3 Magical Words Quotes

No, I won’t help you. No, I won’t hear you explain why I should. It really is a magical word: no. You say whatever bullshit you want and I just say no.

Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those left grieving said anoshe. Anoshe brought solace. And hope. And the strength to let go.

And strategy is just a fancy word for a special kind of common sense, the ability to see options, to make them where there were none. It’s not about knowing the rules. It’s about knowing how to break them.

Myths do not happen all at once. They do not spring forth whole into the world. They form slowly, rolled between the hands of time until their edges smooth, until the saying of the story gives enough weight to the words—to the memories—to keep them rolling on their own. But all stories start somewhere, and that night, as Rhy Maresh walked through the streets of London, a new myth was taking shape.

It wasn’t a good-bye, not really. What was the word for parting? Anoshe. That was it. Until another day.

There aren't any magical words, really. Words just hold the magic.

Very well." He sat cross-legged on the floor of the cage. "You haven't run off so you want to talk. I will hear your explanation now." "Really, Your Majesty? So good of you to condescend. I'll try to use small words and go slow." "You're wasting my time. I know Jim betrayed me and you're covering for him. This is your chance to dazzle me wih your brillance or baffle me with your bullshit. You won't get another. When I get out, I won't be in the mood to listen.

He joked while Dali cut him, mangling the words with his monstrous jaws, snarled with a pretended rage and dramatically promised to "kirrrl youraaalll for this!

No man, no power, can bind the action of wizardry or still the words of power. For they are the very words of Making, and one who could silence them could unmake the world.

And he who wields white, wild magic gold is a paradox For he is everything and nothing Hero and fool Potent, helpless And with one word of truth or treachery He will save or damn the earth Because he is mad and sane Cold and passionate Lost and found

Oh. My. God. You're Rose Hathaway aren't you?" "Yeah." I said with surprise. "Do you know me?" "Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath. "Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch. Her pale green eyes—if possible—grew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her. "What's your name?" I asked. "Jillian—Jill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me." "Right." I said, hiding a smile. "I figured it out." "I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape. "I don't know." I said. "You should talk to Christian Ozera." She gaped. "Would he talk to me?" "If you bring up fighting the establishment, yeah he'll talk to you." "Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly. "Yeah." I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?" "Yeah." I wondered where he was. Talking to Jill was exhausting. "Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?" "Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties. "I knew it! I can't even imagine that—I'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'" I laughed in spite of myself. "I think you're giving me more credit than I deserve." "No way. And I don't believe any of those stories, you know." "Um, stories?" "Yeah about you beating up Christian Ozera." "Thanks." I said.

It really is a magical word: no. You say whatever bullshit you want, and I just say no.

I love you." Why it worked right then, why the webbing of my godmother's spell frayed as though the words had been an open flame, I don't know. I haven't found any explanation for it. There aren't any magical words, really. The words just hold the magic. They give it a shape and a form, they make it useful, describe the images within. I'll say this, though: Some words have a power that has nothing to do with supernatural forces. They resound in the heart and mind, they live long after the sounds of them have died away, they echo in the heart and the soul. They have power, and that power is very real. Those three words are good ones.

He forced my soul back into innocent belief, not by empty words or false promises but by consistent action that never failed. He was safe.

Arnesians had a dozen ways to say hello, but no word for good-bye. When it came to parting ways, they sometimes said vas ir, which meant in peace, but more often they chose to say anoshe–until another day. Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those grieving said anoshe. Anoshe brought solace. And hope. And the strength to let go.

Beautiful songs could sometimes take a person out of themselves and carry them away to a place of magic. But when Jill sang, it was not about the song, really. She could sing the phone book. She could sing a shopping list. Whatever she sang, whatever the words or the tune, it was so beautiful, so achingly lovely, that no one could listen and be untouched.

As we express our gratitude, we must never forget that the highest appreciation is not to utter words, but to live by them.” John F. Kennedy (1917–1963) 35TH PRESIDENT OF THE UNITED STATES

There was a strange sort of magic to being a person holding another person after not being held by someone for a long time. There was another strange sort of magic to understanding you'd been using words and silence the wrong way for a long time.

He'd been right about the world, but he was wrong about himself. The word was a desert, but he was a magician, and to be a magician was to be a secret spring - a moving oasis. He wasn't desolate, and he wasn't empty. He was full of emotion, full of feelings, bursting with them, and when it came down to it, that's what being a magician was. They weren't ordinary feelings - they weren't the tame, domesticated kind. Magic was wild feelings, the kind that escaped out of you and into the world and changed things. There was a lot of skill to it, and a lot of learning, and a lot of work, but that was where the power began: the power to enchant the world.

I believed I would never trust another person for as long as I lived. Yet, I couldn't help but trust him; the decision was made before I even realized what was happening. He forced my soul back into innocent belief, not by empty words or false promises but by consistent action that never failed. He was safe.

Re-forming after the chaos,” I said, remembering Raquel’s words. “Choosing what we’ll do with how things are now, who we’ll be in this new world where the only magic left is what we make ourselves.

I was the Fool and the Fool was me. He was the Catalyst and so was I. We were two halves of a whole, sundered and come together again. For an instant I knew him in his entirety, complete and magical, and then he was pulling apart from me, laughing, a bubble inside me, separate and unknowable, yet joined to me. "You do love me !" I was incredulous. He had never truly believed it before. "Before, it was words. I always feared it war born of pity. But you are truly my friend. This is knowing. This is feeling what you feel for me. So this is the Skill". For a moment he reveled in simple recognition.

Myths do not happen all at once. They do not spring forth whole into the world. They form slowly, rolled between the hands of time until their edges smooth, until the saying of the story gives enough weight to the words—to the memories—to keep them rolling on their own.

Could you bring back a man without a head?” Arya asked. “Just the once, not six times. Could you?” “I have no magic, child. Only prayers. That first time, his lordship had a hole right through him and blood in his mouth, I knew there was no hope. So when his poor torn chest stopped moving, I gave him the good god’s own kiss to send him on his way. I filled my mouth with fire and breathed the flames inside him, down his throat to lungs and heart and soul. The last kiss it is called, and many a time I saw the old priests bestow it on the Lord’s servants as they died. I had given it a time or two myself, as all priests must. But never before had I felt a dead man shudder as the fire filled him, nor seen his eyes come open. It was not me who raised him, my lady. It was the Lord. R’hllor is not done with him yet. Life is warmth, and warmth is fire, and fire is God’s and God’s alone.” Arya felt tears well in her eyes. Thoros used a lot of words, but all they meant was no, that much she understood.

The magic beauty of simultaneity, to see the loved one rushing toward you at the same moment you are rushing toward him, the magic power of meeting, exactly at midnight to achieve union, the illusion of one common rhythm achieved by overcoming obstacles, deserting friends, breaking other bonds - all this was soon dissolved by his laziness, by his habit of missing every moment, of never keeping his word, of living perversely in a state of chaos, of swimming more naturally in a sea of failed intentions, broken promises, and aborted wishes

he was left with the words going sour on his tongue.

They broke him,” Jim said suddenly, a barely contained growl clawing at his words. “They broke the boy. Even if he survives, he’ll never be the same.

Wörter sind Magie aus Buchstaben, die ganze Geschichten zu erzählen vermögen. Sie schaffen Welten voller Liebe und Zauber, Freude und Leid.

Never is a boring word.

Go on," Kell told him without taking his eyes from Lila. " Get some rest." Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--" "I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps. Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity. "You never told me," he whispered. "You never noticed," she answered. And then, "Alucard did." The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously. He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--" A sleepy flicker of amusement. "Trying to get me into bed?" Kell mustered a smile. "It's only fair. I've spent enough time in yours." "If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time." "And tied to it," observed Kell. Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her. "Lila?" he asked, first gently, and then more urgently. "Lila?" She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed. "What have you done?" demanded Kell. "It was just a tonic, sir," he fumbled, "something for sleep." "You drugged her?" "It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy. "And what do you plan to do when she wakes back up?" Hastra shrank back. "Apologize?" Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder. "I suggest," he snapped at the young man, "you think of something better. Like an escape route." Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch. Hastra handed him a blanket. "Shouldn't you take off her knives?" "There's not enough tonic in the world to risk it," said Kell.

Grover went off with his satyr friends to spread the word about our strange encounter with the magic of Pan. Within an hour, the satyrs were all running around agitated, asking where the nearest espresso bar was.

Magic. It’s a cheap word now. Put a quarter in the slot and get a magic trick for you and your friends. Most people don’t remember what it is. It is not cutting a person in half and pulling a rabbit out. It is not sliding a card from your sleeve. It’s not are you watching closely? If you’ve ever looked into a fire and been unable to look away, it’s that. If you’ve ever looked at the mountains and found you’re not breathing, it’s that. If you’ve ever looked at the moon and stars and felt tears in your eyes, it’s that. It’s the stuff between stars, the space between roots, the thing that makes electricity get up in the morning. It fucking hates us.

I will burn this world to ash for you, Summer. The things I would do for her scare me. One word and I would destroy anyone who’s ever hurt her. One look and I would give up everything—my crown, my magic, my life. One smile and the armored walls I’ve built around my heart crumble to dust.

So I said Malakasham and Flora Bora Slam and Abra Wham, because everyone knew that you had to say magic words until magic happened.

Before, Sazed had looked at the doctrines themselves. This time, he found himself studying the people who had believed, or what he could find of them. As he read their words over again in his mind, he began to see something. The faiths he had looked at, they couldn't be divorced from the people who had adhered to them. In the abstract, those religions were stale. However, as he read the words of the people—really read them—he began to see patterns. Why did they believe? Because they saw miracles. Things one man took as chance, a man of faith took as a sign. A loved one recovering from disease, a fortunate business deal, a chance meeting with a long lost friend. It wasn't the grand doctrines or the sweeping ideals that seemed to make believers out of men. It was the simple magic in the world around them. What was it Spook said? Sazed thought, sitting in the shadowy kandra cavern. That faith was about trust. Trusting that somebody was watching. That somebody would make it all right in the end, even though things looked terrible at the moment. To believe, it seemed, one had to want to believe. It was a conundrum, one Sazed had wrestled with. He wanted someone, something, to force him to have faith. He wanted to have to believe because of the proof shown to him. Yet, the believers whose words now filled his mind would have said he already had proof. Had he not, in his moment of despair, received an answer? As he had been about to give up, TenSoon had spoken. Sazed had begged for a sign, and received it. Was it chance? Was it providence? In the end, apparently, it was up to him to decide. He slowly returned the letters and journals to his metalminds, leaving his specific memory of them empty—yet retaining the feelings they had prompted in him. Which would he be? Believer or skeptic? At that moment, neither seemed a patently foolish path. I do want to believe, he thought. That's why I've spent so much time searching. I can't have it both ways. I simply have to decide. Which would it be? He sat for a few moments, thinking, feeling, and—most important—remembering. I sought help, Sazed thought. And something answered. Sazed smiled, and everything seemed a little bit brighter. Breeze was right, he thought, standing and organizing his things as he prepared to go. I was not meant to be an atheist.

She wants me to take what magic I have left and blot every memory of this evening from their minds. To make them forget so that they can carry on as before. There will always be Cecilys, Marthas, and Elizabeths of the world - those who cannot bear the burden of truth. They will drink their tea. Weigh their words. Wear hats against the sun. Squeeze their minds into corsets, lest some errant thought should escape and ruin the smooth illusion they hold of themselves and the world as they like it. It is a luxury, this forgetting. No one will come to take away the things I wish I had not seen, the things I wish I did not know. I shall have to live with them. I wrench away from her grip. "Why should I?" I do it anyways. Once I am certain the girls are asleep, I creep into their rooms, one by one, and lay my hands across their furrowed brows, which wear the trouble of all they've witnessed. I watch while those brows ease into smooth, blank canvases beneath my fingers. It is a form of healing, and I am surprised by how much it heals me to do it. When the girls awake, they will remember as strange dream of magic and blood and curious creatures and perhaps a teacher they knew whose name will not spring to their lips. They might strain to remember it for a moment, but then they will tell themselves it was only a dream best forgotten. I have done what Mrs. Nightwing said I should do. But I do not take all their memories from them. I leave them with one small token of the evening: doubt. A feeling that perhaps there is something more. It is nothing more than a seed. Whether it shall grow into something more useful, I cannot say.

I’m waiting for the magic word.” “Um, now?” “Really?” “Asshole?” “Come on.” “Clark!” “Vivian.” “Oh, fine. Please help me, Clark. Please, please, please?” I managed, gritting my teeth. “That wasn’t so bad, was it?” he smiled, his face lighting up.

When you can change something just by saying a word, that is magic.

If my words were silver blades you’d be long dead.

Judge Knight: Here's a word of advice. Our Sun Knight has the nerve to PLOT THE DOWNFALL OF A KING. DO NOT get on his bad side if you don't have a status higher than that. Storm Knight: In addition he has mastered the Resurrection Spell, which even the Pope has a hard time with. And he's an expert of divine magic, sorcery, and necromancy. Then he's got a teacher who's known as 'the strongest Sun Knight in history' as his supporter, not to mention his other teacher who's no doubt a necromancer... Oh, and while we're at it he's probably also buddies with a Death Lord. Everyone's Thoughts: His extraordinarily bad swordsmanship really is a stroke of good fortune. Earth Knight: Dammit! Is he the Sun Knight or the devil himself?! Leaf Knight: Have you forgotten what our teachers taught us all throughout our childhood, Earth? Teacher: 'Child, when you accidentlly discover the imperfections of the Sun Knight, unless you want to have a first hand experience of his imperfections, you'd better dutifully admit he is perfect. Remember, no matter what the Sun Knight is always perfect!

How do you know when the Sarows is coming?" hummed Lila as she made her way down the ship's narrow hall, fingertips skimming either wall for balance. Right about the, Alucard's warning about Jasta was coming back in full force. "Never challenge that one to a drinking contest. Or a sword fight. Or anything else you might lose. Because you will." The boat rocked beneath her fee. Or maybe she was the one rocking. Hell. Lila was slight, but not short of practice, and even so, she'd never had so much trouble holding her liquor. When she got to her room, she found Kell hunched over the Inheritor, examining the markings on its side. "Hello, handsome," she said, bracing herself in the doorway. Kell looked up, a smile halfway to his lips before it fell away. "You're drunk," he said, giver her a long, appraising look. "And you're not wearing any shoes." "Your powers of observation are astonishing." Lila looked down at her bare feet. "I lost them." "How do you lose shoes?" Lila crinkled her brow. "I bet them. I lost." Kell rose. "To who?" A tiny hiccup. "Jasta." Kell sighed. "Stay here." He slipped past her into the hall, a hand alighting on her waist and then, too soon, the touch was gone. Lila make her way to the bed and collapsed onto it, scooping up the discarded Inheritor and holding it up to the light. The spindle at the cylinder's base was sharp enough to cut, and she turned the device carefully between her fingers, squinting to make out the words wrapped around it. Rosin, read one side. Cason, read the other. Lila frowned, mouthing the words as Kell reappeared in the doorway. "Give-- and Take," he translated, tossing her the boots. She sat up too fast, winced. "How did you manage that?" "I simply explained that she couldn't have them-- they wouldn't have fit-- and then I gave her mine." Lila looked down at Kell's bare feet, and burst into laughter.

we decide our stories. What happens to you is not the story. The plot is not the story, the conflict is not the story, the world is not the story. The story is you. You, the character; you, the reader; and the liminal watercolor of magic that happens between those two. Love a story, hate a story, tire of a story, all the possible magic a story has is contained between those two immovable, unknowable forces.

The Magic Formula: Deliberately think and say the magic words, thank you. The more you deliberately think and say the magic words, thank you, the more gratitude you feel. The more gratitude you deliberately think and feel, the more abundance you receive. Gratitude is a feeling. So the ultimate aim in practicing gratitude is to deliberately feel it as much as you can, because it’s the force of your feeling that accelerates the magic in your life. Newton’s law is one for one – what you give you receive, equally. That means that if you increase your feeling of gratitude, the results in your life will expand to be equal to your feeling! The truer the feeling, the more sincerely grateful you are, the faster your life will change.

Vân Uoc decided that she too would get to know the book inside out. And something miraculous happened when they were about a quarter of the way through reading it. After weeks of ploughing and hesitating, something clicked; she stopped stumbling over the unknown words and long sentences. Words magically started to reveal meaning, most of the time anyway, through context. And the sentences themselves stopped being obstacles and started telling a story. Her eyes were racing ahead; she was comprehending the shape and rhythm of the language.

If you'd cured Henry the Seventh's TB with a course of ethambutol, or given Isaac Newton an hour's access to the Hubble telescope, or shown an off-the-shelf 3-D printer to the regulars at the Captain Marlow in the 1980s, you would have had the M-word thrown your way, too. Some magic is merely normality that you're not yet used to.

So should I just conjure a boat?” I asked her now. She shrugged. “I’m not the one with magic. Just get over however you think is best.” “I could swim,” I suggested. “Ooh! Or maybe magic up like, a sweet Jet Ski?” I held my hands out in front of me as if I were clutching the handlebars of said sweet Jet Sky. Aislinn watched me for a moment before saying, “Is this what you always do when you’re nervous?” My hands fell back to my sides. “Pretty much.” I turned back to the water. “See, the thing is, I’m pretty sure I could make a boat. But then if I do, do I give it a motor? Or a sail? Or am I expected to row myself all the way-“ “Please be quiet until you think of something.” The words themselves weren’t particularly threatening, but Aislinn had a way of looking at you that made you feel like she was mere seconds away from kicking you in the face.

How can you be so optimistic about the whole damn world but not about yourself?” “My magic, you mean.” “Your neck, Pen.” She drew her head back as if he’d just shouted. His words struck her that forcefully. “My . . . ?” “I adore your neck. And your eyes. Do you know how long it’s been since I thought the word ‘indigo’? Maybe when I read it in a poem, years ago. But that’s the color you use to stare at me.” Heat shivered up her spine, along the tops of her breasts and across her cheeks. Never. Not ever had she imagined such a treasure. So shocked, she said the first thing that came into her head. Pure instinct. “Yours are like a clear piece of glass with the sky behind it.” He grinned lazily. “Is that what you think? Well, feel free to continue.

Do not accept the love of a man who makes you feel small, the universe is already so vast. 2. You are innately beautiful and completely irreplaceable. 3. You don’t have to go far to find love and validation, start from within. 4. Boys are boys and men are mean, tell them apart. 5. Be alone often, as you are, but don’t that turn into loneliness. 6. Remember to remain gentle. 7. Don’t stay angry at the world too long. Seek out life in little things and move past sadness. 8. Touch somebody, with your hands or with your heart, with your words or with your silence. Share yourself. 9. Celebrate your skin. 10. Be yourself and never apologize for being someone you love.  

Some instantaneous connection had occurred between them. The very air in the room seemed to crackle with the awareness of it. A wave of heat suffused her body to centre between her legs, suddenly she felt breathless and hyper aware of him. There was no way this man could remain unaffected by the sheer magnitude of the invisible bonds that had just linked them irretrievably together. She wondered what he was thinking behind those beautiful navy blue eyes. Okay so she didn’t really expect him to open his mouth and spout poetry or declare his undying love but she certainly wasn’t prepared for his next words. “You aren’t going to throw up are you? This is one of my favourite suits.

Two cheers to the wind…” “And three to the women…” “And four to the splendid sea.” The last word trailed off, dissolving into the coarser sounds of glasses knocking against tables, ale splashing onto floor. “Is that really how it goes?” asked Vasry, tipping his head back against the booth. “I thought it was wine, not wind.” “Wouldn’t be a sea shanty without the wind,” said Tav. “Wouldn’t be a shanty without the wine,” countered Vasry, slurring his words.

I began to see the magic of Jocelyn's horse psychology school. You couldn't put on airs with a horse, as we so often do with people. Horses look through the masks we wear and the things we say. They see who we really are. They gauge our intentions in a thousand invisible ways that have nothing to do with the words we say. They shy away from the barriers of fear, self-centeredness, jealousy, anger, impatience. They are drawn in by kindness, understanding, concern, openness, love. The thing is, so are people.

what’s known as linguistic concreteness. Three ways to apply it are to: (1) make people feel heard, (2) make the abstract concrete, and (3) know when it’s better to be abstract.

Sailors had a way of snatching words up like coins. Pocketing them for later.

Words are powerful things. String together into messages, oaths, rallying cries. Sword can be met with sword, and magic with magic, and words can be wielded with just as much might.

Magic. It's a cheap word now [...] Most people don't remember what it is. It is not cutting a person in half and pulling a rabbit out. It is not sliding a card from your sleeve. It's not are you watching closely? If you ever looked into a fire and been unable to look away, it's that. If you've ever looked at the mountains and found you're not breathing, it's that. If you've ever looked at the moon and felt tears in your eyes, it's that.

The spell is at its strongest in the center of the room,” I added. “So whatever you want to hold, you wanna put it as close to dead center as you can.” “You must’ve been awesome at Memory as a kid,” Archer mused. I shrugged. “When you’re perusing a book full of the most powerful dark magic ever, you pay attention.” Our gazes fell to the center of the room, where there was nothing but one of the cellar’s bazillion shelves. And under that shelf, drag marks in the dirt. We both moved to either end of the shelf. It took a minute (and a couple of impolite words from both of us), but we managed to move it several feet over. Then we stood there, breathing hard and sweating a little, and stared at the trap door in the floor. “Whatever’s down there,” Archer said after a moment, “it’s hard core enough that Casnoff went to all this trouble to hold it. Are you sure you want to do this, Mercer?” “Of course I don’t,” I said, grabbing the iron ring affixed to the trap door. “But I’m gonna.” I yanked at the ring, and the door came up easily. Cool air, smelling faintly of dirt and decay, wafted up. A metal ladder was bolted to the side of the opening, and I counted ten rungs before it disappeared into the blackness below. Archer made a move to stop into the hole, but I stopped him. “I’ll go down first. You’ll just look up my skirt if I go after you.” “Sophie-“ But it was too late. Trying to shake the feeling that I was stepping into a grave, I grabbed the ladder and started to climb down.

She refused the knife Cassian handed her, though. Went white as death at the sight of it. Azriel, still limping, merely nudged aside Cassian and extended another option. 'This is Truth-Teller,' he told her softly. 'I won't be using it today- so I want you to.' ... Elain's eyes widened at the obsidian-hilted blade in Azriel's scared hand. The runes on the dark scabbard. 'It had never failed me once,' the shadowsinger said, the midday sun devoured by the dark blade. 'Some people say it is magic and will always strike true.' He gently took her hand and pressed the hilt of the legendary blade into it. 'It will serve you well.' 'I- I don't know how to use it-' 'I'll make sure you don't have to,' I said, grass crunching as I stepped closer. Elain weighed my words... and slowly closed her fingers around the blade. Cassian gawked at Azriel, and I wondered how often Azriel had lent out that blade- Never, Rhys said from where he finished buckling on his own weapons against the side of the wagon. I have never once seen Azriel let another person touch that knife. Elain looked up at Azriel, their eyes meeting, his hand still lingering on the hilt of the blade.

Amren angled her head, sleek bob shifting with the movement. “A tax on your magic, taken by ancient beings for their own nourishment and power.” Azriel’s gaze shifted to her, Rhysand presumably still translating mind-to-mind. But Amren murmured to herself, as if the words triggered something, “A tithe.

Finn,” she protested. “I wasn’t laughing like, with her.” Izzy glowered at me. “She tried to kill me.” “Actually, I didn’t,” I broke in. There was a hard look in Aislinn’s and Finley’s eyes that scared the heck out of me. The last thing I wanted was to be held responsible for Elodie’s actions, especially now that I was, technically, one of these women, and the words just came pouring out of my mouth. “See, I don’t have powers anymore, because I was supposed to go through the Removal, and that sort of locked my magic away so that I can’t use it. But there was this girl-well, this witch-Elodie, and because she passed her magic on to me when she died, we’re connected. That means her ghost follows me around and stuff, so when you attacked me, she possessed my body. Which is new and, quite frankly, super freaky, and something that I haven’t really processed yet. Anyway, she was the one who used magic on you. Oh, and held the sword to your throat, and said all that creepy stuff. I’m not creepy. At least not on purpose.” By now, all three Brannick women-all four, if you counted Mom-were staring at me. Man, what had that piney-tasting stuff been? The Brannick version of Red Bull? “I’ll, uh, stop talking now.

The trick to winning a fight isn’t strength, but strategy.” Alucard raised his brows. “Who said anything about fighting?” She ignored him. “And strategy is just a fancy word for a special kind of common sense, the ability to see options, to make them where there were none. It’s not about knowing the rules.

The word appreciate is a magical one. It has 3 meanings. It is a meditation and manifestation: it means to (i) take note, (ii) to value,  (iii) grow in value. So when you when you become first aware, and when you really value  - all in this precious life - then you and all you do will blossom, appreciate and grow in value.

If you'd cured Henry the Seventh's TB with a course of ethambutol, or given Isaac Newton an hour's access to the Hubble telescope, or shown an off-the-shelf 3-D printer to the regulars at the Captain Marlow in the 1980s, you would have had the M-word thrown your way, too. Some magic is merely normality that you're not used to.

I’ll need something more precious.” “A heart?” “A favor.” “What kind of favor?” Maris shrugged. “I suppose I’ll know when I need it. But when I call you, you will come.” Lila hesitated. It was a dangerous deal, she knew, the kind villains coaxed from maidens in fairy tales, and devils from lost men, but she still heard herself answer, a single binding word. “Yes.

Ronan Lynch was becoming a jagged, shaggy horror of a thing. She could feel the same wordless dread that the Lace invoked rising in her. Hennessy hugged him. She didn't even know where the impulse came from. She was not a sentimental hugger. She had not been hugged as a child, unless the hug was being emotionally weaponized for later. And Ronan Lynch did not seem like the sort of person who would care about getting a hug. Giving someone care and receiving it were two unrelated actions. At first it did not seem to do anything. Ronan kept screaming. The hug had not made him appear more human. He seemed more like Bryde than ever--and not Bryde when he was his most man-shaped. He just seemed like a dream entity that hated everything. "Ronan Lynch, you asshole," Hennessy said. Once, he'd hugged her. At the time, she had thought it didn't help, but she'd been wrong. So she held on now, and kept holding on, though he became even less recognizable as Ronan Lynch for a little bit. Then, after a while, the scream gave way to quiet. She could feel his body quivering. Like a pencil sketch, it conveyed misery with the smallest of gestures. And then there was nothing at all, just stillness. Finally, she realized he was hugging her, too, tightly. There was a strange sort of magic to being a person holding another person after not being held by someone for a long time. There was another strange sort of magic to understand you'd been using words and silence the wrong way for a long time.

So that eight-pointed star,” Nesta said into the quiet as they began walking again, shoes squishing, “it’s a symbol of the Starborn people in your world. It means nothing else?” “Why all the questions about it?” Bryce asked through chattering teeth. Azriel walked a few steps behind, silent as death, but she knew he was listening to every word. Nesta went silent, and Bryce thought she might not answer, but then she said, “I had a tattoo on my back—recently. A magical one, now gone. But it was of an eight-pointed star.” “And?” “And the magic, the power of the bargain that caused the tattoo to appear … it chose the design. The star meant nothing to me. I thought maybe it was related to my training, but its shape was identical to the scar on your chest.

She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses. Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over. Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right. Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who... "Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too. She opened her mouth and his fingers touched her wet cheeks. "Anna," he said, his body going still. "Call on your wolf." "You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you." "There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf." "You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker. "I love you," he told her. "Now, call your wolf." She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth. "I'm sorry," she told him. "I'll go away—" And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short. Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes. Then he snarled at her. "You are not leaving me." It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate. "You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—" His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. "Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...

Why had the counterfeit timbre of his voice rung true to me? What had prompted me to believe a man who spent most of his life dissembling? Why had I, usually so suspicious, become so credulous and simpleminded in his presence? Was it just that I had wanted to hear someone tell me he loved me? Was it just that the words he spoke, the vows he swore, were so freighted with sweetness that they would have seemed true no matter who spoke them?

Sprawled out, the Suriel's bony chest heaved unevenly, its breaths few and far between. Dying. I slid to my knees before it, sinking into the blood moss. 'Let me help you. I can heal you.' I'd do it the same way I'd helped Rhysand. Remove those arrows- and offer it my blood. I reached for the first one, but a dry, bony hand settled on my wrist. 'Your magic...' it rasped, 'is spent. Do not... waste it.' 'I can save you.' It only gripped my wrist. 'I am already gone.' 'What- what can I do?' The words turned thin- brittle. 'Stay...' it breathed. 'Stay... until the end.' I took its hand in mine. 'I'm sorry.' It was all I could think to say. I had done this- I had brought it here. 'I knew,' it gasped, sensing my shift in thoughts. 'The tracking... I knew of it.' 'Then why come at all?' 'You... you were kind. You... fought your fear. You were... kind,' it said again. I began crying. 'And you were kind to me,' I said, not brushing away the tears that fell onto its bloodied, tattered robe. 'Thank you- for helping me. When no one else would.' A small smile on that lipless mouth. 'Feyre Archeron.' A laboured breath. 'I told you- to stay with the High Lord. And you did.' Its warning to me that first time we'd met. 'You- you meant Rhys.' All this time, all this time- 'Stay with him... and live to see everything righted.' 'Yes, I did- and it was.' 'No- not yet. Stay with him.' 'I will.' I always would. Its chest rose- then fell. 'I don't even know your name,' I whispered. The Suriel- it was a title, a name for its kind. That small smile again. 'Does it matter, Cursebreaker?' 'Yes.' Its eyes dimmed, but it did not tell me. It only said, 'You should go now. Worse things- worse things are coming. The blood... draws them.' I squeezed its bony hand, the leathery skin growing colder. 'I can stay a while longer.' I had killed enough animals to know when a body neared death. Soon, now- it would be a matter of breaths. 'Feyre Archeron,' the Suriel said again, gazing at the leafy canopy, the sky peeking through it. A painful inhale. 'A request.' I leaned close. 'Anything.' Another rattling breath. 'Leave this world... a better place than how you found it.' And as its chest rose and stopped altogether, as its breath escaped in one last sigh, I understood why the Suriel had come to help me, again and again. Not just for kindness... but because it was a dreamer. And it was the heart of a dreamer that had created healing inside that monstrous chest. Its sudden silence echoed in my own. I laid my head on its chest, on that now-silent vault of bone, and wept. I wept and wept, until there was a strong hand at my shoulder.

Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You are shrinking your world of sensations. You are withering it, starving it, draining its blood. If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent human being in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all of the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine.

There’s only one thing you can say when you come up against magic like this, and Mitch waited a long moment in silence to find the right words, to make them good and true and real. “Not tomorrow,” he said. “Because it’s Sunday and it’s Christmas Day. And not Monday, because it’s a federal holiday, but Tuesday. Will you marry me on Tuesday?” She looked up and her lashes were wet as though she’d been crying too, dawning belief in her eyes. “Yes.

You grew up in a world of magical power,” Jason said, turning his gaze from Neil to address the whole team. “Direct, objective, honest power. I come from a political world, where power is nebulous and the wars are as much about ideology as territory. We grow up watching leaders who need to sway the populace in order to hold power, even as the populace can share information in ways that would be as amazing to you as magic was to me.” Jason nodded at Humphrey. “Humphrey’s mother encouraged our friendship because she recognised that I had a more political mind than is normally to be found in Greenstone. I’m sure it’s different in more cosmopolitan cities, but the politics here are amateurish and crude. Dangerous, yes, because power always is, but not especially complicated. She wanted Humphrey to get to know me so that he would see the next guy like me coming.” Jason conjured his dagger into his hand. “This,” he said, “Is the weakest weapon there is. A blade can cut down a person but words can bring down a kingdom. Adultery can end a dynasty, greed can start a war and compassion can end one. People will die for strangers out of faith and kill their neighbours out of fear.” He casually tossed aside the dagger and it vanished. “Everything is a weapon,” he concluded. “The trick is learning to wield them without doing yourself an injury.

A little writer's block can be a good thing. Your inner-literary critic's way of gently letting you know you're really stinking up the joint. You're off track. Lost in the weeds. Need to go back and rethink things. Sometimes it's simply a matter of temporarily writing yourself out. Yesterday's slow 'n' steady 3 hour, 600 word quota turned into a 5 hour, 2,000 word marathon. The tank's suddenly dry. Take a breather. Let your subconscious work its magic. The words will come.

For what it’s worth,” said the Veskan prince, raising his blade. “I really only came for the queen.” His mother spread her arms, the air around her fingers shimmering with frost. “Rhy,” she said, her voice a plume of mist. “Run.” Before the word was fully out, Col was surging forward. The Veskan was fast, but Rhy was faster, or so it seemed as the queen’s magic weighted Col’s limbs. The icy air wasn’t enough to stop the attack, but it slowed Col long enough for Rhy to throw himself in front of his mother, the blade meant for her driving instead into his chest.

You’re a brilliant magician,” she said, “but there’s something you just don’t get.” He slumped back into his chair. “What’s that?” Lila smiled. “The trick to winning a fight isn’t strength, but strategy.” Alucard raised his brows. “Who said anything about fighting?” She ignored him. “And strategy is just a fancy word for a special kind of common sense, the ability to see options, to make them where there were none. It’s not about knowing the rules.” Her hand fell away, and the bottle crumbled again, falling in a rain of glass. “It’s about knowing how to break them.

Once, he had hugged her. At the time, she had thought it didn’t help, but she’d been wrong. So she held on now, and kept holding on, though he became even less recognizable as Ronan Lynch for a little bit. Then, after a while, the scream gave way to quiet. She could feel his body quivering. Like a pencil sketch, it conveyed misery with the smallest of gestures. And then there was nothing at all, just stillness. Finally, she realized he was hugging her, too, tightly. There was a strange sort of magic to being a person holding another person after not being held by someone for a long time. There was another strange sort of magic to understanding you’d been using words and silence the wrong way for a long time.

The last time he’d crossed Luxbridge, Dorian had only noticed the brilliance of the magic, sparkling, springy underfoot, coruscating in a thousand colors at every step. Now, he saw nothing but the building blocks to which the magic was anchored. Luxbridge’s mundane materials were not stone, metal, or wood; it was paved with human skulls in a path wide enough for three horses to pass abreast. New heads had been added to whatever holes had formed over the years. Any Vürdmeister, as masters of the vir were called after they passed the tenth shu’ra, could dispel the entire bridge with a word. Dorian even knew the spell, for all the good it did him. What made his stomach knot was that the magic of Luxbridge had been crafted so that magi, who used the Talent rather than the foul vir that meisters and Vürdmeisters used, would automatically be dropped

Nope.' He grabs my hand and places it over his heart. 'I already know the truth. We’re dating.' His eyebrows waggle. 'Exclusively.' 'Gross.' 'Do you want to wear my letterman’s jacket?' 'I’m going to vomit.' '“Should I buy you a corsage?' 'Seriously. Gagging.' 'Okay, no corsage.' He laughs. 'Just the matching tattoos, then?' 'Seriously.' I fight the urge to stomp my foot. 'Let it go, Parker. Let it go.' 'Hey, Elsa, don’t quote Frozen to me unless you’re prepared to listen to the entire soundtrack in my car on the way to Seaport.' I stare up at him. 'I’m not sure whether I should be disturbed or turned on by the fact that you know all the words to Let It Go.' He grins. 'Definitely turned on.' 'Downloaded in your iTunes library, no doubt.' I shake my head. 'This is nearly as disturbing as the time I learned the song A Whole New World from Aladdin is a metaphor for mind-blowing sex.' 'I’m sorry, what?' 'I can open your eyes? Lead you wonder by wonder? Over, sideways, and under?' I snort. 'Come on. That’s basically soft-core porn.' 'Thank you, Zoe, for ruining a beloved Disney classic for me.' 'Anytime.' 'For the record…' He trails off. I wince, anticipating the worst. 'What?' 'I’ll take you on my magic carpet ride any time you want, snookums.' 'Pass.' 'So, that’s a no on rubbing my lamp then?' 'You know, I think I’ll just find my own way to Nate’s…' I turn and start walking to the elevator. 'Oh, come on.' Parker twines his fingers with mine and pushes the call button, humming under his breath. 'I’m a genie in a bottle, baby, gotta rub—' 'AH!' I stare at him in horror as the elevator arrives. 'So help me god if you start singing vintage Christina Aguilera lyrics right now, I will murder you with my bare hands.

Despite the chaos that was tearing her head apart, Tevi understood what scene Yenneg was attempting to play out, with herself as a conscripted actor. She needed to force out an explanation or denial, but no words could get past her lips. Jemeryl's presence was paralysing her, an effect far more irresistible than anything Yenneg had achieved. Tevi watched Jemeryl take another few steps forwards and then crouch down so that their eyes were no more than a foot apart. Tevi thought she would die from the shock. Yet somehow, she forced her mouth to shape the words, "Wine. Love potion." Her voice was not loud enough even to count as a whisper. Certainly nobody else in the room would have heard, yet Tevi could not control her breathing to manage anything else. At first Jemeryl showed no sign of comprehension, but then suddenly, the bewilderment on her face transformed into fury. She leapt up, her arms moving in a blurred aggressive swirl. The gesture ended with an action like hurling a ball. Blue fire erupted from Jemeryl's hands and shot towards Yenneg. The other sorcerer had obviously recognised the gesture and made an effort to protect himself. A shimmering shield sprung up before Yenneg, but it was not strong enough, and the shockwave knocked him off his feet. His shoulders slammed into the wall behind him and he crumpled to the floor. Jemeryl had been telling the truth when she claimed to vastly excel the acolytes in magical ability, not that Tevi had ever entertained doubts. Jemeryl's hands moved again, and this time Yenneg was sprawled on the floor and in no state to mount a defence. A second bolt of blue fire burst in his direction. Lightning in the form of a whip snapped across the room, intercepting Jemeryl's attack before it struck. The diverted fireball hit the wall of the summerhouse two feet from Yenneg's head and smashed through it, as if it were a stone going through wet paper.

GROW THE ACTION HABIT Practice these key points: 1. Be an activationist. Be someone who does things. Be a doer, not a don’t-er. 2. Don’t wait until conditions are perfect. They never will be. Expect future obstacles and difficulties and solve them as they arise. 3. Remember, ideas alone won’t bring success. Ideas have value only when you act upon them. 4. Use action to cure fear and gain confidence. Do what you fear, and fear disappears. Just try it and see. 5. Start your mental engine mechanically. Don’t wait for the spirit to move you. Take action, dig in, and you move the spirit. 6. Think in terms of now. Tomorrow, next week, later, and similar words often are synonymous with the failure word, never. Be an “I’m starting right now” kind of person. 7. Get down to business—pronto. Don’t waste time getting ready to act. Start acting instead. 8. Seize the initiative. Be a crusader. Pick up the ball and run. Be a volunteer. Show that you have the ability and ambition to do. Get in gear and go!

■​A good negotiator prepares, going in, to be ready for possible surprises; a great negotiator aims to use her skills to reveal the surprises she is certain to find. ■​Don’t commit to assumptions; instead, view them as hypotheses and use the negotiation to test them rigorously. ■​People who view negotiation as a battle of arguments become overwhelmed by the voices in their head. Negotiation is not an act of battle; it’s a process of discovery. The goal is to uncover as much information as possible. ■​To quiet the voices in your head, make your sole and all-encompassing focus the other person and what they have to say. ■​Slow. It. Down. Going too fast is one of the mistakes all negotiators are prone to making. If we’re too much in a hurry, people can feel as if they’re not being heard. You risk undermining the rapport and trust you’ve built. ■​Put a smile on your face. When people are in a positive frame of mind, they think more quickly, and are more likely to collaborate and problem-solve (instead of fight and resist). Positivity creates mental agility in both you and your counterpart. There are three voice tones available to negotiators: 1.​The late-night FM DJ voice: Use selectively to make a point. Inflect your voice downward, keeping it calm and slow. When done properly, you create an aura of authority and trustworthiness without triggering defensiveness. 2.​The positive/playful voice: Should be your default voice. It’s the voice of an easygoing, good-natured person. Your attitude is light and encouraging. The key here is to relax and smile while you’re talking. 3.​The direct or assertive voice: Used rarely. Will cause problems and create pushback. ■​Mirrors work magic. Repeat the last three words (or the critical one to three words) of what someone has just said. We fear what’s different and are drawn to what’s similar. Mirroring is the art of insinuating similarity, which facilitates bonding. Use mirrors to encourage the other side to empathize and bond with you, keep people talking, buy your side time to regroup, and encourage your counterparts to reveal their strategy.

You’re a Shadowborn. Those three words struck me across the face. I lurched back with the force of them, but his grip on my wrist was strong. No one had ever called me that before. “No, I’m not,” I said. “I’m a Dawndrinker. I’m⁠—” “You are a vampire, Iliae. Not just a vampire, but one created by one of the most powerful bloodlines in Obitraes. Call yourself whatever you want, but your stubbornness isn’t worth your life.” “Stubbornness?” My hurt curdled to anger. “I didn’t choose this,” I spat. “I didn’t want this. I was nineteen years old when your brother Turned me and then left me to die in the dirt. Don’t try to tell me that it’s some kind of gift that I’m supposed to embrace. I lost everything that night. I lost⁠—” I squeezed my eyes shut. I saw a young man with half his face ripped up. I saw a woman with her throat torn out and just how thirsty the dust was for her blood. I drew in a long breath and let it out. “Whatever magic I have from—from him, prince or not, I don’t want it,” I said. “I wield the magic of Atroxus. Not Nyaxia. I have my faith, and I have the love of my god. That’s all I need.

He could not maintain the effort to arrive on time since his lifelong habit had created the opposite habit: to elude, to avoid, to disappoint every expectation of others, every commitment, every promise, every crystallization. The magic beauty of simultaneity, to see the loved one rushing toward you at the same moment you are rushing toward him, the magic power of meeting exactly at midnight to achieve union, the illusion of one common rhythm achieved by overcoming obstacles, deserting friends, breaking other bonds —all this was soon dissolved by his laziness, by his habit of missing every moment, of never keeping his word, of living perversely in a state of chaos, of swimming more naturally in a sea of failed intentions, broken promises, and aborted wishes. The importance of rhythm in Djuna was so strong that no matter where she was, even without a watch, she sensed the approach of midnight and would climb on a bus, so instinctively and accurate that very often as she stepped of the bus the twelve loud gongs of midnight would be striking at the large station clock. This obedience to timing was her awareness of the rarity of unity between human beings.

Rafe clenched his teeth as he stood over Lady Rosslyn, taking in her tumble of fiery auburn curls, her fine-boned features, the sweep of her lashes, the curve of her lips. Reaching out a shaky hand, he brushed his fingers across that silken mass of hair with a whisper of a touch. He snatched back his hand with an inner curse. She was too fine to be handled by the likes of him. However, this business had to be done. Raising his index finger to his mouth, he pierced the digit with a fang, watching his blood bead up from the wound. Never in centuries had he imagined performing such an act. Carefully, Rafe held his finger above Lady Rosslyn’s parted lips, allowing his magical blood to drip into her mouth. In as low a voice as possible, he recited the words that would bind her to him for the rest of her life. “I, Rafael Villar, interim Lord of London, Mark this mortal, Cassandra Burton, as mine and mine alone. With this Mark I give Cassandra my undying protection. Let all others, immortal and mortal alike, who cross her path sense my Mark and know that to act against her is to act against myself and thus set forth my wrath, as I will avenge what is mine.” The

You made it to the other side of the field, but I said to face the wights—not throw a magical tantrum.” “I will kill you,” she said, the words raw and gasping. “How dare—” “That was not a wight, Princess.” He flicked his attention toward the trees beyond her. She might have roared about using specifics to escape his bargain to bring her to Doranelle, but when his eyes met hers again, he seemed to say, That thing should not have been there. Then what in hell was it, you stupid bastard? she silently shot back. He clenched his jaw before he said aloud, “I don’t know. We’ve had skinwalkers on the prowl for weeks, roaming down from the hills to search for human pelts, but this … this was something different. I have never encountered its like, not in these lands or any other. Thanks to having to drag you away, I don’t think I’ll learn anytime soon.” He gave a pointed look at her current state. “It was gone when I circled back. Tell me what happened. I saw only darkness, and when you emerged, you were … different.” She dared a look at herself again. Her skin was bone-white, as if the little color she’d received lying on those rooftops in Varese had been leeched away, and not only by fright and sickness.

Dying. I slid to my knees before it, sinking into the bloody moss. “Let me help you. I can heal you.” I’d do it the same way I’d helped Rhysand. Remove those arrows—and offer it my blood. I reached for the first one, but a dry, bony hand settled on my wrist. “Your magic …,” it rasped, “is spent. Do not … waste it.” “I can save you.” It only gripped my wrist. “I am already gone.” “What—what can I do?” The words turned thin—brittle. “Stay …,” it breathed. “Stay … until the end.” I took its hand in mine. “I’m sorry.” It was all I could think to say. I had done this—I had brought it here. “I knew,” it gasped, sensing my shift in thoughts. “The tracking … I knew of it.” “Then why come at all?” “You … were kind. You … fought your fear. You were … kind,” it said again. I began crying. “And you were kind to me,” I said, not brushing away the tears that fell onto its bloodied, tattered robe. “Thank you—for helping me. When no one else would.” A small smile on that lipless mouth. “Feyre Archeron.” A labored breath. “I told you—to stay with the High Lord. And you did.” Its warning to me that first time we’d met. “You—you meant Rhys.” All this time. All this time— “Stay with him … and live to see everything righted.” “Yes. I did—and it was.” “No—not yet. Stay with him.” “I will.” I always would. Its chest rose—then fell. “I don’t even know your name,” I whispered. The Suriel—it was a title, a name for its kind. That small smile again. “Does it matter, Cursebreaker?” “Yes.” Its eyes dimmed, but it did not tell me. It only said, “You should go now. Worse things—worse things are coming. The blood … draws them.” I squeezed its bony hand, the leathery skin growing colder. “I can stay a while longer.” I had killed enough animals to know when a body neared death. Soon, now—it would be a matter of breaths. “Feyre Archeron,” the Suriel said again, gazing at the leafy canopy, the sky peeking through it. A painful inhale. “A request.” I leaned close. “Anything.” Another rattling breath. “Leave this world … a better place than how you found it.” And as its chest rose and stopped altogether, as its breath escaped in one last sigh, I understood why the Suriel had come to help me, again and again. Not just for kindness … but because it was a dreamer. And it was the heart of a dreamer that had ceased beating inside that monstrous chest. Its sudden silence echoed into my own. I laid my head on its chest, on that now-silent vault of bone, and wept.

My editor insists that I clarify that there isn’t actually a $25 bill hidden in this book, which is sort of ridiculous to have to explain, because there’s no such thing as a $25 bill. If you bought this book thinking you were going to find a $25 bill inside then I think you really just paid for a worthwhile lesson, and that lesson is, don’t sell your cow for magic beans. There was another book that explained this same concept many years ago, but I think my cribbed example is much more exciting. It’s like the Fifty Shades of Grey version of “Jack and the Beanstalk.” But with fewer anal beads, or beanstalks. 2. “Concoctulary” is a word that I just made up for words that you have to invent because they didn’t yet exist. It’s a portmanteau of “concocted” and “vocabulary.” I was going to call it an “imaginary” (as a portmanteau of “imagined” and “dictionary”) but turns out that the word “imaginary” was already concoctularied, which is actually fine because “concoctulary” sounds sort of unintentionally dirty and is also great fun to say. Try it for yourself. Con-COC-chew-lary. It sings. 3. My mental illness is not your mental illness. Even if we have the exact same diagnosis we will likely experience it in profoundly different ways. This book is my unique perspective on my personal path so far. It is not a textbook. If it were it would probably cost a lot more money and have significantly less profanity or stories about strangers sending you unexpected vaginas in the mail. As it is with all stories, fast cars, wild bears, mental illness, and even life, only one truth remains: your mileage may vary.

That such a surprisingly powerful philosophical method was taken seriously can be only partially explained by the backwardness of German natural science in those days. For the truth is, I think, that it was not at first taken really seriously by serious men (such as Schopenhauer, or J. F. Fries), not at any rate by those scientists who, like Democritus2, ‘would rather find a single causal law than be the king of Persia’. Hegel’s fame was made by those who prefer a quick initiation into the deeper secrets of this world to the laborious technicalities of a science which, after all, may only disappoint them by its lack of power to unveil all mysteries. For they soon found out that nothing could be applied with such ease to any problem whatsoever, and at the same time with such impressive (though only apparent) difficulty, and with such quick and sure but imposing success, nothing could be used as cheaply and with so little scientific training and knowledge, and nothing would give such a spectacular scientific air, as did Hegelian dialectics, the mystery method that replaced ‘barren formal logic’. Hegel’s success was the beginning of the ‘age of dishonesty’ (as Schopenhauer3 described the period of German Idealism) and of the ‘age of irresponsibility’ (as K. Heiden characterizes the age of modern totalitarianism); first of intellectual, and later, as one of its consequences, of moral irresponsibility; of a new age controlled by the magic of high-sounding words, and by the power of jargon. In order to discourage the reader beforehand from taking Hegel’s bombastic and mystifying cant too seriously, I shall quote some of the amazing details which he discovered about sound, and especially about the relations between sound and heat. I have tried hard to translate this gibberish from Hegel’s Philosophy of Nature4 as faithfully as possible; he writes: ‘§302. Sound is the change in the specific condition of segregation of the material parts, and in the negation of this condition;—merely an abstract or an ideal ideality, as it were, of that specification. But this change, accordingly, is itself immediately the negation of the material specific subsistence; which is, therefore, real ideality of specific gravity and cohesion, i.e.—heat. The heating up of sounding bodies, just as of beaten or rubbed ones, is the appearance of heat, originating conceptually together with sound.’ There are some who still believe in Hegel’s sincerity, or who still doubt whether his secret might not be profundity, fullness of thought, rather than emptiness. I should like them to read carefully the last sentence—the only intelligible one—of this quotation, because in this sentence, Hegel gives himself away. For clearly it means nothing but: ‘The heating up of sounding bodies … is heat … together with sound.’ The question arises whether Hegel deceived himself, hypnotized by his own inspiring jargon, or whether he boldly set out to deceive and bewitch others. I am satisfied that the latter was the case, especially in view of what Hegel wrote in one of his letters. In this letter, dated a few years before the publication of his Philosophy of Nature, Hegel referred to another Philosophy of Nature, written by his former friend Schelling: ‘I have had too much to do … with mathematics … differential calculus, chemistry’, Hegel boasts in this letter (but this is just bluff), ‘to let myself be taken in by the humbug of the Philosophy of Nature, by this philosophizing without knowledge of fact … and by the treatment of mere fancies, even imbecile fancies, as ideas.’ This is a very fair characterization of Schelling’s method, that is to say, of that audacious way of bluffing which Hegel himself copied, or rather aggravated, as soon as he realized that, if it reached its proper audience, it meant success.

Mathematical analysis and computer modelling are revealing to us that the shapes and processes we encounter in nature -the way that plants grow, the way that mountains erode or rivers flow, the way that snowflakes or islands achieve their shapes, the way that light plays on a surface, the way the milk folds and spins into your coffee as you stir it, the way that laughter sweeps through a crowd of people — all these things in their seemingly magical complexity can be described by the interaction of mathematical processes that are, if anything, even more magical in their simplicity. Shapes that we think of as random are in fact the products of complex shifting webs of numbers obeying simple rules. The very word “natural” that we have often taken to mean ”unstructured” in fact describes shapes and processes that appear so unfathomably complex that we cannot consciously perceive the simple natural laws at work.They can all be described by numbers. We know, however, that the mind is capable of understanding these matters in all their complexity and in all their simplicity. A ball flying through the air is responding to the force and direction with which it was thrown, the action of gravity, the friction of the air which it must expend its energy on overcoming, the turbulence of the air around its surface, and the rate and direction of the ball's spin. And yet, someone who might have difficulty consciously trying to work out what 3 x 4 x 5 comes to would have no trouble in doing differential calculus and a whole host of related calculations so astoundingly fast that they can actually catch a flying ball. People who call this "instinct" are merely giving the phenomenon a name, not explaining anything. I think that the closest that human beings come to expressing our understanding of these natural complexities is in music. It is the most abstract of the arts - it has no meaning or purpose other than to be itself.

Kell skimmed the spell and frowned. “An eternal flame?” Rhy absently plucked one of the lin from the floor and shrugged. “First thing I grabbed.” He tried to sound as if he didn’t care about the stupid spell, but his throat was tight, his eyes burning. “Doesn’t matter,” he said, skipping the coin across the ground as if it were a pebble on water. “I can’t make it work.” Kell shifted his weight, lips moving silently as he read over the priest’s scrawl. He held his hands above the paper, palms cupped as if cradling a flame that wasn’t even there yet, and began to recite the spell. When Rhy had tried, the words had fallen out like rocks, but on Kell’s lips, they were poetry, smooth and sibilant. The air around them warmed instantly, steam rising from the penned lines on the scroll before the ink drew in and up into a bead of oil, and lit. The flame hovered in the air between Kell’s hands, brilliant and white. He made it look so easy, and Rhy felt a flash of anger toward his brother, hot as a spark—but just as brief. It wasn’t Kell’s fault Rhy couldn’t do magic. Rhy started to rise when Kell caught his cuff. He guided Rhy’s hands to either side of the spell, pulling the prince into the fold of his magic. Warmth tickled Rhy’s palms, and he was torn between delight at the power and knowledge that it wasn’t his. “It isn’t right,” he murmured. “I’m the crown prince, the heir of Maxim Maresh. I should be able to light a blasted candle.” Kell chewed his lip—Mother never chided him for the habit—and then said, “There are different kinds of power.” “I would rather have magic than a crown,” sulked Rhy. Kell studied the small white flame between them. “A crown is a sort of magic, if you think about it. A magician rules an element. A king rules an empire.” “Only if the king is strong enough.” Kell looked up, then. “You’re going to be a good king, if you don’t get yourself killed first.” Rhy blew out a breath, shuddering the flame. “How do you know?” At that, Kell smiled. It was a rare thing, and Rhy wanted to hold fast to it—he was the only one who could make his brother smile, and he wore it like a badge—but then Kell said, “Magic,” and Rhy wanted to slug him instead. “You’re an arse,” he muttered

Well, then, to put it in a nutshell,” said the Chief Voice, “we’ve been waiting for ever so long for a nice little girl from foreign parts, like it might be you, Missie--that would go upstairs and go to the magic book and find the spell that takes off the invisibleness, and say it. And we all swore that the first strangers as landed on this island (having a nice little girl with them, I mean, for if they hadn’t it’d be another matter) we wouldn’t let them go away alive unless they’d done the needful for us. And that’s why, gentlemen, if your little girl doesn’t come up to scratch, it will be our painful duty to cut all your throats. Merely in the way of business, as you might say, and no offense, I hope.” “I don’t see all your weapons,” said Reepicheep. “Are they invisible too?” The words were scarcely out of his mouth before they heard a whizzing sound and next moment a spear had stuck, quivering, in one of the trees behind them. “That’s a spear, that is,” said the Chief Voice. “That it is, Chief, that it is,” said the others. “You couldn’t have put it better.” “And it came from my hand,” the Chief Voice continued. “They get visible when they leave us.” “But why do you want me to do this?” asked Lucy. “Why can’t one of your own people? Haven’t you got any girls?” “We dursen’t, we dursen’t,” said all the Voices. “We’re not going upstairs again.” “In other words,” said Caspian, “you are asking this lady to face some danger which you daren’t ask your own sisters and daughters to face!” “That’s right, that’s right,” said all the Voices cheerfully. “You couldn’t have said it better. Eh, you’ve had some education, you have. Anyone can see that.” “Well, of all the outrageous--” began Edmund, but Lucy interrupted. “Would I have to go upstairs at night, or would it do in daylight?” “Oh, daylight, daylight, to be sure,” said the Chief Voice. “Not at night. No one’s asking you to do that. Go upstairs in the dark? Ugh.” “All right, then, I’ll do it,” said Lucy. “No,” she said, turning to the others, “don’t try to stop me. Can’t you see it’s no use? There are dozens of them there. We can’t fight them. And the other way there is a chance.” “But a magician!” said Caspian. “I know,” said Lucy. “But he mayn’t be as bad as they make out. Don’t you get the idea that these people are not very brave?” “They’re certainly not very clever,” said Eustace.

That he would grant you, according to the riches of his glory, to be strengthened with might by his Spirit in the inner man; That Christ may dwell in your hearts by faith; that ye, being rooted and grounded in love, (Eph 3:16-17) I pray for you as a special child of a loving God. May every storm that has been raging in your life be abated today! May you experience calmness in every area of your life! May calmness come into your marriage, business, finances and health! May Jehovah grant you according to the riches of his glory, strength in the inner man by His Spirit! The riches of his glory are never run down; they are never depleted and never valueless. As this touches you, may intelligence be your portion, wisdom to confound the world. May knowledge become a part of your life as a member of the family of God here on earth! May you become conscious of the indwelling Christ! He lives in you; He is in every fibre of your being. He is in your bones, hair, muscles, gluttons, nerves and blood. I banish everything that is trying to invade these areas. May Christ sit as king in you, not pain, not cancer, not diabetes or any other evil disease known to man and not known to man! I command victories without number in your life. As Christ is crowned king in your life, the world will know whose you are. I pray that every place you were mocked be eradicated today. Every place were voices have been raised to mock you and to pull you down be exterminated today as you walk strengthened by His Spirit in the inner man. As the word says, He will give His angels charge over you. May angels come into battle on your behalf! I pray for the release of warring angels to fight for you, prosperity angels to gather wealth for you, angels of peace to enforce order in all the storms in your life. I pray that you be granted VIP access into secret treasures. May your prayers overcome huddles and may answers to your requests be quick and immediate. I put lines of demarcation against the devil in your life. No demon will come near your house. There is no weapon, no magic charm and no sorcery that is manufactured against you that will prosper. May your fear factor be replaced with a faith factor as you overcome every obstacle in Jesus’ name! Declaration I declare, you will not die but live to proclaim the might works of God. Your life will be a testimony for the world to witness the glory of the Lord.

The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.

By their dependence on the spoken word for information, people were drawn together into a tribal mesh . . . the spoken word is more emotionally laden than the written. . . . Audile-tactile tribal man partook of the collective unconscious, lived in a magical integral world patterned by myth and ritual, its values divine.3

1) We need to take our minds off what we don’t want and onto what we do want, so that the way to manifest your desires is to think about them as often as possible. Thoughts become things; we create our world with our thoughts, and so on. 2) We are told again and again that if we expect things to turn out badly, they will. I have lost count of how many times I have been told not to talk of worst-case scenarios because in doing so I will ‘make them happen’ and so court disaster. ‘Speak of the Devil and he will appear’, so the saying goes. 3) Want is another word for lack. Thoughts of wanting only attracts more wanting and more lack. By continually thinking about your goal, you are continually wanting, continually asking. This will act to ‘freeze’ things, keeping you in a state of constant state of waiting, wanting, anticipation and lack. Wanting = Asking = Lack. 4) Complaining and focusing on the negative at the expense of the positive is prevalent in every society. There is a very clear correlation between those who are very happy and an almost non-existent level of complaining. Those who complain a lot, generally have lives that are poorer in all ways than those who do not complain. Those who do not complain, generally have fuller, richer and happier lives. It is complaining that keeps you in a state of wanting. Complaining just invites more into your life to complain about because complaining means wanting things to be different. 5) What isn’t allowed is complaining for the sake of complaining – talking in a negative way about something for fun, to gossip about someone in a derogatory way, to pass the time of day, or worse, to make you feel better, more important or as a way of connecting with another negative person. 6) The point is not to get the words right, the point is to change your focus to all the good that is in your life. Your energy will rise automatically and naturally just by this one move. 7) A person who notices a lot of good in their life, has a lot of good in their life. A person who is grateful a lot, has a lot to be grateful for. It works that way around. Look at the world and smile, and it will smile back at you. 8) BELIEFS BECOME THINGS Rather than mere thoughts, it is your deeply held beliefs which have the greatest effect on your life. 9) You need to believe in your own power, really believe it; not just wishfully think it. Not just say ‘I believe in myself’ in some sort of self-help sound bite-type way, while inside part of you is disagreeing. 10) This is yet another reason for not working on goals too quickly. Any failure in achieving a particular goal will only dent your belief; we cannot risk that. But, every success, no matter how small, will grow your belief in your own ability. Little tiny successes all build into a wonderful strong belief. 11) Having worked hard for a few days (preferably weeks) to eradicate the bulk of your negativity, you start noticing the effect of doing this. Notice, accept and believe that small changes in you do indeed bring about a positive change in the people, events and situations around you. See the world, not as a separate realm over which you have greater or lesser effect, but as a mirror, reflecting not just your thoughts, but you. 12) Expecting the world to change, without changing you is like looking into a mirror and expecting the reflection to smile first. The world simply will never change, until you change. 13) Begin to realize that your experience of life is nothing but a reflection of the person you are ~~Becoming Magic: A Course in Manifesting an Exceptional Life (Book 1) by Genevieve Davis

Poppy Hathaway," he whispered as if it were a magical incantation. He had seen her from a distance on two occasions, once when she had been entering a carriage at the front of the hotel, and once at a ball held at the Rutledge. Harry hadn't attended the event, but he had watched for a few minutes from a vantage point at an upper floor balcony. Despite her fine-spun beauty and mahogany hair, he hadn't spared her a second thought. Meeting her in person, however, had been a revelation. Harry began to lower himself into a chair and noted the shredded velvet and clumps of stuffing left by the ferret. A reluctant smile curved his lips as he moved to take the other chair. Poppy. How artless she had been, chatting casually about astrolabes and Franciscan monks as she had browsed among his treasures. She had thrown out words in bright clusters, as if she were scattering confetti. She had radiated a kind of cheery astuteness that should have been annoying, but instead it have given him unexpected pleasure. There was something about her, something... it was what the French called esprit, a liveliness of mind and spirit. And that face... innocent and knowing, and open. He wanted her.

Exodus 3:13–15 God’s Name God’s statement “I AM WHO I AM” (Ex 3:14) is essentially in answer to the question, “What is your name?” God’s initial answer seems evasive. He is hinting at the real answer, though, since the Hebrew words for “I am” sound a bit like “Yahweh,” the name finally revealed in Ex 3:15 (“the LORD”). Two aspects of how divine names were utilized in ancient Egypt may relate to this revelation of God’s name. First, ancient Egyptians believed in a close relationship between the name of a deity and the deity itself—i.e., the name of a god could reveal part of the essential nature of that god. In Egyptian texts that refer to different but important names for the same deity, the names are often associated with particular actions or characteristics, and the words used tend to sound similar to the names with which they are associated. One can say there is wordplay between the action or characteristic and the name. For example, one text says, “You are complete [km] and great [wr] in your name of Bitter Lake [Km wr] . . . See you are great and round [šn] in (your name of) Ocean [Šn wr].” One can discern a similar wordplay at work in Ex 3:14. The action God refers to is that of being or existing. The wordplay consists in that the statement “I AM” comes from the Hebrew consonants h-y-h, while the name in Ex 3:15 contains the consonants y-h-w-h. Both words come from the same verbal root, and the linguistic connection would be immediately clear to an ancient listener or reader. It is not that God’s name is actually “I am” but that “Yahweh” reveals something about the essence of who God is—an essence that relates to the concept of being and to the idea of one who brings others into being. A second aspect of divine names in Egypt may be relevant. Deities sometimes had secret names, and special power was granted to those who knew them. Certain Egyptian magical texts (e.g., the Harris Magical Papyrus) give instructions on how to use the words of a god and thereby wield a degree of that god’s power.

I just needed you to know how I felt--I didn’t want you to make any rash decisions--” “Rash decisions? I suppose I have made a few of those.” Cass took Falco’s hands in her own. “You are--” Her voice cracked, and for a moment she feared she might cry. Inhale. Exhale. She searched for the right word. “Dazzling,” she said. Her lips slanted into a smile. “Knowing you has been magical.

There are three voice tones available to negotiators: 1.​The late-night FM DJ voice: Use selectively to make a point. Inflect your voice downward, keeping it calm and slow. When done properly, you create an aura of authority and trustworthiness without triggering defensiveness. 2.​The positive/playful voice: Should be your default voice. It’s the voice of an easygoing, good-natured person. Your attitude is light and encouraging. The key here is to relax and smile while you’re talking. 3.​The direct or assertive voice: Used rarely. Will cause problems and create pushback. ■​Mirrors work magic. Repeat the last three words (or the critical one to three words) of what someone has just said. We fear what’s different and are drawn to what’s similar. Mirroring is the art of insinuating similarity, which facilitates bonding. Use mirrors to encourage the other side to empathize and bond with you, keep people talking, buy your side time to regroup, and encourage your counterparts to reveal their strategy.

Poppy Hathaway,” he whispered as if it were a magical incantation. He had seen her from a distance on two occasions, once when she had been entering a carriage at the front of the hotel, and once at a ball held at the Rutledge. Harry hadn’t attended the event, but he had watched for a few minutes from a vantage point at an upper floor balcony. Despite her fine-spun beauty and mahogany hair, he hadn’t spared her a second thought. Meeting her in person, however, had been a revelation. Harry began to lower himself into a chair and noted the shredded velvet and clumps of stuffing left by the ferret. A reluctant smile curved his lips as he moved to take the other chair. Poppy. How artless she had been, chatting casually about astrolabes and Franciscan monks as she had browsed among his treasures. She had thrown out words in bright clusters, as if she were scattering confetti. She had radiated a kind of cheery astuteness that should have been annoying, but instead it had given him unexpected pleasure. There was something about her, something . . . it was what the French called esprit, a liveliness of mind and spirit. And that face . . . innocent and knowing, and open. He wanted her.

Why are you mad at me?” He didn’t look at her. “I’m not mad.” “You’re not happy.” His fingers tightened on the steering wheel. “That was no practice kiss.” “I know it wasn’t. I was trying to give us a reason not to talk about it.” “Oh. So you don’t think we should talk about it?” “I thought guys hated talking things out.” He drummed his fingers on the wheel. “I just don’t want you getting any ideas, that’s all.” Getting any ideas? Emma was speechless for a moment, unable to believe he’d actually said that. “Since I was walking away from you when you spun me around and kissed me, I’d say you’re the one getting ideas.” “Of course I’m getting ideas. You’re hot and I’m not dead. But I know enough not to confuse lust with anything else.” She snorted and looked out her window. “Oh, yes, Sean Kowalski. Your amazing kisses have made all rational thought fly out of my besotted brain. If only you could fill me with your magic penis, I know we’d fall madly in love and live happily ever after.” The truck jerked and she glanced over to find him glaring at her. “Don’t ever say that again.” “What? The ‘madly in love’ or the ‘happily ever after’?” “My penis isn’t magic.” His tone was grumpy, but then he smiled at the windshield. “It does tricks, though.” “The only trick your penis needs to know for the next three and a half weeks is down boy.” How the hell had she gotten herself into this conversation? “To get back to the point, if you think I have any interest in a real relationship with a guy who thinks he’s a better driver than me just because I have breasts, you’re insane.” “It’s not because you have breasts. Women don’t drive as well because they lack a magic penis.” She turned toward the passenger door, letting him know with her body language she had no interest in talking to him anymore. “Why didn’t I tell Gram I was dating Bob from the post office?” He laughed at her. “You’ve met the Kowalskis. You were doomed the minute you said the name out loud.” Doomed, she thought, glaring at the passing scenery. That was a good word for it.