A Series Of Tubes Quotes

The Internet is a Series of Tubes!

Accordingly, Mr. Cook spent four years, six months, two days, $5,228.20, six thousand yards of wiring, three hundred and two radio tubes, a generator, reams of paper, dizzying mentation and the good will of his wife in assembling his duplication machine.

It was uncanny. You press a button and a man drops dead a hundred meters away. It seemed hollow and remote, falsifying everything. It was a trick of the lenses. The man is an accurate picture. Then he is upside down. Then he is right side up. You shoot at a series of images conveyed to you through a metal tube. The force of a death should be enormous but how can you know what kind of man you’ve killed or who was the braver and stronger if you have to peer through layers of glass that deliver the image but obscure the meaning of the act? War has a conscience or it’s ordinary murder.

I indulge in silliness. I color with my boys. I draw on the ground with sidewalk chalk. I watch YouTube videos about how to do shimmery, smoky eyes and try to replicate it even if I have nowhere to go. I reach for silly, creative endeavors that serve no real purpose other than joy.

series of nipple-shaped appendages on the inside of the tube. The system would be self-sustaining and perpetual, and would serve everybody right.

Still, pouring jizz into a baggie tube hanging from my dick while inside someone is strange as hell. But a good strange. I mean, the alternative is not having sex. And I’m now fucking addicted to fucking.

Guys, this is just like that YouTube series Stuck Inside Minecraft by that streamer Michael,” Pari mentioned. “Pari…that’s an animation. It’s a show. It’s not real. This is nothing like that!” Denzel replied. “This is real!

It wasn't her looks that caught his interest or made him stand utterly still. It was her shadow. The sun was throwing light perfectly to create tall, full shadows. Hers leaked long tentacles. Thin. Like streaks reaching out toward the shadows around her. Everywhere there was a shadow, hers connected to it with the long feelers--with long tubes.

O'Shaughnessy is hitting Denholt on the side of his head with his free arm, great, walloping, pile-driver blows. The two of them stagger together, like partners in a crazy dance. Glass is breaking all around them. Gray smoke from the six shots, pink-and-white dust from the chipped brick-and-plaster walls, swirl around them in a rainbow haze. Something vividly green flares up from one of the overturned retorts, goes right out again. O'Shaughnessy tears the emptied gun away, flings it off somewhere. More breaking glass, and this time a tart pungent smell that makes the nostrils sting. The crunch of pulverized tube glass underfoot makes it sound as if they were scuffling in sand or hard-packed snow. ("Jane Brown's Body")

We’ve found the characteristics of what our ADHD brains crave. They are best summarized by Jessica McCabe, creator and host of the excellent YouTube series “How to ADHD,” who says ADHD brains are attracted to the following: Novelty. L.L.Bean catalog with its sensible fleece vests and parkas? No, thank you. SkyMall catalog with an eight-foot-tall gorilla statue and a cross-body bag that winks at passersby? Hell, yes. Challenges. We respond well to competition of all sorts, whether we’re racing against ourselves to make the world’s fastest fried egg or trying to get the most Ping-Pong balls in a jar. (Or participating in The Amazing Race.) Things of personal interest. If we are learning to use a chainsaw, the instructions might be deadly dull—but skipping them might just be deadly, so we will probably buckle down and learn what a two-stroke engine is because we’re interested in keeping our fingers.

Don't cure me, Mother, I couldn't bear the bath of your bitter spittle. No salve no ointment in a doctor's tube, no brew in a witch's kettle, no lover's mouth, no friend or god could heal me if your heart turned in anathema, grew stone against me. Defenseless and naked as the day I slid from you twin voices keening and the cord pulsing our common protests, I'm coming back back to you woman, flesh of your woman's flesh, your fairest, most faithful mirror, my love transversing me like a filament wired to the noonday sun. Receive me, Mother.

Robert Oppenheimer used to tell of the pioneer mysteries of building reliable Geiger counters that had low background noise. Among his friends, he said, there were two schools of thought. One school firmly held that the final step before one sealed off the Geiger tube was to peel a banana and wave the skin three times, sharply to the left. The other school was equally confident that success would follow if one waved the banana peel twice to the left and then, once, smartly to the right. (My counters were unbelievably bad because I didn't use either of these techniques.)

One experience that led Jung to this conclusion took place in 1906 and involved the hallucination of a young man suffering from paranoid schizophrenia. One day while making his rounds Jung found the young man standing at a window and staring up at the sun. The man was also moving his head from side to side in a curious manner. When Jung asked him what he was doing he explained that he was looking at the sun's penis, and when he moved his head from side to side, the sun's penis moved and caused the wind to blow. At the time Jung viewed the man's assertion as the product of a hallucination. But several years later he came across a translation of a two-thousand-year-old Persian religious text that changed his mind. The text consisted of a series of rituals and invocations designed to bring on visions. It described one of the visions and said that if the participant looked at the sun he would see a tube hanging down from it, and when the tube moved from side to side it would cause the wind to blow. Since circumstances made it extremely unlikely that the man had had contact with the text containing the ritual, Jung concluded that the man's vision was not simply a product of his unconscious mind, but had bubbled up from a deeper level, from the collective unconscious of the human race itself. Jung called such images archetypes and believed they were so ancient it's as if each of us has the memory of a two-million-year-old man lurking somewhere in the depths of our unconscious minds.

Soon, said the artists, ignoring him, there would be nothing left but a series of long subterranean tubes covering the surface of the planet. The air and light inside them would be artificial, the ozone and oxygen layers of Planet Earth having been totally destroyed. People would creep along through this tubing, single file, stark naked, their only view the asshole of the one before them in the line, their urine and excrement flowing down through vents in the floor, until they were randomly selected by a digitalized mechanism, at which point they would be sucked into a side tunnel, ground up, and fed to the others through a series of nipple-shaped appendages on the inside of the tube. The system would be self-sustaining and perpetual, and would serve everybody right.

Paint in several colors was squeezed out of tubes and mixed and applied to woven fabric stretched on a wooden frame so artfully we say we see a woman hanging out a sheet rather than oil on canvas. Ana Teresa Fernandez’s image on that canvas is six feet tall, five feet wide, the figure almost life-size. Though it is untitled, the series it’s in has a title: Telaraña. Spiderweb. The spiderweb of gender and history in which the painted woman is caught; the spiderweb of her own power that she is weaving in this painting dominated by a sheet that was woven. Woven now by a machine, but before the industrial revolution by women whose spinning and weaving linked them to spiders and made spiders feminine in the old stories. In this part of the world, in the creation stories of the Hopi, Pueblo, Navajo, Choctaw, and Cherokee peoples, Spider Grandmother is the principal creator of the universe. Ancient Greek stories included an unfortunate spinning woman who was famously turned into a spider as well as the more powerful Greek fates, who spun, wove, and cut each person’s lifeline, who ensured that those lives would be linear narratives that end. Spiderwebs are images of the nonlinear, of the many directions in which something might go, the many sources for it; of the grandmothers as well as the strings of begats. There’s a German painting from the nineteenth century of women processing the flax from which linen is made. They wear wooden shoes, dark dresses, demure white caps, and stand at various distances from a wall, where the hanks of raw material are being wound up as thread. From each of them, a single thread extends across the room, as though they were spiders, as though it came right out of their bellies. Or as though they were tethered to the wall by the fine, slim threads that are invisible in other kinds of light. They are spinning, they are caught in the web. To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.

I HIGHLY SUGGEST YOU CHECK OUT THE FOLLOWING: The book The Power of Myth by Joseph Campbell, with Bill Moyers, and the PBS special of the same name. The film Finding Joe is also a good intro to Joey Cambs. Anything by Rob Bell, especially Love Wins and What We Talk About When We Talk About God, and his podcast The RobCast. Anything by Eckhart Tolle, most notably The Power of Now (especially as an audio book) and A New Earth. There are also so many great talks on YouTube. Anything by Richard Rohr, particularly Falling Upward, Everything Belongs, and The Universal Christ, and his audio series The Sermon on the Mount. The podcast The Duncan Trussell Family Hour. Anything by Ram Dass, specifically his audio series Experiments in Truth and Love, Service, Devotion, and the Ultimate Surrender, and his books Grist for the Mill, Polishing the Mirror, Be Love Now, and, when you’re ready, Be Here Now. Also the movies Ram Dass, Going Home; and Dying to Know. Anything by Alan Watts, starting with his audio series You’re It!: On Hiding, Seeking, and Being Found. There’s some amazing content on YouTube as well. And lastly, The Lazy Man’s Guide to Enlightenment by Thaddeus Golas.

Codex. I have written before on the curvature of metals, and the reflections of light that may be done with such. The simplest use is a mirror, which reflects light upon the viewer. But light may also be concentrated in a series of highly polished mirrors, sending it from one surface to another to another, until the light is so bright and it becomes a solid thing, like a beam of fire. I have achieved this effect upon three occasions. With one, I used mirrors the size of shields, and was able to set alight a distant tree, which burned as if Zeus himself had cast down lightning upon it. In the second case, I used a finely polished set of jewels loaned to me by the gracious hand of Pharaoh, and the result was much stronger, and much smaller in width. Upon the third attempt, I seated these highly polished gems within an array of holders, precisely set to amplify the light, and contained it within a tube of brass. This attempt, shown before Pharaoh, melted through seven feet of thick, hardened iron, to the awe and terror of his court. It is the power of Apollo contained within mortal hands, and by the order of Pharaoh, I have been ordered not to continue these experiments, for the gods will not share such wonders without punishment. The will of Pharaoh is ever wise. CHAPTER FOUR Working with Thomas was like being a student playing next to a master pianist.

In the beginning, there was the internet: the physical infrastructure of wires and servers that lets computers, and the people in front of them, talk to each other. The U.S. government’s Arpanet sent its first message in 1969, but the web as we know it today didn’t emerge until 1991, when HTML and URLs made it possible for users to navigate between static pages. Consider this the read-only web, or Web1. In the early 2000s, things started to change. For one, the internet was becoming more interactive; it was an era of user-generated content, or the read/write web. Social media was a key feature of Web2 (or Web 2.0, as you may know it), and Facebook, Twitter, and Tumblr came to define the experience of being online. YouTube, Wikipedia, and Google, along with the ability to comment on content, expanded our ability to watch, learn, search, and communicate. The Web2 era has also been one of centralization. Network effects and economies of scale have led to clear winners, and those companies (many of which I mentioned above) have produced mind-boggling wealth for themselves and their shareholders by scraping users’ data and selling targeted ads against it. This has allowed services to be offered for “free,” though users initially didn’t understand the implications of that bargain. Web2 also created new ways for regular people to make money, such as through the sharing economy and the sometimes-lucrative job of being an influencer.

All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was

22. Giving up Distraction Week #4 Saturday Scripture Verses •Hebrews 12:1–2 •Mark 1:35 •John 1:14–18 Questions to Consider •What distracts you from being present with other people around you? •What distracts you from living out God’s agenda for your life? •What helps you to focus and be the most productive? •How does Jesus help us focus on what is most important in any given moment? Plan of Action •At your next lunch, have everyone set their phone facing down at the middle of the table. The first person who picks up their phone pays for the meal. •Challenge yourself that the first thing you watch, read, or listen to in the morning when you wake up is God’s Word (not email or Facebook). •Do a digital detox. Turn off everything with a screen for 24 hours. Tomorrow would be a great day to do it, since there is no “40 Things Devotion” on Sunday. Reflection We live in an ever connected world. With smart phones at the tip of our fingers, we can instantly communicate with people on the other side of the world. It is an amazing time to live in. I love the possibilities and the opportunities. With the rise of social media, we not only connect with our current circle of friends and family, but we are also able to connect with circles from the past. We can build new communities in the virtual world to find like-minded people we cannot find in our physical world. Services like Facebook, Twitter, YouTube, and Instagram all have tremendous power. They have a way of connecting us with others to shine the light of Jesus. While all of these wonderful things open up incredible possibilities, there are also many dangers that lurk. One of the biggest dangers is distraction. They keep us from living in the moment and they keep us from enjoying the people sitting right across the room from us. We’ve all seen that picture where the family is texting one another from across the table. They are not looking at each other. They are looking at the tablet or the phone in front of them. They are distracted in the moment. Today we are giving up distraction and we are going to live in the moment. Distraction doesn’t just come from modern technology. We are distracted by our work. We are distracted by hobbies. We are distracted by entertainment. We are distracted by busyness. The opposite of distraction is focus. It is setting our hearts and our minds on Jesus. It’s not just putting him first. It’s about him being a part of everything. It is about making our choices to be God’s choices. It is about letting him determine how we use our time and focus our attention. He is the one setting our agenda. I saw a statistic that 80% of smartphone users will check their phone within the first 15 minutes of waking up. Many of those are checking their phones before they even get out of bed. What are they checking? Social media? Email? The news of the day? Think about that for a moment. My personal challenge is the first thing I open up every day is God’s word. I might open up the Bible on my phone, but I want to make sure the first thing I am looking at is God’s agenda. When I open up my email, my mind is quickly set to the tasks those emails generate rather than the tasks God would put before me. Who do I want to set my agenda? For me personally, I know that if God is going to set the agenda, I need to hear from him before I hear from anyone else. There is a myth called multitasking. We talk about doing it, but it is something impossible to do. We are very good at switching back and forth from different tasks very quickly, but we are never truly doing two things at once. So the challenge is to be present where God has planted you. In any given moment, know what is the one most important thing. Be present in that one thing. Be present here and now.

Instead of hiding bodies in mass graves, corpses were triumphantly displayed, as when the Jalisco New Generation (while still part of El Chapo’s Sinaloa cartel) dumped the thirty-five bodies on an avenue in Veracruz in September 2011. In reply, the Zetas scattered twenty-six corpses in Jalisco and a dozen in Sinaloa. On closer inspection, the bodies were those of ordinary citizens, not criminals: they were workers and students who had been abducted and murdered and displayed in order to strike fear in the heart of anyone who doubted the murderous resolve of the Zetas... In To Die in Mexico: Dispatches from Inside the Drug War, John Gibler writes about a related series of bizarre and violent episodes that took place in Torreón, in Coahuila state, bordering Texas: “Who would believe, for example, that the warden of a state prison would let convicted killers out at night and loan them official vehicles, automatic assault rifles, and bulletproof vests, so that they could gun down scores of innocent people in a neighboring state and then quickly hop back over the state line and into prison, behind bars, a perfect alibi. Who would believe that a paramilitary drug-trafficking organization formed by ex−Special Forces of the Mexican Army would kidnap a local cop and torture him into confessing all of the above details about the prisoners’ death squad, videotape the confession, execute the cop on camera with a shot to the heart, and then post the video on YouTube? Who could fathom that the federal attorney general would, within hours of the video-taped confession and execution being posted online, arrest the warden, and then a few days later hold a press conference fully acknowledging that the prisoners’ death squad had operated for months, killing ten people in a bar in January 2010, eight people in a bar in May 2010, and seventeen people at a birthday party in July?” Yet all of this actually happened. During April 2012, when El Chapo was at war with the Zetas, fourteen torsos — armless and legless bodies — were found in a car by the side of the road in Nuevo Laredo. Dead Zetas. Some of the torsos were in the trunk, for which there is a specific narco term: encajuelado (“trunked”; therefore, trunks trunked). Soon after, in Michoacán state, the Zetas met their match in the person of Nazario Moreno (called El Más Loco, the Craziest One), leader of the ruthless Templarios, the Knights Templar cartel, whose recruits were required to eat human flesh—their victims’— as part of their initiation rites. When Moreno was gunned down by the Mexican army in 2014, the Zetas flourished, and remain dominant. But there was a posthumous bonus for the Craziest One: he was promoted to sainthood. In and around his birthplace in Apatzingán, shrines and altars were erected to Saint Nazario, the dead capo represented as a holy figure in robes, venerated by credulous Michoacanos.

YouTube videos can be linked to a website, distributed

For good measure, he took off the guy’s steel-toed shoes since some brainiac had made a YouTube video about escaping from tie wraps using your shoelaces that had gone viral. Indy wasn’t taking any chances.

How much did I actually benefit from watching YouTube videos, scrolling through my Facebook newsfeed, or checking my emails repeatedly? In hindsight, was the time spent in a meaningful way? Did it enhance the quality of your life?

Guys, this is just like that YouTube series Stuck Inside Minecraft by that streamer Michael,

In searching for oil, or even for uranium under a heavy overburden of rock,” Cavanaugh went on, “you need at least the simplest scintillation counter because it is sixty times as sensitive as a one-tube Geiger. Better yet is the really professional counter—as much as 600 times more sensitive than the best Geiger built. Best of all is my multiple scintillator—100 times more sensitive than the best single tube. Even you won’t disagree with that, will you, Mr. Donovan?

A hole in a hole in a hole—Numberphile Around the World in a Tea Daze—Shpongle But what is a partial differential equation?—Grant Sanderson, who owns the 3Blue1Brown YouTube channel Closer to You—Kaisaku Fourier Series Animation (Square Wave)—Brek Martin Fourier Series Animation (Saw Wave)—Brek Martin Great Demo on Fibonacci Sequence Spirals in Nature—The Golden Ratio—Wise Wanderer gyroscope nutation—CGS How Earth Moves—vsauce I am a soul—Nibana

Boston Dynamics on YouTube and

You'd think that being on planes 150 days a year would free up lots of time for writing, but instead it freed up time for listening to Reinhold Niebuhr audiobooks, watching leftist YouTube videos, and going through every single episode of Star Trek, from the original series through Discovery.

I’ve devoured every serial killer-based film and series I can, read the biographies, listened to hours of true crime podcasts, watched intensely questionable YouTube videos and every new Netflix true crime documentary. I’ve rewatched The Silence of the Lambs every year, as my own sort of holiday classic, and if stressed out, I’ll turn to Zodiac as my comfort blanket movie. I see it as a safe peek inside a psychology so far removed from my life, so totally inconceivable morally, that it’s the cinematic equivalent of bungee jumping.

Nowadays more than ever, the ability to attract people’s attention is one of the biggest sources of income for many companies. In short, your focus is worth a lot of money, which is why YouTube, Facebook, and Instagram do everything they can to keep you glued to your screen.

Nowadays more than ever, the ability to attract people’s attention is one of the biggest sources of income for many companies. In short, your focus is worth a lot of money, which is why YouTube, Facebook, and Instagram do everything they can to keep you glued to your screen. However, your focus is also worth a lot of money to you.

Don't forget, you need to drop me off at the library now instead of school. That's where I'll be meeting my new one-to-one tutor (called YouTube).

Your focus is a scarce asset, which is why marketers spend billions of dollars to attract your attention. Many apps are designed to hook you. Social media companies like YouTube, Facebook, and Instagram know that the more time you spend on their platforms, the more money they make through advertising. Perhaps one of their greatest recent discoveries is the use of notifications. How many times have you opened an app just because a red notification pops up on your screen? And how much time did you waste subsequently? I wouldn’t be surprised if it ran into hundreds of hours each year.

Social media companies like YouTube, Facebook, and Instagram know that the more time you spend on their platforms, the more money they make through advertising.

I love a mysterious underground and have exploited this in many of my books: the ice tunnels of Greenland, the volcanic tubes of Iceland, the mysterious passageways beneath an ancient African hillside or a Buddhist monastery in central China. And of course, London's famous tube system, setting for my book LONDON UNDERGROUND. It's a funny sort of fixation, especially given my mother's claustrophobia, which I saw her deal with on many occasions. We once lined up to take a tour into the Lascaux Caverns in France to see the ancient cave paintings. My mother didn't make it past the first quirky turn into the depths, and she sent me on by myself. Given her interest in history and archaeology, which she used as the basis for a series of mysteries she published and which inspired my own writing, it always surprised me she still loved to write about places she could never visit.

A whole new smart glass industry has been incubating for a decade. As the global construction industry comes back to life, the thousands of smart glass installations in North America, Europe, Asia and Australia are evidence of the technology’s rapidly escalating adoption rate. Corning, the world leader in specialized glass and ceramic products, has produced a series of YouTube clips called A Day Made of Glass. In them, every piece of glass in the home contains intelligence and sensors that serve as a ubiquitous contextual computing system. In Corning’s vision, the home is one big connected computer and every piece of glass is a screen that you touch to move an image from one glass surface to the next. For example, you can look up a recipe on your phone and drag the result to a space on your stovetop next to your burner as you prepare the dish. If you are video chatting on a smart glass tabletop, you can slide the image onto your TV screen without missing a beat.

Believe me, for any writer, you’re going to have more fun and learn more and be more productive writing in television than in the movies. You’re not going to have to share credit with 15 other idiots. You’re not going to be abused and disrespected by 15 jerks in suits who have too much time on their hands and all they want to do is eat lunch. Television is a job — you got to get it on, you got to get it out, the writers are going to write their scripts, they’re going to get on the tube. And that’s great. If you’re lucky enough to get on a successful show, you’re going to do more credited writing in two years than most movie writers do in a lifetime.

There was, always, before the shelling, for the slenderest moment before the earth began shaking, a faraway whispering, as of air hurtling at high speed through a thin tube, a whooshing, which turned, indiscernibly, into a whistling. This whistling lasted for a while, and then, no matter where you stood, there was a tremulous vibration, the trembling of the earth underfoot, followed by a blast of hot air against the skin, and then finally the deafening explosion. It was a loud, unbearably loud explosion, followed immediately by others, so loud that as soon as the first one came the rest could no longer be heard. They could be registered only as the pervasive absence of sound, as a series of voids or vacuums in the sound sphere so great that not even the sound of thinking could be heard.

In the world of premium, flame broils there are basically two roads that the makers appear to seek after. We have the do everything models and the particular objective models. Do everything flame broils concentrate on presenting to you a wide range of highlights for a better than average taste of close everything a barbecue can do while alternate concentrate on things like infrared barbecuing, warm maintenance or self-cleaning. This Weber Summit show is a do everything flame broil that matches premium stainless steel with different cooking alternatives, great power, and a cost around $1899 on the lower end for premium barbecues. Weber Summit 7170001 S-470 Stainless-Steel 580-Square-Inch 48,800-BTU Liquid-Propane Gas Grill With a ton of experience in grill design Weber brings to market this heavy duty premium grill. Here we have four main burners pumping 48,800 BTU’s of cooking power over propane gas. It doesn’t stop there though the highlight of this model is all of its grilling utility. Features 580-square-inch 48,800-BTU gas grill with stainless-steel cooking grates and Flavorizer bars Front-mounted controls; 4 stainless-steel burners; Snap-Jet individual burner ignition system Side burner, Sear Station burner, smoker burner, and rear-mounted infrared rotisserie burner Enclosed cart; built-in thermometer; requires a 20-pound LP tank (sold separately); LED fuel gauge - LP models only Measures 30 inches long by 66 inches wide by 57 inches high; 5-year limited warranty SABER SS 500 Premium Stainless Steel 3 Burner Gas Grill Silver is a valuable mineral and also an extravagant color as the natural color of stainless steel why would you not want to go all out. With that in mind, we have this Saber SS 500 premium gas grill. This grill features a completely stainless steel build housing three infrared burners for precise temperature contro Features Constructed with commercial grade 304 stainless steel for lasting durability Uses a patented infrared cooking system for even temperature, no flare-ups and 30% less propane consumption Dual tube side burner is ideal for greater versatility of using woks, skillets and pots, as well as boiling and frying side dishes and sauces 2 internal halogen lights so you can grill at any time of day Napoleon Grills PRO500RSIBPSS-2 Prestige Pro Series Gas Grills Propane The grilling extends beyond your basic setup with a heavy duty rear infrared rotisserie burner and a side infrared burner for searing purposes so whether you want a succulent roast of a hibachi style feast, burgers and hot dogs are just the beginning. Features 80, 000 BTU's Six burners 900 in total cooking area Premium stainless Steel construction

The crucified figure had not been idle. A series of elaborate twists activated a cunning mechanism; the base of the cross blew apart, revealing a winding metal spring at the base. At the same time, there was a whir of machinery, a grinding sound of metal against metal, and a series of spindly steel tubes emerged from the head and arms of the cross; and as the jolly old elf grunted and arched his back, the giant laser-mounted pogo stick heaved into the air, leaving in its wake waves of devastation, and a merry, menacing cry of “Ho-ho-ho!

Couldn’t you build some form of computer aid here?” I said. “In this zinc-plated, vacuum-tubed culture?” Sometimes Spock spoke to me as though I was an idiot, and I knew most captains wouldn’t put up with that from their first officers. But I accepted it as part of the package. And I had my own ways of torturing him.

Them’s Landon and Tyler,” the Monarch says. “They’re tryin to get famous. They got a MeTube series called Drink and Slap.” He pauses. “The title pretty much says it all. It ain’t too subtle.

So in this Hemisphere when the moon goes down, I sit in one of those all-night-into-mornings cafes, watching short short skies below the skyscrapers and low-rises and sense the big turntables turning and the roadies setting up from stadium to stadium from L.A. to New York and all north and south and east and west and in between – and i know there must be a lot of kids who aren't sleeping but listening to their muse – iPad-ing and YouTubing...and the final shore ain't no shore at all but a long ether cable cyperspacing us together – cutting the continent in half.

You may find yourself binge-watching random YouTube videos of Beavis and Butthead binge-watching random music videos, and you may ask yourself, “Well… how did I get here?

The most explosive in the series - ALL ACCESS BOOK 3: Finding My Way Back Home is now available. It has an endgame you'll never forget. Watch the book trailer on You Tube

The ends.  Ben thought long and hard about the big difference there.  Yes, both sides killed, but there was an all-important discussion to be had about the ends.  Terrorists killed because they believed snuffing out life that was different than theirs was not only acceptable, but required.  There was no respect for life, liberty, or the pursuit of happiness.  Zero tolerance.  The ends for the Dark Horse Guardians were completely different.  Their purpose was to eliminate evil that subjugated women and children and to kill those who refused to live peacefully, and tolerate those with beliefs different than their own.  The ends did justify the means.  But the special operators did not high-five or fist bump their victories, nor did they display them on YouTube.  What they did was for a greater good.  They silently, methodically pushed forward, mission after mission, dedicating themselves to a life of protecting and defending freedom.  These concepts were foreign to those who ruled with terror. 

In today’s world, maintaining focus has become incredibly difficult. That’s because everybody is vying for our attention. And I’m not just talking about our family members, friends, or colleagues. I’m also talking about marketers, YouTubers, or bloggers. Nowadays more than ever, the ability to attract people’s attention is one of the biggest sources of income for many companies. In short, your focus is worth a lot of money, which is why YouTube, Facebook, and Instagram do everything they can to keep you glued to your screen.

I could feel the bloody scratches from his claws on my neck burning slightly, frighteningly close to my femoral artery, or was it carotid artery? Regardless, it was one of my body’s important blood tubes, but the wounds weren’t deep.

I took the video off YouTube,” he says. “You were right—it was mean.

Hacerse amigo de los libros, entablar una nueva relación con ellos, rastrear aquellos títulos que el sistema educativo condena y que la industria mediática cancela. Para lograr todo esto, hay que empezar por reordenar el uso del propio tiempo. Una serie menos, un libro más. Una educación radical no equivale a acumulación de datos. El dato no mata al relato. Más bien, el dato es un soporte empírico del relato. La educación técnica ha hecho creer a las personas que los debates se ganan a base de estadísticas y números. Lo único que terminan entendiendo de un debate que miran por YouTube es que uno brindó más datos que otro. Todo lo demás se les escapa con facilidad. Lo que no pueden ver es que esos datos son simplemente un soporte para el despliegue de algo mucho mayor, que es la idea apalancada por el argumento. El dato no es un argumento. El argumento depende más de la formación que de la información. La formación es el fruto del aprender a pensar.

Step #2. Add friction Generally speaking, the harder something is to access, the less likely you are to do it and vice-versa. This is why you must redesign your environment to make undesirable behaviors more difficult to engage in while making more desirable behaviors easier to conduct. Look at the habits or activities you want to eliminate and ask yourself how you could add friction—the more friction, the better. For instance: If your phone is your biggest distraction, remove all notifications or put it on airplane mode. Or, even better, switch it off and put it in a separate room. If Facebook is your biggest distraction, remove as many notifications as you can and/or use applications such as Newsfeed Eradicator (a Google Chrome extension). If you spend hours watching YouTube

You can think of the human body as a set of transportation systems . . . Our reproductive system is a series of tunnels and tubes that transport egg and sperm cells from where they are made to where they need to go to create a pregnancy.

To skip a YouTube ad, just change “youtube” to “youtubeskip” in the URL of any video. 106 If you want to ignore someone, simply add them into your phone contact list as “ignore” and make the ringtone of that contact silent.

MENTAL PICTURE 1 In your mind’s eye see yourself lying stretched out on the bed. Form a picture of your legs as they would look if made of concrete. See yourself lying there with two very heavy concrete legs. See these very heavy concrete legs sinking far down into the mattress from their sheer weight. Now picture your arms and hands as made of concrete. They also are very heavy and are sinking down into the bed and exerting tremendous pressure against the bed. In your mind’s eye see a friend come into the room and attempt to lift your heavy concrete legs. He takes hold of your feet and attempts to lift them. But they are too heavy for him. He cannot do it. Repeat with arms, neck, etc. MENTAL PICTURE 2 Your body is a big marionette doll. Your hands are tied loosely to your wrists by strings. Your forearm is connected loosely by a string to your upper arm. Your upper arm is connected very loosely by a string to your shoulder. Your feet, calves, thighs are also connected together with a single string. Your neck consists of one very limp string. The strings that control your jaw and hold your lips together have slackened and stretched to such an extent that your chin has dropped down loosely against your chest. All the various strings that connect the various parts of your body are loose and limp and your body is just sprawled loosely across the bed. MENTAL PICTURE 3 Your body consists of a series of inflated rubber balloons. Two valves open in your feet, and the air begins to escape from your legs. Your legs begin to collapse and continue until they consist only of deflated rubber tubes, lying flat against the bed. Next a valve is opened in your chest, and as the air begins to escape your entire trunk begins to collapse limply against the bed. Continue with arms, head, and neck. MENTAL PICTURE 4 Many people will find this the most relaxing of all. Just go back in memory to some relaxing and pleasant scene from your past. There is always some time in everyone’s life when he felt

MENTAL PICTURE 1 In your mind’s eye see yourself lying stretched out on the bed. Form a picture of your legs as they would look if made of concrete. See yourself lying there with two very heavy concrete legs. See these very heavy concrete legs sinking far down into the mattress from their sheer weight. Now picture your arms and hands as made of concrete. They also are very heavy and are sinking down into the bed and exerting tremendous pressure against the bed. In your mind’s eye see a friend come into the room and attempt to lift your heavy concrete legs. He takes hold of your feet and attempts to lift them. But they are too heavy for him. He cannot do it. Repeat with arms, neck, etc. MENTAL PICTURE 2 Your body is a big marionette doll. Your hands are tied loosely to your wrists by strings. Your forearm is connected loosely by a string to your upper arm. Your upper arm is connected very loosely by a string to your shoulder. Your feet, calves, thighs are also connected together with a single string. Your neck consists of one very limp string. The strings that control your jaw and hold your lips together have slackened and stretched to such an extent that your chin has dropped down loosely against your chest. All the various strings that connect the various parts of your body are loose and limp and your body is just sprawled loosely across the bed. MENTAL PICTURE 3 Your body consists of a series of inflated rubber balloons. Two valves open in your feet, and the air begins to escape from your legs. Your legs begin to collapse and continue until they consist only of deflated rubber tubes, lying flat against the bed. Next a valve is opened in your chest, and as the air begins to escape your entire trunk begins to collapse limply against the bed. Continue with arms, head, and neck. MENTAL PICTURE 4 Many people will find this the most relaxing of all. Just go back in memory to some relaxing and pleasant scene from your past. There is always some time in everyone’s life when he felt relaxed, at ease, and at peace with the world. Pick out your own relaxing picture from your past and call up detailed memory images. Yours may be a peaceful scene at a mountain lake where you went fishing. If so, pay particular attention to the little incidental things in the environment. Remember the quiet ripples on the water. What sounds were present? Did you hear the quiet rustling of the leaves? Maybe you remember sitting perfectly relaxed, and somewhat drowsy, before an open fireplace long ago. Did the logs crackle and spark? What other sights and sounds were present? Maybe you choose to remember relaxing in the sun on a beach. How did the sand feel against your body? Could you feel the warm, relaxing sun, touching your body, almost as a physical thing? Was there a breeze blowing? Were there gulls on the beach? The more of these incidental details you can remember and picture to yourself, the more successful you will be.

The idea was to shake the tubes and make the marbles descend to the other end through a series of holes just big enough to allow one marble to drop through at a time. It made for a very exciting, somewhat noisy, relay when our

Burn the Stage was released in March 2018 as a series of eight documentary episodes on YouTube, which were later compiled into the feature Burn the Stage: The Movie (including previously unreleased footage), which premiered simultaneously in more than seventy countries in November of the same year. The Burn the Stage series was followed by similar documentary and feature series that covered BTS’s tours and other major musical activities, including Bring the Soul (2019), Break the Silence (2020), and BTS Monuments: Beyond the Star (2023).

It’s a damn shame this book doesn’t have a “play video” option because they are truly a sight to behold. However, you can watch rough videos of them in all their glory on YouTube by searching for “Big Bang Theory flash mobs.” You’ll never listen to the Backstreet Boys’ “Larger Than Life” the same way again.

I hear this drumbeat everyday as my own YouTube videos are deleted and as my YouTube channel is demonetized.

The appearance of Destination Moon in movie houses helped make 1950 the year of S-F on radio. Dimension X rose to the task, proving that radio and science fiction were ideally compatible. The series demonstrated (though it would take the perfection of television to prove it) that adding a picture to a story of vision, illusion, or myth does not automatically enhance things. The tube is too small, the props too artificial (no matter how ingenious or technologically advanced) to compete with the landscape of the mind.

The trigger primer contained no sort of nuclear charge. It was a simply a number of high explosive cartridges, wired in series for electric detonation. Its function was to hurl a certain mass of plutonium down a tube rather like a gun barrel into another mass. On their own, the two masses, were harmless. When flung violently together an uncontrolled reaction took place and an atomic explosion occurred.

If you spend hours watching YouTube videos, install DF Tube on your Google Chrome navigator, or find a similar app for your internet browser. This will remove all the suggestions and notifications. Then, only watch videos that serve a specific purpose.

Whenever you check your email, you’re expecting a reward, which could be a message from a friend or some exciting news. Whenever you check stats, such as investment portfolio, or website traffic stats, you expect a reward from seeing encouraging numbers. And the unpredictability makes it more exciting. Whenever you visit YouTube, you expect to watch interesting or exciting videos. Whenever you visit social media sites, such as Facebook, Twitter or Instagram, you’re anticipating rewards such as likes or comments on your posts, messages from friends or interesting content.

Adam Cesare’s graphic novel Dead Mall, and I’d watched YouTube creator Kane Pixel’s series The Oldest View.

We probably won’t be seeing one another again. The bells take care of everything here. The bells and the machines. There is never an error—never any mistakes. Machines do not make mistakes.” He was marched out of there and through a series of rooms. He was taken in by generators, huge oscilloscopes. Spun like a living tube through curtains of vacuum tube voltimeters, electronic power panels. Twisted and squeezed through rolls of skeins of hook-up wire.

Bent through shieldings of every color, size and shape. Rolled over panel plates, huge racks of glowing tubes, elaborate transceivers. Tumbled down long surfaces of gleaming bakelite. Plunged through color-indexed files of resistors and capacitances . . . . . . . here machine and man learn to work very intimately together. As he drifted through the machine tooled nightmare, Marquis knew what he had been fighting all his life, what he would continue to fight with every grain of ingenuity. Mechanization—the horror of losing one’s identity and becoming part of an assembly line. He could hear a clicking sound as tubes sharpened and faded in intensity. The clicking—rhythm, a hypnotic rhythm like the beating of his own heart—the throbbing and thrumming, the contracting and expanding, the pulsing and pounding . . . . . . . the machines and the nervous system of the workers become slowly cooperative. * Beds were spaced ten feet apart down both sides of a long gray metal hall. There were no cells, no privacy, nothing but beds and the gray metalene suits with numbers printed across the chest. His bed, with his number printed above it, was indicated to him, and the guard disappeared. He was alone. It was absolutely silent. On his right a woman lay on a bed. No. 329. She had been here a long time. She appeared dead. Her breasts rose and fell with a peculiarly steady rhythm, and seemed to be coordinated with the silent, invisible throbbing of the metal walls. She might have been attractive once. Here it didn’t make any difference. Her face was gray, like metal. Her hair was cropped short. Her uniform was the same as the man’s on Marquis’ left. The man was No. 4901. He hadn’t been here so long. His face was thin and gray. His hair was dark, and he was about the same size and build as Marquis. His mouth hung slightly open and his eyes were closed and there was a slight quivering at the ends of the fingers which were laced across his stomach. “Hello,” Marquis said. The man shivered, then opened dull eyes and looked up at Marquis. “I just got in. Name’s Charles Marquis.” The man blinked. “I’m—I’m—No. 4901.” He looked down at his chest, repeated the number. His fingers shook a little as he touched his lips. Marquis said.

A series of checks and balances ensures that neither the maternal nor the paternal genome gets the upper hand. We can get a better understanding of how this works if we look once again at the experiments of Azim Surani, Davor Sobel and Bruce Cattanach. These are the scientists who created the mouse zygotes that contained only paternal DNA or only maternal DNA. After they had created these test tube zygotes, the scientists implanted them into the uterus of mice. None of the labs ever generated living mice from these zygotes. However, the zygotes did develop for a while in the womb, but very abnormally. The abnormal development was quite different, depending on whether all the chromosomes had come from the mother or the father. In both cases the few embryos that did form were small and retarded in growth. Where all the chromosomes had come from the mother, the placental tissues were very underdeveloped1. If all the chromosomes came from the father, the embryo was even more retarded but there was much better production of the placental tissues2. Scientists created embryos from a mix of these cells – cells which had only maternally inherited or paternally inherited chromosomes. These embryos still couldn’t develop all the way to birth. When examined, the researchers found that all the tissues in the embryo were from the maternal-only cells whereas the cells of the placental tissues were the paternal-only type3. All these data suggested that something in the male chromosomes pushes the developmental programme in favour of the placenta, whereas a maternally-derived genome has less of a drive towards the placenta, and more towards the embryo itself.

When you ought to be working on your computer, you are only ever one or two clicks away from checking out your friends on Facebook or welcoming a few minutes of mindless entertainment on YouTube. Text messages provide a welcome distraction from deep thinking, and binge watching the latest series on Netflix can set you back a week. You are surrounded by temptations to laziness and may succumb far more often than you think.

A kaleidoscope consists of a tube (or container), mirrors, pieces of glass (or beads or precious stones), sunlight, and someone to turn it and observe and enjoy the forms. Metaphorically, perhaps the sun represents the divine light, or spark of life, within all of us. The mirrors represent our ability to serve as mirrors for one another and each other’s alignment, reflecting sides of ourselves that we may not have been aware of. The tube (or container) is the practice of community yoga. We, as human beings, are the glass, the beads, the precious stones. The facilitator is the person turning the Kaleidoscope, initiating the changing patterns. And the resulting beauty of the shapes? Well, that’s for everyone to enjoy...

Kaleidoscope Yoga: The universal heart and the individual self. We, as humanity, make up together a mosaic of beautiful colors and shapes that can harmoniously play together in endless combinations. We are an ever-changing play of shape and form. A kaleidoscope consists of a tube (or container), mirrors, pieces of glass (or beads or precious stones), sunlight, and someone to turn it and observe and enjoy the forms. Metaphorically, perhaps the sun represents the divine light, or spark of life, within all of us. The mirrors represent our ability to serve as mirrors for one another and each other’s alignment, reflecting sides of ourselves that we may not have been aware of. The tube (or container) is the practice of community yoga. We, as human beings, are the glass, the beads, the precious stones. The facilitator is the person turning the Kaleidoscope, initiating the changing patterns. And the resulting beauty of the shapes? Well, that’s for everyone to enjoy... Coming into a practice and an energy field of community yoga over and over, is a practice of returning, again and again, to the present moment, to the person in front of you, to the people around you, to your body, to others’ bodies, to your energy, to others’ energy, to your breath, to others’ breath. [...] community yoga practice can help us, in a very real, practical, grounded, felt, somatic way, to identify and be in harmony with all that is around us, which includes all of our fellow human beings.
 We are all multiple selves. We are all infinite. We are all universal selves. We are all unique expressions of the universal heart and universal energy. We are all the universal self. We are all one another. And we are all also unique specific individuals. And to the extent that we practice this, somatically, we become more and more comfortable and fluid with this larger, more cosmic, more inter-related reality. We see and feel and breathe ourselves, more and more, as the open movement of energy, as open somatic possibility. As energy and breath. This is one of the many benefits of a community yoga practice. Kaleidoscope shows us, in a very practical way, how to allow universal patterns of wisdom and interconnectedness to filter through us. [...] One of the most interesting paradoxes I have encountered during my involvement with the community yoga project (and it is one that I have felt again and again, too many times to count) is the paradox that many of the most infinite, universal forms have come to me in a place of absolute solitude, silence, deep aloneness or meditation. And, similarly, conversely and complimentarily, (best not to get stuck on the words) I have often found myself in the midst of a huge crowd or group of people of seamlessly flowing forms, and felt simultaneously, in addition to the group energy, the group shape, and the group awareness, myself as a very cleanly and clearly defined, very particular, individual self. These moments and discoveries and journeys of group awareness, in addition to the sense of cosmic expansion, have also clarified more strongly my sense of a very specific, rooted, personal self. The more deeply I dive into the universal heart, the more clearly I see my own place in it. And the more deeply I tune in and connect with my own true personal self, the more open and available I am to a larger, more universal self. We are both, universal heart and universal self. Individual heart and individual self. We are, or have the capacity for, or however you choose to put it, simultaneous layers of awareness. Learning to feel and navigate and mediate between these different kinds and layers of awareness is one of the great joys of Kaleidoscope Community Yoga, and of life in general. Come join us, and see what that feels like, in your body, again and again. From the Preface of Kaleidoscope Community Yoga: The Art of Connecting: The First 108 Poses

The lights threw her Shadow into sharp relief behind her on the wall. The shadow was dark and thin, but threw out strong tubes, feelers reaching toward other shadows. When there were none, the feelers reached farther for connections, elongating, seeking, prompting another step from her.

He could see faint streaks of light as if the man left behind prints. They didn't appear like footprints, there were more faint bluish lights, more of a blob-line than a print, but every person left them behind and from shadows he could see them. He couldn't spot the imaging once out of tube, but the shadows acted as if he was seeing through a thermal lens.

She glanced at it now, thrown from the light from the flames dancing in the fireplace. Her shadow and Vittorio's were connected. More than connected. The tubes had intertwined to the point that it appeared to be one shadow, not two.

All three brothers were their signature three-piece suit. Gray, pin-striped, made of a special material one of the many cousins invented, the stripes allowing the Rider to fade immediately into the shadows, making it more difficult for anyone to see them. More importantly, the suit would come apart with them when they were pulled apart, drawn into the tubes in the shadows.

On his fourth day with Castro he shot a government scout, aiming through a telescopic sight. It was uncanny. You press a button and a man drops dead a hundred meters away. It seemed hollow and remote, falsifying everything. It was a trick of the lenses. The man is an accurate picture. Then he is upside down. Then he is right side up. You shoot at a series of images conveyed to you through a metal tube. The force of a death should be enormous but how can you know what kind of man you’ve killed or who was the braver and stronger if you have to peer through layers of glass that deliver the image but obscure the meaning of the act? War has a conscience or it’s ordinary murder.

Standing in the mouth of the tube, he needed a few seconds for his body to feel as if it had come back together. There was always the sick feeling that came with fast travel, with being pulled apart and put back together.

Based on traffic received, Alexa.com ranks YouTube third after Google Search and Facebook. The best use of the site is entertainment and research.

A seven-year-old named Ryan, the star of Ryan ToysReview, takes in over $22 million a year, earning him the number one spot on Forbes’s list of highest paid YouTube entrepreneurs.

In 2018, Apple spent over $1 billion on original programming, while Amazon dropped $5 billion. Sling, YouTube, Hulu, even that guy who repairs lawnmowers and has three million followers on Facebook—they’re all coming to eat Hollywood’s lunch.

Every day, billions of people watch billion of videos on the site. For the younger generation, YouTube has completely replaced television as their medium of choice.

It may have been derivative, lighthearted fluff but Once Upon a Dead Man also seemed like the ideal vehicle to help facilitate Rock Hudson’s transition from movie to television star (even if he dismissively referred to the tube as “illustrated radio”). The much-publicized two-hour movie would serve as the pilot for a new NBC series called McMillan & Wife.

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