Africa Sunset Quotes

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Long before the stars died the birds began to sing - cool rippling doves, loud cheery starlings, the long lilting trills of warblers and thrushes.
Mike Bond (The Last Savanna)
You have to understand – there is a romance to Africa. You can see a sunset and believe you have witnessed the hand of God. You watch the slow lope of a lioness and forget to breathe. You marvel at the tripod of a giraffe bent to water. In Africa, there are iridescent blues on the wings of birds that you do not see anywhere else in nature. In Africa, in the midday heat, you can see blisters in the atmosphere. When you are in Africa, you feel primordial, rocked in the cradle of the world.
Jodi Picoult (Leaving Time)
Africa. That bird came from Africa. But you mustn't cry for that bird, Paulie, because after a while it forgot about how the veldt smelled at noonday, and the sounds of the wildebeests at the waterhole, and the high acidic smell of the ieka-ieka trees in the great clearing north of the Big road. After awhile it forgot the cerise color of the sun dying behind Kilimanjaro. After awhile it only knew the muddy, smogged-out sunsets of Boston, that was all it remembered and all it wanted to remember. After awhile it didn't want to go back anymore, and if someone took it back and set it free it would only crouch in one place, afraid and hurting and homesick in two unknown and terribly ineluctable directions until something came along and killed it. 'Oh Africa, oh, shit,' he said in a trembling voice.
Stephen King (Misery)
His day is done. Is done. The news came on the wings of a wind, reluctant to carry its burden. Nelson Mandela’s day is done. The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber. Our skies were leadened. His day is done. We see you, South African people standing speechless at the slamming of that final door through which no traveller returns. Our spirits reach out to you Bantu, Zulu, Xhosa, Boer. We think of you and your son of Africa, your father, your one more wonder of the world. We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath. Your man of strength, Gideon, emerging triumphant. Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons. Would the man survive? Could the man survive? His answer strengthened men and women around the world. In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors. His stupendous heart intact, his gargantuan will hale and hearty. He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment. Even here in America, we felt the cool, refreshing breeze of freedom. When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration. We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools. No sun outlasts its sunset, but it will rise again and bring the dawn. Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet. He has offered us understanding. We will not withhold forgiveness even from those who do not ask. Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you. Thank you our Gideon, thank you our David, our great courageous man. We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.
Maya Angelou (His Day Is Done: A Nelson Mandela Tribute)
You have to understand—there is a romance to Africa. You can see a sunset and believe you have witnessed the hand of God. You watch the slow lope of a lioness and forget to breathe. You marvel at the tripod of a giraffe bent to water. In Africa, there are iridescent blues on the wings of birds that you do not see anywhere else in nature.
Jodi Picoult (Leaving Time)
Africa. That bird came from Africa. But you mustn’t cry for that bird, Paulie, because after awhile it forgot about how the veldt smelled at noonday, and the sounds of the wildebeests at the waterhole, and the high acidic smell of the ieka-ieka trees in the great clearing north of the Big Road. After awhile it forgot the cerise color of the sun dying behind Kilimanjaro. After awhile it only knew the muddy, smogged-out sunsets of Boston, that was all it remembered and all it wanted to remember. After awhile it didn’t want to go back anymore, and if someone took it back and set it free it would only crouch in one place, afraid and hurting and homesick in two unknown and terribly ineluctable directions, until something came along and killed it.
Stephen King (Misery)
Africa. That bird came from Africa. But you mustn't cry for that bird, Paulie, because after a while it forgot about how the veldt smelled at noonday, and the sounds of the wildebeests at the waterhole, and the high acidic smell of the ieka-ieka trees in the great clearing north of the Big road. After awhile it forgot the cerise color of the sun dying behind Kilimanjaro. After awhile it only knew the muddy, smogged-out sunsets of Boston, that was all it remembered and all it wanted to remember. After awhile it didn't want to go back anymore, and if someone took it back and set it free it would only crouch in one place, afraid and hurting and homesick in two unknown and terribly ineluctable directions until something came along and killed it. 'Oh Africa, oh, shit,' he said in a trembling voice.
Stephen King (Misery)
There was one of those sunsets beginning — the kind we've been having for months. Buildings and telephone poles were punched black against a watercolour sky into which fresh colour kept washing and spreading, higher and higher. We've never seen so high before; every day the colours go up and up to a hectic lilac, and from that, at last, comes the night. People carry their drinks outside not so much to look at the light, as to be in it. It's everywhere, surrounding faces and hair as it does the trees. It comes from a volcanic eruption on the other side of the world, from particles of dust that have risen to the upper atmosphere. Some people think it's from atomic tests; but it's said that, in Africa, we are safe from atomic fallout from the Northern Hemisphere because of the doldrums, an area where the elements lie becalmed and can carry no pollution.
Nadine Gordimer (The Late Bourgeois World)
They watched the turning colors of the sky until they faded to gray. 'Are the sunsets in Africa as beautiful?' Felicity asked. He stirred. 'Hm? Oh. They're different. The heat rises from the ground in waves.' He motioned with his hand. 'The lower the sun gets, the more the horizon seems to ripple and move, like it's alive. It's mesmerizing.' She freed her fingers and started back toward the house. 'I'm sorry all Cheshire sunsets have to offer are pretty colors.' Rafe watched her retreating backside, tired of the tension between them, and tired of the way he couldn't mention anything farther away than Pelford without upsetting her - even when she lured him into the conversation, as though to test his interest. 'Lis, stop that.' She turned and looked at him. 'Then stop preferring everywhere else in the world above Forton Hall.' He narrowed his eyes. 'I will, if you'll stop preferring Forton Hall above all the rest of damned creation.
Suzanne Enoch (Taming Rafe (Bancroft Brothers, #2))
Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008
Richard Jackson
Though I was there only a short time, one thing about the Relay Station did impress me very strongly. Everywhere else I’d been, one could look “down” at the earth and watch it turning on its axis, bringing new continents into view with the passing hours. But here there was no such change. The earth kept the same face turned forever toward the station. It was true that night and day passed across the planet beneath, but with every dawn and sunset, the station was still in exactly the same place. It was poised eternally above a spot in Uganda, two hundred miles from Lake Victoria. Because of this, it was hard to believe that the station was moving at all, though actually it was traveling round the earth at over six thousand miles an hour. But because it took exactly one day to make the circuit, it would remain hanging over Africa forever—just as the other two stations hung above the opposite coasts of the Pacific.
Arthur C. Clarke (Islands in the Sky)
Shortly after sunset on November 5, the convoy began to swing east, past the Pillars of Hercules. Soon the fleet would split apart, with 33,000 soldiers bound for Algiers and 39,000 for Oran.
Rick Atkinson (An Army at Dawn: The War in Africa, 1942-1943)
Yes, all of this I thought about, all of this filled me with sorrow and a sense of helplessness, and if there was a world I turned to in my mind, it was that of the sixteenth and seventeenth centuries, with its enormous forests, its sailing ships and horse-drawn carts, its windmills and castles, its monasteries and small towns, its painters and thinkers, explorers and inventors, priests and aldrugstores. What would it have been like to live in a world where everything was made from the power of yours hands, the wind or the water? What would it have been like to live in a world where the American Indians still lived their lives in peace? Where that life was an actual possibility? Where Africa was unconquered? Where darkness came with the sunset and light with the sunrise? Where there were too few humans and their tools were too rudimentary to have any effect on animal stocks, let alone wipe them out? Where you could not travel from one place to another without exerting yourself, and a comfortable life was something only the rich could afford, where the sea was full of whales, the forests full of bears and wolves, and there were still countries that were so alien no adventure story could do them justice, such as China, to which a voyage not only took several months and was the prerogative of only a tiny minority of sailors and traders, but was also fraught with danger. Admittedly, that world was rough and wretched, filthy and ravaged with sickness, drunken and ignorant, full of pain, low life expectancy and rampant superstition, but it produced the greatest writer, Shakespeare, the greatest painter, Rembrandt, the greatest scientist, Newton, all still unsurpassed in their fields, and how can it be that this period achieved this wealth? Was it because death was closer and life was starker as a result?
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))