In this way, the combat direction of the position relative to the opponent is obtained (Figure 3). A quick turn of the torso around the leg, on which the weight of the body rests, facilitates the movement of the other leg, moved forward or backward.
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
fill pauses in the fight, thus keeping the initiative in your hands. An experienced boxer can disorganize the tactics of the most reasonable opponent, teasing him with numerous, accurate, repeated, still straight blows. A long straight blow to the head is relatively safe for the one dealing with him, because the boxer's body stays at a sufficient distance from the opponent and is not directly exposed to his short counter-attacks. Twisting the right torso protects the boxer, to some extent, from the opponents' right-hand counter-strikes. The blow is dealt directly from the boxing position from a distance. The weight of the body before the blow evenly spreads to both legs, or slightly moves to the right leg. With the right leg, the boxer sends the body forward towards the opponent. The left leg performs a sliding step forward. In this way, the body moves forward, the reflection with the right leg gives the movement even more dynamism. The left hand, directed before the blow to the enemy, quickly moves forward, fist into the target. The speed increases further thanks to the torsion of the trunk from the left to the right, harmonized with the simultaneous general movement forward. At the last moment of dealing a blow, his sharpness increases by the ending, rapid movement of the hand dealing the blow. The fist, when it touches the target, should be turned in half-turn revolving downwards, with the forearm in the intermediate system between pronation and supination.
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
boxer with a stronger right hand stands with the left side of the torso forward (in half-turn to the opponent), thus providing his right hand with a more favorable starting position for dealing strong blows. The left leg, advanced forward, rests on the floor with the entire foot. The right foot is just a small step behind and on the right step sweat, parallel to the left, touching the floor with your front part. In relation to the opponent, the feet are returned half a turn to the right. The weight of the body is evenly distributed on both legs, with slightly bent legs, which gives the possibility of free stepping with any foot in any direction. Torso straightened to facilitate balancing while moving around the ring.
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
One of the maids hurried inside the kitchen, a cailín of about sixteen. The girl sent him a curious look, and her gaze slid over his bare torso in open admiration. Though he rather felt like a roasted goose on display, Iain said nothing, in case the maid turned out to be an unexpected ally. Mrs.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
I really pumped up the gun, then shot directly at him. The stream went pretty far and only dropped a little, hitting the zombie Mr. Lopez right in the midsection. Only nothing happened. I kept shooting. I'd soaked his entire torso before the pressure failed. The zombie mathematician didn't flinch—not even a fraction—he just kept right on coming. "This is a problem." I turned to run and find the axe when Misty stopped me. "Wait, I have an idea. Try the face." "Which one, my evil face or my mean face?" "Nathan, just shoot it in the face.
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. --Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked… After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let it slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. “My God,” he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. “Do you like my nightgown?” Beatrix asked. Christopher nodded, not taking his gaze from her. “Where’s the rest of it?” “This was all I could find.” Unable to resist teasing him, Beatrix twisted and tried to see the back view. “I wonder if I put it on backward…” “Let me see.” As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn’t take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Then the nameless man raised her hand from his chest and kissed her knuckles before touching his cheek to her palm. He hadn’t shaved recently, and stubble abraded her palm, its color as red as the auburn locks on his shoulders. Giving in to impulse, she rose up to her toes and brushed their lips together. Anastasia had intended sweet, but what she received was searing passion in return. The young man’s strong arms enfolded her and, in the next second, drew her flush to the masculine length of his torso. Her knees turned to jelly.
Vivienne Savage (Beauty and the Beast (Once Upon a Spell, #1))
Don’t come out from under unless you hear my voice. Understand?” Karen’s eyes were full of tears but she nodded and slid beneath the Gremlin. I’d purchased it from some guy who’d been using it as a dune buggy, so the tires were oversized. She’d never have made it under the car if they hadn’t been. I ran in the opposite direction, waving my arms to catch the attention of the alien piloting the saucer. It worked all too well. I ran faster than I’d ever run. Bodies were scattered throughout the park, some of them with arms and legs cut off by the beam. I turned back to check on the saucer’s location, because the machines were deadly silent. When I did I tripped over something and went sprawling. Scrambling to my feet, I saw that it was a young girl, perhaps eleven or twelve. Long brown hair, and a pretty face. She’d been cut in half by the beam. Her legs and hips, and the singed waist of her pretty Easter dress, lay about five yards behind her upper torso. I was about to run when big, beautiful but terrified eyes suddenly opened and shocked me. She looked up at me. “Help me,” she begged softly. Fear of remaining with her to die was overwhelming, but I discovered my humanity was stronger. I took her hand in mine and squeezed it. Somehow I managed a smile, watching in apprehension as the saucer circled for another pass. “It’s going to be okay, sweetheart,” I lied. “My name’s Tom, and I’m right here. I won’t leave you.” I felt a slight pressure against my grip. “Ginny,” she whispered. Then her grip loosened, and her eyes closed forever. The saucer was too close. I’d never escape it. I resigned myself to dying, proud that at least when I’d been tested, I’d chosen compassion over fear. As it swooped toward me, my last thoughts were of Karen. I took a deep breath and stood; I wanted to meet death with eyes wide open, in one last act of human defiance. — (Saturday's Children)
Bobby Underwood (Saturday's Children)
Is it too late to enjoy some lunch?” “No,” he said, not looking as relieved as she’d hoped; but then, it was what it was. Both of them would have to find their way past their personal disappointment on their own. “Not at all.” He reached for the wine again as she took the rest of the containers out of the hamper and began setting out a more organized spread. “Although,” he said, easing the cork up and out as his grin flickered back to life, like a long-awaited ray of sunshine after a storm, “I don’t suppose you have anything else to wear.” She gave a little spurt of laughter at that, relieved that he wasn’t going to make it harder on either of them, and was perversely that much more turned on. His eyes widened when she grinned and held up a finger, then scrambled back aft and retrieved her canvas tote. She came back wearing the faded hoodie and ancient fishing hat. “Better?” she asked, plopping back down on the blanket and modeling her new look. His gaze skimmed over her legs, then back up to her face, his own eyes glittering now. “Not in the least.” She swallowed. Hard. When he surprised her by not looking away, her palms began to sweat. Then he shocked her speechless by reaching behind his neck, grabbing the back collar of his shirt, and pulling it over his head and off. A life spent on a cattle station had given him a deeply golden, well-muscled torso. One she’d thought about often, though, it turned out, her imagination hadn’t remotely done justice to reality. Even though she’d been on Cameroo Downs for a full year in a wide variety of different situations, this was the first time she’d ever seen him with his shirt off. He grinned for real at her dumbfounded expression, then began filling his plate as if he’d done nothing more than take off his hat. More at ease than she’d seen him since she’d arrived at the dock. “I suppose I deserve that,” she said, shaking her head in a silent touché. He just winked at her, then went back to filling his plate with another lobster roll, a few more hush puppies, and a small mound of blueberries. She laughed--what else was there to do?--then shook her head as he handed her a glass of wine. She lifted it in a toast. “To good food, good company, and a few hours of solid torture on the high seas.” Chuckling, he lifted his glass, tapped hers, then held her gaze over the rim as he took a sip. She was now intimately acquainted with his reference to aching teeth and need. You’re in so much trouble, Kerry McCrae.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Sorry, I’m rebooting my brain because you just short-circuited it with that information.” Ash chuckled. “I have?” “Well, yeah. I mean, I know how you look in your PJs, and then I find out you don’t wear anything at all to bed, and that’s just…. You, sir, are a meanie.” “How am I a meanie?” Ash asked, amused by Cael’s pout. “Because now you’ve put these images in my head, and I can’t get them out, and they’re going to drive me crazy.” Ash chuckled and tried to pull him close, but Cael was having none of it. “Aw, come on. Don’t be mad. You’re the one who brought it up. What’s the big deal?” Cael got up and turned to face him, his hands on his hips. “What’s the big deal? I’ll show you what the big deal is, Ash Keeler.” Ash cocked his head to one side, wondering what Cael was going on about. He opened his mouth to ask when Cael stepped up to him, shoved his knees apart, and stepped between them. Ash’s eyes widened, and his pulse shot up. He wanted to ask Cael what he was doing, but nothing came out. His brain ceased to function. Cael removed his T-shirt and threw it onto the couch. A strangled noise was all that escaped Ash as he sat there, mesmerized by Cael’s smooth, sinewy torso. He was so distracted, he hadn’t realized what Cael was doing until Cael had straddled him. Oh sweet Jesus. Cael
Charlie Cochet (Against the Grain (THIRDS, #5))
Dex helped Sloane remove the rest of his clothes, and once Sloane was naked, he pushed Dex onto the couch, groaning when Dex fell back onto it, his face flushed, smooth tanned skin begging to be spoiled by Sloane. He grabbed the bottle of lube from the end table drawer and stalked Dex, his grin feral as Dex drew his knees up and palmed his erection. His hair was a mess, his lips swollen from Sloane’s kisses, and he was putting on a show for Sloane. Sloane bit down on his bottom lip to keep himself from moaning at Dex’s provocative behavior, challenging Sloane not to lose what little control he clung to. Dex lay back on the couch, his eyes never leaving Sloane’s as he stroked his cock with one hand, his other hand sliding up his torso. He arched his back and gyrated his hips. “You like to watch me,” Dex said, his voice low and husky. Sloane nodded. Fuck yeah. He loved to see the pleasure on Dex’s face. Loved seeing the way those plump lips parted in ecstasy, how his skin turned pink, the sweat beaded on his brow, how he lost himself at Sloane’s hands. “I
Charlie Cochet (Smoke & Mirrors (THIRDS, #7))
Three meters. I felt a fresh adrenaline dump in my torso, my limbs. His partners must have seen his face. Their shoulders tensed, their heads began to turn. Two meters. The guy to my right was closest. He was turning to his left, toward whatever had made his partner start to bug out. I saw the left side of his face as he came around, everything moving slowly through my adrenalized vision.
Barry Eisler (Winner Take All (John Rain #3))
HT-1 This point is difficult to access, as it is well protected by the structure of the human body. HT-1is a bilateral Vital Point that is located in the armpit at the junction of the inner arm with the torso. It is associated with the Heart Meridian and is the point that the internal aspects of that meridian leaves the inner torso and emerges close to the surface of the skin. It does not have a direct connection to any Extraordinary Vessels, but is highly sensitive to attack. Traditional Chinese Medicine state that this is a no-needle point in many related textbooks. On the surface, this point would appear to be a difficult one to access during an altercation, but it is accessible. HT-1 becomes easily accessible if the opponent’s arm is raised, which occurs in the short instances that they are throwing a punch. A quick finger thrust or one-knuckle fist strike can easily activate it, but it requires a fair amount of precision to land. Combat science teaches us that precision generally diminishes during an altercation, but I add the above variant for those that would be willing to put in the training time for achieve such a strike. Just remember that the likelihood of landing such a technique during an actual altercation is remote, even with copious amounts of practice. A more realistic attack to HT-1 is when you have used your opponent’s arm to take them to the ground. Once established, as a generally rule of thumb, it is advised that if you have established control over an opponent’s arm that you should maintain that control until you deliver a blow that ends the fight. So, with that in mind, one of my favorite attacks to HT-1 after driving an opponent to ground while having established and maintained arm control, that you jerk the arm towards yourself as you throw a kick into this Vital Point. The type of kick will be dependent on the positioning of your opponent. If he is bladed on the ground (laying on one side with the arm you control in the air) a hard side kick or stomp works well. If the opponent starts turning, or squaring his shoulders towards you as he hits the ground in an attempt to regain his feet, then a forceful forward, or straight kick, can work. I would suggest working with a training partner to determine the various configurations that a downed opponent would react when you maintain control of one of their arms. Notice that I did not advise that you kick your training partner in HT-1, which is ill advised since it theoretically can cause disruptions to the heart and according to Traditional Chinese Medicine theory even death. Again, this technique is not for demonstration or sport-oriented martial arts, but mature and thoughtful training practice can provide a wealth of knowledge on how best to attack a Vital Point, even if it is not actually struck.
Rand Cardwell (36 Deadly Bubishi Points: The Science and Technique of Pressure Point Fighting - Defend Yourself Against Pressure Point Attacks!)
My chest heaves up and down as I spit the words out when I feel my pointer finger jab against something very hot and solid. And that's when I realize I'm poking Max's chest with my finger. God, wow... that's... that's some firm bare flesh right there. I remember just how exquisite his skin felt under my touch the one time we made out. But touching him like this, when our emotions are running high and his skin is hot and wet, it's a completely different sensory experience. A second later I remember that I'm only wearing a sports bra. My cleavage and my stomach are on full display, mere inches from Max's body. And that's when I notice that glazed-over look in his eyes... and where exactly he's looking. It's not at my face. It's at my chest. My boobs specifically. I step back and cross my arms over my torso. My cheeks heat and I start to turn away instinctively. And then I see Max's hands fly to the waistband of his jeans. His fingers fumble and for a moment, I wonder what the hell he's so panicked about. But then I see it. The bulge at the front of his jeans. Max is turned on at the sight of me, sweaty and in a sports bra. A whole new feeling consumes me. It feels a lot like satisfaction. Maybe a tad smug too. I can't help it. Max Boyson is turned on by me again, but this time I barely even touched him.
Sarah Echavarre Smith (The Boy With the Bookstore)
Leo was just outside the door, and he was shirtless. His arm flexed against the sleek white top of his dresser as he stared into the open drawer. He was clearly searching for a shirt, as his devil suit had mysteriously vanished. And she just went ahead and stared at his arms, chest, shoulders and back, because that's what she wanted to do--- especially after the last glass of wine she'd had. She'd seen him shirtless once before, on their hike, so the sight of him shouldn't have felt so new, but it was like seeing him for the first time all over again. She let her gaze linger over how the muscles between his shoulder blades emphasized his strong back, and the tricep that flexed as he straightened his arm. A small, parched noise escaped her lips, and he looked up. She coughed, trying to cover the sound. Leo turned. "You're supposed to be in pajamas." You're not supposed to look this fucking good. "The problem is the dress. Not built for food or unzipping. I was wondering if you could, um..." She turned and motioned toward her back, where the zipper was. When Leo stepped forward, his bare torso briefly brushed against her back. His skin was warm in contrast to the cool air, and goose bumps erupted across her arms in response. She hoped he wouldn't notice her body's reaction to being so close to him. At least he couldn't see that her gaze was fixed straight ahead, on the pesky bed nearby... His fingers grasped the top of the zipper, and he pulled on it just enough that she stumbled back and against his chest. She muttered an apology under her breath as he slowly lowered the zipper down her back. His knuckle grazed the track of her spine, and his hand stopped at the bottom, just above her ass. She wondered if his eyes were roaming over her exposed skin. And he didn't move his fingers from the zipper right away, which made her feel like he wanted the back of his knuckle to stay exactly where it was. Neither of them moved. She was afraid that if she did, she'd break the fantasy of Leo, examining her--- of him potentially wanting more of her. Eventually he leaned down, and the shadow of his beard scraped against her ear as he said, "All done.
Erin La Rosa (For Butter or Worse)
While continuing to nod, I casually turned my torso ever so slightly to the right side instead of being face-to-face with Phil. Then I gently crossed my arms over my belly and started breathing slowly, inhaling to the count of four and exhaling to the count of four as Phil kept talking. During this time, I mentally surrounded myself in white light, an energetic shield of love, and deflected everything he said away from my body. This maneuver kept me from absorbing Phil’s negative torpedoes as they headed straight my way. A few minutes after having dumped all his upset in my direction, Phil calmed down. Thankfully, with my turned body, crossed arms, and slow breathing, I was intact. Phil felt better, and I survived unscathed.
Sonia Choquette (Trust Your Vibes (Revised Edition): Live an Extraordinary Life by Using Your Intuitive Intelligence)
His torso was a perfect "V" of golden skin and muscle; his slim hips, whiter than the rest of him, tapered to thighs and calves that could have been turned on a lathe, and these were dusted all over with fair hair that glinted in the low sunlight. The hair on his head was cropped short and beacon-bright, but the features of his face were nearly indistinct from where she watched. Given the glory of the rest of him, they scarcely seemed to matter. The man's beauty was, in fact, an assault, and a peculiar tangle of shock and delight and yearning began to beat inside her like a secret, second heart. And then the man stretched his arms upward, arching his back indolently; exposing the dark fluffs under his arms, and this, somehow, seemed more erotic and intimate than the rest of his naked body combined. Susannah had seen paintings and statues of naked men, for heaven's sake, but none of them had ever sported fluffy hair beneath their arms. In fact, the sheer easiness with which this man wore all his raw beauty frightened her a little. He was like someone too casually wielding a weapon. She fumbled her sketchbook open. Quickly, roughly, she sketched him: the upraised arms, the curves of his biceps and legs and the planes of his chest, and when he turned, the darker hair that curled between his legs and narrowed up to a frayed silvery-blond line over his flat stomach. Nestled right between his legs were, of course, his... male parts...which looked entirely benign at the moment, really, at least from this distance. She sketched those, too, as she intended to be thorough, hardly thinking of them as anything other than part of her drawing.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
A small black hole appeared in the air behind me. My body was slowly being sucked into it. My legs, my torso, my arms…they turned into powder and were slowly being sucked in. “Kim Dokja! No! Kim Dokja!” At the last moment, he tightly held me by the neck. However, it was already too late.
shinNsong
The third turns in my direction and my heart simply…stops. He’s tall, with windblown black hair and dark brows. The line of his jaw is strong and covered by warm tawny skin and dark stubble, and when he folds his arms across his torso, the muscles in his chest and arms ripple, moving in a way that makes me swallow. And his eyes… His eyes are the shade of gold-flecked onyx. The contrast is startling, jaw-dropping even—everything about him is. His features are so harsh that they look carved, and yet they’re astonishingly perfect, like an artist worked a lifetime sculpting him, and at least a year of that was spent on his mouth. He’s the most exquisite man I’ve ever seen. And living in the war college means I’ve seen a lot of men. Even the diagonal scar that bisects his left eyebrow and marks the top corner of his cheek only makes him hotter. Flaming hot. Scorching hot. Gets-you-into-trouble-and-you-like-it level of hot. Suddenly, I can’t remember exactly why Mira told me not to fuck around outside my year group.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Opening the lid, Beatrix found her neatly folded clothes and a drawstring muslin bag containing a brush and a rack of hairpins, and other small necessities. There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Release from Wrists Pinned Behind the Back with Side Pivot 1.     The attacker grabs both the defender’s hands behind his back (demonstrated in the previous technique). 2.     The defender turns his right palm to face the side of his body as he pivots his left hand while simultaneously attaching its forearm to his back, aligning it to his belt. The defender pivots his body to the right. This can be done with a small jump turn to the side. 3.     The defender brings his right elbow over his head as he turns his torso to the left, letting his left wrist get out of the grip. 4.     The defender grabs the attacker’s wrist with his left hand, sliding his right hand to pressure the attacker’s elbow or shoulder, bringing him down to the ground in the style of a carousel.
Boaz Aviram (Krav Maga: Use Your Body as a Weapon)
She could not have been described as Sex Incarnate, or “The Bust” or “The Torso.” She had been long and slim and willowy. The bones of her face and head had had some of the beauty associated with those of Garbo. She had brought personality to her pictures rather than mere sex. The sudden turn of her head, the opening of the deep lovely eyes, the faint quiver of her mouth, all these were what brought to one suddenly that feeling of breathtaking loveliness that comes not from regularity of feature but from sudden magic of the flesh that catches the onlooker unawares. She still had this quality though it was not now so easily apparent. Like many film and stage actresses she had what seemed to be a habit of turning off personality at will. She could retire into herself, be quiet, gentle, aloof, disappointing to an eager fan. And then suddenly the turn of the head, the movement of the hands, the sudden smile and the magic was there.
Agatha Christie (The Mirror Crack'd from Side to Side (Miss Marple, #9))
For a split second, Az thought Madi might tell him to move so he could slide in behind him, but after a moment's hesitation, he stepped into the oval-shaped tub and sat, moving until he was flush against Az, leaning back tentatively, shoulders up around his ears. Az chuckled. “At ease, motek. I simply want your company. I’m not waiting here with a weapon under the bubbles.” Madi relaxed visibly, resting his head against Az’s shoulder. “That’s better.” Az let his hands roam along Madi’s chest and torso. It seemed the best way to appreciate Madi’s form: slick, soapy fingers playing at his nipples, slipping along the ridges of his abdomen, threading through the hair just beneath his navel, stopping just short of his cock before slowly traveling upward again. Madi gave a sigh that sounded almost content. Az nuzzled behind his ear and along the curve of his throat, enjoying the salty tang of Madi’s skin on his lips. The longer Az caressed him, the more tranquil Madi seemed to grow, his chest rising and falling beneath Az’s hands. “Why didn’t you let me answer the question?” he finally asked. “What?” Madi asked, voice husky. “Earlier. Why didn’t you let me answer the question the therapist asked? What I admired about you? Did you think I’d have nothing to say?” Madi hesitated. “I don’t know. Maybe. Maybe I don’t want to know. Maybe once it’s out there, there’s no taking it back.” Az threaded wet fingers through Madi’s hair, murmuring, “And if I don’t want to take it back?” Madi took a deep breath, shaking his head. “What is there for men like us? Just this. Fighting. Fucking. Killing. Mistrust. Misunderstandings.” “Is that all this is to you?” Az asked, knowing in his heart that wasn’t how Madi truly saw them, even if it would make things easier for the both of them if he did. Madi was quiet, but his hand caught Az’s wrist, sliding to tangle their fingers together. This gesture spoke the words it seemed Madi could not, causing a warmth to spread through Az that rivaled the bath water. Az spoke before he could stop himself. “The first thing I admired about you was your beauty. You were a sight for sore eyes that night in the bar, and I was shocked you wanted me.” This time, it was Madi who turned his head, nosing under Az’s chin in a barely-there touch. “When I realized why you were there after a bit of shameless snooping, I dismantled your weapon, not because you were the competition, but because I realized after the night we spent together, the only way I’d ever see you again was if I did something to make you angry enough to want to get even.” Madi didn’t answer but squeezed Az’s hand. Az could feel the uptick in his breaths, which told him Madi was listening. “I admire your skill with a weapon, motek, your precision. The way you kill is art. Truly. But you fucked like you killed…from a safe distance, where nobody can harm you. I needed you closer to me. At the core of every stupid decision I’ve made, every backwards plan, it was always just that. I wanted you—the real you—as close as I could get you.” “Why?” Madi asked, voice raw. “Because I knew, even then I think, that I could love you, but I wasn’t sure I could ever break down your walls enough to get you to love me.” “Yet here I am.” Az raised their intertwined fingers to kiss Madi’s palm. “Yes, here you are.
Onley James (Play Dirty (Wages of Sin, #2))
For a split second, Az thought Madi might tell him to move so he could slide in behind him, but after a moment's hesitation, he stepped into the oval-shaped tub and sat, moving until he was flush against Az, leaning back tentatively, shoulders up around his ears. Az chuckled. “At ease, motek. I simply want your company. I’m not waiting here with a weapon under the bubbles.” Madi relaxed visibly, resting his head against Az’s shoulder. “That’s better.” Az let his hands roam along Madi’s chest and torso. It seemed the best way to appreciate Madi’s form: slick, soapy fingers playing at his nipples, slipping along the ridges of his abdomen, threading through the hair just beneath his navel, stopping just short of his cock before slowly traveling upward again. Madi gave a sigh that sounded almost content. Az nuzzled behind his ear and along the curve of his throat, enjoying the salty tang of Madi’s skin on his lips. The longer Az caressed him, the more tranquil Madi seemed to grow, his chest rising and falling beneath Az’s hands. “Why didn’t you let me answer the question?” he finally asked. “What?” Madi asked, voice husky. “Earlier. Why didn’t you let me answer the question the therapist asked? What I admired about you? Did you think I’d have nothing to say?” Madi hesitated. “I don’t know. Maybe. Maybe I don’t want to know. Maybe once it’s out there, there’s no taking it back.” Az threaded wet fingers through Madi’s hair, murmuring, “And if I don’t want to take it back?” Madi took a deep breath, shaking his head. “What is there for men like us? Just this. Fighting. Fucking. Killing. Mistrust. Misunderstandings.” “Is that all this is to you?” Az asked, knowing in his heart that wasn’t how Madi truly saw them, even if it would make things easier for the both of them if he did. Madi was quiet, but his hand caught Az’s wrist, sliding to tangle their fingers together. This gesture spoke the words it seemed Madi could not, causing a warmth to spread through Az that rivaled the bath water. Az spoke before he could stop himself. “The first thing I admired about you was your beauty. You were a sight for sore eyes that night in the bar, and I was shocked you wanted me.” This time, it was Madi who turned his head, nosing under Az’s chin in a barely-there touch. “When I realized why you were there after a bit of shameless snooping, I dismantled your weapon, not because you were the competition, but because I realized after the night we spent together, the only way I’d ever see you again was if I did something to make you angry enough to want to get even.” Madi didn’t answer but squeezed Az’s hand. Az could feel the uptick in his breaths, which told him Madi was listening. “I admire your skill with a weapon, motek, your precision. The way you kill is art. Truly. But you fucked like you killed…from a safe distance, where nobody can harm you. I needed you closer to me. At the core of every stupid decision I’ve made, every backwards plan, it was always just that. I wanted you—the real you—as close as I could get you.” “Why?” Madi asked, voice raw. “Because I knew, even then I think, that I could love you, but I wasn’t sure I could ever break down your walls enough to get you to love me.” “Yet here I am.” Az raised their intertwined fingers to kiss Madi’s palm. “Yes, here you are.
Onley James (Play Dirty (Wages of Sin, #2))
Nova Scotians, sweet pea.” I choke on nothing particular except the absurdity of what just came out of his mouth. “I’m sorry, what did you just call me?” Ren grins as he turns off the heat underneath the stew and covers it with a lid. “I need an endearment for you. I’m trying them out.” “Um. How about Frankie? That’ll do fine.” “Pff.” Ren closes the distance between us, standing inside my legs. Those warm, calloused hands slip around my neck and delve into my hair, massaging aching muscles. “You call me sweet things.” I groan as he hits a tender spot. It makes my eyes fall shut. “The Italian word for a root vegetable. And a thinly veiled reference to a brutal, pillaging Viking. Not exactly amorous.” “They don’t have to be amorous,” he says quietly. “They just have to be mine, for you…turtledove.” “Nope.” “Huckleberry.” “Hell, no.” “Lambkin.” I crack an eye open and give him a look. “You’re hopeless.” “We both knew that.” He presses a long kiss to my forehead again. “You’re in my kitchen,” he whispers, tipping my head up to meet his eyes. “Pinch me.” I grab a nice little bit of skin at his side. Just skin, because there sure as shit isn’t any fat on his torso. “Ow! Frankie, I was being figurative.” Oops. “Sorry. I’m a literal gal, Zenzero.” I grab his hips and pull him closer. “Let me kiss it better.
Chloe Liese (Always Only You (Bergman Brothers, #2))
At the time of the blow, the torso turns to the right and straightens simultaneously. The hand, dealing a blow, bent at the elbow at an acute angle, performs a fast movement from bottom to top at the blow (forearm directed in a straight line to the target). The fist, with fingers pointing towards each other, touches the target with the heads of the metacarpal bones. The right hand protects the chin with the open hand, and the elbow is lowered - the right side of the torso.
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
The tilt of the torso with the right-hand turn to the left and the forward fist move simultaneously. At the moment of the blow, the left leg is half-bent in the knee joint and rests on the front floor; part of the foot. It is indispensable not to lose balance in the case of a miss when the opponent leaves the back. In contrast to the straight left punch in the torso, usually used as a punctured punch, the right straight line is the strongest. After the right blow in the torso (as in the case of a blow to the head), it is possible to develop the attack with a left blow, with a reflection of the left leg. The counter-light curtain should be especially careful, because the left torso of the torso reveals parts of the body, nothing is secured from the opponent's right-hand strike. The left hand should cover the left side of the head with the palm of the hand and the torso with the lowered elbow. To protect himself from a counterattack, the boxer who missed should first of all take a defensive position, facing the opponent.
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
Counters when defending from a straight blow to the head. Putting the right hand on the opponent's open hand. This defense is combined with a counter-blow "direct" straight left in the opponent's head. When blocking, the right hand stops the blow and slightly pushes the opponent's hand striking to the left. If you bounce your right leg from the floor, push your body forward and ask for a counter-part. A quick but small turning of the torso to the right should strengthen the movement of the left hand, which deals a direct counterintell in the exposed target. Counter "direct" should be asked very quickly to warn the opponent's attacking blow. Putting the left shoulder on the opponent's punch. With this defense, the chin, adjacent to the left collarbone, is covered by the forward bar.
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))