“
Did you know that she was cyborg?” asked a woman in an unhidden tone of disgust.
Kai stared at her, appearing confused, then let his gaze dance over the crowd. He shuffled his feet
closer to the podium, a wrinkle forming on the bridge of his nose.
Cinder bit the inside of her cheek and braced herself for adamant disgust. Who would ever invite a
cyborg to the ball?
But instead, Kai said simply, “I don’t see that her being cyborg is relevant. Next question?”
Cinder’s metal fingers jolted.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
If you touch her, I’ll make sure you lose all sense of feeling. Permanently,” Adam warned darkly.
“What he said,” Braden growled.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
Els, I don't even know where to start. I'm so sorry. God, I'm so sorry."
"Adam - "
"I can't lose you, Els. I can't believe I fucked up like this but you have to forgive me. I can't lose you.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
Come on,” he droned, “I’ve been ordered to take you down to the bridge. Here I am, brain the size of a planet and they ask me to take you down to the bridge. Call that job satisfaction? ’Cos I don’t.”
He turned and walked back to the hated door.
“Er, excuse me,” said Ford following after him, “which government owns this ship?”
Marvin ignored him.
“You watch this door,” he muttered, “it’s about to open again. I can tell by the intolerable air of smugness it suddenly generates.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
Quitting’s not hard. Deciding to quit is hard. Once you make that mental leap, the rest is easy.”
“Really? Was that how you quit me?” And just like that, without thinking, without saying it in my head first, without arguing with myself for days, it’s out there.
“So,” she says, as if speaking to an audience under the bridge. “He finally says it.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
When a thousand people believe some made-up story for one month, that’s fake news. When a billion people believe it for a thousand years, that’s a religion, and we are admonished not to call it “fake news” in order not to hurt the feelings of the faithful (or incur their wrath). Note, however, that I am not denying the effectiveness or potential benevolence of religion. Just the opposite. For better or worse, fiction is among the most effective tools in humanity’s tool kit. By bringing people together, religious creeds make large-scale human cooperation possible. They inspire people to build hospitals, schools, and bridges in addition to armies and prisons. Adam and Eve never existed, but Chartres Cathedral is still beautiful.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
Let’s start the next chapter, baby.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
Go home, Adam," I replied softly. "We're done."
His eyes widened in shock. "Ellie-"
"I'll pretend for Braden. When we're all together, I'll pretend for Braden that nothing has changed between you and me."
I held his gaze, attempting to be strong as I ended us.
"But whatever this is, it's over. Everything. Don't call me, don't visit... just don't. I don't want you near me when you don't have to be. It hurts too much, and if you care about me even just a little bit, you'll stay away from me.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
No, no- the sky will grow dark, cold rain will fall and all trace of the right way will be blotted out. You will be all alone. And still you will have to go on. There will be ghosts in the dark and voices in the air, disgusting prophecies coming true I wouldn’t wonder and absent faces present on every side, as the man said. And still you will have to go on. The last bridge will fall behind you and the last lights will go out, followed by the sun, the moon and the stars; and still you will have to go on. You will come to regions more desolate and wretched than you ever dreamed could exist, places of sorrow created entirely by that mean superstition which you yourself have put about for so long. But still you will have to go on
”
”
Richard Adams (Shardik)
“
She’s definitely a romance writer. I’ve primed her to be a romance writer, subjecting her to so many romantic dramas it would be a miracle if she didn’t become a romance writer.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
We’re still us,” I managed, blinking back tears.
“I don’t want there to be any awkwardness between us.”
“There won’t be. I won’t let there be if you won’t.”
“Good, Sweetheart. Good. We’ll just forget about this. It didn’t mean anything.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
Reality was a bridge breaking beneath Adam
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
You don’t really die when your heart stops. You die when you’re forgotten.
”
”
Taylor Adams (Hairpin Bridge)
“
The knowledge that she would never be loved in return acted upon her ideas as a tide acts upon cliffs. Her religious beliefs went first, for all she could ask of a god, or of immortality, was the gift of a place where daughters love their mothers; the other attributes of Heaven you could have for a song. Next she lost her belief in the sincerity of those about her. She secretly refused to believe that anyone (herself excepted) loved anyone. All families lived in a wasteful atmosphere of custom and kissed one another with secret indifference. She saw that the people of this world moved about in an armor of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires. These were the sons and daughters of Adam from Cathay to Peru. And when on the balcony her thoughts reached this turn, her mouth would contract with shame for she knew that she too sinned and that though her love for her daughter was vast enough to include all the colors of love, it was not without a shade of tyranny: she loved her daughter not for her daughter's sake, but for her own. She longed to free herself from this ignoble bond; but the passion was too fierce to cope with.
”
”
Thornton Wilder (The Bridge of San Luis Rey)
“
I want to climb every last mountain, row down every last river, explore every last cave, cross every last bridge, run across every last beach, visit every last town, city, country. Everywhere. I should've done more than watch documentaries and video blogs about these places.
”
”
Adam Silvera (They Both Die at the End (They Both Die at the End, #1))
“
When the police located his car near the bridge they’d assumed the obvious. His camping gear had been stuffed inside the boot. There had been no note, which was odd, and Lincoln’s body was never found. But bodies weren’t always recovered when people jumped from that bridge, the police had told her and her mum.
”
”
Adam L.G. Nevill (The Reddening)
“
She saw that the people of this world moved about in an armor of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires. These were the sons and daughters of Adam from Cathay to Peru.
”
”
Thornton Wilder (The Bridge of San Luis Rey)
“
Rice professor Erik Dane finds that the more expertise and experience people gain, the more entrenched they become in a particular way of viewing the world. He points to studies showing that expert bridge players struggled more than novices to adapt when the rules were changed, and that expert accountants were worse than novices at applying a new tax law. As we gain knowledge about a domain, we become prisoners of our prototypes.
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
When you think of Eden, don’t think of a public park with a lawn, a play set, and a flowerbed or two, where God hands Adam a lawnmower and says, Keep it tidy, will ya? Think of a violent, untamed wilderness teeming with beauty, but no infrastructure, no roads, no bridges, no cities, no civilization, and God says, Go make a world. Adam wasn’t a landscape-maintenance employee. He was an explorer, a cartographer, a gardener, a designer, an architect, a builder, an urban planner, a city-maker.
”
”
John Mark Comer (Garden City: Work, Rest, and the Art of Being Human.)
“
Hazel knew, he could not help despising them for timid, helpless, stay-at-home creatures who could not fly. He was often impatient. Did he mean that he had looked at the river and considered it as if he were a rabbit? That there was slack water immediately below the bridge, with a low, shelving bank where they could get out easily? That seemed too much to hope for. Or did he simply mean that they had better hurry up and take a chance on being able to do what he himself could do without difficulty? This seemed more likely. Suppose one of them did jump out of the boat and go down with the current—what would that tell the others, if he did not come back?
”
”
Richard Adams (Watership Down)
“
Odd, how sounds and smells linger in the memory.
”
”
Taylor Adams (Hairpin Bridge)
“
Adam has the most engaging smile and I realize, this is a private smile reserved just for me . . . like he’s waited his whole life for just one smile.
”
”
Ashley Pullo (The Bridge (The Bridge, #1))
“
The suns blazed into the pitch of space and a low ghostly music floated through the bridge: Marvin was humming ironically because he hated humans so much.
”
”
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
“
I’ve been ordered to take you down to the bridge.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
went back on to the bridge to watch over the tiny flashing lights and figures that charted the ship’s progress through the void.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
His eyes passed over the solid shapes of the instruments and computers that lined the bridge. They winked away innocently at him. He stared out at the stars, but none of them said a word.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
After a moment or two a man in brown crimplene looked in at us, did not at all like the look of us and asked us if we were transit passengers. We said we were. He shook his head with infinite weariness and told us that if we were transit passengers then we were supposed to be in the other of the two rooms. We were obviously very crazy and stupid not to have realized this. He stayed there slumped against the door jamb, raising his eyebrows pointedly at us until we eventually gathered our gear together and dragged it off down the
corridor to the other room. He watched us go past him shaking his head in wonder and sorrow at the stupid futility of the human condition in general and ours in particular, and then closed the door behind us.
The second room was identical to the first. Identical in all respects other than one, which was that it had a hatchway let into one wall. A large vacant-looking girl was leaning through it with her elbows on the counter and her fists jammed up into her cheekbones. She was watching some flies crawling up the wall, not with any great interest because they were not doing anything unexpected, but at least they were doing something. Behind her was a table stacked with biscuits, chocolate bars, cola, and a pot of coffee, and we headed straight towards this like a pack of stoats.
Just before we reached it, however, we were suddenly headed off by a man in blue crimplene, who asked us what we thought we were doing in there. We explained that we were transit passengers on our way to Zaire, and he looked at us as if we had completely taken leave of our senses.
'Transit passengers? he said. 'It is not allowed for transit passengers to be in here.'
He waved us magnificently away from the snack counter, made us pick up all our gear again, and herded us back through the door and away into the first room where, a minute later, the man in the brown crimplene found us again.
He looked at us. Slow incomprehension engulfed him, followed by sadness, anger, deep frustration and a sense that the world had been created specifically to cause him vexation. He leaned back against the wall, frowned, closed his eyes and pinched the bridge of his nose.
'You are in the wrong room,' he said simply. `You are transit passengers. Please go to the other room.'
There is a wonderful calm that comes over you in such situations, particularly when there is a refreshment kiosk involved. We nodded, picked up our gear in a Zen-like manner and made our way back down the corridor to the second room. Here the man in blue crimplene accosted us once more but we patiently explained to him that he could fuck off.
”
”
Douglas Adams (Last Chance to See)
“
Prostetnic Vogon Jeltz heaved his unpleasant green body round the control bridge. He always felt vaguely irritable after demolishing populated planets. He wished that someone would come and tell him that it was all wrong so that he could shout at them and feel better. He flopped as heavily as he could onto his control seat in the hope that it would break and give him something to be genuinely angry about, but it only gave a complaining sort of creak. “Go away!” he shouted at a young Vogon guard who entered the bridge at that moment. The guard vanished immediately, feeling rather relieved. He was glad it wouldn’t now be him who delivered the report they’d just received. The report was an official release which said that a wonderful new form of spaceship drive was at this moment being unveiled at a Government research base on Damogran which would henceforth make all hyperspatial express routes unnecessary.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
Here’s the thing about falling for someone who’s already given up; there’s no promise of tomorrow. There aren’t any words of comfort that can be said, no glimpse of a positive change. Every moment, every thought could be their last. It’s like you’re helplessly walking into quicksand, waiting for the muck to cover your mouth and eyes until you can no longer find a way to breathe. No, it’s more like jumping from a high bridge without the promise of water underneath.
And I fucking hate heights.
”
”
Jennifer Ann (Adam's List (NYC Love, #1))
“
You may have sought and tried to obtain instant godliness. There is no such thing....We want somebody to give us three easy steps to godliness, and we'll take them next Friday and be godly. The trouble is, godliness doesn't come that way.
~Jay Adams~
”
”
Jerry Bridges (The Pursuit of Holiness)
“
¿Estás admitiendo que tengo algún poder sobre ti, Adam Sutherland?
Sus cejas se alzaron mientras negaba con la cabeza, un movimiento que pronto se convirtió en asentimiento mientras me reía debajo de él. Cerró los ojos en lo
que parecía un dolor placentero.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
Anywhere you wanted to travel to?”
‘I’m suffocated by the darkness and this question.
I wish I was brave enough to have travelled. Now that I don’t have time to go anywhere, I want to go everywhere: I want to get lost in the deserts of Saudi Arabia; find myself running from the bats under the Congress Avenue Bridge in Austin, Texas; stay overnight on Hashima Island, this abandoned coal-mining facility in Japan sometimes known as Ghost Island; travel the Death Railway in Thailand, because even with a name like that, there’s a chance I can survive the sheer cliffs and rickety wooden bridges; an everywhere else. I want to climb every last mountain, row down every last river, explore every last cave, cross every last bridge, run across last beach, visit every last town, city, country. Everywhere. I should’ve done more than watch documentaries and video blogs about these places.
”
”
Adam Silvera (They Both Die at the End (They Both Die at the End, #1))
“
Strong ties provide bonds, but weak ties serve as bridges: they provide more efficient access to new information. Our strong ties tend to travel in the same social circles and know about the same opportunities as we do. Weak ties are more likely to open up access to a different network, facilitating the discovery of original leads.
”
”
Adam M. Grant (Give and Take: From the author of million-copy bestseller THINK AGAIN)
“
Two thousand years ago, Jesus came to destroy the works of Satan (see 1 John 3:8). The word works is the Greek word ergon, meaning business operations (Strong’s, G2041). Every residue of the curse that was introduced through Adam was removed through the atoning work of the Son of God. Jesus put Satan out of business. What was Satan’s business? Oppression, bondage, sickness, and disease.
”
”
Kynan Bridges (90 Days to Possessing Your Healing)
“
The city which lay below was a charnel house built on multi-layered bones centuries older than those which lay beneath the cities of Hamburg or Dresden. Was this knowledge part of the mystery it held for her, a mystery felt most strongly on a bell-chimed Sunday on her solitary exploration of its hidden alleys and squares? Time had fascinated her from childhood, its apparent power to move at different speeds, the dissolution it wrought on minds and bodies, her sense that each moment, all moments past and those to come, were fused into an illusory present which with every breath became the unalterable, indestructible past. In the City of London these moments were caught and solidified in stone and brick, in churches and monuments and in bridges which spanned the grey-brown ever-flowing Thames. She would walk out in spring or summer as early as six o'clock, double-locking the front door behind her, stepping into a silence more profound and mysterious than the absence of noise. Sometimes in this solitary perambulation it seenmed that her own footsteps were muted, as if some part of her were afraid to waken the dead who had walked thse streets and had known the same silence.
”
”
P.D. James (The Private Patient (Adam Dalgliesh, #14))
“
In Darwin's work, time moves at two speeds: there is the vast abyss of time in which generations change and animals mutate and evolve; and then there is the gnat's-breath, hummingbird-heart time of creaturely existence, where our children are born and grow and, sometimes, die before us...The space between the tiny but heartfelt time of human life and the limitless time of Nature became Darwin's implicit subject. Religion had always reconciled quick time and deep time by pretending that the one was in some way a prelude to the other - a prelude or a porlogue or a trial or a treatment. Artists of the Romantic period, in an increasingly secularized age, thought that through some vague kind of transcendence they could bridge the gap. They couldn't. Nothing could. The tragedy of life is not that there is no God but that the generations through which it progresses are too tiny to count very much. There isn't a special providence in the fall of a sparrow, but try telling that to the sparrows. The human challenge that Darwin felt, and that his work still presents, is to see both times truly - not to attempt to humanize deep time, or to dismiss quick time, but to make enough of both without overlooking either.
”
”
Adam Gopnik
“
Adam Smith, with his half-baked idea about a hidden hand that works the cotton looms, decides to use that as his central metaphor for unrestrained Free Market capitalism. You don’t need to regulate the banks or the financiers when there’s an invisible five-fingered regulator who’s a bit like God to make sure that the money-looms don’t snare or tangle. That’s the monetarist mystic idol-shit, the voodoo economics Ronald Regan put his faith in, and that middle-class dunce Margaret Thatcher when they cheerily deregulated most of the financial institutions. And that’s why the Boroughs exists, Adam Smith’s idea. That’s why the last fuck knows how many generations of this family are a toilet queue without a pot to piss in, and that’s why everyone we know is broke. It’s all there in the current underneath that bridge down Tanner Street. That was the first one, the first dark, satanic mill.
”
”
Alan Moore (Jerusalem)
“
We’re terribly worried about Uncle Henry. He thinks he’s a chicken.’ ‘Well, why don’t you send him to the doctor?’ ‘Well, we would, only we need the eggs.’ ” Standish stared at her as if a small but perfectly formed elderberry tree had suddenly sprung unbidden from the bridge of her nose. “Say that again,” he said in a small, shocked voice. “What, all of it?” “All of it.” Kate stuck her fist on her hip and said it again, doing the voices with a bit more dash and Southern accents this time. “That’s brilliant,” Standish breathed when she had done. “You must have heard it before,” she said, a little surprised by this response. “It’s an old joke.” “No,” he said, “I have not. We need the eggs. We need the eggs. We need the eggs. ‘We can’t send him to the doctor because we need the eggs.’ An astounding insight into the central paradoxes of the human condition and of our indefatigable facility for constructing adaptive rationales to account for it. Good God.” Kate
”
”
Douglas Adams (Dirk Gently's Holistic Detective Agency Box Set: Dirk Gently's Holistic Detective Agency and The Long Dark Tea-Time of the Soul)
“
When a thousand people believe some made-up story for one month, that’s fake news. When a billion people believe it for a thousand years, that’s a religion, and we are admonished not to call it “fake news” in order not to hurt the feelings of the faithful (or incur their wrath). Note, however, that I am not denying the effectiveness or potential benevolence of religion. Just the opposite. For better or worse, fiction is among the most effective tools in humanity’s tool kit. By bringing people together, religious creeds make large-scale human cooperation possible. They inspire people to build hospitals, schools, and bridges in addition to armies and prisons. Adam and Eve never existed, but Chartres Cathedral is still beautiful. Much of the Bible may be fictional, but it can still bring joy to billions and can still encourage humans to be compassionate, courageous, and creative—just like other great works of fiction, such as Don Quixote, War and Peace, and the Harry Potter books.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
Genevieve was the girl who brought me home after my dad killed himself and let me cry in a way I never would’ve in front of my friends. She tutored me in chemistry when I was failing, even though I was always too absorbed by her to actually pay attention. When her father started bringing home younger girls for the first time since her mother died, I distracted her with weekend outings, like a trip across the Brooklyn Bridge and people watching in Fort Wille Park. And now she’s the girl who won’t let me hug her.
”
”
Adam Silvera (More Happy Than Not)
“
I want you to try to understand. I am going alone. The risk, if any, is mine. I have no dependants, no responsibilities; I am adamant that this time no one will accompany me. What I hope to do in Russia is worth the risk I shall take. Do you imagine I would do what I did tonight if I did not think it of an importance unimaginable? If I can pull this one man back from the brink, I can save a nation perhaps from something worse than the Tartars. Perhaps bridge the gap of two hundred years. Perhaps find an existence worth living.
”
”
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
“
The problem for him in high school was that debate made you a nerd and poetry made you a pussy – even if both could help you get to the vaguely imagines East Coast city from which your experiences in Topeka would be recounted with great irony. The key was to narrate participation in debate as a form of linguistic combat; the key was to be a bully, quick and vicious and ready to spread an interlocutor with insults at the at the smallest provocation. Poetry could be excused if it upped your game, became cipher and flow, if it was part of why Amber was fucking you and not Reynolds et al. If linguistic prowess could do damage and get you laid, then it could be integrated into the adolescent social realm without entirely departing from the household values of intellect and expression. It was not a reconciliation, but a workable tension. His disastrous tonsorial compromise. The migraines.
Fortunately for Adam, this shifting of aggression to the domain of language was sanctioned by one of the practices the types had appropriated: after several hours of drinking, if no fight or noise complain had broken up the party, you were likely to encounter freestyling. In many ways, this was the most shameful of all the poses, the clearest manifestation of a crisis in white masculinity and its representational regimes, a small group of privileged crackers often arrhythmically recycling the genre’s dominant and to them totally inapplicable clichés. But it was socially essential for him: the rap battle transmuted his prowess as a public speaker and aspiring poet into something cool. His luck was dizzying: that there was a rapid, ritualized poetic insult exchange bridging the gap between his Saturday afternoons in abandoned high schools and his Saturday nights in unsupervised houses, allowing him to transition from one contest to the other.
”
”
Ben Lerner (The Topeka School)
“
A highway, a bridge, a navigable canal, for example, may in most cases be both made and maintained by a small toll upon the carriages which make use of them: a harbour, by moderate port-duty upon the tonnage of the shipping which load or unload in it. The coinage, another institution for facilitating commerce, in many countries, not only defrays its own expense, but affords a small revenue or seignorage to the sovereign. The post-office, another institution for the same purpose, over and above defraying its own expense, affords in almost all countries a very considerable revenue to the sovereign.
When the carriages which pass over a highway or a bridge, and the lighters which sail upon a navigable canal, pay toll in proportion to their weight or their tonnage, they pay for the maintenance of those public works exactly in proportion to the wear and tear which they occasion of them. It seems scarce possible to invent a more equitable way of maintaining such works.
”
”
Adam Smith (An Inquiry into the Nature and Causes of the Wealth of Nations)
“
In the face of uncertainty, our first instinct is often to reject novelty, looking for reasons why unfamiliar concepts might fail. When managers vet novel ideas, they’re in an evaluative mindset. To protect themselves against the risks of a bad bet, they compare the new notion on the table to templates of ideas that have succeeded in the past. When publishing executives passed on Harry Potter, they said it was too long for a children’s book; when Brandon Tartikoff saw the Seinfeld pilot, he felt it was “too Jewish” and “too New York” to appeal to a wide audience. Rice professor Erik Dane finds that the more expertise and experience people gain, the more entrenched they become in a particular way of viewing the world. He points to studies showing that expert bridge players struggled more than novices to adapt when the rules were changed, and that expert accountants were worse than novices at applying a new tax law. As we gain knowledge about a domain, we become prisoners of our prototypes.
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
¿Cuándo cambié a tus ojos?
Adam me miró con otro «tú estás loca».
—No pienso contártelo.
—¿Por qué no?
—Porque es una de esas cosas de tíos que no entenderías y que probablemente te cabreará.
Genial. Ahora estaba definitivamente intrigada.
—No me enfadaré. Solo dímelo por favor —le supliqué con dulzura.
—Vale. —Me miró con cautela—. Fue la mañana siguiente a tu decimoctavo cumpleaños.
Mis ojos se agrandaron al recordarlo. «¿En serio?»
—Sí, la mañana en la que tú… oh, casualmente, me dijiste que habías perdido la virginidad.
¿Fue ese el momento en que se dio cuenta de que sentía algo por mí? Dios… Joss tenía razón, los hombres era trogloditas.
(...) Adam había estado celoso. No fue lo que me pareció en aquel momento.
—Supe que estabas enojado conmigo, pero creí que era otro de esos episodios de «hermano mayor sobreprotector».
—¡No! —Adam movió la cabeza sombríamente, se echó hacia atrás y se apoyó en las palmas de las manos—. Fue uno de esos episodios «estoy buscando a la hermana pequeña de mi mejor amigo, que me acaba de decir que se ha acostado con un tío por primera vez y lo único que veo son sus labios hinchados y su pelo revuelto recién salido de la cama y me he puesto jodidamente cachondo». —Sus ojos se detuvieron en mi boca conforme recordaba—. Mi cuerpo reaccionó a lo que habías dicho antes de que pudiera hacerlo mi cabeza. De repente me encontré preguntándome cómo sería ser acariciado por tus labios, a qué sabrías, cómo me sentiría al tener tus largas piernas alrededor de mi espalda mientras empujaba dentro de ti... —Me sacudí, notando cómo se me calentaba la piel ante el conocimiento de que Adam había estado teniendo pensamientos lascivos sobre mí durante mucho tiempo sin que yo tuviera ni idea—. Así que me cabreé. Conmigo por desearte así. Y también contigo… por dejarle probarte…
Nuestras miradas se encontraron y mi respiración se tornó pesada.
Supe que si no decía nada terminaríamos haciendo el amor en la segunda habitación antes de que pudiéramos acabar nuestro paseo por el sendero de la memoria.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
I am aware that many people might be upset by my equating religion with fake news, but that’s exactly the point. When a thousand people believe some made-up story for one month, that’s fake news. When a billion people believe it for a thousand years, that’s a religion, and we are admonished not to call it “fake news” in order not to hurt the feelings of the faithful (or incur their wrath). Note, however, that I am not denying the effectiveness or potential benevolence of religion. Just the opposite. For better or worse, fiction is among the most effective tools in humanity’s tool kit. By bringing people together, religious creeds make large-scale human cooperation possible. They inspire people to build hospitals, schools, and bridges in addition to armies and prisons. Adam and Eve never existed, but Chartres Cathedral is still beautiful. Much of the Bible may be fictional, but it can still bring joy to billions and can still encourage humans to be compassionate, courageous, and creative—just like other great works of fiction, such as Don Quixote, War and Peace, and the Harry Potter books.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
Marvin stood there.
‘Out of my way little robot,’ growled the tank.
‘I’m afraid,’ said Marvin, ‘that I’ve been left here to stop you.’
The probe extended again for a quick recheck. It withdrew again.
‘You? Stop me?’ roared the tank, ‘Go on!’
‘No, really I have,’ said Marvin simply.
‘What are you armed with?’ roared the tank in disbelief.
‘Guess,’ said Marvin.
The tank’s engines rumbled, its gears ground. Molecule-sized electronic relays deep in its micro-brain flipped backwards and forwards in consternation.
‘Guess?’ said the tank.
‘Yes, go on,’ said Marvin to the huge battle machine, ‘you’ll never guess.’
‘Errrmmm …’ said the machine, vibrating with unaccustomed thought, ‘laser beams?’
Marvin shook his head solemnly.
‘No,’ muttered the machine in its deep gutteral rumble, ‘Too obvious. Anti-matter ray?’ it hazarded.
‘Far too obvious,’ admonished Marvin.
‘Yes,’ grumbled the machine, somewhat abashed, ‘Er … how about an electron ram?’
This was new to Marvin.
‘What’s that?’ he said.
‘One of these,’ said the machine with enthusiasm.
From its turret emerged a sharp prong which spat a single lethal blaze of light. Behind Marvin a wall roared and collapsed as a heap of dust. The dust billowed briefly, then settled.
‘No,’ said Marvin, ‘not one of those.’
‘Good though, isn’t it?’
‘Very good,’ agreed Marvin.
‘I know,’ said the Frogstar battle machine, after another moment’s consideration, ‘you must have one of those new Xanthic Re-Structron Destabilized Zenon Emitters!’
'Nice, aren’t they?’ agreed Marvin.
‘That’s what you’ve got?’ said the machine in condiderable awe.
‘No,’ said Marvin.
‘Oh,’ said the machine, disappointed, ‘then it must be …’
‘You’re thinking along the wrong lines,’ said Marvin, ‘You’re failing to take into account something fairly basic in the relationship between men and robots.’
‘Er, I know,’ said the battle machine, 'is it … ’ it tailed off into thought again.
‘Just think,’ urged Marvin, ‘they left me, an ordinary, menial robot, to stop you, a gigantic heavy-duty battle machine, whilst they ran off to save themselves. What do you think they would leave me with?’
‘Oooh er,’ muttered the machine in alarm, ‘something pretty damn devastating I should expect.’
‘Expect!’ said Marvin. ‘Oh yes, expect. I’ll tell you what they gave me to protect myself with shall I?’
‘Yes, alright,’ said the battle machine, bracing itself.
‘Nothing,’ said Marvin.
There was a dangerous pause.
'Nothing?’ roared the battle machine.
‘Nothing at all,’ intoned Marvin dismally, ‘not an electronic sausage.’
The machine heaved about with fury.
‘Well doesn’t that just take the biscuit!’ it roared, ‘Nothing, eh?’ Just don’t think, do they?’
‘And me,’ said Marvin in a soft low voice, ‘with this terrible pain in all the diodes down my left side.’
‘Makes you spit, doesn’t it?’
‘Yes,’ agreed Marvin with feeling.
‘Hell that makes me angry,’ bellowed the machine, ‘think I’ll smash that wall down!’
The electron ram stabbed out another searing blaze of light and took out the wall next to the machine.
‘How do you think I feel?’ said Marvin bitterly.
‘Just ran off and left you did they?’ the Machine thundered.
‘Yes,’ said Marvin.
‘I think I’ll shoot down their bloody ceiling as well!’ raged the tank.
It took out the ceiling of the bridge.
‘That’s very impressive,’ murmured Marvin.
‘You ain’t seen nothing yet,’ promised the machine, ‘I can take out this floor too, no trouble!’
It took out the floor too.
‘Hells bells!’ the machine roared as it plummeted fifteen storeys and smashed itself to bits on the ground below.
‘What a depressingly stupid machine,’ said Marvin and trudged away.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
America the Innocent, always searching for the totems of a unity that it can never quite achieve--even, or especially, when its crises of disunity are most pressing. It is one of the structuring stories of our nation. The "return to normalcy" enjoined by Warren Harding after the Great War; the cult of suburban home and hearth after World War II; the union of hearts declaimed by Adams on Boston's Bunker Hill parade ground after the War Between the States.
”
”
Rick Perlstein (The Invisible Bridge: The Fall of Nixon and the Rise of Reagan)
“
From the vantage point of creation, it was all very unthinkable. People living separate from God? This was like fish without water, honey that is not sweet, or a sun that provides no heat. Not only did it defy the logic and design of creation, it could not work. Human beings were not hardwired to live independently. We were not made to function on our own and to live based on our own wisdom. We were not created to live by our own limited resources. We were made to live in a constant, life-giving connection to God. People’s separation from God was a functional and moral disaster. So this disaster had to be addressed. The tragic gap between God and man had to be bridged, and there was only one way. Jesus would have to come to earth as the second Adam and live a perfect life in our place.
”
”
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
“
Are you accused by Satan, world, or your own conscience? he is called your Advocate. Are you ignorant? he is called the Prophet. Are you guilty of sin? he is called a Priest, and High Priest. Are you afflicted with many enemies, inward and outward? he is called a King, and King of kings. Are you in straits? he is called your way. Are you hungry or thirsty? he is called Bread and Water of Life. Are you afraid you shall fall away, and be condemned at the last? he is our second Adam, a public person, in whose death we died, and in whose satisfaction we satisfied; as there is no temptation or affliction, but some promise or other doth especially suit therewithal: so there is no condition, but some name, some title, some attribute of Christ doth especially suit with it: and as you do not look on Christ, but in reference to your condition, so you are not to look upon your condition alone, but with Christ's attribute suitable thereunto; if you look upon Christ's attribute of love without your condition, you may presume; if on your condition without Christ's attribute of love, you may despair: think on both together and you will not be discouraged.
”
”
William Bridge (A Lifting Up for the Downcast)
“
Of an August day in Paris the choice hour is from six to seven in the evening. The choice promenade is the Seine between the Pont Alexandre III and the Pont de l'Archevêché. If one walks down the quays of the Rive Gauche toward Notre-Dame first, and then turns back on the Rive Droite, he has the full glory of the setting sun before him and reaches the Place de la Concorde just in time to get a glimpse up the Champs Élysées toward the Arc de Triomphe as the last light of day is disappearing. I am not yet old enough to have taken this walk a thousand times, but when I have I am sure that it will present the same fascination, the same stirring of soul, the same exaltation that it does to-day.
Choose, if you will, your August sunset at the seashore or in the mountains. There you have nature unspoiled, you say. But is there not a revelation of God through animate as well as inanimate creation? If we can have the sun going down on both at the same time, why not? Notre-Dame may be surpassed by other churches, even in France. But Notre-Dame, in its setting on the island that Is the heart and center of this city, historically and architecturally that high water mark of human endeavor, cannot be surpassed. Standing on the bridge between the Morgue and the Ile St-Louis, and looking towards the setting sun, one sees the most perfect blending of the creation of God and the creation of the creatures of God that the world affords. And it is not because I have not seen the sunset from the Acropolis, from the Janiculum, from the Golden Horn, and from the steps of El Akbar, that I make this statement. Athens, Rome, Constantinople, Cairo- these have been, but Paris is.
”
”
Herbert Adams Gibbons
“
İNTİHAR EDEN ADAM: Hayır, hayır, hayır! Hiçbir şey görmüyorum! Sadece nehri ve sonumu görüyorum!.. Ayrılırken, size bir soru sormak istiyorum. Hepimizi ilgilendiren bir şey... Kurt, neden ot yemez?
KADIN: Anlamadım aşkım?
BALIKÇI: Kurt, neden ot yemez diye sordu?
KADIN: (Şaşırmış) Giderken, sorduğun soruya bak! Nasıl bir soru bu? Bir daha birbirimizi hiç görmeyeceğiz, oysa sen, “Kurt, neden ot yemez?” diye soruyorsun.
BALIKÇI: (Omuzlarını düşürür) Herhalde... otu sevmiyor. Başka bir açıklama bulamıyorum.
İNTİHAR EDEN ADAM: Kurt, ot yemez, bunu onun için koyunlar yapar. Bizimle ilgisi nedir? Biz koyunuz, hayatımız boyunca kurtlar için otladık. İnsan derisine bürünmüş kan emici canavarlar için! Canavarlar; ayaklarımızı, gözlerimizi, böbreklerimizi yediler, kanımızı emdiler! Daha çocukluğumuzdan beri, kuzuyken onlar için otladık hep! Kendimize bir bakalım! Neye benziyoruz! Üçümüzden, sağlıklı bir insan bile çıkmaz!
İntiharın Genel Provası
”
”
Dušan Kovačević (Generalna proba samoubistva: Malo gorča komedija o laži)
“
But surprisingly, people were significantly more likely to benefit from weak ties. Almost 28 percent heard about the job from a weak tie. Strong ties provide bonds, but weak ties serve as bridges: they provide more efficient access to new information. Our strong ties tend to travel in the same social circles and know about the same opportunities as we do. Weak ties are more likely to open up access to a different network, facilitating the discovery of original leads.
”
”
Adam M. Grant (Give and Take: Why Helping Others Drives Our Success)
“
Strong ties provide bonds, but weak ties serve as bridges: they provide more efficient access to new information. Our strong ties tend to travel in the same social circles and know about the same opportunities as we do. Weak ties are more likely to open up access to a different network, facilitating the discovery of original
”
”
Adam M. Grant (Give and Take: Why Helping Others Drives Our Success)
“
In her memoir, Expecting Adam, Martha Beck writes, “If you’ll cast your mind back to high school biology, you may remember that a species is defined, in part, by the number of chromosomes in every individual. Adam’s extra chromosome makes him as dissimilar from me as a mule is from a donkey. Adam doesn’t just do less than a ‘normal’ child his age might; he does different things. He has different priorities, different tastes, different insights.” Beck writes of the transformations her son has wrought in her own life. “The immediacy and joy with which he lives his life make rapacious achievement, Harvard-style, look a lot like quiet desperation. Adam has slowed me down to the point where I notice what is in front of me, its mystery and beauty, instead of thrashing my way through a maze of difficult requirements toward labels and achievements that contain no joy in themselves.” Children with Down syndrome tend to retain what the experts call babyfaceness. These children have “a small, concave nose with a sunken bridge, smaller features, larger forehead and shorter chin, and fuller cheeks and rounder chin, resulting in a rounder face.” A recent study found that both the register in which parents speak to their DS child and the variances in pitch resembled the voice patterns parents use to speak to infants and young children.
”
”
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
“
The mightiest oak tree in Wild Acres was even larger than its two cousins that flanked the crossroads. The base spanned the ground like a giant claw, its network of visible roots gripping the earth with a ferocious intensity. Its branches spread high and wide, a desperate reach for the heavens. A low-lying cloud hovered above the treetops, within sight but not within reach. The scene reminded me of Michelangelo’s famous frescoes on the Sistine Chapel ceiling—the finger of God stretched toward Adam’s. In this moment, I understood why certain cultures believed that trees served as the bridge to both the underworlds and the heavens. I
”
”
Annabel Chase (Play Dead (Crossroads Queen, #6))
“
The Camorra's proud little labyrinthine club could have fit inside either of our potential locations multiple times. One of them was 550 square meters, the other one over 600; both were two stories, both for sale for half a million Euros each.
I knew before even opening our own club it might be stolen from us by the Camorra.
I knew I would have to be the bridge, the interpreter, to perhaps make a deal with them instead.
Meaning, without me, Adam would not be able to make a deal with the Camorra. I did not think that I would, could, or should cross Adam with the same move.
”
”
Tomas Adam Nyapi
“
The Bridges of Marin County
harbor views back east
never so panoramic
but here
driving the folds
of mt tamalpais
the whole picture smooth
blue of the bay
set like a table
for dinner guests who seat themselves
in berkeley oakland and san jose
pass around delicate dishes
of angel island ferry boats and alcatraz
i'll save a spot for you
in san francisco spread
with your favorite dishes
don't leave me
hanging in marin
dinner at eight and everyone else
on time
you said you'd bring the wine
we waited
as long as we could
the food
went cold
witnesses said
that you stood
nearly an hour
i imagine you crossing
back and forth
leaning tower to tower
finally
choosing
the southern
your wish to rest
nearer the city
than the driveway
how long had you been letting
your two selves push each other over
the edge
stuffing your pockets
with secrets and shame
weighing yourself down
with cement shoes
a gangster assuring your own
silence
i pay the toll daily
wondering
as the dark shroud
of the bay
smoothed over you
that night
who did you think
your quiet splash
was saving
were you keeping
yourself from the pleasures
you found in the city
boys in dark bars
handsome men who loved you
did they love you too
did you wrestle with vertigo
lose your sense of balance
imagine yourself icarus
dizzied by your own precarious perch
glorious ride
on flawed wings
was it so impossible to live
and love on both sides
of the bay
did you think i couldn't feel
your love
when it was there for me
your distraction
when desires
divided
history like the water
smoothes over
with half-truth
story of good job
and grieving widow
but each time i cross
this span
i wonder
about the men
with whom i share the loss
of you
invisibly
i sit unseen in
a castro cafe
wondering which men
gave you what kinds
of comfort
delight
satisfaction
these men of leather
metal tattoos
did you know them
how did you get their attention
how did they get yours
did you walk hand-in-hand
with a man who looked like you
the marlboro man double exposed
did you bury a love of bondage
dominance submission
in the bay
did you find friendship too
would you and i have found
the same men handsome
where are you
in this cafe crowd
i want to love
what you wouldn't show
me
dance with more than
a slice of truth
hold your halves together
in my arms
and rock the till i have mourned
and honored
the whole of you
was it so impossible to
cross that divide
to live
and love
on both sides
of the bay
hey
isn't that what bridges
are for
”
”
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
“
Throughout most of his life, Washington’s physical vigor had been one of his most priceless assets. A notch below six feet four and slightly above two hundred pounds, he was a full head taller than his male contemporaries. (John Adams claimed that the reason Washington was invariably selected to lead every national effort was that he was always the tallest man in the room.) A detached description of his physical features would have made him sound like an ugly, misshapen oaf: pockmarked face, decayed teeth, oversized eye sockets, massive nose, heavy in the hips, gargantuan hands and feet. But somehow, when put together and set in motion, the full package conveyed sheer majesty. As one of his biographers put it, his body did not just occupy space; it seemed to organize the space around it. He dominated a room not just with his size, but with an almost electric presence. “He has so much martial dignity in his deportment,” observed Benjamin Rush, “that there is not a king in Europe but would look like a valet de chambre by his side.”10 Not only did bullets and shrapnel seem to veer away from his body in battle, not only did he once throw a stone over the Natural Bridge in the Shenandoah Valley, which was 215 feet high, not only was he generally regarded as the finest horseman in Virginia, the rider who led the pack in most fox hunts, he also possessed for most of his life a physical constitution that seemed immune to disease or injury. Other soldiers came down with frostbite after swimming ice-choked rivers. Other statesmen fell by the wayside, lacking the stamina to handle the relentless political pressure. Washington suffered none of these ailments. Adams said that Washington had “the gift of taciturnity,” meaning he had an instinct for the eloquent silence. This same principle held true on the physical front. His medical record was eloquently empty.11
”
”
Joseph J. Ellis (Founding Brothers)
“
Uh . . . am I missing something?” Blake looked a little smug as he glanced at his watch, then the sky. “Nope, give it a couple minutes. We got here just in time.” Aaron, his sexuality, and the fact that Blake had gotten jealous over my flaming gay friend completely forgotten, I looked at the sky, then pulled out my phone to check the time. There was nothing special about the time from what I could tell. As for the sky, it was nearly dusk, and although it was beautiful I didn’t know why that was anything worth noting either. Glancing at the people and the street around us, I turned and saw the street sign and did a double take. We were on Congress Avenue. “Oh no. No, no, no, no, no!” I started backing up but ended up against Blake’s chest. His arms circled around me, effectively keeping me there. I felt his silent laughter. “I take it you know about this then. Ever seen it?” “No, and there’s a reason. I’m terrified of—” Just then, close to a million bats took flight from underneath the bridge. A small shriek escaped my lips and I clamped my hands over my mouth, like my sound would attract the bats to me. There was nothing silent about his next laugh. Blake tightened his arms around me and I leaned into him more. I’d like to say it was purely because my biggest fear was flying out around me, but I’d be lying if I said his musky cologne, strong arms, and chest had nothing to do with it either. This was something I’d wanted for years, and I almost couldn’t believe that I was finally there, in his arms. I continued to watch in utter horror and slight fascination as the stream of bats, which seemed to never end, continued to leave the shelter of the bridge and fly out into the slowly darkening sky. Minutes later, Blake leaned in and put his lips up against my ear. “Was that really so bad?” Forcing my hand from my mouth, I exhaled shakily and shook my head. “Not as bad as I’d imagined. Doesn’t change the fact that they are ugly and easily the grossest thing I’ve ever seen.” “But now you can say you’ve faced one of your fears.” “The biggest.” “See?” He let go of me and started walking again in the direction we’d come from.
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
When a decision involves lots of facts, and we have access to all the facts, we are more likely to hallucinate that we used our powers of reason to reach a decision. But when we recognize that we don’t have all the facts, we hallucinate that we used our gut feeling to bridge the gap. In both cases we acted irrationally, and we tried to rationalize it to ourselves after the fact. That’s how the Persuasion Filter sees it.
”
”
Scott Adams (Win Bigly: Persuasion in a World Where Facts Don't Matter)
“
Structurally, then, errors of love are similar to errors in general. Emotionally, however, they are in a league of their own: astounding, enduring, miserable, incomprehensible. True, certain other large-scale errors can rival or even dwarf them; we’ve gotten a taste of that in recent chapters. But relatively few of us will undergo, for example, the traumatic and total abandonment of a deeply held religious belief, or the wrongful identification of an assailant. By contrast, the vast majority of us will get our hearts seriously broken, quite possibly more than once. And when we do, we will experience not one but two kinds of wrongness about love. The first is a specific error about a specific person—the loss of faith in a relationship, whether it ended because our partner left us or because we grew disillusioned. But, as I’ve suggested, we will also find that we were wrong about love in a more general way: that we embraced an account of it that is manifestly implausible. The specific error might be the one that breaks our heart, but the general one noticeably compounds the heartache. A lover who is part of our very soul can’t be wrong for us, nor can we be wrong about her. A love that is eternal cannot end. And yet it does, and there we are—mired in a misery made all the more extreme by virtue of being unthinkable.
We can’t do much about the specific error—the one in which we turn out to be wrong about (or wronged by) someone we once deeply loved. (In fact, this is a good example of a kind of error we can’t eliminate and shouldn’t want to.) But what about the general error?
Why do we embrace a narrative of love that makes the demise of our relationships that much more shocking, humiliating, and painful? There are, after all, less romantic and more realistic narratives of love available to us: the cool biochemical one, say, where the only heroes are hormones; the implacable evolutionary one, where the communion of souls is supplanted by the transmission of genes; or just a slightly more world-weary one, where love is rewarding and worth it, but nonetheless unpredictable and possibly impermanent—Shakespeare’s wandering bark rather than his fixèd mark. Any of these would, at the very least, help brace us for the blow of love’s end.
But at what price? Let go of the romantic notion of love, and we also relinquish the protection it purports to offer us against loneliness and despair. Love can’t bridge the gap between us and the world if it is, itself, evidence of that gap—just another fallible human theory, about ourselves, about the people we love, about the intimate “us” of a relationship. Whatever the cost, then, we must think of love as wholly removed from the earthly, imperfect realm of theory-making. Like the love of Aristophanes’ conjoined couples before they angered the gods, like the love of Adam and Eve before they were exiled from the Garden of Eden, we want our own love to predate and transcend the gap between us and the world.
”
”
Kathryn Schulz (Being Wrong: Adventures in the Margin of Error)
“
Adam rio malicioso.
—Empecemos el siguiente capítulo, nena.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
—Si la tocas, me aseguraré de que pierdas cualquier sensibilidad. Permanentemente —le advirtió Adam amenazadoramente.
—Lo suscribo —gruñó Braden.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
—Lamento que tu cita haya sido un asco.
Adam se encogió de hombros.
—Lo celebraré contigo.
—¿Celebrarás?
Me miró sonriendo, complacido como un niño con algo. Esa mirada me llegó directamente al vértice de las piernas. Iba a necesitar ayuda.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
Eres realmente lo que se dice una verdadera patada en el culo —le dijo Joss por nosotros. Lo empujó al pasar
con enfado y se detuvo para añadir más
bajo—: Me alegro por vosotros —a Adam y a mí antes de desaparecer hacia su cuarto de baño.
Braden rio con suavidad.
—Realmente me ama.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
—No sabía que pudieras ser tan romántico.
Los labios de Adam se torcieron en respuesta y negó con la cabeza contra la almohada.
—No lo soy, pero reconozco que haría cualquier cosa por ti y, dado que eso ha supuesto tragarme a tu lado más comedias románticas de las que ningún hombre debería, sé que eres una romántica… Solo quiero que seas feliz.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
People are drawn across the bridge of belief by their anticipation of a better experience and a better life. Effective leaders ignite people’s imaginations by painting vivid, compelling, and personally relevant pictures—ones that move them. As John Quincy Adams made clear, “If your actions inspire others to dream more, learn more, do more and become more, you are a leader.
”
”
Tom Asacker (The Business of Belief: How the World's Best Marketers, Designers, Salespeople, Coaches, Fundraisers, Educators, Entrepreneurs and Other Leaders Get Us to Believe)
“
But surprisingly, people were significantly more likely to benefit from weak ties. Almost 28 percent heard about the job from a weak tie. Strong ties provide bonds, but weak ties serve as bridges: they provide more efficient access to new information. Our strong ties tend to travel in the same social circles and know about the same opportunities as we do. Weak ties are more likely to open up access to a different network, facilitating the discovery of original leads. Here’s the wrinkle: it’s tough to ask weak ties for help. Although they’re the faster route to new leads, we don’t always feel comfortable reaching out to them. The lack of mutual trust between acquaintances creates a psychological barrier. But givers like Adam Rifkin have discovered a loophole. It’s possible to get the best of both worlds: the trust of strong ties coupled with the novel information of weak ties. The key is reconnecting, and it’s a major reason why givers succeed in the long run. After Rifkin created the punk rock links on the Green Day site for Spencer in 1994, Excite took off, and Rifkin went back to graduate school. They lost touch for five years. When Rifkin was moving to Silicon Valley, he dug up the old e-mail chain and drafted a note to Spencer. “You may not remember me from five years ago; I’m the guy who made the change to the Green Day website,” Rifkin wrote. “I’m starting a company and moving to Silicon Valley, and I don’t know a lot of people. Would you be willing to meet with me and offer advice?” Rifkin wasn’t being a matcher. When he originally helped Spencer, he did it with no strings attached, never intending to call in a favor. But five years later, when he needed help, he reached out with a genuine request. Spencer was glad to help, and they met up for coffee. “I still pictured him as this huge guy with a Mohawk,” Rifkin says. “When I met him in person, he hardly said any words at all. He was even more introverted than I am.” By the second meeting, Spencer was introducing Rifkin to a venture capitalist. “A completely random set of events that happened in 1994 led to reengaging with him over e-mail in 1999, which led to my company getting founded in 2000,” Rifkin recalls. “Givers get lucky.
”
”
Adam M. Grant (Give and Take: Why Helping Others Drives Our Success)
“
Strong ties provide bonds, but weak ties serve as bridges: they provide more efficient access to new information. Our strong ties tend to travel in the same social circles and know about the same opportunities as we do. Weak ties are more likely to open up access to a different network, facilitating the discovery of original leads. Here’s
”
”
Adam M. Grant (Give and Take: Why Helping Others Drives Our Success)
“
Apparently, Adam had let the whole world know how he felt about anyone betraying me. He didn’t like it. And when he didn’t like it, he’d acquaint your face with his dislike.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
I like her,” Gracie said, the questions as clear as if she’d spoken them. Mitch gave the woman he’d come to think of as a sister a level-eyed stare, keeping his mouth shut. Gracie tilted her head to the side, sending her mop of blond curls flying. “How are you going to keep her?” “She lives in Chicago. I’m not keeping her.” He was temporarily borrowing her until she decided to hightail it to her real life. She gave a smug smile. “I meant keep her for now.” Mitch scrubbed a hand over his jaw, contemplating. “I’m not sure she has any other options.” “Don’t tell me you’re banking on that?” Gracie looked up to the ceiling as if exasperated by his complete stupidity. “A woman always has options, and she’ll think of plenty if you’re stupid enough to point out that she has to choose you by default.” Of course, Gracie was right. But he’d talked her into staying once; he could do it again. The question was, how? Mitch sat forward, placing his elbows on the table, his brain starting a slow, methodical spin. He took a sip of coffee and looked at Gracie. She practically danced in her chair. He rolled his eyes. “What’s on your mind?” “The way I see it,” Gracie said, not letting grass grow under her feet with any long dramatic silences, “her car’s broken down, and Tommy’s is closed today. That buys you a couple of days.” Immediately finding fault with her logic, Mitch shook his head. “Not necessarily. She has family. She could come to her senses and call them, and be gone by noon.” Just because she’d been adamant last night about not contacting them didn’t mean her justifications would hold true in the light of day. “I don’t think so.” Gracie peered behind him, looking thoughtful. “She told me she has no money.” Mitch pressed the bridge of his nose with his thumb and forefinger. The more he thought about it, the more he saw it as the most likely outcome. He’d only been able to convince her to come back to his house last night because she’d been tired, scared, and drunk. “There’s no way she’ll take any from me. What other option is there?” “One little hitch and you’re giving up?
”
”
Jennifer Dawson (Take a Chance on Me (Something New, #1))
“
He points to studies showing that expert bridge players struggled more than novices to adapt when the rules were changed, and that expert accountants were worse than novices at applying a new tax law.
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
To relax, Warren Buffett reads the philosopher Bertrand Russell and plays bridge. Buffett guards his thinking time so religiously that, according to his partner, Charlie Munger, his weekly calendar often has only a single activity on it: “Haircut.
”
”
Adam Seessel (Where the Money Is: Value Investing in the Digital Age)
“
What? I wanted her to know I had thought of the obstacles and was prepared to face them, for her.” Fitzwilliam sighed and pinched the bridge of his nose. “Darcy, can you truly be this stupid?
”
”
Elizabeth Adams (How to Fall in Love with a Man You Thought You Hated)
“
scowling at the bridge straddling the river with possessive limbs.
”
”
Kim M. Watt (What Happened in London (DI Adams #0.5))
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Ruth was taken from me that I might be free to go where he should send me. The vision of the Indians and the bridge which faded into the west, and the strange desire that was given me to follow it, show that the Lord has another work for me to do. And when I find the land of the bridge and of the wild people I saw upon it, then will I find the mission that God has given me to do. ‘Lord God of Israel, I thank Thee. Thou hast shown me the way, and I will walk in it, though all its stones be fire and its end be death.
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Andy Adams (10 Masterpieces of Western Stories)
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A series of interlocking islands and bridges, with wide white-sand beaches on the green Gulf of Mexico and placid marinas on Tampa Bay, St. Petersburg was a place of stucco and sunshine, East Coast attitude and tropical rain, cheap gas and imported food.
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Adam Skolnick (One Breath: Freediving, Death, and the Quest to Shatter Human Limits)
“
The world of Ein Sof [infinity], for example, is the first state, followed by the five worlds Adam Kadmon, Atzilut, Beria, Yetzira, and Assiya. Each of the five worlds contains five Partzufim [lit. faces], which are spiritual vessels, and each of them divides into five primary Sefirot.
”
”
Michael Laitman (A Very Narrow Bridge: The fate of the Jewish people)
“
Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy.
When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me.
If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out.
It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses.
There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky.
It’s all going on!
There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air.
I’d say Bosch was a tit man, wouldn’t you?
But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate.
And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at?
There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
the most significant consequence of Adam’s and Eve’s sin was the immediate loss of intimacy with Yahweh. To restore what was lost, God had to become our Redeemer and Savior. Although Adam and Eve created a wide separation between God and the human race, man is incapable of bridging the gap. Yahweh had to do that Himself.
”
”
Neil Snyder (His Name is Yahweh)
“
The consequences of Adam and Eve’s sin went far beyond their own banishment from the garden and the presence of God. God had appointed Adam as the federal head or legal representative of the entire human race. Consequently his fall brought guilt and depravity on all his descendants.
”
”
Jerry Bridges (The Gospel for Real Life: Turn to the Liberating Power of the Cross...Every Day)
“
practical enterprise, engineering is hugely dependent on honestly facing the hard data. If you pursue your own personal “truth,” or if you settle for a partial or parochial truth, or if you deny the truth because it’s awkward or inconvenient, your bridge falls down.
”
”
Adam Steltzner (The Right Kind of Crazy: A True Story of Teamwork, Leadership, and High-Stakes Innovation)
“
Every day Adam would come to Eden’s boundary, and every day I would sit and listen to his appeal. As furious as I was with him for all his betrayal, I didn’t want him to believe that I had abandoned him. Perhaps this desire to reach out to the other, to make amends and repair loss, to build a bridge and heal, is a part of God’s maternal being that is in all of us. Womb- love, mercy!
”
”
William Paul Young (Eve)
“
Incoming call: Adam Reynolds.
I let those words fill my vision for a moment. Not because I intend to make him wait; it’s simply that for a second I freeze. Blake’s dad is a wolf, and I feel very much like the rabbit. The last time Adam and I talked, it didn’t turn out particularly well. But right now, the CEO of Cyclone—and the man who, incidentally, still thinks I’m dating his son—is calling me.
What can I do? I hit accept.
He appears on the screen: messy pepper-gray hair and beard scruff in need of a shave. His gaze fixes on mine.
“Tina.” His voice is just a little hoarse. He clears his throat and sniffs. “Is Blake there?”
“No.”
“Good.” He frowns. “Look. Blake’s a little distant right now. Is something going on with him?”
Something is obviously going on between them, but even I can’t tell what it is, and I suspect I know about as much as anyone on the planet except these two.
I shake my head. “I’m not talking to you about Blake.”
“Yeah.” He blows out a breath. “Probably just as well that you’re loyal to him. I just…” He pauses, tapping his fingers against his cheek.
“It’s not that,” I interject. “It’s just that you’re an…” I choke back the word I’d been planning to put in that blank. Last time was bad enough. “You’re a little intense,” I finish.
For a moment, he stares at me. Then, ever so slowly, he smiles. “Don’t start holding out on me now. I’m an asshole.” My surprise must show, because he shrugs a shoulder. “I’ve never claimed otherwise.”
I suspect this is as close as Adam Reynolds will ever come to apologizing for his behavior in that restaurant.
“Blake thinks you’re not an asshole.”
“Blake,” Mr. Reynolds says with a roll of his eyes, “is a ridiculously good kid. There’s a reason I’m a little protective of him. I’m always afraid people will take advantage.”
I don’t say anything. A little protective is what he is?
Despite my silence, he sighs and waves his hand. “Good point,” he mutters in response to the thing I didn’t say. “It hasn’t happened yet, and God knows if he were as naïve as I really feared, it would have by now. Of all the women he could have had, he did choose you.”
I think this is intended as a compliment.
“Still,” his dad continues. “I worry. Is everything okay with him?”
I have the distinct impression that even though Blake has never said so, most of his problems lie with this man. Somehow. Some way.
“This is a conversation you should have with Blake.”
He puts his fingers to the bridge of his nose. “Fuck.” He doesn’t move for a few moments. And then—of all things—he sniffles. Unconvincingly.
“Mr. Reynolds, are you fake crying to try to get my sympathy?”
The hand lowers. He glowers at me—obviously dry-eyed. “Fuck me,” he says. “First, call me Adam. Mr. Reynolds makes me sound like some bullshit old fart. Second, I don’t fucking cry. I especially don’t fake cry. Emotional manipulation is for morons who don’t have the strength of will to get people on their side with reason. I have a cold.”
“Aw. Poor baby. You should get some rest.” I incline my head toward him, and then widen my eyes. “Oh, wait. I forgot. You can’t.”
He shakes his head, but he’s smiling. “Yeah, yeah. My kid has good taste. I’m fucking things up for you. I hope it won’t be too much of a disturbance.”
“You know.” I swallow. “I think Blake gave you the wrong impression about us.”
“What, that he’s into you more than you’re into him? I got that from him.”
I swallow.
“That you need to be convinced? That he’s going to end up convincing you, no matter what you’re telling yourself right now?
I let out a breath.
“Exactly.” Adam points a finger at me. “That’s what I thought. My money’s on my boy. But hey, don’t tell me what’s going on. Who needs details? Surely not his own father. I’m not invasive.”
“Right. Calling me in the middle of the night when Blake’s not around isn’t invasive at all.
”
”
Courtney Milan (Trade Me (Cyclone, #1))
“
I have much experience in the realms of amour,’ ROMS says. ‘My years in demolition and negotiation have taught me first hand about the effects of love, with my specialties being rampages, revenge bombings, and murder-suicides.’
I sit on an empty canister of laxative gas. ‘Go ahead,’ I say.
‘Here are a couple tips. First, love and firearms don’t mix. That also goes for drugs, alcohol, or artificial stimulants.’
‘Too late for that one.’
‘Next, when making decisions in matters of love, avoid ledges, bridges, rooftops, towers, and open windows.’
‘Strike two.’
‘Most important,’ and here he pauses. ‘Never, ever diss a friend over a girl.’
‘Ouch,’ I say. ‘Point taken. But those are all don’ts. I need the dos, man.’
ROMS thinks on this. He sniffs the vacant air as if for wisdom, then continues.
‘To begin with,’ he says, ‘She might be hungry. Supply her with pizza. People need food to make good decisions. Sharing food is also an ancient ritual of trust and friendship. Next, show your good faith – give her something, a gift perhaps, no strings. Then, open the lines of communication and be prepared to listen. Finally, give her space and time to make up her own mind, without any pressure. If all else fails, offer yourself in exchange.’
‘In exchange for what?’
‘Um,’ ROMS says, ‘the hostages?’
‘Hostages? There aren’t any hostages. You don’t know anything about love, do you? You don’t know the first thing.
”
”
Adam Johnson
“
I have much experience in the realms of amour,’ ROMS says. ‘My years in demolition and negotiation have taught me first hand about the effects of love, with my specialties being rampages, revenge bombings, and murder-suicides.’
I sit on an empty canister of laxative gas. ‘Go ahead,’ I say.
‘Here are a couple tips. First, love and firearms don’t mix. That also goes for drugs, alcohol, or artificial stimulants.’
‘Too late for that one.’
‘Next, when making decisions in matters of love, avoid ledges, bridges, rooftops, towers, and open windows.’
‘Strike two.’
‘Most important,’ and here he pauses. ‘Never, ever diss a friend over a girl.’
‘Ouch,’ I say. ‘Point taken. But those are all don’ts. I need the dos, man.’
ROMS thinks on this. He sniffs the vacant air as if for wisdom, then continues.
‘To begin with,’ he says, ‘She might be hungry. Supply her with pizza. People need food to make good decisions. Sharing food is also an ancient ritual of trust and friendship. Next, show your good faith – give her something, a gift perhaps, no strings. Then, open the lines of communication and be prepared to listen. Finally, give her space and time to make up her own mind, without any pressure. If all else fails, offer yourself in exchange.’
‘In exchange for what?’
‘Um,’ ROMS says, ‘the hostages?’
‘Hostages? There aren’t any hostages. You don’t know anything about love, do you? You don’t know the first thing.
”
”
Adam Johnson (Emporium)
“
the bond between our dragons that keeps me reaching in every way possible for this man. It’s my reckless heart. I’ve kept out of his bed—out of his arms—because he’s adamant I can’t fall for him, but that ship has long sailed, so what’s the point in holding back? Shouldn’t I grab hold of every moment we can have while he’s still here? I take the first step onto the narrow stone bridge and put my arms out for balance. It’s just like walking along Tairn’s spine, which I’ve done hundreds of times. Except I’m in a dress. And Tairn isn’t going to catch me if I fall. He’s going to be so pissed when he hears that I did this— “Already am.” Xaden’s head snaps in my direction. “Violence?” I take a step and then another, holding my frame upright with muscle memory I didn’t have last year, and begin to cross.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
For a long time Adam lay in the cool water. He wondered how his brother felt, wondered whether now that his passion was chilling he would feel panic or sorrow or sick conscience or nothing. These things Adam felt for him. His conscience bridged him to his brother and did his pain for him the way at other times he had done his homework.
”
”
John Steinbeck (East of Eden)
“
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But against Minas Tirith was set another fortress, greater and more strong. Thither, eastward, unwilling his eye was drawn. It passed the ruined bridges of Osgiliath, the grinning gates of Minas Morgul, and the haunted Mountains, and it looked upon Gorgoroth, the valley of terror in the Land of Mordor. Darkness lay there under the Sun. Fire glowed amid the smoke. Mount Doom was burning, and a great reek rising. Then at last his gaze was held: wall upon wall, battlement upon battlement, black, immeasurably strong, mountain of iron, gate of steel, tower of adamant, he saw it: Barad-dûr, Fortress of Sauron. All hope left him.
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J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))