Killers Song Quotes

He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.

What problems?" "Well for starters.. you're an evil duck killer.

Here is the easiest way to explain the genius of Johnny Cash: Singing from the perspective of a convicted muderer in the song "Folsom Prison Blues,: Cash is struck by pangs of regret when he sits in his cell and hears a distant train whistle. This is because people on that train are "probably drinkin' coffee." And this is also why Cash seems completely credible as a felon: He doesn't want freedom or friendship or Jesus or a new lawyer. He wants coffee. Within the mind of a killer, complex feeling are eerily simple. This is why killers can shoot men in Reno just to watch them die, and the rest of us usually can't.

Without honor, a knight is no more than a common killer. It is better to die with honor than to live without it.

The Osage elders sang the traditional songs for the dead, only now the songs seemed for the living, for those who had to endure this world of killing.

It's not right, man,” Jay said, following my stare. “Some guys have all the luck.” “What?” I finally broke my trance to look at Jay. “That guy, the drummer? Get this. He's a killer musician, he gets tons of chicks, his dad's loaded, and as if that wasn't enough, he's got a friggin' English accent!” I had to smile at Jay's mix of envy and admiration. “What's his name?” I hollered as the third song started. “Kaidan Rowe. Oh, and that's another thing. A cool name! Bastard.” “How do you spell it?” I asked. It sounded like Ky-den. Jay spelled it for me. “It's A-I, like Thai food,” he explained. Kai, like Thai, only yummier. Gah! Who was this girl invading my brain?

One can't be a killer every moment of one's life. Some humanity is going to show itself now and then, some hunger for normality, no matter what you do.

Billy Rankin is a true Glasgow rock legend. He has everything going for him: he's a brilliant guitarist, he writes killer songs, he's worked with the best, toured the world and he is one handsome-looking chap. I know all of this because Billy told me.

I believe every man who stood up was either killed or wounded," said Lieutenant Oliver Williams, who was himself hit. This regiment had participated in a touching event, well remembered by both armies. At Fredericksburg in late 1862, after the Sharpsburg campaign, it had held a dress parade at which the band played "Dixie." Across the Rappahannock a Northern band heard and played back the song as a bit of camaraderie. The band of the 20th North Carolina responded by playing "Yankee Doodle." Then both bands, as if by prearrangement, joined in "Home, Sweet Home." This chorus ran along the lines and both armies sang and wept.

May I give you some advice? If you are truly his friend, you will help him leave this soft heart behind. He’s going to Troy to kill men, not rescue them.” His dark eyes held me like swift-running current. “He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.

Seasoned killers all, thought Selmy, but it is one thing to face a foe in the pit when his coming is heralded by horns and drums and another to find a hidden killer before he can strike.

He did a terrible thing and eliminating him would have left the world tidier. Or so goes the logic of the last fifty years of American justice. We throw away flawed people, people who have made terrible mistakes, with regularity and great alacrity. We jail drug dealers for decades, and we execute killers. We want them away. Out of sight.

She smiled. “I love that old song about Muhlenberg County; John Denver did it, I think.” “Him and a dozen others. But John Prine wrote and sang the original. It’s one of our claims to fame.” She quietly began to sing under her breath, “Daddy…won’t you take me back to Muhlenberg County…

I believe every man who stood up was either killed or wounded," said Lieutenant Oliver Williams, who was himself hit. This regiment has participated in a touching event, well remembered by both armies. At Fredericksburg in late 1862, after the Sharpsburg campaign, it had held a dress parade at which the band played "Dixie." Across the Rappahannock a Northern band heard and played back the song as a bit of camaraderie. The band of the 20th North Carolina responded by playing "Yankee Doodle." Then both bands, as if by prearrangement, joined in "Home, Sweet Home." This chorus ran along the lines and both armies sang and wept.

Oberyn wanted vengeance for Elia. Now the three of you want vengeance for him. I have four daughters, I remind you. Your sisters. My Elia is fourteen, almost a woman. Obella is twelve, on the brink of maidenhood. They worship you, as Dorea and Loreza worship them. If you should die, must El and Obella seek vengeance for you, then Dorea and Loree for them? Is that how it goes, round and round forever? I ask again, where does it end?" Ellaria Sand laid her hands on the Mountain's head. "I saw your father die. Here is his killer. Can I take a skull to bed with me, to give me comfort in the night? Will it make me laugh, write me songs, care for me when I am old and sick?

current. “He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.

Come on. Text a friend and tell them who you’re with in case I’m a psycho killer.

You're sweet," I said. "Sweet on you." I groaned at the cheesiness of that line, giving him a playful swat. But the truth was that it wormed its way into my heart regardless. It made me dream, for one night at least, of something I hadn't even dared to as a young girl lying in this same bed--- that all the pink heart valentine, sappy love song stuff might be real, and be something I could have.

Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!

Here, then, happiness is obviously a form of strength, a subversion even, a modus of survival, even if at times it appears superficial and misplaced. Besides, for all of boxing's brutality, there is lyricism in its rhythm, too, something that dreamy, romantic Filipinos perhaps recognize. It is almost too facile to ascribe too much significance in this metaphor, but this incongruous combination of lyrical violence is default in Manila, where beauty is scarce, and which flourishes side by side with the hideous. There is pride in that stubborn independence, I think, whether it is on the canvas of a boxing ring or history. How did that killer song end again? The record shows I took the blows and did it my way.

One of the first examples of forensic science solving a murder appears in a book called The Washing Away of Wrongs, published in 1247 by Song Ci, a Chinese coroner and detective.

He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change it's nature.

He's going to Troy to kill men, not rescue them...He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.

I’ve been driving around in silence like a serial killer because every song that comes on feels like a bad omen, either too sad or too optimistic.

hated him so much I could not speak. He leaned forward in his chair. “May I give you some advice? If you are truly his friend, you will help him leave this soft heart behind. He’s going to Troy to kill men, not rescue them.” His dark eyes held me like swift-running current. “He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.

Peace and beauty? You think Indians are so worried about peace and beauty? ... If Wovoka came back to life, he'd be so pissed off. If the real Pocahontas came back, you think she'd be happy about being a cartoon? If Crazy Horse, or Geronimo, or Sitting Bull came back, they'd see what you white people have done to Indians, and they'd start a war. They'd see the homeless Indians staggering around downtown. They'd see fetal-alcohol-syndrome babies. They'd see the sorry-ass reservations. They'd learn about Indian suicides and infant mortality rates. They'd listen to some dumb-ass Disney song and feel like hurting somebody. They'd read books by assholes like Wilson, and they would start killing themselves some white people, and then kill some asshole Indians too. Dr. Mather, if the Ghost Dance worked, there would be no exceptions. All you white people would disappear. All of you. If those dead Indians came back to life ,they wouldn't crawl into a sweathouse with you. They wouldn't smoke the pipe with you. They wouldn't go to the movies and munch popcorn with you. They'd kill you. They'd gut you and eat your heart.

In early missionary journals Osages were often described as being ‘the happiest people in the world.’… They had a sense of freedom because they didn’t own anything and nothing owned them. But the Osage Nation was in the way of the economic drive of the European world… and life as they once knew it would never be the same.” The statement continued, “Today our hearts are divided between two worlds. We are strong and courageous, learning to walk in these two worlds, hanging on to the threads of our culture and traditions as we live in a predominantly non-Indian society. Our history, our culture, our heart, and our home will always be stretching our legs across the plains, singing songs in the morning light, and placing our feet down with the ever beating heart of the drum. We walk in two worlds.

Orell had been slain by the turncloak crow Jon Snow, and his hate for his killer had been so strong that Varamyr found himself hating the beastling boy as well. He had known what Snow was the moment he saw that great white direwolf stalking silent at his side. One skinchanger can always sense another. Mance should have let me take the direwolf. There would be a second life worthy of a king. He could have done it, he did not doubt. The gift was strong in Snow, but the youth was untaught, still fighting his nature when he should have gloried in it.

Thistle and I had the same start in life - rescued by police from the clutches of our dead parents. But she's become a smart, tough FBI agent who can learn a new song on the viola in only one week or two. I'm a poor, unemployed cannibal. Where did our worlds divide? Where did I go wrong?

I know my behavior has been inexcusable. For some hairbrained reason, I thought if I kept you angry with me, it would prevent unwanted entanglements." A slow, lady-killer smile washed over Rider's dark features. "I was wrong. Dead wrong. Even when you're spewing off at me like some fire-breathing dragon, I can hardly refrain from kissing that sassy little mouth of yours. I want you, woman!

You are the sum total of what you have seen and learned, but underneath that is a core being, a usually untouchable being, that makes you who you truly are. It can make a person into a great peacemaker like Ghandi, or a serial killer like Ted Bundy, but it is immutable. That core holds both our deepest darkness and our greatest light. It’s the harmonies layered on top of that core melody that make us who we are from day to day.

Today our hearts are divided between two worlds. We are strong and courageous, learning to walk in these two worlds, hanging on to the threads of our culture and traditions as we live in a predominantly non-Indian society. Our history, our culture, our heart, and our home will always be stretching our legs across the plains, singing songs in the morning light, and placing our feet down with the ever-beating heart of the drum. We walk in two worlds.

Today our hearts are divided between two worlds. We are strong and courageous, learning to walk in these two worlds, hanging on to the threads of our culture and traditions as we live in a predominantly non-Indian society. Our history, our culture, our heart, and our home will always be stretching our legs across the plains, singing songs in the morning light, and placing our feet down with the ever beating heart of the drum. We walk in two worlds.

One of the first examples of forensic science solving a murder appears in a book called The Washing Away of Wrongs, published in 1247 by Song Ci, a Chinese coroner and detective. The author relates a story about a peasant found brutally hacked to death with a hand sickle. The local magistrate, unable to make headway in the investigation, calls for all the village men to assemble outside with their sickles; they’re instructed to place their sickles on the ground and then take a few steps back. The hot sun beats down. A buzz is heard. Metallic green flies descend in a chaotic swarm and then, as if collectively alerted, land on one sickle, crawling all over it as the other sickles lie undisturbed. The magistrate knew traces of blood and human tissue attract blowflies. The owner of the fly-covered sickle hung his head in shame. The case was solved.

Culture is the last refuge, the sanctuary, the human place in the midst of the surrounding dehumanization. Through the arts man is able to know himself, even if only on the intuitive level. He senses his own worth, even when he cannot articulate it.” “Can a poem or a song defeat a tyrant?” Defeat a killer, defeat atrocities, defeat the bottom falling out of the universe when you least expect it? “Yes. Yes, it can, given enough time. When a work of art is both beautiful and true, man’s freedom is strengthened by it—both his interior need for freedom and his capacity to seek a rational understanding of it.” “You hope for a lot.” “Yes, I hope for it. And if I didn’t, I would die of despair.” “You are a person of extremes”, Josip says, not unkindly. “Am I? I suppose so. But which is more extreme, a man who desires to speak the truth in a season of lies or a tyrant who creates the lies that engulf an entire people?” Josip nods in agreement.

Lloyd moved to the blackboard and wrote ‘Maneater, Hall and Oates’ at the bottom of a long list of songs and artists. The blackboard in the kitchen had once been installed as a way of communication for the house. It had turned into a list of Songs That You Would Never See In The Same Light Again. This was basically a list of songs that our serial killing landlord had blared at one time or another at top volume to cover the sound of his heavy electric power tools. It was a litany of 70’s and 80’s music. Blondie, Heart of Glass was on the list. So was Duran Duran’s ‘Hungry like the Wolf’. Sam had jokingly given him an Einstürzende Neubauten CD on the premise that his tools would blend right in to the music, and he’d returned it the next day, saying it was too suspicious-sounding and made him very nervous for some reason. The next weekend, we had gone right back to the 80’s with the Missing Persons and Dead or Alive. I tried not to think about why he was playing the music, but it was a little hard not to think about. The strange thumps sometimes suggested that he’d gotten a live one downstairs and was merrily bashing in their skull in the name of his psoriasis to the tune of ‘It’s My Life’ by Talk Talk. Other times I listened in horror as my favorite Thomas Dolby songs were accompanied by an annoying high-pitched buzzsaw whine that altered as if it had entered some sort of solid tissue. He never borrowed music from us again – he claimed our music was too disturbing and dark, and shunned our offerings of Ministry and Nine Inch Nails in favor of some­thing nice and happy by Abba. You’ve never had a restless night from imagining someone deboning a human body while blaring ‘Waterloo’ or ‘Fernando’. It’s not fun.

The vocal credits for Singin’ in the Rain are interesting, and rather confusing. In the film, Debbie Reynolds has been hired to re-dub [Jean Hagen]’s dialogue and songs in the latter’s first talking picture. We see the process being done in a shot of Reynolds, back to camera, matching her dialogue to Jean’s and synchronizing it while watching the sequence on film. But the voice that is used to replace Jean’s dialogue is not Reynolds’, but Jean’s own quite lovely natural voice. Director Stanley Donen explained, in Hugh Fordin’s The World of Entertainment: “We used Jean Hagen dubbing Debbie dubbing Jean. Jean’s voice is quite remarkable and it was supposed to be cultured speech, and Debbie had that terrible western noise.” To further confuse matters, the voice we hear as Jean sings “Would You?,” also supposedly supplied by Reynolds, is that of yet a third girl, unbilled studio singer Betty Noyes.

trusted and, for a while, things simmered down. The inmates of La Vega were a strange lot. There were killers, bank robbers, kidnappers and bombers everywhere, but we realised quite soon on that they were all really immature. As a consequence, it was easy to sidetrack them to help defuse situations. Paul was a master at this. For example, Bebe would go ape about something petty like his coffee going missing, and we’d start singing UB40, Oasis or Beatles songs. It would confuse them into submission. They’d go, ‘What the hell is that?’ and the next thing you’d know, we were giving them a lesson in English music.

It made me dream, for one night at least, of something I hadn't even dared to as a young girl lying in this same bed - that all the pink heart valentine, sappy love song stuff might be real, something I could have.

Making your dreams come true is going to require a whole serial killer setup.

while we talk about a bunch of random things, like what was Sting thinking with the rhyming on the song “Walking on the Moon,” and why killers whales have their name, and whether the animals at Sea World should be taking antidepressants anyway. And when I think we’re leaving,

It is chivalry that makes a true knight, not a sword,” he said. “Without honor, a knight is no more than a common killer. It is better to die with honor than to live without it.

Xander falls back on the pillow and starts singing a Talking Heads song under his breath. Ben recognizes it: Psycho Killer.

Pure praise has always been a weapon of mass destruction to the kingdom of darkness. This is why Satan, the sworn enemy of God, hates the song of the redeemed and the praises of the Lamb more than any other sound on earth. Because he is a killer, a stealer, and a destroyer, he has been hell-bent on destroying the worship movement long before it ever had a chance at maturity. He was aware of its great, destructive power to his realm of darkness long before we were. We just thought we were singing simple love songs to Jesus and were almost oblivious to the fact we were simultaneously destroying the gates of hell.

Without any set of stable morals, professors argue in favor of thugs and criminals. One professor played the “song” “Cop Killer” by that illustrious artist, Ice-T. To quote from the song: “I got my twelve gauge sawed off / I got my headlights turned off / I’m ’bout to bust some shots off / I’m ’bout to dust some cops off ! / Cop killer, it’s better you than me / Cop killer, f— police brutality / Cop killer, I know your family’s grieving (F— ’em) / Cop killer, but tonight we get even (ha, ha, ha, ha, yeah!).

Cop Killer” was a protest song. It reflects how a lot of Black people were feeling in that particular historical moment. Folks in L.A. were at the point of exploding with rage at police brutality.

Gabby’s theme Song: “Bloodstream” by Ed Sheeran Lucas’ theme Song: “Making Love out of Nothing at All” by Air Supply Karen and her family’s theme song: “Photograph” by Ed Sheeran Killer’s theme songs: “Bandito” by Twenty One Pilots and “I Don’t Care Anymore” by HELLYEAH. Other important songs I basically play on repeat as I work: “Neon Gravestones” by Twenty One Pilots  “Heathens” by Twenty One Pilots “Getting Away With It” by James “The Girl You Think I Am” by Carrie Underwood “Waiting for the Miracle” by Leonard Cohen “You Want it Darker” by Leonard Cohen

hear a song she loved, that glass will stab right through you again. Just when you think you’re used to the pain,

Mormont stood before the altar, the rainbow shining on his broad bald head. “You came to us outlaws,” he began, “poachers, rapers, debtors, killers, and thieves. You came to us children. You came to us alone, in chains, with neither friends nor honor. You came to us rich, and you came to us poor. Some of you bear the names of proud houses. Others have only bastards’ names, or no names at all. It makes no matter. All that is past now. On the Wall, we are all one house.

Everyone reading this must believe me when I say Prince possessed genius. Unprecedented genius. Think back to Elvis, the cat some folk say invented rock and roll. Elvis was cool. Elvis had a look. He sang. Worked his pelvis. Drove the girls crazy. Would never dis Elvis for borrowing from black music 'cause he publicly acknowledged his masters. He loved him some B.B. King. He respected Ray Charles. He covered Ray's songs. But if they call Elvis the King, they're gonna have to call Prince the World Emperor. I say that cause, unlike Prince, Elvis did not write. Elvis did not arrange. Elvis did not play killer guitar. And when I say that Prince wrote and arranged, I mean he wrote and arranged literally thousands of songs under so many different names that he forgot half of them. And when I say Prince played guitar, I mean he blended the styles of all the guitar gurus and then added a fantastic flair all his own. He did more than arrange. He created a sound that, nearly half a century later, sounds as fresh as it did when Grand Central was tearing the roofs of every school auditorium in the Twin Cities.

War and ceasefire There was a war followed by a ceasefire, Land covered in ash, dead men and women, Beside the dead were unfulfilled dreams and many a desire, This is how it is now and this is how it was then, Because a country defeated in war, Enters into the state of passive spirit, To the victor, spirited men and women of the defeated country appear too few and too far, So, they rush to assume this is it, the end of it! To be followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, Behind which their broken spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and someone a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, Finally when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So, those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose and it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, It stings all, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps getting louder and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s innocence that actually was the cause of great fall!

War and ceasefire There was a war followed by a ceasefire, Swaths of land lay covered in ashes and dead men and women, Beside them lay still unfilled dreams and many a desire, Wherever one looked there appeared no end to them then, Because a country defeated in war, Enters into the state of passive spirit, Where to the victor, spirited men and women of the defeated country appear too few and too far, And they rush to assume this is it, their end, and the end of it! Followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, And behind them their lost spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, And when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose now it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, And it stings all alike, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps growing and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s actual fall!

I've only ever been loved like a Top 40 song- the latest hit, the hot new thing. Something fleeting, bubbly and fun; nothing serious. But just once, I'd like to be loved like a poignant, timeless ballad. With a melody that moves you and lyrics that burrow deep in your heart. Like Leonard Cohen's "Suzanne" or "Something" by the Beatles or "Speak Now" by Taylor Swift. But that never seems to happen.

Magnetic. Elle couldn’t look away because this was champagne bubbles on her tongue, the first plunge into a swimming pool on a scorcher of a day, that moment right before the bass drops in a killer song. Sparks, chemistry, whatever it was, this was the sort of it’s there or it’s not connection she’d been chasing.

I depend on my friends to remind me that what started in the nineties isn’t all dead, and the struggles of those years are not all lost, and the future is unwritten. Astrogrrrl and I go see our favorite local bar band, the Hold Steady, every time they play. They always end with our favorite song, “Killer Parties,” and sometimes I think, man, all the people I get to hear this song with, we’re going to miss each other when we die. When we die, we will turn into songs, and we will hear each other and remember each other.

Sometimes I think I was the official killer of bad bills. One I recollect at this minute was about exemptin’ debtors from their just debts. The more I listened to ’em argue about lettin’ people get out from under their legitimate obligations, the madder I got. If the day ever comes when you can legislate people out of their honest debts . . . well, I never want to live to see it. The country will be in a bad way, that’s all I got to say for it.

There are no innocent white people, because every one of them is a potential nigger-killer, if not an actual one.

The carpetbagger issue plagued him from the start of his campaign, became the killer question at the candidates’ forums to which the four hopefuls dragged themselves two and three nights a week. You’ve just lived here a year, how can you know Arizona or the district? Aren’t you just an opportunist? At first he explained that, having never lived anywhere permanently, he moved to his wife’s home state when he retired from the Navy, just as many others had settled in Arizona in recent years. It was a weak response and he knew he was getting beat up. One night he turned it around. This time his face grew red as he listened to the familiar question. “Listen, pal,” he replied, “I spent twenty-two years in the Navy. My father was in the Navy. My grandfather was in the Navy. We in the military service tend to move a lot. We have to live in all parts of the country, all parts of the world. I wish I could have had the luxury, like you, of growing up and living and spending my entire life in a nice place like the First District of Arizona, but I was doing other things. “As a matter of fact, when I think about it now, the place I lived longest in my life was Hanoi.” The audience sat for several seconds in shocked silence, then broke into thunderous applause. “The reply was absolutely the most devastating response to a potentially troublesome political issue I’ve ever heard,” said political columnist John Kolbe, of the Phoenix Gazette.

I want to snatch away your broken heart somewhere far away Away In a cave so peaceful, I would sing for you a song In sweetest voice possible that fill up your wounds as the storm passes away....... Keep you hidden from the world, keep you safe from the torment In any possible way...... I want to collect so many....Just like you In one place Dun look at me, what I do, who I am.....I am just.... Jusss someone who's unconditionally In love with hearts that have experienced so much pain Let me take you away, I wanna put a smile on your face.

Coined in 1877 by two French psychologists named Lasèque and Fabret, the term folie à deux has been translated in various ways: “insanity in pairs,” “double insanity,” “reciprocal insanity,” “collective insanity.” In its original meaning, it refers to a rare psychological phenomenon in which two or more closely associated people—often, though not always, family members—share the same psychotic delusion. In a well-known case reported in the 1930s, for example, two middle-aged sisters became convinced that they were being blackmailed by a popular radio personality who was sending coded threats to them in the songs he performed on the air.

There are no innocent white people, because every one of them is a potential nigger-killer, if not an actual one. You think Hitler surprised them? You think just because they went to war they thought he was a freak? Hitler’s the most natural white man in the world. He killed Jews and Gypsies because he didn’t have us. Can you see those Klansmen shocked by him? No, you can’t.

The weather report keeps on Tossing and turning, Predicting and warning, And warning and warning of, Possibly it could be news publications and, Possibly it could be news TV stations. That Very same morning right next to her coffee She noticed some bleeding and heard hollow coughing and National Geographic was being too graphic, When all she had wanted to know was the traffic The worlds got a nosebleed it said And we're flooding but we keep on cutting The trees and the forests!' And we keep on paying those freaks on the TV, Who claim they will save us but want to enslave us. And sweating like demons they scream through our speakers But we leave the sound on 'cause silence is harder. And no one's the killer and no one's the martyr The world that has made us can no longer contain us And profits are silent then rotting away 'cause The consonants and vowels The consequence of sounds.

Lemme get this straight: Rudolph the Red Nosed Reindeer’s song came from Santa Claus getting gawked up by some Finnish woman?