Adults Acting Childish Quotes

A child thinks and acts like a child. But when you are grown, you act and think like an adult. Too many people are still childish and immature and fail to realize it's a setback in their lives.

When I was a child I spoke like a child, thought like a child, acted as a child. But now that I am and adult i put my childish ways behind me.

New Adult is a label that is condescending to readers and authors alike. It implies that the books act as training wheels between Young Adult and Adult. For the New Adult books that are particularly childish, the label implies that they are a step above Young Adult--which is insulting to the Young Adult books that are far superior. For the New Adult books that are particularly sophisticated, the label implies that they are not worthy of being considered "adult." It's a lose-lose situation for everyone. [...] Therefore, the new genre of New Adult is a large step backwards. It increases the system of categories and labels even further, and prevents readers from expanding their horizons and minds. The term is reductive and it is insulting to its own audience.

But if only I could go back, just for a little while. There was something so different about childhood. Something wonderful and magical that just went from me as I got older. Why couldn’t I hold onto it? Why had I allowed the world to take it from me? Suddenly I hated the world, real life. Hated the way it took our childhood away from us. I hated that we had to become something other than children, that we had to give up our childness — that was the price we had to pay for becoming an adult. And once we’d paid the price, there wasn’t ever any going back. Not really. We could act in childish ways, we could revisit childhood places. But we never got back the childhood itself. My

A problem is that Nathan documents Shirley Mason as suffering from a variety of symptoms of a complex dissociative disorder prior to her first contact with Dr. Wilbur, although Nathan denies the dissociative nature of these symptoms. The symptoms described as real by Debbie Nathan include fugue states; blank spells; spending hours playing with imaginary companions with names far beyond the age when this occurs in nontraumatized children; pretending to be “Vicky,” one of her “imaginary companions” at times; her mother calling her by the same names of alter personalities later identified in adult therapy; talking in a high, childish voice when she was no longer a child; numerous symptoms consistent with somatoform dissociation throughout her childhood and adulthood; going downtown to bars to drink with men and not remembering afterward; suddenly becoming comatose in public; and suddenly acting dramatically out of character. All of these symptoms were described to Debbie Nathan in interviews with people who knew Shirley Mason well. Thus, Debbie Nathan’s book actually inadvertently provides documentation of a range of psychological and physical symptoms that would be expected beginning in childhood for someone with a burgeoning dissociative disorder.

But the object of primitive interchanges of blows between armed men was not the killing of a mass of people in battle or the robbing and razing of their village- but rather the singling out of a few live captives for ceremonial slaughter, and eventually serving up in a cannibal feast, itself a magico-religious rite. Once the city came into existence, with its collective increase in power in every department, this whole situation underwent a change. Instead of raids and sallies for single victims, mass extermination and mass destruction came to prevail. What had once been a magic sacrifice to ensure fertility and abundant crops, an irrational act to promote a rational purpose, was turned into the exhibition of the power of one community, under its wrathful god and priest-king, to control, subdue or totally wipe out another community. Much of this aggression was unprovoked, and morally unjustified by the aggressor; though by the time the historic record becomes clear, some economic color would be given to war by reason of political tensions arising over disputed boundaries or water rights. But the resulting human and economic losses, in earliest times no less than today, were out of all proportion to the tangible stakes for which they were fought. The urban institution of war thus was rooted to the magic of a more primitive society: a childish dream that, with the further growth of mechanical power, became an adult nightmare. This infantile trauma has remained in existence to warp the development of all subsequent societies: not least our own.