Absurd Inspirational Quotes

Only those who attempt the absurd can achieve the impossible.

Only he who attempts the absurd is capable of achieving the impossible.

I understood what he was doing, that he had spent four years fulfilling the absurd and tedious duty of graduating from college and now he was emancipated from that world of abstraction, false security, parents, and material excess.

In order to attain the impossible, one must attempt the absurd.

I live in two worlds. One is a world of books. I've been a resident of Faulkner's Yoknapatawpha County, hunted the white whale aboard the Pequod, fought alongside Napoleon, sailed a raft with Huck and Jim, committed absurdities with Ignatius J. Reilly, rode a sad train with Anna Karenina and strolled down Swann's Way. It's a rewarding world, but my second one is by far superior. My second one is populated with characters slightly less eccentric, but supremely real, made of flesh and bone, full of love, who are my ultimate inspiration for everything.

I am unable to believe in a God susceptible to prayer. I simply haven't the nerve to imagine a being, a force, a cause which keeps the planets revolving in their orbits, and then suddenly stops in order to give me a bicycle with three speeds.

Even if it's absurd to think you can change things, it's even more absurd to believe that it is foolish and unimportant to try.

A man must be prepared not only to be a martyr, but to be a fool. It is absurd to say that a man is ready to toil and die for his convictions if he is not even ready to wear a wreathe around his head for them.

It is absurd to hold that a man should be ashamed of an inability to defend himself with his limbs, but not ashamed of an inability to defend himself with speech and reason; for the use of rational speech is more distinctive of a human being than the use of his limbs.

When you know to laugh and when to look upon things as too absurd to take seriously, the other person is ashamed to carry through even if he was serious about it.

I am an absurd idealist. But I believe that all that must come true. For, unless it comes true, the world will be laid desolate. And I believe that it can come true. I believe that, by the grace of God, men will awake presently and be men again, and colour and laughter and splendid living will return to a grey civilisation. But that will only come true because a few men will believe in it, and fight for it, and fight in its name against everything that sneers and snarls at that ideal.

Any confrontation between weak, flabby flesh and death seemed to me absurdly inappropriate

Manners without sincerity, is called polite society

It is the great business of every Christian to save souls. People complain that they do not know how to take hold of this matter. Why, the reason is plain enough; they have never studied it. They have never taken the proper pains to qualify themselves for the work. If you do not make it a matter of study, how you may successfully act in building up the kingdom of Christ, you are acting a very wicked and absurd part as a Christian.

The executioner's argument was that you couldn't cut of something's head unless there was a trunk to sever it from. He'd never done anything like that in his time of life, and wasn't going to start now. The King's argument was that anything that had a head, could be beheaded, and you weren't to talk nonsense. The Queen's argument was that if something wasn't done about it in less than no time, she'd have everyone beheaded all round. It was this last argument that had everyone looking so nervous and uncomfortable.

{T}here is a point at which even grief feels absurd. And at this point, laughter gushes up to retrieve sanity.

Unless suffering is the direct and immediate object of life, our existence must entirely fail of its aim. It is absurd to look upon the enormous amount of pain that abounds everywhere in the world, and originates in needs and necessities inseparable from life itself, as serving no purpose at all and the result of mere chance. Each separate misfortune, as it comes, seems, no doubt, to be something exceptional; but misfortune in general is the rule. I know of no greater absurdity than that propounded by most systems of philosophy in declaring evil to be negative in its character. Evil is just what is positive; it makes its own existence felt.

Si tu aimes quelqu'un qui t'aime, ne démolis jamais ses rêves. Le plus grand, le plus absurde de ses rêves, c'est toi.

But what about gender and sexual orientation? And culture? And language? We could keep using demographics to try to narrow things down further, but we would be drifting away from the idea of a random soulmate. In our scenario, you wouldn’t know anything about who your soulmate was until you looked into their eyes. Everybody would have only one orientation: towards their soulmate.

If... if I didn't try to get my life moving on my own account, I should think it just absurd to go on living.' A look of smiling obstinacy had come into Marcelle's face. 'Yes, yes - it's your vice.' 'It's not a vice. It's how I'm made.' 'Why aren't other people made like that, if it isn't a vice?' 'They are, only they don't know it.

The demand for equal rights in every vocation of life is just and fair; but, after all, the most vital right is the right to love and to be loved. Indeed, if partial emancipation is to become a complete and true emancipation of woman, it will have to do away with the ridiculous notion that to be loved, to be sweetheart and mother, is synonymous with being slave or subordinate. It will have to do away with the absurd notion of the dualism of the sexes, or that man and woman represent two antagonistic worlds.

Above all, enjoy one another's company. We never know when we'll be able to tell someone "I love you" again - say it often.

Revenge is a dish best served in something microwaveable

When we retire at night, we constructively review our day. Were we resentful, selfish, dishonest or afraid? Do we owe an apology? Have we kept something to ourselves which should be discussed with another person at once? Were we kind and loving toward all? What could we have done better? Were we thinking of ourselves most of the time? Or were we thinking of what we could do for others, of what we could pack into the stream of life? But we must be careful not to drift into worry, remorse or morbid reflection, for that would diminish our usefulness to others. After making our review we ask God’s forgiveness and inquire what corrective measures should be taken. On awakening let us think about the twenty-four hours ahead. We consider our plans for the day. Before we begin, we ask God to direct our thinking, especially asking that it be divorced from self-pity, dishonest or self-seeking motives. Under these conditions we can employ our mental faculties with assurance, for after all God gave us brains to use. Our thought-life will be placed on a much higher plane when our thinking is cleared of wrong motives. In thinking about our day we may face indecision. We may not be able to determine which course to take. Here we ask God for inspiration, an intuitive thought or a decision. We relax and take it easy. We don’t struggle. We are often surprised how the right answers come after we have tried this for a while. What used to be the hunch or the occasional inspiration gradually becomes a working part of the mind. Being still inexperienced and having just made conscious contact with God, it is not probable that we are going to be inspired at all times. We might pay for this presumption in all sorts of absurd actions and ideas. Nevertheless, we find that our thinking will, as time passes, be more and more on the plane of inspiration. We come to rely upon it. We usually conclude the period of meditation with a prayer that we be shown all through the day what our next step is to be, that we be given whatever we need to take care of such problems. We ask especially for freedom from self-will, and are careful to make no request for ourselves only. We may ask for ourselves, however, if others will be helped. We are careful never to pray for our own selfish ends. Many of us have wasted a lot of time doing that and it doesn’t work. You can easily see why.

People have some really crazy ideas about love, friends and relationships. They have the absurd belief that their friends, children, family, lovers and companions can make them happy.

This century will be called Darwin's century. He was one of the greatest men who ever touched this globe. He has explained more of the phenomena of life than all of the religious teachers. Write the name of Charles Darwin on the one hand and the name of every theologian who ever lived on the other, and from that name has come more light to the world than from all of those. His doctrine of evolution, his doctrine of the survival of the fittest, his doctrine of the origin of species, has removed in every thinking mind the last vestige of orthodox Christianity. He has not only stated, but he has demonstrated, that the inspired writer knew nothing of this world, nothing of the origin of man, nothing of geology, nothing of astronomy, nothing of nature; that the Bible is a book written by ignorance--at the instigation of fear. Think of the men who replied to him. Only a few years ago there was no person too ignorant to successfully answer Charles Darwin, and the more ignorant he was the more cheerfully he undertook the task. He was held up to the ridicule, the scorn and contempt of the Christian world, and yet when he died, England was proud to put his dust with that of her noblest and her grandest. Charles Darwin conquered the intellectual world, and his doctrines are now accepted facts. His light has broken in on some of the clergy, and the greatest man who to-day occupies the pulpit of one of the orthodox churches, Henry Ward Beecher, is a believer in the theories of Charles Darwin--a man of more genius than all the clergy of that entire church put together. ...The church teaches that man was created perfect, and that for six thousand years he has degenerated. Darwin demonstrated the falsity of this dogma. He shows that man has for thousands of ages steadily advanced; that the Garden of Eden is an ignorant myth; that the doctrine of original sin has no foundation in fact; that the atonement is an absurdity; that the serpent did not tempt, and that man did not 'fall.' Charles Darwin destroyed the foundation of orthodox Christianity. There is nothing left but faith in what we know could not and did not happen. Religion and science are enemies. One is a superstition; the other is a fact. One rests upon the false, the other upon the true. One is the result of fear and faith, the other of investigation and reason.

For the Bible, despite all its contradictions and absurdities, its barbarisms and obscenities, remains grand and gaudy stuff, and so it deserves careful study and enlightened exposition. It is not only lovely in phrase; it is also rich in ideas, many of them far from foolish. One somehow gathers the notion that it was written from end to end by honest men—inspired, perhaps, but nevertheless honest. When they had anything to say they said it plainly, whether it was counsel that enemies be slain or counsel that enemies be kissed. They knew how to tell a story, and how to sing a song, and how to swathe a dubious argument in specious and disarming words.

The universe may forget us, but our light will brighten the darkness for eons after we’ve departed this world. The universe may forget us, but it can’t forget us until we’re gone, and we’re still here, our futures still unwritten. We can choose to sit on our asses and wait for the end, or we can live right now. We can march to the edge of the void and scream in defiance. Yell out for all to hear that we do matter. That we are still here, living our absurd, bullshit lives, and nothing can take that away from us. Not rogue comets, not black holes, not the heat death of the universe. We may not get to choose how we die, but we can choose how we live. The universe may forget us, but it doesn’t matter. Because we are the ants, and we’ll keep marching on.

Only absurdities need to be defended. Truth speaks for itself. 

When you look at it that way, you can see how absurd it is that we individualize ourselves with our fences and hoarded possessions.

Equally arresting are British pub names. Other people are content to dub their drinking establishment with pedestrian names like Harry’s Bar and the Greenwood Lounge. But a Briton, when he wants to sup ale, must find his way to the Dog and Duck, the Goose and Firkin, the Flying Spoon, or the Spotted Dog. The names of Britain’s 70,000 or so pubs cover a broad range, running from the inspired to the improbable, from the deft to the daft. Almost any name will do so long as it is at least faintly absurd, unconnected with the name of the owner, and entirely lacking in any suggestion of drinking, conversing, and enjoying oneself. At a minimum the name should puzzle foreigners-this is a basic requirement of most British institutions-and ideally it should excite long and inconclusive debate, defy all logical explanation, and evoke images that border on the surreal.

So long as authority inspires awe, confusion and absurdity enhance conservative tendencies in society. Firstly, because clear and logical thinking leads to a cumulation of knowledge (of which the progress of the natural sciences provides the best example) and the advance of knowledge sooner or later undermines the traditional order. Confused thinking, on the other hand, leads nowhere in particular and can be indulged indefinitely without producing any impact upon the world.

Don't be so hard on yourself....that's what a loofah's for

When you aim low, its easy to achieve your dreams.

In order to butterfly kiss, does it require caterpillar lips?

Only a hundred years ago the idea that an order might arise without a personal Author appeared so nonsensical to you that it inspired seemingly absurd jokes, like the one about the pack of monkeys hammering away at typewriters until the Encyclopedia Britannica emerged. I recommend that you devote some of your free time to compiling an anthology of just such jokes, which amused your forebears as pure nonsense but now turn out to be parables of Nature.

I tend the mobile now like an injured bird We text, text, text our significant words. I re-read your first, your second, your third, look for your small xx, feeling absurd. The codes we send arrive with a broken chord. I try to picture your hands, their image is blurred. Nothing my thumbs press will ever be heard. "Text

People ask me, 'Who is your hero?' My answer, my true answer, is that I am my hero, the me I aspire to be, the very best at everything I put my hand to, treating people with dignity and respect because it's the right thing to do, surmounting obstacles with justice and empathy and compassion. I don't need anyone else to live my life for me, to mold me, to tell me what is or isn't possible. I don't need a path to follow. I create my own path. I live up to my own dreams. I demand greatness of mind, body, and spirit, not someone else's, but my own. I am my own hero. Are you yours?

The presence of danger inspires a sensible man with genius, raising him, so to speak, above himself. In the case of the man of imagination, it inspires him with romances, which may indeed be bold, but which are frequently absurd.

I began to understand that the most worthwhile obsession is an obsession that is actually independent of the object of fixation. The object is only borrowed as a pretext, a means, an environment, through which or in which the obsessed person can project his own eternal and essential hunger, thus fulfilling the requirements of death--the dissolution of the ego for something, anything, that exists independently outside of one's self. Perhaps that obsession should be controlled. At some point the most mundane catalyst, a skirt or fallen leaf, is enough to provoke a series of captivating chain reactions, while at another time much more important objects will inspire only an absurd indifference.

We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.

Some who have read the book, or at any rate reviewed it, have found it boring, absurd, or contemptible; and I have no reason to complain, since I have similar opinions of their work, or of the kinds of writing that they evidently prefer.

You'll never know what psychopathic heights you're capable of, just lying there on the sofa

To “seek inspiration” has always seemed to me a ridiculous and absurd fancy: inspiration cannot be sought out; it must find the poet. For

He was absurd to the point of inspiration.

The word made Victor laugh. Not just because it was absurd, but because it posed a question. If Eli really was a hero, and Victor meant to stop him, did that make him a villain?

Love is just the chocolate-coated realization you're going to spend the rest of your life with a person and unfortunately it melts in your mouth

A boy has never wept, nor dashed a thousand kim

To be alive means full body contact with the absurd. Still, we can be happy. Even poor old Sisyphus could figure that much out. And that’s saying something. You might say that God is an absurd concept but faith in God’s goodness. . .I find joy in that. I find it inspiring.

For many years I have regarded the Pentateuch simply as a record of a barbarous people, in which are found a great number of the ceremonies of savagery, many absurd and unjust laws, and thousands of ideas inconsistent with known and demonstrated facts. To me it seemed almost a crime to teach that this record was written by inspired men; that slavery, polygamy, wars of conquest and extermination were right, and that there was a time when men could win the approbation of infinite Intelligence, Justice, and Mercy, by violating maidens and by butchering babes.

Winston Churchill, today an idealized hero of history, was in his time variously considered a bombastic blunderer, an unstable politician, an intermittently inspired orator, a reckless self-dramatizer, a voluminous able writer in an old-fashioned vein, and a warmongering drunkard. Through most of his long life he cut an antic, brilliant, occasionally absurd figure in British affairs. He never won the trust of the people until 1940, when he was sixty-six years old, and

The doctrine that future happiness depends upon belief is monstrous. It is the infamy of infamies. The notion that faith in Christ is to be rewarded by an eternity of bliss, while a dependence upon reason, observation and experience merits everlasting pain, is too absurd for refutation, and can be relieved only by that unhappy mixture of insanity and ignorance, called "faith." What man, who ever thinks, can believe that blood can appease God? And yet, our entire system of religion is based upon that belief. The Jews pacified Jehovah with the blood of animals, and according to the Christian system, the blood of Jesus softened the heart of God a little, and rendered possible the salvation of a fortunate few. It is hard to conceive how the human mind can give assent to such terrible ideas, or how any sane man can read the Bible and still believe in the doctrine of inspiration.

Liberty of imagination should be the most precious possession of a novelist. To try voluntarily to discover the fettering dogmas of its own inspiration, is a trick worthy of humna perverseness which, after inventing an absurdity, endeavours to find for it a pedigree of distinguished ancestors...

Sometimes the reality of life is so clear and innocent that you want to slap yourself as hard as you can. Because how many tons of absurd and complex definitions you had been carrying all along about it.

On awakening let us think about the twenty-four hours ahead. We consider our plans for the day. Before we begin, we ask God to direct our thinking, especially asking that it be divorced from self-pity, dishonest or self-seeking motives. Under these conditions we can employ our mental faculties with assurance, for after all God gave us brains to use. Our thought-life will be placed on a much higher plane when our thinking is cleared of wrong motives. In thinking about our day we may face indecision. We may not be able to determine which course to take. Here we ask God for inspiration, an intuitive thought or a decision. We relax and take it easy. We don’t struggle. We are often surprised how the right answers come after we have tried this for a while. What used to be the hunch or the occasional inspiration gradually becomes a working part of the mind. Being still inexperienced and having just made conscious contact with God, it is not probable that we are going to be inspired at all times. We might pay for this presumption in all sorts of absurd actions and ideas. Nevertheless, we find that our thinking will, as time passes, be more and more on the plane of inspiration. We come to rely upon it. We usually conclude the period of meditation with a prayer that we be shown all through the day what our next step is to be, that we be given whatever we need to take care of such problems. We ask especially for freedom from self-will, and are careful to make no request for ourselves only. We may ask for ourselves, however, if others will be helped. We are careful never to pray for our own selfish ends. Many of us have wasted a lot of time doing that and it doesn’t work. You can easily see why.

Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.

Many more villagers, who have seen an elephant for the first time in their lives, give absurd exaggerations regarding his size, weight, and height. One of them describes him as ‘a fundament!’. Another, elaborating, alludes to the term ‘firmament,’ because of the elephant’s hugeness. He felt as though the sky was obliterated from his vision. The last to be interviewed by the local TV station swears that he sensed the world lean forward as the elephant came closer and tilt backwards as the beast walked away. This large mammal ambles purposefully. He pays no heed to the crowded silence following him in stealthy consciousness. One of the villagers, a woman often suspected of dabbling in witchcraft, talks of her inspired theory: that this was no elephant, more like a human on a holy mission of avenging justice. Two other witnesses, neither having had any contact with the woman, speak in substantiation of the woman’s claims, giving as evidence the observation that the elephant turned around when someone said something in Somali. Several villagers will not comment, afraid of a fitting retribution should they do so.

Absurdly, irrationally, she believed that music could make a difference to the temper of the world.She did not investigate this belief, test it to see whether it made sense;she simply believed it, and so she chose music that expressed order and healing:Bach for order, Mozart for healing.

I believe firmly... that science can never contradict true religion, and that if they seem at variance, then that is due to our faulty understanding of one or the other. God gave us the Bible and he gave us nature to show his creation; it is absurd to think he might contradict himself. It is man who fails.

A man is not saved by the truth of the things he believes, but by the truth of his belief- its sincerity, its harmony with his character. The absurdities of the popular religions do not matter; what matters is the lukewarm belief, the empty forms, the shallow conceptions of life and duty. We are prone to think that if the creed is false, the religion is false. Religion is an emotion, an inspiration, a feeling of the Infinite, and may have its root in any creed or no creed... Any creed that ennobles character and opens a door or window upon the deeper meanings of this marvelous universe is good enough to live by, and good enough to die by.

I maintain that what is taken for a naturally inspired horror of death is merely the fruit of the absurd fears which we, starting in childhood, develop regarding this total annihilation, fears initiated by the religious notions our elders stupidly cram into our young heads. Once cured of these fears and reassured concerning our fate, not only do we cease to behold death with alarm and repugnance, but it becomes easy to prove that death is in reality nothing more nor less than a voluptuous pleasure.

Stories of absurd events in life get my creative juices flowing and have so far given birth to some of my best ideas.

sempurna itu absurd. mengejar kesempurnaan sama aja mengejar sesuatu yang gak ada.

If any morality or ethics does not include kindness as their fundamental ingredient, then they are just an absurdity.

The only thing, the sole thing I am proud of , is book reading; rest is just absurd paraphrasing.

The existential hero strives for authenticity even when it is costly, lives meaningfully in the midst of a banal, absurd world, and confronts rather than rejecting reality regardless of the personal cost.

Nature had once produced an Englishman whose domed head had been a hive of words; a man who had only to breathe on any particle of his stupendous vocabulary to have that particle live and expand and throw out tremulous tentacles until it became a complex image with a pulsing brain and correlated limbs. Three centuries later, another man, in another country, was trying to render these rhythms and metaphors in a different tongue. This process entailed a prodigious amount of labour, for the necessity of which no real reason could be given. It was as if someone, having seen a certain oak tree (further called Individual T) growing in a certain land and casting its own unique shadow on the green and brown ground, had proceeded to erect in his garden a prodigiously intricate piece of machinery which in itself was as unlike that or any other tree as the translator's inspiration and language were unlike those of the original author, but which, by means of ingenious combination of parts, light effects, breeze-engendering engines, would, when completed, cast a shadow exactly similar to that of Individual T - the same outline, changing in the same manner, with the same double and single spots of sun rippling in the same position, at the same hour of the day. From a practical point of view, such a waste of time and material (those headaches, those midnight triumphs that turn out to be disasters in the sober light of morning!) was almost criminally absurd, since the greatest masterpiece of imitation presupposed a voluntary limitation of thought, in submission to another man's genius.

I have it so good. So absurdly, improbably good. I didn't do anything to deserve it, but I have it. I'm healthy. I've never gone hungry. And yes, to answer your question, I'm- I'm loved. I lived in a beautiful place, did meaningful work. The world we made out there, Mosscap, it's- it's nothing like what your originals left. It's a good world, a beautiful world. It's not perfect, but we've fixed it so much. We made a good place, struck a good balance. And yet every fucking day in the City, I woke up hollow, and... and just... tired, y'know? So, I did something else instead. I packed up everything, and I learned a brand-new thing from scratch, and gods, I worked hard for it. I worked really hard. I thought, if I can just do that, if I can do it well, I'll feel okay. And guess what? I do do it well. I'm good at what I do. I make people happy. I make people feel better. And yet I still wake up tired, like... like something's missing. I tried talking to friends, and family, and nobody got it, so I stopped bringing it up, and then I stopped talking to them altogether, because I couldn't explain, and I was tired of pretending like everything was fine. I went to doctors, to make sure I wasn't sick and that my head was okay. I read books and monastic texts and everything I could find. I threw myself into my work, I went to all the places that used to inspire me, I listened to music and looked at art, I exercised and had sex and got plenty of sleep and ate my vegetables, and still. Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?

The Age Of Reason 1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’ 2. “ I’m not so much interested in myself as all that’ he said simply. ‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’ 3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’ 4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’ 5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’ 6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’ ‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’ ‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’ 7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’ 8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’ 9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.

Wherever the poetry of myth is interpreted as biography, history, or science, it is killed. The living images become only remote facts of a distant time or sky. Furthermore, it is never difficult to demonstrate that as science and history mythology is absurd. When a civilization begins to reinterpret its mythology in this way, the life goes out of it, temples become museums, and the link between the two perspectives is dissolved. Such a blight has certainly descended on the Bible and on a great part of the Christian cult. To bring the images back to life, one has to seek, not interesting applications to modern affairs, but illuminating hints from the inspired past. When these are found, vast areas of half-dead iconography disclose again their permanently human meaning.

And I offer you this book because I know it is beautiful and useless. It teaches nothing, inspires no faith, and stirs no feeling. A mere stream that flows towards an abyss, wind-scattered ashes that neither help nor harm the soil..... I put my whole soul into making it, but without thinking about it as I made it, for I thought only of me, who am sad, and of you, who aren’t anyone. And because this book is absurd, I love it; because it is useless, I want to give it away; and because wanting to give it to you serves no purpose, I give it to you …

There is really no nice way to put it; the average Christian is intellectually lazy and embarrassingly ignorant. The vast majority have never read a single book on Church History, Textual Criticism, Theology, Biology, Psychology, biblical languages, or other religions. Their beliefs are a nice little get-out-of-hell-free card that makes them feel good about death and suffering in this life, and they simple do not care to examine it at any greater depth. They go to church to sing songs, hear an inspiring message, and talk to their friends. That’s about it.

The names of Britain’s 70,000 or so pubs cover a broad range, running from the inspired to the improbable, from the deft to the daft. Almost any name will do so long as it is at least faintly absurd, unconnected with the name of the owner, and entirely lacking in any suggestion of drinking, conversing, and enjoying oneself. At a minimum the name should puzzle foreigners—this is a basic requirement of most British institutions—and ideally it should excite long and inconclusive debate, defy all logical explanation, and evoke images that border on the surreal. Among

Thus it is brought prominently before us, that superstition’s chief victims are those persons who greedily covet temporal advantages; they it is, who (especially when they are in danger, and cannot help themselves) are wont with prayers and womanish tears to implore help from God: upbraiding Reason as blind, because she cannot show a sure path to the shadows they pursue, and rejecting human wisdom as vain; but believing the phantoms of imagination, dreams, and other childish absurdities, to be the very oracles of Heaven. As though God had turned away from the wise, and written His decrees, not in the mind of man but in the entrails of beasts, or left them to be proclaimed by the inspiration and instinct of fools, madmen, and birds. Such is the unreason to which terror can drive mankind! Superstition, then, is engendered, preserved, and fostered by fear.

On awakening let us think about the twenty-four hours ahead. We consider our plans for the day. Before we begin, we ask God to direct our thinking, especially asking that it be divorced from self-pity, dishonest or self-seeking motives. Under these conditions we can employ our mental faculties with assurance, for after all God gave us brains to use. Our thought-life will be placed on a much higher plane when our thinking is cleared of wrong motives. In thinking about our day we may face indecision. We may not be able to determine which course to take. Here we ask God for inspiration, an intuitive thought or a decision. We relax and take it easy. We don’t struggle. We are often surprised how the right answers come after we have tried this for a while. What used to be the hunch or the occasional inspiration gradually becomes a working part of the mind. Being still inexperienced and having just made conscious contact with God, it is not probable that we are going to be inspired at all times. We might pay for this presumption in all sorts of absurd actions and ideas. Nevertheless, we find that our thinking will, as time passes, be more and more on the plane of inspiration. We come to rely upon it. We usually conclude the period of meditation with a prayer that we be shown all through the day what our next step is to be, that we be given whatever we need to take care of such problems. We ask especially for freedom from self-will, and are careful to make no request for ourselves only. We may ask for ourselves, however, if others will be helped. We are careful never to pray for our own selfish ends.

It is absurd to think that the scientific views of a Muslim scientist are necessarily connected with his religious belief, or that he necessarily derives inspiration for his scientific work from faith. This was as true a thousand years ago as it is now. Alchemy provides an excellent example. Developed extensively by Jabir Ibn Hayyan and AI-Razi, and based on certain myths going back to Arius and Pythagoras, it was one of the most important Muslim contributions. Of course, today everyone knows that alchemy was scientific nonsense: there cannot be anything like the Philosopher's Stone, and the transformation of base metals like copper or tin into silver or gold by chemical means is an impossibility

It sounds strange, somewhat on the line between irony and absurdity, to think that people would rather label and judge something as significant as each other but completely bypass a peanut. I think this is one of the most important realizations I've ever had. World Peace is only a dream because people won't allow themselves and others around them to simply be peanuts.

They that see how they can rise beyond the horizon never exert their total energy on things that are breathtaking on the ground! They think, they act and they see what we all see differently. Though their bodies live on the ground, their mind, spirit and energy journey purposefully towards higher heights each moment of time. They understand doing the small things that can result in great things and they reason from the ignorance, absurdity and the heralds of ordinariness of the masses. They know and understand the real reasons why they must dare, relax and ponder in patience, and also take steps with fortitude and tenacity for a noble accomplishment so as to leave great, distinctive and indelible footprints regardless of the hurdles they might face.

It seems a bad thing and detrimental to the creative work of the mind if Reason makes to close an examination of the ideas as they come pouring in -at the very gateway, as it were. Looked at in isolation, a thought may seem very trivial or very fantastic; but it may be made important by another thought that comes after it, and in conjunction with other thoughts that may seem equally absurd, it may serve to form a most effective link. Reason cannot form any opinion on all this unless it retains the thought long enough to look at it in connection with the others. On the other hand, where there is a creative mind, Reason -so it seems to me- relaxes its watch upon the gates, and the ideas rush in pell-mell, and only then does it look them through and examine them in a mass.

In confronting the theoretical falsity and absurdity of that [Social Democrat] doctrine with the reality of the phenomenon, I gradually acquired a clear picture of its aims... At such times, I was overcome by dark forebodings and fear of something evil. I saw before me a teaching inspired by egoism and hatred, mathematically calculated to win a victory-but the triumph of which would be a mortal blow to humanity.

Of course the theologians fought the facts found by the geologists, the scientists, and sought to sustain the sacred Scriptures. They mistook the bones of the mastodon for those of human beings, and by them proudly proved that "there were giants in those days." They accounted for the fossils by saying that God had made them to try our faith, or that the Devil had imitated the works of the Creator. They answered the geologists by saying that the "days" in Genesis were long periods of time, and that after all the flood might have been local. They told the astronomers that the sun and moon were not actually, but only apparently, stopped. And that the appearance was produced by the reflection and refraction of light. They excused the slavery and polygamy, the robbery and murder upheld in the Old Testament by saying that the people were so degraded that Jehovah was compelled to pander to their ignorance and prejudice. In every way the clergy sought to evade the facts, to dodge the truth, to preserve the creed. At first they flatly denied the facts -- then they belittled them -- then they harmonized them -- then they denied that they had denied them. Then they changed the meaning of the "inspired" book to fit the facts. At first they said that if the facts, as claimed, were true, the Bible was false and Christianity itself a superstition. Afterward they said the facts, as claimed, were true and that they established beyond all doubt the inspiration of the Bible and the divine origin of orthodox religion. Anything they could not dodge, they swallowed and anything they could not swallow, they dodged. I gave up the Old Testament on account of its mistakes, its absurdities, its ignorance and its cruelty. I gave up the New because it vouched for the truth of the Old. I gave it up on account of its miracles, its contradictions, because Christ and his disciples believe in the existence of devils -- talked and made bargains with them. expelled them from people and animals. This, of itself, is enough. We know, if we know anything, that devils do not exist -- that Christ never cast them out, and that if he pretended to, he was either ignorant, dishonest or insane.

The lawbreaking itch is not always an anarchic one. In the first place, the human personality has (or ought to have) a natural resistance to coercion. We don't like to be pushed and shoved, even if it's in a direction we might choose to go. In the second place, the human personality has (or ought to have) a natural sense of the preposterous. Thus, just behind my apartment building in Washington there is an official sign saying, Drug-Free Zone. I think this comic inscription may be done because it's close to a schoolyard. And a few years back, one of our suburbs announced by a municipal ordinance that it was a "nuclear-free zone." I don't wish to break the first law, though if I did wish to do so it would take me, or any other local resident, no more than one phone call and a ten-minute wait. I did, at least for a while, pine to break the "nuclear-free" regulation, on grounds of absurdity alone, but eventually decided that it would be too much trouble.

I did say that to deny the existence of evil spirits, or to deny the existence of the devil, is to deny the truth of the New Testament; and that to deny the existence of these imps of darkness is to contradict the words of Jesus Christ. I did say that if we give up the belief in devils we must give up the inspiration of the Old and New Testaments, and we must give up the divinity of Christ. Upon that declaration I stand, because if devils do not exist, then Jesus Christ was mistaken, or we have not in the New Testament a true account of what he said and of what he pretended to do. If the New Testament gives a true account of his words and pretended actions, then he did claim to cast out devils. That was his principal business. That was his certificate of divinity, casting out devils. That authenticated his mission and proved that he was superior to the hosts of darkness. Now, take the devil out of the New Testament, and you also take the veracity of Christ; with that veracity you take the divinity; with that divinity you take the atonement, and when you take the atonement, the great fabric known as Christianity becomes a shapeless ruin. The Christians now claim that Jesus was God. If he was God, of course the devil knew that fact, and yet, according to this account, the devil took the omnipotent God and placed him upon a pinnacle of the temple, and endeavored to induce him to dash himself against the earth… Think of it! The devil – the prince of sharpers – the king of cunning – the master of finesse, trying to bribe God with a grain of sand that belonged to God! Casting out devils was a certificate of divinity. Is there in all the religious literature of the world anything more grossly absurd than this? These devils, according to the Bible, were of various kinds – some could speak and hear, others were deaf and dumb. All could not be cast out in the same way. The deaf and dumb spirits were quite difficult to deal with. St. Mark tells of a gentleman who brought his son to Christ. The boy, it seems, was possessed of a dumb spirit, over which the disciples had no control. “Jesus said unto the spirit: ‘Thou dumb and deaf spirit, I charge thee come out of him, and enter no more into him.’” Whereupon, the deaf spirit (having heard what was said) cried out (being dumb) and immediately vacated the premises. The ease with which Christ controlled this deaf and dumb spirit excited the wonder of his disciples, and they asked him privately why they could not cast that spirit out. To whom he replied: “This kind can come forth by nothing but prayer and fasting.” Is there a Christian in the whole world who would believe such a story if found in any other book? The trouble is, these pious people shut up their reason, and then open their Bible.

As in my political works my motive and object have been to give man an elevated sense of his own character, and free him from the slavish and superstitious absurdity of monarchy and hereditary government, so in my publications on religious subjects my endeavors have been directed to bring man to a right use of the reason that God has given him; to impress on him the great principles of divine morality, justice, mercy, and a benevolent disposition to all men, and to all creatures, and to inspire in him a spirit of trust, confidence and consolation in his creator, unshackled by the fables of books pretending to bethe word of God.

As in my political works my motive and object have been to give man an elevated sense of his own character, and free him from the slavish and superstitious absurdity of monarchy and hereditary government, so in my publications on religious subjects my endeavors have been directed to bring man to a right use of the reason that God has given him; to impress on him the great principles of divine morality, justice, mercy, and a benevolent disposition to all men, and to all creatures, and to inspire in him a spirit of trust, confidence and consolation in his creator, unshackled by the fables of books pretending to bethe word of God. Introductory

A Puritan twist in our nature makes us think that anything good for us must be twice as good if it's hard to swallow. Learning Greek and Latin used to play the role of character builder, since they were considered to be as exhausting and unrewarding as digging a trench in the morning and filling it up in the afternoon. It was what made a man, or a woman -- or more likely a robot -- of you. Now math serves that purpose in many schools: your task is to try to follow rules that make sense, perhaps, to some higher beings; and in the end to accept your failure with humbled pride. As you limp off with your aching mind and bruised soul, you know that nothing in later life will ever be as difficult. What a perverse fate for one of our kind's greatest triumphs! Think how absurd it would be were music treated this way (for math and music are both excursions into sensuous structure): suffer through playing your scales, and when you're an adult you'll never have to listen to music again. And this is mathematics we're talking about, the language in which, Galileo said, the Book of the World is written. This is mathematics, which reaches down into our deepest intuitions and outward toward the nature of the universe -- mathematics, which explains the atoms as well as the stars in their courses, and lets us see into the ways that rivers and arteries branch. For mathematics itself is the study of connections: how things ideally must and, in fact, do sort together -- beyond, around, and within us. It doesn't just help us to balance our checkbooks; it leads us to see the balances hidden in the tumble of events, and the shapes of those quiet symmetries behind the random clatter of things. At the same time, we come to savor it, like music, wholly for itself. Applied or pure, mathematics gives whoever enjoys it a matchless self-confidence, along with a sense of partaking in truths that follow neither from persuasion nor faith but stand foursquare on their own. This is why it appeals to what we will come back to again and again: our **architectural instinct** -- as deep in us as any of our urges.

If Shakespeare be considered as a MAN born in a rude age and educated in the lowest manner, without any instruction either from the world or from books, he may be regarded as a prodigy; if represented as a POET capable of furnishing a proper entertainment to a refined or intelligent audience, we must abate much of this eulogy. In his compositions, we regret that many irregularities, and even absurdities, should so frequently disfigure the animated and passionated scenes intermixed with them; and, at the same time, we perhaps admire the more those beauties on account of their being surrounded by such deformities. A striking peculiarity of sentiment, adapted to a single character, he frequently hits, as it were, by inspiration; but a reasonable propriety of thought he cannot for any time uphold. Nervous and picturesque expressions as well as descriptions abound in him; but it is in vain we look either for purity or simplicity of diction. His total ignorance of all theatrical art and conduct, however material a defect, yet, as it affects the spectator rather than the reader, we can more easily excuse than that want of taste which often prevails in his productions, and which gives way only by intervals to the irradiations of genius. [....] And there may even remain a suspicion that we overrate, if possible, the greatness of his genius; in the same manner as bodies often appear more gigantic on account of their being disproportioned and misshapen.

Practical affairs task the human brain throughout the day. At night, the mind takes a deserved hiatus to consider the impossible and the absurd. In the carnage of our nighttime sleep tussles, the colored liqueurs of the true, the possible, fantasy, and the mythic beliefs become intermixed. Eyelets of the commonsensical and the imaginative are incorporated, and a new realism emerges out of our distilled perception of the veridical derived from the phenomenal realm of sensory reality and the philosophic world of ideals contained in the noumenal realm. The resultant psychobiologic vision immerses us in bouts of intoxicating inspiration and artistic stimulation and leaves us rickety boned and weakened after enduring a dreaded hangover of perpetual doubt laced with vagueness and insecurity.

Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“ “No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told. “No further questions!” “Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.” Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?” “Yes, I do,” Elizabeth emphatically declared. “My dear, poor woman, could you tell us-all of us-some examples of his cruelty?” “Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst. “Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?” “Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.” “You were afraid he would beat you for it?” “No, I was afraid he wouldn’t give me more until next quarter!” Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.” “And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?” “Yes, I believe it was!” “Why were you weeping, Lady Thornton?” The galleries tipped further toward her. “I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed. Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?” “Goodness, I don’t know what you are supposed to believe. I only know I did it.” “Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?” Elizabeth gave him a vacuous look. “I liked my emeralds.

It is not beside the point to note that, in the thought which will inspire our revolutions, the supreme good does not, in reality, coincide with existence, but with an arbitrary facsimile. The entire history of mankind is, in any case, nothing but a prolonged fight to the death for the conquest of universal prestige and absolute power. It is, in its essence, imperialist. We are far from the gentle savage of the eighteenth century and from the Social Contract. In the sound and fury of the passing centuries, each separate consciousness, to ensure its own existence, must henceforth desire the death of others. Moreover, this relentless tragedy is absurd, since, in the event of one consciousness being destroyed, the victorious consciousness is not recognized as such, in that it cannot be victorious in the eyes of something that no longer exists. In fact, it is here the philosophy of appearances reaches its limits.

Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.

The rats at the door had gone away. I drank another bottle of wine. To think I was once rich. I once had money. I had everything but something. I used to think that all people desire to be cared for; some are so used to it that they take it for granted, others, who never feel it, desire it so much that they constantly need it. So much in fact, that when they don’t receive it they have outbursts, and in the end they wind up pushing away those people who in the end would have cared for them as their heart desired within its innermost depths. So they are always alone, always on the edge of society, within it, but at the same time, apart from it. They are like spectators watching with envy the dance of mankind, wishing for that one feeling that only another’s love can bring. A whisper that speaks to one and only one and says: “You truly are worth something.” They never know that feeling that shines on some. So they cease to expect and begin looking elsewhere for that…wonderful whisper of… War. Love almost seems like war. The ancient Greeks used to say, ‘Love as if you will one day hate.’ I used to think that meant something very pessimistic, that love was not real. But really, man is just an animal anyway. It’s not just about that though, the Greeks meant more. It’s like, ‘Live as if you will one day die.’ Do not take for granted life, and for the Greeks, do not take for granted your love. After all, it really is something special. Even if it doesn’t last, it’s the moment that matters. How cliché, but the problem with most men is that they learn words, rather than the concepts that the words signify. And life, death, love, are these not the most important things, those which a man should learn before all else. And the moment…what of this, even in misery it still matters. But all we learn are words and a way to be. God I love wine.

The idea of progress is contemporary with the age of enlightenment and with the bourgeois revolution. Of course, certain sources of its inspiration can be found in the seventeenth century; the quarrel between the Ancients and the Moderns already introduced into European ideology the perfectly absurd conception of an artistic form of progress. In a more serious fashion, the idea of a science that steadily increases its conquests can also be derived from Cartesian philosophy. But Turgot, in 1750, is the first person to give a clear definition of the new faith. His treatise on the progress of the human mind basically recapitulates Bossuet's universal history. The idea of progress alone is substituted for the divine will. "The total mass of the human race, by alternating stages of calm and agitation, of good and evil, always marches, though with dragging footsteps, toward greater and greater perfection." This optimistic statement will furnish the basic ingredient of the rhetorical observations of Condorcet, the official theorist of progress, which he linked with the progress of the State and of which he was also the official victim in that the enlightened State forced him to poison himself. Sorel was perfectly correct in saying that the philosophy of progress was exactly the philosophy to suit a society eager to enjoy the material prosperity derived from technical progress. When we are assured that tomorrow, in the natural order of events, will be better than today, we can enjoy ourselves in peace. Progress, paradoxically, can be used to justify conservatism. A draft drawn on confidence in the future, it allows the master to have a clear conscience. The slave and those whose present life is miserable and who can find no consolation in the heavens are assured that at least the future belongs to them. The future is the only kind of property that the masters willingly concede to the slaves.

I was in good form that night. Sophie inspired me, and it didn’t take long for me to get warmed up. I cracked jokes, told stories, performed little tricks with the silverware. The woman was so beautiful that I had trouble keeping my eyes off her. I wanted to see her laugh, to see how her face would respond to what I said, to watch her eyes, to study her gestures. God knows what absurdities I came out with, but I did my best to detach myself, to bury my real motives under this onslaught of charm. That was the hard part. I knew that Sophie was lonely, that she wanted the comfort of a warm body beside her—but a quick roll in the hay was not what I was after, and if I moved too fast that was probably all it would turn out to be. At this early stage, Fanshawe was still there with us, the unspoken link, the invisible force that had brought us together. It would take some time before he disappeared, and until that happened, I found myself willing to wait.

There is, however, another avenue of utopian thought, one that is all but forgotten. If the blueprint is a high-resolution photo, then this utopia is just a vague outline. It offers not solutions but guideposts. Instead of forcing us into a straitjacket, it inspires us to change. And it understands that, as Voltaire put it, the perfect is the enemy of the good. As one American philosopher has remarked, “any serious utopian thinker will be made uncomfortable by the very idea of the blueprint.”23 It was in this spirit that the British philosopher Thomas More literally wrote the book on utopia (and coined the term). Rather than a blueprint to be ruthlessly applied, his utopia was, more than anything, an indictment of a grasping aristocracy that demanded ever more luxury as common people lived in extreme poverty. More understood that utopia is dangerous when taken too seriously. “One needs to be able to believe passionately and also be able to see the absurdity of one’s own beliefs and laugh at them,” observes philosopher and leading utopia expert Lyman Tower Sargent. Like humor and satire, utopias throw open the windows of the mind. And that’s vital. As

What the..." Ranulf barked behind her. "Where's the meat? The butter?" Bronwyn smiled. It was going to be a hard few days for everyone at Hunswick,suddenly observing Advent, but it might inspire the new residents to not just enjoy the fruits of everyone's labor,but appreciate and contribute. Turning around,Bronwyn pasted on what she hoped to be an incredulous look and said, "During Advent Fast?Now,my lord, you wouldn't want others to think you a heathen." Ranulf picked up the mug,sniffed the tea with disdain,and put it back down before flopping into one of the hearth chairs. "I know a hell of a lot more about the topic than you.And I could care less about the opinion of others." "I doubt that," Bronwyn murmured, just loud enough for him to hear, "on either point." Ranulf leaned forward and grabbed the plate of fish and potatoes. He took several bites and waved his fork around the platter. "The Church calls for their followers to celebrate the season of Advent the four weeks before Christmas, which is nonsense because I know of no one who rejoices in the idea of starvation and...abstinence." Bronwyn's heartbeat suddenly doubled its pace and she had to fight to remain looking relaxed and unaffected. "I believe humility is a large purpose behind the fast." "And control," Ranulf replied with a grunt. "If I kept such an absurd custom, I and my men would have starved many a year.

...[E]xcept the flying fish, there was no race existing on the earth, in the air, or the waters, who were the object of such an intermitting, general, and relentless persecution as the Jews of this period. Upon the slightest and most unreasonable pretences, as well as upon accusations the most absurd and groundless, their persons and property were exposed to every turn of popular fury... Yet the passive courage inspired by the love of gain induced the Jews to dare the various evils to which they were subjected, in consideration of the immense profits which they were enabled to realise in a country naturally so wealthy as England. In spite of every kind of discouragement, and even of the special court of taxations already mentioned, called the Jews' Exchequer, erected for the very purpose of despoiling and distressing them, the Jews increased, multiplied, and accumulated huge sums, which they transferred from one hand to another by means of bills of exchange-an invention for which commerce is said to be indebted to them, and which enabled them to transfer their wealth from land to land, that, when threatened with oppression in one country, their treasure might be secured in another. The obstinacy and avarice of the Jews being thus in a measure placed in opposition to the fanaticism and tyranny of those under whom they lived, seemed to increase in proportion to the persecution with which they were visited...

I have it so good. So absurdly, improbably good. I didn’t do anything to deserve it, but I have it. I’m healthy. I’ve never gone hungry. And yes, to answer your question, I’m—I’m loved. I lived in a beautiful place, did meaningful work. The world we made out there, Mosscap, it’s—it’s nothing like what your originals left. It’s a good world, a beautiful world. It’s not perfect, but we’ve fixed so much. We made a good place, struck a good balance. And yet every fucking day in the City, I woke up hollow, and … and just … tired, y’know? So, I did something else instead. I packed up everything, and I learned a brand-new thing from scratch, and gods, I worked hard for it. I worked really hard. I thought, if I can just do that, if I can do it well, I’ll feel okay. And guess what? I do do it well. I’m good at what I do. I make people happy. I make people feel better. And yet I still wake up tired, like … like something’s missing. I tried talking to friends, and family, and nobody got it, so I stopped bringing it up, and then I just stopped talking to them altogether, because I couldn’t explain, and I was tired of pretending like everything was fine. I went to doctors, to make sure I wasn’t sick and that my head was okay. I read books and monastic texts and everything I could find. I threw myself into my work, I went to all the places that used to inspire me, I listened to music and looked at art, I exercised and had sex and got plenty of sleep and ate my vegetables, and still. Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?

I think, in the end, we have to say that there should be no discussion of Martin Luther King Jr. without Ella Baker, which is to say they are complementary. These two figures, voices, tendencies in the Black freedom movement, and particularly in the human freedom movement in general, they say something to young people these days in the age of Obama. See, Obama ends up being the worst example of messianic leadership, captured by a vicious system that is oligarchic domestically and imperialistic globally and uses the resonances of this precious freedom struggle as a way of legitimating himself in the eyes of both the Black people and the mainstream Americans, and acting as if as community organizer he has some connection to Ella Baker, which is absurd and ludicrous in light of him running the oligarchic system and being so proud of heading the killing machine of US imperial powers. So that when young people - who now find themselves in an even more desperate situation given the present crisis - think about the legacy of Martin King and legacy of Ella Baker in the age of Obama, it compounds the misunderstandings and misconstructions, and sabotages the intellectual clarity and political will necessary to create the kind of change we need. To use jazz metaphors, what we need would be the expression and articulation of different tempos and different vibrations and different actions and different witnesses, so it's antiphonal; it's call-and-response, and in the call-and-response, there are Ella Baker-like voices tied to various kinds of deep democratic witnesses that have to do with everyday people organizing themselves. And then you've got the Martin-like voices that are charismatic, which are very much tied to a certain kind of messianic leadership, which must be called into question, which must be democratized, which must be de-patriarchalized. And yet they are part of this jazz combo.

Rebellion's demand is unity; historical revolution's demand is totality. The former starts from a negative supported by an affirmative, the latter from absolute negation and is condemned to every aspect of slavery in order to fabricate an affirmative that is dismissed until the end of time. One is creative, the other nihilist. The first is dedicated to creation so as to exist more and more completely; the second is forced to produce results in order to negate more and more completely. The historical revolution is always obliged to act in the hope, which is invariably disappointed, of one day really existing. Even unanimous consent will not suffice to create its existence. "Obey," said Frederick the Great to his subjects; but when he died, his words were: "I am tired of ruling slaves." To escape this absurd destiny, the revolution is and will be condemned to renounce, not only its own principles, but nihilism as well as purely historical values in order to rediscover the creative source of rebellion. Revolution, in order to be creative, cannot do without either a moral or metaphysical rule to balance the insanity of history. Undoubtedly, it has nothing but scorn for the formal and mystifying morality to be found in bourgeois society. But its folly has been to extend this scorn to every moral demand. At the very sources of its inspiration and in its most profound transports is to be found a rule that is not formal but that nevertheless can serve as a guide. Rebellion, in fact, says— and will say more and more explicitly— that revolution must try to act, not in order to come into existence at some future date in the eyes of a world reduced to acquiescence, but in terms of the obscure existence that is already made manifest in the act of insurrection. This rule is neither formal nor subject to history, it is what can be best described by examining it in its pure state—in artistic creation. Before doing so, let us only note that to the "I rebel, therefore we exist" and the "We are alone" of metaphysical rebellion, rebellion at grips with history adds that instead of killing and dying in order to produce the being that we are not, we have to live and let live in order to create what we are.