Black Canary Quotes

An intersectional approach to feminism requires understanding that too often mainstream feminism ignores that Black women and other women of color are the proverbial canaries in the coal mine of hate.

All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool belt, Ray-Ban sunglasses, and a porkpie hat. “God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.” “Hey, shut up!” “I think he looks good,” said Coach Hedge. “’Course, I look better.” The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate. “Well,” Jason said, “at least your mom overlooked me.” Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s message was clear: This one needs no improvement. And Piper agreed.

Do you think I like sending out agents to do my dirty work? Do you think I get my thrills living vicariously? Do you think I don't know hurt? Do you think I don't know hurt? You don't know hurt, sister! I can't get off the mat to take down Lynx on my own-- but you can, and by God, you will--

The rooms hidden behind the multitude of tents in Le Cirque des Rêves are a stark contrast to the black and white of the circus. Alive with color. Warm with glowing amber lamps. The space kept by the Murray twins is particularly vivid. A kaleidoscope of color, blazing with carmine and coral and canary, so much so that the entire room often appears to be on fire, dotted with fluffy kittens dark as soot and bright as sparks.

You will learn that the single most dangerous weapon, before any ammunition, is your voice - and how you choose to use it.

As the bartender struck a match to light her cigarette, she put her hand on his wrist to steady it. Travis saw him jump, draw back. He held his wrist, blew on it, looked at her reproachfully. Travis said: 'Why, you scratched him, Sarah.' 'Did I?' And as she turned and looked at him, he saw her hand twitch a little, and drew still further away from her. 'What - what's got into you?' he faltered. There was some kind of tension spreading all around the horseshoe-shaped bar, emanating from her. All the cordiality, the sociability, was leaving it. Cheery conversations even at the far ends of it faltered and died, and the speakers looked around them as though wondering what was putting them so on edge. A heavy leaden pall of restless silence descended, as when a cloud goes over the sun. One or two people even turned and moved away reluctantly, as though they hadn't intended to but didn't like it at the bar any more. The gaunt-faced woman in red and black was the center of all eyes, but the looks sent her were not the admiring looks of men for a well-dressed woman; they were the blinking petrified looks a blacksnake would get in a poultry yard. Even the barman felt it. He dropped and smashed a glass, a thing he hadn't done since he'd been working on the ship. Even the canary felt it, and stood shivering pitifully on its perch, emitting an occasional cheep as though for help. ("I'm Dangerous Tonight")

A cold moon rises over glittering cages & you fasten the lock on each silver door. The sparrows are nesting & I begin to count the buttons on your black wool coat. My eyes adrift along its luminous satin inlay. Now the night has been opened like a box of exotic blue canaries & I'm brushing feathers from my long dark sleeves. You smile as the song rises, hesitant, in my cool white throat— —Kristina Marie Darling, “Aviary,” The Body is a Little Gilded Cage: A Story in Letters and Fragments. (Gold Wake Press February 4, 2012)

the streets. So now everyone is afraid of it. Petr GINZ Today it’s clear to everyone who is a Jew and who’s an Aryan, because you’ll know Jews near and far by their black and yellow star. And Jews who are so demarcated must live according to the rules dictated: Always, after eight o’clock, be at home and click the lock; work only labouring with pick or hoe, and do not listen to the radio. You’re not allowed to own a mutt; barbers can’t give your hair a cut; a female Jew who once was rich can’t have a dog, even a bitch, she cannot send her kids to school must shop from three to five since that’s the rule. She can’t have bracelets, garlic, wine, or go to the theatre, out to dine; she can’t have cars or a gramophone, fur coats or skis or a telephone; she can’t eat onions, pork, or cheese, have instruments, or matrices; she cannot own a clarinet or keep a canary for a pet, rent bicycles or barometers, have woollen socks or warm sweaters. And especially the outcast Jew must give up all habits he knew: he can’t buy clothes, can’t buy a shoe, since dressing well is not his due; he can’t have poultry, shaving soap, or jam or anything to smoke; can’t get a license, buy some gin, read magazines, a news bulletin, buy sweets or a machine to sew; to fields or shops he cannot go even to buy a single pair of winter woollen underwear, or a sardine or a ripe pear. And if this list is not complete there’s more, so you should be discreet; don’t buy a thing; accept defeat. Walk everywhere you want to go in rain or sleet or hail or snow. Don’t leave your house, don’t push a pram, don’t take a bus or train or tram; you’re not allowed on a fast train; don’t hail a taxi, or complain; no matter how thirsty you are you must not enter any bar; the riverbank is not for you, or a museum or park or zoo or swimming pool or stadium or post office or department store, or church, casino, or cathedral or any public urinal. And you be careful not to use main streets, and keep off avenues! And if you want to breathe some air go to God’s garden and walk there among the graves in the cemetery because no park to you is free. And if you are a clever Jew you’ll close off bank accounts and you will give up other habits too like meeting Aryans you knew. He used to be allowed a swag, suitcase, rucksack, or carpetbag. Now he has lost even those rights but every Jew lowers his sights and follows all the rules he’s got and doesn’t care one little jot.

Four piles of dead were heaped together like broken meat on a butcher’s stall — not a whit more tenderly — and cleared out of the way like carrion; the ground was broken up into great pools of blood, black and noisome; troops of flies were swarming like mimic vultures on bodies still warm, on men still conscious, crowding over the festering wounds (for these men had lain there since Saturday at noon!), buzzing their death-rattle in ears already maddened with torture. That was what we saw in the Malakoff, what we saw a little later in the Great Redan, where among cookhouses, brimful of human blood, English and Russian lay clasped together in a fell embrace, petrified by death; where the British lay in heaps, mangled beyond recognition by their dearest friends, or scorched and blackened by the recent explosions; and where — how strange they looked there! — there stood outside the entrance of one of the houses, a vase of flowers, and a little canary!

The shower turned out to be glorious once I adjusted the water to a cool enough temperature so as not to produce any steam. I washed my hair, noticing that my favorite shampoo suddenly smelled like Hades--as did my trusty facial scrub, which had so loyally saved my face from looking like the back of a lizard on the day of my wedding. Just as I was rinsing the last of the suds from my hair, Marlboro Man suddenly burst through the door of the bathroom and yelled, “Hey!” I screamed bloody murder from the startle, then screamed again because I was naked and feeling queasy and unattractive. Then I felt sick from the excitement. “Hi,” I managed, grabbing a towel from the rack and wrapping it around myself as quickly as I could. “Gotcha,” he said, smiling the sexiest smile I’d ever seen while in such a sick state. Then he stopped and looked at me. “Are you okay?” He must have noticed the verdant glow of my skin. “I’ll be honest,” I said, making my way back to our bedroom. “It’s pretty bad. I’m going to try to get in to the doctor today and see if there’s anything he can do about it.” I fell backward onto the bed. “My ears must have been permanently damaged or something.” Marlboro Man moved toward me, looking like the cat that had just eaten the canary. “Scared you, didn’t I?” he chuckled as he wrapped his arms around my towel-cloaked body. I breathed him in, wrapping my arms around him, too. Then I shot up and raced back to the bathroom so I could throw up again.

Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling A

African Americans continue to be the canaries in our coal-mine—the citizens whose unequal opportunities and unequal rights reveal a deeper truth about the fundamental sins of our nation.

Their skin was olive—like the heathens of the Canary Islands, much lighter than the Guineans—and many had painted themselves with red, black, or white designs. Memories of the scant clothing of Canarians and Guineans flickered through his thoughts, and Cristóbal was satisfied that the distance of the naked peoples from his crews was sufficient for safety—so long as the crews remained alert. He overheard the people’s whispers and guessed that their language, as the Guineans’, would lack words common to the languages he knew. He grasped

Sometimes I almost believe her soul looks out of the photograph, almost clears the sill Of the eyes & comes near; though it does not ever Move, it holds me while I look at it. But even today, I can’t conceive of a soul Without seeing a woman’s body. Specifically, Yours, undoing the straps of an evening dress In a convertible, & then lying back, your breasts Holding that hint of dusk mixed with mint And the emptiness of dusk. Someone put it Crudely: to fuck is to know. If that is true, There’s a corollary: the soul is a canary sent Into the mines. The convertible is white, & parked Beneath the black trees shading the river, Mile after mile. Your dress is off by now, And when you come, both above & below me, When you vanish into that one cry which means Your body is no longer quite your own And when your face looks like a face stricken From this world, a saint’s face, your eyes closing On some final city made entirely Of light, & only to be unmade by light Again—at that moment I’m still watching You—half out of reverence & half because The scene is distant, like a landscape, & has Nothing to do with me. Beneath the quiet Of those trees, & that sky, I imagine I’m simply a miner in a cave; I imagine the soul Is something lighter than a girl’s ribbon I witnessed, one afternoon, as it fell—blue, Tossed, withered somehow, & singular, at A friend’s wedding—& then into the river And swirled away. Do I chip away with my hammer? Do I, sometimes, sing or recite? Even though I have to know, in such a darkness, all The words by heart, I sing. And when I come, My eyes are closed fast. I smile, under The earth. They loved fast horses. And someone else Will have to watch them, grazing on short tufts Of spring grass beside the riverbank, When we are gone, when we are light, & grass. . — Larry Levis, from “A Letter,” Winter Stars (University of Pittsburgh Press, 1985)

As racist structures force people of color into the mines as the canary, racist indifference makes the warnings we give go unheeded—from the war on drugs to the financial crisis to climate disasters. The coronavirus pandemic is a tragic example of governments and corporations failing to protect Black, brown, and Indigenous lives—though, if they had, everyone would have been safer.

White of snow or white of page is not" the white of your skin, for skin, except when truly albino, always has some other color sleeping within it—a hint of red maple leaf, a touch of the blue ice at the edge of a melting stream, a richness implied of its many layers, the deltas of cells and blood, that deep fecundity that lies within and makes the skin shed, not like a snake, but as a tree (one of those golden cottonwoods flaring just now at the edge of the river) that sheds its leaves each moment while an eternity of leaf remains. Oh, nothing seems to me as white as your skin, all your languid ease of being—one resting upon the other, the sliver of your shoulder against the black fabric—reminds me so of the lost realm of beauty that I am afraid of nothing, and only dazed (as I was that day at the aquarium when the beluga whales came swimming toward me—how white they were, slipping out of the darkness, radiant and buoyant as silence and snow, incandescent as white fire, gliding through the weight of water, and when they sang in that chamber as small as the chambers of the human heart, murky with exhaustion and captivity and the fragments of what they had consumed, I was almost in love with them; they seemed the lost children of the moon, carrying in their milky mammalian skins a hint of glacial ice and singing to each other of all the existences they had left behind, their fins like the wings of birds or angels, clicking and whistling like canaries of the sea: there was no darkness in their bodies, like clouds drifting through unkempt skies, they illuminated the room). So I did not think of you so much as I felt you drifting through my being, in some gesture that held me poised like a hummingbird above the scarlet blossoms of the trumpet vine, I kissed you above the heart, and by above I mean there, not that geometric center, the breastbone that so many use to divide the body in half and so mistake for the place where the heart lies, but the exact location, a little to the left, just on the crescent where the breast begins to rise; oh, I know all that drift of white implies, the vanished clothing, the disappearing room, that landscape of the skin and night that opens in imagination and in feeling upon a sea of snow, so that just one kiss above the heart is a kiss upon the heart, as if one could kiss the very pulse of being, light upon the head of that pin that pins us here, that tiny disk where angels were once believed to dance, and all that nakedness without could not have been except for all that burning deep within

You've learned to control your pain, but you've never let go of it. When you can do that, you'll be sensei in no time. Your journey is just beginning.

THE TENANT of the Estancia Paso Roballos was a Canary Islander from Tenerife. He sat in a pink-washed kitchen, where a black clock hammered out the hours and his wife indifferently spooned rhubarb jam into her mouth.

The unexpected sound of laughter drew stares from people hurrying past. Office types, dressed in shades of black. The only difference in appearance and sour expressions of these 9-to-5s to funeral directors was the cost of the suits, skirts and shoes. High above the circumference of the steel, glass and concrete of the atrium and its engulfing thirty floor construction resembled a gargantuan tomb, with worms (a.k.a. office workers) morphing and interfusing, centering on unearthing the wealth of currency secreted in the abdomen of the leviathan that comprised No. 1 Quebec Square, Canary Wharf.

For the first part of the journey Maia kept her eyes on the side of the road. Now that she was really leaving her friends it was hard to hold back her tears. She had reached the gulping stage when she heard a loud snapping noise and turned her head. Miss Minton had opened the metal clasp of her large black handbag and was handing her a clean handkerchief, embroidered with the initial A. “Myself,” said the governess in her deep gruff voice, “I would think how lucky I was. How fortunate.” “To go to the Amazon, you mean?” “To have so many friends who were sad to see me go.” “Didn’t you have friends who minded you leaving?” Miss Minton’s thin lips twitched for a moment. “My sister’s canary, perhaps. If he had understood what was happening. Which is extremely doubtful.

In mid-September Soufan talked to an al-Qaeda prisoner named Ramzi Binalshibh, who was chained naked to the floor in a CIA black prison at the Bagram air base outside Kabul. He said he was starting to obtain “valuable actionable intelligence” before CIA officers ordered him to stop talking forty-five minutes later. On September 17, they flew their prisoner to a second black site in Morocco, then on to Poland; under extreme duress he described plots to crash airplanes into Heathrow Airport and Canary Wharf in London. He was also diagnosed as a schizophrenic.

Making her debut in 1947, Black Canary was the archetype of the new Film Noir era heroine. Originally, Black Canary was a mysterious female vigilante, who played the role of criminal in order to infiltrate the underworld and bring its gangsters to justice. A gorgeous blonde in a low cut black swimsuit, bolero jacket and fishnet tights, Black Canary was actually Dinah Drake, a florist who wore her black hair tied in a bun, and sensible, high-necked blouses. When trouble brewed, Dinah slipped into her fishnets and pinned on a blonde wig to become the gutsy, karate chopping Black Canary. But Dinah had another incentive to lead a secret life. A roguishly handsome private detective named Larry Lance became a frequent customer in Dinah’s florist shop. He had a knack for getting into trouble, and Dinah would usually end up switching into her Black Canary guise to rescue him.