Foundry Quotes

Annabelle’s eyes stung as she stared at him, while need and inexhaustible tenderness gathered like an ache in her body. “I realized something,” she said huskily, “when I was standing outside the foundry, watching it burn and knowing you were inside.” She swallowed hard against the thickness in her throat. “I would rather have died in your arms, Simon, than face a lifetime without you. All those endless years… all those winters, summers… a hundred seasons of wanting you and never having you. Growing old, while you stayed eternally young in my memories.” She bit her lip and shook her head, while her eyes flooded. “I was wrong when I told you that I didn’t know where I belonged. I do. With you, Simon. Nothing matters except being with you. You’re stuck with me forever, and I’ll never listen when you tell me to go.” She managed a tremulous smile. “So you may as well stop complaining and resign yourself to it.

The one conclusion I have reached is that whiskey is a great leveler. You might be a hotshot advertising executive or a lowly foundry worker, but if you cannot hold your drink, you are just a drunkard.

By early evening all the sky to the north had darkened and the spare terrain they trod had turned a neuter gray as far as the eye could see. They grouped in the road at the top of a rise and looked back. The storm front towered above them and the wind was cool on their sweating faces. They slumped bleary-eyed in their saddles and looked at one another. Shrouded in the black thunderheads the distant lightning glowed mutely like welding seen through foundry smoke. As if repairs were under way at some flawed place n the iron dark of the world.

She looked towards the western sky, which was now aglow like some vast foundry wherein new worlds were cast

Shrouded in the black thunderheads the distant lightning glowed mutely like welding seen through foundry smoke. As if repairs were under way at some flawed place n the iron dark of the world

Mark the spirit of invention everywhere, thy rapid patents, Thy continual workshops, foundries, risen or rising, See, from their chimneys how the tall flame-fires stream.

Then, for a while, it was quite still in the old foundry, where the man and the devil lay side by side--although which was which would perhaps have been a matter for theological debate.

Ig had not been inside for years, but it was much as he remembered it. The foundry lay open to the sky, brick arches and pillars rising away into the slanting reddish light. Thirty years of overlapping graffiti covered the walls. The individual messages were mostly incoherent, but then perhaps the individual messages were of no importance. It seemed to Ig that all such messages were the same at heart: I Am; I Was; I Want To Be.

The storm front towered above them and the wind was cool on their sweating faces. They slumped bleary-eyed in their saddles and looked at one another. Shrouded in the black thunderheads the distant lightning glowed mutely like welding seen through foundry smoke. As if repairs were under way at some flawed place in the iron dark of the world.

Behind the harrows, the long seeders—twelve curved iron penes erected in the foundry, orgasms set by gears, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.

What ticks in the clock, beats here with strong strokes of the hammer. It is Bloodless, who drank life from human thought and thereby got limbs of metals, stone and wood; it is Bloodless, who by human thought gained strength, which man himself does not physically possess. Bloodless reigns in Motala, and through the large foundries and factories he extends his hard limbs, whose joints and parts consist of wheel within wheel, chains, bars, and thick iron wires.

Where he walked the tideline at dusk the last red reaches of the sun flared slowly out along the sky to the west and the tidepools stood like spills of blood. He stopped to look back at his bare footprints. Filling with water one by one. The reefs seemed to move slowly in the last hours and the late colors of the sun drained away and then the sudden darkness fell like a foundry shutting down for the night.

In a scene right out of Catch-22, the construction firm requested the “best” iron available for some components. Little did they know that the foundry sold three grades of iron ingots: best, best best, and best best best.

That's all the motorcycle is, a system of concepts worked out in steel. There's no part in it, no shape in it, that is not out of someone's mind [...] I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon. They associate metal with given shapes—pipes, rods, girders, tools, parts—all of them fixed and inviolable., and think of it as primarily physical. But a person who does machining or foundry work or forger work or welding sees "steel" as having no shape at all. Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not. Shapes, like this tappet, are what you arrive at, what you give to the steel. Steel has no more shape than this old pile of dirt on the engine here. These shapes are all of someone's mind. That's important to see. The steel? Hell, even the steel is out of someone's mind. There's no steel in nature. Anyone from the Bronze Age could have told you that. All nature has is a potential for steel. There's nothing else there.

The foundry lay open to the sky, brick arches and pillars rising away into the slanting reddish light. Thirty years of overlapping graffiti covered the walls. The individual messages were mostly incoherent, but then perhaps the individual messages were of no importance. It seemed that all such messages were the same at heart: I Am; I Was; I Want to Be.

There were no windows in the Stockholders' Records Section of the Treasurer's Department of the American Forge and Foundry Company. But the soft, sweet music from the loudspeaker on the green wall by the clock, music that increased the section's productivity by 3 percent, kept pace with the seasons, and provided windows of a sort for the staff. --"Bomar

The closer the trolley got to the local steel works, the more worried Julius got. He had thought they might pass a lake on the way and that they’d be able to dump the corpse in it. But they didn’t. And before Julius had time to worry any further, the trolley rolled into the foundry yard. Julius applied the brakes just in time. The corpse fell forwards and hit his forehead on an iron handle. ‘That would have been really painful if the circumstances had been a little different,’ said Allan. ‘There are undoubtedly advantages to being dead,’ said Julius.

You see, Mr. Grafton,” Miss Perkins gave his engineer a teasing smile. “I laughed at His Grace’s miniature engine the other day, and now he needs to impress upon me the grandeur of his foundry.” “Compensating for something, is he?” “I’ve no idea,” she laughed. Edgar saw red. Grafton was going to pay for that one later. He stalked into place beside them. “Don’t encourage her.

The glass world was unique, a law unto itself. It had its own rules and customs, and a separate language too, handed down not only from father to son but from master to apprentice, instituted heaven knows how many centuries ago wherever the glass-makers settled—in Normandy, in Lorraine, by the Loire—but always, naturally, by forests, for wood was the glass foundry’s food, the mainstay of its existence.

meteoroid had hit with such force it melted the ground around it, making it look like foundry slag. The heat turned quartz intrusions in the bedrock into chunks of colored glass. The Dry Valleys We went on like this for hours, as though there was no being done with the astonishment landscapes might offer us, or to the potential for any seemingly inconsequential thing out there to startle and inform, or

What is there more real, for instance, in our universe than a man's life, and how can we hope to preserve it better than a realistic film? But under what conditions is such a film possible? Under purely imaginary conditions. We should have to presuppose, in fact, an ideal camera focused on the man day and night and constantly registering his every move. The very projection of such a film would last a lifetime and could be seen only by an audience of people willing to waste their lives in watching someone else's life in great detail. Even under such conditions, such an unimaginable film would not be realistic for the simple reason that the reality of a man's life is not limited to the spot in which he happens to be. It lies also in other lives that give shape to his--lives of people he loves, to begin with, which would have to be filmed too, and also lives of unknown people, influential and insignificant, fellow citizens, policemen, professors, invisible comrades from the mines and foundries, diplomats and dictators, religious reformers, artists who create myths that are decisive for out conduct--humble representatives, in short, of the sovereign chance that dominates the most routine existences. Consequently, there is but one possible realistic film: one that is constantly shown us by an invisible camera on the world's screen. The only realistic artist, then, is God, if he exists. All other artists are, ipso facto, unfaithful to reality.

My eye was caught by movement from behind the automaton. Just a flicker, but my heart clenched with surprise and fear, and I tapped Dean on the arm, pointing. “Something’s over there.” He followed my finger, and we both saw the flicker of red on the unbroken gray brick of the foundry walls. “Son of a bitch,” Dean growled, jamming his hand in his pocket and pulling out his switchblade. “Hey!” he bellowed at the moving shadow. “Hey, you!” “Dean …,” I started, thinking that perhaps shouting at the figure wasn’t the best idea. “I see you!” Dean shouted. “No point in hiding.” “Dean, we don’t know what it is,” I whispered, worried that if he made a move, whoever or whatever lurked beyond the automaton would take it badly. Dean shook his head. “Relax, princess. It’s a kid.” He advanced on the shadow. “Aren’t you?” “Up yours, mister!” the shadow shouted back. I pressed a hand over my mouth, both to stifle a laugh and from relief. To find another person in this wasteland was ten times more unexpected than finding a creature like the nightjars and ghouls that populated Lovecraft’s underground. “Say,” Dean drawled, brows drawing together. “I know you, kid.” “I know your mother!” the kid retorted. “And she has some disappointing things to say about you.

You wouldn’t have left had it been me on the foundry floor—” “I knew you were going to say that,” he said in savage disgust. “Of course I wouldn’t have left you. I’m the man. A man is supposed to protect his wife.

The Europans were building an armada, just like the Sobrukai. But much closer to Earth. They had Foundry Ships orbiting their moon, cranking out fighters and drones—just like those I’d spotted above Sobrukai last night.

Nineteen months ago, he mourned, partridges were here. Nineteen months ago the open pine forest was compassionate. What rare concentrated tragedies will have occurred within another nineteen months—not here, for this place has bred a tragedy greater than any recorded in the Nation's past—but elsewhere, all over the South, through back roads and on wharves and in legislative rooms, in foundries which rust because the fires have gone out?

When the last toast had been given my mother had to take off her finery and put on a traveling dress, then mount one of the foundry wagons with the rest of them, and so drive away to her new home in the forest of Fréteval.

On Westminster Bridge, Arthur was struck by the brightness of the streetlamps running across like a formation of stars. They shone white against the black coats of the marching gentlefold and fuller than the moon against the fractal spires of Westminster. They were, Arthur quickly realized, the new electric lights, which the city government was installing, avenue by avenue, square by square, in place of the dirty gas lamps that had lit London's public spaces for a century. These new electric ones were brighter. They were cheaper. They required less maintenance. And they shone farther into the dime evening, exposing every crack in the pavement, every plump turtle sheel of stone underfoot. So long to the faint chiaroscuro of London, to the ladies and gentlemen in black-on-black relief. So long to the era of mist and carbonized Newcastle coal, to the stench of the Blackfriars foundry. Welcome to the cleasing glare of the twentieth century.

Not all cloud-native platforms are the same. Some are self-built and pieced together from various components; others are black boxed and completely proprietary. The Cloud Foundry cloud-native platform has three defining characteristics: it is structured, opinionated, and open.

In the mid-thirties, a young black poet named Langston Hughes wrote a poem, "Let America Be America Again": . . . I am the poor white, fooled and pushed apart, I am the Negro bearing slavery's scars. I am the red man driven from the land, I am the immigrant clutching the hope I seek- And finding only the same old stupid plan. Of dog eat dog, of mighty crush the weak. . . . O, let America be America again- The land that never has been yet- And yet must be-the land where every man is free. The land that's mine-the poor man's, Indian's, Negro's ME- Who made America, Whose sweat and blood, whose faith and pain, Whose hand at the foundry, whose plow in the rain, Must bring back our mighty dream again. Sure call me any ugly name you choose- The steel of freedom does not stain. From those who live like leeches on the people's lives, We must take back our land again, America! . . .

The vivid circumstances of his life at this date led him ever to remember the external scenes inwhich they were set. It was an evening of phenomenal irridations, and the west heaven gleamed like a foundry of all metals common and rare. The clouds were broken into a thousand fragments, and the margin of every fragment shone.

My aunt Déméré was shocked. Her husband, my uncle Déméré, was one of the foremost important men in the foundry. He was a master melter, that is to say he prepared the mixture for the pots, and saw to it that the pots were filled with the right amount for the furnaces before the day’s melt, and never, since they had been married, had my aunt Déméré watched the potash being prepared by the flux-burner. “The first duty of a master’s wife is to have food ready for her husband between shifts,” she told my mother, “and then to attend to any women or children directly employed by her husband who may be sick. The work in the furnace house, or outside it, is nothing to do with

So they pulled down the statue of the Happy Prince. "As he is no longer beautiful he is no longer useful," said the Art Professor at the University. Then they melted the statue in a furnace, and the Mayor held a meeting of the Corporation to decide what was to be done with the metal. "We must have another statue, of course," he said, "and it shall be a statue of myself." "Of myself," said each of the Town Councillors, and they quarrelled. When I last heard of them they were quarrelling still. "What a strange thing!" said the overseer of the workmen at the foundry. "This broken lead heart will not melt in the furnace. We must throw it away." So they threw it on a dust-heap where the dead Swallow was also lying. "Bring me the two most precious things in the city," said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird. "You have rightly chosen," said God, "for in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me.

Markets are not just about the steam engine, iron foundries, or today’s silicon-chip factories. Markets also supported Shakespeare, Haydn, and the modern book superstore. The rise of oil painting, classical music, and print culture were all part of the same broad social and economic developments, namely the rise of capitalism, modern technology, rule of law, and consumer society.

On the east side of the street, the dark old factories—Civil War factories, foundries, brassworks, heavy-industrial plants blackened from the chimneys pumping smoke for a hundred years—were windowless now, the sunlight sealed out with brick and mortar, their exits and entrances plugged with cinderblock. These were the factories where people had lost fingers and arms and got their feet crushed and their faces scalded, where children once labored in the heat and the cold, the nineteenth-century factories that churned up people and churned out goods and now were unpierceable, airtight tombs. It was Newark that was entombed there, a city that was not going to stir again. The pyramids of Newark: as huge and dark and hideously impermeable as a great dynasty’s burial edifice has every historical right to be.

After the old man came up for air, he said, “C-O-P-D. Never even smoked a day in my life, you believe that? My lawyer thinks some chemical at the foundry did this to me but it’s impossible to prove. I don’t know what good a settlement would do me anyway. It’s not like I can go to Disney World. If I see any money, I’m going to be irresponsible for the first time in my life and blow it all on hookers and coke.

Though Radu did not like the intense heat of the foundry, he visited as often as he could. And it was a good thing he had come back when he did. Urbana was screaming in Hungarian at several confused workers. Radu jumped in as a translator, though he left out most of what she said. He did not think telling the workers that they were "more useless than the rotting carcasses of a thousand dead dogs" would help morale.

FF DIN Designer: Albert-Jan Pool // Foundry: FontFont // Country of origin: Germany Release year: 1995 // Classification: Geometric Sans DIN is essentially the national typeface of Germany. Developed over many years by the German Institute for Standardization (Deutsches Institut für Normung) for traffic signs and other official applications, DIN is an unusually successful design by committee. Its spare, geometric construction effectively communicates

The Foundry Man All day, every day; a head that pounds to the rhythm of beating hammers. Feet, numbed from the vibrations of heavy machinery, and skin that glows crimson from the blistering heat of the furnace. Sweat glistens on his furrowed brow, sweat that runs in rivulets to eyes already sore from black, putrid dust. This is the lot of the foundry man. Not for him fresh air, green fields, or the sun on his back. He has a heart of gold, strength of steel. He is a man of iron.

The Foundry grounds were surrounded by a twenty-five foot wrought iron fence and Lazlo sniffed when he saw it.   "That thing might look impressive to tourists," he said, "but it wouldn't keep out a fly, let alone a…"   Lazlo trailed off as a large black gorecrow approached the fence. The bird flew high enough to pass over the bars, but the instant it crossed the fence's perimeter, there was a blue flash and the bird burst into flames and plummeted to the ground.   "Like I said, Baron's got himself a hell of a security system,

Not all of history is recorded in the books supplied to school children in Harlem or Birmingham. Yet this boy and this girl know something of the part of history which has been censored by the white writers and purchasers of board-of-education books. They know that Negroes were with George Washington at Valley Forge. They know that the first American to shed blood in the revolution which freed his country from British oppression was a black seaman named Crispus Attucks. The boy's Sunday-school teacher has told him that one of the team who designed the capital of their nation, Washington, D.C., was a Negro, Benjamin Banneker. Once the girl had heard a speaker, invited to her school during Negro History Week. This speaker told how, for two hundred years, without wages, black people, brought to this land in slave ships and in chains, had drained the swamps, built the homes, made cotton king and helped, on whip-lashed backs, to lift this nation from colonial obscurity to commanding influence in domestic commerce and world trade. Wherever there was hard work, dirty work, dangerous work—in the mines, on the docks, in the blistering foundries—Negroes had done more than their share.

Total available Calories divided by Population equals Artistic-Technological Style. When the ratio Calories-to-Population is large—say, five thousand or more, five thousand daily calories for every living person—then the Artistic-Technological Style is big. People carve Mount Rushmore; they build great foundries; they manufacture enormous automobiles to carry one housewife half a mile for the purchase of one lipstick. Life is coarse and rich where C:P is large. At the other extreme, where C:P is too small, life does not exist at all. It has starved out. Experimentally, add little increments to C:P and it will be some time before the right-hand side of the equation becomes significant. But at last, in the 1,000 to 1,500 calorie range, Artistic-Technological Style firmly appears in self-perpetuating form. C:P in that range produces the small arts, the appreciations, the peaceful arrangements of necessities into subtle relationships of traditionally agreed-upon virtue. Think of Japan, locked into its Shogunate prison, with a hungry population scrabbling food out of mountainsides and beauty out of arrangements of lichens. The small, inexpensive sub-sub-arts are characteristic of the 1,000 to 1,500 calorie range.

special thanks to Martha Sharpe and everyone at Anansi; to Mandy Barber, for the use of her stunning visual art; to Karen Mac Cormack, for her advice during the early stages of this project; and to David Bromige (weaver of radhats), for his enthusiasm which encouraged me to develop this piece into a book-length poem.

The only other major competitor was Samsung, whose foundry business had technology that was roughly comparable to TSMC’s, though the company possessed far less production capacity. Complications arose, though, because part of Samsung’s operation involved building chips that it designed in-house. Whereas a company like TSMC builds chips for dozens of customers and focuses relentlessly on keeping them happy, Samsung had its own line of smartphones and other consumer electronics, so it was competing with many of its customers. Those firms worried that ideas shared with Samsung’s chip foundry might end up in other Samsung products. TSMC and GlobalFoundries had no such conflicts of interest.

The winter of 1789 was the hardest within living memory. No one, not even the old people of the district, had ever known anything like it. The cold weather set in early, and, coming on top of a bad harvest, led to great distress among the tenant farmers and the peasants. We were hard hit at the foundry too, for conditions on the road became impossible, what with frost and ice, and then snow; and we were unable to deliver our goods to Paris and the other big cities. This meant that we were left with unsold merchandise on our hands, and little prospect of getting rid of it in the spring, for in the meantime the traders in Paris would be buying elsewhere—if, that is, they ordered at all. There was a general drop in demand for luxury commodities at this time, owing to the unrest throughout the country.

IN THE fifteenth century, a swampy parcel of land in the sestieri of Cannaregio was set aside for the construction of a new brass foundry, known in the Venetian dialect as a geto. The foundry was never built, and a century later, when the rulers of Venice were looking for a suitable spot to confine the city’s swelling population of unwanted Jews, the remote parcel known as Ghetto Nuovo was deemed the ideal place. The campo was large and had no parish church. The surrounding canals formed a natural moat, which cut off the island from the neighboring communities, and the single bridge could be guarded by Christian watchmen. In 1516, the Christians of Ghetto Nuovo were evicted and the Jews of Venice were forced to take their place. They could leave the ghetto only after sunrise, when the bell tolled in the campanile, and only if they wore a yellow tunic and hat. At nightfall they were required to return to the island, and the gates were chained. Only Jewish doctors could leave the ghetto at night. At its height, the population of the ghetto was more than five thousand. Now, it was home to only twenty Jews.

The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

You'll pray for us sinners; we have sinned too much here. I've always been thinking who would pray for me, and whether there's any one in the world to do it. My dear boy, I'm awfully stupid about that. You wouldn't believe it. Awfully. You see, however stupid I am about it, I keep thinking, I keep thinking--from time to time, of course, not all the while. It's impossible, I think, for the devils to forget to drag me down to hell with their hooks when I die. Then I wonder--hooks? Where would they get them? What of? Iron hooks? Where do they forge them? Have they a foundry there of some sort? The monks in the monastery probably believe that there's a ceiling in hell, for instance. Now I'm ready to believe in hell, but without a ceiling. It makes it more refined, more enlightened, more Lutheran that is. And, after all, what does it matter whether it has a ceiling or hasn't? But, do you know, there's a damnable question involved in it? If there's no ceiling there can be no hooks, and if there are no hooks it all breaks down, which is unlikely again, for then there would be none to drag me down to hell, and if they don't drag me down what justice is there in the world? Il faudrait les inventer, those hooks, on purpose for me alone, for if you only knew, Alyosha, what a blackguard I am.

He was known by three names. The official records have the first one: Marcos Maria Ribeira. And his official data. Born 1929. Died 1970. Worked in the steel foundry. Perfect safety record. Never arrested. A wife, six children. A model citizen, because he never did anything bad enough to go on the public record. The second name he had was Marcao. Big Marcos. Because he was a giant of a man. Reached his adult size early in his life. How old was he when he reached two meters? Eleven? Definitely by the time he was twelve. His size and strength made him valuable in the foundry,where the lots of steel are so small that much of the work is controlled by hand and strength matters. People's lives depended on Marcao's strength. His third name was Cao. Dog. That was the name you used for him when you heard his wife, Novinha, had another black eye, walked with a limp, had stitches in her lip. He was an animal to do that to her. Not that any of you liked Novinha. Not that cold woman who never gave any of you good morning. But she was smaller than he was, and she was the mother of his children, and when he beat her, he deserved the name of Cao. Tell me, is this the man you knew? Spent more hours in the bars than anyone but never made any friends there, never the camaraderie of alcohol for him. You couldn't even tell how much he had been drinking. He was surly and short-tempered before he had a drink and he was surly and short-tempered right before he passed out-nobody could tell the difference. You never heard of him having a friend, and none of you was ever glad to see him come into a room. That's the man you knew, most of you. Cao. Hardly a man at all. A few men, the men from the foundry in Bairro das Fabricados, knew him as a strong arm as they could trust. They knew he never said he could do more than he could do and he always did what he said he would do. You could count on him. So, within the walls of the foundry, he had their respect. But when you walked out of the door, you treated him like everybody else-ignored him, thought little of him. Some of you also know something else that you never talk about much. You know you gave him the name Cao long before he earned it. You were ten, eleven, twelve years old. Little boys. He grew so tall. It made you ashamed to be near him. And afraid, because he made you feel helpless. So you handled him the way human beings always handle things that are bigger than they are. You banded together. Like hunters trying to bring down a mastodon. Like bullfighters trying to weaken a giant bull to prepare it for the kill. Pokes, taunts, teases. Keep him turning around. He can't guess where the next blow was coming from. Prick him with barbs that stay under his skin. Weaken him with pain. Madden him. Because big as he is, you can make him do things. You can make him yell. You can make him run. You can make him cry. See? He's weaker than you after all. There's no blame in this. You were children then, and children are cruel without knowing better. You wouldn't do that now. But now that I've reminded you, you can clearly see an answer. You called him a dog, so he became one. For the rest of his life, hurting helpless people. Beating his wife. Speaking so cruelly and abusively to his son, Miro, that it drove the boy out of his house. He was acting the way you treated him, becoming what you told him he was. But the easy answer isn't true. Your torments didn't make him violent - they made him sullen. And when you grew out of tormenting him, he grew out of hating you. He wasn't one to bear a grudge. His anger cooled and turned into suspicion. He knew you despised him; he learned to live without you. In peace. So how did he become the cruel man you knew him to be? Think a moment. Who was it that tasted his cruelty? His wife. His children. Some people beat their wife and children because they lust for power, but are too weak or stupid to win power in the world.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

done. Why did he stick around? Why would he force that encounter with you on the road, and that night at the diner . . .” He looked at Chris as though willing him to fill in the blanks, but Chris’s implacable eyes gave away nothing. “Wait,” Beck said, “I just remembered something. When Watkins came into the diner, I remember him looking surprised to see us there. But it was only me he was surprised to see, wasn’t it? He said he was there for a business . . . Ah,” he said with sudden enlightenment. “The payoff. He was meeting you there to get his money. “That was the night of Billy’s accident. I’d just come from the hospital. Our unscheduled meeting in the diner prevented you from conducting your transaction with Watkins. No wonder he was so angry that night on the road. He still hadn’t been paid. He was getting antsy. The heat was shifting from you onto him. In desperation, he went to Sayre and got Scott focused on the fratricide angle. That brought things to a head, so you arranged for a meeting with Watkins at the camp this morning.” Chris grinned. “I bet you aced law school, didn’t you? You’re actually very sharp. But, Beck, the only thing I would swear to under oath is that Slap Watkins came crashing through the door of the cabin, waving a knife and telling me he was going to kill his second Hoyle and how giddy he was at the prospect.” “I have no doubt that’s what happened, Chris. He just arrived earlier than you expected. He wanted to get the jump on you because he didn’t trust you. Justifiably. Even Watkins was smart enough to realize that you weren’t about to hand over money and let him walk away from that last meeting. He signed his own death warrant the minute he agreed to kill Danny.” “Please, Beck. Let’s not get sentimental over Slap. A double cross was his plan from the very beginning. Why do you think he left that matchbook in the cabin?” Beck mentally stepped back from himself and considered his options. He could leave now. Simply turn around and walk out. Go to Sayre. Live out the rest of his days loving her, and to hell with Chris and Huff, their treachery and corruption, to hell with their stinking, maiming, life-taking foundry. He was so damn weary of the struggle and the pretense. He longed to throw off this mantle of responsibility, to forget he ever knew the Hoyles and let the devil take them—if he would have them. That was what he wanted to do. Or he could stay and do what he had committed to do. As appealing as the former option was, the latter was preordained. “Slap Watkins didn’t plant the matchbook in the cabin, Chris.” He held Chris’s stare for several seconds, before adding, “I did.” • • • George

Yes, I think-" Lillian paused only briefly as she saw someone come into the room. A very tall and piratical-looking someone who could only be Simon Hunt, Annabelle's husband. Although Hunt had begun his career working in his father's butcher shop, he had eventually become one of the wealthiest men in England, owning locomotive foundries and a large portion of the railway business. He was Lord Westcliff's closest friend, a man's man who appreciated good liquor and fine horses and demanding sports. But it was no secret that what Simon Hunt loved most in the world was Annabelle. "I think," Lillian continued as Hunt walked quietly up behind Annabelle, "the tree is perfect. And I think someone had very good timing in arriving so late that he didn't have to decorate even one bloody branch of it." "Who?" Annabelle asked, and started a little as Simon Hunt put his hands lightly over her eyes. Smiling, he bent to murmur something private into her ear. Color swept over the portion of Annabelle's face that was still exposed. Realizing who was behind her, she reached up to pull his hands down to her lips, and she kissed each of his palms in turn. Wordlessly she turned in his arms, laying her head against his chest. Hunt gathered her close. "I'm still covered in travel dust," he said gruffly. "But I couldn't wait another damned second to see you." Annabelle nodded, her arms clutching around his neck. The moment was so spontaneously tender and passionate that it cast a vaguely embarrassed silence through the room.

Even before African Americans made up the literal majority of foundry workers such work was becoming understood as more “suited” to them, not just at the Rouge but in the array of foundry and metal pressing workplaces in and around Detroit. A Packard spokesperson described this phenomenon to an interviewer: “White and colored get along all right in the foundry because the average white worker doesn’t want a foundry job anyway. White foundry workers are foreigners.” A Ford official said, “Many of the Negroes are employed in the foundry and do work that nobody else would do.”40 As with the myth, specifically subscribed to at times by auto management, that Black workers had higher tolerance for hot and exhausting work, such a statement brings into being the truth it claims to describe—it is a perfect example of how racism becomes race-lore, an a priori assertion claiming to be based in observed and material reality.

Did I know that Donetsk used to be called Yuzovka, after a Welshman, John Hughes, who opened the first foundry on the site? Did I know that Donetsk was twinned with Cardiff?

The area housed many successful medium-sized businesses, such as the Whitechapel Bell Foundry, founded in 1570 (and Britain’s oldest continual manufacturer). By the eighteenth century, the foundry was exporting bells to the Americas, including the Liberty Bell, in 1752. The Liberty Bell left England bearing a biblical inscription which would have been familiar to both the French Protestants who had sought refuge only a stone’s throw away, and also the Jews who worshipped close by. It came from the book of Leviticus 25: 10: ‘Proclaim LIBERTY throughout all the land unto all the inhabitants thereof.

There are many potential explanations for the less-than-robust performance, but IBM’s current strategy suggests that one component at least is a challenge to the traditional shrink-wrapped software business. As much as any software provider in the industry, IBM’s software business was optimized and built for a traditional enterprise procurement model. This typically involves lengthy evaluations of software, commonly referred to as “bake-offs,” followed by the delivery of a software asset, which is then installed and integrated by some combination of buyer employees, IBM services staff, or third-party consultants. This model, as discussed previously, has increasingly come under assault from open source software, software offered as a pure service or hosted and managed on public cloud infrastructure, or some combination of the two. Following the multi-billion dollar purchase of Softlayer, acquired to beef up IBM’s cloud portfolio, IBM continued to invest heavily in two major cloud-related software projects: OpenStack and Cloud Foundry. The latter, which is what is commonly referred to as a Platform-as-a-Service (PaaS) offering, may give us both an idea of how IBM’s software group is responding to disruption within the traditional software sales cycle and their level of commitment to it. Specifically, IBM’s implementation of Cloud Foundry, a product called Bluemix, makes a growing portion of IBM’s software portfolio available as a consumable service. Rather than negotiate and purchase software on a standalone basis, then, IBM customers are increasingly able to consume the products in a hosted fashion.

But those are lies!” Imweshi turned with a frigid smile. “Of course they are! But who cares? Does it matter to them?” She gestured toward the window. “Who are they going to believe? Us? We well-fed, clean, healthy, wealthy, coach-riding Kyn? Perhaps you with all your savage finery can convince them that the mechanical beasts that draw this carriage are something other than dark sorcery. What will you say to them, my truth-telling Wielder? Will your truth feed them, clothe them, give them warm homes? What would they rather hear: that Lojar Vald and his kind have driven them halfway into their graves out of greed and selfish ambition, that the promises of another life are mere manipulations to ensure their subservience, or that a small group of backward barbarians are the only thing between them and their salvation? If you stood in their place, who would you believe?” The carriage crested a hill and left the foundries and the empty-eyed Humans behind. Tarsa

And yet, can one indeed discover a man’s intentions by studying his eyes? Can one know what really goes on inside his mind, in that secret foundry where molten fancies are cast into frightful shapes? Can it not be that each one of us is at bottom the very same, having been fashioned from the same soil, and each is only waiting for the moment when time and place would adhere and he would become something else, something monstrously different? Then you would behold another being – one that looked and sounded the same, but was someone else, or perhaps something else – brutish, bestial, half human at best.

Here, and shockingly few other places in this country, men are paid to increase knowledge, to work toward no end but that.' 'That's very generous of General Forge and Foundry Company.' 'Nothing generous about it. New knowledge is the most valuable commodity on earth. The more truth we have to work with, the richer we become.' Had I been a Bokonoist then, that statement would have made me howl.

TSMC has been building an increasingly rich ecosystem for over 25 years and feedback from partners is that they see benefits sooner and more consistently than when dealing with other foundries

But Burlington’s big post–World War II turning point came with the arrival in the late 1950s of what eventually turned out to be one of IBM’s major semiconductor works, in the suburb of Essex Junction, just east of Burlington. At its peak, the IBM factory employed some eight thousand engineers and technical workers. Its staff fell to about three thousand (and IBM has sold the works to another company, a Silicon Valley spin-off called GlobalFoundries). But its influence on Burlington remains profound.

It was strange, she thought, to obtain news by means of nothing but denials, as if existence had ceased, facts had vanished and only the frantic negatives uttered by officials and columnists gave any clue to the reality they were denying. “It is not true that the Miller Steel Foundry of New Jersey has gone out of business.” “It is not true that the Jansen Motor Company of Michigan has closed its doors.” “It is a vicious, anti-social lie that manufacturers of steel products are collapsing under the threat of a steel shortage. There is no reason to expect a steel shortage.” “It is a slanderous, unfounded rumor that a Steel Unification Plan had been in the making and that it had been favored by Mr. Orren Boyle. Mr. Boyle’s attorney has issued an emphatic denial and has assured the press that Mr. Boyle is now vehemently opposed to any such plan. Mr. Boyle, at the moment, is suffering from a nervous breakdown.

The war had cut the supply of European workers the North had relied on to kill its hogs and stoke its foundries. Immigration plunged by more than ninety percent, from 1,218,480 in 1914 to 110,618 in 1918, when the country needed all the labor it could get for war production. So the North turned its gaze to the poorest-paid labor in the emerging market of the American South. Steel mills, railroads, and packinghouses sent labor scouts disguised as insurance men and salesmen to recruit blacks north, if only temporarily.

His first assignment was to insert hinge-pins into the lids of newly assembled metal flasks. The walrus-faced foreman strode across to inspect the work. By beating his fists against his forehead and swearing mightily, he was able to hint that Gagarin had installed his pins completely the wrong way round. ‘The next day we all made better progress,’ Gagarin recalled. By his own admission, this was typical for him. He had no particular knack for getting things right the first time. He had to work quite hard at his tasks, practising them repeatedly. In a brief interview given many years later, Gorinshtein said:   At first Yura struck me as too small and frail. The only vacancy I had available was in the foundry group, which meant a lot of smoke, dust, heat and heavy lifting. I thought it would be beyond him. I can’t remember why I eventually ignored all these negative points and accepted him. It must have been the determination you could feel in him. Was he special? No, but he was hard-working.5

Henry escorted us deeper into the Foundry and before long we began encountering other employees. Some were merely odd – like the wild-haired, wild-eyed man in a white lab coat who kept telling a pop-eyed hunchback in a black cloak that his name was supposed to be pronounced "Fronk-en-steen," along with the handsome young man with curly black hair wearing a corset, fishnet stockings, 70s glam-rock boots, and far too much make-up.

Writing keeps me sane.

The foundries were vast, dark castles built for efficiency, not comfort. Even in the mild New England summers, when the warm air combined with the stagnant heat from the machines or open flames in the huge melting rooms where the iron was cast, the effects were overwhelming. The heat came in unrelenting waves and sucked the soul from your body. In the winter, the enormous factories were impossible to heat and frigid New England air reigned supreme in the long halls. The work was difficult, noisy, mind-numbing, sometimes dangerous and highly regulated. Bathroom and lunch breaks were scheduled down to the second. There was no place to make a private phone call. Company guards, dressed in drab uniforms straight out of a James Cagney prison film [those films were in black and white, notoriously tough, weren’t there to guard company property. They were there to keep an eye on us. No one entered or the left the building without punching in or out on a clock, because the doors were locked and opened electronically from the main office.

For example, AT&T—not known for innovation in the past twenty years—recently created five labs (AT&T calls them “foundries”), each employing forty to fifty interdisciplinary experts. Their task: testing new insights generated inside and outside AT&T. The foundries house marketing experts from the business units, experts in telecommunications technologies, and experts in design thinking. What’s more, AT&T has invited start-ups and established companies from many industries to participate in rapidly developing and experimenting with new technologies. Each new idea is run through a twelve-week project, where a team applies the kinds of tools we describe in this book to produce virtual or physical prototypes.

So rapid was the Ottoman assimilation of cannon technology that by the 1440s they had evidently acquired the unique ability, widely commented on by eyewitnesses, to cast medium-size barrels on the battlefield in makeshift foundries. Murat transported gunmetal to the Hexamilion and cast many of his long guns on the spot. This allowed extraordinary flexibility during siege warfare:

Individuals and interactions over processes and tools Working software over comprehensive documentation Customer collaboration over contract negotiation Responding to change over following a plan

Aren’t our dresses exquisite?” Performing a few happy waltz steps, Corinna turned in a circle. “Um, yes. Pull your sleeves up, Juliana, will you?” She tugged at them, but the dress was designed to be off the shoulder. “They won’t go.” He eyed their dresses’ high waistlines and scooped necklines, designed to accentuate the bust. “You’re all going to cover”—at an apparent loss for words, he patted his own chest—“with one of those scarf things, right?” “A fichu?” Madame sniffed. “I think not. These are evening gowns, my lord.” “They don’t look like the pictures my sisters showed me.” “The pictures were but a starting point, my lord. By the time the fashion plates make it here from France, they’re already beginning to pass out of style.” “We shall not be caught in last month’s fashions,” Juliana added. “These gowns are the thing.” “Not in this house, they aren’t!” “Griffin. Good news. The foundry will have the new part cast by the end of the day.” Tris walked in, scanned the room with a low whistle, and settled on Alexandra. “By George, you ladies will put every other girl to shame.” “My sisters won’t be wearing these dresses,” Griffin said. “Of course they will.” Tris tore his gaze from Alexandra and turned to his friend. “While I take apart the pump, you’ll want to head out to the vineyard and see that work on the new pipeline is resumed.” “Very well.” Griffin turned to leave, then swiveled back. “I’m not paying for those dresses,” he warned. “Not until they’re made decent.” Madame Rodale gave a little French-sounding “hmmph.” Tris laughed. “Listen to yourself, old man. You’ve been on campaign far too long. Don’t you want men to find your sisters appealing? Irresistible? Marriageable?” “Not if they’re men like…” “Like us?” Tris suggested helpfully. Griffin’s “hmmph” put the mantua-maker’s to shame. “I need to get to the vineyard,” he muttered and left. “Madame

Internet of Things Foundry” in Dallas, an innovation shop full of network engineers. They invited customers in with this proposition, explained Vice Chairman Ralph de la Vega: “Tell us what problem you want us to solve, and we commit that within two weeks we’ll give you a prototype solution for you that works on a real live network … Every time we do this, it results in a contract.” So, for instance, the global shipping giant Maersk needed a sensor that it could affix to every shipping container it owns, enabling the company to track its containers anywhere in the world. The sensor had to affix to two hundred thousand cargo refrigerator containers, it had to be able to measure their humidity, temperature, and whether they had suffered any damage, and it had to broadcast that data to their headquarters, and—this was the real catch—the sensor had to operate without batteries and be able to last ten years, because they couldn’t be changing them all the

In some ways, the neighborhood was the poster child for bad zoning. There were shiny glass-and-steel condominiums across from corrugated and I-beam parking garages. Single-family homes perched alongside recycling plants and foundries. A new multistory school turned its proud granite façade away from its neighbor, a dilapidated relic of a car repair shop, like an ungrateful child ashamed of an ailing parent.

industrial shops called “makerspaces” that have popped up in the United States and around the world. The Columbus Idea Foundry is the country’s largest such space, a cavernous converted shoe factory stocked with industrial-age machinery. Several hundred members pay a monthly fee to use its arsenal of machines

E liza adjusted her Ministry-issue bullet-resistant corset, and her hands absently came to rest on where her weapons were concealed. Glancing out the window, she ascertained that they were nearly at the site of the foundry—the place she had never wanted to return to.

The building he took her to was an abandoned foundry out in the countryside and rain leaked in everywhere.

Over the due course of time, industrial mechanics change to come up with something innovative to provide people with better quality products. Since die casting industry manufactures molds and casts of different shapes and designs, this industry is in need of drastic changes. The changes are brought in the form of refined products, which will be later on used in the other plants and industries. Due to this reason, the alumina ceramic foam filter is in use in the die casting process, allowing refined products to be manufactured. Mechanisms of Alumina Foundry Filter Helping with Better Quality Products When the cast is prepared from molten metal, it can have a number of issues, due to which the quality of the cast can be hampered. It is therefore wiser to use alumina ceramic foundry filter for different types of metals, so that the molten part that runs down into the molds can be of good quality. In the filters, the metal passes through fine pores so that the other contents and air are filtered out and the purer form of molten metal goes through. This allows the cast to be prepared without any porosity and hence these are without brittle nature. The manner in which the molten metal passes through the alumina ceramic foam filter is responsible for the true quality of the casts. This particular filter mechanism is highly sophisticated, providing a lot of help in removing impurities. As a result, casting industries can easily find ways to improve their quality of products and the alumina ceramic foundry filter is responsible for this quality to a big extent. Visit us:- filtec-corp(dot)com

At the beginning of his reign, England had to import almost all of its guns from abroad; by the time of his death, England’s cannon industry was among the finest in the world. Under the supervision of the Ordnance Board, which carefully parceled out contracts to a small group of private firms, English foundries developed the first cannons made of cast iron.

I realized something,” she said huskily, “when I was standing outside the foundry, watching it burn and knowing you were inside.” She swallowed hard against the thickness in her throat. “I would rather have died in your arms, Simon, than face a lifetime without you. All those endless years… all those winters, summers… a hundred seasons of wanting you and never having you. Growing old, while you stayed eternally young in my memories.” She bit her lip and shook her head, while her eyes flooded. “I was wrong when I told you that I didn’t know where I belonged. I do. With you, Simon. Nothing matters except being with you. You’re stuck with me forever, and I’ll never listen when you tell me to go.” She managed a tremulous smile. “So you may as well stop complaining and resign yourself to it.

There were also 45 sub-camps at Auschwitz, each of which housed prisoners working at a factory serving a German company, such as Siemens-Schuckert and Krupp. 28 of these camps served companies involved in the armaments industry and the camps housed from several dozen to several thousand prisoners. Among the industries represented at the satellite camps were metal works, foundries and coal mines although prisoners were also made to work at farming and forestry.

wistfulness. “Perhaps soon her jailers—pardon, her family—will allow us to visit.” “I have an idea,” Daisy commented. “When father comes from New York next month, we’ll have to go with him for another visit to Stony Cross. Naturally, Annabelle and Mr. Hunt will be invited, because of their friendship with Lord Westcliff. Perhaps we can ask that Evie and her aunt be included, too. Then we can have an official wallflower meeting—not to mention another Rounders game.” Annabelle groaned theatrically, downing her wine in a large gulp. “God help me.” Placing her glass on a nearby table, she fished in her pocket for a tiny paper packet with an object folded inside. “That reminds me—Daisy, will you do a favor for me?” “Of course,” the girl replied promptly and opened the paper. Her face wrinkled in curiosity as she saw a needlelike piece of metal. “What in heaven’s name is this?” “I pulled that from Lord Westcliff’s shoulder on the day of the foundry fire.” She grinned at their appalled expressions as they saw the long iron shard. “If you wouldn’t mind, take it with you to Stony Cross and toss it into the wishing well.” “What should I wish for?” Annabelle laughed softly. “Make the same wish for poor old Westcliff that you

So at the depths of the crisis Chang rehired the workers the former CEO had laid off and doubled down on investment in new capacity and R&D. He announced several multibillion-dollar increases to capital spending in 2009 and 2010 despite the crisis. It was better “to have too much capacity than the other way around,” Chang declared. Anyone who wanted to break into the foundry business would face the full force of competition from TSMC as it raced to capture the booming market for smartphone chips. “We’re just at the start,” Chang declared in 2012, as he launched into his sixth decade atop the semiconductor industry.

If now -- and this is my idea -- there were, instead of military conscription, a conscription of the whole youthful population to form for a certain number of years a part of the army enlisted against Nature, the injustice would tend to be evened out, and numerous other goods to the commonwealth would remain blind as the luxurious classes now are blind, to man's relations to the globe he lives on, and to the permanently sour and hard foundations of his higher life. To coal and iron mines, to freight trains, to fishing fleets in December, to dishwashing, clotheswashing, and windowwashing, to road-building and tunnel-making, to foundries and stoke-holes, and to the frames of skyscrapers, would our gilded youths be drafted off, according to their choice, to get the childishness knocked out of them, and to come back into society with healthier sympathies and soberer ideas. They would have paid their blood-tax, done their own part in the immemorial human warfare against nature; they would tread the earth more proudly, the women would value them more highly, they would be better fathers and teachers of the following generation. Such a conscription, with the state of public opinion that would have required it, and the many moral fruits it would bear, would preserve in the midst of a pacific civilization the manly virtues which the military party is so afraid of seeing disappear in peace. We should get toughness without callousness, authority with as little criminal cruelty as possible, and painful work done cheerily because the duty is temporary, and threatens not, as now, to degrade the whole remainder of one's life. I spoke of the "moral equivalent" of war. So far, war has been the only force that can discipline a whole community, and until and equivalent discipline is organized, I believe that war must have its way. But I have no serious doubt that the ordinary prides and shames of social man, once developed to a certain intensity, are capable of organizing such a moral equivalent as I have sketched, or some other just as effective for preserving manliness of type. It is but a question of time, of skilful propogandism, and of opinion-making men seizing historic opportunities. The martial type of character can be bred without war. Strenuous honor and disinterestedness abound everywhere. Priests and medical men are in a fashion educated to it, and we should all feel some degree if its imperative if we were conscious of our work as an obligatory service to the state. We should be owned, as soldiers are by the army, and our pride would rise accordingly. We could be poor, then, without humiliation, as army officers now are. The only thing needed henceforward is to inflame the civic temper as part history has inflamed the military temper.

To convince ourselves of the amazing variety of noises, it is enough to think of the rumble of thunder, the whistle of the wind, the roar of a waterfall, the gurgling of a brook, the rustling of leaves, the clatter of a trotting horse as it draws into the distance, the lurching jolts of a cart on pavings, and of the generous, solemn, white breathing of a nocturnal city; of all the noises made by wild and domestic animals, and of all those that can be made by the mouth of man without resorting to speaking or singing. Let us cross a great modern capital with our ears more alert than our eyes, and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling of noises that breathe and pulse with indisputable animality, the palpitation of valves, the coming and going of pistons, the howl of mechanical saws, the jolting of a tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of the crashing down of metal shop blinds, slamming doors, the hubbub and shuffling of crowds, the variety of din, from stations, railways, iron foundries, spinning wheels, printing works, electric power stations and underground railways.

GlobalFoundries, as this new company that inherited AMD’s fabs was known, entered

It was better “to have too much capacity than the other way around,” Chang declared. Anyone who wanted to break into the foundry business would face the full force of competition from TSMC as it raced to capture the booming market for smartphone chips.

In the chip industry, by lowering startup costs, Chang’s foundry model gave birth to dozens of new “authors”—fabless chip design firms—that transformed the tech sector by putting computing power in all sorts of devices.

Sometimes the drifts of smoke are rosy with sulphur, and serrated flames, like circular saws, squeeze themselves out from beneath the cowls of the foundry chimneys. Through the open doors of foundries you see fiery serpents of iron being hauled to and fro by redlit boys, and you hear the whizz and thump of steam hammers and the scream of the iron under the blow.

The knowledge acquired by the administration of the War Department for four years, and by the chairmanship of the Military Committee of the Senate at two different periods, still longer in combined duration, had shown me the entire lack of preparation for war in the South. The foundries and armories were in the Northern States, and there were stored all the new and improved weapons of war. In the arsenals of the Southern States were to be found only arms of the old and rejected models. The South had no manufactories of powder, and no navy to protect our harbors, no merchant-ships for foreign commerce. It was evident to me, therefore, that, if we should be involved in war, the odds against us would be far greater than what was due merely to our inferiority in population.

The names of only four men appeared in the body of the findings: Albert Fuller and John Woods of the Eagle Iron Foundry, Charles Bigelow of the Essex Company and J. Pickering Putnam of the Pemberton. The owners, past and present, as well as Coolidge, were exonerated passively by the absence of their names.

Eddie Wetzel was an engineer in charge of making big insulators in the Ceramics Department of the General Forge and Foundry Company in Ilium, New York.

The greatest beneficiary of the rise of foundries like TSMC was a company that most people don’t even realize designs chips: Apple. The company Steve Jobs built has always specialized in hardware, however, so it’s no surprise that Apple’s desire to perfect its devices includes controlling the silicon inside.

Can you be totally intrinsically motivated? “Not necessarily, it’s not always black and white,” says Brad Feld, partner at the Boulder, Colorado-based venture capital firm Foundry Group. I consider Brad a good friend and an expert at understanding the difference between intrinsic and extrinsic motivation. I met Brad through a good friend, Bing Gordon, the founder of EA Sports, and we quickly became friends. As he explains, “People fall along a continuum.” Brad uses tennis star Rafael Nadal as an example. He sees Nadal as having a blend of both extrinsic and intrinsic motivation. Nadal clearly likes to win. He likes the limelight and the attention he gets. “Yet . . . Nadal, after he loses a match, he’s a very gracious loser, acknowledging that the other guy played better and did an awesome job,” Brad explained to me. Nadal recharges his battery by heading off to the beach, and then he is back in training for the next tournament. His daily training regime includes four hours of playing tennis on court, two and a half hours in the gym, and a strict stretching routine. He’s continued this training whether he is ranked at number one, five, or seven in the world. It’s for him, not for the ranking. Brad also believes something I’ve really taken to heart—that one person can’t truly motivate another person, a concept especially important in business when you manage people. “I can’t motivate another person, but [I can] create a context in which they are motivated, and part of being a leader is to understand what motivates other people,” explained Brad. “So if I’m the leader of an organization that you’re a part of, I have to understand what motivates you. Then I can create a context in which to motivate you. Most people struggle to understand how somebody else is motivated because they do it based on what motivates them.” Brad’s words ring true: While my own inspiration has come from various people, none of them actually motivated me. When I was extrinsically motivated, it was based largely on what others thought about me. My inner desire to win was based on extrinsic rewards. Only I had the power to change that.

And Cuicui--Cuicui was thinking about so many things, amid the calls of the finches and cuckoo birds in the mountains and the chop of lumbermen, felling bamboos in the valley.s Stories of tigers eating people, and the mountain songs people sang to belittle and make fun of each other, the square pit in which papermakers mixed their pulp, the molten iron that flowed out of a foundry smelting furnace--she felt compelled to recollect everything her ears had heard and her eyes had seen. It seemed to be her way of putting aside the present matter and wishing it away. And yet she misunderstood what was really going on. (91)

The war had cut the supply of European workers the North had relied on to kill its hogs and stoke its foundries. Immigration plunged by more than ninety percent, from 1,218,480 in 1914 to 110,618 in 1918,

In 1709 Darby moved his foundry enterprise to Coalbrookdale, a village along the Severn River, about eighty miles north of Bristol, near Dudley. There he began developing a method of preparing coal for iron smelting by coking it—baking it in a kiln under low-oxygen conditions to drive out the sulfur and other impurities that would otherwise embrittle the iron. Writing about the invention later, his son’s widow, Abiah Darby, would compare it to drying malt.47 As they mastered the technology, Darby and his descendants gradually substituted coke for charcoal. Smelting iron with coked coal then enabled British industry to bypass the bottleneck of wood scarcity, Abiah Darby noted in 1763: “Had not these discoveries been made, the Iron trade . . . would have dwindled away, for woods for charcoal became very scarce, and landed gentlemen [who owned the forests] rose the prices of Cord Wood exceeding high—indeed it would not have been to be got. But from pit coal being introduced in its stead, the demand for wood charcoal is much lessened and in a few years I apprehend will set the use of that article aside.”48 By the beginning of the nineteenth century, iron had largely replaced wood in manufacture and construction.49

Culture is the foundry of all human circumstance.

What we have been taught is that the ancient Egyptians were in posession of only simple hand tools, and that the only metals available to the Egyptians of the fourth dynasty, when the Giza Pyramids were built, were copper, gold, and silver. What is inferred, therefore, is that absent the tools made from these materials, the simple abrasive experiments actually demonstrate the stone-working methods of ancient Egypt. We are told that the ancient Egyptians had not yet developed the knowledge to extract the raw materials necessary to produce iron and steel. It has been suggested that they may have used meteoric iron, because they found it lying on the ground, but they did not mine the ore and smelt it in a foundry. Support for this view is the lack of evidence that they used tools made of any material other than copper, stone, and wood. Yet absence of evidence is not evidence of absence. Although sophisticated tools made of iron or steel may not yet have been discovered in the archaeological record, what has been found is not adequate enough to explain how the artifacts were created.

The Civil War was the true American Revolution. The Republican Party expropriated $3.5 trillion in “private property” in emancipating the South’s four million slaves. The Reconstruction that followed saw the country’s most oppressed people attempt to construct a new world free of their former masters’ whips. The fight against black slavery inspired battles against what was denounced as “wage slavery.” Such a spirit motivated the Knights of Labor, which started off with just nine members in 1869 but organized hundreds of thousands by the 1880s. It rallied workers in all trades and brought tens of thousands of black workers into what had been an overwhelmingly white movement.4 Just as many women joined up, as the Knights spanned from Pennsylvania mines to New York garment factories to Denver railroads and Alabama foundries.

Pacific Car and Foundry (later named PACCAR) manufactured B-17 parts and Sherman tanks.26 Reynolds Metal Company in Longview made aluminum for aircraft, as did the Aluminum Company of America (ALCOA) in Vancouver and Troutdale, and two federally funded plants near Spokane.