“
I was set free, because my greatest fear had already been realized, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life.
”
”
J.K. Rowling (Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination)
“
The worst slavery is that of heavily indoctrinated happy morons who adore their chains and cannot wait to thank their masters for the joy of their subservience.
”
”
Yanis Varoufakis (Talking to My Daughter About the Economy: A Brief History of Capitalism)
“
Your daughter is adorable. I've never seen such an alien duck in my entire life.
”
”
Holly Smale (Geek Girl (Geek Girl, #1))
“
THAT’S HOW MY STORY ENDS. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
They're the perfect loving fam'ly, so adoring...
And I love them ev'ry day of ev'ry week.
So my son's a little shit, my husband's boring,
And my daughter, though a genius, is a freak.
”
”
Brian Yorkey (Next to Normal)
“
Understand, daughter, that the only reason for your existing was as a tribute to your uncle-father. You were meant to love him. I planned to teach you how to serve him and adore him. You would be his monument and his fortress against mortality.
Forgive me. As soon as you arrived I realized that you were worth far more than that.
”
”
Katherine Dunn (Geek Love)
“
Coming back last time to the house she grew up in, Isabel had been reminded of the darkness that had descended with her brothers' deaths, how loss had leaked all over her mother's life like a stain. As a fourteen-year-old, Isabel had searched the dictionary. She knew that if a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent loss a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter. That seemed odd. As to her own status, she wondered whether she was still technically a sister, now that her adored brothers had died.
”
”
M.L. Stedman (The Light Between Oceans)
“
When I look into your eyes, I see everything I want and need. I wake up every day excited because I know I’m going to see you that day and be with you that night. And in between I get to spend time with you and our beautiful daughter. Every second of every minute of every day, month, and year with you has been perfect. I love you. I adore you. And I want to spend the rest of my life making you happy.
”
”
Alison G. Bailey (Present Perfect (Perfect, #1))
“
My mom adored her. She called Belly her secret daughter. She looked forward to seeing her all year. Steven, even though he gave her a hard time, he was really protective of her. Everyone took care of Belly, she just didn’t know it. She was too busy looking at Conrad.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
The students adore your father,' a perfumed woman said to me. 'Aren't you lucky to live with such a charming man!'
'He's even more charming at home,' Mom said. 'Isn't he, Bea? He rides a unicycle through the house -'
'- even up and down the stairs,' I added.
'He juggles eggs as he makes breakfast every morning -'
'- which he serves to us in bed of course,' I said.
'- and pulls fragrant bouquets out of his ass,' Mom finished.
'He's just a joy.
”
”
Natalie Standiford (How to Say Goodbye in Robot)
“
So why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had been realised, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life.
”
”
J.K. Rowling (Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination)
“
The car was on the FDR drive now and, turning her head, she glanced out at the bleak brown buildings of the projects that stretched for blocks along the drive. Something inside her sank at the sight of all that sameness, and she suddenly felt defeated.
She shifted uncomfortably in her seat. In the past year, she'd started experiencing these moments of desperate emptiness, as if nothing really mattered, nothing was ever going to change, there was nothing new; and she could see her life stretching before her--one endless long day after the next, in which every day was essentially the same. Meanwhile, time was marching on, and all that was happening to her was that she was getting older and smaller, and one day she would be no bigger than a dot, and then she would simply disappear. Poof! Like a small leaf burned up under a magnifying glass in the sun. These feelings were shocking to her, because she'd never experienced world-weariness before. She'd never had time. All her life, she'd been striving and striving to become this thing that was herself--the entity that was Nico O'Neilly. And then, one morning, time had caught up with her and she had woken up and realized that she was there. She had arrived at her destination, and she had everything she'd worked so hard for: a stunning career, a loving (well, sort of) husband, whom she respected, and a beautiful eleven-year-old daughter whom she adored.
She should have been thrilled. But instead, she felt tired. Like all those things belonged to someone else.
”
”
Candace Bushnell (Lipstick Jungle)
“
She would always feel this wild girl was the truest of any of the people she had already been: adored daughter, bourgeois priss, rebel, runaway, dope-fiend San Francisco hippie; or all the people she would later be: mother, nurse, religious fanatic, prematurely old woman. Vivienne was a human onion, and when I came home at twenty eight years old on the day the monster died, I was afraid that the Baptist freak she had peeled down to was her true, acrid, tear-inducing core.
”
”
Lauren Groff
“
Let me adore
The whole being of you.
”
”
D.C. Thomas (Her Suns And Their Daughters: Daughters Of The Universe Seen)
“
A whore Ailean may have been, but a loving, caring whore who adored his offspring and mate.
”
”
G.A. Aiken (Supernatural (Lords of Deliverance, #1.5; Demonica, #6.5; Guardians of Eternity, #7.6; Nightwalkers, #1.5; Dragon Kin, #0.4))
“
What is was to be the youngest of three--what luck to be born into a jumbly, rowdy group of bigger people and be simply adored.
”
”
Kate Morton (The Clockmaker's Daughter)
“
And there is his three-year-old daughter, who runs around wearing nothing but a rhinestone necklace (who wouldn’t, if they could?).
”
”
Andrew Sean Greer (Less (Arthur Less, #1))
“
By the fridge, Lily holds a sleepy toddler in a panda onesie, and she whispers quietly with Lo. He has this look like he’s half-listening but really he’s thinking about how adorable his wife fucking is, especially with his daughter right there. I know how this’ll go so I don’t wait around to watch. He’ll tease her by leaning in for a kiss, only to stick his tongue in Lily’s ear. She’ll whisper-hiss his name and then slug his shoulder. He’ll mock wince. They’ll look infatuated with each other, remembering how many years they’ve spent. How far their lives have come. How much love they’ve shared. Their romance has never changed. We all thank the fucking world for that because there is no Lily without Lo. There is no Lo without Lily
”
”
Krista Ritchie
“
This old dead hero had one only daughter left of his race; a beauty that, to describe her truly, one need say only, she was female to the noble male; the beautiful black Venus to our young Mars; as charming in her person as he, and of delicate virtues. I have seen an hundred white men sighing after her, and making a thousand vows at her feet, all vain, and unsuccessful; and she was, indeed, too great for any, but a prince of her own nation to adore.
”
”
Aphra Behn (Oroonoko)
“
Catharine’s office had two plants, three chairs, two desks, one hutch, six personal photos in standing frames, one of those clichéd motivational posters on the wall that had two crows tearing out the insides of a reasonably sized forest cat with the cheesy inspirational caption, “Unremittingly, you must stare into the sun,” and a clay paperweight most likely made by Catharine’s daughter (it was signed by your seed in adorable small-child handwriting).
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
And what happens to daughters whose mothers betray them? They don’t become huggable like Sadie, Taiwo thinks. They don’t become giggly, adorable like Ling. They grow shells. Become hardened. They stop being girls. Though they look like girls and act like girls and flirt like girls and kiss like girls—really, they’re generals, commandos at war, riding out at first light to preempt further strikes. With an army behind them, their talents their horsemen, their brilliance and beauty and anything else they may have at their disposal dispatched into battle to capture the castle, to bring back the Honor. Of course it doesn’t work. For they burn down the village in search of the safety they lost, every time, Taiwo knows.
”
”
Taiye Selasi (Ghana Must Go)
“
For a moment she was truly terrified. This was Abbadon the Cruel. The Angel of Destruction. He could and would destroy her if he had to. If he felt like it. He had destroyed worlds before. He had decimated Paradise in the name of the Morningstar.
She trembled in his grasp.
All his gentleness, all his kindness, all the bright shining gorgeousness of his love, he had always given to
someone else. He had adored Gabrielle, had worshiped her, had written her poems and sang her songs, and for Schuyler there were novels and love notes and sweet kisses and furtive tender meetings by a fireplace.
But for his twin, Azrael, he had shown nothing but his anger and violence. His strength and destruction.
He saved the best of himself for those who did not deserve it. Never showed his true face to those damnable Daughters of the Light.
For Azrael, there was only darkness and annihilation.
Rape and carnage.
War and pillage.
A tear escaped from her eye and glittered in the moonlight.
”
”
Melissa de la Cruz
“
In a country where youth is adored, we lost ours before we were out of our twenties. We learned to accept death there, and it erased our sense of immortality. We met our human frailties, the dark side of ourselves, face-to-face … The war destroyed our faith, betrayed our trust, and dropped us outside the mainstream of our society. We still don’t fully belong. I wonder if we ever will. —WINNIE SMITH
AMERICAN DAUGHTER GONE
”
”
Kristin Hannah (The Women)
“
She can’t possibly be evil, she’s adorable.
”
”
Eustacia Tan (Beauty's Daughter (Coming from Darkness, #2))
“
No guy should have that kind of power over you. No matter who he is or how much everyone adores him. Or how much you might still want him.
”
”
Angeline Boulley (Firekeeper’s Daughter (Firekeeper's Daughter, #1))
“
The St. Vincents arrived with their daughter Phoebe, a red-haired infant with an alarmingly changeable temperament. One moment the child was placid and adorable. The next, she was a squalling devil-spawn who could only be soothed by the sound of her father’s voice. “There, darling,” St. Vincent had been known to coo into the infant’s ear. “Has someone displeased you? Ignored you? Oh, the insolence. My poor princess shall have anything she wants…” And, appeased by her father’s outrageous spoiling, Phoebe would settle into hiccupping smiles.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
But it did not stop her from wishing that it had all been different.
Wishing that she had had the chance to be everything daughters of earls were born to be. Wishing that she'd been raised without a care in the world. Without a doubt in her head that it would someday be her day to sparkle; that she would one day be courted properly - by a man who wanted her for her, not as a spoil from a game of chance.
Wishing that she were not so very alone.
Not that wishing had ever helped.
”
”
Sarah MacLean (Ten Ways to Be Adored When Landing a Lord (Love By Numbers, #2))
“
In Darcy, Elizabeth would have a husband who would adore her, but who was stubborn enough to refuse to give in to her. Elizabeth would have a husband she respected and loved, if she could ever bend her stiff neck enough to confess to it. Bennet could not have wished for anything more for his daughter.
”
”
Jann Rowland (Coincidence)
“
He was swaying back and forth with their daughter gazing adoringly into his face from the cradle of his arms. “I’m going to do my best to make sure your life is awesome, but it won’t always be. Those are the times you need to dance in the kitchen the most. It’s good for your soul.”
Beth sighed and leaned her head against the corner of the wall, as enchanted as Lily by the soft, tender timbre of his voice.
“You don’t even need music,” he told Lily. “You can dance to the music in your head. Hopefully not to that country-and-western shit your mother listens to, though. Oh… damn. Don’t say shit, Lily-bean. Or if you do and Mommy hears you, don’t tell her you heard it from me, okay? Tell her Uncle Mike said it.
”
”
Shannon Stacey (Undeniably Yours (Kowalski Family, #2))
“
A girl like that does not deserve to be married to a man she does not love!”
The doctor stared for a moment, and then burst into quite inexplicable laughter. “Are we still speaking of Helen?” he wheezed after a moment.
“Yes,” snapped the matron, glaring at him.
“Dear me,” said the doctor, removing his glasses and dabbing at his eyes with a handkerchief. “Such a circumstance would be very unfortunate – very, very.”
The matron huffed. “The poor child is trapped in a loveless marriage – trust me. I’m a woman.”
“The not-at-all-to-be-pitied girl is married to a man she adores,” the doctor said, smiling. “Trust me. I’m a man, with a wife and three daughters.”
“Adores my eye!”
The doctor replaced his spectacles and spoke very patiently: “Miss Bingham, only a woman who loves remembers what kind of aircraft her man flies.
”
”
Sarah Beth Brazytis (Lighten Our Darkness)
“
From the first day I met his daughter, all I could think about was snuffling up under that sweet dimity like some bad old bear, just crawling up into that honeycomb, nose twitching, and never come out of there till early spring. Think that’s disgusting? Dammit, I do, too, but that’s the way male animals are made. Those peculiar delights were created to entrap us, and anybody who disapproves can take it up with God.
In their wondrous capacity of knowing the Lord’s mind, churchly folks will tell you that He would purely hate to hear such dirty talk. My idea is, He wouldn’t mind it half so much as they would have us think, because even according to their own queer creed, we are God’s handiwork, created in His image, lust, piss, shit, and all. Without that magnificent Almighty lust that we mere mortals dare to call a sin, there wouldn’t be any more mortals, and God’s grand design for the human race, if He exists and if He ever had one, would turn to dust, and dust unto dust, forever and amen. Other creatures would step up and take over, realizing that man was too weak and foolish to properly reproduce himself. I nominate hogs to inherit the Earth, because hogs love to eat any old damned thing God sets in front of them, and they’re ever so grateful for God’s green earth even when it’s all rain and mud, and they just plain adore to feed and fuck and frolic and fulfill God’s holy plan. For all we know, it’s hogs which are created in God’s image, who’s to say?
”
”
Peter Matthiessen (Shadow Country)
“
Marcelian Piaffus adored the heirloom's macabre biography, she could tell. Strangely enough, he had a disregard for its severity despite his beliefs, especially in the hands of a child, and even though Estefania had always been aware that darkness could latch itself onto objects, having grown up among unspeakable atrocities, she decided her daughter had too much grit to decline into madness.
”
”
Laura Gentile (Within Paravent Walls)
“
I adjure you, daughters of Jerusalem,
Adore to weeping,
Love to laughing,
Desire to praising.
Tickle, giggle, kiss!
Adonai my God,
For one moment in love,
Let alone a thousand,
Let alone my life,
For the honor of raising and loving
Children in love,
Praise of You is ever upon my lips.
”
”
Zoe Klein
“
BLESS THE MOON
Forgive us, we blamed you
for floods, for the flush of blood,
for men who are also wolves, even
though you could pull the tide in
by her hair, we tell everyone
we walked all over you. We
blame you for the dark, as if you had
a choice, performing just beyond
the glass, distant and adored,
near but alone, cold and unimaginable
following us home. We use you
to see our blue bodies beneath
your damp light, we let you watch,
swollen against the glass as we move
against one another like fish.
”
”
Warsan Shire (Bless the Daughter Raised by a Voice in Her Head)
“
oh, dear women I adore,
thank you for always going on,
for your actions give to me too, hope
which is why
in your honour
I wrote this song.
”
”
Maya Amlin (If I Have A Daughter One Day)
“
She was one of the lucky ones. A husband who adored her, a happy daughter, a beautiful home.
”
”
Brit Bennett (The Vanishing Half)
“
To know Dad was to love him... He was the sun and the moon to those fortunate enough to have been in his orbit. Underneath that polished Hollywood veneer beat the heart of a man who came from an industrial engine of steel mills and sweat - from hard-working, wholesome people... Dad adored his wives and doted on his many children, who gladly reciprocated that affection.
”
”
Deana Martin (Memories Are Made of This: Dean Martin Through His Daughter's Eyes)
“
Let us remark by the way, that to be blind and to be loved, is, in fact, one of the most strangely exquisite forms of happiness upon this earth, where nothing is complete. To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her and because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, and to say to ourselves, "Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come and go, retire, speak, return, sing, and to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, and through one's obscurity, the star around which this angel gravitates,—few felicities equal this. The supreme happiness of life consists in the conviction that one is loved; loved for one's own sake—let us say rather, loved in spite of one's self; this conviction the blind man possesses. To be served in distress is to be caressed. Does he lack anything? No. One does not lose the sight when one has love. And what love! A love wholly constituted of virtue! There is no blindness where there is certainty. Soul seeks soul, gropingly, and finds it. And this soul, found and tested, is a woman. A hand sustains you; it is hers: a mouth lightly touches your brow; it is her mouth: you hear a breath very near you; it is hers. To have everything of her, from her worship to her pity, never to be left, to have that sweet weakness aiding you, to lean upon that immovable reed, to touch Providence with one's hands, and to be able to take it in one's arms,—God made tangible,—what bliss! The heart, that obscure, celestial flower, undergoes a mysterious blossoming. One would not exchange that shadow for all brightness! The angel soul is there, uninterruptedly there; if she departs, it is but to return again; she vanishes like a dream, and reappears like reality. One feels warmth approaching, and behold! she is there. One overflows with serenity, with gayety, with ecstasy; one is a radiance amid the night. And there are a thousand little cares. Nothings, which are enormous in that void. The most ineffable accents of the feminine voice employed to lull you, and supplying the vanished universe to you. One is caressed with the soul. One sees nothing, but one feels that one is adored. It is a paradise of shadows.
”
”
Victor Hugo (Les Misérables)
“
We should look at every woman as we look to our daughters. It is then we find the will to empower, a love that adores & the courage to protect. It is then & only then - we give all women true respect.
”
”
Robert Vanleeuwen
“
But why should you wish to leave a state of society which you so politely allow to be more felicitous than your own?” “Oh, Aph-Lin! My answer is plain. Lest in naught, and unwittingly, I should betray your hospitality; lest, in the caprice of will which in our world is proverbial among the other sex, and from which even a Gy is not free, your adorable daughter should deign to regard me, though a Tish, as if I were a civilised An, and—and—and—-“ “Court you as her spouse,” put in Aph-Lin, gravely, and without any visible sign of surprise or displeasure.
”
”
Edward Bulwer-Lytton (The Coming Race)
“
was more than she could ever have hoped for. He not only said he loved her, he treated her with love. He was kind, he was generous, he adored her daughter. If it weren’t for him, she would not have been able to be an acolyte, to be a part of the zelandonia. He supported her, took care of Jonayla when
”
”
Jean M. Auel (The Land of Painted Caves (with Bonus Content): Earth's Children, Book Six)
“
The willingness to be slain for Christ (who is adored as the essential divinity of all the sons and daughters of God), in the sense of self-surrender to the Elect One, is what the path and the teachings of the Great White Brotherhood* are all about. * The word white refers not to race but to the aura, the halo that surrounds these immortals.
”
”
Elizabeth Clare Prophet (Morya I)
“
To explain that she knew how marriages worked, understood the petty grievances that could build up. She should tell Charlie that it didn’t matter. That if you loved someone, you should do everything you could to make it work because the person you adored more than anyone else in the world could complain of a sore throat one day and be dead the next.
”
”
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
“
On the first day of his holiday Laurence Manders woke to hear his grandmother’s voice below.
‘I’ll have a large wholemeal. I’ve got my grandson stopping for a week, who’s on the BBC. That’s my daughter’s boy, Lady Manders. He won’t eat white bread, one of his fads.’
Laurence shouted from the window, ‘Grandmother, I adore white bread and I have no fads.
”
”
Muriel Spark (The Comforters)
“
Now I understand Isabel's slavish loyalty to George. Now I understand the passionate bond between the king and the queen. Now I even understand the queen's mother Jacquetta dying of heartbreak at the loss of the man she married for love. I learn that to love a man whose interests are mine, whose passion is given freely and openly to me, and whose battle-hardened young lithe body lies beside me every night as his only joy, is to utterly change my life. I was married before; but I was never shaken and touched and puzzled and adored before. I was a wife but I was no lover. With Richard, I become wife and lover, counselor and friend, partner in all things, comrade in arms, fellow traveler. With Richard, I become a woman, not a girl, I become a wife.
”
”
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
“
You may adore Love You Forever, but I hear it as a story about an overbearing and smothering mother who infantilizes her son and can only tell him she loves him when he is fast asleep. I also contend that she drugs his cocoa. And that when the man's baby daughter wakes up sixteen years later and finds him fondling her in her room, she will be calling 911 and going into therapy.
”
”
Jane Yolen (Take Joy: The Writers Guide To Loving The Craft)
“
My child, he had a child. My daughter, he had a daughter. She was just old enough to cook a holiday meal, and do a little sewing for himS in those days he merely sailed between Mexico and Peru and hundreds of times she waves him farewell or welcome. We have no way of know whether she was more beautiful or intelligent than the thousands of other girls that lived about him, but she was his. I suppose it seems ignoble to you that a great oak of a man should go about the world like a blind man about an empty house merely because a chit of a girl has been withdrawn from it. No, no, you cannot understand this, my adored one, but I understand and grow pale...You will laught at me, but I think he goes about the hemispheres to pass the time between now and his old age.
”
”
Thornton Wilder
“
Here was what I wanted to happen when I walked through the door after my first real date and my first ever kiss. I wanted my mom to say, “Dear God, Meg, you’re glowing. Sit and tell me about this boy. He let you borrow his jacket? That’s so adorable.” Instead, I came off the high of that day by writing a letter to my dead brother and doing yoga between my twin beds, trying to forget my absent mother.
”
”
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
“
The bold, black masked pup goes to a surgeon in Santa Barara with two young daughters. The surgeon’s wife, Jill, takes one look at the pup’s confident gait and names him “Brag.” He’s a handsome fellow with over-sized paws and a serious disposition. The official name for his coloring is sable, which means he has as much black on him as he does brown. Brag grows deeply attached to his new family, never straying far from the little girls and always with one eye on Jill, whom he adores.
Before Brag is a year old, Jill’s husband – an amateur pilot – hops in his plain and flies to Bakersfield for business. On his way home later that night, with two friends seated behind him, he miscalculates his position and flies into a mountain north of Santa Barbara. The plan disintegrates on impact. No one survives
”
”
David Alton Hedges (Werewolf: The True Story of an Extraordinary Police Dog)
“
It's not you it's me' she couldn't use that line. Even though it really was her and not him, everyone thought that line really meant, 'it's not me. It's definitely you.'
There was still a part of her that thought perhaps she shouldn't do it at all. In Andrew she had all the raw ingredients for a perfect life. Here was a grown-up, good-looking, solvent, generous, warm-hearted man who adored her. A man who adored her even when she looked like the loch ness monsters little sister and had a terrible temper to match.
It didn't take a huge leap of imagination to see Andrew standing at the top of the aisle, looking back at lou walking towards him with a grin as wide as the English channel. She could see him painting the nursery yellow; pushing a pram that contained two lovely brown haired twins (one boy, one girl); presenting her woth an eternity ring on their tenth anniversary, taking the twins to school, teaching them how to play football on long, summer holidays in Tuscany, giving the daughter away at her own wedding, cosying up to Lou on the veranda of their perfect house as their retirement stretched ahead of them- a long straight road of well-planned for, financially comfortable and perpetually sunny days.
'oh god' Lou poured herself a vodka.
”
”
Chris Manby (Getting Personal (Red Dress Ink))
“
Every girl must decide whether to be true to herself or true to the world. Every girl must decide whether to settle for adoration or fight for love. There on the bed, in her pigtails and pain, my daughter was me - the little girl I once was, the woman I am now, still struggling to answer the questions: How can I be expansive and free and still be loved? Am I going to be a lady or am I going to be fully human? Do I trust the unfolding and continue to grow, or do I shut all of this down so I fit?
”
”
Glennon Doyle Melton (Love Warrior)
“
Critical or adoring scholars and readers might agree about one thing: the Little House books are not history. They are not, as Wilder and her daughter had claimed, true in every particular. Yet the truth about our history is in them. The truth about settlement, about homesteading, about farming is there, if we look for it—embedded in the novels’ conflicted, nostalgic portrayal of transient joys and satisfactions, their astonishing feats of survival and jarring acts of dispossession, their deep yearning for security. Anyone who would ask where we came from, and why, must reckon with them.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
And yet however much M. Vinteuil may have known of his daughter’s conduct it did not follow that his adoration of her grew any less. The facts of life do not penetrate to the sphere in which our beliefs are cherished; as it was not they that engendered those beliefs, so they are powerless to destroy them; they can aim at them continual blows of contradiction and disproof without weakening them; and an avalanche of miseries and maladies coming, one after another, without interruption into the bosom of a family, will not make it lose faith in either the clemency of its God or the capacity of its physician.
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Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
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Once in an art gallery, I came upon a painting of the Madonna holding her toddler in one arm and an open book in her opposite hand. Her eyes are turned toward her child as if she has just been torn from her reading. Heavily lidded, they exude a look of sweet adoring, but they also carry a wistful expression, the sigh of interruption, the veiled craving for her book pages. It was like observing a conflict at the hub of my existence. Baby or book. Children or writing. Motherhood or career. I bought the painting and hung it prominently in the living room. In secret, I sympathized with the self-actualizing side of the Madonna, feeling her perturbation at the child’s demands.
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Sue Monk Kidd (Traveling With Pomegranates: A Mother-Daughter Story)
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Do we need a Christmas present for her ladyship and Sonnet?” “Oh, they would like that,” Amanda said, kiting around on Louisa’s other hand. “They both eat carrots, and we’ve tons and tons of carrots in the root cellars. Papa doesn’t like carrots.” “However would you know such a thing?” “We don’t know such a thing,” Fleur said. “But we don’t like carrots, and if you think Papa doesn’t either, you won’t put them on our menus.” Amanda turned big blue eyes on Louisa. “That will mean more for Sonnet too.” “You are a pair of minxes. Their Graces will adore you, but nothing will preserve you from having to eat the occasional carrot. You must accept your fate with dignity.” Mention
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Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
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That's how my story ends. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
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Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
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But to sell Flush was unthinkable. He was of the rare order of objects that cannot be associated with money. Was he not of the still rarer kind that, because they typify what is spiritual, what is beyond price, become a fitting token of the disinterestedness of friendship; may be offered in that spirit to a friend, if one is so lucky enough as to have one, who is more like a daughter than a friend; to a friend who lies secluded all through the summer months in a back bedroom in Wimpole Street, to a friend who is no other than England’s foremost poetess, the brilliant, the doomed, the adored Elizabeth Barrett herself? Such were the thoughts that came more and more frequently to Miss Mitford as she watched Flush rolling and scampering in the sunshine; as she sat by the couch of Miss Barrett in her dark, ivy-shaded London bedroom. Yes; Flush was worthy of Miss Barrett; Miss Barrett was worthy of Flush. The sacrifice was a great one; but the sacrifice must be made. Thus, one day, probably in the early summer of the year 1842, a remarkable couple might have been seen taking their way down Wimpole Street—a very short, stout, shabby, elderly lady, with a bright red face and bright white hair, who led by the chain a very spirited, very inquisitive, very well-bred golden cocker spaniel puppy. They walked almost the whole length of the street until at last they paused at No. 50. Not without trepidation, Miss Mitford the bell.
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Virginia Woolf (Flush)
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She cuddled the baby closer and kissed his ear. Kit turned to swing his little paw at her, but Sophie drew back, only to kiss his ear again when he dropped his hand. “That child likes to play.” And Sophie adored to play with him, to lavish love and attention upon him. “He’s been singing today, as well,” she said, taking a seat on the sofa with the infant. “Wonderful baby songs, odes to his toes, madrigals to his knuckles. I wonder when he’ll begin to speak. Mrs. Harrad will no doubt know such things.” She was Lady Sophia this morning, a woman with no recollection of the glorious intimacies they’d shared. A duke’s daughter determined on her cause. He sat beside her, missing plain Sophie Windham with a fierce ache. “The
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Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
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The infant, Isabelle, had been born to Annabelle and Simon Hunt approximately ten months earlier. Surely no baby had ever been doted on more, by every one in the household including her father.
Contrary to all expectations the virile and masculine Mr. Hunt had not been at all disappointed that his firstborn was a girl. He adored the child, showing no compunction about holding her in public, cooing to her in a way that fathers seldom dared. Hunt had even instructed Annabelle to produce more daughters in the future, claiming roguishly that it had always been his ambition to be loved by many women.
As might have been expected, the baby was exceptionally beautiful- it would be a physical impossibility for Annabelle to produce a less than spectacular offspring.
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Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
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Whilst I adore this ineffable life which is at my heart, it will not condescend to gossip with me, it will not announce to me any particulars of science, it will not enter into the details of my biography, and say to me why I have a son and daughters born to me, or why my son dies in his sixth year of life. Herein, then I have this latent omniscience coexistent with omnigorance. Moreover, whilst this Deity glows at the heart, and by his unlimited presentiments gives me all Power, I know that to-morrow will be as this day, I am a dwarf, and I remain a dwarf. That is to say, I believe in Fate. As long as I am weak, I shall talk of Fate; whenever the God fills me with his fullness, I shall see the disappearance of Fate. I am defeated all the time; yet to Victory I am born.
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Ralph Waldo Emerson
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When Mrs. Darling came into the kitchen it was with a tentative step and furtive looks.
"How is your little pet?" she eventually asked.
"What? Oh, he's absolutely adorable," Wendy said, remembering to toss Snowball a tidbit of mutton. For Nana she reserved the bone.
"You can... take him with you, you know. To Ireland. He would be a delightful little travel companion."
For a moment, just a moment, Wendy looked at her mother- really looked at her, steadily and clearly.
"You would never send the boys away."
The statement fell hard and final and full of more meaning than anything that had ever been said in the kitchen before.
"But they didn't write the... fantasies...." her mother said quietly.
Then Mr. Darling came in, loud and blustery, talking up Irish butter and clean country air.
Mother and daughter both ignored him.
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Liz Braswell (Straight On Till Morning)
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On our flight back from Arizona where we adopted our daughter three years after our ungreen one-headed son a stewardess ... paused to to adore the little girl my wife was holding. The woman was very attractive and seemed happy and easy with herself - confident enough to say to my wife 'Well congratulations and my don't you look terrific too.' My wife said 'Well we've just adopted her.' And the stewardess said 'How wonderful Congratulations again I was adopted too.' Happily the enthusiastic remark was not lost on our three-year-old boy nor was it lost on him that in Pheonix we had stayed in a close to luxurious resort hotel. He didn't know or care about the dreary heavy rain that fell in Atlanta when he came into our lives - all he knew about adoption at this point really was that it involved a warm whirpool tub cornucopian buffet breakfasts and a fascinating differently private-partsed baby.
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Daniel Menaker
“
One of the bonds between Lily and me is that we both suffer with our teeth. She is twenty years my junior but we wear bridges, each of us. Mine are at the sides, hers are in front. She has lost the four upper incisors. It happened while she was still in high school, out playing golf with her father, whom she adored. The poor old guy was a lush and far too drunk to be out on a golf course that day. Without looking or given warning, he drove from the first tee and on the backswing struck his daughter. It always kills me to think of that cursed hot July golf course, and this drunk from the plumbing supply business, and the girl of fifteen bleeding. Damn these weak drunks! Damn these unsteady men! I can't stand these clowns who go out in public as soon as they get swacked to show how broken-hearted they are. But Lily would never hear a single word against him and wept for him sooner than for herself. She carries his photo in her wallet.
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Saul Bellow (Henderson the Rain King)
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QUEEN OF THE SAND
"Oh father, behold the desert queen" and I looked and I saw an inscription but age deprived my understanding.
My daughter cried out, "Oh father, King of the Desert, behold she who bears my name". Then I realise it was Zara Muhammad The Queen of the Sand. The mercy of princesses. The sons delight and the father's pride.
Oh daughter of Arab, what bringeth thou thee to the Kingdom were daughters are enthroned, where women rule, and where the sons of men marvel at the beauty of the stars.
The Sand Queen replied, "It the glory every daughter of the Sand has spoken of brought me this far" "What glory, oh Adored Zara?" I asked and she roared with voice of a bird rejoicing over showers of seeds and she said "You my Lord and King, for your beauty has reached the ends of the world"
It was then I realise that this poem was written not only for Zara Muhammed but also for Zara Vote and Victor Vote.
Greetings of great Great Zara, Queen of the Sand.
Poem by Victor Vote for Zara Muhammed
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”
Victor Vote
“
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?”
“Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.”
“Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe.
“I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.”
Oh, I’m worried . . . that he plans on using the other one.
“Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.”
I know. I really know.
“Are you good? Am I allowed to leave now?”
“I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.”
“I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.”
My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?”
“Do you mind sharing underwear with another man? Because I’m game.”
My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.”
“Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up.
Ridiculous. Hilarious.
When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.”
With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
”
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Meghan Quinn (The Lineup)
“
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie.
“At least there wasn’t any sex,” she said with dead–serious concern.
“No,” I said, “probably not a single bare breast.”
I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies.
“You know what I’m talking about,” she snapped. “I mean graphic sex.”
We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant.
“I don’t think children should see that kind of thing,” she added.
“What should children see?” I asked her.
I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene?
I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
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David Zindell (Splendor)
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Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die.
So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right).
Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce?
Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins.
Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall.
He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it.
That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
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Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
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We know what the world wants from us. We know we must decide whether to stay small, quiet, and uncomplicated or allow ourselves to grow as big, loud, and complex as we were made to be. Every girl must decide whether to be true to herself or true to the world. Every girl must decide whether to settle for adoration or fight for love. There on the bed, in her pigtails and pain, my daughter was me—the little girl I once was, the woman I am now, still struggling to answer the questions: How can I be expansive and free and still be loved? Am I going to be a lady or am I going to be fully human? Do I trust the unfolding and continue to grow, or do I shut all of this down so I fit?
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Glennon Doyle Melton (Love Warrior)
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Girls without their fathers were also at risk. I didn't learn this from the fairy tales of my youth, because in those stories the fathers were present in the castles and in the cottages. The fairy-tale fathers, however, were unforgivably weak and always thinking with their groins. These men would rather sacrifice their daughters than risk harm to themselves. Rapunzel's father loved her mother so much that he stole for the woman. When he was caught, he was a coward, and instead of paying with his own life he promised away their unborn child. Gretel was very much alive, as was her brother, Hansel, when their father tried to do away with them. Three times he tried. ("Abandonment in the forest" was a bloodless euphemism for attempted murder.) Of course, there was Beauty. Was she not the poster child for daughters of men who dodged their responsibilities and used their female offspring as human shields?
Fairy-tale fathers were also criminally negligent. Where was Cinderella's father when she was being verbally abused and physically demeaned by her stepmother and stepsisters? Perhaps he was so besotted, his wits so dulled by his nightly copulation with his new wife, that he failed to notice the degraded condition of his daughter. Snow White's father, a king no less, was equally negligent and plainly without any power within his own domestic realm. Under his very roof, his new wife plotted the murder of his child, coerced one of his own huntsmen to carry out the deed, then ate what she thought was the girl's heart. This king was no king. He was a fool who left his daughter woefully unprotected.
When I first heard these stories, I assigned to these men no blame because they worry the solemn and adored mantle of "father." I understood them to be, like my own father, men who went to work every day, who returned home exhausted and taciturn, and who fell asleep in their easy chairs while reading the newspaper. I assumed that they, like my father, would have protected their daughters if only they had known of the dangers their girls faced during those dark hours after school and before dinner.
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Monique Truong (Bitter in the Mouth)
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Is she selfish, she wonders. She certainly has her life the way she wants it--a job she loves, a daughter she adores, a companion animal to share her home--and she knows that she would find it hard to compromise this existence for any man. Even in her fantasies of Nelson leaving Michelle (which do occur, despite herself), they never progress beyond the first ecstatic love-making. She never thinks about Nelson actually living in the tiny cottage, hogging the bathroom, leaving his giant policeman's boots on the stairs, wanting to watch the football instead of Prehistoric Autopsy. They would kill each other in a week.
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Elly Griffiths (The Outcast Dead (Ruth Galloway, #6))