Key Funny Quotes

We've searched our database for all the quotes and captions related to Key Funny. Here they are! All 100 of them:

Do you ever think if people heard our conversations they'd lock us up?" All the time.
Wendy Mass (Jeremy Fink and the Meaning of Life)
funny how a beautiful song could tell such a sad story
Sarah Dessen (Lock and Key)
Failed relationships can be described as so much wasted make-up.
Marian Keyes (Watermelon (Walsh Family, #1))
The three of you have one solution to every problem. Murder. No key fits every lock.” Cardan gives us all a stern look, holding up a long-fingered hand with my stolen ruby ring still on one finger. “Someone tries to betray the High King, murder. Someone gives you a harsh look, murder. Someone disrespects you, murder. Someone ruins your laundry, murder.
Holly Black (The Wicked King (The Folk of the Air, #2))
Isn't it funny how the memories you cherish before a breakup can become your worst enemies afterwards? The thoughts you loved to think about, the memories you wanted to hold up to the light and view from every angle--it suddenly seems a lot safer to lock them in a box, far from the light of day and throw away the key. It's not an act of bitterness. It's an act if self-preservation. It's not always a bad idea to stay behind the window and look out at life instead, is it?
Ally Condie (First Day)
It's a funny thing about life, once you begin to take note of the things you are grateful for, you begin to lose sight of the things that you lack.
Germany Kent
A pause followed my greeting. Then “We’re watching you ” whispered the voice on the other end. “Yeah? Did you see what I did with my keys? ” Silence. Then dial tone. These younger demons. So easily discouraged.
Josh Lanyon (The Hell You Say (The Adrien English Mysteries, #3))
The funny thing about stop signs is that they're also start signs.
Maureen Johnson (The Key to the Golden Firebird)
Rules for Living by Olivia Joules 1. Never panic. Stop, breathe, think. 2. No one is thinking about you. They're thinking about themselves, just like you. 3. Never change haircut or color before an important event. 4. Nothing is either as bad or good as it seems. 5. Do as you would be done by, e.g. thou shalt not kill. 6. It is better to buy one expensive thing that you really like than several cheap ones that you only quite like. 7. Hardly anything matters: if you get upset, ask yourself, "Does it really matter?" 8. The key to success lies in how you pick yourself up from failure. 9. Be honest and kind. 10. Only buy clothes that make you feel like doing a small dance. 11. Trust your instincts, not your overactive imagination. 12. When overwhelmed by disaster, check if it's really a disaster by doing the following: (a) think, "Oh, fuck it," (b) look on the bright side, and if that doesn't work, look on the funny side. If neither of the above works then maybe it is a disaster so turn to items 1 and 4. 13. Don't expect the world to be safe or life to be fair.
Helen Fielding (Olivia Joules and the Overactive Imagination)
The absolute worst part of being depressed is the food. A person's relationship with food is one of their most important relationships. I don't think your relationship with your parents is that important. Some people never know their parents. I don't think your relationship with your friends are important. But your relationship with air-that's key. You can't break up with air. You're kind of stuck together. Only slightly less crucial is water. And then food. You can't be dropping food to hang with someone else. You need to strike up an agreement with it.
Ned Vizzini (It's Kind of a Funny Story)
CPR dummy looked like him and had clearly been stabbed. Repeatedly. In the groin. He thought she might have used the dummy for target practice, and tried not to be offended. Key word: tried.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
I don't know where my ideas come from. I will admit, however, that one key ingredient is caffeine. I get a couple cups of coffee into me and weird things just start to happen.
Gary Larson
He put on his hat and wrapped his scarf around his jaw, but did without the wig and the sunglasses. He clicked his key chain and the car beeped and the doors locked. "That's it?" He looked up. "Sorry?" "Aren't you afraid it might get stolen? We're not exactly in a good part of town." "It's got a car alarm." "Don't you, like, cast a spell or something? To keep it safe?" "No. It's a pretty good car alarm.
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
Funny how a beautiful song could tell such an ugly story.
Sarah Dessen (Lock and Key)
And I'm sure than in Poland, or somewhere, it is considered cool to drive a Porsche and wear necklaces and black silk, but at least back in Brooklyn if you did those things you were either a drug dealer or from New Jersey.
Meg Cabot (Ninth Key (The Mediator, #2))
It's funny how you can think you know someone pretty well, and then something happens or they do something that makes you understand that you didn't really know them at all.
Wendelin Van Draanen (Sammy Keyes and the Dead Giveaway (Sammy Keyes, #10))
And I know someone who’s perfect for her. He works in my lab. He’s smart. He’s funny. His name is Bert.” Bert? Is she fucking kidding me? What kind of sick son of a bitch names his kid Bert in this day and age? That’s just cruel. “He’ll show Kate a good time. I plan on setting them up this weekend.” And I plan on handcuffing myself to Kate’s ankle and eating the key. Let’s see what kind of good time Bert can show Kate when she’s dragging me around behind her like a Siamese twin.
Emma Chase (Tangled (Tangled, #1))
I swear, sometimes I am convinced my life is just a series of sketches for America's Funniest Home Videos, minus all that pants-dropping business. Except my life really isn't all that funny if you think about it.
Meg Cabot (Ninth Key (The Mediator, #2))
Adamant," Doren said proudly, handing over the shield. "We fished it out of the tar pit where we found the shirt of mail." "Probably all belonged to the same careless adventurer," Newel speculated. "Too much money, not enough talent.
Brandon Mull (Keys to the Demon Prison (Fablehaven, #5))
He left the key in the ignition. No one was likely to come up here and steal the truck- and if anyone did... well, he could deal with Charles
Patricia Briggs (Cry Wolf (Alpha & Omega, #1))
No problem. Just drop it back off before you go," he says, procuring a brass key. "And if he puts on Bowie's early stuff and starts sweet-talking, dammit, you run. You run as fast as you can.
Hannah Harrington (Saving June)
Funny how a beautiful song could tell such as ugly story. It seemed unfair, like a trick.
Sarah Dessen (Lock and Key)
People think it’s funny when a dumb person can’t do things the same way they can.
Daniel Keyes (Flowers for Algernon)
They say the path of true love never runs smooth. Well, Luke and my true love's path didn't run at all, it limped along in new boots that were chafing its heels. Blistered and cut, red and raw, every hopping, lopsided step, a little slice of agony.
Marian Keyes (Rachel's Holiday (Walsh Family, #2))
And so really, you have given me no choice but to take you shopping by force.” She sighed, then reached up, dropping her sunglasses down from their perch on her head to cover her eyes. “Do you even realize how happy the average teenage girl would be in your shoes? I have a credit card. We’re at the mall. I want to buy you things. It’s like adolescent nirvana.” - Cora
Sarah Dessen (Lock and Key)
Time is a funny thing, it can give and it can take away; and a single moment in time can truly change one’s life forever! The best kind of love is unexpected, unexplainable, undeniable, and unimaginable. Your sweet scent will forever be with me, reminding me of the love we once shared. I will breathe in the memories until we meet again. Before you act on what you have been told, consider your source. It may simply be assumption on their part, and that can be far from fact. Why stand back and wait for someone to fail when you can stand up and offer your support? Love is when the sound of your partner’s snoring lulls you to sleep, and it acts as a reminder that they are there by your side. Building a wall around your heart is a voluntary imprisonment to which only you have the key. Open your heart to life’s possibilities!
Donna L. Jones
Everybody else possessed the key to popularity and happiness, and his clumsy attempts to find his own key always ended with other children looking at him funny, or calling him names.
Belinda Bauer (Rubbernecker)
I fixed your car," he said, tossing the keys from a jade dish on the little maple end table. I palmed them and eyed him speculatively. "You fixed my car?" "I have walked the earth for more than a century. I managed to pick up some skills along the way," he said, before reluctantly adding, "and one of them is finding skilled mechanics." I smirked, leaning against the wall. "You almost had me there." "I supervised," he insisted.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Aha! I take my three keys on my ring (car, house, El's) and hold my hand in a fist so that each of the keys is peeking out from between my fingers. I remember seeing this on a self-denfense special of Maury. Television saves lives.
Julie Murphy (Dumplin' (Dumplin', #1))
You want me to be a man,older than you, who goes by the name of Roullard.
Wendelin Van Draanen (Sammy Keyes and the Hollywood Mummy (Sammy Keyes, #6))
Age is a funny thing. So are appearances. Neither is relevant to what one knows, in my opinion.
Darren T. Patrick (The Cloudstone Key (Rithhek Cage Trilogy, #1))
Depression is not dramatic, but it is total. It’s sneaky - you almost don’t notice it at first. Like a cat burglar, it comes in through an open window while you’re sleeping. It takes little things at first; your appetite, your desire to return phone calls. Then it comes back for the big stuff, like your will to live. Then next thing you know, your legs are filled with sand. The thought of brushing your teeth fills you with dread, it seems like such an impossible task. Suddenly you’re living your life in black and white – nothing is bright, nothing is pretty anymore. Music sounds tinny and distant. Things you found funny seem dull and off-key.
Lisa Unger (Sliver of Truth (Ridley Jones, #2))
Be flirty but not too flirty. Be confident but not aggressive. Be funny but in a low-key, quiet way. Eat cheeseburgers, but don’t get fat. Be chill, but don’t lose control.
Candace Bushnell (Rules for Being a Girl)
If love is the treasure, laughter is the key.Yakov Smirnoff
Tarah Dewitt (Funny Feelings)
As we sat there, the door opened, just barely, and a hand slid inside and dropped a set of keys on a side table. "Thanks, Garrett!" I called out. He gave me a thumbs-up and closed the door. "How do you suppose he knew we were performing sexual favors on each other?" I asked, snuggling against my man again. "Possibly because you screamed my name about seven times.
Darynda Jones (Eleventh Grave in Moonlight (Charley Davidson, #11))
How about a rain check?' She smiles, but I know it's not real because it doesn't crinkle her eyes. 'Sure. Some other time.' I nod and grab my car keys. Before I flip the light on in the grage, she's behind me, tugging on my backpack. 'You want to go to school? Fine. But you're not driving. Give me the key.' 'I'm okay, Mom, really. I'll see you tonight.' I plant a quick kiss on her cheek and turn to the door again. 'That's nice. Give it to me.' She holds out her hand. I clench the key in my fist. 'You practically shoved that car down my throat Monday, and now youre taking the key. What did I do?' 'What did you do? Well, for starters, you used your face to stop a cafeteria door from swinging open.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You should really, like, dump her and date me instead,' May heard herself saying, all confidence. 'I'm not as irritating. I mean, I'm irritating, but I'm not as bad as she is. And you know me better. Wouldn't that be funny? I mean, we've already hooked up, so we're good.' We broke up,' Pete said quickly. His voice was so bright that May could hear the smile coming through. For a moment she was confused. Who, you and me?' No. Nell and i.' Oh . . .' The meter in her brain clicked once or twice, signaling May that she'd probably said enough. I have to go,' she said suddenly. 'Okay? I think that's great. Cool. Okay. Gotta go now. Hey, Pete, I love you!
Maureen Johnson (The Key to the Golden Firebird)
Forgive my brother," Camira apologized. "We don't normally let him out of his cage when guests are present.
Brandon Mull (Keys to the Demon Prison (Fablehaven, #5))
Diesel sucked air. "You keep fondling me like that, and I might have to marry you." "I'm not fondling you. I'm looking for the keys!" "Could you look a little more gently? You're scaring my boys.
Janet Evanovich (Wicked Appetite (Lizzy & Diesel, #1))
And herein lies the key to the brilliance of Mark Haddon’s choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotion. The effect is dazzling, making for a novel that is deeply funny, poignant, and fascinating in its portrayal of a person whose curse and blessing is a mind that perceives the world literally.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
It is my turn to wait. Funny that in all these months we have been meeting, it was always she waiting for me.
Melissa de la Cruz (Keys to the Repository (Blue Bloods, #4.5))
A few more of those smiles, and this guy isn’t going to know what hit him when the Earth girl impulsively kisses him for no apparent reason." -Reece Bryant
S.L. Morgan (The Legacy of the Key (Ancient Guardians, #1))
Tomorrow is the day of the yearly election of the Well-Doer. Tomorrow we shall again hand over to our Well-Doer the keys to the impregnable fortress of our happiness. Certainly this in no way resembles the disorderly, unorganized election days of the ancients, on which (it seems so funny!) they did not even know in advance the result of the election. To build a state on some non-discountable contingencies, to build blindly—what could be more nonsensical? Yet centuries had to pass before this was understood!
Yevgeny Zamyatin (We)
It was funny how we thought education to be the great gilded key which would solve all problems, eliminate all poverty and disease, eradicate differences between social classes, and bring the children of okra-planters up to par with the children of emperors.
Pat Conroy (The Water is Wide)
(on the word "fuck") 'Oh, come on, Mum,' I sighed at her protest. 'It's just an old Anglo-Saxon word for the female organ which has been adopted by an inherently misogynist language as a negative epithet. It's the same as "fuck", it basically means the same as copulate, but the latter is perfectly acceptable. Why? Because copulate has its roots in Latin and Latin reminds us that we are a sophisticated, learned species, not the rutting animals that these prehistoric grunts would have us appear to be, and isn't that really the issue here? We don't want to admit that we are essentially animals? We want to distinguish ourselves from the fauna with grand conceits and elaborate language; become angels worthy of salvation, not dumb creatures consigned to an earthly, terminal end. It's just a word, Mum; a sound meaning a thing; and your disgust is just denial of a greater horror: that our consciousness is not an indication of our specialness but the terrifying key to knowing how truly insignificant we are.' She told me to got fuck myself.
Simon Pegg (Nerd Do Well)
It’s funny,” John says, “how piano keys are black and white, yet they play a thousand different colors.” “‘Cept there ain’t no piyana,” Captain Clark shushes. John’s face goes blank. “Really? I thought I heard one.” Captain Clark looks at me, almost apologetically. “He’s got Van Gogh’s ear fer music.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
That’s the key, you know, confidence. I know for a fact that if you genuinely like your body, so can others. It doesn’t really matter if it’s short, tall, fat or thin, it just matters that you can find some things to like about it. Even if that means having a good laugh at the bits of it that wobble independently, occasionally, that’s all right. It might take you a while to believe me on this one, lots of people don’t because they seem to suffer from self-hatred that precludes them from imagining that a big woman could ever love herself because they don’t. But I do. I know what I’ve got is a bit strange and difficult to love but those are the very aspects that I love the most! It’s a bit like people. I’ve never been particularly attracted to the uniform of conventional beauty. I’m always a bit suspicious of people who feel compelled to conform. I personally like the adventure of difference. And what’s beauty, anyway?
Dawn French (Dear Fatty)
The two keys to success as a sportswriter are: 1) A blind willingness to believe anything you're told by the coaches, flacks, hustlers and other "official spokesmen" for the team-owners who provide the free booze ... and: 2) A Roget's Thesaurus, in order to avoid using the same verbs and adjectives twice in the same paragraph. Even a sports editor, for instance, might notice something wrong with a lead that said: "The precision-jack-hammer attack of the Miami Dolphins stomped the balls off the Washington Redskins today by stomping and hammering with one precise jack-thrust after another up the middle, mixed with pinpoint-precision passes into the flat and numerous hammer-jack stomps around both ends....
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
If you read the The Bacchae and the Gospel of John side by side, it’s kind of funny. The same scenes show up, sometimes even the same words. Greek vocabulary that doesn’t appear anywhere else in the three Synoptic Gospels—Matthew, Mark, or Luke.
Brian C. Muraresku (The Immortality Key: The Secret History of the Religion with No Name)
But your relationship with air—that’s key. You can’t break up with air. You’re kind of stuck together. Only slightly less crucial is water. And then food. You can’t be dropping food to hang with someone else. You need to strike up an agreement with it.
Ned Vizzini (It's Kind of a Funny Story)
Delivering your message with a funny or touching story end is the key to creating emotion and making a lasting impact in their hearts and minds.
Barry Powell (99 Inspiring Stories for Presentations: Inspire your Audience & Get your Message Through)
So this is creepy,' I say, motioning to the school with my non-key-shiv hand.
Julie Murphy (Dumplin' (Dumplin', #1))
Kate grasped her small handbag and pulled a small blue vial and threw it into the grinding mass. It shattered harmlessly, causing two creatures to pause with a look of confusion. "What is that potion?" Simon asked. Kate stared as the two undead things began to shuffle forward again. She glanced into her purse. "Damn it! That was my perfume.
Clay Griffith (The Undying Legion (Crown & Key, #2))
You know when you’re walking to the trash can at the zoo and you’re holding something important in one hand, and you have something you have to throw away in the other hand, and you’re sort of distracted because you just realized the universal truth that everything in the world either is or isn’t pandas and you’re trying to decide if that’s an important epiphany or not and it’s so distracting that it’s not until you’re halfway back to the lemur house that you realize you’re still holding the garbage in your hand and that you seem to have thrown your car keys in the trash?
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
The three of you have one solution to every problem. Murder. No key fits every lock.' Cardan gives us all a stern look, holding up a long-fingered hand with my stolen ruby ring still on one finger. 'Someone tries to betray the High King, murder. Someone gives you a harsh look, murder. Someone disrespects you, murder. Someone ruins your laundry, murder.
Holly Black (The Wicked King (The Folk of the Air, #2))
The only furniture in the dank space was a flimsy cot. Water dripped steadily in one corner. A hole in the floor appeared to serve as a latrine. What most caught Kendra's eye were the messages scratched on the wall. She roamed the cell, reading the crudely inscribed phrases. "Seth rules! Welcome to Seth's House. Seth rocks! Seth was here. Now it's your turn. Seth Sorenson forever. Enjoy the food! If you're reading this, you can read. All roads lead to Seth. Is it still dripping? Seth haunts these halls. You're in a Turkish prison! Seth is the man! Use the meal mats as toilet paper." And so forth. Cold, hopeless, and alone, Kendra found herself giggling at the messages her brother had scrawled. He must have been so bored!
Brandon Mull (Keys to the Demon Prison (Fablehaven, #5))
So while I drove my little and planned his fantasy night of how I was going to give Otter the key to my soul (his words, not mine), I silently panicked and wrote lines of bad poetry. Normally, I am quite adept at writing poems and lyrics to songs I'l never sing, but this stuff was just atrocious. For example: I love you You love me Thank God for that I'm so happy And Ty's personal favorite (which he helped me on): Otter! Otter! Otter! Don't lead cows to slaughter I love you and I know I should've told you soon-a But you didn't buy the dolphin-safe tuna! TY asked me if I got the hidden message in his poem. I told him it was loud and clear.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Let her go in with him." (...) "Actually, I feel quite endangered by her presence. Dont you, Lila?" "Absolutely," said Lila. "She terrifies me. Right Sean?" "Shit." Sean wiped a hand over his face. (...) Lila raised her eyebrows and the Viking groaned in defeat. "Never been so scared in my life. She's so small and ...wounded." "Please, Finn," said Ali, her eyes full of warmth and good humor. "Save us. You're our last hope." "F***ing ridiculous." Finn pulled a set of keys out of his pocket and shoved one into the lock.
Kylie Scott (Skin (Flesh, #2))
Yes, but in this case, the fatality was a shark. The tractor-trailer was carrying four sharks from the Florida Keys to an aquarium in Coney Island in New York City and one of the sharks was ejected during the crash. Fortunately, it didn’t hit anybody, but the fact remains that there was, briefly, an airborne shark on Interstate 95, and it could have hit a car, which would have been tragic, by which I mean pretty funny.
Dave Barry (Best. State. Ever.: A Florida Man Defends His Homeland)
As it 'appens, I am Arthur's right-hand man," said Suzy. "Or left-hand girl, I can't remember where I stood last time. Anyhow, me and Arthur is like two fingers of a gauntlet. Or at least the thumb and the little finger. I mean, I'm his top General, and all. So if I say you're in, you're in.
Garth Nix (Superior Saturday (The Keys to the Kingdom, #6))
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Name a song. Any song at all." She thought for a moment and said, "'Claire de Lune.'" I placed my hands on the keyboard. I closed my eyes and tilted my head back and struck a key, sounding a single note. "There you go. Gimme another one. I can play the first note of anything. As long as I get to choose the key it's in.
Michael Darling (Got Luck (Behindbeyond, #1))
I’m not your boyfriend!” I snapped, trying to gently move her hands away from my body. “How can you say that?” Sara asked in horror. “It’s shockingly effortless,” I replied. “My vocal chords vibrate, and my mouth and tongue articulate. I can even do it without thinking.” I had to remind myself to stay calm, and sarcasm was the best way to do that. “When are you going to give me a key to your house so I don’t have to knock like some guest?” Sara asked, coming at me again. I backed away. “How about never? Is never good for you?” Sara, undeterred, said, “You’re the reason I go to therapy on Fridays.” “The plot thickens!” Gabby exclaimed for comedic relief.
Laura Kreitzer (Keepers (Timeless, #3.5))
lazines is the key to life
D.J. Wetzel
A key prerequisite to thinking and writing funny is understanding funny. And,
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
That's easy," Russell said. "Because everybody else in this here place is crooked as a dog's hind leg. ...
Les Standiford (Bone Key (John Deal #7))
How long are you going to wait for this guy?” I’m thrown by his sudden shift. “Ah . . . I don’t know.” “Give me your keys.” “What?” “Give me your keys. I’m going to change your tire while we’re waiting.” I fish in my purse and come up with a handful of keys. “You’re going to—” “Stay in the car.” He grabs the keys and practically yanks them out of my fingers. Then he slams the door in my face. I watch him in the path of his headlights, mystified. He opens my trunk, and, moments later, emerges with the spare tire. He lays it beside the car, then pulls something else from the darkened space. I’ve never changed a tire, so I have no idea what he’s doing. His movements are quick and efficient, though. I shouldn’t be sitting here, just watching, but I can’t help myself. There’s something compelling about him. Dozens of cars have passed, but he was the only one to stop—and he’s helping me despite the fact that I’ve been less than kind to him all night. He gets down on the pavement—on the wet pavement, in the rain—and slides something under the car. A hand brushes wet hair off his face. I can’t sit here and watch him do this. He doesn’t look at me when I approach. “I told you to wait in the car.” “So you’re one of those guys? Thinks the ‘little woman’ should wait in the car?” “When the little woman doesn’t know her tires are bald and her battery could barely power a stopwatch?” He attaches a steel bar to . . . something . . . and starts twisting it. “Yeah. I am.” My pride flinches. “So what are you saying?” I ask, deadpan. “You don’t want my help?” His smile is rueful. “You’re kind of funny when you’re not so busy being judgmental.” “You’re lucky I’m not kicking you while you’re down there.” He loses the smile but keeps his eyes on whatever he’s doing. “Try it, sister.
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
I was used and tricked and thrown away, but I cannot be forgiven. It’s a funny thing. You go your whole life thinking you’re the protagonist, but really, you’re just the backstory. The boys shrug and go on, they fight and blow things up and half of them do much worse... and still get a key to the city, and eventually you’re just a story your high school boyfriend tells the kid he had with his new wife.
Catherynne M. Valente (The Refrigerator Monologues)
I briefly consider keying her precious BMW, but quite frankly, I don't have the energy to go all Carrie Underwood on her ass. I still have over an hour drive ahead of me. -Jackson 'Blame It on the Pain
Ashley Jade (Blame It on the Pain)
What’s going on?” Ingrid asked. “Listen, nothing bad today, please.” She pulled a chair out and sat down. Faye stared at her and said the words as quickly as she could. “I’m just going to give it to you straight as I can. Mila is a witch.” Ingrid busted out with a laugh. “I wouldn’t call her that,” she said. “That’s a little harsh, isn’t it?” She poured the juice into her glass and took a drink. “What did the brat do this time?” She set her glass down.
Taylor Keys (Double Bubble Boil and Trouble)
I hope you had an entertaining time following me around.” I took my keys out. “You should be a reality show,” he said. “It’s that good. And you know, I might be a totally unstable former assassin, but man. You manage to shock even me.
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
I looked down at the car. It barely came up to my elbow, and it looked like it was a couple of feet longer than the Falcon. Which was kind of funny to me, since it only had two seats. “Then you probably can’t wait to meet whoever drove it, can you?” I said. Lucas’ head snapped up at that, and his face broke out into a grin. “Think they’ll let me drive it?” He was practically bouncing as he came around the car. “Doubt it,” I said. “But I’m sure they’ll let you drool on the keys or something like that.
Ben Reeder (Page of Swords (The Demon's Apprentice, #2))
Once the music starts he goes right into the Jimmy-verse, banging against his washboard and letting it all hang out in a piercing falsetto that’s surprisingly on key. The thing is, he doesn’t sing “I Shot the Sheriff.” He sings only one phrase: “How sweet it is!
Ned Vizzini (It's Kind of a Funny Story)
He swallowed, and his voice was a bit rough, but he was "You know, I think moving is key to this whole fucking thing." "This does t feel good?" Gavin kissed under Jamie's ear while rubbing circles around his nipples with a hard palm. "What is this, Fucking For Slackers?
K.A. Mitchell (Bad Attitude (Bad in Baltimore, #3))
I shut my eyes and concentrated on the sun, and on feeling it warm my skin. On pleasure. Hedon. The Greek god. Or idol, as he should probably be called seeing as I was on hallowed ground. It's pretty arrogant, calling all other gods, apart from the one you've come up with, idols. Thou shalt have no other gods before me. Every dictator's command to his subjects, of course. The funny thing was that Christians couldn't see it themselves. They didn't see the mechanism, the regenerative, self-fulfilling, self-aggrandising aspect which meant that a superstition like this could survive for two thousand years, and in which the key--salvation--was restricted to those who were fortunate enough to have been born in a space of time which was a merest blink of the eye in human history, and who also happened to live on the only little bit of the planet that ever got to hear the commandment and were able to formulate an opinion about the concise sales pitch ("Paradise?").
Jo Nesbø (Midnight Sun (Blood on Snow, #2))
For my friend Fong,” he says, and begins singing John Denver. If you didn’t know it already, now you do: old dudes from rural Taiwan are comfortable with their karaoke and when they do karaoke for some reason they love no one like they love John Denver. Maybe it’s the dream of the open highway. The romantic myth of the West. A reminder that these funny little Orientals have actually been Americans longer than you have. Know something about this country that you haven’t yet figured out. If you don’t believe it, go down to your local karaoke bar on a busy night. Wait until the third hour, when the drunk frat boys and gastropub waitresses with headshots are all done with Backstreet Boys and Alicia Keys and locate the slightly older Asian businessman standing patiently in line for his turn, his face warmly rouged on Crown or Japanese lager, and when he steps up and starts slaying “Country Roads,” try not to laugh, or wink knowingly or clap a little too hard, because by the time he gets to “West Virginia, mountain mama,” you’re going to be singing along, and by the time he’s done, you might understand why a seventy-seven-year-old guy from a tiny island in the Taiwan Strait who’s been in a foreign country for two-thirds of his life can nail a song, note perfect, about wanting to go home.
Charles Yu (Interior Chinatown)
The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?" Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again. "Hello," Skulduggery said, speaking loudly to be heard over the alarm. "Hi," said the man. "The door's locked." "Is it?" "Yes." "That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?" There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?" Skulduggery tilted his head. "Who am I speaking with?" "This is Oscar Nightfall." "Are you sure?" "What?" "Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know." Oscar Nightfall sounded puzzled. Who are you?" "Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?" "What's your name? Give me you name." "No. It's mine." "Tell me your name!" "My name is Oscar Nightfall." "What? No it isn't. That's my name." "Is it? Since when?" "Since I took it!" "You didn't ask me if you could take it. I was using it first." "Open this door immediately." "I don't have the key." "I'll fetch the Cleavers." "I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go." Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
Dazzlement and enchantment are Bester’s methods. His stories never stand still a moment; they’re forever tilting into motion, veering, doubling back, firing off rockets to distract you. The repetition of the key phrase in “Fondly Fahrenheit,” the endless reappearances of Mr. Aquila in “The Star-comber” are offered mockingly: try to grab at them for stability, and you find they mean something new each time. Bester’s science is all wrong, his characters are not characters but funny hats; but you never notice: he fires off a smoke-bomb, climbs a ladder, leaps from a trapeze, plays three bars of “God Save the King,” swallows a sword and dives into three inches of water. Good heavens, what more do you want?
Alfred Bester (Virtual Unrealities, The Short Fiction of Alfred Bester)
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
Charlotte." Kate attempted to distract the child from her endless questions and held up the glass tube. "This is wulfsyl. I can't be sure it's correct." The girl looked at Kate with excitement, then asked hopefully, "Will it stop me from eating someone?" Kate looked uncomfortable. "We believe that if you take it now, you will n ever have to eat someone." "But what if I do?" "Eat Malcolm," Simon suggested.
Clay Griffith (The Undying Legion (Crown & Key, #2))
I think I found your vampire,” Andrew said, except this time he wasn’t so amused. However, Gabriella was, her smile huge as she laughed, the sound a trill in the densely packed cold air. “You think this is funny?” The words came out surly, but Andrew couldn’t stop his lips from twitching over her amusement. “I thought they’d be bigger,” she said, stifling another round of giggles. “Are you okay?” “Just a flesh wound.
Laura Kreitzer (Key of Pearl (Timeless, #4.5))
Control: February 15 Sometimes, the gray days scare us. Those are the days when the old feelings come rushing back. We may feel needy, scared, ashamed, unable to care for ourselves. When this happens, it’s hard to trust ourselves, others, the goodness of life, and the good intentions of our Higher Power. Problems seem overwhelming. The past seems senseless; the future, bleak. We feel certain the things we want in life will never happen. In those moments, we may become convinced that things and people outside of ourselves hold the key to our happiness. That’s when we may try to control people and situations to mask our pain. When these “codependent crazies” strike, others often begin to react negatively to our controlling. When we’re in a frenzied state, searching for happiness outside ourselves and looking to others to provide our peace and stability, remember this: Even if we could control things and people, even if we got what we wanted, we would still be ourselves. Our emotional state would still be in turmoil. People and things don’t stop our pain or heal us. In recovery, we learn that this is our job, and we can do it by using our resources: ourselves, our Higher Power, our support systems, and our recovery program. Often, after we’ve become peaceful, trusting, and accepting, what we want comes to us—with ease and naturalness. The sun begins to shine again. Isn’t it funny, and isn’t it true, how all change really does begin with us? I can let go of things and people and my need to control today. I can deal with my feelings. I can get peaceful. I can get calm. I can get back on track and find the true key to happiness—myself. I will remember that a gray day is just that—one gray day.
Melody Beattie (The Language of Letting Go: Daily Meditations on Codependency (Hazelden Meditation Series))
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
Dating yes. But she thinks we're, uh, more than dating." "Oh," he says, thoughtful. Then he grins. "Oh." The reason her lips are turning his favorite color is because Emma's mom thinks they've been dating and mating. The blush extends down her neck and disappears into her T-shirt. He should probably say something to make her feel more comfortable. But teasing her seems so much more fun. "Well then, the least she could do is give us some privacy-" "Ohmysweetgoodness!" She snatches her backpack from the seat and marches around her car to the driver's side. Before she can get the door unlocked, he plucks the key from her fingers and tucks it into his jeans' pocket. She moves to retrieve it, but stops when she realizes where she's about to go fishing. He's never seen her this red. He laughs. "Calm down, Emma. I'm just kidding. Don't leave." "Yeah, well, it's not funny. You should have seen her this morning. She almost cried. my mom doesn't cry." She crosses her arms again but relaxes against her door. "She cried? That's pretty insulting." She cracks a tiny grin. "Yeah, it's an insult to me. She thinks I would...would..." "More than date me?" She nods. He steps toward her and puts his hand beside her on the car, leaning in. A live current seems to shimmy up his spine. What are you doing? "But she should know that you don't even think of me like that. That it would never even cross your mind," he murmurs. She looks away, satisfying his unspoken question-it has crossed her mind. The same way it crosses his. How often? Does she feel the voltage between them, too? Who cares, idiot? She belongs to Grom. Or are you going to let a few sparks keep you from uniting the kingdoms? He pulls back, clenching his teeth. His pockets are the only safe place for his hands at the moment. "Why don't I meet her then? You think that would make her feel better?" "Um." She swipes her hair to the other side of her face. Her expression falls somewhere between shock and expectation. And she had every right to expect it-he's been entertaining the idea of kissing her for over two weeks now. She fidgets the door handle. "Yeah, it might. She won't let me go anywhere-especially with you-if she doesn't meet you first." "Should I be afraid?" She sighs. "Normally I would say no. But after this morning..." She shrugs. "How about I follow you to your house so you can drop off your car? Then she can interrogate me. When she sees how charming I am, she'll let you ride to the beach with me." She rolls her eyes. "Just don't be too charming. If you're too smooth, she'll never believe-just don't overdue it, okay?" "This is getting complicated," he says, unlocking her car. "Just remember, this is your idea and your fault. Now would be the time to back out." He chuckles and opens the door for her. "Don't lose me on the road.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
taking it,’ he said as he fumbled for his wallet to pay for the bottle. With that, he grabbed June’s hand and practically lifted her up. ‘Come on, we’re going.’ June had another fit of the giggles. It was the longest mile for Pope. The valet was surprised to see them again so soon. They got into the elevator, only to have to wait ‘til they got back to the room before he could rip the dress off her. With them in the elevator car were a Chinese couple and their six-year-old son. Pope used June as a human shield to hide his erection, but to get even, he kept rubbing his hardness against her backside. She desperately tried to stop laughing but failed miserably, causing the family to wonder what was so funny. Thank God for magnetic keys, because if he’d had to fumble with a traditional key to open the door, he was certain that they would just have to do it right there. The rest of the evening was consumed with passion that was fiery, unreserved, and delirious. ‘I can’t remember having
Jack O. Daniel (Scorched)
A person’s relationship with food is one of their most important relationships. I don’t think your relationship with your parents is that important. Some people never know their parents. I don’t think your relationships with your friends are important. But your relationship with air—that’s key. You can’t break up with air. You’re kind of stuck together. Only slightly less crucial is water. And then food. You can’t be dropping food to hang with someone else. You need to strike up an agreement with it.
Ned Vizzini (It's Kind of a Funny Story)
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her. I smirk. “That’s not my car.” She nods. “Right, of course. I see it now.” She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.” “Not even close.” “Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?” I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school. “You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me. I shrug. “It gets good gas mileage.” She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.” I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.” We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence. Finally, I ask, “Where do you live?” “On the west side. Right across from Franklin Park.” “Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?” “Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.” I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.” She doesn’t think I’m funny.
R.S. Grey (Hotshot Doc)
DEPRESSION IS NOT dramatic, but it is total. It’s sneaky—you almost don’t notice it at first. Like a cat burglar, it comes in through an open window while you’re sleeping. It takes little things at first: your appetite, your desire to return phone calls. Then it comes back for the big stuff, like your will to live. The next thing you know, your legs are filled with sand. The thought of brushing your teeth fills you with dread, it seems like such an impossible task. Suddenly you’re living your life in black and white—nothing is bright, nothing is pretty anymore. Music sounds tinny and distant. Things you found funny seem dull and off-key. I
Lisa Unger (Sliver of Truth)
The military authorities were concerned that soldiers going home on leave would demoralize the home population with horror stories of the Ostfront. ‘You are under military law,’ ran the forceful reminder, ‘and you are still subject to punishment. Don’t speak about weapons, tactics or losses. Don’t speak about bad rations or injustice. The intelligence service of the enemy is ready to exploit it.’ One soldier, or more likely a group, produced their own version of instructions, entitled ‘Notes for Those Going on Leave.’ Their attempt to be funny reveals a great deal about the brutalizing affects of the Ostfront. ‘You must remember that you are entering a National Socialist country whose living conditions are very different to those to which you have been accustomed. You must be tactful with the inhabitants, adapting to their customs and refrain from the habits which you have come to love so much. Food: Do not rip up the parquet or other kinds of floor, because potatoes are kept in a different place. Curfew: If you forget your key, try to open the door with the round-shaped object. Only in cases of extreme urgency use a grenade. Defense Against Partisans: It is not necessary to ask civilians the password and open fire upon receiving an unsatisfactory answer. Defense Against Animals: Dogs with mines attached to them are a special feature of the Soviet Union. German dogs in the worst cases bite, but they do not explode. Shooting every dog you see, although recommended in the Soviet Union, might create a bad impression. Relations with the Civil Population: In Germany just because someone is wearing women’s clothes does not necessarily mean that she is a partisan. But in spite of this, they are dangerous for anyone on leave from the front. General: When on leave back to the Fatherland take care not to talk about the paradise existence in the Soviet Union in case everybody wants to come here and spoil our idyllic comfort.
Antony Beevor (Stalingrad: The Fateful Siege, 1942–1943)
Thank you, Clara,” I say. “How did you get the key?” “Dumb luck,” she says. “Those twins with the funny names dropped it just a few feet away from me.” “They… dropped it?” Those guys are the most skilled sleight-of-hand tricksters I’ve ever seen. Hard to imagine either of them dropping anything. “Yeah, they were juggling a bunch of things between them as they walked. The key just fell and they didn’t notice.” “But you did.” “Sure.” “How did you know it was the key to our police car?” She lifts the key tag to show me. It’s a clear plastic holder that’s probably meant for pictures. This one frames a piece of paper with a note scrawled in little-kid block letters: “Penryn’s police car—Super Secret.” If I ever see the twins again, it looks like I owe them a zombie-girl mud fight.
Susan Ee (World After (Penryn & the End of Days, #2))
In the longer term, by bringing together enough data and enough computing power, the data giants could hack the deepest secrets of life, and then use this knowledge not just to make choices for us or manipulate us but also to reengineer organic life and create inorganic life-forms. Selling advertisements may be necessary to sustain the giants in the short term, but tech companies often evaluate apps, products, and other companies according to the data they harvest rather than according to the money they generate. A popular app may lack a business model and may even lose money in the short term, but as long as it sucks data, it could be worth billions.4 Even if you don’t know how to cash in on the data today, it is worth having it because it might hold the key to controlling and shaping life in the future. I don’t know for certain that the data giants explicitly think about this in such terms, but their actions indicate that they value the accumulation of data in terms beyond those of mere dollars and cents. Ordinary humans will find it very difficult to resist this process. At present, people are happy to give away their most valuable asset—their personal data—in exchange for free email services and funny cat videos. It’s a bit like African and Native American tribes who unwittingly sold entire countries to European imperialists in exchange for colorful beads and cheap trinkets. If, later on, ordinary people decide to try to block the flow of data, they might find it increasingly difficult, especially as they might come to rely on the network for all their decisions, and even for their healthcare and physical survival.
Yuval Noah Harari (21 Lessons for the 21st Century)
I tend to get myself into messes. I don’t know why I am such a magnet for finding myself in a pickle, but it’s frequent and funny. Almost every day I will lose something or drop something or forget an appointment. The good news is that I have never left a child somewhere … so far—knock on wood. But even with all of my I Love Lucy adventures, I truly enjoy life. If I had to wait for perfection before I have a good time, I’d be too old and hard of hearing to appreciate it. Awhile back I shared a post on my blog called “20 Ways to Reset When the Kids Are Having a Hard Day.” It went viral! I realized I had hit on something that tired moms needed to hear … that there is a way out of those desperate moments, and the key is YOU. And it’s about more than just surviving. This is about true, deep, life-changing joy that can spring from those awful moments.
Lisa Pennington (Mama Needs a Do-Over: Simple Steps to Turning a Hard Day Around)
I hear you're quite the writer. Quite the teacher's pet." "I... I don't know what you mean." "No? Then maybe you're in for a surprise. And maybe it won't be a nice one." Kate heard her voice lashing out, braver than she felt. "I don't know what you're talking about. But nothing that pertains to me is any of your business.' The match hissed again. She saw his black, black eyes flickering. "You're right. How inconsiderate of me." Shaken, Kate willed her feet to move her forward. "You should be more careful," Pearce said. "Anyone could find your key. Anyone could get into your cabin." Kate whirled to face him. "I have a roommate. I'm not alone." "A roommate?" And he sounded like he was smiling... a dark strange smile as if she'd said something particularly funny. "If someone wanted to get you," Pearce said slowly, and another match went out, "a roommate wouldn't stop them. They'd just get you. Wouldn't they?
Richie Tankersley Cusick (Teacher's Pet (Point Horror, #10))
see? I’ve let that go. We’ve had enough offense and punishment in this family to last a lifetime. Please, don’t try to make us suffer any more.” She stared at me in silence, and I think the truth of my words finally connected with her because her face slowly softened. In truth, only I had the key to any prison in my mind, but I didn’t want to see my mother suffer. My mother was beaming proudly. There was no way I could let her go to prison. It seemed absurd to me. I smiled at her. “I’m going to find Bobby.” I left them sitting in silence and made my way toward the lake to look for Bobby. Funny how the swamps looked so different to me the last two days. I had lived in fear of them—they were a part of my prison. But now I saw that it was my fear of the swamps, not the actual swamps, that had fortified that prison. There’s always something to fear if you think fear will keep you safe. Fire. Swamps. Alligators . . . Water. I’m
Ted Dekker (Water Walker: The Full Story (The Outlaw Chronicles #2))
Drowning in Blue Pulled deeper and deeper into the void, I dig down into my pocket, find the capsule I stashed, first beneath a flap of tongue, then in a cave of fleece. I hold it like a jewel, the key to some magic kingdom where only good feelings are allowed. Funny, but sometimes all I feel is good. More than good. Great. Invincible. When Mama felt like that, Daddy called her manic. But why is mania bad, if it means you're on top of the world, where everything is white? Bright. I wish I were up there now, instead of treading water in this damn blue hole. This magic pill won't fly me there. It will only take me halfway, to what others call normal and I call gray-- toeing a straight gray line is all medication is good for. Bad genes have doomed me to seesaw, white to blue and back again, for the rest of my pitiful life. And the thought of that makes me want to open a vein, experience pain, know I'm alive, despite this living death.
Ellen Hopkins
People, especially those in charge, rarely invite you into their offices and give freely of their time. Instead, you have to do something unique, compelling, even funny or a bit daring, to earn it. Even if you happen to be an exceptionally well-rounded person who possesses all of the scrappy qualities discussed so far, it’s still important to be prepared, dig deep, do the prep work, and think on your feet. Harry Gordon Selfridge, who founded the London-based department store Selfridges, knew the value of doing his homework. Selfridge, an American from Chicago, traveled to London in 1906 with the hope of building his “dream store.” He did just that in 1909, and more than a century later, his stores continue to serve customers in London, Manchester, and Birmingham. Selfridges’ success and staying power is rooted in the scrappy efforts of Harry Selfridge himself, a creative marketer who exhibited “a revolutionary understanding of publicity and the theatre of retail,” as he is described on the Selfridges’ Web site. His department store was known for creating events to attract special clientele, engaging shoppers in a way other retailers had never done before, catering to the holidays, adapting to cultural trends, and changing with the times and political movements such as the suffragists. Selfridge was noted to have said, “People will sit up and take notice of you if you will sit up and take notice of what makes them sit up and take notice.” How do you get people to take notice? How do you stand out in a positive way in order to make things happen? The curiosity and imagination Selfridge employed to successfully build his retail stores can be just as valuable for you to embrace in your circumstances. Perhaps you have landed a meeting, interview, or a quick coffee date with a key decision maker at a company that has sparked your interest. To maximize the impression you’re going to make, you have to know your audience. That means you must respectfully learn what you can about the person, their industry, or the culture of their organization. In fact, it pays to become familiar not only with the person’s current position but also their background, philosophies, triumphs, failures, and major breakthroughs. With that information in hand, you are less likely to waste the precious time you have and more likely to engage in genuine and meaningful conversation.
Terri L. Sjodin (Scrappy: A Little Book About Choosing to Play Big)
I met with a group of a hundred or so fifth graders from a poor neighborhood at a school in Houston, Texas. Most of them were on a track that would never get them to college. So I decided then and there to make a contract with them. I would pay for their four-year college education if they kept a B average and stayed out of trouble. I made it clear that with focus, anyone could be above average, and I would provide mentoring support to them. I had a couple of key criteria: They had to stay out of jail. They couldn't get pregnant before graduating high school. Most importantly, they needed to contribute 20 hours of service per year to some organization in their community. Why did I add this? College is wonderful, but what was even more important to me was to teach them they had something to give, not just something to get in life. I had no idea how I was going to pay for it in the long run, but I was completely committed, and I signed a legally binding contract requiring me to deliver the funds. It's funny how motivating it can be when you have no choice but to move forward. I always say, if you want to take the island, you have to burn your boats! So I signed those contracts. Twenty-three of those kids worked with me from the fifth grade all the way to college. Several went on to graduate school, including law school! I call them my champions. Today they are social workers, business owners, and parents. Just a few years ago, we had a reunion, and I got to hear the magnificent stories of how early-in-life giving to others had become a lifelong pattern. How it caused them to believe they had real worth in life. How it gave them such joy to give, and how many of them now are teaching this to their own children.
Tony Robbins (MONEY Master the Game: 7 Simple Steps to Financial Freedom (Tony Robbins Financial Freedom Series))
He fakes a smile and then turns to unlock the door. I follow him inside; he stops me at the kitchen island. “I found it right here.” He points to the countertop. “You found what right where?” I ask, feeling my face scrunch up in bewilderment. “The crossword puzzle from today.” He pulls it out of his pocket. “I found it here when I was making breakfast this morning.” “Wait, you didn’t get it in the mail?” “I’m sorry; I thought I mentioned that.” “No,” I say, holding back from whacking him in the head. “I think I would’ve remembered if someone had broken into your apartment. “I’m sorry,” he repeats, and then lets out a stress-filled sigh. “So, someone broke in here last night while you were asleep?” “I’m not sure. I was thinking that, too, but then . . . what if I just didn’t see it last night when I got home?” “Are you sure you didn’t set your mail down here, maybe even for a second, and then leave this piece behind?” “What difference does it makes?” “It makes a huge difference.” My voice gets louder. “The difference between someone breaking in or not.” I peer around the kitchen and living room, trying to see if anything looks off. “I don’t know.” He reaches for a box of cereal. “I mean, I’m pretty sure I would’ve noticed getting another puzzle in the mail, especially since we’ve been talking so much about this stuff.” “Who has a key to your apartment?” “No one that I know of.” “None of your friends? Did you leave a spare under the doormat, maybe?” “No, and no.” “Then what?” I ask, completely frustrated. “Look,” he says, running his fingers through his shaggy brown hair. “I don’t have all the answers. That’s why it’s a puzzle.” “This isn’t funny,” I tell him. “Someone’s sending you threatening notes, writing twisted messages on your door, and possibly breaking into your apartment. Worrying isn’t an option. It’s an order.” “So what do you order me to do?” “Call the police.” “And tell them what? That someone’s sending me crossword puzzles? That I got an angry message on my door, but I didn’t even feel the need to save it? They’ll give me a Breathalyzer test and ask me what I’ve been drinking.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
The best advice came from the legendary actor the late Sir John Mills, who I sat next to backstage at a lecture we were doing together. He told me he considered the key to public speaking to be this: “Be sincere, be brief, be seated.” Inspired words. And it changed the way I spoke publicly from then on. Keep it short. Keep it from the heart. Men tend to think that they have to be funny, witty, or incisive onstage. You don’t. You just have to be honest. If you can be intimate and give the inside story--emotions, doubts, struggles, fears, the lot--then people will respond. I went on to give thanks all around the world to some of the biggest corporations in business--and I always tried to live by that. Make it personal, and people will stand beside you. As I started to do bigger and bigger events for companies, I wrongly assumed that I should, in turn, start to look much smarter and speak more “corporately.” I was dead wrong--and I learned that fast. When we pretend, people get bored. But stay yourself, talk intimately, and keep the message simple, and it doesn’t matter what the hell you wear. It does, though, take courage, in front of five thousand people, to open yourself up and say you really struggle with self-doubt. Especially when you are meant to be there as a motivational speaker. But if you keep it real, then you give people something real to take away. “If he can, then so can I” is always going to be a powerful message. For kids, for businessmen--and for aspiring adventurers. I really am pretty average. I promise you. Ask Shara…ask Hugo. I am ordinary, but I am determined. I did, though--as the corporation started to pay me more--begin to doubt whether I was really worth the money. It all seemed kind of weird to me. I mean, was my talk a hundred times better now than the one I gave in the Drakensberg Mountains? No. But on the other hand, if you can help people feel stronger and more capable because of what you tell them, then it becomes worthwhile for companies in ways that are impossible to quantify. If that wasn’t true, then I wouldn’t get asked to speak so often, still to this day. And the story of Everest--a mountain, like life, and like business--is always going to work as a metaphor. You have got to work together, work hard, and go the extra mile. Look after each other, be ambitious, and take calculated, well-timed risks. Give your heart to the goal, and it will repay you. Now, are we talking business or climbing? That’s what I mean.
Bear Grylls (Mud, Sweat and Tears)
The key point is that these patterns, while mostly stable, are not permanent: certain environmental experiences can add or subtract methyls and acetyls, changing those patterns. In effect this etches a memory of what the organism was doing or experiencing into its cells—a crucial first step for any Lamarck-like inheritance. Unfortunately, bad experiences can be etched into cells as easily as good experiences. Intense emotional pain can sometimes flood the mammal brain with neurochemicals that tack methyl groups where they shouldn’t be. Mice that are (however contradictory this sounds) bullied by other mice when they’re pups often have these funny methyl patterns in their brains. As do baby mice (both foster and biological) raised by neglectful mothers, mothers who refuse to lick and cuddle and nurse. These neglected mice fall apart in stressful situations as adults, and their meltdowns can’t be the result of poor genes, since biological and foster children end up equally histrionic. Instead the aberrant methyl patterns were imprinted early on, and as neurons kept dividing and the brain kept growing, these patterns perpetuated themselves. The events of September 11, 2001, might have scarred the brains of unborn humans in similar ways. Some pregnant women in Manhattan developed post-traumatic stress disorder, which can epigenetically activate and deactivate at least a dozen genes, including brain genes. These women, especially the ones affected during the third trimester, ended up having children who felt more anxiety and acute distress than other children when confronted with strange stimuli. Notice that these DNA changes aren’t genetic, because the A-C-G-T string remains the same throughout. But epigenetic changes are de facto mutations; genes might as well not function. And just like mutations, epigenetic changes live on in cells and their descendants. Indeed, each of us accumulates more and more unique epigenetic changes as we age. This explains why the personalities and even physiognomies of identical twins, despite identical DNA, grow more distinct each year. It also means that that detective-story trope of one twin committing a murder and both getting away with it—because DNA tests can’t tell them apart—might not hold up forever. Their epigenomes could condemn them. Of course, all this evidence proves only that body cells can record environmental cues and pass them on to other body cells, a limited form of inheritance. Normally when sperm and egg unite, embryos erase this epigenetic information—allowing you to become you, unencumbered by what your parents did. But other evidence suggests that some epigenetic changes, through mistakes or subterfuge, sometimes get smuggled along to new generations of pups, cubs, chicks, or children—close enough to bona fide Lamarckism to make Cuvier and Darwin grind their molars.
Sam Kean (The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code)