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be funny nor attempt to deal analytically with social ills.4 Even the original title (Gangway!) and the original setting (warring Catholics and Jews in a modern-day Romeo and Juliet story) held little promise for commercial or artistic success. In addition, the show would feature no stars, and the cast—consisting primarily of dancers—might be inexperienced kids pulled from the streets of New York (if the New York press was to be believed), not from dance rehearsal halls. The score, written by a classical music conductor, would be dissonant and fiendishly difficult to play and sing and would include—of all things—a fugue. The teenagers, whose dialogue was written by a middle-aged Jewish playwright, would speak in an invented street slang, uttering lines like “womb to tomb” and “cracko Jacko.” The backers’ meetings continually and repeatedly failed to attract investors for producer Cheryl Crawford, who finally dumped the project shortly before rehearsals were to begin. It is no surprise that no one thought this show would succeed.

Jon Rubinstein: It was a beautiful service. Clearly it had been stage-managed by Steve from beyond the grave. John Markoff: Yo-Yo Ma played first and wonderfully. Andy Hertzfeld: It was really deep, just heartbreakingly beautiful, one of the most emotional pieces of music I’ve ever heard. John Markoff: Afterward he briefly introduced the event and told a short, funny story about how Steve had wanted him to play at his funeral and how he had asked Steve to speak at his. As usual, he noted, “Steve had gotten his way.” Mike Slade: So then Laurene spoke and had written this beautiful speech about Steve that was surprisingly analytical. Ron Johnson: She’s just a very professional, poised, intelligent, articulate person who had a long time to prepare for this. She had a message to convey, and she delivered it very gracefully. Mike Slade: She was like, “Look, if you guys think he was a dick, it’s because he was in pursuit of beauty, and that sort of trumped everything, and most people didn’t really get that about him.” And so almost everything that was dickish—she didn’t use those words—was because he was in pursuit of beauty. I’ve been to lots of funerals where the grieving widow was the grieving widow, and that’s not what she did. So it was wonderful—really brilliant, and I actually learned a lot from it—but it was surprising, right?