30 Years Funny Quotes

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You do it and see how hard that thing is to control. I swear it has a mind of its own." Hadyn "No sugar, that's your front tail." Edena "Edena! I can't believe you said that to your brother! Where did you hear that?" Seraphina "Good grief, Matera! I am almost 30 years old. I am the last of my friends who hasn't had a lover yet. And if that's what concerns you, then you need to talk to your son about where he's been planting that shorter front tail lately." Edena
Sherrilyn Kenyon (Dragonbane (Dark-Hunter, #24; Lords of Avalon, #4; Were-Hunter, #8; Hellchaser, #7))
I'm a chameleon," revealed Todd, a 30-year-old single Nice Guy. "I will become whatever I believe a person wants me to be in order to be liked. With my smart friends I act intelligent and use a big vocabulary. Around my mother, I look like the perfect loving son. With my dad, I talk sports. With the guys at work I cuss and swear … whatever it takes to look cool. Underneath it all, I'm not sure who I really am or if any of them would like me just for who I am. If I can't figure out what people want me to be, I'm afraid I will be all alone. The funny thing is, I feel alone most of the time anyway.
Robert A. Glover (No More Mr. Nice Guy)
There were three great comedians in my formative years—Bill Cosby, Bill Murray, and Richard Pryor—and they wrecked comedy for a generation. How? By never saying anything funny. You can quote a Steve Martin joke, or a Rodney Dangerfield line, but Pryor, Cosby, and Murray? The things they said were funny only when they said them. In Cosby’s case, it didn’t even need to be sentences: “The thing of the thing puts the milk in the toast, and ha, ha, ha!” It was gibberish and America loved it. The problem was that they inspired a generation of comedians who tried coasting on personality—they were all attitude and no jokes. It was also a time when comedy stars didn’t seem to care. Bill Murray made some lousy movies; Richard Pryor and Eddie Murphy made even more; and any script that was too lame for these guys, Chevy Chase made. These were smart people—they had to know how bad these films were, but they just grabbed a paycheck and did them. Most of these comic actors started as writers—they could have written their own scripts, but they rarely bothered. Then, at the end of a decade of lazy comedy and half-baked material, The Simpsons came along. We cared about jokes, and we worked endless hours to cram as many into a show as possible. I’m not sure we can take all the credit, but TV and movies started trying harder. Jokes were back. Shows like 30 Rock and Arrested Development demanded that you pay attention. These days, comedy stars like Seth Rogen, Amy Schumer, Kristen Wiig, Melissa McCarthy, and Jonah Hill actually write the comedies they star in.
Mike Reiss (Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons)
After 30 years of coaching and teaching stand-up comedy to thousands, both in my workshops (longest continuous in LA) and private coachings; I finally wrote the book! It covers 1-Discovering your Comedic Character; 2- an 80-page workbook using the best joke formulas from over 25 years in my workshops: 3- How to put it all together, deal with audiences, clubs, and the biz.
Steve North (How to Kill in Comedy)
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try and find a job that matters to you and matters to others. It’s a luxury to combine passion and contribution. It’s also a clear path to happiness.
Nell Scovell (Just the Funny Parts: My 30 Years on the Hollywood Jungle Gym)
Ray Scott was a federal postal inspector—the dude carried a gun and cuffs; I’d grow muscles when the neighborhood kids would see him. He promised his four kids that he’d pay our college tuition if we maintained a 2.0 grade point average. After my sophomore year, I was skating along with a 2.7. Dad said he was restructuring our deal—he’d only pay if I kept a 3.0 or better. “That’s crap,” I said. That wasn’t the deal. It wasn’t fair—a common refrain from my teenagers today. But then something happened: In the fall of my junior year, I was heavily involved with my fraternity, I played club football, and I posted a 3.2 GPA. The next semester, I upped that to 3.6. The following one, 3.4. I remained pissed until years later, when it dawned on me: Dad knew I was better than a 2.7 student. And he knew I needed to be pushed. Funny, isn’t it, how much smarter our dads are when we get older?
Stuart Scott (Every Day I Fight: Making a Difference, Kicking Cancer's Ass)
great leader . . . understands the mission better than anyone in the room and can communicate it. is the hardest working person in the room. is the most generous person in the room, not just with compensation, but also with praise and credit. allows dissent and even invites it. listens and learns.
Nell Scovell (Just the Funny Parts: My 30 Years on the Hollywood Jungle Gym)
Cantor began a practice, long associated with Vallee, of introducing new talent via radio. Gracie Allen made her first radio appearance with Cantor: Burns and Allen would occasionally be mentioned, only half-jokingly, as a Cantor “discovery,” but George Burns had his own grim version of that affair (see BURNS AND ALLEN). A more legitimate discovery was Harry Einstein. Cantor was in Boston in 1934 when he happened to hear, on a local radio station, a man doing a funny Greek dialect. Einstein was then the advertising director of Boston’s Kane Furniture Company. He had been dabbling radio for years and had created a character named Nick Parkyakakas, a comedy candidate for mayor who could be heard on WNAC Mondays and Fridays at 10:30. Cantor thought it the funniest Greek impersonation he had ever heard: by wire, he offered Einstein a slot on NBC, and the following Sunday Parkyakakas played to the nation for the first time.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)