Accidental Love Quotes

We've searched our database for all the quotes and captions related to Accidental Love. Here they are! All 100 of them:

There is never a time or place for true love. It happens accidentally, in a heartbeat, in a single flashing, throbbing moment.
Sarah Dessen (The Truth About Forever)
I'm beginning to think that maybe it's not just how much you love someone. Maybe what matters is who you are when you're with them.
Anne Tyler (The Accidental Tourist)
I know exactly how that is. To love somebody who doesn’t deserve it. Because they are all you have. Because any attention is better than no attention. For exactly the same reason, it is sometimes satisfying to cut yourself and bleed. On those gray days where eight in the morning looks no different from noon and nothing has happened and nothing is going to happen and you are washing a glass in the sink and it breaks-accidentally-and punctures your skin. And then there is this shocking red, the brightest thing in the day, so vibrant it buzzes, this blood of yours. That is okay sometimes because at least you know you’re alive.
Augusten Burroughs (Running with Scissors)
The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from from ordinary hypocrisy: they are deliberate exercises in doublethink
George Orwell (1984)
When you're older you'll know what people who love suffer. The agony. It's better to be cold and young than to love. It's happened to me before but never like this - so accidental - just when everything was going well.
F. Scott Fitzgerald (Tender Is the Night)
For the record, I would like to point out that it is NOT being obsessive to memorize a boy's schedule so that you can accidentally bump into him. It is called being efficient.
Jess Rothenberg (The Catastrophic History of You and Me)
That's what love is, Georgie. Accidental damage protection.
Rainbow Rowell (Landline)
She loved with so much passion as she loved with ignorance. She did not know whether it were good or evil, beneficent or dangerous, necessary or accidental, eternal or transitory, permitted or prohibited: she loved.
Victor Hugo (Les Misérables)
Our lips met hungrily, and his clever artistic hands wrapped around my hips. A sudden buzz from my regular cell phone startled me from the kissing. "Don't," said Adrian, his eyes ablaze and breathing ragged. "What if there's a crisis at school?" I asked. "What if Angeline 'accidentally' stole one of the campus buses and drove it into the library?" "Why would she do that?" "Are you saying she wouldn't?" He sighed. "Go check it.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
It is not how much you love someone, but who you are when you are with him.
Anne Tyler (The Accidental Tourist)
Oh no. I've just accidently paid a visit to the cakeshop of love. I haven't put back my Italian cakey, but I have accidentally picked up a Dave the Tart.
Louise Rennison (Dancing in My Nuddy-Pants (Confessions of Georgia Nicolson, #4))
For those of you who read the trigger warnings and said “Accidental cannibalism?! Count me in!” This one’s for you.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Are you in love with me?" I blurted out. A terrible silence followed. Rook didn't turn around. "Please say something." He rounded on me. "Is that so terrible? You say it as though it's the most awful thing you can imagine. It isn't as though I've done it on purpose. Somehow I've even grown fond of your - your irritating questions, and your short legs, and your accidental attempts to kill me." I recoiled. "That's the worst declaration of love I've ever heard!
Margaret Rogerson (An Enchantment of Ravens)
He had no idea what missing was. Missing was lying in the dampness of your tears night after night. Missing was a constant hollow spot in the center of your chest. Missing was a yawning ache that was never satisfied.
Denise Hunter (The Accidental Bride (A Big Sky Romance, #2))
You love the accidental. A smile from a pretty girl in an interesting situation, a stolen glance, that is what you are hunting for, that is a motif for your aimless fantasy. You who always pride yourself on being an observateur must, in return, put up with becoming an object of observation. Ah, you are a strange fellow, one moment a child, the next an old man; one moment you are thinking most earnestly about the most important scholarly problems, how you will devote your life to them, and the next you are a lovesick fool. But you are a long way from marriage.
Søren Kierkegaard (Either/Or: A Fragment of Life)
It was like how people find other people to be in love with, all random and accidental and lucky.
Jennifer Castle (The Beginning of After)
Supposing I know of a flower that is absolutely unique, that is nowhere to be found except on my planet, and any minute that flower could accidentally be eaten up by a little lamb, isn't that important? If a person loves a flower that is the only one of its kind on all the millions and millions of stars, then gazing at the night sky is enough to make him happy. He says to himself "My flower is out there somewhere." But if the lamb eats the flower, then suddenly it's as if all the stars had stopped shining. Isn't that important?
Antoine de Saint-Exupéry (The Little Prince)
Anyone who can rationalize love through intellect, has no idea what love is, for it is an emotion, and cannot be rationalized. For love is crazy.
L.D. Davis (Accidentally on Purpose (Accidentally on Purpose, #1))
The fight unfolded like background noise. White noise. In the foreground, even with his ghastly pale face looking dead in my hands, my fingers clenching his ragged hair, all I could see was random images of Fang, not dead. Fang telling me stupid fart jokes from the dog crate next to mine at the school, trying to make me laugh. Fang asleep at Jeb's old house, and me jumping wildly on his bed to wake him up. Him pretending to be asleep. Me laughing when I "accidentally" kicked him where it counts. Him dumping me off the bed. Fang gagging on my first attempt at cooking dinner after Jeb disappeared. Him spitting out the mac and cheese. Me dumping the rest of the bowl on him in response. Fang on the beach, that first time he was badly injured. Me realizing how I felt about him. Fang kissing me. So close I couldn't even see his dark eyes anymore. The first time. The second time. The third. I could always remember each and every one of them. Would always remember them. Fang. Not. Dead.
James Patterson (Fang (Maximum Ride, #6))
Every day I am thankful for Luke, the real love of my life, my Prince Charming, my rescuer. He saved me from my biggest enemy, myself.
L.D. Davis (Accidentally on Purpose (Accidentally on Purpose, #1))
If Cameron kidnaps you, kills you, then buries your lifeless body in a shallow grave in the desert where your remains lay decomposing for several decades until they're accidentally discovered by some guy on a journey to awaken his spirit at the Salinas Pueblo Missions, can I have your iMac?" I gaped at her. "You've really thought this out. "I love your iMac." "I love my iMac too, and you're not getting her." "But you'll be decomposing.
Darynda Jones (Death and the Girl Next Door (Darklight, #1))
Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Most people think things are not real unless they are spoken, that it's the uttering of something, not the thinking of it, that legitimizes it. I suppose this is why people always want other people to say "I love you." I think just the opposite - that thoughts are realest when thought, that expressing them distorts or dilutes them, that it is best for them to stay in the dark climate-controlled airport chapel of your mind, that if they're released into the air and light they will be affected in a way that alters them, like film accidentally exposed.
Peter Cameron (Someday This Pain Will Be Useful to You)
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
You may rely on it," he (Tommasso) said with that exotic accent. "Sorry, I don't speak Magic 8-Ball.
Mimi Jean Pamfiloff (Accidentally in Love with... a God? (Accidentally Yours #1))
One is not loved accidentally; one’s own power to love produces love - just as being interested makes one interesting. People are concerned with the question of whether they are attractive while they forget that the essence of attractiveness is their own capacity to love. To love a person productively implies to care and to feel responsible for his life, not only for his physical existence but for the growth and development of all his human powers. To love productively is incompatible with being passive, with being an onlooker at the loved person’s life; it implies labor and care and the responsibility for his growth.
Erich Fromm (Man for Himself: An Inquiry into the Psychology of Ethics)
She certainly did not hate him. No; hatred had vanished long ago, and she had almost as long been ashamed of ever feeling a dislike against him, that could be so called. The respect created by the conviction of his valuable qualities, though at first unwillingly admitted, had for some time ceased to be repugnant to her feelings; and it was now heightened into somewhat of a friendlier nature, by the testimony so highly in his favour, and bringing forward his disposition in so amiable a light, which yesterday had produced. But above all, above respect and esteem, there was a motive within her of good will which could not be overlooked. It was gratitude.--Gratitude not merely for having once loved her, but for loving her still well enough, to forgive all the petulance and acrimony of her manner in rejecting him, and all the unjust accusations accompanying her rejection. He who, she had been persuaded, would avoid her as his greatest enemy, seemed, on this accidental meeting, most eager to preserve the acquaintance, and without any indelicate display of regard, or any peculiarity of manner, where their two selves only were concerned, was soliciting the good opinion of her friends, and bent on making her known to his sister. Such a change in a man of so much pride, excited not only astonishment but gratitude--for to love, ardent love, it must be attributed; and as such its impression on her was of a sort to be encouraged, as by no means unpleasing, though it could not exactly be defined.
Jane Austen (Pride and Prejudice)
And this is it. This is the life we get here on earth. We get to give away what we receive. We get to believe in each other. We get to forgive and be forgiven. We get to love imperfectly. And we never know what effect it will have for years to come. And all of  it…all of  it is completely worth it.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
In the beginning it was always the same. But. I kept trying. Then one day I accidentally moved as the shutter clicked. A shadow appeared. The next time I saw the outline of my face, and a few weeks later my face itself. It was the opposite of disappearing.
Nicole Krauss (The History of Love)
You know that moment when you hug somebody, when your heart feels warm and high in your chest and tingly? When you feel just for a second like a baby in a womb... that nothing matters? That's how I want you to feel. That's what a girlfriend should do, I think.
Jake Vander-Ark (The Accidental Siren)
You kill strangers deliberately so you don't accidentally kill the people you love.
Chuck Palahniuk (Lullaby)
If you love her, set her free. If she comes back, she’s yours. If she doesn’t…Christ! Stubborn woman! Hunt her down, and bring her the hell back; she’s still yours according to vampire law.” - Niccolo DiConti, General of the Vampire Queen’s Army.
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
The crowd pushes him back into Henry's chest, and after absolutely everything, all the emails and texts and months on the road and secret rendezvous and nights of wanting, the whole accidentally-falling-in-love-with-your-sworn-enemy-at-the-absolute-worst-possible-time thing, they made it. Alex said they would- he promised. Henry's smiling so wide and bright that Alex thinks his heart's going to break trying to hold the size of this entire moment, the completeness of it, a thousand years of history swelling inside his rib cage.
Casey McQuiston (Red, White & Royal Blue)
The feeling of not being understood and of not understanding the world is no mere accompaniment of first passion, but its sole non-accidental cause. And the passion itself is a panic-stricken flight in which being together with the other means only a doubled solitude.
Robert Musil (The Confusions of Young Törless)
Pure love, pure friendship—these are ideals. These may exist now and then, and they are beautiful things to behold. But they are not goals. They are phenomenal and accidental.
Anaïs Nin (A Literate Passion: Letters of Anais Nin & Henry Miller, 1932-1953)
It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to life me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Life sucks. It’s all random bullshit that adds up to nothing but chaos. Serendipity: accidentally finding something wonderful while not looking for it. A few get lucky. The rest of us fight for what’s left over.
Adriana Law (Falling for a Bentley)
The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely. During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me." "If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.
Nicole Krauss (The History of Love)
That Man is the product of causes which had no prevision of the end they were achieving; that his origin, his growth, his hopes and fears, his loves and his beliefs, are but the outcome of accidental collocations of atoms; that no fire, no heroism, no intensity of thought and feeling, can preserve an individual life beyond the grave; that all the labours of the ages, all the devotion, all the inspiration, all the noonday brightness of human genius, are destined to extinction in the vast death of the solar system, and that the whole temple of Man’s achievement must inevitably be buried beneath the débris of a universe in ruins—all these things, if not quite beyond dispute, are yet so nearly certain, that no philosophy which rejects them can hope to stand. Only within the scaffolding of these truths, only on the firm foundation of unyielding despair, can the soul’s habitation henceforth be safely built.
Bertrand Russell (Mysticism and Logic including A Free Man's Worship)
There were times when I would forget her, though they were rare, and it would be for a time as though she had never existed; and then some passing girl's inadvertent gesture, or an accidental profile, or a hat like hers, would restore her, and restore the suffering too, and I would long again, somehow, to encounter or to see her.
Alfred Hayes (In Love (Modern Romance Classics))
But what bothers me is that I only accidentally noticed them. What else have I missed? How many times in my life have I been, so to speak, on the back porch, not the front porch? What would have been said to me that I failed to hear? What love might there have been that I didn't feel?
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
I do love you. I love you so much I can hardly breathe, and I don’t know how we’ll work everything out, but I want to. I’ve never wanted anything more.
Cindi Madsen (Falling for Her Fiance (Accidentally in Love, #1))
What's going on between us?" "I want you." "Do you? Really? Because these scars are sexy." "I don't give a fuck about your scars." "How are you going to react when we 're this close and you take off my shirt? Are you still going to want me when you see red and white lines? Are you going to flinch each time you accidentally touch my arms and feel the raised skin? How about when i touch you?" "Or will you forbid that? Will you tell me how to dress or what i'm allowed to take off?" "For the last time I don't give a fuck about your scars." "Liar. Because the only way anyone will ever be okay with me is if they love me. Really love me enough to not care that I’m damaged. You don't love people. You have sex with them. So how could you want to be with me?
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
We see them as they cannot, will not, see each other--we see his heart in the way he looks at her; we see her soul calling out for his every touch. It would be so easy if they could only see inside each other as we can. And yet, there is beauty in the way they find each other: slowly, in a fragile dance of sidelong glances and accidental touches. To see them come together, souls binding without knowing each other as we do, without being certain of what the other's heart holds, is to learn something new... Faith.
Amie Kaufman (Their Fractured Light (Starbound, #3))
In the end, the only real love in the world is found when you let yourself  be truly known.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
We made mad love shadow love random love and abandoned love. Accidentally like a martyr. The hurt gets worse, and the heart gets harder.
Warren Zevon (The Warren Zevon Guitar Songbook: Enjoy Every Sandwich)
As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill.
T.S. Eliot
A grin spread across her face. He'd not only come for her, he loved her enough to start a galactic war. How cool was that? Nothing says I love you like bloodshed and violence.
Eve Langlais (Accidental Abduction (Alien Abduction, #1))
A pure heart faces the worst kind of evil in this world. But as it sleeps it's blessed, and it wakes up cleansed and a little bit stronger.
Gregor Collins (The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann)
Well, I go wherever the ring takes me. Not because I’m a gold digger or anything; it’s more of a Lord of the Rings thing. This ring gives me powers. Though I’m totally going to lose it when my hair falls out and I start calling it ‘my precious.
Cindi Madsen (Falling for Her Fiance (Accidentally in Love, #1))
Maybe the key to moving on was distancing herself from Wes. Not all the way. Just a little bit. Enough to let someone else in.
Cindi Madsen (Falling for Her Fiance (Accidentally in Love, #1))
I think I know the trees Will never love me and we're here as accidentally
Bernadette Mayer (Midwinter Day)
Because we're framily. You know, I love you, you love me? Like Barney only with bad language.
Dakota Cassidy (Accidentally Dead, Again (Accidentally Paranormal #6))
Perhaps the greatest gift ever bestowed upon us by evolution is the ability to believe we are more powerful than we are . . . You walk around with the fundamental belief that the world is uncaring, that no matter how hard you work there is no promise of success, that you are competing against billions, that you are vulnerable to the elements, and that everything you ever love will eventually be destroyed. A little lie can take the edge off, can help you keep charging forward into the gauntlet of life, where you sometimes, accidentally, prevail.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Durante tantos milenios como llevan existiendo, los humanos no han comprendido en realidad qué es el amor. ¿Cuánto hay de físico y cuánto de mental en todo eso? ¿Cuándo es accidente y cuándo destino? ¿Por qué se destruyen parejas que son perfectas y funcionan otras que parecen imposibles? No conozco las respuestas mejor que ellos. El amor está simplemente donde está.
Stephenie Meyer (The Host (The Host, #1))
Look, I know you’re a guy—” “Damn straight.” “And there’s some man rule that you’ve got to be all macho—” “Rule number three, actually.” Both of her eyebrows shot up. “Would you just let me finish before I make you cry and break rule number three.
Cindi Madsen (Falling for Her Fiance (Accidentally in Love, #1))
An hour later, a nameless, cold-faced man returned with a tray of fresh pasta, warm bread, and a few bags of brand new comfort clothes: yoga pants, tees, a few sports bras, and...pink thong underwear? Well, of course. Wouldn't want to be held prisoner and have panty lines.
Mimi Jean Pamfiloff (Accidentally in Love with... a God? (Accidentally Yours #1))
You love me, but you don't want me," he said with such sadness, I burst into tears. While crying, I had the biggest orgasm of my life as Luke held me tighter than ever and rocked into me and climaxed with me. He wiped at my tears. "I didn't mean to make you cry," he said.
L.D. Davis (Accidentally on Purpose (Accidentally on Purpose, #1))
What if you ended up in the wrong kind of love? What if you accidentally ended up in the falling kind with someone it would be so gross to fall in love with that you could never tell anyone in the world about it? The kind you’d have to crush down so deep inside yourself that it almost turned your heart into a black hole? The kind you squashed deeper and deeper down, but no matter how much you hoped it would suffocate, it never did? Instead, it seemed to inflate, to grow gigantic as time went by, filling every little spare space you had until it was you. You were it. Until everything you ever saw or thought led you back to one person. The person you weren’t supposed to love that way.
Carol Rifka Brunt (Tell the Wolves I'm Home)
All things come to those who lurk. Skulking is also an option.
Alex Gabriel (Love for the Cold-Blooded, or The Part-Time Evil Minion's Guide to Accidentally Dating a Superhero)
In all fairness, darlin’, I should probably warn you that this ain’t my first rodeo.
Cindi Madsen (Falling for Her Fiance (Accidentally in Love, #1))
But in the end, black can never be white, one plus one must always equal two, and Mara Lynn was a normal little girl.
Jake Vander-Ark (The Accidental Siren)
Guys are like fish. You wave something shiny at them and then once you get your hook in, you yank real hard and reel him in.
Cindi Madsen (Act Like You Love Me (Accidentally in Love, #2))
I love you, Emmy, scars and all.
L.D. Davis (Accidentally on Purpose (Accidentally on Purpose, #1))
Cats have a sort of game they play when they meet. A player alternates between watching the strange cat and ignoring her, grooming or examining everything around herself - a dead leaf, a cloud - with complete absorption. It is almost accidental how the two cats approach, a sidelong step and then the sitting again. This often ends in a flurry of spitting and slashing claws, too fast to see clearly, and then one or the other (or both) of the cats leap out of range. The game can have one exchange or many - and is not so different from the first meetings of women.
Kij Johnson (Fudoki (Love/War/Death, #2))
How I loved the way he repeated what I myself had just repeated. It made me think of a caress, or of a gesture, which happens to be totally accidental the first time but becomes intentional the second time and more so yet the third.
André Aciman (Call Me by Your Name)
I didn't come looking for you the day you uninvitedly appeared on my doorstep How did we go from nonchalant conversation me waiting for you to turn me off with corny jokes and mind dumbing conversation to love To love and mind blowing chemistry that I've yet to make sense of What are you here to teach me?
Maquita Donyel Irvin Andrews (Stories of a Polished Pistil: Lace and Ruffles)
You are here for a reason. There is nothing accidental about you. There is a specific purpose, assignment, and mission on earth that only you can fulfill. Never doubt your specialness.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
There's something easy about the idea that vampirism is some kind of disease- then they can't help it if they attack us, that they commit murders and atrocities, that they can only control themselves sometimes. They're sick; its not their fault. And there's something even easier about the idea of demonic invasion, something forcing our loved ones to do all manner of terrible things. Still not their fault, only now we can destroy them. But the third option, the possibility that there's something monstrous inside of us that can be unleashed, is the most disturbing of all. Maybe its just us, us with a raging hunger, us with a couple of accidental murders under our belt. Humanity, with the training wheels off the bike, careening down a steep hill. Humanity, freed from the constraints of consequence and gifted with power. Humanity, grown away from all things human.
Holly Black (The Coldest Girl in Coldtown)
The sting of grace is not unlike the sting of  being loved well, because when we are loved well, it is inextricably linked to all the times we have not been loved well, all the times we ourselves have not loved others well, and all the things we’ve done or not done that feel like evidence against our worthiness.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
Every act of will is an act of self-limitation. To desire action is to desire limitation. In that sense, every act is an act of self-sacrifice. When you choose anything, you reject everything else... Every act is an irrevocable selection and exclusion. Just as when you marry one woman you give up all the others, so when you take one course of action you give up all the other courses… Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If, in you bold creative way, you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe. The moment you step into the world of facts, you step into a world of limits. You can free things from alien or accidental laws, but not from the laws of their own nature. You may, if you like, free a tiger from his bars; but do not free him from his stripes. Do not free a camel from the burden of his hump; you may be freeing him from being a camel. Do not go about as a demagogue, encouraging triangles to break out of the prison of their three sides. If a triangle breaks out of its three sides, its life comes to a lamentable end. Somebody wrote a work called “The Loves of the Triangles”; I never read it, but I am sure that if triangles ever were loved, they were loved for being triangular. This is certainly the case with all artistic creation, which is in some ways the most decisive example of pure will. The artist loves his limitations: they constitute the thing he is doing.
G.K. Chesterton (Orthodoxy)
Judge that boy if you must; for debauchery, for objectifying innocence... but before you finalize your verdict, oh innocent reader, I beg you to scan again that last stanza. What you and I overlooked in our cloud of perversion and nasty objectification was the unrestrained joy of a little girl playing dress-up for the very first time.
Jake Vander-Ark (The Accidental Siren)
Next to fat babies, midgets are my favorite things to hold. I love them so much, and I want to help them to do adult things like drive cars, Jet-Ski, and lip-synch. I’m in awe of their little limbs, their large craniums, and their medicine-ball asses. I love the little baby steps they take while shifting their weight from side to side, and the fact that when you knock one over accidentally, he flails like a turtle on its back that can’t get up right away.
Chelsea Handler
So right now, Lizzie…if you don’t want me to love you, tell me and I’ll stop. I’ll walk away and I’ll stop loving you. Push me away, if you want to. Tell me to go, and I will. But, if there is any small part of you that is okay with this, any part of you that is okay with me accidentally falling in love with you, then pull me closer.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
My spirituality is most active, not in meditation, but in the moments when: I realize God may have gotten something beautiful done through me despite the fact that I am an asshole, and when I am confronted by the mercy of the gospel so much that I cannot hate my enemies, and when I am unable to judge the sin of someone else (which, let’s be honest, I love to do) because my own crap is too much in the way, and when I have to bear witness to another human being’s suffering despite my desire to be left alone, and when I am forgiven by someone even though I don’t deserve it and my forgiver does this because he, too, is trapped by the gospel, and when traumatic things happen in the world and I have nowhere to place them or make sense of them but what I do have is a group of people who gather with me every week, people who will mourn and pray with me over the devastation of something like a school shooting, and when I end up changed by loving someone I’d never choose out of a catalog but whom God sends my way to teach me about God’s love.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
Because there is happiness only where there is coordination with the Truth, the Reality, the Act that underlies and directs all things to their essential and accidental perfections: and that is the will of God. There is only one happiness: to please Him. Only one sorrow, to be displeasing to Him, to refuse Him something, to turn away from Him, even in the slightest thing, even in thought, in a half-willed movement of appetite: in these things and these alone, is sorrow, in so far as they imply separation, or the beginning, the possibility of separation from Him Who is our life and all our joy. And since God is a Spirit, and infinitely above all matter and all creation, the only complete union possible, between ourselves and Him, is in the order of intention: a union of wills and intellects, in love, charity.
Thomas Merton (The Seven Storey Mountain)
I've never fully understood how Christianity became quite so tame and respectable, given its origins among drunkards, prostitutes, and tax collectors....Jesus could have hung out in the high-end religious scene of his day, but instead he scoffed at all that, choosing instead to laugh at the powerful, befriend whores, kiss sinners, and eat with all the wrong people. He spent his time with people for whom life was not easy. And there, amid those who were suffering, he was the embodiment of perfect love.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
Here’s my image of Ash Wednesday: If our lives were a long piece of  fabric with our baptism on one end and our funeral on another, and we don’t know the distance between the two, then Ash Wednesday is a time when that fabric is pinched in the middle and the ends are held up so that our baptism in the past and our funeral in the future meet. The water and words from our baptism plus the earth and words from our funerals have come from the past and future to meet us in the present. And in that meeting we are reminded of the promises of  God: That we are God’s, that there is no sin, no darkness, and yes, no grave that God will not come to find us in and love us back to life.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
Sometimes one feels rage and despair that one should know so little the people one loves. one is heartbroken at the impossibility of understanding them, of getting right down into their hearts . sometimes, accidentally or under the influence of some emotion, one gets a glimpse of some emotion , one gets a glimpse of those inner selves , and one despairs how ignorant one is of that inner self and how far away one is from it.
W. Somerset Maugham
I mean, in the last few months alone, I've been pinned in a big set of white-water rapids, been bitten by an angry snake in a jungle, had a close escapewith a big mountain rockfall, narrowly avoided being eaten by a huge croc in the Australian swamps, and had to cut away from my main parachute and come down on my reserve, some five thousand feet above the Arctic plateau. When did all this craziness become my world? It's as if - almost accidentally - this madness had become my life. And don't get me wrong - I love it all. The game, though, now, is to hang on to that life. Every day is the most wonderful of blessings, and a gift that I never, ever take for granted. Oh, and as for the scars, broken bones, aching limbs and sore back? I consider them just gentle reminders that life is precious - and that maybe, just maybe, I am more fragile than I dare to admit.
Bear Grylls
The day passed. People had butchered my name, teachers hadn’t known what the hell to do with me, my math teacher looked at my face and gave a five-minute speech to the class about how people who don’t love this country should just go back to where they came from and I stared at my textbook so hard it was days before I could get the quadratic equation out of my head. Not one of my classmates spoke to me, no one but the kid who accidentally assaulted my shoulder with his bio book. I wished I didn’t care.
Tahereh Mafi (A Very Large Expanse of Sea)
Here’s to the misfits and foolish ones who think differently. They’re not fond of simplicity. They live unconventionally existing at a different level of intensity. They add elasticity and flexibility to what’s inflexibly rigid, bringing warmth to the frigid systems of existence. You can hate them acidicly, discredit their credibility or even oppose them ritualistically. Look down on them cynically, say they became great accidentally, rain on them torrentially or see brilliance academically. You can look and see density or see a lovely symphony. About the only thing you can’t do is disqualify their eligibility. Because they change history. Everything in existence moves them restlessly on to destiny backed by infinity. Their spirit is immensity, they overcome resiliently and follow their hearts existentially. Though they may be misunderstood until the next century, we see their opponents’ adrenaline as only minimally convincing, simply for a time because in them there’s a tendency for the divine to visit earth coincidentally. And while others may see misfits and foolishness we see wisdom and genius because the ones crazy enough to think they can live and love limitlessly are the ones who actually do.
Curtis Tyrone Jones
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
But above all, above respect and esteem, there was a motive within her of good will which could not be overlooked. It was gratitude. -- Gratitude, not merely for having once loved her, but for loving her still well enough, to forgive all the petulance and acrimony of her manner in rejecting him, and all the unjust accusations accompanying her rejection. He who, she had been persuaded, would avoid her as his greatest enemy, seemed, on this accidental meeting, most eager to preserve the acquaintance, and without any indelicate display of regard, or any peculiarity of manner, where their two selves only were concerned, was soliciting the good opinion of her friends, and bent on making her known to his sister.
Jane Austen (Pride and Prejudice)
She had a woman’s swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body--of no interest to me at the time--was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn’t laugh; the girl filled that silly one-piece ensemble as if it were couture.
Jake Vander-Ark (The Accidental Siren)
Or, when I wasn't practicing the guitar and he wasn't listening to his headphones, still with his straw hat flat on his face, he would suddenly break the silence: 'Elio.' 'Yes?' 'What are you doing?' 'Reading.' 'No, you're not.' 'Thinking, then.' 'About?' I was dying to tell him. 'Private,' I replied. 'So you won't tell me?' 'So I won't tell you.' 'So he won't tell me,' he repeated, pensively, as if explaining to someone about me. How I loved the way he repeated what I myself had just repeated. It made me think of a caress, or of a gesture, which happens to be totally accidental the first time but becomes intentional the second time and more so yet the third.
André Aciman (Call Me by Your Name)
When you grow up the way I do, and the biggest thing in your life so far has been getting dunked in a glass tank by a man who acts like he’s mugging you but says instead he’s saving your soul, then celebrating your soul mugging at Sizzler with your parents (get the buffet by itself, not added on to a steak dinner, because the buffet already has sirloin tips), you need rules. And not their rules, not God’s rules, but mine. My own. Here’s on of Eliot’s Rules for Dating: When you first meet a girl, make sure you are accidentally conducting a chemistry experiment on your lips. OK. I didn’t say they were all good rules.
Brad Barkley (Scrambled Eggs at Midnight)
I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.” I sat bolt upright, and Akinli rolled his eyes. “I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.” I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging. As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me. I took it and positioned myself in front of him as he shook his head, grinning. “All right, we’ll take this slow. Five, six, seven, eight.” In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much. People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied. We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up. “Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master.
Kiera Cass (The Siren)
Church is messed up. I know that. People, including me, have been hurt by it. But as my United Church of  Christ pastor friend Heather says, “Church isn’t perfect. It’s practice.” Among God’s people, those who have been knocked on their asses by the grace of  God, we practice giving and receiving the undeserved. And receiving grace is basically the best shitty feeling in the world. I don’t want to need it. Preferably I could just do it all and be it all and never mess up. That may be what I would prefer, but it is never what I need. I need to be broken apart and put back into a different shape by that merging of things human and divine, which is really screwing up and receiving grace and love and forgiveness rather than receiving what I really deserve. I need the very thing that I will do everything I can to avoid needing. The sting of grace is not unlike the sting of  being loved well, because when we are loved well, it is inextricably linked to all the times we have not been loved well, all the times we ourselves have not loved others well, and all the things we’ve done or not done that feel like evidence against our worthiness.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
Our Saviour's meaning, when He said, He must be born again and become a little child that will enter in the Kingdom of Heaven is deeper far than is generally believed. It is only in a careless reliance upon Divine Providence, that we are to become little children, or in the feebleness and shortness of our anger and simplicity of our passions, but in the peace and purity of all our soul. Which purity also is a deeper thing than is commonly apprehended. For we must disrobe infant-like and clear; the powers of our soul free from the leaven of this world, and disentangled from men's conceits and customs. Grit in the eye or yellow jaundice will not let a man see those objects truly that are before it. And therefore it is requisite that we should be as very strangers to the thoughts, customs, and opinions of men in this world, as if we were but little children. So those things would appear to us only which do to children when they are first born. Ambitions, trades, luxuries, inordinate affections, casual and accidental riches invented since the fall, would be gone, and only those things appear, which did to Adam in Paradise, in the same light and in the same colours: God in His works, Glory in the light, Love in our parents, men, ourselves, and the face of Heaven: Every man naturally seeing those things, to the enjoyment of which he is naturally born.
Thomas Traherne (Centuries of Meditations)
I, um…Yes.” I gazed around the room. “Is there a closet, or—?” Her laughter finally escaped. “A closet. That’s adorable. You can just wish yourself into clothes, Little Brother.” “I…ah…” I knew she was right, but I felt so flustered I even ignored her little brother comment. It had been too long since I’d relied on my divine power. I feared I might try and fail. I might accidentally turn myself into a camel. “Oh, fine,” Artemis said. “Allow me.” A wave of her hand, and suddenly I was wearing a knee-length silver dress—the kind my sister’s followers wore—complete with thigh-laced sandals. I suspected I was also wearing a tiara. “Um. Perhaps something less Huntery?” “I think you look lovely.” Her mouth twitched at the corner. “But very well.” A flash of silver light, and I was dressed in a man’s white chiton. Come to think of it, that piece of clothing was pretty much identical to a Hunter’s gown. The sandals were the same. I seemed to be wearing a crown of laurels instead of a tiara, but those weren’t very different, either. Conventions of gender were strange. But I decided that was a mystery for another time.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
What's going on between us?" I don't know. I rubbed my hand over my face before glancing at Echo. A hint of her cleavage peeked from her shirt. Damn, she was sexy as hell. I wanted her, badly. Would one night be enough, even if she gave it to me? Echo already felt like a heavy drug. The kind I avoided on purpose—crack, heroin, meth. The ones that screwed with your mind, crept into your blood and left you powerless, helpless. If she gave her body to me, would i be able to let go or would i be sucked into that black veil, hooks embedded into my skin, sentenced to death by the emotion i reserved for my brothers-love? "I want you." "Do you? Really? Because these scars are sexy." How did she see her self? "I don't give a fuck about your scars." She stalked toward me, hips swaying side to side, eyes hardened with anger. Echo pushed her body agaist mine, parts of her fitting perfectly into parts of me. I swore under my breath, fighting for control over my body. "How are you going to react when we 're this close and you take off my shirt? Are you still going to want me when you see red and white lines? Are you going to flinch each time you accidentally touch my arms and feel the raised skin? How about when i touch you?" She pulled away from me, leaving my body cold after experiencing her warmth. "Or will you forbid that? Will you tell me how to dress or what i'm allowed to take off?" Her anger only fed mine. "For the last time I don't give a fuck about your scars." "Liar. Because the only way anyone will ever be okay with me is if they love me. Really love me enough to not care that I’m damaged. You don't love people. You have sex with them. So how could you want to be with me?" She'd summed me up perfectly. I didn't love people-only my brothers. Echo deserved more. Better than me. One shot. Take it or go home. Kiss her and risk an attachment or leave her and watch some other guy enjoy what could have been mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
The moon rose up that evening and shot her silver arrows at the house under the artu tree. The house was empty. Then the moon came across the sea and across the reef. She lit the lagoon to it's dark, dim heart. She lit the coral brains and sand spaces, and the fish casting their shadows on the sand and the coral. The keeper of the lagoon rose to greet her, and the fin of him broke her reflection on the mirror-like surface into a thousand glittering ripples. She saw the white staring ribs of the form on the reef. Then, peeping over the trees, she looked down into the valley, where the great stone idol had kept it's solitary vigil for five thousand years, perhaps, and more. At this base, in his shadow, looking as if under his protection, lay two human beings, naked, clasped in each other's arms and fast asleep. One could scarcely pity his vigil, had it been marked sometimes through the years by such an incident as this. The thing had been conducted just as the birds conduct their love affairs. An affair absolutely natural, absolutely blameless and without sin. A marriage according to Nature, without feasts or guests, consummated with accidental cynicism under the shadow of a religion a thousand years dead.
Henry de Vere Stacpoole (The Blue Lagoon)
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
I didn't have a choice." "Are you saying...What are you saying?" Is he...could he be talking about me? He runs a hand through his hair. I've never seen him this emotional before. He's always so controlled, so sure of himself. "I'm saying you're what I want, Emma. I'm saying I'm in love with you." He steps forward and lifts his hand to my cheek, blazing a line of fire with his fingertips as they trace down to my mouth. "How do you think it would make me feel to see you with Grom?" he whispers. "Like someone ripped my heart out and put it through Rachel's meat grinder, that's how. Probably worse. It would probably kill me. Emma, please don't cry." I throw my hands in the air. "Don't cry? Are you serious? Why did you come here, Galen? Did you think it would make me feel better to know that you do love me, but that it still won't work out? That I still have to mate with Grom for the greater good? Don't you tell me not to cry, Galen! I...c...c...can't h...h...help-" The waterworks soak me. Galen looks at me, hands by his side, helpless as a trapped crab. I'm bordering on hyperventilation, and pretty soon I'll start hiccupping. This is too much. His expression is so severe, it looks like he's in physical pain. "Emma," he breathes. "Emma, does this mean you feel the same way? Do you care for me at all?" I laugh, but it sounds sharper than I intended, because of a hiccup. "What does it matter how I feel, Galen? I think we pretty much covered why. No need to rehash things, right?" "It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to lift me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is, Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk." "Right," I say, but I'm shaking my head. He laughs. "I didn't come all the way to Atlantic City to make you cry." "I'm not crying." I lean into him again. He doesn't refuse my lips, but he doesn't do them justice either, planting a measly little kiss on them before stepping back.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The world is too big for love to be real. There are too many people in the world to ever know, beyond everything, that you are with the right person. That your heart is as swollen as it can be. Think of all the people in China. It is unlikely anyone will ever meet all of them. How can we know for certain, that trapped inside a foreign language and thumping in a foreign heart there isn’t a love that is meant for us. The infinite possibility of existence, its limitless potential, is the proof that we need that love is nothing more than an imagination, a human folly, friendship swollen with self-importance, a final retreat from the storm of possibility. The love of our life could so easily have been someone else. It is random and accidental, haphazard and unsystematic. That which we feel for one person, clinging on to the delusion of destiny, could so easily be felt for a million people should the timing and the meetings and the mutual readiness have coalesced at some other time in some other place. Should someone else have accepted us or rejected us then everything would have been different. And once we know this, we know that all love is a lie. Not honesty but deception. Not heroism but cowardice. An unspoken agreement of mutual consolidation and compromise, a shield from possibility and a bed in which to sleep, nothing more than that. But I do still miss her.
Daniel Kitson
Her mental list of items she’d need from her apartment was growing. There were things a girl just couldn’t live without, so Keegan would have to get them when he retrieved Muffin. “I need another purse. Can you get me my Prada knockoff? It’s in my closet on the shelf. Pink. It’s pink. I got it from a vendor in Manhattan. Jeez he was a tough negotiator, but it was worth the haggling. It’s soooo cute.” Keegan sighed, raspy and long. “Okay.” “Oh! And my nail polish. I have two new bottles in the bathroom under the sink in one of those cute organizer baskets, you know? Like the ones you get at Bed Bath and Beyond? God, I love those. Anyway, I need Retro Red and Winsome Wisteria.” Another sigh followed, and then a nod of consent. “My moisturizer. I never go anywhere, not even overnight, without my moisturizer. Not that I ever really go anywhere, but anyway I need it, or my skin will dehydrate and it could just be ugly. Top left side of my medicine cabinet.” “Er, okay.” “My shoes. I can’t be without shoes. Let’s see. I need my tennis shoes and my white sandals, because I don’t think there’s much hope for these, wouldn’t you say?” Marty looked up at him and saw impatience written all over his face. “And my laptop. I can’t check on my clients without my laptop, and they need me. Plus, there’s that no-good bitch Linda Fisher. I have to watch that she’s not stealing my accounts. Do you have all of that?” He gave her that stern look again. The one that made her insides skedaddle around even if it was meant in reproach. “I’m going too far, huh?” His smile was crooked. “Just a smidge.
Dakota Cassidy (The Accidental Werewolf (Accidentally Paranormal #1))
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))