2 Sentence Quotes

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Oh, I'm sorry," Chubs said, 'apparently the middle of my sentence interrupted the beginning of yours. Do continue.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
You wanted hearts and flowers,” he murmurs. I blink at him, not quite believing what I’m seeing. “You have my heart.” And he waves toward the room. “And here are the flowers,” I whisper, completing his sentence. “Christian, it’s lovely.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Hope. It's like a drop of honey, a field of tulips blooming in the springtime. It's a fresh rain, a whispered promise, a cloudless sky, the perfect punctuation mark at the end of a sentence. And it's the only thing in the world keeping me afloat.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: 1. What am I trying to say? 2. What words will express it? 3. What image or idiom will make it clearer? 4. Is this image fresh enough to have an effect?
George Orwell (Politics and the English Language)
Abbe Faria: Here is your final lesson - do not commit the crime for which you now serve the sentence. God said, Vengeance is mine. Edmond Dantes: I don't believe in God. Abbe Faria: It doesn't matter. He believes in you.
Alexandre Dumas (The Count of Monte Cristo, V1 (The Count of Monte Cristo, part 1 of 2))
My name is Hazel. Augustus Waters was the great sat-crossed love of my life. Ours was an epic love story, and I won't be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because-like all real love stories-it will die with us, as it should. I'd hoped that he'd be eulogizing me, because there's no one I'd rather have..." I started crying. "Okay, how not to cry. How am I-okay. Okay." I took a few deep breaths and went back to the page. "I can't talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and infinite collection of others. Of course, there is a Bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.
John Green (The Fault in Our Stars)
but it's not safe and I can feel him slipping away, so I just get out one more sentence. "Stay with me." As the tendrils of sleep syrup pull me down, I hear him whisper a word back but I don't catch it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Maybe I'd always been broken and dark inside.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Her majesty is one verb short of a sentence.
Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
Maybe they’re getting some bow-chicka-pow-wow.” I looked at him. “Ew.” He flashed his teeth. “She’s definitely not my type.” His gaze dropped to my lips, and parts of me quivered in response to the heat in his gaze. “But now I totally have that on my mind.” I was breathless. “You’re a dog.” “If you pet me, I’ll—“ “Don’t even finish that sentence,” I said, fighting a grin.
Jennifer L. Armentrout (Onyx (Lux, #2))
That is physically impossible," Chubs groused. "He'd be--" "Actually," Liam began, "Cole once did try to--What?" "Oh, I'm sorry," Chubs said, "apparently the middle of my sentence interrupted the beginning of yours. Do continue.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I'm checking my pockets for spare words and sentences but I'm finding none, not an adverb, not a preposition or even a dangling participle because there doesn't exist a single response to such an outlandish request.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Did you just use juxtaposition in a sentence?" "Yes, Sage" he said patiently. "We use it all the time with art, ... That, and I know how to use a dictionary
Richelle Mead (The Golden Lily (Bloodlines, #2))
Supposedly Kaidan’s having a difficult time ’cause he can’t say swear words in every sentence,” Marna said with a smile. “He’s determined to find signs for cursing or make some up himself.
Wendy Higgins (Sweet Peril (Sweet, #2))
I wonder at my incapacity for easy banter, smooth conversation, empty words to fill awkward moments. I don't have a closet filled with umms and ellipses ready to insert at the beginnings and ends of sentences. I don't know how to be a verb, an adverb, any kind of modifier. I'm a noun through and through.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Glenn used to say the reason you can't really imagine yourself being dead was that as soon as you say, 'I'll be dead,' you've said the word I, and so you're still alive inside the sentence. And that's how people got the idea of the immortality of the soul - it was a consequence of grammar.
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
Is it time for your period, or something?" With unerring instinct, he'd found a great big red button, and pushed it. Wyatt fights to win, which means he fights dirty. I understand the concept because that's how I fight, too, but understanding it didn't stop me from reacting. I could practically feel my blood bubbling with steam. "What?" He turned around, all controlled aggression, and damned if he didn't push the button again. "What is it about having a period that makes women so bitchy?" ... It was an effort, but I said as sweetly as possible, "It isn't that we're bitchier, it's that having a period makes us feel all tired and achy, so we have less tolerance for all the bullshit we normally SUFFER IN SILENCE." By the time the sentence ended the sweetness was long gone, my jaw was clenched, and I think my eyes were bugging out. Wyatt took a step back, belatedly looking alarmed.
Linda Howard (Drop Dead Gorgeous (Blair Mallory, #2))
The most important-' I was almost too outraged to string a sentence together. 'Liam's life is worth more than that stupid flash drive!' 'My, my.' A feral grin spread across Cole's face. 'Little brother must be a good kisser.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
Miss Vida" Liam said "has anyone never told you that you are positively the whipped cream on the sundae of life?" She glared at him."Anyone ever told you your head is shaped like a pencil?" "That is physically impossible," Chubs groused."He'd be__" "Actually Liam began, "Cole once did try to__ What?" "Oh,I'm sorry," Chubs said, "apparently the middle of my sentence interrupted the beginning of yours. Do continue.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I don't want to hear the end of that sentence! It's bad enough that he's flirting with my coworker." "He's flirting with Cash? Now that's hot." "What? No! Jenna, not Cash. Geez, Chloe.
Kody Keplinger (Shut Out (Hamilton High, #2))
Because a quite night is not the same as a silent one,a firm man is not the same as a steady one, and a bright light is not the same as a brilliant one because of the way they wedge themseleves into a sentence changes everything.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
We are synonyms but not the same. Synonyms know each other like old colleagues, like a set of friends who've seen the world together. They swap stories, reminisce about their origins and forget that though they are similar, they are entirely different, and though they share a certain set of attributes, one can never be the other. Because a quiet night is not the same as a silent one, a firm man is not the same as a steady one, and a bright light is not the same as a brilliant one because the way they wedge themselves into a sentence changes everything. They are not the same.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I know my own reasons for keeping Peeta alive. He's my friend, and this is my way to defy the Capitol, to subvert its terrible Games. But if I had no real ties to him, what would make me want to save him, to choose him over myself? Certainly he is brave, but we have all been brave enough to survive a Games. There is that quality of goodness that's hard to overlook, but stil... and then I think of it, what Peeta can do so much better than the rest of us. He can use words. He obliterated the rest of the field at both interviews. And maybe it's because of that underlying goodness that he can move a crowd--no, a country--to his side with the turn of a simple sentence. I remember thinking that was the gift the leader of our revolution should have. Has Haymitch convinced the others of this? That Peeta's tongue would have far greater power against the Capitol than any physical strength the rest of us could claim? I don't know. It still seems like a really long leap for some of the tributes. I mean, we're talking about Johanna Mason here. But what other explanation can there be for their decided efforts to keep him alive?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The fourth is a sentence. When a woman says 'It's okay, don't worry about it,' you do worry about it. You worry a lot because she is thinking of a way to make you pay for whatever you did wrong.
L.A. Casey (Alec (Slater Brothers, #2))
I’d much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where, exactly? The paper vanished before I’d even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. I’d like to start with “Everywhere,” but I can choose, if necessary.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Let me live. Keep me alive. Both sentences so close in English, but very different meaning.
Aleksandr Voinov (Special Forces - Mercenaries Part II (Special Forces, #2 part 2))
The only evidence I had at all that Rhys remained on the premises were the blank copies of the alphabet, along with several sentences I was to write every day, swapping out words, each one more obnoxious than the last: Rhysand is the most handsome High Lord. Rhysand is the most delightful High Lord. Rhysand is the most cunning High Lord.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
His mother?" Gracie couldn't believe it. Suzy Denton looked much too young to be his mother. And much too respectable. "But you're not a-" She cut herself off in mid-sentence as she realized what she'd almost let slip. Suzy's wedding ring clicked against the steering wheel as she gave it a hard smack. "I'm going to kill him! He's been telling that hooker story again, hasn't he?
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
Wait,” he said. “That’s not a word.” I looked down to where, in a moment of desperation, I’d played zixic on a triple-word-score space. “Uh, sure it is.” “What’s it mean?” “It’s sort of like…quixotic, but with more…” “Bullshit?” I laughed out loud. I’d never heard him swear before. “More zeal. Hence the z.” “Uh-huh. Use it in a sentence.” “Um…’You are a zixic writer.’“ “I don’t believe this.” “That you’re zixic?” “That you’re trying to cheat at Scrabble.” He leaned back against my couch, shaking his head. “I mean, I was ready to accept the whole evil thing, but this is kind of extreme.
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
If you had to say something definitive about the world in a single sentence what would that sentence be? It would be this: the world has created no living thing that it does not intend to destroy.
Cormac McCarthy (Stella Maris (The Passenger, #2))
to read is to surrender oneself to an endless displacement of curiosity and desire from one sentence to another, from one action to another, from one level of a text to another. The text unveils itself before us, but never allows itself to be possessed; and instead of trying to possess it we should take pleasure in its teasing
David Lodge (Small World (The Campus Trilogy, #2))
Chantal is having a relationship with a sentence. Just one of those things. A chance meeting that grew into something important for the both of them.
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
It was shivery and scant. Scared. Skint. But just around the edges it was still scintillant.
Patrick Rothfuss (The Slow Regard of Silent Things (The Kingkiller Chronicle, #2.5))
When Alex leaves a little later, Carlos steps forward. “Need help?” I shake my head. “Are you ever gonna talk to me again? Dammit, Kiara, enough with the silent treatment. I’d rather have you say your little two-word sentences than stop talkin’ altogether. Hell, just flip me off again.” I toss my backpack in the backseat and start the engine. “Where are you goin’?” Carlos asks, stepping in front of my car. I beep. “I’m not movin’,” he says. My response is another beep. It’s not an intimidating, deep beep like most cars, but it’s the best my car can give. He places both hands on the hood. “Move,” I say. He moves all right. With pantherlike quickness, Carlos jumps through the open passenger window, feet first. “You should get the door fixed,” he says.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
He wanted someone who would enter a room and look for him first, to behold him as though the secrets of the world lay somewhere in his gaze, to finish his sentences. Someone to share cake with.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
Ah, I am the judge of dreams, and you are the judge of love. Well, I find you guilty of dreaming good dreams, and sentence you to a lifetime of working and suffering for the sake of your dreams. I only hope that someday you won't declare me innocent of the crime of loving you.
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
A semicolon is where a writer can choose to end the sentence,” she said, tucking a lock of brown hair behind her ear. “But they don’t. The story goes on. It’s a symbol of hope. To keep going.” She smiled tremulously. “Sometimes I need that reminder.
Emma Scott (All In (Full Tilt, #2))
Oh no. He was emberant. Incarnadine. He was bright with better bright beneath, like copper-gilded gold.
Patrick Rothfuss (The Slow Regard of Silent Things (The Kingkiller Chronicle, #2.5))
My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won't be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because-like all real love stories-it will die with us, as it should. I'd hoped that he'd be eulogizing me, because there's no one I'd rather have..." I started crying. "Okay, how not to cry. How am I-okay. Okay." I took a few deep breaths and went back to the page. "I can't talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and infinite collection of others. Of course, there is a Bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.
John Green (The Fault in Our Stars)
I nodded. “Where’s your hunter?” She flinched. “He went home. We thought it would be best.” Her eyes went from worried to warning. “He’s under Drake protection.” “So am I, or so I’ve been led to understand.” “Of course you are,” Lucy said, her nose pressed to the window. “Misunderstanding. No big deal.” Solange quirked a half smile. “You might try complete sentences, Lucy.” “Can’t. Busy.” I was curious despite myself. “What are you doing?” “Drooling,” Solange explained fondly.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
I repeat the sentence silently in my head, I live you Dean Holder. It's the first time I've heard her say Dean. It's also the first time I've ever had my heart impaled by a word before. "Thank you." She smiles. "For what?" For being alive, I think to myself. "For being you," I say out loud.
Colleen Hoover (Losing Hope (Hopeless, #2))
Now lend me your ears. Here is Creative Writing 101: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things—reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
Kurt Vonnegut Jr.
Well?” she asked. “Well, what?” “You’re not going to answer?” “You didn’t ask a question.” “I did too.” “A question is denoted by a higher pitched tone at the end of the sentence. Your voice never did that.” Curse him, his eyes glinted with amusement. “Sicarius! This isn’t the time for you to practice being whimsical.
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
There was alliteration happening all over the place in that sentence.
Moira J. Moore (The Hero Strikes Back (Hero, #2))
If they’re sentenced to the Caverns, we’ll both be free to choose different mates. But I don’t want another mate, Emma. I want Rayna. I always have.” Geez, the boy knows how to make my heart all melty.
Anna Banks (Of Triton (The Syrena Legacy, #2))
And neither do I, asshole. (Wren) Wow. Multiple syllables and a whole sentence from the tiger. Who’d have ever thought it? Whoever she was, she must have had a lot of talent to make you speak. Next thing you know, she’ll have the dead walking. Quick, call a Dark-Hunter. I’m sure some of them would like another resurrection. (Dev)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
A knife!" I yelled, still brandishing my pillow. "Jim, I command you to get me a gelding knife. If this guy wants to be a stallion—" He dissolved in a flurry of white smoke even before I could finish the sentence. Ha! Victorious again!" Yeah," Jim drawled while I remade the bed and fluffed up my pillows. "Aisling, two; sexy, naked men who just want to give her the pleasure of a lifetime with no commitment, zero.
Katie MacAlister (Fire Me Up (Aisling Grey, #2))
I received a voicemail from my grandmother that said "I'm coming to visit, dear. Don't bother locking the doors." Today is the second anniversary of her death.
Victorius Kingston
I awoke in a hospital bed, surrounded by loved ones. Their smiles slowly turned to malicious grins as they said in unison, "You shouldn't have woken up.
Victorius Kingston
The attic in my mother's house was always off-limits. When I finally couldn't resist exploring it, I found a dusty photo album filled with pictures of my funeral.
Victorius Kingston
The fortune teller gazed into my eyes and whispered, "Your deepest desire will come true tonight." When I came home, I found my wife's dead body lying in her own blood.
Victorius Kingston
Too many!' James shouted, and slammed the door behind him.
Susan Cooper (The Dark is Rising (The Dark is Rising, #2))
A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: 1. What am I trying to say? 2. What words will express it? 3. What image or idiom will make it clearer? 4. Is this image fresh enough to have an effect? And he will probably ask himself two more: 1. Could I put it more shortly? 2. Have I said anything that is avoidably ugly? But you are not obliged to go to all this trouble. You can shirk it by simply throwing your mind open and letting the ready-made phrases come crowding in. They will construct your sentences for you -- even think your thoughts for you, to a certain extent -- and at need they will perform the important service of partially concealing your meaning even from yourself.
George Orwell (Politics and the English Language)
Lucy said, her nose pressed to the window. “Misunderstanding. No big deal.” Solange quirked a half smile. “You might try complete sentences, Lucy.” “Can’t. Busy.” I was curious despite myself. “What are you doing?” “Drooling,” Solange explained fondly. “I totally am,” Lucy admitted, unrepentant. “Just look at them.” Lucy moved over to give me space. She was watching five of the seven Drake boys repairing the outside wall of the farmhouse, under our window.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
The human eye has to be one of the cruelest tricks nature ever pulled. We can see a tiny, cone-shaped area of light right in front of our faces, restricted to a very narrow band of the electromagnetic spectrum. We can’t see around walls, we can’t see heat or cold, we can’t see electricity or radio signals, we can’t see at a distance. It is a sense so limited that we might as well not have it, yet we have evolved to depend so heavily on it as a species that all other perception has atrophied. We have wound up with the utterly mad and often fatal delusion that if we can’t see something, it doesn’t exist. Virtually all of civilization’s failures can be traced back to that one ominous sentence: ‘I’ll believe it when I see it.’ We can’t even convince the public that global warming is dangerous. Why? Because carbon dioxide happens to be invisible.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
I don’t need you to love me back … in this lifetime.” He smiles. My eyes fill with tears. How can one sentence be so beautiful and so forlorn at the same time? I don’t need you to love me back … in this lifetime. Nate Hunt deserves to be loved back in every lifetime—especially this one.
Jewel E. Ann (Epoch (Transcend, #2))
I heard my step daughter's voice calling for help from the basement, in the middle of the night. I rushed down, only to remember that I had pushed her down the stairs to her death, the night before.
Victorius Kingston
Laying awake on my childhood bed, I heard the closet door open. I never realized the monster inside was real until it whispered, “I’ve been waiting for you.
Victorius Kingston
The scratching at the door persisted. but I was too afraid to let my cat in. He had been dead for a week.
Victorius Kingston
My daughter kept saying there was a monster under her bed. I sniggered and looked, only to find my daughter hiding, terrified, under the bed.
Victorius Kingston
I started receiving text messages from my best friend, who died three years ago. The last message read, "Hurry up, I'm waiting for you outside.
Victorius Kingston
Just shut up and start sucking each other's faces already," Vida grumbled, leaning awkwardly against the stump. She would never admit it aloud, but I knew the burns on her back her eating her alive with pain. "I'm trying to make up for the sleep I lost when you started screeching at each other like cats in heat." "Miss Vida," Liam said, "has anyone ever told you that you are positively the whipped cream on the sundae of life?" She glared at him. "Anyone ever told you your head is shaped like a pencil?" "That is physically impossible," Chubs groused. "He'd be--" "Actually," Liam began, "Cole once did try to-- What?" "Oh, I'm sorry," Chub said, "apparently the middle of my sentence interrupted the beginning of yours. Do continue." "I'm going to guess you probably don't want to hear about the time he pushed my head through the neighbours fence..." "Was there a lot of blood?" Vida asked, suddenly interested. "Did you lose an ear?" Liam held his hands up next to his ears, indicating both were firmly attached to his skull. "Then, no" she said. "No one wants to hear your boring-ass story.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
Her sentence cut off with another hiccupping sob. The sound ripped through me like a bullet, and I would’ve given up anything—my title, my company, my entire legacy—if it meant I could soothe her hurt for just one minute.
Ana Huang (King of Pride (Kings of Sin, #2))
My daughter described her imaginary friend Lily as a girl who was always covered in blood. Lily is the name of the little girl who died in an accidental hit-and-run I was responsible for.
Victorius Kingston
This is scary,” she whispers. “I’ve never had a boyfriend before. I don’t know how this works. Do people become exclusive this fast? Are we supposed to pretend we’re not that interested for a few more dates?” Oh, dear God. I’ve never been turned on by a girl laying claim to me before. I usually run in the other direction. She’s obliterating every single thing I thought I knew about myself with every new sentence that passes those lips. “I have no interest in faking disinterest,” I say. “If you want to call yourself my girlfriend half as much as I wish you would, then it would save me a whole lot of begging. Because I was literally about to drop to my knees and beg you.” She squints her eyes playfully. “No begging. It screams desperation.” “You make me desperate,” I say, pressing my lips to hers again.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Mom is talking to Jack. "I hear you're interested in zoo animals." I snort. There's a sentence you don't hear too often. I fake an insulted sigh. "Well, thank-you, Mother. Yes, I'm hungry, but you don't have to be so honest about it. Your tact is amazing.
Erynn Mangum (Latte Daze (Maya Davis, #2))
The doctor pronounced me dead and sent me for an autopsy. I could still feel every incision when they started operating on me
Victorius Kingston
He woke up to the sound of weeping in his ear. When he opened his eyes, he saw his own lifeless body hovering above him.
Victorius Kingston
You have your mother's eyes!" my grandmother gasped. She couldn't bear the sight of my mother's gouged eyes laying lifeless in my palms.
Victorius Kingston
She woke up the faint sound of scratching beneath her bed. It was the last thing she heard before icy fingers wrapped around her ankle and dragged her into the darkness.
Victorius Kingston
Celestina Giuliani learned the word "slander" at her cousin's baptism.
Mary Doria Russell (Children of God (The Sparrow, #2))
I’ve been anonymously sending her gifts every day. Each package contains a piece of her boyfriend’s severed body parts.
Victorius Kingston
That is not an adequate response, faerie,” he growled. His Power lay in the room, a heavy brooding presence. “I require a series of words strung together that make coherent sentences.
Thea Harrison (Storm's Heart (Elder Races, #2))
If the beginning of wisdom is in realizing that one knows nothing, then the beginning of understanding is in realizing that all things exist in accord with a single truth: Large things are made of smaller things. Drops of ink are shaped into letters, letters form words, words form sentences, and sentences combine to express thought. So it is with the growth of plants that spring from seeds, as well as with walls built from many stones. So it is with mankind, as the customs and traditions of our progenitors blend together to form the foundation for our own cities, history, and way of life. Be they dead stone, living flesh, or rolling sea; be they idle times or events of world-shattering proportion, market days or desperate battles, to this law, all things hold: Large things are made from small things. Significance is cumulative--but not always obvious. --Gaius Secondus
Jim Butcher (Academ's Fury (Codex Alera, #2))
I was thinking of setting myself on fire tonight. Would you mind? (Callie) What? (Sin) Ha! I knew it. I knew I could get you to talk. Just think, a whole word, too. Who knows if I keep this up, I might have you speaking an entire sentence by week’s end. (Callie)
Kinley MacGregor (Born in Sin (Brotherhood of the Sword, #3; MacAllister, #2))
Alec raised his eyebrows and looked very confused. "Wait. They don't mean it's okay, and that I don’t have to worry about it? Why would they say that if they don't mean it?" Nico shrugged. "I think it's some sort of mind trick. They use that sentence as an illusion that things between you are okay, but when you least expect it, they will strike like a cobra and wound your soul.
L.A. Casey (Alec (Slater Brothers #2))
... my private thoughts, feelings I captured with a tortured mind and hammered into sentences I shoved into paragraphs, ideas I pinned together with punctuation marks that serve no function but to determine where one thought ends and another begins.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I’m translating the book into Latin.” He flipped the page and scribbled another sentence without looking up or touching his drink. “Why?” “It’s relaxing.” I blinked, certain I’d heard him wrong. “You think translating a five-hundred-page novel into Latin by hand is relaxing?
Ana Huang (King of Pride (Kings of Sin, #2))
As the therapist listened to her patient's deepest fears and insecurities, she couldn't shake the feeling that they were somehow reflecting her own dark thoughts. When she saw her reflection in the mirror, she realized she had been alone in her office the whole time.
Victorius Kingston
Things got out of hand. It happens.” My brows flew up. “It happens? Often? Do you just walk around and happen to end up kissing girls? Do you slip and fall on girls’ mouths? If so, that’s got to be an awkward life to live.” “Well . . .” The quirk to his lips was mischievous and teasing, but I was so not having it. He sighed. “Tess, you’re a beautiful girl and I’m a guy and—” “Oh, shut up.” His eyes widened. “Don’t even finish what will most likely be the lamest sentence in the history of lame sentences. You’re attracted to me.
J. Lynn (Be with Me (Wait for You, #2))
I let my face go blank and nodded slowly. "Yes.The trolls.Back. With me. Cannot form.Complete sentences." I shook my head. "Yeah,so not happening." He considered me,annoyed and at a loss for what to do next."I don't kill humans." "Me niether!See,common ground already.
Kiersten White (Supernaturally (Paranormalcy, #2))
Her husband's sleepwalking had always been a source of amusement for her. It was no longer amusing when one night she woke up to find him standing at the edge of their bed in his sleepwalking state, holding a knife and whispering, "You're next”.
Victorius Kingston
Are you going to keep her?" "Yes." "Does she know it?" "Not yet." Ramsey overheard the conversation and laughed heartily. "I assume you've considered all the problems, Brodick." "I have." "It won't be an easy life for her living with—" Ramsey began. Brodick finished his sentence for him. "Living with the Buchanan clan. I know, and I worry about her adjustment." Ramsey grinned. "That's not what I was going to say. It won't be easy for her living with you. Rumor has it, you're a difficult man to be around." Brodick didn't take offense. "Gillian's aware of my flaws." "And she'll still have you?" Winslow asked. "As a matter of fact, she has refused to marry me." Knowing Brodick as well as they did, both Ramsey and Winslow began to laugh again. "So when's the wedding?" Ramsey asked.
Julie Garwood (Ransom (Highlands' Lairds, #2))
Is this your holiday homework?" asked Sarah. "Don't do it, Rose! And Eve will write you a note to say it's iniquitous to give eight-year-olds homework. You will, won't you, Eve?" "I could never spell 'iniquitous,' Sarah darling!" "Hot concrete," said Rose mournfully, prodding her porridge. "Write this," ordered Saffron. "'The ancient Egyptians are all dead. Their days are very quiet.' Porridge is meant to look like hot concrete. Eat it up.... Read the next question!"... "What would you say if you bumped into Tutankhamen in the street?" "'Sorry!'" said Sarah at once. "Put that." "We have to answer in proper sentences." "'Sorry, but it was your fault! You were walking sideways!
Hilary McKay (Indigo's Star (Casson Family, #2))
Teren smiles at me. He takes a step closer. "Ah, mi Adelinetta," he says. His eyes soften in a way that surprises me. "I have missed you. You, more than any other abomination, understand what we truly are." He shakes his head. "Had I known you when I was a young boy..." He lets that sentence die, leaving me curious.
Marie Lu (The Rose Society (The Young Elites, #2))
Yes, everyone in the districts will be watching me to see how I handle this death sentence, this final act of President Snow’s dominance. They will be looking for some sign that their battles have not been in vain. If I can make it clear that I’m still defying the Capitol right up to the end, the Capitol will have killed me…but not my spirit. What better way to give hope to the rebels?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I nodded. “Where’s your hunter?” She flinched. “He went home. We thought it would be best.” Her eyes went from worried to warning. “He’s under Drake protection.” “So am I, or so I’ve been led to understand.” “Of course you are,” Lucy said, her nose pressed to the window. “Misunderstanding. No big deal.” Solange quirked a half smile. “You might try complete sentences, Lucy.” “Can’t. Busy.” I was curious despite myself. “What are you doing?” “Drooling,” Solange explained fondly. “I totally am,” Lucy admitted, unrepentant. “Just look at them.” Lucy moved over to give me space. She was watching five of the seven Drake boys repairing the outside wall of the farmhouse, under our window." "Solange leaned back against the wall, bored. “Are you done yet?” “Hell no,” Lucy said. She’d left nose prints on the glass. Nicholas smirked up at her. She blushed. “Ooops. Busted.” “I told you they could hear your heartbeat,” Solange said. “Even from up here.” “I can’t help it. Even if they all know they’re pretty and are insufferably arrogant,” she added louder. “Can they hear that?” “Yes.” “Good.” She glanced at me. “Yummy, right?” “I’m sure Isabeau would rather recover, not ogle my brothers,” Solange said. “You remember how stressed you were after the Hypnos?” “Please,” Lucy scoffed. “This is totally soothing.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
I was there to get a Ph.D. in English literature. That's not true. I was there to read a lot of books and to discuss them with bright, insightful, book-loving people, an expectation that I pretty quickly learned was about as silly as it could be. Certainly there were other people who loved books, I'm sure there were, but whoever had notified them ahead of time that loving books was not the point, was, in fact, a hopelessly counterproductive and naive approach to the study of literature, neglected to notify me. It turned out that the point was to dissect a book like a fetal pig in biology class or to break its back with a single sentence or to bust it open like a milkweek pod and say, "See? All along it was only fluff," and then scatter it into oblivion with one tiny breath.
Marisa de los Santos (Belong to Me (Love Walked In, #2))
I love being single. It's my choice, not a sentence. It's not a state that I'm in until someone better comes along. Don't feel sorry for me. I love my life." "Don't you want someone to snuggle up to at night?" "No. this way, I never have to fight for the duvet, I can sleep diagonally across the bed and I can read until four in the morning." "A book can't take the place of a man!" "I disagree. A book can give you most things a relationship can. It can make you laugh, it can make you cry, it can transport you to different worlds and teach you things. You can even take it out to dinner. And if it bores you, you can move on. Which is pretty much what happens in real life.
Sarah Morgan (Sunset in Central Park (From Manhattan with Love, #2))
Thank you.” “How’d those words taste in your mouth?” “Awful.” He smiled. We stood there in silence. He didn’t offer to let me in, and I knew it was because he wanted me to ask. He liked to make things hard on me. “Can I come in?” “Why?” “Because I want to talk.” “Why?” “Because you’re here, and I want to know why.” He rolled his eyes and started to shut the door. I put my hand on the edge. “Because you need me, and I’ve never needed anyone more than I need you.” He pulled me inside and against him before I even finished the sentence.
Kasie West (Split Second (Pivot Point, #2))
My brain was spinning. Demons, missing students... Why had my life suddenly become a Nancy Drew mystery from hell? "Okay, but that would mean..." I could hardly say the next words. They seemed unbelievable to me. "That would mean Mrs. Casnoff is in on it, and if that is the case,my dad would know something about it." "Not necessarily," Archer said. "Hecate Hall and Graymalkin Island are completely Mrs. Casnoff's domain. Your dad signs off on all the kids who're sentenced here, but past that, he leaves it all to her." Way to be screwed over by delegating, Dad.
Rachel Hawkins (Demonglass (Hex Hall, #2))
And then I picked up the nearest object-a shoe-and threw it at Jack's head. "What are you doing in here, you little weasle?" He picked up my shoe from where it had clattered to the floor after hitting the door behind him. "How do you walk in these heels?" He sat and removed his own shoe,trying to jam his foot into my purple sling-back. I stalked over and yanked it awway. "What are you, five? Answer my question." He looked up at me, impossibly big blue eyes wide with innocence. "I thought we were friends, after you made me strip and all." "I'm calling Raquel." "Fine,fine. I was just doing some reconnaissance?" "Reconnaissance?" "Oh,sorry,that's a big word,isn't it? It means I was scoping the scene, getting the-" "I know what it means! What,is IPCA investigating me now? Screw them, they can forget about any help from-" "Do you ever let anyone else finish a sentence?" He smiled at my glare, flashing his dimples. "That's more like it. You're much prettier when you aren't talking. True of most people, I've found. Anyhow, I needed to see the address Raquel gave me so that I could find it again.
Kiersten White (Supernaturally (Paranormalcy, #2))
Sam.” Only he could say my name with so much exasperation and fondness all at the same time. It was really quite remarkable. “I might have written an ode to his penis in iambic pentameter that goes on for forty-seven stanzas,” I admitted. “I feel better now that I’ve said that out loud.” “Of course you did.” Morgan sighed. “Did you know that penis doesn’t rhyme with as many things as one might think? That was a lesson I learned far too late.” “Oddly enough, I don’t spend time trying to rhyme words with penis.” “Wow,” I said. “You put a lot of disdain in such a short sentence. I wish I could do that.
T.J. Klune (A Destiny of Dragons (Tales From Verania, #2))
Glenn used to say the reason you can't really imagine yourself being dead was that as soon as you say, "I'll be dead," you've said the word I, and so you're still alive inside the sentence. And that's how people got the idea of immortality of the soul - it was a consequence of grammar. And so was God, because as soon as there's a past tense, there has to be a past before the past, and you keep going back in time until you get to I don't know, and that's what God is. It's what you don't know - the dark, the hidden, the underside of the visible, and all because we have grammar, and grammar would be impossible without the FoxP2 gene; so God is a brain mutation, and that gene is the same one birds need for singing. So music is built in, Glenn said: It's knitted into us. It would be very hard to amputate it because it's an essential part of us, like water.
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
1. That reason is a gift of God and that we should believe in its ability to comprehend the world. 2. That they have been wrong who undermined confidence in reason by enumerating the forces that want to usurp it: class struggle, libido, will to power. 3. That we should be aware that our being is enclosed within the circle of its perceptions, but not reduce reality to dreams and the phantoms of the mind. 4. That truth is a proof of freedom and that the sign of slavery is the lie. 5. That the proper attitude toward being is respect and that we must, therefore, avoid the company of people who debase being with their sarcasm, and praise nothingness. 6. That, even if we are accused of arrogance, it is the case that in the life of the mind a strict hierarchy is necessary. 7. That intellectuals in the twentieth century were afflicted with the habit of baratin, i.e., irresponsible jabber. 8. That in the hierarchy of human activities the arts stand higher than philosophy, and yet bad philosophy can spoil art. 9. That the objective truth exists; namely, out of two contrary assertions, one is true, one false, except in strictly defined cases when maintaining contradiction is legitimate. 10. That quite independently of the fate of religious denominations we should preserve a "philosophical faith," i.e., a belief in transcendence as a measure of humanity. 11. That time excludes and sentences to oblivion only those works of our hands and minds which prove worthless in raising up, century after century, the huge edifice of civilization. 12. That in our lives we should not succumb to despair because of our errors and our sins, for the past is never closed down and receives the meaning we give it by our subsequent acts.
Czesław Miłosz (New and Collected Poems: 1931-2001)
I gave myself a little shake. So if Gideon was carrying on as if nothing had happened—well, thanks a lot, I could do the same. “Okay, let’s get out of here,” I said brightly. “I’m cold.” I tried to push past him, but he took hold of my arm and stopped me. “Listen, about all that just now . . .” He stopped, probably hoping I was going to interrupt him. Which of course I wasn’t. I was only too keen to hear what he had to say. I also found breathing difficult when he was standing so close to me. “That kiss . . . I didn’t mean . . .” Once again it was only half a sentence. But I immediately finished it in my mind. I didn’t mean it that way. Well, obviously, but then he shouldn’t have done it, should he? It was like setting fire to a curtain and then wondering why the whole house burned down. (Okay, silly comparison.) I wasn’t going to make it any easier for him. I looked at him coolly and expectantly. That is, I tried to look at him coolly and expectantly, but I probably really had an expression on my face saying, Oh, I’m cute little Bambie, please don’t shoot me! There was nothing I could do about that. All I needed was for my lower lip to start trembling. I didn’t mean it that way! Go on, say it! But Gideon didn’t say anything. He took a hairpin out of my untidy hair (by now my complicated arrangement of strands must have looked as if a couple of birds had been nesting in it), took one strand, and wound it around his finger. With his other hand, he began stroking my fact, and then he bent down and kissed me again, this time very cautiously. I closed my eyes—and the same thing happened as before: my brain suffered that delicious break in transmission. (Well, all it was transmitting was oh, hmm, and more!) But that lasted only about ten seconds, because then a voice right beside us said, irritated, “Not starting that stuff up again, are you?
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Amazing what a man thought of, looking at a fully clothed woman who did nothing more provocative than sipping her tea while gazing thoughtfully into the distance. For the thousandth time he wished he’d just met her. That they were but two strangers traveling together, that such lovely, filthy thoughts did not break him in two, but were only a pleasant pastime as he slowly fell under the spell of her aloof beauty and her hidden intensity. There were so many stories he could tell her, so many ways to draw her out of her shell. He would have waited with bated breath for her first smile, for the sound of her first laughter. He would be endlessly curious about her, eager to undress her metaphorically as well as physically. The first holding of hands. The first kiss. The first time he saw her unclothed. The first time they became one. The first time they finished each other’s sentences. But no, they’d met long ago, in the furthest years of his childhood. Their chances had come and gone. All they had ahead of them were a tedious road and a final good-bye.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
So yeah, you were part of the job. Don't get me wrong, Mercer, I like you. You're smart, fluent in sarcasm, and, Bad Dog incident aside, pretty kick-ass at magic. And it's not like you're hard to look at." "Be still my beating heart." "But to answer your question, no part of the Archer Cross you knew at Hecate exists. That day in the cellar, I kissed you back because it was my job to stay close to you. If that's where you wanted to take things, then that's where I was going to go. I kissed you because I had to. Not exactly the hardest assignment I've ever had, but an assignment nonetheless." I stood there absorbing his words like blows, my heart aching. But it wasn't what he said that made me feel like I'd been punched in the chest. It's that I knew he was lying. That speech came out way too quickly and way too smooth, almost like he'd been practicing it in his head. The same way I'd been practing what I'd say to him if I ever saw him again. I couldn't even begin to handle that right now, so instead I just said, "Okay,then. Yay for honesty. Now that we're done with the confessional part of the evening, why don't you tell me why we're here." There was another pause, then he started walking again. I followed, leaves crunching under my feet. "Like I said, Hacte Hall has always made The Eye nervous." "Why? Are they allergic to plaid?" I thought he might laugh, but instead, he said, "Think about it,Mercer.One place where Prodigium round up their most powerful members? Don't tell me that's not suspicious." That had never occurred to me. I'd always just thought of all us at Hecate as giant screwups, but in a way, Archer was right. We'd all been sentenced to Hex Hall because of spells that were powerful and dangerous. I thought of Cal saying I created "too big." Wasn't that what just about everyone at Hecate had done? Still, the idea that the place I'd called home for nearly a year was actually some evil farm for powerful Prodigium was unsettling to say the least.
Rachel Hawkins (Demonglass (Hex Hall, #2))
...I have read but little of Madame Glyn. I did not know that things like "It" were going on. I have misspent my days. When I think of all those hours I flung away in reading William James and Santayana, when I might have been reading of life, throbbing, beating, perfumed life, I practically break down. Where, I ask you, have I been, that no true word of Madame Glyn's literary feats has come to me? But even those far, far better informed than I must work a bit over the opening sentence of Madame Glyn's foreword to her novel" "This is not," the says, drawing her emeralds warmly about her, "the story of the moving picture entitled It, but a full character study of the story It, which the people in the picture read and discuss." I could go mad, in a nice way, straining to figure that out. ...Well it turns out that Ava and John meet, and he begins promptly to "vibrate with passion." ... ...It goes on for nearly three hundred pages, with both of them vibrating away like steam launches." -Review of the book, It, by Elinor Glyn. Review title: Madame Glyn Lectures on "It," with Illustrations; November 26, 1927.
Dorothy Parker (Constant Reader: 2)