Adding Colors To Life Quotes

I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.

Life is a sea of vibrant color. Jump in.

Do you know when they say soul-mates? Everybody uses it in personal ads. "Soul-mate wanted". It doesn't mean too much now. But soul mates- think about it. When your soul-whatever that is anyway-something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape-when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to-even if you can't be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul's wedding must be too beautiful to even look at. It must be blinding. In must be like all the weddings in the world-gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets,showers of roses. And after that happens-that's it, this is it. But sometimes you have to let that person go. When you are little, people , movie and fairy tales all tell you that one day you're going to meet this person. So you keep waiting and it's a lot harder than they make it sound. Then you meet and you think, okay, now we can just get on with it but you find out that sometimes your sould brother partner lover has other ideas about that.

Sometimes I think a man could wander across the disc all his life and not see everything there is to see,' said Twoflower. 'And now it seems there are lots of other worlds as well. When I think I might die without seeing a hundredth of all there is to see it makes me feel,' he paused, then added, 'well, humble, I suppose. And very angry, of course.

When you want to make the main color pure and bright, don't just keep adding bright colors on it. Just make the colors around the spot darker and dull. It will give the scene dramatical effects. I think the life is the same.

Do you know when they say soulmates? Everybody uses it in personal ads. “Soul mate wanted.” It doesn’t mean too much now. But soulmates – think about it. When your soul – whatever that is anyway – something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape – when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to – even if you can’t be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul’s wedding must be too beautiful to even look at. It must be blinding. It must be like all the weddings in the world – gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets, showers of roses. And after that happens you know – that’s it. This is it.

As the least drop of wine tinges the whole goblet, so the least particle of truth colors our whole life. It is never isolated, or simply added as treasure to our stock. When any real progress is made, we unlearn and learn anew what we thought we knew before.

The liturgy of the Eucharist is best understood as a journey or procession. It is the journey of the Church into the dimension of the Kingdom. We use the word 'dimension' because it seems the best way to indicate the manner of our sacramental entrance into the risen life of Christ. Color transparencies 'come alive' when viewed in three dimensions instead of two. The presence of the added dimension allows us to see much better the actual reality of what has been photographed. In very much the same way, though of course any analogy is condemned to fail, our entrance into the presence of Christ is an entrance into a fourth dimension which allows us to see the ultimate reality of life. It is not an escape from the world, rather it is the arrival at a vantage point from which we can see more deeply into the reality of the world.

His life was a festival of excess that could not be contained. Deafening music, eye-popping bright colors, sugar added to almost everything he ate. Quinn's life was a bullet in a barrel ready to explode.

I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.

Never forget for even a single instant how many happy colors your life is forever adding to the lives of those you love. Remember, together we can all brighten the whole world!

What does a victorious or defeated black woman’s body in a historically white space look like? Serena and her big sister Venus Williams brought to mind Zora Neale Hurston’s “I feel most colored when I am thrown against a sharp white background.” This appropriated line, stenciled on canvas by Glenn Ligon, who used plastic letter stencils, smudging oil sticks, and graphite to transform the words into abstractions, seemed to be ad copy for some aspect of life for all black bodies.

You weren't adding chaos to my life. You were adding color.

It is insufficient to only tell your children that racism and racists are bad. It is insufficient to simply explain “We love people of all colors.” It is lazy and near damaging to proclaim a love for all people but never make the leap of actually reaching out to people of color or adding tangible diversity to your life. In a world filled with empty rhetoric, our children don’t need to hear words from us without action. They need to see us embody the beliefs we claim to hold dear.

Dark matter and dark energy make up 96 percent of the universe. And: The sun doesn’t rise, the Earth just spins. And: When we breathe, we are breathing in the very same molecules our dead ancestors did. And: One day the sun will obliterate the Earth and all life here will be gone forever. And: Everything you know and will ever know is housed in three pounds of tissue, isolated from the world. And: Color doesn’t even really exist, it’s just how you perceive wavelengths of light; color is all in your head. Or: There are more atoms in my eye than there are stars in the known universe.

the whole world rejects you, what’s the point in sticking around? Life is already too difficult and too painful to take on the added burden of being without a community, quarantined in solitary confinement psychologically, intuitively, and emotionally. Was there a place for me in this world?

[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.

Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.

Instead of trying to manage relationships – which is impossible actually – if you just learn to include the other as a part of yourself, your life becomes an expression of joyfulness not a pursuit of happiness. Then you will see, relationships have various colors, but every color could be enjoyed. Every color of it, every color and hue that it takes on, could be just fine. In this inclusion, all the differences are okay. Differences add color and dimension to our lives. Fortunately, nobody else is like you. But that is what you are complaining about – that they are different. What is adding color and dimension to your life, that is what you are complaining about, because there is no sense of inclusiveness. If you have included the other as a part of yourself, you could enjoy all these differences. Then even if you do not understand what the hell is happening with the other person, still it is okay.

We make the beet salad by steaming the beets until soft, about thirty minutes, plunging into cold water, and removing the skins. After cutting the beets into small cubes, we toss them with a vinaigrette of orange juice, vinegar, olive oil, and shallots, adding crumbles of goat cheese and green onion, for color and taste and crunch, at the end.

Sometimes I think a man could wander across the Disc all his life and not see everything there is to see,” said Twoflower. “And now it seems there are lots of other worlds as well. When I think I might die without seeing a hundredth of all there is to see it makes me feel,” he paused, then added, “well, humble, I suppose. And very angry, of course.

I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.

On another night, in a different dream I was asking a question. “How is it that you say all are equal, yet the obvious contradictions smack us in the face: inequalities in virtues, temperances, finances, rights, abilities and talents, intelligence, mathematical aptitude, ad infinitum?” The answer was a metaphor. “It is as if a large diamond were to be found inside each person. Picture a diamond a foot long. The diamond has a thousand facets, but the facets are covered with dirt and tar. It is the job of the soul to clean each facet until the surface is brilliant and can reflect a rainbow of colors. “Now, some have cleaned many facets and gleam brightly. Others have only managed to clean a few; they do not sparkle so. Yet, underneath the dirt, each person possesses within his or her breast a brilliant diamond with a thousand gleaming facets. The diamond is perfect, not one flaw. The only differences among people are the number of facets cleaned. But each diamond is the same, and each is perfect. “When all the facets are cleaned and shining forth in a spectrum of lights, the diamond returns to the pure energy that it was originally. The lights remain. It is as if the process that goes into making the diamond is reversed, all that pressure released. The pure energy exists in the rainbow of lights, and the lights possess consciousness and knowledge. “And all of the diamonds are perfect.” Sometimes

We had pale yellow tile in our bathroom rimmed with thin tiles of white. I’d dumped Tack’s old, mismatched towels and added new, thick emerald green ones. They were hanging on the towel rack. My eyes moved. My moisturizer and toner bottles were the deep hued color of moss. My toothbrush was bright pink, Tack’s was electric blue. There was a little bowl by the tap where I tossed my jewelry when I was washing my hands or preparing for bed. It was ceramic painted in glossy sunshine yellow and grass green. My eyes went to the mirror. My undies were cherry red lace. I grinned at myself in the mirror. I lived in color, every day, and my life was vibrant. I rubbed in moisturizer hoping our baby got his or her Dad’s sapphire blue eyes. But I’d settle if they were my green.

Dick's discovery that he was not in love with her, nor she with him, had added to rather than diminished his passion for her. Now that he knew he would not enter further into her life, she became the strange woman for him. He supposed many men meant no more than that when they said they were in love - not a wild submergence of soul, a dipping of all colors into an obscuring dye, such as his love for Nicole had been.

....It was to complete his marriage with Maimuna, the daughter of Al Hareth, the Helalite. He had become betrothed to her on his arrival at Mecca, but had post-poned the nuptials until after he had concluded the rites of pilgrimage. This was doubtless another marriage of policy, for Maimuna was fifty-one years of age, and a widow, but the connection gained him two powerful proselytes. One was Khaled Ibn al Waled, a nephew of the widow, an intrepid warrior who had come near destroy- ing Mahomet at the battle of Ohod. He now became one of the most victorious champions of Islamism, and by his prowess obtained the appellation of " The Sword of God." The other proselyte was Khaled's friend, Amru Ibn al Aass ; the same who assailed Mahomet with poetry and satire at the commencement of his prophetic career ; who had been an ambassador from the Koreishites to the king of Abyssinia, to obtain the surrender of the fugitive Moslems, and who was henceforth destined with his sword to carry victoriously into foreign lands the faith he had once so strenuously opposed. Note.— Maimuna was the last spouse of the prophet, and, old as she was at her marriage, survived all his other wives. She died many years after him, in a pavilion at Serif, under the same tree in the shade of which her nuptial tent had been pitched, and was there interred. The pious historian, Al Jannabi, who styles himself "a poor servant of Allah, hoping for the pardon of his sins through the mercy of God," visited her tomb on returning from a pilgrimage to Mecca, in the year of the Hegira 963, a.d. 1555. "I saw there," said he, "a dome of black marble erected in memory of Maimuna, on the very spot on which the apostle of God had reposed with her. God knows the truth ! and also the reason of the black color of the stone. There is a place of ablution, and an oratory ; but the building has fallen to decay.

In focusing on tooth film, Hopkins was ignoring the fact that this same film has always covered people’s teeth and hadn’t seemed to bother anyone. The film is a naturally occurring membrane that builds up on teeth regardless of what you eat or how often you brush.2.7 People had never paid much attention to it, and there was little reason why they should: You can get rid of the film by eating an apple, running your finger over your teeth, brushing, or vigorously swirling liquid around your mouth. Toothpaste didn’t do anything to help remove the film. In fact, one of the leading dental researchers of the time said that all toothpastes—particularly Pepsodent—were worthless.2.8 That didn’t stop Hopkins from exploiting his discovery. Here, he decided, was a cue that could trigger a habit. Soon, cities were plastered with Pepsodent ads. “Just run your tongue across your teeth,” read one. “You’ll feel a film—that’s what makes your teeth look ‘off color’ and invites decay.

I have never seen an unclad male form in my life, and I haven’t suffered for the lack.” “By an extraordinary coincidence, I haven’t seen an unclad male form in my life, either. I’d say it’s time to remedy the situation.” Tugging his shirt open, Amy peered down at his chest. “We can’t look at him when he’s unconscious! It’s . . . it’s immoral.” Miss Victorine fanned herself with her handkerchief. Coal watched the white cotton as if contemplating if it would shred. “Dear Miss Victorine, we abducted him from his own estate. I hardly think sneaking a peek at his chest compares.” Letting his shirt drop back, Amy added, “Besides, we looked at his face.” “That’s different.” Miss Victorine leaned closer. “What color is it?” “What color is what?” Amy teased. “You know. The hair on his body.” Amy flashed her a grin. “Red.” “Appropriate,” Miss Victorine said crisply. “Why do you say that?” “You’re gazing upon the gateway to hell.” “I don’t think I looked that far,” Amy said reflectively.

During the coming days, the wealth of America kept astonishing me. The television had programming from morning till night. I had never been in an elevator before and when I pressed a button in the elevator and the elevator “started moving, I felt powerful that it had to obey me. In our shiny brass mailbox in the lobby, we received ads on colored paper. In India colored paper could be sold to the recycler for more money than newsprint. The sliding glass doors of our apartment building would open when we approached. Each time this happened, I felt that we had been mistaken for somebody important.

My point is that bias is not advertised by a glowing sign worn around jurors’ necks; we are all guilty of it, because the brain is wired for us to see what we believe, and it usually happens outside of everyone’s awareness. Affective realism decimates the ideal of the impartial juror. Want to increase the likelihood of a conviction in a murder trial? Show the jury some gruesome photographic evidence. Tip their body budgets out of balance and chances are they’ll attribute their unpleasant affect to the defendant: “I feel bad, therefore you must have done something bad. You are a bad person.” Or permit family members of the deceased to describe how the crime has hurt them, a practice known as a victim impact statement, and the jury will tend to recommend more severe punishments. Crank up the emotional impact of a victim impact statement by recording it professionally on video and adding music and narration like a dramatic film, and you’ve got the makings of a jury-swaying masterpiece.45 Affective realism intertwines with the law outside the courtroom as well. Imagine that you are enjoying a quiet evening at home when suddenly you hear loud banging outside. You look out the window and see an African American man attempting to force open the door of a nearby house. Being a dutiful citizen, you call 911, and the police arrive and arrest the perpetrator. Congratulations, you have just brought about the arrest of Harvard professor Henry Louis Gates, Jr., as it happened on July 16, 2009. Gates was trying to force open the front door of his own home, which had become stuck while he was traveling. Affective realism strikes again. The real-life eyewitness in this incident had an affective feeling, presumably based on her concepts about crime and skin color, and made a mental inference that the man outside the window had intent to commit a crime.

Wow,” he added, blinking rather rapidly as Hermione came hurrying toward them. “You look great!” “Always the tone of surprise,” said Hermione, though she smiled. She was wearing a floaty, lilac-colored dress with matching high heels; her hair was sleek and shiny. “Your Great-Aunt Muriel doesn’t agree, I just met her upstairs while she was giving Fleur the tiara. She said, ‘Oh dear, is this the Muggle-born?’ and then, ‘Bad posture and skinny ankles.’” “Don’t take it personally, she’s rude to everyone,” said Ron. “Talking about Muriel?” inquired George, reemerging from the marquee with Fred. “Yeah, she’s just told me my ears are lopsided. Old bat. I wish old Uncle Bilius was still with us, though; he was a right laugh at weddings.” “Wasn’t he the one who saw a Grim and died twenty-hour hours later?” asked Hermione. “Well, yeah, he went a bit odd toward the end,” conceded George. “But before he went loopy he was the life and soul of the party,” said Fred. “He used to down an entire bottle of firewhisky, then run onto the dance floor, hoist up his robes, and start pulling bunches of flowers out of his--” “Yes, he sounds a real charmer,” said Hermione, while Harry roared with laughter. “Never married, for some reason,” said Ron. “You amaze me,” said Hermione.

Once a transition of value creates an emotion, feeling comes into play. Although they're often mistaken for each other, feeling is not emotion. Emotion is a short-term experience that peaks and burns rapidly. Feeling is a long-term, pervasive, sentient background that colors whole days, weeks, even years of our lives. Indeed, a specific feeling often dominates a personality. Each of the core emotions in life - pleasure and pain - has many variations. So which particular negative or positive emotion will we experience? The answer is found in the feeling that surrounds it. For, like adding pigment to a pencil sketch or an orchestra to a melody, feeling makes emotion specific.

Positive Lifeparticles and Negative Life Particles" Lifeparticles are originally in a neutral, indeterminate state of limitless possibilities. What determines the quality of positivity or negativity is the kind of information given to the Lifeparticles. Think of it as pure white light that changes its color when it it filtered through colored lenses. when information is added, Lifeparticles move and change according to that information. If bright, positive information is added to Lifeparticles, they become bright and positive. However, if dark, negative information is added to them, they act as dark, negative energy.What changes the characteristics of neutral Lifeparticles ,then, it the mind.

I HAVE ALWAYS BEEN most interested in the question of what makes a house a home. What are the elements that move a house beyond its physical structure and provide the warmth that we all crave? In my fifteen years as a designer, I’ve come to understand that the answer is simple: It is about surrounding ourselves with things we love. (...) And in this case, the beauty comes from the owners’ love of books. Books are beautiful objects in their own right—their bindings and covers—and the space they fill on shelves or stacked on coffee tables in colorful piles add balance and texture to any room. And just like any other part of a home, books require maintenance: They need to be dusted, categorized, rearranged, and maintained. Our relationship with them is dynamic and ever changing. But our connection to them goes beyond the material. In each house we visited, the libraries were the heart of the home, meaningful to the collectors’ lives. In this book, we tried to capture what they brought to the home—the life and spirit books added. Some subjects have working libraries they constantly reference; others fill their shelves with the potential pleasures of the unread. When we visited the homes, many people could find favorite books almost by osmosis, using systems known only to themselves. (...) As we found repeatedly, surrounding yourself with books you love tells the story of your life, your interests, your passions, your values. Your past and your future. Books allow us to escape, and our personal libraries allow us to invent the story of ourselves—and the legacy that we will leave behind. There’s a famous quote attributed to Cicero: “A room without books is like a body without a soul.” If I suspected this before, I know it now. I hope you’ll find as much pleasure in discovering these worlds as we did.

On another night, in a different dream I was asking a question. “How is it that you say all are equal, yet the obvious contradictions smack us in the face: inequalities in virtues, temperances, finances, rights, abilities and talents, intelligence, mathematical aptitude, ad infinitum?” The answer was a metaphor. “It is as if a large diamond were to be found inside each person. Picture a diamond a foot long. The diamond has a thousand facets, but the facets are covered with dirt and tar. It is the job of the soul to clean each facet until the surface is brilliant and can reflect a rainbow of colors. “Now, some have cleaned many facets and gleam brightly. Others have only managed to clean a few; they do not sparkle so. Yet, underneath the dirt, each person possesses within his or her breast a brilliant diamond with a thousand gleaming facets. The diamond is perfect, not one flaw. The only differences among people are the number of facets cleaned. But each diamond is the same, and each is perfect.

With our desire to have more, we find ourselves spending more and more time and energy to manage and maintain everything we have. We try so hard to do this that the things that were supposed to help us end up ruling us. We eventually get used to the new state where our wishes have been fulfilled. We start taking those things for granted and there comes a time when we start getting tired of what we have. We're desperate to convey our own worth, our own value to others. We use objects to tell people just how valuable we are. The objects that are supposed to represent our qualities become our qualities themselves. There are more things to gain from eliminating excess than you might imagine: time, space, freedom and energy. When people say something is impossible, they have already decided that they don't want to do it. Differentiate between things you want and things you need. Leave your unused space empty. These open areas are incredibly useful. They bring us a sense of freedom and keep our minds open to the more important things in life. Memories are wonderful but you won't have room to develop if your attachment to the past is too strong. It's better to cut some of those ties so you can focus on what's important today. Don't get creative when you are trying to discard things. There's no need to stock up. An item chosen with passion represents perfection to us. Things we just happen to pick up, however, are easy candidates for disposal or replacement. As long as we stick to owning things that we really love, we aren't likely to want more. Our homes aren't museum, they don't need collections. When you aren't sure that you really want to part with something, try stowing it away for a while. Larger furniture items with bold colors will in time trigger visual fatigue and then boredom. Discarding things can be wasteful. But the guilt that keeps you from minimizing is the true waste. The real waste is the psychological damage that you accrue from hanging on to things you don't use or need. We find our originality when we own less. When you think about it, it's experience that builds our unique characteristics, not material objects. I've lowered my bar for happiness simply by switching to a tenugui. When even a regular bath towel can make you happy, you'll be able to find happiness almost everywhere. For the minimalist, the objective isn't to reduce, it's to eliminate distractions so they can focus on the things that are truly important. Minimalism is just the beginning. It's a tool. Once you've gone ahead and minimized, it's time to find out what those important things are. Minimalism is built around the idea that there's nothing that you're lacking. You'll spend less time being pushed around by something that you think may be missing. The qualities I look for in the things that I buy are: - the item has a minimalistic kind of shape and is easy to clean - it's color isn't too loud - I'll be able to use it for a long time - it has a simple structure - it's lightweight and compact - it has multiple uses A relaxed moment is not without meaning, it's an important time for reflection. It wasn't the fallen leaves that the lady had been tidying up, it was her own laziness that she had been sweeping away. We are what we repeatedly do. Excellence, then, is not an act but a habit. With daily cleaning, the reward may be the sense of accomplishment and calmness we feel afterward. Cleaning your house is like polishing yourself. Simply by living an organized life, you'll be more invigorated, more confident and like yourself better. Having parted with the bulk of my belongings, I feel true contentment with my day-to-day life. The very act of living brings me joy. When you become a minimalist, you free yourself from all the materialist messages that surround us. All the creative marketing and annoying ads no longer have an effect on you.

One had heard and read a great deal about death, and even seen a little of it, and knew by heart the thousand commonplaces of religion and poetry which seemed to deaden one's senses and veil the horror. Society being immortal, could put on immortality at will. Adams being mortal, felt only the mortality. Death took features altogether new to him, in these rich and sensuous surroundings. Nature enjoyed it, played with it, the horror added to her charm, she liked the torture, and smothered her victim with caresses. Never had one seen her so winning. The hot Italian summer brooded outside, over the market-place and the picturesque peasants, and, in the singular color of the Tuscan atmosphere, the hills and vineyards of the Apennines seemed bursting with mid-summer blood. The sick-room itself glowed with the Italian joy of life; friends filled it; no harsh northern lights pierced the soft shadows; even the dying women shared the sense of the Italian summer, the soft, velvet air, the humor, the courage, the sensual fulness of Nature and man. She faced death, as women mostly do, bravely and even gaily, racked slowly to unconsciousness, but yielding only to violence, as a soldier sabred in battle. For many thousands of years, on these hills and plains, Nature had gone on sabring men and women with the same air of sensual pleasure.

I keep notations, like my mother. She had notebook after notebook of trials and errors, all written in her perfect penmanship on quad-ruled pages, a square for each letter to nest in. My journal is a thick black hardcover with unlined pages. Like her, I'm a technician, a statistician, copiously documenting slight variations in texture, color, taste. I'm a chemist. A quarter cup of rye flour added to the white wheat gives a sweeter flavor. A half teaspoon more salt and 78 percent hydration of the dough result in those coveted large, irregular rooms in the crumb. Mastering formulas, not recipes, in the quest for the perfect loaf. Xavier tells me not to bother. He doesn't believe in perfection. "Forget the ingredients. Forget the environment. 'You' are different each day. You can't replicate yourself. Your hands are stronger, or weaker. Your mind thinks different thoughts while kneading. Life is all over you, changing you. All that goes into the making comes out in the bread. It won't be the same from one batch to the next. Not ever." "It'll be close, though." "Close only counts in horseshoes and hand grenades." He's the artist. He makes me brave enough to try. With his encouragement, I've focused on the creativity of bread, writing my own recipes, exploring nontraditional flavors and shapes. Not all of them turn out well, but he tastes my failures with me, with layers of warm butter.

After another second had passed I added, “But you’re pretty, pretty,” and as soon as I said it I thought, “Pretty, pretty? John, you’re an idiot.” But she squeezed my hand and when I looked at her I saw her entire lovely face was aglow with a wonderful smile, the kind of smile you get when you have won something. “Why do you rub your fingers together all the time?” she asked me, and I felt the breath leave my body and gasped for air. She had seen me do my crazy finger thing, my affliction. I clenched my teeth while I searched for a long, exaggerated lie to tell her about why I did what I did. I didn’t want to be the crazy kid with tics, I wanted to be James Bond 007, so slick ice avoided me. “It’s okay,” she said. “I bite my nails, see?” and she showed me the backs of her hands. Her finger nails were painted a color I later learned was puce. “My Dad, he blinks all the time, he doesn’t know why either,” she continued. She looked down her feet and said, “I shouldn’t have asked you that. I’m really nervous and I say stupid things when I’m nervous. I’m a girl and this is my first date, and for girls this really is a very big deal.” I understood completely. I was so nervous I couldn’t feel my toes, so I started moving them up and down to make sure they were still there. “It’s all right,” I said. “I don’t know why I do that with my fingers; it’s a thing I do.” “Well, you’re really cute when you do it,” she said. “I know,” I said, and I don’t know why I said it, but I did.

I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.

What a difference there is between possessing a woman with one’s body alone, because she is no more than a piece of flesh, and possessing the girl one used to see on the beach with her friends on certain days, without even knowing why it was on those days and not on others, so that one trembled to think one might not see her again. Life had been so kind as to reveal the whole extent of this young girl’s life, had lent first one optical instrument, then another, to see her with, and then added to carnal desire the accompaniment, multiplying and diversifying it, of other desires, more spiritual and less easily satisfied, which lie inert and unaffected when it is merely a question of the conquest of a piece of flesh, but which, when they want to gain possession of a whole field of memories from which they have felt nostalgically exiled, surge up wildly around carnal desire, extend it, are unable to follow it to the fulfillment, the assimilation, impossible in the form in which it is sought, of an immaterial reality, but wait for this desire halfway and, the moment the memory of it returns, are there to escort it once more; to kiss, not the cheeks of the first woman who comes along—anonymous, devoid of mystery and glamour, however cool and fresh those cheeks may be—but those of which I had so long been dreaming, would be to know the taste, the savor, of a color I had so often contemplated. One sees a woman, a mere image in life’s scene, like Albertine silhouetted against the sea, and then it becomes possible to detach that image, bring it close, and gradually observe its volume, its colors, as though it had been placed behind the lenses of a stereoscope. For this reason, women who tend to be resistant and cannot be possessed at once, of whom indeed it is not immediately clear that they can ever be possessed at all, are the only interesting ones.

What a difference there is between possessing a woman with one’s body alone, because she is no more than a piece of flesh, and possessing the girl one used to see on the beach with her friends on certain days, without even knowing why it was on those days and not on others, so that one trembled to think one might not see her again. Life had been so kind as to reveal the whole extent of this young girl’s life, had lent first one optical instrument, then another, to see her with, and then added to carnal desire the accompaniment, multiplying and diversifying it, of other desires, more spiritual and less easily satisfied, which lie inert and unaffected when it is merely a question of the conquest of a piece of flesh, but which, when they want to gain possession of a whole field of memories from which they have felt nostalgically exiled, surge up wildly around carnal desire, extend it, are unable to follow it to the fulfillment, the assimilation, impossible in the form in which it is sought, of an immaterial reality, but wait for this desire halfway and, the moment the memory of it returns, are there to escort it once more; to kiss, not the cheeks of the first woman who comes along—anonymous, devoid of mystery and glamour, however cool and fresh those cheeks may be—but those of which I had so long been dreaming, would be to know the taste, the savor, of a color I had so often contemplated. One sees a woman, a mere image in life’s scene, like Albertine silhouetted against the sea, and then it becomes possible to detach that image, bring it close, and gradually observe its volume, its colors, as though it had been placed behind the lenses of a stereoscope. For this reason, women who tend to be resistant and cannot be possessed at once, of whom indeed it is not immediately clear that they can ever be possessed at all, are the only interesting ones. For to know them, to approach them, to conquer them is to make the human image vary in shape, in size, in relief, a lesson in relativity in the appreciation of a woman’s body, a joy to see anew when it has regained its slender outline against the backdrop of reality. Women who are first encountered in a brothel are of no interest, because they remain static.

Now, using her limited artistic skills, she drew a picture of the earth and colored the ocean blue and the land green. “Who can tell me where we come from?” The assignment had come to Amisha after she and Ravi had a discussion with the boys about karma and the universe’s determination of their place. Jay had asked, in his innocence, what crime Ravi had committed in his previous life to be born an untouchable in this one. Amisha started to scold, but Ravi had assured her it was fine, and yet neither had the answer as to why one was born into his station in life. “God?” one student answered. “Evolution. We came from apes,” another answered. “And how do we live our life?” Amisha saw their confusion and tried to explain. “Once we are born, are we still controlled by the person or event that made us? Are we puppets?” The students shook their heads no. “Then how do we make our decisions?” “Our hearts.” Neema’s answer was tentative, sounding more like a question. Amisha nodded her approval, offering encouragement. “Our gut,” a boy in the front added. “What feels right.” “Our soul?” Amisha asked the boy. At his nod, she said, “Excellent—all of you.” Amisha made sure the class was focused before continuing. “The heart and soul work on emotions. They don’t always stop to think about what is right or wrong, only what they want and need. So where do they get their direction?” “From the brain.” The answer came from the back of the room. “Correct. Our minds guide us toward what is acceptable for us to create, protect, or destroy. And where does the brain get its intellect?” Amisha searched the room for an answer. At first the class was quiet, the children glancing at one another to see if anyone had the answer. Finally, a student near the front answered, “From what we learn or have been taught. By knowledge?” “Excellent. But even with our brains, heart, and soul guiding us, can we do anything we want? Do we have the freedom to make our own choices?” When the class murmured no, she asked, “Why not?” “Our parents,” a student threw out, making everyone laugh. “The Raj,” a girl in the front whispered. “Rules,” Neema said. Thrilled that the students were interested, Amisha said, “I want all of you to write about creating something you want, destroying something you don’t need, and protecting what is vital. But you must explain how your heart, your soul, and your mind feel about each event.

Elizabeth’s breakfast had cured Ian’s hunger, in fact, the idea of ever eating again made his stomach churn as he started for the barn to check on Mayhem’s injury. He was partway there when he saw her off to the left, sitting on the hillside amid the bluebells, her arms wrapped around her knees, her forehead resting atop them. Even with her hair shining like newly minted gold in the sun, she looked like a picture of heartbreaking dejection. He started to turn away and leave her to moody privacy; then, with a sigh of irritation, he changed his mind and started down the hill toward her. A few yards away he realized her shoulders were shaking with sobs, and he frowned in surprise. Obviously there was no point in pretending the meal had been good, so he injected a note of amusement into his voice and said, “I applaud your ingenuity-shooting me yesterday would have been too quick.” Elizabeth started violently at the sound of his voice. Snapping her head up, she stared off to the left, keeping her tear-streaked face averted from him. “Did you want something?” “Dessert?” Ian suggested wryly, leaning slightly forward, trying to see her face. He thought he saw a morose smile touch her lips, and he added, “I thought we could whip up a batch of cream and put it on the biscuit. Afterward we can take whatever is left, mix it with the leftover eggs, and use it to patch the roof.” A teary chuckle escaped her, and she drew a shaky breath but still refused to look at him as she said, “I’m surprised you’re being so pleasant about it.” “There’s no sense crying over burnt bacon.” “I wasn’t crying over that,” she said, feeling sheepish and bewildered. A snowy handkerchief appeared before her face, and Elizabeth accepted it, dabbing at her wet cheeks. “Then why were you crying?” She gazed straight ahead, her eyes focused on the surrounding hills splashed with bluebells and hawthorn, the handkerchief clenched in her hand. “I was crying for my own ineptitude, and for my inability to control my life,” she admitted. The word “ineptitude” startled Ian, and it occurred to him that for the shallow little flirt he supposed her to be she had an exceptionally fine vocabulary. She glanced up at him then, and Ian found himself gazing into a pair of green eyes the amazing color of wet leaves. With tears still sparkling on her long russet lashes, her long hair tied back in a girlish bow, her full breasts thrusting against the bodice of her gown, she was a picture of alluring innocence and intoxicating sensuality. Ian jerked his gaze from her breasts and said abruptly, “I’m going to cut some wood so we’ll have it for a fire tonight. Afterward I’m going to do some fishing for our supper. I trust you’ll find a way to amuse yourself in the meantime.” Startled by his sudden brusqueness, Elizabeth nodded and stood up, dimly aware that he did not offer his hand to assist her.

To paint after nature is to transfer three-dimensional corporeality to a two-dimensional surface. This you can do if you are in good health and not colorblind. Oil paint, canvas, and brush are material and tools. It is possible by expedient distribution of oil paint on canvas to copy natural impressions; under favorable conditions you can do it so accurately that the picture cannot be distinguished from the model. You start, let us say, with a white canvas primed for oil painting and sketch in with charcoal the most discernible lines of the natural form you have chosen. Only the first line may be drawn more or less arbitrarily, all the others must form with the first the angle prescribed by the natural model. By constant comparison of the sketch with the model, the lines can be so adjusted that the lines of the sketch will correspond to those of the model. Lines are now drawn by feeling, the accuracy of the feeling is checked and measured by comparison of the estimated angle of the line with the perpendicular in nature and in the sketch. Then, according to the apparent proportions between the parts of the model, you sketch in the proportions between parts on the canvas, preferably by means of broken lines delimiting these parts. The size of the first part is arbitrary, unless your plan is to represent a part, such as the head, in 'life size.' In that case you measure with a compass an imaginary line running parallel to a plane on the natural object conceived as a plane on the picture, and use this measurement in representing the first part. You adjust all the remaining parts to the first through feeling, according to the corresponding parts of the model, and check your feeling by measurement; to do this, you place the picture so far away form you that the first part appears as large in the painting as the model, and then you compare. In order to check a given proportion, you hold out the handle of your paintbrush at arm's length towards this proportion in such a way that the end of the thumbnail on the handle coincides with the other end of the proportion. If then you hold the paintbrush out towards the picture, again at arm's length, you can, by the measurement thus obtained, determine with photographic accuracy whether your feeling has deceived you. If the sketch is correct, you fill in the parts of the picture with color, according to nature. The most expedient method is to begin with a clearly recognizable color of large area, perhaps with a somewhat broken blue. You estimate the degree of matness and break the luminosity with a complimentary color, ultramarine, for example, with light ochre. By addition of white you can make the color light, by addition of black dark. All this can be learned. The best way of checking for accuracy is to place the picture directly beside the projected picture surface in nature, return to your old place and compare the color in your picture with the natural color. By breaking those tones that are too bright and adding those that are still lacking, you will achieve a color tonality as close as possible to that in nature. If one tone is correct, you can put the picture back in its place and adjust the other colors to the first by feeling. You can check your feeling by comparing every tone directly with nature, after setting the picture back beside the model. If you have patience and adjust all large and small lines, all forms and color tones according to nature, you will have an exact reproduction of nature. This can be learned. This can be taught. And in addition, you can avoid making too many mistakes in 'feeling' by studying nature itself through anatomy and perspective and your medium through color theory. That is academy.

When she’s in a courtroom, Wendy Patrick, a deputy district attorney for San Diego, uses some of the roughest words in the English language. She has to, given that she prosecutes sex crimes. Yet just repeating the words is a challenge for a woman who not only holds a law degree but also degrees in theology and is an ordained Baptist minister. “I have to say (a particularly vulgar expletive) in court when I’m quoting other people, usually the defendants,” she admitted. There’s an important reason Patrick has to repeat vile language in court. “My job is to prove a case, to prove that a crime occurred,” she explained. “There’s often an element of coercion, of threat, (and) of fear. Colorful language and context is very relevant to proving the kind of emotional persuasion, the menacing, a flavor of how scary these guys are. The jury has to be made aware of how bad the situation was. Those words are disgusting.” It’s so bad, Patrick said, that on occasion a judge will ask her to tone things down, fearing a jury’s emotions will be improperly swayed. And yet Patrick continues to be surprised when she heads over to San Diego State University for her part-time work of teaching business ethics. “My students have no qualms about dropping the ‘F-bomb’ in class,” she said. “The culture in college campuses is that unless they’re disruptive or violating the rules, that’s (just) the way kids talk.” Experts say people swear for impact, but the widespread use of strong language may in fact lessen that impact, as well as lessen society’s ability to set apart certain ideas and words as sacred. . . . [C]onsider the now-conversational use of the texting abbreviation “OMG,” for “Oh, My God,” and how the full phrase often shows up in settings as benign as home-design shows without any recognition of its meaning by the speakers. . . . Diane Gottsman, an etiquette expert in San Antonio, in a blog about workers cleaning up their language, cited a 2012 Career Builder survey in which 57 percent of employers say they wouldn’t hire a candidate who used profanity. . . . She added, “It all comes down to respect: if you wouldn’t say it to your grandmother, you shouldn’t say it to your client, your boss, your girlfriend or your wife.” And what about Hollywood, which is often blamed for coarsening the language? According to Barbara Nicolosi, a Hollywood script consultant and film professor at Azusa Pacific University, an evangelical Christian school, lazy script writing is part of the explanation for the blue tide on television and in the movies. . . . By contrast, she said, “Bad writers go for the emotional punch of crass language,” hence the fire-hose spray of obscenities [in] some modern films, almost regardless of whether or not the subject demands it. . . . Nicolosi, who noted that “nobody misses the bad language” when it’s omitted from a script, said any change in the industry has to come from among its ranks: “Writers need to have a conversation among themselves and in the industry where we popularize much more responsible methods in storytelling,” she said. . . . That change can’t come quickly enough for Melissa Henson, director of grass-roots education and advocacy for the Parents Television Council, a pro-decency group. While conceding there is a market for “adult-themed” films and language, Henson said it may be smaller than some in the industry want to admit. “The volume of R-rated stuff that we’re seeing probably far outpaces what the market would support,” she said. By contrast, she added, “the rate of G-rated stuff is hardly sufficient to meet market demands.” . . . Henson believes arguments about an “artistic need” for profanity are disingenuous. “You often hear people try to make the argument that art reflects life,” Henson said. “I don’t hold to that. More often than not, ‘art’ shapes the way we live our lives, and it skews our perceptions of the kind of life we're supposed to live." [DN, Apr. 13, 2014]

Where were you on the night of March 7?" Typical detective stuff you hear on television all the time. It's so phony. I hate it. Most people can't remember where they were three nights ago much less on a particular date. I know I can't. The times you remember are the ones you're supposed to: Christmas Day, the Fourth of July, your birthday. As you get older and occasionally look back, even those days drift together into one small blob of memories. But you always remember the first time and the last. You remember your first day of school and the last. You remember the first time you went to the show by yourself and the last time you saw your grandfather. The first time you made love. Most of the nights of my life have passed by barely noticed, like the black squares of rosary beads slipping through the wrinkled fingers in the last pew. But later, when I've looked back, I've realized that a few ink colored seeds have taken root in my mind and have grown into oaken strength. My dreams drift back and nestle in their branches. If those nights were suddenly not to be, I, who had come to lean on them, to relish those few surviving leaves of a young autumn that has passed and will not come again, would not know where I'd been. And I'd wonder, even more so, if there was anywhere to go. Every Chicago winter delivers four gray weeks, with rare spots of sunshine that are apparently the flipside of hell. Teeth bared, the wind comes snarling off the lake with every intention of shredding the skin off your face. Numb since November, hands can no longer tell or care if they are wearing gloves. Snowmen, offsprings of childhood enthusiasm, are rarely born during these weeks. Along with the human spirit, the temperature continues to plummet. The ground is smothered by aging layers of ice and snow. Looking at a magazine ad, you see a vaguely familiar blanket of green. Squinting back through months of brown snow, salt-marked shoes, running noses, icy railings, slippery sidewalks, and smoking sewers, you try to recall the feeling of grass. February is four weeks of hanging onto the ropes, waiting to be saved from a knockout by the bell of spring. One year, I was invited to Engrim University's President's Ball, which was to be held on the first Saturday in February. I don't know why I was invited. Most of the students who received invitations were involved in a number of extracurricular activities; they participated in student government, belonged to various clubs, were presidents of fraternities or sororities, were doing extremely well academically or were, in some other way, pleasing the gods. I was never late with my tuition payments. Maybe that was it. Regardless, the President's Ball was to be held in the main ballroom of one of Chicago's swankiest hotels. I thought it was an excellent opportunity to impress Sarah with my importance. A light snowfall was dotting the night air when

We lay contentedly together, occasionally kissing, my fingers twined in his hair. I loved the feel of it, its texture, its color, and I brushed it back along the nape of his neck. “You’re tickling me,” he said with a smile. “Are you trying to keep me awake?” “No.” I laughed, pushing up on my elbow to look down at him. “It’s just--” I stopped, staring at the birthmark on his neck, the mark of the Bleeding Moon, as it had been called in the legend, and my hand began to shake. “What is it, Alera?” he asked, alarmed. “Nothing. It’s just…” I struggled to form a cohesive thought, for in all my dreams of a life with him, of having children with him, this question had never before occurred to me. “Just what?” He sat up, placing a hand on his neck where I had been playing with his hair. “When we have a child, what will happen? I mean, the High Priestess told me, when she was our prisoner in the cave, that the powers of the Empress of Cokyri were supposed to pass to her firstborn daughter upon the child’s birth, but that they were split between her and her brother when she was born a twin. The possibility of the powers reuniting and passing into the High Priestess’s firstborn daughter gave us our negotiating leverage with the Overlord.” “Yes, but what does that have to do with anything?” “Well, you have powers, too. I’m wondering…” A shadow fell over his face. “You’re wondering if my powers are unique to me. Or might a child of ours inherit them.” “Yes, or if…” I took a deep breath. “Could they pass from your body and into the child upon birth, like the magic of the Empress of Cokyri?” From the expression on Narian’s face, it was plain this was the first time he had ever considered the question. “I don’t know, Alera. The source of my power derives from an ancient legend and the circumstances surrounding my birth.” He touched my face, then added, “Perhaps it’s time we took another look at the origin of the legend--and we should find out if anything else was ever written about the powers I was destined to have.” I sighed. “I wish London were here. He uncovered the scrolls that foretold your birth, hidden somewhere in Cokyri. He would know what else was written.” Narian nodded, but said nothing more, and I tried to imagine what he must be feeling. Were his powers a blessing or a curse? Would he want them to pass to a child of his? And if a child held them, what manner of life would he or she lead? Then I asked myself the same questions, and an overriding answer became startlingly clear. “It would be good to know, Narian. But it doesn’t matter. I want children with you, and I do not fear the powers you hold, nor would I fear them in the hands of our own child.” He nodded, then settled on his back. I snuggled against him, lost in thought. At some point, I would fall asleep; it did not appear that he intended to do the same.

Though they were twins, it was easy to tell the brothers apart. Twin Kindred always came in diametrically opposing pairs of light and dark. The light twin, Lock, had sandy blond hair and eyes the color of melted chocolate. He also had a more optimistic view of life in general than his brother. Of the two of them, Kat found him much easier to tolerate. He was nicer than Deep, for one thing, and she could actually have a conversation with him that didn’t turn into an argument. His feelings were easier to deal with, too. Though Lock’s desire for her was loud inside her head, it was nothing like the deafening blast of lust she felt from his brother whenever he got too close. Deep, the dark twin, had hair so black it almost had blue highlights and eyes the color of a night without stars. They seemed to burn when they looked at her, making Kat feel naked and vulnerable—feelings she didn’t care for a bit. She had enough body issues from having been plus-sized her entire life without an irritating alien male adding to them, thank-you-very-much. The big warrior had rubbed her the wrong way from the moment she’d met him—both literally and figuratively, since he couldn’t seem to keep his hands to himself when the three of them did a joining. Of the brothers, Lock was shorter by about an inch. But since both of them were over six foot six and extremely muscular, it didn’t make much difference. They were both huge as far as Kat was concerned—physically, and emotionally. She should know—she’d had the two of them tramping around inside her head for the better part of a month. The

Get to know the interface   Now that you have caught your very first Pokémon, you’re set to shape your own Pokémon future and catch them all. Back on the map, which will be the screen you visit the most, you can find various points of interest, including your character’s position. Your position on the map is updated with real-time movement in your actual surroundings. Around your character is a radius, indicated with a purple circle. You can interact with points of interest within this radius. Do note that you will only be able to interact and move around when you have an active internet connection and when the application has access to your location.   Around your character, you will see blue floating cubes: PokéStops, as well as colored buildings: gyms. We will be treating these more carefully later on in the book. On the bottom of your screen you will see three main buttons: left being your avatar, right being Pokémon that are nearby and the middle button functions as the menu.   When you tap your avatar button, you can see your character and character name, your level, your balance, a journal of your activities, your team and last but not least: your medals. Increasing your level is achieved by gaining XP, short for experience. There are various ways to gain experience, which we will cover later on in this book. In this chapter, we just want to familiarize ourselves with the interface. You can check the requirements of any achievement by simply tapping on either of them.   When you make it back to the map, we will check out the middle button next to familiarize ourselves with the main menu. There are four subdivisions in the main menu: the Pokédex, the Shop, your Pokémon and your Items. First up is the Pokédex, it contains all the Pokémon you can come across in the game numbered accordingly. Whenever you catch a Pokémon, it will be added to the Pokédex and you can check their traits by simply tapping that particular Pokémon within your Pokédex. You will be shown a brief description about the Pokémon, its possible evolutions (if applicable), the type and how many times you have encountered and caught such Pokémon.   In the Shop, you’re able to spend your Pokécoins, which is your balance or currency. Pokécoins can be acquired by maintaining one or multiple gyms, but can also be bought directly through the store for real life currency. In the Shop you can buy various items such as Poké Balls, incense, eggs, and many more items and upgrades.   The third category in the main menu shows your Pokémon. In the beginning you can carry up to 250 Pokémon and up to 9 eggs, which are also included in the Pokémon tab count. If you wish to exceed these values, you can purchase upgrades in the Shop to increase your capacity. Your Pokémon are listed with their CP, short for Combat Power and their current HP, short for Health Points. The higher a Pokémon’s combat power, the stronger this Pokémon is and the harder it would be to catch.

Mom was very warm and loving. My favorite moments with her were spent in the kitchen, helping her make biscuits or chicken and dumplings. She would use our time together to share life lessons or talk about the Bible. She always had time for me. She used to take me with her to deliver food to some of the hungry people around our part of the river. “We’re all just people,” Mom would say. “Every race, every color, we all have the same blood.” We used to take garden vegetables to a woman who lived nearby. She’d had eighteen children but was older now and very poor. Mom knew I was still young, and she was worried about what I might say, so she tried to prepare me in advance. “Look, her stuff’s going to be different, so don’t make a big to-do about it.” When I walked into the older woman’s rickety house for the first time, I noticed she had a bed sheet hanging in the kitchen doorway instead of a door. “That’s pretty,” I said, pointing to the sheet-curtain. Mom looked at me, raising her eyebrows. I ran through it a couple of times, pretending I was a superhero busting through a wall. Next, I noticed her old-fashioned rotary dial phone. “I never saw a phone that color before,” I said. Mom held her breath, nervous. “That’s pretty,” I added. Mom gave the woman the food we had brought, and as we left, I didn’t want her to think we were going to forget her. “My mom’s going to bring more stuff. She’s got lots of it,” I volunteered. I think I made my mama proud and didn’t embarrass her too much. She always says I have a tender heart and that my oldest brother, Alan, and I are most like her.

It was probably only a few intervals, though it seemed longer with Ryzven lurking and radiating impatience. At last Beryl and Kurr returned, markedly cleaner and fresher, and he heard Beryl telling the Greenspirit about the garden. His human hurried toward him, though her steps slowed when she spotted Ryzven nearby. Snaps squirmed in Zylar’s arms, so he set him down after checking the cord looped around his neck. Beryl reached for the leash as she eyed Ryzven, but she didn’t address him. Instead, she knelt and spoke nonsense words to the fur-person while rubbing him all over with her grabbers. Kurr filled the awkward silence with a stiff, formal greeting. “Honor to your kith and kin, renowned Ryzven. I am Kurr.” “A pleasure! Everyone who has been following the Choosing knows who you are, esteemed Greenspirit.” While Zylar would be pleased if Ryzven forgot his business with Beryl while dallying with Kurr, he doubted he’d be so lucky. And as Beryl rose, Ryzven turned to her, making sure she got the full impact of his rare colors. He even puffed out his thorax a little, and Beryl let out a breath, a sound Zylar identified as annoyance. She said something the translator couldn’t process. “I came to congratulate you on your—” Before Ryzven could finish his pompous sentence, Snaps ambled forward, lifted a leg, and eliminated on him. “I don’t like him,” Snaps said. “Beryl doesn’t like him. Let’s go!” “So sorry about that,” Beryl said in a flat tone. “Snaps is nervous around strangers.” Zylar had heard sincerity from her many times before, and on this occasion, she wasn’t remotely apologetic. In fact, her eyes were twinkling and she seemed to be having a hard time restraining herself from making the battle face, which she’d said indicated amusement or enjoyment. “You should clean that up,” he told Ryzven, who was sputtering incoherent outrage. Most likely, he would live to regret all of this, but it felt so good to get the best of his arrogant nest-mate for once that he didn’t even look back when Beryl grabbed his claw and led him toward the exit. It occurred to him that she was leading him like Snaps, only by the limb instead of using a cord, but it would have lessened the impact of their departure if he mentioned as much. Once they reached the public corridors, Kurr finally said, “I hope we have not given serious offense. I am…fearful.” The Greenspirit must know Ryzven’s reputation well. He wouldn’t accept such a humiliation without striking back. “Do not let it lessen your satisfaction in what you’ve achieved today. I will apologize more fully another time.” “Why would you apologize for something Snaps did?” Beryl cut in. “If anyone’s going to make amends, it should be me. Though for the record, I said ‘sorry’ already.” “It was insincere,” Kurr noted. Beryl stared for a long moment, then said, “That’s fair.” She took a step closer to the two of them and added in a whisper, “So when I apologize sincerely, I probably shouldn’t let on that I told Snaps to pee on him? I mean, theoretically.” The Greenspirit emitted a shocked rustling sound while Zylar simply could not contain his glee. He churred louder than he ever had in his life. “Truly? That’s what you said that the translator could not comprehend?” Then Beryl did show her fearsome aspect, displaying all her teeth. “I will neither confirm nor deny those allegations.” “Confirmed,” said Snaps. “I was promised extra snacks.” Still delighted with his intended, Zylar led the way to the garden, wondering how he should reward Beryl for improving his life in every conceivable way. 

There have been three major slave revolts in human history. The first, led by the Thracian gladiator Spartacus against the Romans, occurred in 73 BC. The third was in the 1790s when the great black revolutionary Touissant L'Ouverture and his slave army wrested control of Santo Domingo from the French, only to be defeated by Napoleon in 1802. But the second fell halfway between these two, in the middle of the 9th century AD, and is less documented than either. We do know that the insurgents were black; that the Muslim 'Abbasid caliphs of Iraq had brought them from East Africa to work, in the thousands, in the salt marshes of the delta of the Tigris. These black rebels beat back the Arabs for nearly ten years. Like the escaped maroons in Brazil centuries later, they set up their own strongholds in the marshland. They seemed unconquerable and they were not, in fact, crushed by the Muslims until 883. They were known as the Zanj, and they bequeathed their name to the island of Zanzibar in the East Africa - which, by no coincidence, would become and remain the market center for slaves in the Arab world until the last quarter of the 19th century. The revolt of the Zanj eleven hundred years ago should remind us of the utter falsity of the now fashionable line of argument which tries to suggest that the enslavement of African blacks was the invention of European whites. It is true that slavery had been written into the basis of the classical world; Periclean Athens was a slave state, and so was Augustan Rome. Most of their slaves were Caucasian whites, and "In antiquity, bondage had nothing to do with physiognomy or skin color". The word "slave" meant a person of Slavic origin. By the 13th century it spread to other Caucasian peoples subjugated by armies from central Asia: Russians, Georgians, Circassians, Albanians, Armenians, all of whom found ready buyers from Venice to Sicily to Barcelona, and throughout the Muslim world. But the African slave trade as such, the black traffic, was a Muslim invention, developed by Arab traders with the enthusiastic collaboration of black African ones, institutionalized with the most unrelenting brutality centuries before the white man appeared on the African continent, and continuing long after the slave market in North America was finally crushed. Historically, this traffic between the Mediterranean and sub-Saharan Africa begins with the very civilization that Afrocentrists are so anxious to claim as black - ancient Egypt. African slavery was well in force long before that: but by the first millennium BC Pharaoh Rameses II boasts of providing the temples with more than 100,000 slaves, and indeed it is inconceivable that the monumental culture of Egypt could have been raised outside a slave economy. For the next two thousand years the basic economies of sub-Saharan Africa would be tied into the catching, use and sale of slaves. The sculptures of medieval life show slaves bound and gagged for sacrifice, and the first Portuguese explorers of Africa around 1480 found a large slave trade set up from the Congo to Benin. There were large slave plantations in the Mali empire in the 13th-14th centuries and every abuse and cruelty visited on slaves in the antebellum South, including the practice of breeding children for sale like cattle, was practised by the black rulers of those towns which the Afrocentrists now hold up as sanitized examples of high civilization, such as Timbuktu and Songhay.

We passed a building ad with a Japanese businessman who had a huge white cat's face poking out from behind his head, and a slogan written in Japanese that looked very happy based on the pink-and-red coloring of the letters. Hold up. Excuse me? "What's that ad for?" I asked. Uncle Masa said, "It's a political ad. That man is running for parliament." "Why the cat?" I approved, obviously, but it made no sense. Emiko said, "Cats are revered in Japan. You will see many shops with cat figurines on display. They're called maneki-neko, or 'beckoning cats.' They're considered good luck." I didn't like all their rules, but a country that revered cats had potential.

It would be logical for any group whose only sense of identity is the negative one of wickedness and oppression to dilute its wickedness by mixing with more virtuous groups. This is, upon reflection, exactly what celebrating diversity implies. James Carignan, a city councilor in Lewiston, Maine, encouraged the city to welcome refugees from the West African country of Togo, writing, “We are too homogeneous at present. We desperately need diversity.” He said the Togolese—of whom it was not known whether they were literate, spoke English, or were employable—“will bring us the diversity that is essential to our quest for excellence.” Likewise in Maine, long-serving state’s attorney James Tierney wrote of racial diversity in the state: “This is not a burden. This is essential.” An overly white population is a handicap. Gwynne Dyer, a London-based Canadian journalist, also believes whites must be leavened with non-whites in a process he calls “ethnic diversification.” He noted, however, that when Canada and Australia opened their borders to non-white immigration, they had to “do good by stealth” and not explain openly that the process would reduce whites to a minority: “Let the magic do its work, but don’t talk about it in front of the children. They’ll just get cross and spoil it all.” Mr. Dyer looked forward to the day when politicians could be more open about their intentions of thinning out whites. President Bill Clinton was open about it. In his 2000 State of the Union speech, he welcomed predictions that whites would become a minority by mid-century, saying, “this diversity can be our greatest strength.” In 2009, before a gathering of the American-Arab Anti-Discrimination Committee, he again brought up forecasts that whites will become a minority, adding that “this is a very positive thing.” [...] Harvard University professor Robert Putnam says immigrants should not assimilate. “What we shouldn’t do is to say that they should be more like us,” he says. “We should construct a new us.” When Marty Markowitz became the new Brooklyn borough president in 2002, he took down the portrait of George Washington that had hung in the president’s office for many years. He said he would hang a picture of a black or a woman because Washington was an “old white man.” [...] In 2000, John Sharp, a former Texas comptroller and senator told the state Democratic Hispanic Caucus that whites must step aside and let Hispanics govern, “and if that means that some of us gringos are going to have to give up some life-long dreams, then we’ve got to do that.” When Robert Dornan of California was still in Congress, he welcomed the changing demographics of his Orange County district. “I want to see America stay a nation of immigrants,” he said. “And if we lose our Northern European stock—your coloring and mine, blue eyes and fair hair—tough!” Frank Rich, columnist for the New York Times, appears happy to become a minority. He wrote this about Sonya Sotomayor’s Senate confirmation hearings: “[T]his particular wise Latina, with the richness of her experiences, would far more often than not reach a better [judicial] conclusion than the individual white males she faced in that Senate hearing room. Even those viewers who watched the Sotomayor show for only a few minutes could see that her America is our future and theirs is the rapidly receding past.” It is impossible to imagine people of any other race speaking of themselves this way.

I know it’s a cliché,” he said, “but life is short and death comes to us all. So what’s the point of living, if we’re not going to experience real joy? At least some of the time,” he added. “I’m not saying we shouldn’t grieve or ever be unhappy—that’s part of living, too. But we can’t forget the other side of it when times are bleak.” “What other side?” I asked. “The beautiful side.

Over the next few years, the number of African Americans seeking jobs and homes in and near Palo Alto grew, but no developer who depended on federal government loan insurance would sell to them, and no California state-licensed real estate agent would show them houses. But then, in 1954, one resident of a whites-only area in East Palo Alto, across a highway from the Stanford campus, sold his house to a black family. Almost immediately Floyd Lowe, president of the California Real Estate Association, set up an office in East Palo Alto to panic white families into listing their homes for sale, a practice known as blockbusting. He and other agents warned that a 'Negro invasion' was imminent and that it would result in collapsing property values. Soon, growing numbers of white owners succumbed to the scaremongering and sold at discounted prices to the agents and their speculators. The agents, including Lowe himself, then designed display ads with banner headlines-"Colored Buyers!"-which they ran in San Francisco newspapers. African Americans desperate for housing, purchased the homes at inflated prices. Within a three-month period, one agent alone sold sixty previously white-owned properties to African Americans. The California real estate commissioner refused to take any action, asserting that while regulations prohibited licensed agents from engaging in 'unethical practices,' the exploitation of racial fear was not within the real estate commission's jurisdiction. Although the local real estate board would ordinarily 'blackball' any agent who sold to a nonwhite buyer in the city's white neighborhoods (thereby denying the agent access to the multiple listing service upon which his or her business depended), once wholesale blockbusting began, the board was unconcerned, even supportive. At the time, the Federal Housing Administration and Veterans Administration not only refused to insure mortgages for African Americans in designated white neighborhoods like Ladera; they also would not insure mortgages for whites in a neighborhood where African Americans were present. So once East Palo Alto was integrated, whites wanting to move into the area could no longer obtain government-insured mortgages. State-regulated insurance companies, like the Equitable Life Insurance Company and the Prudential Life Insurance Company, also declared that their policy was not to issue mortgages to whites in integrated neighborhoods. State insurance regulators had no objection to this stance. The Bank of America and other leading California banks had similar policies, also with the consent of federal banking regulators. Within six years the population of East Palo Alto was 82 percent black. Conditions deteriorated as African Americans who had been excluded from other neighborhoods doubled up in single-family homes. Their East Palo Alto houses had been priced so much higher than similar properties for whites that the owners had difficulty making payments without additional rental income. Federal and state hosing policy had created a slum in East Palo Alto. With the increased density of the area, the school district could no longer accommodate all Palo Alto students, so in 1958 it proposed to create a second high school to accommodate teh expanding student population. The district decided to construct the new school in the heart of what had become the East Palo Alto ghetto, so black students in Palo Alto's existing integrated building would have to withdraw, creating a segregated African American school in the eastern section and a white one to the west. the board ignored pleas of African American and liberal white activists that it draw an east-west school boundary to establish two integrated secondary schools. In ways like these, federal, state, and local governments purposely created segregation in every metropolitan area of the nation.

The lightness of a color has to do with how much white or black is mixed into it. White reflects light, while black absorbs it. So adding white makes a color lighter and more reflective, while adding black makes it darker and more muted. Light pink and sky blue are more energizing than burgundy and navy because they reflect more light, imbuing a space with life.

Life is a sea of vibrant color. Jump in.

Captain Phelan,” Amelia asked, noticing the direction of his gaze, “what do you think of the change in Albert?” “Nearly inconceivable,” Christopher replied. “I had wondered if it would be possible to bring him from the battlefield to a peaceful life here.” He looked at Beatrix, adding gravely, “I am in your debt.” Beatrix colored and smiled down at her plate. “Not at all.” “My sister has always had a remarkable ability with animals,” Amelia said. “I’ve always wondered what would happen if Beatrix took it in her head to reform a man.” Leo grinned. “I propose we find a really revolting, amoral wastrel, and give him to Beatrix. She would set him to rights within a fortnight.” “I have no wish to reform bipeds,” Beatrix said. “Four legs are the absolute minimum. Besides, Cam has forbidden me to put any more creatures in the barn.” “With the size of that barn?” Leo asked. “Don’t say we’ve run out of room?” “One has to draw the line somewhere,” Cam said. “And I had to after the mule.” Christopher looked at Beatrix alertly. “You have a mule?” “No,” she said at once. Perhaps it was merely a trick of the light, but the color seemed to leave her face. “It’s nothing. That is, yes, I have a mule. But I don’t like to discuss him.” “I like to discuss him,” Rye volunteered innocently. “Hector is a very nice mule, but he has a weak back and he’s sickle-hocked. No one wanted him after he was born, so Aunt Beatrix went to Mr. Caird and said--” “His name is Hector?” Christopher asked, his gaze locked on Beatrix. She didn’t answer. A strange, severe sensation took over Christopher’s body. He felt every hair lift, felt every distinct pulse of blood in his veins. “Did his sire belong to Mr. Mawdsley?” he asked. “How did you know?” came Rye’s voice. Christopher’s reply was very soft. “Someone wrote to me about it.” Lifting a glass of wine to his lips, Christopher tore his gaze from Beatrix’s carefully blank face. He did not look at her for the rest of the meal. He couldn’t, or he would lose all self-control.

Anders disentangled himself from Valerie’s clinging arms and took a step back. He paused to take several breaths, attempting to give his brain a chance to recover before turning toward Lucian. Once he faced the man, he simply asked, “What did you say?” “I said I’d rather my wife not look out our French doors and see your bare ass if you don’t mind,” Lucian said succinctly. Anders glanced down at himself, relieved to see that, as he’d thought, he hadn’t yet achieved undoing and dropping his drawers. Trying for dignity he straightened his shoulders and said, “I assure you my self-control would have kicked in before things went that far.” “Yeah right,” Lucian snorted. “One more minute and you would have been bare-assed and giving Valerie a good seeing to right there on the porch rail.” Grimacing, he added, “For future reference, I don’t recommend it. Leigh got some nasty slivers off that rail some months ago. It’s too rough for such endeavors.” Anders glanced over his shoulder to Valerie with concern at this news. The shorts she was wearing weren’t especially long and he had no doubt her upper legs at least had been ground into the wood as he’d dry humped her. “Are you all right?” Blushing brightly, she nodded. “I think so.” “I’ll check later.” Anders had meant that to be reassuring, but Valerie’s blush went from a becoming rosy color to the red of a tomato and her wide eyes shot to Lucian with embarrassment. “And that is precisely why we need help at the moment,” Lucian said dryly to Valerie, obviously having read enough of their minds to know that was what Anders had been trying to show her. He clarified, however, by adding, “I’ve lost most of my best Enforcers to life mate brain . . . which means more often than not, they’re as brainless as cats in heat. Even I suffer from it on occasion. We’ll need help for the next year or so until the worst of it passes.” “Oh,” Valerie breathed.

What does my being your life mate mean exactly?” Anders stared at her blankly, and then said, “I told you, a life mate is a rare and precious treasure. They are someone an immortal can live with happily and in peace.” “Yes, but—” Valerie hesitated, a bit frustrated in her effort to verbalize what she wanted to know. Finally, she just asked, “What do you want from me, Anders?” “You,” he said simply, and reached out to take her hands gently in his. “I realize that your experiences in that house were horrible and traumatizing, and most likely turned you against my kind, Valerie. But I would remind you there are evil and bad mortals as well. All immortals are not like the one who attacked and took you from the street that night, then kept you in a cage to feed on.” Valerie stared at him silently, memories of the house running through her head. They were quickly followed by the memories she’d made with this man. The drive to Cambridge and back, the pool, their walk, the shared meals, cooking together, the overwhelming passion, waking up cradled in his arms . . . Oddly enough, the horror and trauma from the house had paled somewhat next to the vibrancy of the memories she’d started to make with Anders. They were like sepia photos next to new, modern, color ones. Anders continued, “And I also know that as a mortal you are more used to a long and slow courtship before making such an important decision. But for my kind it is different. A life mate is a gift to us and knowing we cannot read or control them, that we share pleasure, and that our other appetites are returning is enough in our minds to tell us that this is the one we are meant to be with. That this is the one who suits us in all ways. So, what I want is to spend the rest of my very long life with you at my side and in my bed. And if you agree to that, I promise I will never hurt or bring harm to you. I would sooner hurt myself.” He squeezed her fingers gently. “I would give my life for you, Valerie. Because having experienced the vibrancy and tasted the spice of life with you, returning to the dull, cold existence I had before you is unbearable to even consider.” Anders stared solemnly into her wide eyes as he said that, and then released her hands and sat back, adding, “However, I know you may need more time to make up your mind about whether you are willing to be my life mate. And that is the real reason you were moved to Leigh and Lucian’s home, to give you the chance to get to know me, to see if you could accept being my life mate.” “And if I can’t?” Valerie asked quietly. “Then your memories will be erased like the other women and you too, will be returned to your life to live it out as you choose without your experiences to haunt you.

Different Strokes for Different Folks “First things first—differences abound! Race, creed, color, gender, national origin, handicap, age, familial status, socio-economics, education, politics, religion, geography, and job status. Does that list look like a poster ad for the ACLU? Add in our vastly different life experiences and things really start to get interesting.

It interests me that there is no end of fictions, and facts made over in the forms of fictions. Because we class them under so many different rubrics, and media, and means of delivery, we don't recognize the sheer proliferation and seamlessness of them. I think at some level of scale or perspective, the police drama in which a criminal is shot, the hospital in which the doctors massage a heart back to life, the news video in which jihadists behead a hostage, and the human-interest story of a child who gets his fondest wish (a tourist trip somewhere) become the same sorts of drama. They are representations of strong experience, which, as they multiply, began to dedifferentiate in our uptake of them, despite our names and categories and distinctions... I say I watch the news to "know". But I don't really know anything. Certainly I can't do anything. I know that there is a war in Iraq, but I knew that already. I know that there are fires and car accidents in my state and in my country, but that, too, I knew already. With each particular piece of footage, I know nothing more than I did before. I feel something, or I don't feel something. One way I am likely to feel is virtuous and "responsible" for knowing more of these things that I can do nothing about. Surely this feeling is wrong, even contemptible. I am not sure anymore what I feel. What is it like to watch a human being's beheading? The first showing of the video is bad. The second, fifth, tenth, hundredth are—like one's own experiences—retained, recountable, real, and yet dreamlike. Some describe the repetition as "numbing". "Numbing" is very imprecise. I think the feeling, finally, is of something like envelopment and even satisfaction at having endured the worst without quite caring or being tormented. It is the paradoxically calm satisfaction of having been enveloped in a weak or placid "real" that another person endured as the worst experience imaginable, in his personal frenzy, fear, and desperation, which we view from the outside as the simple occurrence of a death... I see: Severed heads. The Extra Value Meal. Kohl-gray eyelids. A holiday sale at Kohl's. Red seeping between the fingers of the gloved hand that presses the wound. "Doctor, can you save him?" "We'll do our best." The dining room of the newly renovated house, done in red. Often a bold color is best. The kids are grateful for their playroom. The bad guy falls down, shot. The detectives get shot. The new Lexus is now available for lease. On CNN, with a downed helicopter in the background, a peaceful field of reeds waves in the foreground. One after another the reeds are bent, broken, by boot treads advancing with the camera. The cameraman, as savior, locates the surviving American airman. He shoots him dead. It was a terrorist video. They run it again. Scenes from ads: sales, roads, ordinary calm shopping, daily life. Tarpaulined bodies in the street. The blue of the sky advertises the new car's color. Whatever you could suffer will have been recorded in the suffering of someone else. Red Lobster holds a shrimp festival. Clorox gets out blood. Advil stops pain fast. Some of us are going to need something stronger.

stamp or where they sealed the envelope?” I asked. “Sure, we’ll check those too. That’s common procedure, but we have nothing to compare it to.” Jack added his two cents. “The message itself sounds kind of like the hell-and-damnation type of speech. Somebody in the clergy or even a religious zealot could have written it.” Clayton slowly read the message out loud again. “Yeah, I see where you’re coming from, Jack. It does sound kind of preachy.” “Yes it does,” I said, “but we still don’t know if it’s a serious threat or just someone blowing smoke.” Clark stood. “Okay, guys, check out whatever you can as far as forensic evidence. Make ten copies of that letter before you get started. The rest of you, keep your eyes and ears peeled for somebody with an ax to grind. That’s all we can do for now.” Chapter 2 The long driveway beyond the dead-end road led to the small, faded clapboard house. The walls inside the home held family secrets that were as dead and buried as the family dog. Nobody spoke of Alice’s incident anymore—it was neatly tucked away, hopefully forgotten, and life carried on. Forced smiles and the cautious daily routine filled the family’s waking hours. Alice’s eyes darted toward Mandy and then at the clock. She watched as her twenty-year-old daughter crossed the living room, barefoot and still wearing her green flannel bathrobe. Mandy took a seat on the old floral couch, as she did every day at eleven o’clock. The dark-paneled living room in that house held the sofa, a rocker, two end tables, and two velvet wall hangings of horses. The sofa had seen better days—sun fading had taken a toll on it after being in front of windows year after year. What used to be vibrant colors on that threadbare couch now appeared as pastel hues at best. Two flattened cushions looked as though somebody had let the air out of them; they held permanent indentions from years of use.

When you fall in every way- to me, it’s not about love… I have a hard time believing in something that I don’t find too real for me or can trust… like papa said- I should. Times have changed. To me, it’s trying to keep it, after the fact. That's the color of Jenny, her skin is never that natural looking. What was the look on her face all about? Maddie begins giggling hysterically until she doubles over and has to cover her mouth with both hands. I don’t know what she could find funny. Then I see Ray and Justen are love drinks doing it on the pole table, with my little sis just eyeing it all up. She knows- Ray is my guy, and Justen is her new bestie. ‘God save me if you can hear me!’ I am ready to rip someone’s head off and the skin that goes with it. ‘I can’t believe it,’ she- my sis says. ‘I can’t believe it.’ She looks back at me- like I know your heart has broken. Justen looked at her and said- ‘OH MY GOD’ get her out of here. She was her to dance not see this. I grab her by the back of her short dress and take her into the next room and said. ‘It’s okay, everything is going to be fine no damn it go home!’ She said- ‘Know it’s not… Kar-ley I did a No-no!’ (She still baby talks.) You’re never going to forgive me. I said- ‘I know you had sex, for the first time tonight.’ She said- ‘Yes, but…’ I said- ‘But… what… go on.’ She starts subbing. She said- ‘It was Ray that did it to me, up in the master bedroom. He said- ‘That you would think it would be okay because I knew him.’ ‘So, I believed him.’ She added- During sex I bleed a lot out of there (and the point) and it hurt so much Karly, I cried the whole time. But I felt close to him… How was it I ask? And then she dropped the shocker of a lifetime. She said- ‘I think I am in love with your boyfriend, yet Justen just ripped him away. She asks me the most complex question ever coming from the mind of a ten-year-old. ‘So, which of us girls do you think he loves the most? Is it me, you or her?’ I said- ‘I don’t know… she looks puzzled by that… just like I could not believe that I didn’t say- me.’ Kellie said- I feel a little sore but other than that I am a hundred percent perfectly fine emotion Madilyn and physically, up till this point at least.’ I whispered in her ear- ‘Aww sis, boys will say anything to get you to do what they want. She has her head on my chest. No, I am not mad at you. I’ll take care of this, ‘I am not mad’- I said once more. On the other hand, inside I was pissed, she had the night that I have been planning for a long time.

Becoming a mother if -- and this is a critical if -- you have enough money for help does not mean stripping the membranes and being born anew; it means a series of tiny innumerable tasks added to your life that in the short run mean little but in the long run amount to something. It means coming home from work two hours earlier than you did before because that's when the sitter gets off. It means cooking dinners every night because, after all, you don't have just yourself to feed. It means learning about couscous, high-iron rice, organic spinach, nontoxic pots, thing you never thought of, little addendums to your brain, insignificant in isolation but, collectively, it takes up space. Being a mother means going to the pet store for three hours on Sundays so your girl can see the birds. It means learning and seeing colors anew -- there's purple, there's red, say red, red, red and so you see red as though for the first time, blood in the eye, brightness. Being a mother means knowing the luxuriousness of giving comfort, bringing the slack body up, holding her close; she melts into your form, which is, when all is said and done, still your form. Like so much in life, being a mother is entirely undramatic, filled with small pleasures and multiple inconveniences that only over weeks and months leave marks of any significance. You look back and say, "I know things I did not know before. I love like I did not love before, but how, or when, this happened, is really all a mystery, steps in smoke." Being a mother is a lot like growing up. When, or how, did you become an adult? What was the precise moment you lost your childhood? No one can say. It's all so permeable.

AN INCOMPLETE PORTRAIT OF OUR LOVE written by: Zaki Ansari An incomplete portrait of our love Relic of our relationship like a poor injured dove An incomplete portrait of our love framed with some shabby moments Hanging on my heart’s wall. Thirsty for some colors of love Which are missing at all I have painted, the shadow of your smile. I have added Some color of your hair, I drew some marks of your lips I spread shine of your eyes Tried to fill with some of our memories And with some of our dreams I Gave a touch of your laughter, and made the shape of your dimple. Decorated with the beautiful mole mole the same as you have on pretty face but many things are mismade yet, it is dark, it is fade Missing a complete part which has been made That’s You, your love, your presence And all those beautiful colors which you took with you when you left How do I complete without you? even I have lost myself without you, Yes I’m breathing, yes I’m living But that’s not life which spent without you. you are required, Your touch is needed to make complete An incomplete portrait of our love Relic of our relationship, like a poor injured dove thirsty for some colors of love Which are missing at all Maybe there is no chance to make it whole Complete or incomplete, happiness or sorrow tears or laughter, the wounds on the soul Whatever, but it’s a masterpiece of my life, that’s all into the bitter ocean of life only sweetest thing, I have known, Even it’s incomplete but it’s my own An incomplete portrait of our love Relic of our relationship like a poor injured dove

Much like GM and GE, Kodak had a fair employment policy in place by the 1960s and had laid out is own Plan for Progress, which included a commitment to “hold discussions with the employment interviewers in the various division to remind them: that “such things as race, creed, color, or national origin” are neither to “help nor hinder in getting a job at Kodak.” Yet for blacks trying to work and move up at the company, these assurances didn’t mesh with their own experiences. Some of this was a consequence of blacks being poorly educated, especially those who had relocated to Rochester from the rural South. In the company’s eyes, the simply weren’t qualified. “We don’t grow many peanuts in Eastman Kodak,” Monroe Dill, Kodak’s industrial relations director said in 1963, adding that the company would start to recruit more from all-black colleges so as to not keep “discriminating by omission.” But there was also plenty of discrimination by commission, as individual Kodak managers used their discretion to hire whomever they liked and cast off whomever they didn’t. “They would say it blatant, like, 'We don't have any colored jobs,"" recalled Clarence Ingram, who served as general manager of the Rochester Business Opportunities Corporation, an entity formed after the '64 riots to support minority businesses. "They would tell you that." Apparently, they told a lot of blacks that. In 1964, only about 600 African Americans worked for Kodak in Rochester. less than 2 percent of the 33,000 employees based there. Determined to remedy this was FIGHT, which was led by Franklin Delano Roosevelt Florence, the thirty-one-year-old pastor of the Reynolds Street Church of Christ, a stocky, hard-charging, charismatic man, who called Malcolm X a friend. On September 2, 1966, a delegation of sixteen from FIGHT walked into Kodak's executive suite. Florence, sporting a Black Power button in his lapel, said he wanted to see "the top man." Before he knew it, the minister and his retinue were sitting in front of three top men: Kodak chairman Albert Chapman, president William Vaughn, and executive vice president Louis Eilers. Florence told them about the harshness of life in Rochester's black ghetto and said he wanted Kodak to start a training program for people who normally wouldn't be recruited into the company. Florence braced himself, expecting Kodak to resist. But Vaughn listened carefully and then asked Florence to submit a more specific proposal. Two weeks later, he did. Calling FIGHT " the only mass based organization of poor people and near poor people in the Rochester area," Florence requested that Kodak train 500 to 600 men and women over eighteen months. FIGHT also wanted direct involvement in the process; the group would "recruit and counsel trainees and offer advice, consultation, and assistance.

There was a feeling about this hard to uncover, for he was not a self-analyzing man, never one to dig deeply into the source of his emotions. Facing this range, its good thick layer of fertility and its length and breadth, he came as close to it as he ever would come. It was a strength in his chest and in his muscles. The amber color of the short, nutritious suncured grass, sweeping on like a tawny and thick-napped carpet, had a meaning; the round green spots here and there in that tawniness, indicating water, had a meaning. The sunshine pouring down upon it and the shadows creased into occasional ridges, the wild, sweet smell of the land, the stillness, the free sweep, the quick wheel of cowbirds in the foreground and the faint blot of faraway cattle—all this had meaning. Beneath this grass was a generous, fecund earth. A man had to translate this richness into terms of cattle. But it wasn’t only cattle. Behind the cattle lay something else. Maybe a sense of personal growth, of pride, of something fought for and won, of large-handedness. It stiffened a man’s backbone and made him look at the world differently than other men looked at it. In his world certain things stood out; weather and water and grass and cattle; and himself against all the odds the range put against a lone man. He had his thoughts. They carried him at once into the past and presently he sent his glance all across the flats to the Lost Hills where, ten years before, he had started his married life with Lila. He remembered that one year vividly, as he remembered everything vividly that had to do with her; and he said to himself, “She should have lived to see this. Maybe it might have made a difference to her.” He slanted across the valley and rode up the narrow length of his older range, reaching home-quarters in the middle of the afternoon. As soon as he left the saddle old Mose gave him the latest news: Hack Breathitt had been pulled into a fight at War Pass, killing Liard Connor. Now Hack was hiding in the hills with Sheriff Nickum on his trail. Somebody had said, Mose added, that Herendeen had sent out a party under McGeen also to hunt Breathitt. Of that, Mose qualified, he wasn’t sure, but it sounded in the nature of the Three Pines beast. “I’m going to town,” decided Morgan at once, “and ought to be back around eight.” Old Mose said: “The way things are now, I wouldn’t skylark on the trail after dark. I’ve lived through a

What people are saying about WAR EAGLES ​5 out of 5 stars! WW2 with a dash of fantasy! I really enjoyed stepping back in time as the race for air travel was developing. One could truly feel the passion these pilots and engineers had for these magnificent machines. The twist of stepping back into a land of Vikings and dinosaurs was very well executed. Well done to both the author and the narrator. ​ Reminiscent of Golden Age Sci Fi This audio book reminded me of some of the 40's and 50's era tales, but what it happens to be is an alternative timeline World War II era fun adventure story. Think of a weird mash-up of a screw-up Captain America wanna-be mixed with the Land of the Lost mixed with Avatar where Hitler is the real villain and you might come close. At any rate, it's load of good fun and non stop action. But don't get distracted for a minute or you'll miss something! There are american pilots, Polish spies, Vikings, giant prehistoric eagles and, of course, Nazis! What more could you ask for to while away an afternoon? Our hero even gets the (Viking) girl! Put your feet up an get lost in what might have been.... 4 out of 5 stars! it's Amelia Earnhart meets WWII This is not an accurate historical fiction book, but rather an action-packed book set an historical time. I normally listen to my books at a higher speed, however the amount of drama and action in this book I had to slow it down. I like the storyline and the narrator however, the sound effects throughout the book did kind of throw me since I'm not used to that and most audible books. still I would recommend this is a good read.​ 5 out of 5 stars! I Would Like to See this on the Silver Screen Back in the late 1930s, the director of King Kong started planning War Eagles as his next block buster film. Then World War II intervened and the project languished for decades. It helps to know this background to fully appreciate this novel. It’s a big cinematic adventure waiting to find the screen. The heroes are larger than life, but more importantly, the images are bigger and more vivid than the mighty King Kong who reinvented the silver screen. And what are those images you may ask? Nazis developing super-science weapons for a sneak attack on America, Viking warriors riding gargantuan eagles in a time-forgotten land of dinosaurs, and of course, those same Vikings fighting Nazis over the skyline of New York City. This book is a heck of a lot of fun. It starts a little bit slow but once the Vikings enter the story it chugs along at a heroic pace. There is a ton of action and colorful confrontations. Narrator William L. Hahn pulls out all the stops adding theatrical sound effects to his wide repertoire of voices which adds a completely appropriate cinematic feel to the entire story. If you’re looking for some genuinely heroic fantasy, you should try War Eagles. Wonderful story War Eagles is a really good adventure story. ​5 out of 5 stars!

What was the inspiration for all this? Snow White's forest?" "Close, kind of," I replied. "This one's actually FernGully." "You're kidding," he said. "Nope. She wanted her very own enchanted rain forest, and it looks like that's exactly what she got," I said. "She sure did," he replied. "I can't believe we're in Tennessee." The clear-top tent was anchored by fourteen-foot faux weeping willow trees. Candles in glass orbs hung from every branch. The elevated dance floor floated in the center of the space and could be described only as an enormous Lucite shadow box filled with thousands of faux flowers in a rainbow of colors. The bars were covered in green moss and adorned with hundreds of colorful butterflies. The clear ceiling was almost entirely covered in twinkling fairy lights that would look just like a sky full of stars once the sun set. But the real showstopper was the centerpiece on every dining table. Atop every amethyst silk tablecloth was an antique birdcage that housed two real-life lovebirds. The rosy-faced little birds were hopping around and singing, and the space looked, sounded, and felt exactly like an enchanted forest from the movie. I wasn't precisely sure how authentic they were to the rain forest setting, but their chirping certainly added to the wild vibe.

Amelia.” Ollie stomped his foot. “I just want to go home. I want to play in my backyard with my trucks and boats.” “Soon, little man. Soon. I just need you to be patient a little longer.” While Oliver plopped down by the coffee table and did some more coloring, Robert took out his notepad and continued the to-do list he’d started earlier. To it, he added, communications. He hadn’t thought about what life would look like after Ethan and Brooke got home. Of course, they’d want to return to their house—all the

the original color of the apple -Ozcan: So, it is nothing. Imagine that we live in a world of matter, with no color, no taste, no smell, no touch, no sound. Our five senses cannot receive any information about it. So, we live in nothing, our minds decide what it is, and our need to communicate has created languages, terms, and common concepts. I may see and hear nothing but what you see and hear, but we have agreed on terms and concepts that unite us on them. Ozcan added: But nothing is still a thing, our five senses restrict us, perhaps if we had five additional senses to receive the data of this nothing, our minds would interpret it, and deal with it. We need additional senses to receive data that we do not know anything about. Ten senses, for example? Are they enough? What if the nature of this substance needs an extra sense yet? Well, a hundred senses? What if the right sense is not among them? In the end, we do not need a large number of senses, but rather the appropriate sense to receive the necessary data about this substance. The next question, Ruslan: What if we got this sense, and then our mind rejected the reality of matter for some reason? And decided not to interpret the data correctly? Or ignored it? As it often does with our five senses. -What is deafness? -A defect in the ear, due to which the mind does not receive any information about sounds. -But sometimes the mind simply decides to ignore sounds despite receiving data. When it is engaged in something, for example, sleeping, our minds often receive sounds and decide to ignore them, just like that, even though there is no hearing impairment. Sight, touch, taste, smell, the mind can ignore its input if it so desires. He looked directly into his eyes, and advanced towards him a little, he said in a tone of ambiguity: But what if we already have this appropriate sense, Ruslan, but our minds interpret their data at will. Or decided to ignore it completely for some reason. And what is this sense? Let’s agree to call it zero sense. The sense through which we can receive the data of the original color of the apple

IThe epiphany in this thought is that we simply cannot and do not create in isolation. As I paint my blank canvas others leave their mark on my masterpiece. Many have added colors and textures I knew not existed, greatly improving my creation..and yet...and yet... There are those who have punctured the fine leather and scraped at the rainbows of my mind ... creating stormy patches where there were once colors beaming from the page.

The epiphany in this thought is that we simply cannot and do not create in isolation. As I paint my blank canvas others leave their mark on my masterpiece. Many have added colors and textures I knew not existed, greatly improving my creation..and yet...and yet... There are those who have punctured the fine leather and scraped at the rainbows of my mind ... creating stormy patches where there were once colors beaming from the page.

Are you telling me you want this? That you want to get married?” She arched a brow, and he couldn’t hold her gaze. For the first time in his life, Leo found himself truly nervous. Here was a situation he couldn’t hit, wrestle, or order into compliance. Baring feelings was all well and good, but talking about them sucked. But there came a time in a man’s life where he had to suck it up and gush, especially when he was a blind idiot for a while. “Would I be going through all this trouble if I didn’t want to get married? Listen, Vex, I know we got off to a rocky start. In my defense, you’re a little much for any man to handle. Not that I mind,” he hastened to add when her second brow shot up. “I like who you are, and I’m a big enough man to admit I might have reacted poorly when you declared I was your mate and that I couldn’t escape.” “I said what?” Again, she gaped in open surprise. Then laughed. Pretty damned hard as a matter of fact. He frowned. “Don’t you dare deny it, Vex. You had me all but in front a preacher within five minutes of us meeting. And it scared me. But you were right about us belonging together, even if it took me longer to realize it. You are the one for me, Meena. The chaos to balance my serenity. The colored rainbow to enrich the grayness of my current life. I want you, Vex. Catastrophes and all. I just hope, even after what I’ve done, and the fact I might sometimes have a stick up my ass, at least according to Luna, that you’ll forgive me and still want me too.” He ended his gush of words and stared at Meena hopefully, and a little fearfully, given she once again stared at him slack-jawed. Would she say something? She did, just not from her lips. No, Meena’s voice came from behind him. “Oh, Pookie, that has got to be the most beautiful thing I ever heard.” Either Meena had some mad ventriloquist skills or… Leo froze as he stared at the woman in front of him, a woman that he realized the more he stared was Meena and yet not. This one wore her hair in soft curls around her shoulders, a tiny scar marred the tip of her chin, and her scent… was all wrong. However, the body that jumped on his back and the lips that noisily kissed the flesh of his neck? That was his Vex. What the hell? “Who are you?” he asked. The Meena clone grinned and waved. “Teena, of course.” “My twin,” Meena added against his ear. “Identical twin?” “Well, duh. And it’s a good thing too, or I’d be a little miffed right now that you just said all those beautiful things to her.” “I thought it was you.” “Apparently. It happens a lot, which I totally don’t get. She looks nothing like me.” “I feel like such an idiot.” He tried to crane his head to see the Meena clinging to his back, but she slapped her hands over his eyes. “No, you can’t look. It’s bad luck.” “But…” “No buts. Although I will say yours looks awfully delicious in those pants. But it will look even better when it’s naked and wearing my teeth marks.” “Vex!” “I know. I know. Don’t start something we can’t finish. Consider yourself warned, however. As soon as that priest says I do, your ass is mine. All mine.” Such a low, husky promise. “Come on, Teena, you are just in time to help me get into my gown. Can you believe my Pookie arranged all this?” The pride in her voice made him smile, but he did have to shake his head at the whole twin sister thing. With one last kiss on his neck, Meena whispered, “See you in a little bit, Pookie.

The natural life is colourless. Subjective and objective reality holds the color of life. The color to the Objective reality is added by your subjective reality. Subjective reality can add color to its own. But the source works through both the subjective and objective reality, that too is colourless.

The Secrets To A Healthy And Nutritional Diet Do you eat fast food often? Do you tend to snack on unhealthy packaged foods and lack a proper amount of fruits and vegetables? These things can lead to obesity, depression, and other serious disorders common in today's society! Read on to find out how you can change your nutrition to facilitate a better life! One tip when thinking about nutrition is nutrient density. How rich in nutrients is the food you're eating - not by weight, but by calorie? You would be surprised to learn, for example, that when measured by CALORIES, a vegetable like broccoli is surprisingly high in protein - comparable, calorie for calorie, to the amount of protein found in red meats. But of course you can eat far more broccoli for the same amount of calories, which also provides fiber, vitamin C, and folic acid. Make sure your kids are not learning their health facts about food from food ads on television or otherwise. Make sure that they get what they need with a healthy diet rich in produce and lean meats and dairies and provide them with the correct information if they ask you. One thing a lot of people think is that nutrition is all about food. You also want to take into account how your body uses the food you eat. You want to make sure you regularly exercise as well as to eat the right kinds of food, your body will thank you for this. When considering nutrition for a child, it is important to make it a positive and entertaining experience. This is important because your child needs nutrients, and they also need a reason why they should eat healthy food. Some ideas would be to cut a sandwich into fun shapes, or use unique colored vegetables. You will want to consider pesticides and their effect on your food. They are generally portrayed as detrimental. But if you talk with farmers, you may come to a more nuanced view. For instance, you may hear that some fungicides are necessary; that a healthy crop cannot be produced without them, and that none of the chemical is retained on the produce you buy. Try to include more tomatoes in your meals. The biggest benefit from tomatoes is their high concentration of lycopene. Lycopene is a powerful antioxidant that plays a role in the prevention of cancer cell formation. Research has shown that tomatoes also have potential benefits in the prevention of heart disease and lowering high cholesterol. A good piece of advice is to eat a little before you attend a Thanksgiving dinner. If you go to a Thanksgiving dinner on an empty stomach, you're more likely to overindulge. Choose to eat some fresh fruit before you arrive for the dinner, and you will be less apt to eat far more than you should. Hopefully now you can see how easy it is to improve your nutrition and reap the health benefits it provides. If you don't want to suffer from depression and obesity, stop eating the fast food now and apply the advice by dropping by there rosholistic.com you've just read in this article to improve your diet and improve your life.

Gemini 4 helped create a media misapprehension that I was a Marine. Jim Maloney, a reporter for the Houston Post, a morning newspaper, always covered my late night press conferences. Since the Gemini 4 mission was the first flown from Houston and the first with three flight directors, he wrote an article on Kraft, Hodge, and myself. Adding some color he described me as “an ex-fighter pilot who you would trust with your life. Stocky, crew-cut and blond, Kranz is a bloodthirsty model for a Marine Corps recruiting poster.” The next evening after the press conference I corrected him, “Jim, you got it wrong in your article. I’m Air Force, not a Marine.” He corrected me, saying, “I didn’t say you were a Marine. I said you looked like a poster boy for the Marines!

The Transformation There was a pinky-healthy butterfly , Which, as yet, could not fly, Nor could it flap its wings, Cause it hadn’t been thru’ Larva, Pupa and things! The ‘other thing’ is termed as ‘Transformation’, An Innovative Change from erstwhile formation. For, the butterfly as yet was only an egg. In its Life journey, It was at its first leg. Through its life cycle all formations, Or changes are physical, without incarnation, Yet when it will blossom into a butterfly, Colours get added to all stages that were silly! For, it gets access to due intellect, @ divinity of God, omnipresent, With His blessings, intelligence is born, So as to make life cycle worthy some. So, helps a butterfly for colorful effects to learn, In its handling, by maintaining a delicate concern, Also, helps a butterfly in flower’s progenation, And children’s amusement @ no intervention The divine education is what you aspire, Believes ‘Priya’ as in a Gurukul one perseveres, A worthy place to earn blessings dear, And impacts, which you will lifelong admire! © 2016, Priyavrat Thareja At .thareja (dot) com/2016/07/28/the-transformation/#more-554

house of an older person who had lived in it for the last forty-odd years. The living room and dining room overflowed with furniture, all covered in brightly colored afghans. The walls were full of mementos, the shelves full of knickknacks. Decades of items that added joy to Nan’s life.

Another area of interest is to explore what happens to stem cells and tissue homeostasis - to the maintenance process - as we age. In studies reported in 2011 and 2012, M. Rera, D.W. Walker, and colleagues added blue dye to fly food and then asked whether that blue color is restricted to the simple tube of the gut running through the adult, as is visible in the translucent belly of the fly, or whether the dye turns the whole fly blue, indicating that the gut has become permeable. This assay, known as the Smurf assay, gives a quick, high-level indication of gut damage that can be followed by more detailed analyses such as detection of stem cell division and signal tranduction pathway activity in dissected fly guts, or electron micrograph imaging of the mucus layer that separates the food from the gut cells. An increased prevalence of gut permeability turns out to be associated with aging in flies, and might be one of a cluster of events associated with a late-in-life 'death spiral'. Moreover, 'Smurfing' (turning blue in the assay) has been observed not only following direct perturbation of the fly gut but also among flies subjected to brain trauma, suggesting that gut permeability might be a general hallmark of impending death. The smurf assay - which requires no fancy equipment, no dissection, no costly reagents - has since been used in studies of two other Drosophilia species (D. mojavensis and D. virilis), as well in worms and zebrafish. New assays allow us to ask new questions; the answers to those questions lead us forward to the next.

The Happy Crow Once upon a time, there lived a crow in a forest. This crow was absolutely satisfied and happy with its life. One day it happened to go to a pond to drink water. It looked at its reflection in the water and turned its face this way and that. It preened its wings and thought about how shiny they were. The crow was convinced of its beauty. But then he saw a white swan swim by. Some ducks standing near the pond laughed at the crow for its black color and complimented and praised the swan. The crow was full of admiration for the swan. He told the swan that it was beautiful and also added, “you must be the happiest bird in the world.” The swan, however, did not appear so happy. When the crow asked her the reason the swan replied, “I also thought that I was the most beautiful and the happiest bird around, until I saw the parrot. You will not believe it. You and I have just one color, but the parrot has two, green and red. In my opinion, the parrot must be the happiest bird in the world.” The crow was intrigued and went to meet the parrot. When he saw the parrot, he too was convinced that it was indeed the most beautiful bird in the forest. When the crow asked the parrot, “you must be the happiest bird in the forest,” the parrot laughed and said, “I too lived under the same illusion, until I saw the peacock. You won’t believe how beautiful the peacock is. I have never seen a more colorful bird.” The inquisitive crow now went to meet the peacock and indeed it was the most colorful bird anyone could imagine. It danced happily with its wings spread and the crow watched mesmerized. However, a bird catcher hiding in the bush too had the same reaction and he captured the colorful peacock. The colorful parrot and the white swan too could not escape this fate. However, the crow with its shiny feathers and lustrous wings escaped this fate. The society’s bias against dark color saved the crow. The peacock, parrot, and swan looked at the crow flying about freely and thought “this must be the happiest bird in the world.