Aiming For The Sky Quotes

The sky is the limit... for some people aim higher nothing is impossible.

The world makes things for each place. Fish for the sea, Rocs for the mountain skies, and girls with sun in their skin and perfect aim for a desert that doesn't let weakness live.

Who says you cannot hold the moon in your hand? Tonight when the stars come out and the moon rises in the velvet sky, look outside your window, then raise your hand and position your fingers around the disk of light. There you go . . . That was easy!

Go higher and higher, until it becomes impossible to bring you down, I wanna use a microscope to locate you, don't even dream of coming down.

I've called in the oracles and they were communing with the Fates. But you know how they are. I'm sure it'll come back as 'When the sky is green,m and the earth turns black, the Daimons will give you lots of flack. To kill the great awful one you seek, you'll have to find something unique.' Or some bullshit like that. I really hate Oracles. If I wanted to play mind games, I'd buy a Rubik's Cube. (Acheron) I don't know, Ash, you're pretty good at that. Sure you don't want to take up an Oracle position? (Kyrian) Picture this, General, my middle finger is extended all the way up, and aimed right at you. Now let me work. I have Daimons to track, Dark-Hunters to antagonize, and women to seduce. (Acheron)

Pa I did exactly as you said, Pa I held my head up high.. Even before we got to ten I was aiming for the sky I was aiming for the sky

The Sun and the Moon Aim for a love that reminds you of the devotion the sun has to the moon. Whether she is in fractions or she is whole, he still shrouds his intense light in the darkness of the night. To give her the entire sky, without judgment, so she can shine in any way she wants to. You deserve someone who adores you on the days you are in broken fragments too. You deserve someone who lets you glow in every way you need to.

For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.

Art, literature, and philosophy are attempts to found the world anew on a human freedom: that of the creator; to foster such an aim, one must first unequivocally posit oneself as a freedom. The restrictions that education and custom impose on a woman limit her grasp of the universe...Indeed, for one to become a creator, it is not enough to be cultivated, that is, to make going to shows and meeting people part of one's life; culture must be apprehended through the free movement of a transcendence; the spirit with all its riches must project itself in an empty sky that is its to fill; but if a thousand fine bonds tie it to the earth, its surge is broken. The girl today can certainly go out alone, stroll in the Tuileries; but I have already said how hostile the street is: eyes everywhere, hands waiting: if she wanders absentmindedly, her thoughts elsewhere, if she lights a cigarette in a cafe, if she goes to the cinema alone, an unpleasant incident can quickly occur; she must inspire respect by the way she dresses and behaves: this concern rivets her to the ground and self. "Her wings are clipped." At eighteen, T.E. Lawrence went on a grand tour through France by bicycle; a young girl would never be permitted to take on such an adventure...Yet such experiences have an inestimable impact: this is how an individual in the headiness of freedom and discovery learns to look at the entire world as his fief...[The girl] may feel alone within the world: she never stands up in front of it, unique and sovereign.

It made her sad to realise that in spite of their so often having the same reactions, the same feelings, they never would reach the same conclusions, because their respective aims in life were almost diametrically opposed.

Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.

My God, my aim and my fulfillment; I am thy yesterday and thou are my tomorrow. I am they root in the earth and thou art my flower in the sky, and together we grow before the face of the sun.

the true nature of the human heart is as whimsical as spring weather. All signals may aim toward a fall of rain when suddenly the skies will clear.

like the scorpion's question mark drawn in the pollen on the canvas of the sky and of our brains at midnight

You've got to shake your fists at lightning now, you've got to roar like forest fire You've got to spread your light like blazes all across the sky They're going to aim the hoses on you, show 'em you won't expire Not till you burn up every passion, not even when you die Come on now, you've got to try, if you're feeling contempt, well then you tell it If you're tired of the silent night, Jesus, well then you yell it Condemned to wires and hammers, strike every chord that you feel That broken trees and elephant ivories conceal

I am. I think. I will. My hands. . . My spirit . . . My sky . . . This earth of mine . . . . What more must I say besides? These are the words. This is the answer. I stand here on the summit of the mountain I lift my head and I spread m arms. This, my body and spirit, this is the end of the quest. I wished to know the meaning of things. I am the meaning. I wished to find a warrant for being. I need no warrant for being, and no word of sanction upon my being. I am the warrant and the sanction. It is my eyes which see, and the sight of my eyes grants beauty to the earth. It is my ears which hear, and the hearing of my ears gives its song to the world. It is my mind which thinks, and the judgment of my mind is the only searchlight that can find the truth. It is my will which chooses, and the choice of my will is the only edict I must respect. . . . Whatever road I take, the guiding star is within me; the guiding star and the loadstone which point the way. They point in but one direction. They point to me. I know not if this earth on which I stand is the core of the universe or if it is but a speck of dust lost in eternity. I know not and I care not. For I know what happiness is possible to me on earth. And my happiness needs no higher aim to vindicate it. My happiness is not a means to any end. It is the end. It is its own goal. It is its own purpose. Neither am I the means to any end others may wish to accomplish. I am not a tool for their use. I am not a servant of their needs. I am not a bandage on their wounds. I am not a a sacrifice on their altars. I am a man . . .

In pride, in reasoning pride, our error lies; All quit their sphere and rush into the skies. Pride still is aiming at the blest abodes, Men would be angels, angels would be gods. Aspiring to be gods, if angels fell, Aspiring to be angels, men rebel.

Then she stretches her legs toward the ceiling, aiming for the sky My sister doesn't know that I've already been there

Pa - I did exactly as you said, Pa I held my head up high.. Even before we got to ten - I was aiming for the sky - I was aiming for the sky -

Pa.. I did exactly as you said, Pa.. I held my head up high.. Even before we got to ten.. I was aiming for the sky.. I was aiming for the sky..

Just as a white summer cloud, in harmony with heaven and earth freely floats in the blue sky from horizon to horizon following the breath of the atmosphere – in the same way the pilgrim abandons himself to the breath of the greater life that… leads him beyond the farthest horizons to an aim which is already present within him, though yet hidden from his sight.

At any time in history, gazillions of lives are being lived simultaneously. In Zimbabwe, Thailand, Tasmania, and Borneo, in the poorest hovel and the richest palace, in the sky and on the moon, the lives of ants, plants, gorillas, and people are going on. But we are generally fixated on that infinitesimal thing in the scope of the universe, ourselves.

Your problem is in thinking the sky's the limit. Why set limits?

The leaves did not stir on the trees, cicadas twanged, and the monotonous muffled sound of the sea that rose from below spoke of the peace, the eternal sleep awaiting us. So it rumbled below when there was no Yalta, no Oreanda here; so it rumbles now, and it will rumble as indifferently and as hollowly when we are no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies, perhaps a pledge of our eternal salvation, of the unceasing advance of life upon earth, of unceasing movement towards perfection. Sitting beside a young woman who in the dawn seemed so lovely, Gurov, soothed and spellbound by these magical surroundings - the sea, the mountains, the clouds, the wide sky - thought how everything is really beautiful in this world when one reflects: everything except what we think or do ourselves when we forget the higher aims of life and our own human dignity.

Climb High Climb Far Your Goal The Sky Your Aim The Star

The way the barrel, aimed at the sky, must tighten around a bullet to make it speak

Elsewhere, people like Aunt Emily clack away at their typewriters, spreading words like buckshot, aiming at the shadow in the sky.

I did exactly as you said, Pa.. I held my head up high.. Even before we got to ten.. I was aiming for the sky.. I was aiming for the sky..

I did exactly as you said, Pa... I held my head up high... Even before we got to ten... I was aiming for the sky... I was aiming for the sky...

At ten seconds before the hour, they raise their bows and aim the flaming arrows at the waiting well of curling iron. As the clock begins to chime near the gates, the first archer lets his arrow fly, soaring over the crowd and hitting its mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then the second chime follows, the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow, and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like incandescent wine. Eight, and the flames are shimmering violet. Nine, and the violet shifts to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue. On the penultimate chime, the dancing flames change from blue to black, and for a moment, it is difficult to discount the fire from its cauldron. And on the final strike, the dark flames are replaced with a blinding white, a shower of sparks falling like snowflakes around it. Huge curls of dense white smoke swirl up into the night sky.

Your basic-type jailhouse tatt is homemade with sewing needles from the jailhouse canteen and some blue ink from the cartridge of a fountain pen promoted from the breast pocket of an unaltert public defender, is why the jailhouse genre is always the same night-sky blue. The needle is dipped in the ink and jabbed as deep into the tattooee as it can be jabbed without making him recoil and fucking up your aim. Just a plain ultraminimal blue square like Gately's got on his right wrist takes half a day and hundreds of individual jabs. How come the lines are never quite straight and the color's never quite all the way solid is it's impossible to get all the individualized punctures down to the same uniform deepness in the, like, twitching flesh. This is why jailhouse tatts always look like they were done by sadistic children on rainy afternoons.

Si tu aimes une fleur qui se trouve dans une étoile, c'esit doux, la nuit, de regarder le ciel. Toutes les étoiles sont fleuries. (If you love a flower that lives on a star, it is sweet to look at the sky at night. All the stars are a-bloom with flowers.)

We live today amid ritualized anithumanisms. Among those intelligent enough to feel despair, some seek salvation in the literary artist. Artists love flattery; and the scam doesn't work without mystifying the process. The weather is unpredictable, but it is not mysterious. Wall Street is unpredictable, but it is not mysterious. Writing is unpredictable, (like street and sky, there are too many variables.) Its mystery vanishes, like a shadow, the moment the light aimed at your characters turns back upon yourself.

The conviction that life has a purpose is rooted in every fibre of man, it is a property of the human substance. Free men give many names to this purpose, and think and talk a lot about its nature. But for us the question is simpler. Today, in this place, our only purpose is to reach the spring. At the moment we care about nothing else. Behind this aim there is not at the moment any other aim. In the morning while we wait endlessly lined up in roll-call square for the time to leave for work, while every breath of wind penetrates our clothes and runs in violent shivers over our defenceless bodies, and everything is grey around us, and we are grey; in the morning, when it is still dark, we all look at the sky in the east to spot the first signs of a milder season, and the rising of the sun is commented on every day: today a little earlier than yesterday, today a little warmer than yesterday, in two months, in a month, the cold will call a truce and we will have one enemy less. Today the sun rose bright and clear for the first time from the horizon of mud. It is a Polish sun, cold, white, distant, and only warms the skin, but when it dissolved the last mists a murmur ran through our colourless numbers, and when even I felt its lukewarmth through my clothes I understood how men can worship the sun.

They do the twenty-one-gun salute for the good guys, right? So I brought this.” Beckett pointed the gun in the sky. “For Mouse.” One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen shots exploded from Beckett’s gun. “Who am I fucking kidding? What the hell does a gun shot by me mean? Nothing special, that’s for damn sure. Fuck it.” “For Mouse, who watched over my sister and saved Blake and me from more than we could’ve handled in the woods that night.” Livia nodded at Beckett, and he squeezed the trigger. When the sound had cleared, she counted out loud. “Seventeen.” Kyle stepped forward and replaced Livia at Beckett’s arm. “For Mouse. I didn’t know you well, but I wish I had.” The air snapped with the shot. “Eighteen.” Cole rubbed Kyle’s shoulder as he approached. He took the gun from Beckett’s hand. “For Mouse, who protected Beckett from himself for years.” The gun popped again. “Nineteen.” Blake thought for a moment with the gun pointed at the ground, then aimed it at the sky. “For Mouse, who saved Livia’s life when I couldn’t. Thank you is not enough.” The gun took his gratitude to the heavens. “Twenty.” Eve took the gun from Blake, the hand that had been shaking steadied. “Mouse, I wish you were still here. This place was better when you were part of it.” The last shot was the most jarring, juxtaposed with the perfect silence of its wake. As if the bullet was a key in a lock, the gray skies opened and a quiet, lovely snow shower filtered down. The flakes decorated the hair of the six mourners like glistening knit caps. Eve turned her face to be bathed in the fresh flakes. “Twenty-one,” she said softly, replacing her earpiece.

The aim of marriage, as I feel it, is not by means of demolition and overthrowing of all boundaries to create a hasty communion, the good marriage is rather one in which each appoints the other as guardian of his solitude and shews him this greatest trust that he has to confer. A togetherness of two human beings is an impossibility and, where it does seem to exist, a limitation, a mutual compromise which robs one side or both sides of their fullest freedom and development. “But granted the consciousness that even between the closest people there persist infinite distances, a wonderful living side by side can arise for them, if they succeed in loving the expanse between them, which gives them the possibility of seeing one another in whole shape and before a great sky!

That’s what it’s like to lose a woman. And at a certain time, losing one woman means losing all women. That’s how we become Men Without Women. We lose Percy faith, Francis Lai, and 101 Strings. And ammonites and coelacanths. And we lose her beautiful back. But all of that has vanished. All that remains is an old broken piece of eraser, and the far-off sound of the sailor’s dirge. And the unicorn beside the fountain, his lonely horn aimed at the sky. I hope that M is in heaven now – or somewhere like it. And it would be nice if her thoughts occasionally turn to me. But maybe that’s asking too much. I pray that, even if I’m not part of it, M is happy and at peace, with music playing on into eternity. As one of the Men Without Women, I pray for this with all my heart. At this point prayer seems like the only thing I can do. Probably.

Life`s a gift, aim for the sky

They'd strapped themselves into this explosive hunk of scrap and aimed for the sky. How was this a good idea? How had anyone ever thought this was a good idea?

The Nights can’t shine without stars. Always aim to be the brightest one in our sky.

Aim for the peak and learn while you climb, you won't be the same when you reach the sky

But the true nature of the human heart is as whimsical as spring weather. All signals may aim toward a fall of rain when suddenly the skies will clear.

Don't just aim for the Sky, look further into the stars and reach out to the Galaxy!

Luck is also very key. Aim to be lucky.” Cha Ming gave Elder Ling a fake smile as he broke into an embarrassed sweat. Aim to be lucky? Yep, I’ll give it my all! thought Cha Ming bitterly.

That’s what it’s like to lose a woman. And at a certain time, losing one woman means losing all women. That’s how we become Men Without Women. We lose Percy faith, Francis Lai, and 101 Strings. And ammonites and coelacanths. And we lose her beautiful back. But all of that has vanished. All that remains is an old broken piece of eraser, and the far-off sound of the sailor’s dirge. And the unicorn beside the fountain, his lonely horn aimed at the sky. I hope that M is in heaven now – or somewhere like it. And it would be nice if her thoughts occasionally turn to me. But maybe that’s asking too much. I pray that, even if I’m not part of it, M is happy and at peace, with music playing on into eternity. As one of the Men Without Women, I pray for this with all my heart. At this point prayer seems like the only thing I can do. Probably. - Men Without Women

Diana was the goddess of the hunt and of all newborn creatures. Women prayed to her for happiness in marriage and childbirth, but her strength was so great that even the warlike Amazons worshipped her. No man was worthy of her love, until powerful Orion won her affection. She was about to marry him, but her twin brother, Apollo, was angered that she had fallen in love. One day, Apollo saw Orion in the sea with only his head above the water. Apollo tricked Diana by challenging her to hit the mark bobbing in the distant sea. Diana shot her arrow with deadly aim. Later, the waves rolled dead Orion to shore. Lamenting her fatal blunder, Diana placed Orion in the starry sky. Every night, she would lift her torch in the dark to see her beloved. Her light gave comfort to all, and soon she became known as a goddess of the moon. It was whispered that if a girl-childwas born in the wilderness, delivered by the great goddess Diana, she would be known for her fierce protection of the innocent.

surroundings--the sea, mountains, clouds, the open sky--Gurov thought how in reality everything is beautiful in this world when one reflects: everything except what we think or do ourselves when we forget our human dignity and the higher aims of our existence.

The thrusters roared, and Jane was aware of how small she was – she and Laurian both. So small, so squishy. They’d strapped themselves into this explosive hunk of scrap and aimed for the sky. How was this a good idea? How had anyone ever thought this was a good idea?

Like all other initiatic teaching, Egypt held that man's purpose on earth was the return to the source. There were recognised in Egypt two roads to this same goal. The one was the way of Osiris, who represented the cyclic nature of universal process; this was the way of successive reincarnations. The second road was the way of Horus, the direct path to resurrection that the individual might achieve within a single lifetime. It is the Horian way that is the basis of the Christian revelation and, according to Schwaller de Lubicz, the aim of Christianity was to make this direct path available to all who chose to embark upon it, rather than to a small group of select initiates who, in Egypt, comprised ‘The Temple’. In this sense, and in this sense only, has there been ‘evolution’ in human affairs.

It’s ironic that we aim for the stars, but many shooting stars kill themselves just to catch a dying glimpse of the radiant face of humanity. It’s like we’re shooting for the stars when those unattainable stars are shooting for the dazzling brilliance of everything that we are.

I was born to soar in the clear skies, chosen by fate to fight for a life that is true. I was born to roar, with a sense for justice, and eyes that penetrate in a manner that is powerful and intense. I was born wanting more than just what was handed to me on the obvious plate.

From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.

She’s better off without you.” Livingston narrowed his eyes. “I see which way the land lies. If I didn’t trust Miss Hamilton’s superior values and morals—” Nick’s fist snaked out, aiming for the banker’s nose. Livingston barely had time to turn his head before Nick’s knuckles connected with the man’s cheek, sending him stumbling back against the wall. The seascape crashed to the ground. With shock and disbelief in his eyes, Livingston slid to the floor, cradling the rapidly forming red mark on his face. Nick shook his head in disgust. Pity he hadn’t broken the man’s nose.

time. There’s a cosmic correlation that happens around the age of twenty-nine known to astrologers as the Saturn Return. The slow-moving planet Saturn takes twenty-nine and a half years to complete its orbit around the sun and return to the exact same spot in the sky as it was on the day you were born. The Saturn Return is notoriously disruptive—known for upheaval and thrusting things taken for granted into question. Whether or not you believe in those influences (and I take it all with a few grains of salt) it makes sense that whenever you hit that natural cusp between your extended younger years and adulthood, you can expect uncertainty and apprehension with the onrush of big change.

Sitting beside a young woman who in the dawn seemed so lovely, soothed and spellbound in these magical surroundings—the sea, mountains, clouds, the open sky—Gurov thought how in reality everything is beautiful in this world when one reflects: everything except what we think or do ourselves when we forget our human dignity and the higher aims of our existence.

It was as if the past, till then so longed after, so lived over, had slipped off my shoulders like a burden. The future was still hidden, somewhere in the lights that made a yellow blur in the sky beyond the end of the dark street. Here between the two I waited, and for the first time saw both clearly.... I had made myself a stranger in England, not only bereaved, but miserably dépaysée, drifting with no clear aim, resenting the life I had been thrust into with such tragic brutality; I had refused to adapt myself to it and make myself a place there, behaving like the spoiled child who, because he cannot have the best cake, refuses to eat at all. I had waited for life to offer itself back to me on the old terms. Well, it wasn't going to.

Linc didn't know if it was his imagination, but the streets seemed to have gotten older and dirtier - more so, surely, then was possible in the time that had gone by. What he remembered as the center of where the action was, and where all of life happened had turned into tired and shabby remnants of an age that was running down. Had the store fronts always been so grubby with their cloudy windows, half hearted displays, the paint around the doors dulled and peeling like the once-high hopes of some forgotten opening day long ago? Had trash always stunk like this, piled in alleys and strewn along the gutters? Above it all, high-rental buildings that had once thrust proudly toward the sky crumbled silently amid the winds, the rain, and the corrosive fames eating into them. They had degenerated into cheap hotels and apartments while business fled the cities for manicured office parks by the interstates. But the people no longer stopped to gaze at these buildings, in any case. The figures on the sidewalks hurried on, avoiding each other's eyes, enwrapped in their own isolation. Even those who stood or walked together aimed words at each other from behind facades that had become so second nature that even they themselves now mistook them for the persons atrophying within. A city of brooding shells, inhabited by beings who hid inside shells.

We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like “I feel a bit lightheaded; maybe you should drive. . . .” And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas. And a voice was screaming: “Holy Jesus! What are these goddamn animals?” Then it was quiet again. My attorney had taken his shirt off and was pouring beer on his chest, to facilitate the tanning process. “What the hell are you yelling about?” he muttered, staring up at the sun with his eyes closed and covered with wraparound Spanish sunglasses. I hit the brakes and aimed the Great Red Shark toward the shoulder of the highway. No point mentioning those bats, I thought. The poor bastard will see them soon enough.

Despite the enormous evening sky spreading over most of the canvas, its moon no more than a tarnished coin, dull and flat, in a devalued currency; despite the trees, so dark themselves, stretching upward like supplicants, utterly leafless; despite what could be a face, rinsed of feeling, aimed in their direction, the two small figures at the bottom of this picture glow bravely in their carnival clothes, as if the whole darkening world were dimming its lights for a party.

The wind rose, whipping at Gregori's solid form, lashing his body,ripping at the waves of black hair so that it streamed around his face. His expression was impassive, the pale silver eyes cold and merciless, unblinking and fixed on his prey. The attack came from sky and ground simultaneously; slivers of sharpened wood shot through the air on the wild winds,aimed directly at Gregori. The wolves leapt for him,eyes glowing hotly in the night. The army of the dead moved relentlessly forward, pressing toward Gregori's lone figure. His hands moved, a complicated pattern drected at the approaching army;then he was whirling, a flowing wind of motion beautiful to the eye,so fast that he blurred. Yelps and howls accompanied bodies flying through the air. Wolves landed to lie motionless at his feet. His expression never changed. There was no hint of anger or emotion,no sign of fear,no break in concentration. He simply acted as the need arose. The skeletons were mowed down by a wall of flame, an orange-red conflagration that rose in the night sky and danced furiously for a brief moment. The army withered into ashes, leaving only a pile of blackened dust that spewed across the street in the ferocious onslaught of the wind. Savannah felt Gregori wince, the pain that sliced though him just before he shut out all sensation.She whirled to face him and saw a sharpened stake portruding from his right shoulder. Even as she saw it, Gregori jerked it free.Blood gushed,spraying the area around him.Just as quickly it stopped,as if cut off midstream. The winds rose to a thunderous pitch, a whirling gale of debris above their heads like the funnel cloud of a tornado. The black cloud spun faster and paster,threatening to suck everything and everyone up into its center where the malevolent red eye stared at them with hatred. The tourists screamed in fear,and even the guide grabbed for a lamppost to hang on grimly.Gregori stood alone,the winds assaulting him,tearing at him, reaching for him.As the whirling column threatened him from above, sounding like the roar of a freight train, he merely clapped his hands, then waved to send a backdraft slamming into the dark entity.The vampire screamed his rage. The thick black cloud sucked in on itself with an audible soumd, hovering in the air, waiting, watching, silent. Evil.No one moved.No one dared to breathe. Suddenly the churning black entity gathered itself and streamed across the night sky,racing away from the hunter over the French Quarter and toward the swamp.Gregori launched himself into the air,shape-shifting as he did so,ducking the bolts of white-hot energy and slashing stakes flying in the turbulant air.

The Dawning Ah! what time wilt Thou come? when shall that cry, The Bridegroom’s coming! fill the sky; Shall it in the evening run When our words and works are done? Or will Thy all-surprising light Break at midnight, When either sleep or some dark pleasure Possesseth mad man without measure? Or shall these early, fragrant hours Unlock Thy bow’rs, And with their blush of light descry Thy locks crown’d with eternity? Indeed, it is the only time That with Thy glory doth best chime; All now are stirring, ev’ry field Full hymns doth yield; The whole Creation shakes off night, And for Thy shadow looks the light; Stars now vanish without number, Sleepy Planets set and slumber, The pursy Clouds disband and scatter, All expect some sudden matter; Not one beam triumphs but from far That morning-star; O at what time soever thou (Unknown to us,) the heavens wilt bow, And, with Thy angels in the van, Descend to judge poor careless man, Grant, I may not like puddle lie In a corrupt security, Where if a traveller water crave, He finds it dead, and in a grave. But as this restless, vocal spring All day and night doth run, and sing, And though here born, yet is acquainted Elsewhere, and flowing keeps untainted; So let me all my busy age In Thy free services engage; And though (while here) of force I must Have commerce sometimes with poor dust, And in my flesh, though vile and low, As this doth in her channel flow, Yet let my course, my aim, my love, And chief acquaintance be above; So when that day and hour shall come, In which Thyself will be the sun, Thou’lt find me drest and on my way, Watching the break of Thy great day.

O May I join the choir invisible Of those immortal dead who live again In minds made better by their presence: live In pulses stirr’d to generosity, In deeds of daring rectitude, in scorn For miserable aims that end with self, In thoughts sublime that pierce the night like stars, And with their mild persistence urge man’s search To vaster issues. So to live is heaven: To make undying music in the world, Breathing as beauteous order that controls With growing sway the growing life of man. So we inherit that sweet purity For which we struggled, fail’d, and agoniz’d With widening retrospect that bred despair. Rebellious flesh that would not be subdued, A vicious parent shaming still its child, Poor anxious penitence, is quick dissolv’d; Its discords, quench’d by meeting harmonies, Die in the large and charitable air. And all our rarer, better, truer self, That sobb’d religiously in yearning song, That watch’d to ease the burthen of the world, Laboriously tracing what must be, And what may yet be better,—saw within A worthier image for the sanctuary, And shap’d it forth before the multitude, Divinely human, raising worship so To higher reverence more mix’d with love,— That better self shall live till human Time Shall fold its eyelids, and the human sky Be gather’d like a scroll within the tomb Unread forever. This is life to come, Which martyr’d men have made more glorious For us who strive to follow. May I reach That purest heaven, be to other souls The cup of strength in some great agony, Enkindle generous ardor, feed pure love, Beget the smiles that have no cruelty, Be the sweet presence of a good diffus’d, And in diffusion ever more intense! So shall I join the choir invisible Whose music is the gladness of the world.

My ideal was contained within the word beauty, so difficult to define despite all the evidence of our senses. I felt responsible for sustaining and increasing the beauty of the world. I wanted the cities to be splendid, spacious and airy, their streets sprayed with clean water, their inhabitants all human beings whose bodies were neither degraded by marks of misery and servitude nor bloated by vulgar riches; I desired that the schoolboys should recite correctly some useful lessons; that the women presiding in their households should move with maternal dignity, expressing both vigor and calm; that the gymnasiums should be used by youths not unversed in arts and in sports; that the orchards should bear the finest fruits and the fields the richest harvests. I desired that the might and majesty of the Roman Peace should extend to all, insensibly present like the music of the revolving skies; that the most humble traveller might wander from one country, or one continent, to another without vexatious formalities, and without danger, assured everywhere of a minimum of legal protection and culture; that our soldiers should continue their eternal pyrrhic dance on the frontiers; that everything should go smoothly, whether workshops or temples; that the sea should be furrowed by brave ships, and the roads resounding to frequent carriages; that, in a world well ordered, the philosophers should have their place, and the dancers also. This ideal, modest on the whole, would be often enough approached if men would devote to it one part of the energy which they expend on stupid or cruel activities; great good fortune has allowed me a partial realization of my aims during the last quarter of a century. Arrian of Nicomedia, one of the best minds of our time, likes to recall to me the beautiful lines of ancient Terpander, defining in three words the Spartan ideal (that perfect mode of life to which Lacedaemon aspired without ever attaining it): Strength, Justice, the Muses. Strength was the basis, discipline without which there is no beauty, and firmness without which there is no justice. Justice was the balance of the parts, that whole so harmoniously composed which no excess should be permitted to endanger. Strength and justice together were but one instrument, well tuned, in the hands of the Muses. All forms of dire poverty and brutality were things to forbid as insults to the fair body of mankind, every injustice a false note to avoid in the harmony of the spheres.

During all that time I didn't see Willie. I didn't see him again until he announced in the Democratic primary in 1930. But it wasn't a primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the back room of Casey's saloon rolled into one, and when the dust cleared away not a picture still hung on the walls. And there wasn't any Democratic party. There was just Willie, with his hair in his eyes and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood. In the background of the picture, under a purplish tumbled sky flecked with sinister white like driven foam, flanking Willie, one on each side, were two figures, Sadie Burke and a tallish, stooped, slow-spoken man with a sad, tanned face and what they call the eyes of a dreamer. The man was Hugh Miller, Harvard Law School, Lafayette Escadrille, Croix de Guerre, clean hands, pure heart, and no political past. He was a fellow who had sat still for years, and then somebody (Willie Stark) handed him a baseball bat and he felt his fingers close on the tape. He was a man and was Attorney General. And Sadie Burke was just Sadie Burke. Over the brow of the hill, there were, of course, some other people. There were, for instance, certain gentlemen who had been devoted to Joe Harrison, but who, when they discovered there wasn't going to be any more Joe Harrison politically speaking, had had to hunt up a new friend. The new friend happened to be Willie. He was the only place for them to go. They figured they would sign on with Willie and grow up with the country. Willie signed them on all right, and as a result got quite a few votes not of the wool-hat and cocklebur variety. After a while Willie even signed on Tiny Duffy, who became Highway Commissioner and, later, Lieutenant Governor in Willie's last term. I used to wonder why Willie kept him around. Sometimes I used to ask the Boss, "What do you keep that lunk-head for?" Sometimes he would just laugh and say nothing. Sometimes he would say, "Hell, somebody's got to be Lieutenant Governor, and they all look alike." But once he said: "I keep him because he reminds me of something." "What?" "Something I don't ever want to forget," he said. "What's that?" "That when they come to you sweet talking you better not listen to anything they say. I don't aim to forget that." So that was it. Tiny was the fellow who had come in a big automobile and had talked sweet to Willie back when Willie was a little country lawyer.

Just then he spotted a German Messerschmitt in the sky ahead of them. It was firing its machine guns and seemed to be aiming right for them. He ordered everyone to dive into the alleyway beside them, and they all took cover just as the fighter roared by, killing all those who remained in its path. Then came another explosion, just behind them. Luc pressed his body down on Monique and Jacqueline, doing everything he could to protect them. But he knew they couldn’t stay pinned down. He could hear the German tanks rumbling up the road from the east. The Nazis were approaching far more quickly than he’d expected. They had to keep moving.

We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.

Why don’t you take a turn now,” she suggested. “I want to see an expert in action.” A flush climbed his cheeks, but he took the Colt from her, reloaded, and stepped over to the steer. With an effortless lift of his arm, he rapidly shot five rounds dead center into the heart area. He lowered the gun, turned, and, lifting an eyebrow, waited for her reaction. Impressed by his quiet confidence, Elizabeth mirrored his raised eyebrow. “You make it look so easy.” Nick laughed. “Been shootin’ since I was Mark’s age.” She teased back. “That’s not so long ago.” “A man grows up fast in these parts. When you need to survive,” he spun the words into a drawl, “you learn to hit what ya aim for.

The empire of the sky occupies territory emptied of vitality. Heavenly imperialism aims at biological neutrality. How does music suck our blood? Man cannot live without support in space. But music annihilates space completely. The only art capable of bringing comfort, yet it opens up more wounds than all the others! Music is the sound track of askesis. Could one make love after Bach? Not even after Handel, whose unearthliness does not have a heavenly perfume. Music is a tomb of delights, beatitude which buries us. Saintliness also draws blood. We lose it in direct proportion to our longing for heaven. The roads to heaven have been worn smooth by all the erring instincts. Indeed, heaven was born of these errors.

The helicopter was equipped with no bombsights or targeting mechanisms that could help them here. To drop the sandbags into the reactor vault, the flight engineer had to aim as best he could by eye, estimate a trajectory, and shove them through the door one at a time. As he leaned out over the reactor, he was enveloped in clouds of toxic gas and blasted by waves of gamma and neutron radiation. He had no protection apart from his flight suit. The intense heat rising from below made it impossible for Nesterov to hover: if the helicopter lost forward momentum, it would be caught in the column of superheated air, its rotor blades would encounter a calamitous drop in torque, and the machine would fall abruptly out of the sky.

I hoped to offer U.S. intelligence agencies the opportunity to even place CIA officers in NOC (non-official cover) jobs in our company working under our Libyan contract. With agency officers in place with rock-solid “cover for status”—that’s the lie that explains who you are pretending to be—and “cover for action”—that’s the lie that explains what you’re doing while you’re there—the United States would have direct access to people in the seedy, murky underside of Libya, people whose motives and alliances were now unclear. The goals were a tall order, but don’t tell me the sky’s the limit when there are footprints on the moon, because as my dad would say, you never hit high aiming low.” Excerpt From: Jamie Smith. “Gray Work

With his tongue between his teeth, Officer Wally cocked his weapon and took aim. BANG! Mario felt the bullet enter his left foot, but carried on running undeterred. In place of screams, there was laughter. The golden ecstasy supplied by the drug was at its peak. It wouldn’t be long now; he could feel it. BANG! The second bullet caught him in his right foot, yet he dared not stop. It was near now, so near... BANG! “He missed,” Mario thought initially, but as he brought his hands to his lips, he tasted iron. Both his palms were bleeding profusely, and so were his feet. He laughed once again – head spinning, heart dancing, mind burdened by his search for meaning – his wet eyes on the velvet sky. The clouds were clearing. ‘The spear!’ he shouted to the heavens above. ‘Don’t forget the spear!’ It happened faster than any pair of eyes could capture it: the fourth bullet cut through the air with a tangible screech, and the nearby building exploded into applause. Like a marionette whose strings had been cut, Mario Fantoccio fell theatrically, the wound at his side painting the cobbles in Marsmeyer’s No.4 vermillion red. The ground beneath him split down the middle, and from the depths of asphalt, he heard music. It was the Music of Strings, of Celestial Spheres – an underworld rhapsody with dark aftertones, gushing out of the earth like puss from a wound. It was alluring, resplendent and at the same time, terrifying. Demonic and eternal, devastating and yet hypnotizing, the Sounds of Hell beckoned, and like an obedient child, Mario followed, sinking deeper and deeper into the Underworld. In a perfect moment of synchronicity, the orange sun of dusk broke through the rainclouds and cast a single beam of sunlight upon Mario’s forehead. He closed his eyes, his mind at ease, his head full of Music. The cobbles trembled under the approaching sound of footsteps. ‘Where is he? Where did he go?’ said the pursuing man. ‘H-he just vanished, sarge. In-into thin air!’ ‘Don’t be silly, Wally. People don’t just vanish into thin air. I know I got him. Heaven preserve me, I got him four times!’ ‘Yes, sarge.’ ‘What’s this now?’ ‘Rather looks like our man, sarge. Or at least, his rough outline filled out in blood. Well, except—’ ‘—except this one’s got wings,’ said the sergeant, his knees cracking as he crouched. He cautiously prodded the red shape with his index. ‘This ain’t blood, either.’ ‘Sir?’ The sergeant shoved the finger in his mouth. ‘Theatrical red paint.

Tall, head forward, eyes fastened on a rock, his arms higher than the pines, his hands holding a melon bigger than the sun, he paused an instant to get his bearing and secure his aim. Watching the figure etched against the bright blue sky, Cholly felt goose pimples popping along his arms and neck. He wondered if God looked like that. No. God was a nice old white man, with long white hair, flowing white beard, and little blue eyes that looked sad when people died and mean when they were bad. It must be the devil who looks like that -- holding the world in his hands, ready to dash it to the ground and spill the red guts so niggers could eat the sweet warm insides. If the devil did look like that, Cholly preferred him. He never felt anything thinking about God, but just the idea of the devil excited him. And now the strong, black devil was blotting out the sun and getting ready to split open the world.

We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.

Seed Leaves Homage to R. F. Here something stubborn comes, Dislodging the earth crumbs And making crusty rubble. it comes up bending double, And looks like a green staple. It could be seedling maple, Or artichoke, or bean. That remains to be seen. Forced to make choice of ends, The stalk in time unbends, Shakes off the seed-case, heaves Aloft, and spreads two leaves Which still display no sure And special signature. Toothless and fat, they keep The oval form of sleep. This plant would like to grow And yet be embryo; In crease, and yet escape The doom of taking shape; Be vaguely vast, and climb To the tip end of time With all of space to fill, Like boundless Igdrasil That has the stars for fruit. But something at the root More urgent that the urge Bids two true leaves emerge; And now the plant, resigned To being self-defined Before it can commerce With the great universe, Takes aim at all the sky And starts to ramify.

– Je crois que je comprends pourquoi vous aimez voler dans cette région, ajouta-t-elle. On se sent comme un oiseau. Il lui jeta un regard surpris. – C'est vrai ; vous avez raison, c'est pour cela que j'aime voler. Mais je suis encore plus proche de l'oiseau quand je fais de la chute libre. – Vous voulez dire du parachute ? – Pas tout à fait. Vous ne vous contentez pas de sauter d'un avion et de tirer sur un cordon. Les premières centaines de mètres se font sans le parachute. Pendant que vous tombez, vous vous mouvez en tous sens. On dirait un ballet dans le ciel. C'est une sensation indescriptible. On se sent libre. – Ce doit être très dangereux, remarqua-t-elle. – Oui, très... On joue avec la mort. On peut même être fasciné par ce sentiment intense de liberté au point d'oublier de tirer sur le cordon et d'ouvrir le parachute. – Cela vous est-il arrivé ? – Plusieurs fois. J'ai attendu jusqu'au dernier instant, pour voir ce qu'il se passerait si je ne faisais rien ; mais à chaque fois j'ai reculé devant la mort.

each adult would, at a time chosen by the wind, go out and walk the ice alone. The aim of such journeying was to find the kyzat, the perfect place, a spot that on all the ice had been ordained by the Gods in the Sky and in the Sea for that individual alone as the place where all the elements of their life find meaning, giving a vision of such clarity that the air itself becomes ice and the wisdom of Sky and Sea finds a place in the seeker’s heart, allowing them to endure the hardships of the years ahead. Quell had admitted to Yaz in a private moment that his own journey to find his kyzat, a walk that had lasted four days, had brought him to an ice spike at the juncture of three pressure ridges. Here he was visited by the epiphany that, having run out of his allotted ration of angel-fish, if he did not turn back he would lose first his toes then his fingers to the wind. Yaz had wondered if that wasn’t the wisdom that the ritual was designed to impart. That there is nothing but ice and more ice, and that if you are too stubborn to admit it and turn back, you will die and your malcontent will no longer burden your clan.

I don’t know if I’ve mentioned this to you before, but a few years ago, I started keeping a diary, which I called ‘the life book’. I began with the idea of writing one short entry each day, just a line or two, describing something good. I suppose by ‘good’ I must have meant something that made me happy or brought me pleasure. I went back to look at it the other day, and the early entries are all from that autumn, almost six years ago now. Dry upturned sycamore leaves scuttling like claws along the South Circular Road. The artificial buttered taste of popcorn in the cinema. Pale-yellow sky in the evening, Thomas Street draped in mist. Things like that. I didn’t miss a day through all of September, October, November that year. I could always think of something nice, and sometimes I would even do things for the purpose of putting them in the book, like taking a bath or going for a walk. At the time I felt like I was just absorbing life, and at the end of the day I never had to strain to think of anything good I had seen or heard. It just came to me, and even the words came, because my only aim was to get the image down clearly and simply so that I would later remember how it felt. And reading those entries now, I do remember what I felt, or at least what I saw and heard and noticed. Walking around, even on a bad day, I would see things—I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that—like I was an instrument and the world touched me and reverberated inside me.

The Age Of Reason 1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’ 2. “ I’m not so much interested in myself as all that’ he said simply. ‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’ 3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’ 4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’ 5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’ 6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’ ‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’ ‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’ 7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’ 8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’ 9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.

Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?" He was answered with a growl. The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him. His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . . "God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself." "Blasphemer!" A rock caught him just over his left eye and blood welled forth. Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other." More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together." A rock caught the glass and shattered it. Another struck him in the mouth. Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God." Jubal whispered it back to him. . . . "Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation. "Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened." "God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!" The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.

Now this might sound strange to you, Serafina Pekkala, but I know the man better than any wife could know him, better than a mother. He’s been my master and my study for nigh on forty years. I can’t follow him to the height of his thought any more than I can fly, but I can see where he’s a-heading even if I can’t go after him. No, it’s my belief he turned away from a rebellion against the Church not because the Church was too strong, but because it was too weak to be worth the fighting.” “So…what is he doing?” “I think he’s a-waging a higher war than that. I think he’s aiming a rebellion against the highest power of all. He’s gone a-searching for the dwelling place of the Authority Himself, and he’s a-going to destroy Him. That’s what I think. It shakes my heart to voice it, ma’am. I hardly dare think of it. But I can’t put together any other story that makes sense of what he’s doing.” Serafina sat quiet for a few moments, absorbing what Thorold had said. Before she could speak, he went on: “ ’Course, anyone setting out to do a grand thing like that would be the target of the Church’s anger. Goes without saying. It’d be the most gigantic blasphemy, that’s what they’d say. They’d have him before the Consistorial Court and sentenced to death before you could blink. I’ve never spoke of it before and I shan’t again; I’d be afraid to speak it aloud to you if you weren’t a witch and beyond the power of the Church; but that makes sense, and nothing else does. He’s a-going to find the Authority and kill Him.” “Is that possible?” said Serafina. “Lord Asriel’s life has been filled with things that were impossible. I wouldn’t like to say there was anything he couldn’t do. But on the face of it, Serafina Pekkala, yes, he’s stark mad. If angels couldn’t do it, how can a man dare to think about it?” “Angels? What are angels?” “Beings of pure spirit, the Church says. The Church teaches that some of the angels rebelled before the world was created, and got flung out of heaven and into hell. They failed, you see, that’s the point. They couldn’t do it. And they had the power of angels. Lord Asriel is just a man, with human power, no more than that. But his ambition is limitless. He dares to do what men and women don’t even dare to think. And look what he’s done already: he’s torn open the sky, he’s opened the way to another world.

Would that the structure brave, the manifold music I build, Bidding my organ obey, calling its keys to their work, Claiming each slave of the sound, at a touch, as when Solomon willed Armies of angels that soar, legions of demons that lurk, Man, brute, reptile, fly,—alien of end and of aim, Adverse, each from the other heaven-high, hell-deep removed,— Should rush into sight at once as he named the ineffable Name, And pile him a palace straight, to pleasure the princess he loved! Would it might tarry like his, the beautiful building of mine, This which my keys in a crowd pressed and importuned to raise! Ah, one and all, how they helped, would dispart now and now combine, Zealous to hasten the work, heighten their master his praise! And one would bury his brow with a blind plunge down to hell, Burrow awhile and build, broad on the roots of things, Then up again swim into sight, having based me my palace well, Founded it, fearless of flame, flat on the nether springs. And another would mount and march, like the excellent minion he was, Ay, another and yet another, one crowd but with many a crest, Raising my rampired walls of gold as transparent as glass, Eager to do and die, yield each his place to the rest: For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night— Outlining round and round Rome's dome from space to spire) Up, the pinnacled glory reached, and the pride of my soul was in sight. In sight? Not half! for it seemed, it was certain, to match man's birth, Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth, As the earth had done her best, in my passion, to scale the sky: Novel splendours burst forth, grew familiar and dwelt with mine, Not a point nor peak but found and fixed its wandering star; Meteor-moons, balls of blaze: and they did not pale nor pine, For earth had attained to heaven, there was no more near nor far. Nay more; for there wanted not who walked in the glare and glow, Presences plain in the place; or, fresh from the Protoplast, Furnished for ages to come, when a kindlier wind should blow, Lured now to begin and live, in a house to their liking at last; Or else the wonderful Dead who have passed through the body and gone, But were back once more to breathe in an old world worth their new: What never had been, was now; what was, as it shall be anon;

Elephanta caves, Mumbai-- I entered a world made of shadows and sudden brightness. The play of the light, the vastness of the space and its irregular form, the figures carved on the walls: all of it gave the place a sacred character, sacred in the deepest meaning of the word. In the shadows were the powerful reliefs and statues, many of them mutilated by the fanaticism of the Portuguese and the Muslims, but all of them majestic, solid, made of a solar material. Corporeal beauty, turned into living stone. Divinities of the earth, sexual incarnations of the most abstract thought, gods that were simultaneously intellectual and carnal, terrible and peaceful. ............................................................................ Gothic architecture is the music turned to stone; one could say that Hindu architecture is sculpted dance. The Absolute, the principle in whose matrix all contradictions dissolve (Brahma), is “neither this nor this nor this.” It is the way in which the great temples at Ellora, Ajanta, Karli, and other sites were built, carved out of mountains. In Islamic architecture, nothing is sculptural—exactly the opposite of the Hindu. The Red Fort, on the bank of the wide Jamuna River, is as powerful as a fort and as graceful as a palace. It is difficult to think of another tower that combines the height, solidity, and slender elegance of the Qutab Minar. The reddish stone, contrasting with the transparency of the air and the blue of the sky, gives the monument a vertical dynamism, like a huge rocket aimed at the stars. The mausoleum is like a poem made not of words but of trees, pools, avenues of sand and flowers: strict meters that cross and recross in angles that are obvious but no less surprising rhymes. Everything has been transformed into a construction made of cubes, hemispheres, and arcs: the universe reduced to its essential geometric elements. The abolition of time turned into space, space turned into a collection of shapes that are simultaneously solid and light, creations of another space, made of air. There is nothing terrifying in these tombs: they give the sensation of infinity and pacify the soul. The simplicity and harmony of their forms satisfy one of the most profound necessities of the spirit: the longing for order, the love of proportion. At the same time they arouse our fantasies. These monuments and gardens incite us to dream and to fly. They are magic carpets. Compare Ellora with the Taj Mahal, or the frescoes of Ajanta with Mughal miniatures. These are not distinct artistic styles, but rather two different visions of the world.

YOU FIRST When entering into relationships, we have a tendency to bend. We bend closer to one another, because regardless of what type of relationship it might be — romantic, business, friendship — there’s a reason you’re bringing that other person into your life, and that means the load is easier to carry if you carry it together, both bending toward the center. I picture people in relationships as two trees, leaning toward one another. Over time, as the relationship solidifies, you both become more comfortable bending, and as such bend farther, eventually resting trunk to trunk. You support each other and are stronger because of the shared strength of your root system and entwined branches. Double-tree power! But there’s a flaw in this mode of operation. Once you’ve spent some time leaning on someone else, if they disappear — because of a breakup, a business upset, a death, a move, an argument — you’re all that’s left, and far weaker than when you started. You’re a tree leaning sideways; the second foundation that once supported you is…gone. This is a big part of why the ending of particularly strong relationships can be so disruptive. When your support system presupposes two trunks — two people bearing the load, and divvying up the responsibilities; coping with the strong winds and hailstorms of life — it can be shocking and uncomfortable and incredibly difficult to function as an individual again; to be just a solitary tree, alone in the world, dealing with it all on your own. A lone tree needn’t be lonely, though. It’s most ideal, in fact, to grow tall and strong, straight up, with many branches. The strength of your trunk — your character, your professional life, your health, your sense of self — will help you cope with anything the world can throw at you, while your branches — your myriad interests, relationships, and experiences — will allow you to reach out to other trees who are likewise growing up toward the sky, rather than leaning and becoming co-dependent. Relationships of this sort, between two equally strong, independent people, tend to outlast even the most intertwined co-dependencies. Why? Because neither person worries that their world will collapse if the other disappears. It’s a relationship based on the connections between two people, not co-dependence. Being a strong individual first alleviates a great deal of jealousy, suspicion, and our innate desire to capture or cage someone else for our own benefit. Rather than worrying that our lives will end if that other person disappears, we know that they’re in our lives because they want to be; their lives won’t end if we’re not there, either. Two trees growing tall and strong, their branches intertwined, is a far sturdier image than two trees bent and twisted, tying themselves into uncomfortable knots to wrap around one another, desperately trying to prevent the other from leaving. You can choose which type of tree to be, and there’s nothing inherently wrong with either model; we all have different wants, needs, and priorities. But if you’re aiming for sturdier, more resilient relationships, it’s a safe bet that you’ll have better options and less drama if you focus on yourself and your own growth, first. Then reach out and connect with others who are doing the same.

Lucretius wrote in The Nature of Things:        Especially since this world is the product of Nature,        the happenstance        Of the seeds of things colliding into each other by pure chance        In every possible way, no aim in view, at random, blind,        Till sooner or later certain atoms suddenly combined        So that they lay the warp to weave the cloth of mighty things:        Of earth, of sea, of sky, of all species of living beings.

Hildebrand turned after closing the door of his truck and the raven mocker struck. He sunk viselike talons into Hildebrand’s shoulders, flapping wildly to stay in the air, intending to distract him while he took his soul, all of it, leaving him dead on the ground. So no one would be able to go into the other world to retrieve it, because there would be no place to return it to. Hildebrand screamed as the raven mocker sucked his soul from his body through his breath. He was strong. The raven mocker filled with soul energy. He was charged with it, changed with it. Before Sky reacted Dave was out of his seat and in through the front door. He raced through the house. On the back porch he stopped, arrested by an astounding sight. A huge crow attacking Rocky, enormous, like a mastiff with wings, talons hooked into Rocky’s coveralls, flapping furiously, pecking at Rocky’s face. And something else, the bird was draining Rocky’s life. Filled with adrenalin, he perceived all this instantly; he reached down, pulling his Levi’s pants leg up with his left hand and drew the .32 Beretta in his boot with the right. He drew, aimed and fired twice in one smooth motion. He hit the son of a bitch, but all it did was piss him off. The crow dropped Rocky. Dave re-aimed and fired another double tap. The bird flew at him, growing large in his vision, filling all of it, even as John opened the door behind him and Dave fired again, absolutely sure he hit him every time he squeezed the trigger. No effect. No effect whatsoever. Talons clawed his shirt and the gun fell from his hand. The raven locked eyes and Dave felt his energy draining. He felt an invisible tentacle enter his body through his eyes. He didn’t know what was happening, psychic wrestling, not connected with anything physical; something inside him grabbed that tentacle and shoved it out. Then he was through and inside the bird’s eyes himself, reaching in there, doing something. He heard Sky’s feet stomp on the porch as he cried, “Usinuliyu Selagwutse …” in Cherokee as he scooped up the pistol. The bird flew away, cawing, straight into the sky. Dave stood on the porch, gasping, weak in the knees, as Sky darted past him and went to Rocky. He knelt beside his friend, touched his face, and said, “Let’s get him inside.

In this world man is not meant to toil like hogs. He must be intelligent to realize the importance of human life and refuse to act like an ordinary animal. A human being should realize the aim of his life, and this direction is given in all Vedic literatures, and the essence is given in Bhagavad-gītā. Vedic literature is meant for human beings, not for animals. Animals can kill other living animals, and there is no question of sin on their part, but if a man kills an animal for the satisfaction of his uncontrolled taste, he must be responsible for breaking the laws of nature. In the Bhagavad-gītā it is clearly explained that there are three kinds of activities according to the different modes of nature: the activities of goodness, of passion and of ignorance. Similarly, there are three kinds of eatables also: eatables in goodness, passion and ignorance. All of this is clearly described, and if we properly utilize the instructions of Bhagavad-gītā, then our whole life will become purified, and ultimately we will be able to reach the destination which is beyond this material sky.

Hang Gliding Jim Bob had always wanted to try hang gliding, but it was pretty expensive. So he worked hard and over time was able to save enough money to buy his new toy.  When he got home, he read through the manual and quickly assembled his glider.  Then he took it up the highest mountain, near his home.  He readied everything for his first flight and got strapped in.    Just like he had learned, he ran as fast as he could to the edge of the cliff and jumped into the wind.  He was flying! Around that same time Ma and Pa Kettle were sitting on their front porch enjoying some tea together.  Pa was looking up into the sky, enjoying the calm of the early evening, when he suddenly let out a gasp and said, “That has got to be the biggest bird I have ever seen!”  “I need my rifle, can you get it for me Ma?” he asked his wife. Ma Kettle ran into the house and returned shortly with a long rifle.  She handed it to Pa.  He took aim and fired twice at the big bird.  The bird kept sailing through the sky.  “It looks like you missed,” Ma said. “Yes, but at least that bird let go of Jim Bob.

The worst to ever happen to a person who aims at the sky is to fall on the tallest mountain; the best that can happen to a person who aims at the ceiling of his room is to fall on the carpet of his floor!

At some point during a celebrity tour of the ice fields, or first-growth forest — lately, the Amazon — he always phoned Holly in an agony of scab-picking, telling her that a respectable media would cover an issue on its merits, not because some overwrought self-involved actress had helicoptered in and aimed her affectations at the camera.

스페셜조합가능 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 네임드사다리 로하이 농구쿼터실시간 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다.Carter Druse looked back to the man and horse standing there against the sky. Again he took aim. But this time he pointed his gun at the horse. Words rang in his head

They knew what gunfire meant better than anyone. Some were crying by the time they reached the exit and stepped outside into the afternoon air. The sun was already descending in the sky, leaving shadows crawling across the valley floor. Not daring to look behind her, Khalia’s eyes fixed on her target, the emergency bunker. Across the expanse of lush green grass before her, the beckoning hillside seemed impossibly far away. A warning prickle began at her nape, as if someone had her in their sights and was taking aim at her. More shots erupted from the hills behind them. The lead group broke

THE EARTH WITHOUT A SPIRITUAL DIMENSION except for the smallest white button of mushroom leading the rank-and-file up the rotting trunk of the oak, except for bulb, corm, pip, and spore and the passive mien of the autumn field when the off-kilter scatter and skyward rattle of grasshoppers have disappeared and except for the crowd of acacia thorns pointing toward all destinations possible in every direction out from the stem center of their circumferences and aside from the moss-and-mire covered bones of stripped roots and crippled branches left piled akimbo to molder among the beetles in the sinless murk of the forest floor, except for gorge, gulch, gully, and ravine, except for the moment waiting in the fist of the sycamore’s tufted fruit and in the sting of the loon’s longing before it cries and in the poise of the desert swallowtail before it lifts from the dry mountain wash and in the aim of the alligator’s undeviating glare before it swirls and sinks in the generative and ancient slough, except for the moment waiting in the green walls of palm spikes, pendants and rosettes, knots and currents of saw grasses and orchids, in the tight weave and bloat of prayers and weapons, in the moment before I move out into the empty plain of the open sky silent with sea-light, as if I were a wild and divine thing myself, to be going I know not where.

If Jack had a rough night, he didn’t show it. He was playing a rock tape and tapping his fingers on the dashboard. When Julie rushed down the steps and climbed into the truck, he had a poem ready for her: She walks in beauty, like the night Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes . . . Julie laughed as she pulled out her comb and tried to fix her windblown hair. “Thanks, Jack. It’s not very accurate, but I appreciate the thought.” “You memorized that?” I asked him. “I tried to, but I gave it up.” He showed me the slip of paper in his hand, then put the truck in gear. “I kept forgetting the middle part.” Julie reached over and kissed him on the cheek. “That’s sweet.” Jack grinned. “Hey, you’ve got to work on your aim. You missed my lips by three inches.

A long time ago inside a local ice rink, 15 year olds went to battle to win a game of hockey.  They played for themselves, for their teams, for their coaches, for their towns, and for their families. It was a 0-0 tie in the 2nd period.     Both goalies were outstanding.  But one appeared to be somewhere else. Thinking.  The shot came.    The antagonist wasn’t aiming to break the scoreless tie.  He was living up to his agreement with the other team’s coach.  A coach who wanted his son to be the team's goalie.     He didn’t want a new goalie that could take his team where they have never been.  The playoffs.  A goalie that could secure his team at the top.  The coach watched the shot he bought.      The goalie could have shifted, dodged out of the way, but he was paralyzed.  He dropped to the ice when the puck struck his unprotected neck.     The player skated over to examine the goalie. He had accomplished his task.    And with the money he earned, he can buy the bicycle he always wanted.     The goalie’s father was standing amongst the other parents.  He was enraged that his son didn’t make the save.     He felt the hard work he put into his boy slowly fade, and quickly die out.  He knew how good his son was, and would be.  He knew the puck struck because the goalie let it.  He did not know why.   I groaned as the puck hit me in the arm.  I had pads, but pads can only soften the blow. I squeezed my arm.     My father stood and watched.     My friend fired another shot that whacked me in the throat, knocking me down.  I felt dizzy.      It was frigid on the pond in winter.     This is where I learned to play hockey.  This is also where I learned it was painful to be a goaltender.  I got up slowly, glowering at him.  My friend was perplexed at my tenacity.     “This time, stay down!” And then he took the hardest slap shot I have ever encountered.     The puck tore through the icy air at incredible speed right into my face.     My glove rapidly came up and snatched it right before it would shatter my jaw.  I took my glove off and reached for the puck inside.     I swung my arm and pitched it as fiercely as I could at my friend.     Next time we play, I should wear my mask and he should wear a little more cover than a hat.  I turned towards my father.  He was smiling.  That was rare.     I was relieved to know that I was getting better and he knew it.  The ice cracked open and I dropped through…      The goalie was alone at the hospital.  He got up and opened the curtains the nurse keeps closing at night so he could see through the clear wall.     He eyed out the window and there was nothing interesting except a lonely little tree.  He noticed the way the moonlight shined off the grass and radiated everything else.  But not the tree.  The tree was as colourless as the sky.     But the sky had lots of bright little glowing stars.  What did the tree have?  He went back to his bed and dozed off before he could answer his own question.   Nobody came to visit him at the hospital but his mother.     His father was at home and upset that his son is no longer on the team.  The goalie spot was seized by the team’s original goalie, the coach’s son.     The goalie’s entire life had been hockey.  He played every day as his father observed.  He really wanted a regular father, whatever that was.  A father that cares about him and not about hockey.  The goalie did like hockey, but it was a game.         A sport just like other sports, only there’s an ice surface to play on.  But he did not love hockey.     It was just something he became very good at, with plenty of practice and bruises.     He was silent in his new team’s locker room, so he didn’t assume anyone would come and see how he was doing.

All meditators who practice shamatha Have powerful experiences, vivid and clear, And are happy, thinking that experience is vipashyana.*10 But when the vipashyana of dharmakaya at the time of death is needed, Mother and child luminosity do not meet. That shamatha from before won’t help at death, And again, they’ll be trapped in the animal realm. Upasaka son, supreme protector,*11 now listen! When resting evenly in meditation with the points of body, If appearances cease and you are without thoughts, These are the doings of a lethargic shamatha. But when you rouse yourself with mindfulness, It’s like a candle, self-luminous and shining bright, Or like a flower that’s naturally vivid and clear. Like looking with your eyes at the glow of the sky, Awareness-emptiness is naked, open, and clear. That nonconceptuality that’s luminous and clear Is the arising of the shamatha experience. On the basis of that meditative experience, While supplicating the precious jewels, Gain certainty by studying and contemplating the dharma. Take the vipashyana that brings the understanding of no self And tie the sturdy rope of shamatha to that.*12 Then that strong noble being with love and compassion Through the mighty strength of rousing bodhichitta to benefit others, Having been lifted up with a pure aspiration To the completely pure path of seeing, There, vipashyana directly realizes the purity that cannot be seen And then the faults of mind’s hopes and fears will be known. Without going anywhere, you’ll arrive at the Buddha’s ground. Without looking at anything, you’ll see dharmakaya. Without achieving anything, your aim will be spontaneously accomplished. My upasaka son, work with mind like this.

That’s what it’s like to lose a woman. And at a certain time, losing one woman means losing all women. That’s how we become Men Without Women. We lose Percy faith, Francis Lai, and 101 Strings. And ammonites and coelacanths. And we lose her beautiful back. But all of that has vanished. All that remains is an old broken piece of eraser, and the far-off sound of the sailor’s dirge. And the unicorn beside the fountain, his lonely horn aimed at the sky. I hope that M is in heaven now – or somewhere like it. And it would be nice if her thoughts occasionally turn to me. But maybe that’s asking too much. I pray that, even if I’m not part of it, M is happy and at peace, with music playing on into eternity. As one of the Men Without Women, I pray for this with all my heart. At this point prayer seems like the only thing I can do. Probably.

While British Bomber Command believed in leveling entire cities, the Americans considered themselves “precision bombers,” a term that implied attacks exclusively against military targets out of revulsion at indiscriminately killing civilians. But because the skies of central Europe were chronically overcast, half of Eighth Air Force’s bomb tonnage was dropped using “blind bombing” radar techniques; often, as few as one out of ten bombs fell within half a mile of an obscured target. Even when conditions were ideal for bombardiers—this was the case in roughly one sortie of seven—less than a third of all bombs detonated within a thousand feet of the aiming point. The term “precision bombing,” Spaatz conceded, was intended “in a relative, not a literal sense.” Bad weather also caused frequent diversions to secondary targets such as rail yards, a practice that amounted to emptying bomb bays over city centers.

But the laws of the schools were aimed at something distant and vague. What did it mean to, as our elders told us, “grow up and be somebody”? And what precisely did this have to do with an education rendered as rote discipline? To be educated in my Baltimore mostly meant always packing an extra number 2 pencil and working quietly. Educated children walked in single file on the right side of the hallway, raised their hands to use the lavatory, and carried the lavatory pass when en route. Educated children never offered excuses—certainly not childhood itself. The world had no time for the childhoods of black boys and girls. How could the schools? Algebra, Biology, and English were not subjects so much as opportunities to better discipline the body, to practice writing between the lines, copying the directions legibly, memorizing theorems extracted from the world they were created to represent. All of it felt so distant to me. I remember sitting in my seventh-grade French class and not having any idea why I was there. I did not know any French people, and nothing around me suggested I ever would. France was a rock rotating in another galaxy, around another sun, in another sky that I would never cross. Why, precisely, was I sitting in this classroom? The question was never answered. I was a curious boy, but the schools were not concerned with curiosity. They were concerned with compliance. I loved a few of my teachers. But I cannot say that I truly believed any of them. Some years after I’d left school, after I’d dropped out of college, I heard a few lines from Nas that struck me: Ecstasy, coke, you say it’s love, it is poison Schools where I learn they should be burned, it is poison That was exactly how I felt back then. I sensed the schools were hiding something, drugging us with false morality so that we would not see, so that we did not ask: Why—for us and only us—is the other side of free will and free spirits an assault upon our bodies? This is not a hyperbolic concern. When our elders presented school to us, they did not present it as a place of high learning but as a means of escape from death and penal warehousing. Fully 60 percent of all young black men who drop out of high school will go to jail. This should disgrace the country. But it does not, and while I couldn’t crunch the numbers or plumb the history back then, I sensed that the fear that marked West Baltimore could not be explained by the schools. Schools did not reveal truths, they concealed them. Perhaps they must be burned away so that the heart of this thing might be known.

Tucker had missed the sheer expanse of sky at night, the tiny cluster of seven sisters, Orion's sword, and the drinking gourd that aimed north. The moon was a gibbous, barely there, as if chewed away. The sky stretched black in every direction. Clouds blocked the stars, lending an unfathomable depth to the air. The tree line was gone and hilltops blended with the black tapestry of night. It was country dark. He closed his eyes, feeling safe.

In the distance, we saw a fast-moving UFO. Flashing across the sky with untold speed, it was gone before we could aim a camera toward it. Clearly, there was a multifaceted phenomenon manifestation throughout the area at that time. According to our guide, these orbs are spirits from nearby Indian burial mounds. We believe the variety of behavior and appearance leaves multiple explanations open for consideration: spirits, spook lights, and earth lights.