Drunken Father Quotes

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Oh, I think not,” Varys said, swirling the wine in his cup. “Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.” “So power is a mummer’s trick?” “A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” “I will take that as high praise.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
But there's no joy at all, people say "Oh well he's drunk and happy let him sleep it off"--The poor drunkard is *crying*--He's crying for his mother and father and great brother and great friend, he's crying for help. (p.111)
Jack Kerouac (Big Sur)
I'm sick of the ignorance that lack of funding has generated, of the fathers who apporach me at dinner parties with their four-year-old girls clasped to their pant legs and say, "Yeah, but studies say kids can buy drugs more easily than they can buy alcohol." To which I always respond, "I guess that means you keep heroin in your liquor cabinet?
Koren Zailckas (Smashed: Story of a Drunken Girlhood)
Each night I am nailed into place and forget who I am. Daddy? That's another kind of prison. It's not the prince at all, but my father drunkeningly bends over my bed, circling the abyss like a shark, my father thick upon me like some sleeping jellyfish. What voyage is this, little girl? This coming out of prison? God help - this life after death?
Anne Sexton (Transformations)
The thing is, my father has about as much rhythm as a drunken octopus […]
Mark Peter Hughes (Lemonade Mouth)
With their mother lying in a coma twenty miles away, they clung together drunkenly and wept for the loss of their father.
Richard Yates (The Easter Parade)
And if sometimes, on the stairs of a palace, or on the green side of a ditch, or in the dreary solitude of your own room, you should awaken and the drunkenness be half or wholly slipped away from you, ask of the wind, or of the wave, or of the star, or of the bird, or of the clock, of whatever flies, or sighs, or rocks, or sings, or speaks, ask what hour it is; and the wind, wave star, bird, clock, will answer you: 'it is the hour to be drunken! Be drunken, if you would not be martyred slaves of Time; be drunken continually! With wine, with poetry, or with virtue, as you will."" (He grins at his father provocatively.)
Eugene O'Neill (Long Day’s Journey into Night)
Do you suppose, gentlemen, that our children as they grow up and begin to reason can avoid such questions? No, they cannot, and we will not impose on them an impossible restriction. The sight of an unworthy father involuntarily suggests tormenting questions to a young creature, especially when he compares him with the excellent fathers of his companions. The conventional answer to this question is: 'He begot you, and you are his flesh and blood, and therefore you are bound to love him.' The youth involuntarily reflects: 'But did he love me when he begot me?' he asks, wondering more and more. 'Was it for my sake he begot me? He did not know me, not even my sex, at that moment, at the moment of passion, perhaps, inflamed by wine, and he has only transmitted to me a propensity to drunkenness- that's all he's done for me.... Why am I bound to love him simply for begetting me when he has cared nothing for me all my life after? Oh, perhaps those questions strike you as coarse and cruel, but do not expect an impossible restraint from a young mind. 'Drive nature out of the door and it will fly in at the window'.
Fyodor Dostoevsky (The Brothers Karamazov)
Will father be there?" she asked. John turned to her in astonishment. Your father is dead," he replied somberly. "Why should he go to Hades? You have it confused with another place that was abolished long ago." After supper they folded up the table-cloth and spread their blankets for the night. What a dream it was," Kismine sighed, gazing up at the stars. "How strange it seems to be here with one dress and a penniless fianc_! Under the stars," she repeated. "I never noticed the stars before. I always thought of them as great big diamonds that belonged to some one. Now they frighten me. They make me feel that it was all a dream, all my youth." It was a dream," said John quietly. "Everybody's youth is a dream, a form of chemical madness." How pleasant then to be insane!" So I'm told," said John gloomily. "I don't know any longer. At any rate, let us love for a while, for a year or so, you and me. That's a form of divine drunkenness that we can all try. There are only diamonds in the whole world, diamonds and perhaps the shabby gift of disillusion. Well, I have that last and I will make the usual nothing of it." He shivered. "Turn up your coat collar, little girl, the night's full of chill and you'll get pneumonia. His was a great sin who first invented consciousness. Let us lose it for a few hours." So wrapping himself in his blanket he fell off to sleep.
F. Scott Fitzgerald (The Short Stories)
My mother took the train to Halifax to see my father off. It was crammed with men en route to the Front; she could not get a sleeper, so she travelled sitting up. There were feet in the aisles, and bundles, and spittoons; coughing, snoring - drunken snoring, no doubt. As she looked at the boyish faces around her, the war became real to her, not as an idea but as a physical presence.
Margaret Atwood (The Blind Assassin)
Did Ida never look for him?" Dieter asks. "She didn't believe in spirits." "And what became of Henry?" "Oh. From time to time you can still hear him calling. My father heard his voice himself." "Every Saturday night when he came home drunk," Frieda says.
Stefan Kiesbye (Next Door Lived a Girl)
My dad, the man I loved most in the world, a man who refused to compromise himself for anyone, the man who had showed me by example what it was like to be a true artist, was gone. We had become a loving father and son after a rocky thirty-year start. John Fante’s gift to me was his ambition, his brilliance, and his pure writer’s heart. He had begun life with a drunken, self-hating father, backing out of the hell of poverty and prejudice. Now he was ending it as the best example of courage and humility I had ever known. John Fante was my hero.
Dan Fante (Fante)
The mind comfortably closed to revisal, slight or sweeping, is the spoiled child of arrogance and the drunken father of chaos. It is a coward’s mind—scarcely even worth the name—whose inevitable blind spots, left unlit, turn all too quickly into Achilles’ heels for self and other alike.
Shmuel Pernicone (Why We Resist: Letter From a Young Patriot in the Age of Trump)
Nothing is easier than to sit, like Father Matthew,[17] in the seat of judgement and condemn drunkenness, while you are yourself intoxicated with sobriety;
Alexander Herzen (The Memoirs of Alexander Herzen, Parts I and II: Revolutionary Insight: A Memoir of 19th-Century Russia)
People retreated behind their front doors into the hidden zone of their private, family worlds and when outsiders asked how things were they answered, Oh, everything’s going along just fine, not much to report, situation normal. But everyone secretly knew that behind that door things were rarely humdrum. More typically, all hell was breaking loose, as people dealt with their angry fathers, drunken mothers, resentful siblings, mad aunts, lecherous uncles and crumbling grandparents. The family was not the firm foundation upon which society rested, but stood at the dark chaotic heart of everything that ailed us. It was not normal, but surreal; not humdrum, but filled with event; not ordinary, but bizarre. He remembered with what excitement he had listened, at the age of twenty, to the Reith Lectures delivered on BBC Radio by Edmund Leach, the great anthropologist and interpreter of Claude Lévi-Strauss who, a year earlier, had succeeded Noel Annan as provost of King’s. “Far from being the basis of the good society,” Leach had said, “the family, with its narrow privacy and tawdry secrets, is the source of all our discontents.” Yes! he thought. Yes! That is a thing I also know. The families in the novels he later wrote would be explosive, operatic, arm-waving, exclamatory, wild. People who did not like his books would sometimes criticize these fictional families for being unrealistic—not “ordinary” enough. However, readers who did like his books said to him, “Those families are exactly like my family.
Salman Rushdie (Joseph Anton: A Memoir)
As he poured himself a drink, David thought about his dead father-in-law, Dudley Craig, a charming, drunken Scotsman who had been dismissed by Eleanor’s mother, Mary, when he became too expensive to keep.
Edward St. Aubyn (The Complete Patrick Melrose Novels)
Some days I would take the train into Manhattan. There was so much money everywhere, money flowing out of bistros and cafes, money pushing the people, at incredible speeds, up the wide avenues, money drawing intergalactic traffic through Times Square, money in the limestones and brownstones, money out on West Broadway where white people spilled out of wine bars with sloshing glasses and without police. I would see these people at the club, drunken, laughing, challenging breakdancers to battles. They would be destroyed and humiliated in these battles. But afterward they would give dap, laugh, order more beers. They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
Of course, active alcoholics love hearing about the worst cases; we cling to stories about them. Those are the true alcoholics: the unstable and the lunatic; the bum in the subway drinking from the bottle; the red-faced salesman slugging it down in a cheap hotel. Those alcoholics are always a good ten or twenty steps farther down the line than we are, and no matter how many private pangs of worry we harbor about our own drinking, they always serve to remind us that we’re okay, safe, in sufficient control. Growing up, whatever vague definition of alcoholism I had centered around the crazy ones—Eliza’s mother, Lauren’s father’s ex-wife, the occasional drunken parent of a friend. Alcoholics like that make you feel so much better: you can look at them and think, But my family wasn’t crazy; I’m not like that; I must be safe. When you’re drinking, the dividing line between you and real trouble always manages to fall just past where you stand.
Caroline Knapp (Drinking: A Love Story)
yet, I have spent my literary career writing loving odes to my drunken and unreliable father. I have, in a spectacular show of hypocrisy, let my father off the hook for his lifetime of carelessness. That is completely unfair to my mother.
Sherman Alexie (You Don't Have to Say You Love Me)
Young people today no longer have gout, but mope around on diets: noodles without butter, butter without bread, bread without sauce, sauce without meat, meat without truffles, truffles without scent, scent without bouquet, bouquet without wine, wine without drunkenness, drunkenness without gaiety….Saints of Paradise! I would rather have gout than deprive myself of all of life’s charms. ÉDOUARD DE POMIANE, VINGT PLATS QUI DONNENT LA GOUTTE (TWENTY DISHES THAT GIVE YOU GOUT), 1938, TRANSLATED BY JESSICA GREEN
Bill Buford (Dirt: Adventures in Lyon as a Chef in Training, Father, and Sleuth Looking for the Secret of French Cooking)
A small grove of linden trees grew on the far side of the lake, below the palace. Dortchen made her way there carefully, not wanting to be seen so close to the King's residence. The trees were in full blossom, bees reeling drunkenly from the pale-yellow flowers that hung down in clusters below the heart-shaped leaves. Dortchen harvested what she could reach, breathing the sweet scent deeply, then picked handfuls of the wild roses that grew in a tangled hedge along the path. She would crystallise the petals with sugar when she got home, or make rose water to sell in her father's shop. She plucked some dandelions she found growing wild in a clearing, and then some meadowsweet, and at last reached the ancient old oak tree she knew from her last foray into the royal park. Here she found handfuls of the sparse grey moss, and she hid it deep within her basket, beneath the flowers and herbs and leaves.
Kate Forsyth (The Wild Girl)
Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah, Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of magnet's brilliance I remember the letter of the final decesion of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending into your bosom Stupid relationship inflted in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all into pieces for the sake of Art There isn't any other way out for poetry except suicide Shubha Let me enter into the immemorial incontinence of your labia majora Into the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum-flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize Shubha Women could be treacherous even after unfolding a helpless appeareance Today it seems there is nothing so treacherous as Women and Art Now my ferocious heart is rinning towards an impossible death Vertigoes of water are coming up to my neck from the pierced earth I will die Oh what are these happening within me? I am failing to fetch out my hand and my palm From the dried sperms on my trousers spreading wings 300000 children are gliding toward the district of Shubha's bosom Millions of needles are now running from my blood into Poetry Now the smuggling of my obstinate leg is trying to plunge Into the death killer sex-wig entangled in the hypnotic kingdom of words In violent mirrors on each wall of the room I am observing After letting loose a few naked Malay, his unestablished scramblings.
Malay Roy Choudhury (Selected Poems)
But war makes heroes. Herakles and Ormenion were warriors, and tey have been made immortal. Father Zeus turned them into stars in the night sky. Oniacus scowled. 'In a drunken rage Herakles clubbed his wife to death, and Ormenion sacrificed his youngest daughter in order that Poseidon might grant fair winds for his attack on Kretos.
David Gemmell (Lord of the Silver Bow (Troy, #1))
She had also heard other things, scary things, things that made no sense to her. Some said her father had murdered King Robert and been slain in turn by Lord Renly. Others insisted that Renly had killed the king in a drunken quarrel between brothers. Why else should he have fled in the night like a common thief? One story said the king had been killed by a boar while hunting, another that he’d died eating a boar, stuffing himself so full that he’d ruptured at the table. No, the king had died at table, others said, but only because Varys the Spider poisoned him. No, it had been the queen who poisoned him. No, he had died of a pox. No, he had choked on a fish bone.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Oh, the Bible and its curses! One of the best known occurs in Genesis 9 and involves Noah, his son Ham, and a very drunken night. After Ham visits his father’s tent and finds him highly intoxicated and completely naked, Ham tells his brothers Shem and Japheth, who cover their father with a garment while averting their eyes. Noah responded by condemning Ham’s son Canaan to a life as “a servant of servants.” Most curses in the Bible are generational, which means Noah was censuring all of Ham and Canaan’s descendants as well. Although race is never mentioned in the passage, an error in translation—some interpreted “Ham” to mean “dark” or “black”—engendered the idea that Noah had cursed all Black people,
Rachel Dolezal (In Full Color: Finding My Place in a Black and White World)
Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so … yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they? Whence came their swords? Why do they obey?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or … another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Interestingly, the drunkard-genius is a valorised trope when the imbiber of spirits is from among the upper castes. T.R. Mahalingam, the flautist, is a classic example of someone who was an alcoholic but whose drunkenness is spoken of with much affection. His genius eclipsed everything else, they would say. But Somu, the undisputed champion among woodcrafters, would never be given that leeway—his drunkenness is a defect born of his caste. This hypocrisy of the upper castes, and those aspiring to be like them, is insufferable. Arulraj from the Thanjavur family had a different interpretation. ‘If they (his father and uncles) had extra money, they would head straight to the liquor store. Immediately, their mood would change.’ He was speaking in the context of how the older generation unquestioningly accepted their social status and the way they were treated. Alcoholism could also have been an escape from reality.
T.M. Krishna (Sebastian and Sons: A Brief History of Mrdangam Makers)
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roy Choudhury (Selected Poems)
I wanted to go back and leer at my strange Dickensian mother in the hash joint. I tingled all over from head to foot. It seemed I had a whole host of memories leading back to 1750 in England and that I was in San Francisco now only in another life and in another body. "No," that woman seemed to say with that terrified glance, "don’t come back and plague your honest, hard-working mother. You are no longer like a son to me - and like your father, my first husband. ‘Ere this kindly Greek took pity on me." (The proprietor was a Greek with hairy arms.) "You are no good, inclined to drunkenness and routs and final disgraceful robbery of the fruits of my ‘umble labors in the hashery. O son! did you not ever go on your knees and pray for deliverance for all your sins and scoundrel’s acts? Lost boy! Depart! Do not haunt my soul; I have done well forgetting you. Reopen no old wounds, be as if you had never returned and looked in to me - to see my laboring humilities, my few scrubbed pennies - hungry to grab, quick to deprive, sullen, unloved, mean- minded son of my flesh. Son! Son!
Jack Kerouac (On the Road)
A visiting pastor at our church in Plains once told a story about a priest from New Orleans. Father Flanagan’s parish lay in the central part of the city, close to many taverns. One night he was walking down the street and saw a drunk thrown out of a pub. The man landed in the gutter, and Father Flanagan quickly recognized him as one of his parishioners, a fellow named Mike. Father Flanagan shook the dazed man and said, “Mike!” Mike opened his eyes and Father Flanagan said, “You’re in trouble. If there is anything I can do for you, please tell me what it is.ℍ “Well, Father,” Mike replied, “I hope you’ll pray for me.” “Yes,” the priest answered, “I’ll pray for you right now.” He knelt down in the gutter and prayed, “Father, please have mercy on this drunken man.ℍ At this, a startled Mike woke up fully and said, “Father, please don’t tell God I’m drunk.ℍ Sometimes we don’t feel much of a personal relationship between God and ourselves, as though we have a secret life full of failures and sins that God knows nothing about. We want to involve God only when we plan to give thanks or when we’re in trouble and need help. But the rest of our lives, we’d rather keep to ourselves.
Jimmy Carter (Through the Year with Jimmy Carter: 366 Daily Meditations from the 39th President)
The banishing of a leper seems harsh, unnecessary. The Ancient East hasn’t been the only culture to isolate their wounded, however. We may not build colonies or cover our mouths in their presence, but we certainly build walls and duck our eyes. And a person needn’t have leprosy to feel quarantined. One of my sadder memories involves my fourth-grade friend Jerry.1He and a half-dozen of us were an ever-present, inseparable fixture on the playground. One day I called his house to see if we could play. The phone was answered by a cursing, drunken voice telling me Jerry could not come over that day or any day. I told my friends what had happened. One of them explained that Jerry’s father was an alcoholic. I don’t know if I knew what the word meant, but I learned quickly. Jerry, the second baseman; Jerry, the kid with the red bike; Jerry, my friend on the corner was now “Jerry, the son of a drunk.” Kids can be hard, and for some reason we were hard on Jerry. He was infected. Like the leper, he suffered from a condition he didn’t create. Like the leper, he was put outside the village. The divorced know this feeling. So do the handicapped. The unemployed have felt it, as have the less educated. Some shun unmarried moms. We keep our distance from the depressed and avoid the terminally ill. We have neighborhoods for immigrants, convalescent homes for the elderly, schools for the simple, centers for the addicted, and prisons for the criminals. The rest simply try to get away from it all. Only God knows how many Jerrys are in voluntary exile—individuals living quiet, lonely lives infected by their fear of rejection and their memories of the last time they tried. They choose not to be touched at all rather than risk being hurt again.
Max Lucado (Just Like Jesus: A Heart Like His)
I’m not a coward.” He didn’t speak loud, but his voice carried. His father turned slowly to the challenging words. “I’m not a coward,” Wintrow repeated more slowly. “I’m not big. I don’t claim to be strong. But I’m neither a weakling nor a coward. I can accept pain. When it’s necessary.” A strange odd light had come into Kyle’s eyes. The beginnings of a smile hovered at the corners of his mouth. “You are a Haven,” he pointed out with a quiet pride. Wintrow met his gaze. There was neither defiance nor the will to injure but the words were clear. “I’m a Vestrit.” He looked down to the bloody handprint on Vivacia’s deck, to the severed forefinger that still rested there. “You’ve made me a Vestrit.” He smiled without joy or mirth. “What did my grandmother say to me? ‘Blood will tell.’ Yes.” He stooped to the deck and picked up his own severed finger. He considered it carefully for a moment, then held it out to his father. “This finger will never wear a priest’s signet,” he said. To some he might have sounded drunken, but to Vivacia his voice was broken with sorrow. “Will you take it, sir? As a token of your victory?” Captain Kyle’s fair face darkened with the blood of anger. Vivacia suspected he was close to hating his own flesh and blood at that moment. Wintrow stepped lightly toward him, a very strange light in his eyes. Vivacia tried to understand what was happening to the boy. Something was changing inside him, an uncoiling of strength was filling him. He met his father’s gaze squarely, yet his own voice was nothing of anger, nor even pain as he stepped forward boldly, to a place close enough to invite his father to strike him. Or embrace him. But Kyle Haven moved not at all. His stillness was a denial, of all the boy was, of all he did. Wintrow knew in that instant that he would never please his father, that his father had never even desired to be pleased by him. He had only wanted to master him. And now he would not.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
What is certain is that the immutable classes, the nobility, the clergy, the bourgeoisie, the people, had loftier souls at that time. You can prove it: society has done nothing but deteriorate in the four centuries separating us from the Middle Ages. "True, a baron then was usually a formidable brute. He was a drunken and lecherous bandit, a sanguinary and boisterous tyrant, but he was a child in mind and spirit. The Church bullied him, and to deliver the Holy Sepulchre he sacrificed his wealth, abandoned home, wife, and children, and accepted unconscionable fatigues, extraordinary sufferings, unheard-of dangers. "By pious heroism he redeemed the baseness of his morals. The race has since become moderate. It has reduced, sometimes even done away with, its instincts of carnage and rape, but it has replaced them by the monomania of business, the passion for lucre. It has done worse. It has sunk to such a state of abjectness as to be attracted by the doings of the lowest of the low. ...cupidity was repressed by the confessor, and the tradesman, just like the labourer, was maintained by the corporations, which denounced overcharging and fraud, saw that decried merchandise was destroyed, and fixed a fair price and a high standard of excellence for commodities. Trades and professions were handed down from father to son. The corporations assured work and pay. People were not, as now, subject to the fluctuations of the market and the merciless capitalistic exploitation. Great fortunes did not exist and everybody had enough to live on. Sure of the future, unhurried, they created marvels of art, whose secret remains for ever lost. "All the artisans who passed the three degrees of apprentice, journeyman, and master, developed subtlety and became veritable artists. They ennobled the simplest of iron work, the commonest faience, the most ordinary chests and coffers. Those corporations, putting themselves under the patronage of Saints—whose images, frequently besought, figured on their banners—preserved through the centuries the honest existence of the humble and notably raised the spiritual level of the people whom they protected. ...The bourgeoise has taken the place forfeited by a wastrel nobility which now subsists only to set ignoble fashions and whose sole contribution to our 'civilization' is the establishment of gluttonous dining clubs, so-called gymnastic societies, and pari-mutuel associations. Today the business man has but these aims, to exploit the working man, manufacture shoddy, lie about the quality of merchandise, and give short weight. ...There is one word in the mouths of all. Progress. Progress of whom? Progress of what? For this miserable century hasn't invented anything great. "It has constructed nothing and destroyed everything...
Joris-Karl Huysmans (Là-Bas (Down There))
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)
But now, strange as it seems, a peasant's small, scrawny. light brown nag is harnessed to such a large cart, one of those horses he's seen it often that sometimes strain to pull some huge load of firewood or hay. Especially if the cart has gotten stuck in the mud or a rut. The peasants always whip the horse so terribly, so very painfully, sometimes even across its muzzle and eyes, and he would always feel so sorry, so very sorry to witness it that he would feel like crying, and his mother would always lead him away from the window. Now things are getting extremely boisterous: some very large and extremely drunken peasants in red and blue shirts, their heavy coats slung over their shoulders. come out of the tavern shouting, singing. and playing balalaikas. “Git in. everyone git in!" shouts one peasant, a young lad with a thick neck and a fleshy face, red as a beet, “I'll take ya all. Git in!" But there is a burst of laughter and shouting: “That ol’ nag ain't good for nothin'!" “Hey, Mikolka, you must be outta yer head to hitch that ol' mare to yer cart!" “That poor ol' horse must be twenty if she's a day, lads!" “Git in, I'll take ya all!" Mikolka shouts again,jumping in first, taking hold of the reins, and standing up straight in the front of the cart. “Matvei went off with the bay," he cries from the cart, “and as for this ol' mare here, lads, she's only breakin' my heart: I don't give a damn ifit kills ’er; she ain't worth her salt. Git in, I tell ya! I'll make 'er gallop! She’ll gallop, all right!" And he takes the whip in his hand, getting ready to thrash the horse with delight. "What the hell, git in!" laugh several people in the crowd. "You heard 'im, she'll gallop!" “I bet she ain't galloped in ten years!" "She will now!" “Don't pity 'er, lads; everyone, bring yer whips, git ready!" "That's it! Thrash 'er!" They all clamber into Mikolka's cart with guffaws and wisecracks. There are six lads and room for more. They take along a peasant woman, fat and ruddy. She's wearing red calico, a headdress trimmed with beads, and fur slippers; she‘s cracking nuts and cackling. The crowd’s also laughing; as a matter of fact, how could one keep from laughing at the idea of a broken down old mare about to gallop, trying to pull such a heavy load! Two lads in the cart grab their whips to help Mikolka. The shout rings out: “Pull!" The mare strains with all her might, but not only can’t she gallop, she can barely take a step forward; she merely scrapes her hooves, grunts, and cowers from the blows of the three whips raining down on her like hail. Laughter redoubles in the cart and among the crowd, but Mikolka grows angry and in his rage strikes the little mare with more blows, as if he really thinks she’ll be able to gallop. “Take me along, too, lads!" shouts someone from the crowd who’s gotten a taste of the fun. “Git in! Everyone, git inl" cries Mikolka. “She'll take everyone. I‘ll flog 'er!" And he whips her and whips her again; in his frenzy, he no longer knows what he’s doing. “Papa, papa," the boy cries to his father. “Papa, what are they doing? Papa, they‘re beating the poor horse!" “Let's go, let's go!" his father says. “They’re drunk, misbehaving, those fools: let’s go. Don't look!" He tries to lead his son away. but the boy breaks from his father‘s arms; beside himself, he runs toward the horse. But the poor horse is on her last legs. Gasping for breath, she stops, and then tries to pull again, about to drop. “Beat 'er to death!" cries Mikolka. ”That's what it's come to. I‘ll flog ‘er!" “Aren't you a Christian. you devil?" shouts one old man from the crowd. “Just imagine, asking an ol' horse like that to pull such a heavy load,” adds another. “You‘ll do 'er in!" shouts a third. “Leave me alone! She’s mine! I can do what I want with 'er! Git in, all of ya! Everyone git in I'm gonna make 'er gallop!
Fyodor Dostoevsky (Crime and Punishment)
Faith, if the truth were known, I was begot After some gluttonous dinner; some stirring dish Was my first father. When deep healths went round, And ladies' cheeks were painted red with wine, Their tongues as short and nimble as their heels, Uttering words sweet and thick, and when they rose Were marrily disposed to fall again: Oh, damnation met The sin of feasts, drunken adultery! I feel it swell me; my revenge is just: I was begot in impudent wine and lust (...) As for my brother, the duke's only son, Whose birth is more beholding to report Than mine, and yet perhaps as falsely sown, I'll loose my days upon him, hate all I.
Thomas Middleton (The Revenger's Tragedy)
True, Mama, but he’ll find it a difficult job to govern the country with nothing but the High Tories to support him. And whatever you think of their politics, Huskisson and Palmerston are very able men the country can ill afford to lose. William Lamb was doing a good job in Ireland, too.’ ‘Poor William Lamb,’ Lucy said — his name always seemed to couple itself with the epithet quite automatically. ‘He needs office to keep his mind from his domestic troubles.’ ‘Sendin’ him to Ireland was goin’ rather too far, though,’ Theakston commented solemnly. ‘No good cuttin’ off a man’s head to cure him of a headache.’ ‘Well, he’d have been back soon enough anyway,’ said Lucy. ‘That drunken ruin of a father of his can’t last much longer, and then he’ll be taking his seat in the Lords as Lord Melbourn.’ ‘His sister thinks he’ll be Prime Minister one day,’ said her husband. ‘Said so to Mrs Arbuthnot yesterday.’ Lucy was dismissive. ‘She would say something like that! I can’t bear Emily Cowper at any price,’ she said impatiently; and then, ‘Where did you see Mrs Arbuthnot?
Cynthia Harrod-Eagles (The Devil's Horse (The Morland Dynasty, #16))
Szeth stood and began to pick his way through the room. The revelry had lasted long; even the king had retired hours ago. But many still celebrated. As he walked, Szeth was forced to step around Dalinar Kholin—the king’s own brother—who slumped drunken at a small table. The aging but powerfully built man kept waving away those who tried to encourage him to bed. Where was Jasnah, the king’s daughter? Elhokar, the king’s son and heir, sat at the high table, ruling the feast in his father’s absence. He was in conversation with two men, a dark- skinned Azish man who had an odd patch of pale skin on his cheek and a thinner, Alethi- looking man who kept glancing over his shoulder.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
He taught that the “great priest” (i.e., the Pope) dishonours the Saviour by taking to himself the Divine power to forgive sins, which God has reserved for Himself alone. “God has borne witness that he Himself remits sins and blots out men’s iniquities through Christ who died for the sins of men. As to this, the testimony of faith is that He is the Lamb of God who took away sins and forgives the world, possessing in Himself the unique right of forgiving sins, because He is Himself at once God and man. And on this account He died as a man for sins and gave Himself to God on the cross as an offering for sins. Thus God obtained by Him and His pains the forgiveness of the sins of the world. So He alone has the power and right to forgive men their sins. Therefore, the great priest, in utmost pomp with which he raises himself above all that is called God, as a robber has laid hands on these rights of Christ. He has instituted the pilgrimage to Rome through which sins are to be cleansed away. Therefore, drunken crowds run together from all lands, and he, the father of all evil, distributes his blessing from a high place to the crowds that they may have the forgiveness of all sins and deliverance from all judgement. He saves from hell and purgatory, and there is no reason why anyone should go there. Also he sends into all lands tickets, for money, which ensure deliverance from all sins and pains; they do not even need to take the trouble to come to him, they have only to send the money and all is forgiven them. What belongs to the Lord alone, this official has taken to himself, and he draws the praise which belongs to his Lord, and becomes rich through the sale of these things. What is left for Christ to do for us when His official frees us from all sins and judgement and can make us just and holy? It is only our sins that stand in the way of our salvation. If the great priest remits all these what shall the poor Lord Jesus do? Why does the world neglect Him so and does not seek salvation from Him? Simply on this account that the great priest overshadows Him with his majesty and makes Him darkness in the world, while he, the great priest, has a great name in the world and unexampled renown. So that the Lord Jesus, already crucified, is held up to the world’s laughter, and the great priest only is in everyone’s mouth, and the world seeks and finds salvation in him.
E.H. Broadbent (The Pilgrim Church: Being Some Account of the Continuance Through Succeeding Centuries of Churches Practising the Principles Taught and Exemplified in The New Testament)
He quite certainly shouldn't care: and still he feels a hot sick bubbling in his gut, as if he'd drunk turned milk, or been on a drunken spree. Or been spurned in love, since damn fools seem to take that uncommonly serious, and stick knives in their guts over it all the time, in poems and plays. Romeo and Juliet, being one example, that he's read half a dozen times but never thought to see played out on the stage. Except that Ree took it into his head not a month ago, to take him to the theatre at Stratford to see it. The play's practically seditious when you think about it: Shakespeare's tale of forbidden love between a free-born human lad, and the high-born wolf-girl from the family that had owned then freed his father. At least old Will didn't go so far as to make the boy a slave, else he'd probably have found himself clapped in irons for thanks for his labour. Though of course as a wolf himself, for all his relatively low-status till he won fame from his quill, he'd less to fear than a human would have had. And even a wolf audience can sigh and dab their eyes over a tragic romance, between the two classes of men. As long as the powerless class gets no ideas of acting on that offensive gush of sentimentality.
Alex Ankarr (Wolf Runaway (Wolf Wars #2))
Excuse me, but I’m different from you, running around with your snooty whores. You’re good enough to say that I’m a whore myself. A drunken whore, a slut no decent man would marry, the leavings of a woman who can’t tell her own mother and father where she’s living. All right. But let me tell you something. when someone pushes my man so far that he can’t fight back and then half kills him—I don’t care who it is, my own brother or who, he’s not going to get away with it. You call yourself a man, do you? You had your nerve hitting him. Now I know the sort of brother I have, and I’m ashamed. Ashamed before the whole world. Pig. Skirt-chasing pig.
Saisei Murō
In rambling drunken confession, the father gave forth his guilt as though it belonged to anyone who roused.
Anne Rice (Blood And Gold (The Vampire Chronicles, #8))
Now secular education is universal. So now we must include in formal education of our youth some teaching of compassion and basic ethics, not on the basis of religious belief but on the basis of scientific findings and our common sense and our universal experience. Just complaining about the present situation is not much help. It is very difficult to deal with our current world crises because of our basic mentality. As you mentioned, your father was usually a very good man, but when he was drunk he behaved badly. Today I think many human beings are drunk. They have too many negative emotions like greed, fear, and anger dominating their minds. So they act like drunk people. “The only way out of this drunken stupor is to educate children about the value of compassion and the value of applying our mind. We need a long-term approach rooted in a vision to address our collective global challenges. This would require a fundamental shift in human consciousness, something only education is best suited to achieve. Time never waits. So I think it is very important that we start now. Then maybe the new generation will be in a position to solve these global problems in their lifetime.
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so . . . yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they? Whence came their swords? Why do they obey?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or . . . another?
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
You heard his storm-troopers shout their "Juda verrecke!" You heard him denounce us Jews, threaten us, revile us.' 'Yes, I did. But will you believe me, Herr Klaar, that I and thousands like me, didn't take all that seriously? After what I saw today I know that I was wrong. But believe me, I thought all that anti-Jewish propaganda was just rabble-rousing, something for that drunken SA mob. I ignored it and thought it unimportant. I felt certain all that would be forgotten once Hitler came to power, that ...' 'And the Nuremberg laws?' Father interrupted her. She thought a little while before replying. 'Yes,' she said, 'you're right to ask me that question. What shall I say? Of course, I know about them., but I also know now that I pushed that knowledge away from me. It won't be as bad as it sounds, I thought, and that injustice, I persuaded myself, had to be put on the scales and weighed against Hitler's achievements. Nearly six million unemployed were found jobs. Germany was strong and respected again, the same of Versailles was wiped out. Yes, I looked for the good things and was intentionally blind to the bad. I am sorry, Stella, I wanted so much to believe.
George Clare (Last Waltz in Vienna)
The way the girls used the word, "chueca" stood for bent lives, bent minds -- not the narrow, straight existence that girls were expected to have. Not these girls -- abused by drunken fathers, humiliated by scornful mothers, beaten by raging brothers. They were pushed into all kinds of shape by forces stronger than their innocence could withstand. They also felt harder than most girls, survivors, who took the worst beatings, sexual assaults, putdowns, and were still able to stand up without tears and declare, "You ain't changed me." Their hearts were bent, but not broken.
Luis J. Rodríguez (The Republic of East L.A.)
him. He had left home when he was seven. His drunken father, a burly dock-worker, enraged by the arrival of an albino son, beat his mother regularly, blaming her for the boy’s embarrassing condition. When the boy tried to defend her, he too was badly beaten. One night, there was a horrific fight, and his mother never got up. The boy stood over his lifeless mother and felt an unbearable upwelling of guilt for permitting it to happen. This is my fault!
Dan Brown (The da Vinci Code (Robert Langdon, #2))
He'd unbuttoned his shirt so the night breeze would soothe him; his body always ran too hot. The blood. Too hot. The large, gold crucifix on his neck, dangling to his thick chest hairs, caught there, and winked in the candlelight. His childhood prayers. For food. Warmth. His beloved mother. That the cruelty of his father. Stop. No more. Beatings. He never. Stopped. Beating her. Mama. [...] Pompeii remembered - like tuning into a clear TV channel - his mother's gentle face. Her fingertips on his boy's face, calming him to sleep. The sound of his father's drunken entrance, when she would hold her breath, stop stroking his boy face.
Alma Luz Villanueva (Song of the Golden Scorpion)
Mid June 2012 …Continuing Bernard’s story, the adolescent did not adjust well to his first foster home. I spend time with him whenever I could. The poor boy was bullied relentlessly in school and I feared that the bullies, like KiWi and his gang of 3 would eventually drive the boy to suicidal attempts. One day when we met he was crying uncontrollably. After inviting him to have high tea with me at my hostel, he finally confided his secret. Besides suffering the wrath of his father’s drunken beatings; his older brother Jack was as much a tyrant like the old man. Jack had raped the adolescent when he refused his brother’s advances. Bernard was afraid to tell the Reverend in case the minister confronts the brother and he was petrified that his older sibling would come for revenge. By now Bernard was shaking uncontrollably. I had to embrace the boy to calm his distress. It was my duty to report this violent act to Pastor Rick which I did. The Reverend like me was astonished that there was so much abuse in the dysfunctional McGee household. Besides being afraid of his brother and father, Bernard was also bullied by an older boy in his foster home. Nick was taking advantage of the meek and genteel Bernard, ordering him around when his parents were not in the house. My heart reached out to my friend. I offered to assist him anyway I could. He ended up staying with me at the hostel for two months before I departed for London. By then, the Pastor had found the boy a stable family where he was well taken care of.
Young (Unbridled (A Harem Boy's Saga, #2))
Some days I would take the train into Manhattan. There was so much money everywhere, money flowing out of bistros and cafes, money pushing the people at incredible speeds, up the wide avenues, money drawing intergalactic traffic through Times Square, money in the limestones and brownstones, money out on West Broadway where white people spilled out of wine bars with sloshing glasses and without police. I would see these people at the club, drunken, laughing, challenging break dancers to battles. They would be destroyed and humiliated in these battles. But afterward they would give dap, laugh, order more beers They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother ad father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
The acts of the flesh are obvious: sexual immorality, impurity and debauchery; idolatry and witchcraft; hatred, jealousy, discord, fits of rage, selfish ambition, dissensions, factions and envy; drunkenness, orgies, and the like. I warn you, as I did before, that those who live like this will not inherit the kingdom of God. —GALATIANS 5:19–21 HEY, JACK, I’M kind of a simple guy, and I like it when things are spelled out in plain English. The passage above has always helped me, because of its simple description of sin. Some people try to “build a case” for why certain behavior is sinful, out of line, or wrong. They use a “connect the dots” kind of approach to show that this brother or that sister is out of line and needs to be corrected. Paul simply says sin is obvious, and then he lists the sins for us! That helps keep me on the straight and narrow. Prayer Father, thank You for being so clear about the kind of life You want us to live. Forgive me for the times I have ignored Your teachings and done things my own way. I want to be like You, and I want to help others do the same. In Jesus, I pray, amen. —Si
Alan Robertson (The Duck Commander Devotional)
Outrageous grace is God’s goodness that comes looking for you when you have nothing but a middle finger flipped in the face of God to offer in return. It’s a farmer paying a full day’s wages to a crew of deadbeat day laborers with only a single hour punched on their time cards (Matthew 20:1 – 16). It’s a man marrying an abandoned woman and then refusing to forsake his covenant with her when she turns out to be a whore (Ezekiel 16:8 – 63; Hosea 1:1 — 3:5). It’s the insanity of a shepherd who puts ninety-nine sheep at risk to rescue the single lamb that’s too stupid to stay with the flock (Luke 15:1 – 7). It’s the love of a father who hands over his finest rings and robes to a young man who has squandered his inheritance on drunken binges with his fair-weather friends (Luke 15:11 – 32). It’s God’s choice to save a slave trader knowing full well that it would take a decade for this man to recognize the wretchedness of his ways. It’s one-way love that calls you into the kingdom not because you’ve been good but because God has chosen you and made you his own. And now he is chasing you to the ends of the earth to keep you as his child, and nothing in heaven or hell can ever stop him.
Daniel Montgomery (PROOF: Finding Freedom through the Intoxicating Joy of Irresistible Grace)
But what of Ham? It didn’t matter if he told anyone about his drunken father or not, if he chided him or tried to dress him, if he lifted his struggling body back into bed, if he took his hand and told him where to place his feet, none of this changed the fact of what he’d seen. It’s possible he opened a door innocently, followed the sound of Noah’s voice cursing God and the sky, possible he didn’t even look, that he turned away before seeing. And it’s likely that Noah hadn’t noticed the door opening, couldn’t have told you who had come in, which son, wouldn’t remember anyway. Apparently it’s God’s call. Ham saw his father drunken and naked, and for this he was cursed, and all of his offspring, and the races that led from these offspring, accursed forever.
Nick Flynn (Another Bullshit Night in Suck City)
Mrs. Brown, I hurried over as soon as I heard..." Ollie Clark ducked through the low front door and removed his hat as he noticed Lily sitting in the old rocker she had brought with her from Mississippi. His gaze stopped at the child at her feet. "Come in, Mr. Clark, have a seat. You've had word of Jim?" Lily’s breath caught in her lungs as she waited for the words she didn't want to hear. Ollie took the overlarge wing chair that had once decorated a bedroom parlor and wrung his hat between his hands. "No, ma'am, I didn't mean to get your hopes up none. I was talkin' 'bout Cade. The boys were just funnin' about him the other day. He's a drunken half-breed, Mrs. Brown. You don't want the likes of him about the place. Let me explain things to him and send him on his way. It ain't right for a respectable lady like yourself to have to deal with a man like that." "I can't dismiss a man without giving him a chance, Mr. Clark. Even drunk, he's showed more sense than some sober men I could name. If Colonel Martin could use him, I don't see why I can't." He took a deep breath. "He ain't even white, Lily. You'll give me permission to call you Lily?" When she didn't reply, Ollie hurried on. "He's half-Indian, half-Mexican. You'd be better off hiring one of your father's slaves. At least they listen when you whip them. Cade's more likely to turn and kill you. He's done it before. You've got to get him out of here." Ollie was speaking sense from his own point of view. Beneath his placid exterior. Cade undoubtedly had a violent temper. Lily had seen evidence of that already. And Ralph had told her he'd been in prison for killing another man. So Ollie was speaking the truth, but only one side of the truth. Lily knew all about that kind of lie. "I'll give Cade his chance, Mr. Clark. Jim would want it that way." Lily watched gleefully as she used this two-edged sword to make Clark squirm. How many times had she resentfully heard those words when the men wouldn't listen to her? Clark scowled and rose. "Jim wouldn't have taken on a drunken Indian. I'll set about finding you a decent man to help out. You'll be needing him soon enough." He gave the child on the floor another glance, one of puzzlement, but he didn't ask the question that obviously was on his mind. And Lily didn't answer it. Sweetly, she held out her hand and offered her best Southern-belle smile. "I'm so grateful for your concern, Mr. Clark. Please do come and visit sometime. Perhaps you could bring Miss Bridgewater. I'd be happy for the company." The name of the young girl whom the town gossip had Clark courting only brought a milder frown to his handsome face. "That's mighty kind of you, Mrs. Brown. I hope you hear from Jim soon." Lily watched him go with a sigh of relief and a small sense of triumph. She didn't know why Ollie Clark was suddenly so all-fired concerned with her welfare, but surely she had set him properly in his place. Now,
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
This is your idea of a bribe?" Solomon's brow was still lifted. The Captain laughed roundly. They let her stand there, feeling hopelessly foolish. "Don;t you want me?" she murmured, almost convincingly. "Turn around, girl," Solomon spat out. Now it was she who felt dirty. Roxanne managed to cover herself before the Captain laid his hands on her to drag her out. Wait!" she cried. The worst thing Roxanne had ever had to do was beat the body of a filthy, drunken man off her mother with Claude standing nearby, wringing his hands as he witnessed the scene. This was so much worse. This...this would haunt her forever. But she had no choice. "Wait, please. I do have one more thing." She spoke quickly enough that she could not turn back. "If you spare my brother," she began, "I'll give you the name of a witch." This got Solomon's attention. "Now that is worth something.
Sarah Blakley-Cartwright (Red Riding Hood)
Lances, leaning like drunken soldiers standing guard, lined the perimeter of the property, feathers fluttering, their slender shafts black lines in the moonlight. Henry had learned his lesson after the Comancheros’ visit. This time he had let the lances be. Loretta wondered which was Hunter’s. If she knew, she could take it inside and keep it in the loft. A keepsake for her baby. The child might never have anything else. Tipping her head back, she studied the moon. Mother Moon, Hunter called it. The wind caressed her cheeks. Loretta closed her eyes, thinking of the four directions. Below her was Mother Earth. Come morning, Father Sun would show his face in the east. A primitive man’s gods? Loretta smiled. Hunter worshiped the creations of God, the visible signs of His greatness. One God with many faces, whom they each addressed in different ways. Was Hunter out there somewhere, looking up? She wondered. Was he praying? Please, Mother Moon, let him be all right. Lead him in a great circle back to me. Aloud, she whispered, “I love you, Hunter. I need you. Your child needs you.” She hoped her words would float on the wind and speak to him. Tomorrow, when the sun rose, she prayed the golden light would remind him of her, his bright one. Come back to me, Hunter.
Catherine Anderson (Comanche Moon (Comanche, #1))
Once, ten years ago, at a Sunday-afternoon party in some apartment that she remembered now as being labyrinthine, although it probably had only four bedrooms, as opposed to the place she shared with her brother and her father that had two, Mike Shea had seized her by the wrist and pulled her into a dim room and plastered his mouth against hers before she could catch her breath. She had known him since high school, he was part of the crowd she went with then, and he had kissed her once or twice before—she remembered specifically the train station at Fishkill, on a snowy night when they were all coming back from a sledding party—but this was passionate and desperate, he was very drunk, and rough enough to make her push him off if he had not, in the first moment she had come up for air, gently taken off his glasses and placed them on a doilied dresser beside them, and then, in what seemed the same movement, reached behind her to lock the door. It was the odd, drunken gentleness of it, not to mention the snapping hint of danger from the lock, that changed her mind. And after two or three rebukes when he tried to get at the buttons that ran up the back of her dress, she thought, Why not, and although her acquiescence seemed to slow him down a bit, as if he was uncertain of the next step, she was enjoying herself enough by then to undo the last button without prompting and then to pull her bare shoulder and arm up out of the dress—first one then the other—and to pull dress and slip (she didn’t wear a bra, no need) down to her waist in a single gesture. And then—was it just the pleasure of the material against her bare flesh, his shirt front, her wool?—she slowly pushed dress and slip and garter belt and stockings down over her narrow hips until they fell to her feet. And then she stepped out of her shoes. (“Even the shoes?” the priest had whispered in the confessional the following Saturday, as if it was more than he could bear, or imagine—as if, she thought later, he was ready to send her to perdition or ask her for a date.)
Alice McDermott (After This)
what I mean is I actually loved doing it.  I was standing there kicking the shit out of my drunken father and loved every minute of it.  If I enjoyed doing that, think how great it would be to actually beat him to death.” “Come
G. Lusby (Rage !)
You have hardly started living, and yet all is said, all is done. You are only twenty-five, but your path is already mapped out for you. The roles are prepared, and the labels: from the potty of your infancy to the bath-chair of your old age, all the seats are ready and waiting their turn. Your adventures have been so thoroughly described that the most violent revolt would not make anyone turn a hair. Step into the street and knock people's hats off, smear your head with filth, go bare-foot, publish manifestos, shoot at some passing usurper or other, but it won't make any difference: in the dormitory of the asylum your bed is already made up, your place is already laid at the table of the poètes maudits; Rimbaud's drunken boat, what a paltry wonder: Abyssinia is a fairground attraction, a package trip. Everything is arranged, everything is prepared in the minutest detail: the surges of emotion, the frosty irony, the heartbreak, the fullness, the exoticism, the great adventure, the despair. You won't sell your soul to the devil, you won't go clad in sandals to throw yourself into the crater of Mount Etna, you won't destroy the seventh wonder of the world. Everything is ready for your death: the bullet that will end your days was cast long ago, the weeping women who will follow your casket have already been appointed. Why climb to the peak of the highest hills when you would only have to come back down again, and, when you are down, how would you avoid spending the rest of your life telling the story of how you got up there? Why should you keep up the pretence of living? Why should you carry on? Don't you already know everything that will happen to you? Haven't you already been all that you were meant to be: the worthy son of your mother and father, the brave little boy scout, the good pupil who could have done better, the childhood friend, the distant cousin, the handsome soldier, the impoverished young man? Just a little more effort, not even a little more effort, just a few more years, and you will be the middle manager, the esteemed colleague. Good husband, good father, good citizen. War veteran. One by one, you will climb, like a frog, the rungs on the ladder of success. You'll be able to choose, from an extensive and varied range, the personality that best befits your aspirations, it will be carefully tailored to measure: will you be decorated? cultured? an epicure? a physician of body and soul? an animal lover? will you devote your spare time to massacring, on an out-oftune piano, innocent sonatas that never did you any harm? Or will you smoke a pipe in your rocking chair, telling yourself that, all in all, life's been good to you?
Georges Perec (Un homme qui dort)
Instead, she is left picking up the pieces of a drunken, gambling womanizer; a despicable son of who squandered all the family jewels that fell like manna into his slippery lap. I hate him. My father’s dead— and I still hate him.
Lisa Barr (Woman on Fire)
The consumer society and its harassed citizens had other things to think of. Although it was a month to Christmas, the advertising orgy had begun and the buying hysteria spread as swiftly and ruthlessly as the Black Death along the festooned shopping streets. The epidemic swept all before it and there was no escape. It ate its way into homes and apartments, poisoning and braking down everything and everyone in its path. Children were already howling from exhaustion and fathers of families were plunged into debt until their next vacation. The gigantic legalized confidence trick claimed victims everywhere. The hospitals had a boom in cardiac infractions, nervous breakdowns, and burst stomach ulcers. The police stations downtown had frequent visits from the outriders of the great family festival, in the shape of Santa Clauses who were dragged blind drunk out of doorways and public urinals. . .two exhausted patrolmen dropped a drunken Father Christmas in the gutter when they tried to get him into a taxi.
Maj Sjöwall (The Laughing Policeman (Martin Beck, #4))
the father a traitor to England, the son weak willed and impulsive and drunken, Barnard half a dev il, even Carruthers a corruptible old toad.
Charles Finch (The Fleet Street Murders)
Behind the counters, women in visors work without stopping. It’s a beautiful, holy place. A cafeteria full of people from all over the world who have been displaced in a foreign country, each with a different history. Where did they come from and how far did they travel? Why are they all here? To find the galangal no American supermarket stocks to make the Indonesian curry that their father loves? To buy the rice cakes to celebrate Jesa and honor the anniversary of their loved one’s passing? To satisfy a craving for tteokbokki on a rainy day, moved by a memory of some drunken, late-night snack under a pojangmacha tent in Myeong-dong?
Michelle Zauner (Crying in H Mart)
Adem had spent his entire childhood torn between two fathers: his sober baba and his drunken baba. The two men lived in the same body, but they were as different from each other as night from day. So sharp was the contrast between them that Adem suspected the drink his father downed every evening to be some kind of magic potion. It didn’t morph frogs into princes or dragons into witches, but it changed the man he loved into a stranger.
Elif Shafak (Honor)
They lumbered in an awkward embrace. The Northman tried to beat at him with the haft of his mace, trip him, shake him off. Gorst held tight. He was vaguely aware of fighting around them, of men locked in their own desperate struggles, of the screams of tortured flesh and tortured metal, but he was lost in the moment, eyes closed. When was the last time I truly held someone? When I won the semi-final in the contest, did my father hug me? No. A firm shake of the hand. An awkward clap on the shoulder. Perhaps he would have hugged me if I’d won, but I failed, just as he said I would. When, then? Women paid to do it? Men I scarcely know in meaningless drunken camaraderie? But not like this. By an equal, who truly understands me. If only it could last…
Joe Abercrombie (The Heroes (First Law World #5))
Many sons and daughters who have these feelings against their father, according to this psychologist, engage in promiscuous behavior, drunkenness, gambling, and other antisocial acts that they know will embarrass the authority figure in his world.
Nelson DeMille (The General's Daughter)
All the famous people had had an awful time. One of them had had a drunken father. Another had a stammer. Another had to wash hundreds of dirty bottles. They had all had what was called a difficult childhood. Clearly you had to have one if you wanted to become famous.
Judith Kerr ([(When Hitler Stole Pink rabbit/Bombs on Aunt Dainty )] [Author: Judith Kerr] [Apr-2012])
His father’s drunkenness was the bad thread woven into the fabric of the family. It should have been snapped, the way his mother snapped an errant thread as she ran her sewing machine.
Teresa Tumminello Brader (Letting in Air and Light)
But this author has been curious as to why Noah's wife was absent during all of this in Genesis 9. It seemed strange that it was the responsibility of Shem and Japheth to cover their father, unless Noah's wife was gone or perhaps had already died (perhaps the very reason for Noah's state of drunkenness).
Bodie Hodge (Tower of Babel)
Some days I would take the train into Manhattan. There was so much money everywhere, money flowing out of bistros and cafés, money pushing the people, at incredible speeds, up the wide avenues, money drawing intergalactic traffic through Times Square, money in the limestones and brownstones, money out on West Broadway where white people spilled out of wine bars with sloshing glasses and without police. I would see these people at the club, drunken, laughing, challenging breakdancers to battles. They would be destroyed and humiliated in these battles. But afterward they would give dap, laugh, order more beers. They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
The fixers would erase all traces of the incident: the police would be paid off; the report would disappear. To the public at large, he’d continue to be a gallant husband, doting father, and responsible citizen—the very paragon of contemporary masculinity. Any whispers of chronic drunkenness would be silenced by well-placed mentions in the gossip columns concerning his commitment to his adoring children and devoted wife.
Anne Helen Petersen (Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema)
Prince Aerys … as a youth, he was taken with a certain lady of Casterly Rock, a cousin of Tywin Lannister. When she and Tywin wed, your father drank too much wine at the wedding feast and was heard to say that it was a great pity that the lord’s right to the first night had been abolished. A drunken jape, no more, but Tywin Lannister was not a man to forget such words, or the … the liberties your father took during the bedding.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Just complaining about the present situation is not much help. It is very difficult to deal with our current world crises because of our basic mentality. As you mentioned, your father was usually a very good man, but when he was drunk he behaved badly. Today I think many human beings are drunk. They have too many negative emotions like greed, fear, and anger dominating their minds. So they act like drunk people. The only way out of this drunken stupor is to educate children about the value of compassion and the value of applying our mind. We need a long-term approach rooted in a vision to address our collective global challenges.
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
The Reverend William Holland, a Somerset clergyman whose background and status were similar to that of Jane Austen’s father, was forthright in his views about some of the lower classes: ‘They expect to be kept in idleness or supported in extravagance and drunkenness. They do not trust to their own industry for support. They grow insolent, subordination is lost and [they] make their demands on other people’s purses as if they were their own.
Roy A. Adkins (Jane Austen's England: Daily Life in the Georgian and Regency Periods)
No, what little inspiration I have in life comes not from any sense of racial pride. It stems from the same age-old yearning that has produced great presidents and great pretenders, birthed captains of industry and captains of football; that Oedipal yen that makes men do all sorts of shit we’d rather not do, like try out for basketball and fistfight the kid next door because in this family we don’t start shit but we damn sure finish it. I speak only of that most basic of needs, the child’s need to please the father. Many fathers foster that need in their children through a wanton manipulation that starts in infancy. They dote on the kids with airplane spins, ice cream cones on cold days, and weekend custody trips to the Salton Sea and the science museum. The incessant magic tricks that produced dollar pieces out of thin air and the open-house mind games that made you think that the view from the second-floor Tudor-style miracle in the hills, if not the world, would soon be yours are designed to fool us into believing that without daddies and the fatherly guidance they provide, the rest of our lives will be futile Mickey Mouseless I-told-ya-so existences. But later in adolescence, after one too many accidental driveway basketball elbows, drunken midnight slaps to the upside of our heads, puffs of crystal meth exhaled in our faces, jalapeño peppers snapped in half and ground into our lips for saying “fuck” when you were only trying to be like Daddy, you come to realize that the frozen niceties and trips to the drive-thru car wash were bait-and-switch parenting. Ploys and cover-ups for their reduced sex drives, stagnant take-home pay, and their own inabilities to live up to their father’s expectations. The Oedipal yen to please Father is so powerful that it holds sway even in a neighborhood like mine, where fatherhood for the most part happens in absentia, yet nevertheless the kids sit dutifully by the window at night waiting for Daddy to come home. Of course, my problem was that Daddy was always home.
Paul Beatty (The Sellout)
Now secular education is universal. So now we must include in formal education of our youth some teaching of compassion and basic ethics, not on the basis of religious belief but on the basis of scientific findings and our common sense and our universal experience. Just complaining about the present situation is not much help. It is very difficult to deal with our current world crises because of our basic mentality. As you mentioned, your father was usually a very good man, but when he was drunk he behaved badly. Today I think many human beings are drunk. They have too many negative emotions like greed, fear, and anger dominating their minds. So they act like drunk people. “The only way out of this drunken stupor is to educate children about the value of compassion and the value of applying our mind.
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
Genesis 9:18–27. This is the account of the debauchery of Noah, and the indiscreet discovery of his naked drunkenness by his son Ham. Ham told his brothers of their father’s condition, but they, averting their eyes from the humiliating sight, did not see what Ham had seen, and were therefore spared the curse that Noah
Peter J. Gomes (The Good Book: Reading the Bible with Mind and Heart)
One Christmas Eve in my childhood, my dad asked if I wanted to leave alcohol out for Santa. I agreed but said to only leave a little as I was afraid I'd wake up on Christmas morning and see Santa drunkenly circling over our house in his sleigh.
Stewart Stafford
I mean, what is a family anyway but the organized cruelty of the state shrunk down, uppercase “Daddy” swapped for the lowercase? The silence of mothers to their daughters; the drunken absence of fathers; vicious sibling rivalries impinging upon the small, threatened field of love. Yes, there is love, and I don’t mean to dismiss it. But given form through the family, the love is so often not an exception to but a part of the disavowals of private citizenship. Circle the wagons, there’s not enough of our meager portion to share with others. My grandmother, a Brazilian expatriate, sat in a living room in Florida in 1980 and watched the footage on television of the Salvadoran military massacring people attending the funeral of Archbishop Óscar Romero. She commented to my father, her son-in-law, that that was what they got for rebelling against the government. Should such people be loved? In a world where we are not always forced to make our positions visible, we live warily with our enemies, fingering our weapons, waiting for the drawing of lines.
Laura Martin (Enemies/Enemigos)