Aim High Fly High Quotes

Aim high, but do not aim so high that you totally miss the target. What really matters is that he will love you, that he will respect you, that he will honor you, that he will be absolutely true to you, that he will give you the freedom of expression and let you fly in the development of your own talents. He is not going to be perfect, but if he is kind and thoughtful, if he knows how to work and earn a living, if he is honest and full of faith, the chances are you will not go wrong, that you will be immensely happy.

I mean a man whose hopes and aims may sometimes lie (as most men's sometimes do, I dare say) above the ordinary level, but to whom the ordinary level will be high enough after all if it should prove to be a way of usefulness and good service leading to no other. All generous spirits are ambitious, I suppose, but the ambition that calmly trusts itself to such a road, instead of spasmodically trying to fly over it, is of the kind I care for.

Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.

For since men for the most part follow in the footsteps and imitate the actions of others, and yet are unable to adhere exactly to those paths which others have taken, or attain to the virtues of those whom they would resemble, the wise man should always follow the roads that have been trodden by the great, and imitate those who have most excelled, so that if he cannot reach their perfection, he may at least acquire something of its savour. Acting in this like the skilful archer, who seeing that the object he would hit is distant, and knowing the range of his bow, takes aim much above the destined mark; not designing that his arrow should strike so high, but that flying high it may alight at the point intended.

Who flies high, easily chooses his target.

Let no man marvel if in what I am about to say concerning Princedoms wholly new, both as regards the Prince and the form of Government, I cite the highest examples. For since men for the most part follow in the footsteps and imitate the actions of others, and yet are unable to adhere exactly to those paths which others have taken, or attain to the virtues of those whom they would resemble, the wise man should always follow the roads that have been trodden by the great, and imitate those who have most excelled, so that if he cannot reach their perfection, he may at least acquire something of its savour. Acting in this like the skilful archer, who seeing that the object he would hit is distant, and knowing the range of his bow, takes aim much above the destined mark; not designing that his arrow should strike so high, but that flying high it may alight at the point intended.

Keep adding feathers, if you dream of flying high".

She stood in profile across the green, her back straight, her stance that of some long ago warrior maiden. As he walked toward her, Miss Greaves drew back her bow briskly, aiming a tad high to account for the wind, and let her arrow fly. Before it had hit the target, she’d notched another and shot it. A third followed just as rapidly. He glanced to the target. All three of her arrows were clustered together at the center of the red circle. Miss Greaves, who “did not shoot,” was a better shot than all the other ladies—and probably the men as well. He glanced from the target to her and saw that she stared back, proud and unsmiling. Artemis. She was named for the goddess of the hunt—a goddess who had slain without remorse her only admirer.

Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.

Before she could think of what to say, he grasped the axe and turned toward her, his face a mass of angles in the lanternlight. "Step back." This was a man who expected to be heeded. He did not wait to see if she followed his direction before he lifted the axe high above his head. She pressed herself into the corner of the dark room as he attacked the furniture with a vengeance, her surprise making her unable to resist watching him. He was built beautifully. Like a glorious Roman statue, all strong, lean muscles outlined by the crisp linen of his shirtsleeves when he lifted the tool overhead, his hands sliding purposefully along the haft, fingers grasping tightly as he brought the steel blade down into the age-old oak with a mighty thwack, sending a splinter of oak flying across the kitchen, landing atop the long-unused stove. He splayed one long-fingered hand flat on the table, gripping the axe once more to work the blade out of the wood. He turned his head as he stood back, making sure she was out of the way of any potential projectiles- a movement she could not help but find comforting- before confronting the furniture and taking his next swing with a mighty heave. The blade sliced into the oak, but the table held. He shook his head and yanked the axe out once more, this time aiming for one of the remaining table legs. Thwack! Penelope's eyes went wide as the lanternlight caught the way his wool trousers wrapped tightly around his massive thighs. She should not notice... should not be paying attention to such obvious... maleness. But she'd never seen legs like his. Thwack! Never imagined they could be so... compelling. Thwack! Could not help it. Thwack!

Would that the structure brave, the manifold music I build, Bidding my organ obey, calling its keys to their work, Claiming each slave of the sound, at a touch, as when Solomon willed Armies of angels that soar, legions of demons that lurk, Man, brute, reptile, fly,—alien of end and of aim, Adverse, each from the other heaven-high, hell-deep removed,— Should rush into sight at once as he named the ineffable Name, And pile him a palace straight, to pleasure the princess he loved! Would it might tarry like his, the beautiful building of mine, This which my keys in a crowd pressed and importuned to raise! Ah, one and all, how they helped, would dispart now and now combine, Zealous to hasten the work, heighten their master his praise! And one would bury his brow with a blind plunge down to hell, Burrow awhile and build, broad on the roots of things, Then up again swim into sight, having based me my palace well, Founded it, fearless of flame, flat on the nether springs. And another would mount and march, like the excellent minion he was, Ay, another and yet another, one crowd but with many a crest, Raising my rampired walls of gold as transparent as glass, Eager to do and die, yield each his place to the rest: For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night— Outlining round and round Rome's dome from space to spire) Up, the pinnacled glory reached, and the pride of my soul was in sight. In sight? Not half! for it seemed, it was certain, to match man's birth, Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth, As the earth had done her best, in my passion, to scale the sky: Novel splendours burst forth, grew familiar and dwelt with mine, Not a point nor peak but found and fixed its wandering star; Meteor-moons, balls of blaze: and they did not pale nor pine, For earth had attained to heaven, there was no more near nor far. Nay more; for there wanted not who walked in the glare and glow, Presences plain in the place; or, fresh from the Protoplast, Furnished for ages to come, when a kindlier wind should blow, Lured now to begin and live, in a house to their liking at last; Or else the wonderful Dead who have passed through the body and gone, But were back once more to breathe in an old world worth their new: What never had been, was now; what was, as it shall be anon;

A few years ago, I led an expedition to return to Mount Everest, the mountain I had climbed aged 23, a mountain where I had risked everything and survived - just. I had always held a secret dream to return and attempt to fly over the mountain in a small one-man paramotor - like a paraglider, only with a backpack engine strapped to your body. At the time, the highest altitude that one had been flown was around 17,000 feet (5,180 metres). But being an enthusiast (and an optimist!), I reckoned we shouldn’t just aim to break the record by a few feet, I thought we should go as high as it was possible to go, and in my mind that meant flying over the height of Mount Everest. This in turn meant we needed to build a machine capable of flying to over 29,000 feet (8,840 metres). Most of the people we spoke to about this thought a) we were crazy, and b) it was technically impossible. What those naysayers hadn’t factored in was the power of yes, and specifically the ability to build a team capable of such a mission. This meant harnessing the brilliance of my good friend Gilo Cardozo, a paramotor engineer, a born enthusiast, and a man who loves to break the rules - and to say yes. Gilo was - and is - an absolute genius aviation engineer who spends all his time in his factory, designing and testing crazy bits of machinery. When people told us that our oxygen would freeze up in minus 70°, or that at extreme altitudes we would need such a heavy engine to power the machine that it would be impossible to take off, or that even if we managed to do it, we would break our legs landing at such speed, Gilo’s response was: ‘Oh, it’ll be great. Leave it with me.’ No matter what the obstacle, no matter what the ‘problem’, Gilo always said, ‘We can do this.’ And after months in his workshop, he did eventually build the machine that took us above the height of Everest. He beat the naysayers, he built the impossible and by the Grace of God we pulled it off - oh, and in the process we raised over $2.5 million for children’s charities around the world. You see, dreams can come true if you stick to them and think big. So say yes - you never know where it will lead. And there are few limits to how high you just might soar.

Strangling fear surged up his throat. Amy, skirts flying, blond hair a gleaming target, was running in a straight line for the wagons, Loretta right behind her. Between the opposing forces. The white, spying the women, had stopped shooting, but in his peripheral vision Hunter saw a brave aim his rifle. “Ka, no!” Hunter zigzagged his mount into the man’s line of fire. “No!” With a vicious kick, Hunter sent his black into a mighty forward lunge, gaining several yards on the advancing warriors, many of whom were from another band. They wouldn’t recognize Amy or Loretta. Unless Hunter could stop the shooting, his woman and her little sister would be killed. When he felt certain everyone in the formation could see him, he wheeled his horse to face them and lifted his rifle high overhead, signaling a cease-fire. Still trailing Amy, Loretta spotted Hunter the moment his horse drew out in front of the others. Heaving for air, she stumbled to a stop and glanced over her shoulder. Hunter, broad back to the wagons, sat tall on his stallion, waving his rifle above his head. As if in a dream, she whirled. The sight of Hunter making a target of himself would be painted in full color across the canvas of her mind for the rest of her life.

Same old Bert. Handsome, confident, flying high,” said Helen. “He’s at that big church in Philly now, head of his district ministers association, obviously aiming for the association presidency—though it’s not such a clear shot for straight white guys these days. And . . .”—Helen lowered her voice—“one night on that retreat, when I was closing up the building, I saw him in the commons room with one of the seminary students. Female, of course. They were deep in conversation and awfully close. Nobody else was around. It was after midnight. They didn’t see me, they were all wrapped up in talking. Maybe it was nothing.

This is My Country [Verse] They say they're taking our rights, trying to clip our wings, Taking aim at the heartland, changing all our things, But I'll stand my ground, with my boots in the dirt, For the sweat on my brow, and this worn-out shirt. [Verse 2] They're chasing my plow and meddling with my land, Trying to break the backbone of the hard-working man, But over my shoulder, there's a flag flying high, For every valley, every mountain, and the wide open sky. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be. [Verse 3] They don't understand the veins in this soil, Each drop of blood, each tear, and each toil, But I'll say my piece, in every whistle and chime, 'Cause this life's been mine since the start of time. [Verse 4] From sunup to sundown, in the fields I roam, They won't replace the essence of my home, For every stream and every tree that's grown, They can't take the spirit that's deeply sown. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be.

Aim high fly Reach deep roots Stretch out grow Beyond and below Above and behind All about and in The awesomeness Sings

ON A WARM, drowsy afternoon in early September, Ed Murrow, Vincent Sheean, and Ben Robertson, a correspondent for the New York newspaper PM, stopped at the edge of a field several miles south of London. The three had spent the day driving down the Thames estuary in Murrow’s Talbot Sunbeam roadster, enjoying the sun and looking for dogfights between Spitfires and Messerschmitts. Their search had been fruitless, and they stopped to buy apples from a farmer. Stretching out on the field to eat them, they drowsily listened to the chirp of crickets and buzzing of bees. The war seemed very far away. Within minutes, however, it returned with a vengeance. Hearing the harsh throb of aircraft engines, the Americans looked up at a sky filled with wave after wave of swastika-emblazoned bombers that clearly were not heading for their targets of previous days—the coastal defenses and RAF bases of southern England. Following the curve of the Thames, they were aimed straight at London. In minutes the sky over the capital was suffused with a fiery red glow; black smoke billowed up into a vast cloud that blanketed much of the horizon. When shrapnel from antiaircraft guns rained down around the American reporters, they dived into a nearby ditch, where, stunned, they watched the seemingly endless procession of enemy aircraft flying north. “London is burning. London is burning,” Robertson kept repeating. Returning to the city, they found flames sweeping through the East End, consuming dockyards, oil tanks, factories, overcrowded tenements, and everything else in their path. Hundreds of people had been killed, thousands injured or driven from their homes. Under a blood-red moon, women pushed prams piled high with their salvaged belongings. That horrific evening marked the beginning of the Blitz: from September 7 on, London would endure fifty-seven straight nights of relentless bombing. Until then, no other city in history had ever been subjected to such an onslaught. Warsaw and Rotterdam had been heavily bombed by the Germans early in the war, but not for the length of time of the assault on London. Although

It will be seen, on considering this example, that we must draw love from the virtues and set this love on the high God to whom we fly, for philosophers took virtue for their end, but Christians only make it their instrument to obtain perfect love for God, they do not seek the virtues merely for the pleasure they give but because without them they cannot attain to the perfect love for God that is their aim.

Yet change is usually stressful, and after a certain age, most people don’t like to change. When you are 16, your entire life is change, whether you like it or not. Your body is changing, your mind is changing, your relationships are changing—everything is in flux. You are busy inventing yourself. By the time you are 40, you don’t want change. You want stability. But in the twenty-first century, you won’t be able to enjoy that luxury. If you try to hold on to some stable identity, some stable job, some stable worldview, you will be left behind, and the world will fly by you. So people will need to be extremely resilient and emotionally balanced to sail through this never-ending storm, and to deal with very high levels of stress. The problem is that it is very hard to teach emotional intelligence and resilience. It is not something you can learn by reading a book or listening to a lecture. The current educational model, devised during the 19th century Industrial Revolution, is bankrupt. But so far we haven’t created a viable alternative. So don’t trust the adults too much. In the past, it was a safe bet to trust adults, because they knew the world quite well, and the world changed slowly. But the 21st century is going to be different. Whatever the adults have learned about economics, politics, or relationships may be outdated. Similarly, don’t trust technology too much. You must make technology serve you, instead of you serving it. If you aren’t careful, technology will start dictating your aims and enslaving you to its agenda. So you have no choice but to really get to know yourself better. Know who you are and what you really want from life. This is, of course, the oldest advice in the book: know thyself. But this advice has never been more urgent than in the 21st century. Because now you have competition. Google, Facebook, Amazon, and the government are all relying on big data and machine learning to get to know you better and better. We are not living in the era of hacking computers—we are living in the era of hacking humans. Once the corporations and governments know you better than you know yourself, they could control and manipulate you and you won’t even realize it. So if you want to stay in the game, you have to run faster than Google. Good luck!

You’re brutal.” “Not brutal. Honest. So, she left and you…” Her head tilts to the side. “Just let her go. Just like that? You didn’t fight for her?” “This is real life. It isn’t some cheesy romance movie, Ariana.” “Obviously not. Future NHL star with up-and-coming songwriter. Best childhood friends turned high school enemies with a second chance at love. But no. You’re a colossal idiot. Not romance movie material at all. You let her go. Wuss move. If you were in a romance movie, you’d chase after her to the airport, or announce your love for her in front of the entire college. You wouldn’t run like a coward with your tail between your legs.” “She’s not flying anywhere.” “Totally missing the point, brother. If you don’t go after her, you’ve got zero chance. Personally, I think the odds are low even if you go after her, but a slim chance is better than no chance.” She glances around. “How about I stay another night? Before we have to go back to school on Monday.” “After that inspiring speech, how could I possibly say no?” I duck to avoid the second swat aimed at me.

Each has his own preoccupation, His favourite sport or avocation: One aims a gun at ducks on high; One is entranced by rhyme as I; One swats at flies in mindless folly; One dreams of ruling multitudes; One craves the scent that war exudes; One likes to bask in melancholy; One occupies himself with wine: And good and bad all intertwine.

In the land of the free, I'll always be. September 3, 2024 at 8:46 AM They say they're taking our rights, trying to clip our wings, Taking aim at the heartland, changing all our things, But I'll stand my ground, with my boots in the dirt, For the sweat on my brow, and this worn-out shirt. [Verse 2] They're chasing my plow and meddling with my land, Trying to break the backbone of the hard-working man, But over my shoulder, there's a flag flying high, For every valley, every mountain, and the wide open sky. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be. [Verse 3] They don't understand the veins in this soil, Each drop of blood, each tear, and each toil, But I'll say my piece, in every whistle and chime, 'Cause this life's been mine since the start of time. [Verse 4] From sunup to sundown, in the fields I roam, They won't replace the essence of my home, For every stream and every tree that's grown, They can't take the spirit that's deeply sown. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be.

I don't want love torn, mended, in half. It took me so long to find this peace, I think I deserve something whole, intense, indestructible. Let's end this please, don't call me or come to my house to look for me. Am glad all this happened . nothing truly good can ever come from such people. am at peace and happy please stick to your life and stay away from me. you are free to continue like the rest of the irresponsible, self hating you call friends. fly in as many unprofitable relationships as you want. just stay away and stop acting relevant I don't even know what you aim to achieve . Maybe u think it hurts me but it doesn't RATHER MAKES ME STRONG. u are a waste of ones precious time. it's over and I've decided what and who is good for me and who am content with. block me

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Those who aim high know what it takes to feel the skies on the tip of their wings and would encourage you to fly with them. Those who sour grape from below would want nothing but for people to fall for that is their only means to feel taller.

What does it mean to try to encapsulate a nation in a flag? It means trying to unite a population behind a homogeneous set of ideals, aims, history and beliefs –an almost impossible task. But when passions are aroused, when the banner of an enemy is flying high, that’s when people flock to their own symbol. Flags have much to do with our traditional tribal tendencies and notions of identity –the idea of ‘us versus them’. Much of the symbolism in flag design is based on that concept of conflict and opposition –as seen in the common theme of red for the blood of the people, for example. But in a modern world striving to reduce conflict and promote a greater sense of unity, peace and equality, where population movements have blurred those lines between ‘us and them’, what role do flags now play?

The Blame They say I'm not supposed to care Keep walking with my head high But every time I go somewhere I feel the dread inside their eyes I am. How can? How can I let it fly? Condemned, they're still, So I'm here to testify You're the devil You're the one that divides this place This place so dividing If united we stand then we ain't gonna to fall Children walk on both hands While man still learnin' to crawl Children fucking blowin' up malls Grown men fucking blow-up dolls I'm not the perfect man, And I never claim to be I've done some things in my time Even I'm ashamed of me I am the hell they're killing in the name of me I can, they can, when they're takin' aim at me Staring so aimlessly, it's so plain to see That they they the devil, under the stairs They follow the echoes of this everlasting prayer

- Scream, will it help you? - Do you remember my scream, little sister? My cry? - Yes, I do. Wash your neck, something is dripping down. - It's only a blood. Or perhaps a sweat. And maybe my makeup?" "- Show me again how it was formed. - But what, Matrix? What are you aiming for? - I still don't know, Mother. The easiest thing to do would be to trim Harris' wings. Then he won't fly too high or will fall..by his nature he is already fallen. He just won't rise. - Last question, Mother, who really formed it?

Understanding life takes time, as does the awakening to the wings we’ve always had to fly.

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