Melting Voice Quotes

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When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth...... But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. And think not you can direct the course of love, if it finds you worthy, directs your course. Love has no other desire but to fulfil itself." But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully.
Kahlil Gibran (Le Prophète)
His voice was melted sex. Yes, melted...sex.
S.C. Stephens (Effortless (Thoughtless, #2))
Anastasia.” He answers immediately, his voice warm and caressing. How is it that this man can make me melt over the phone? “Christian, Jack has asked me to get his lunch.” “Lazy bastard,” Christian gripes.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
As we feel the whispering vibrations of the sea and hover on the waves of the present, we realize that each moment flows into an unknown destination. Everything melts down into a new mystery since 'now' will never come back, and 'tomorrow' is uncharted territory. ("Voices of the sea")
Erik Pevernagie
I tried to help you make better choices. You could have saved yourself. But you defied me at every step. You built your ship. You joined that foolish quest. Now you are trapped here, helpless, while the mortal world dies. Leo's hands burst into flame. He wanted to melt Gaea's sandy face to glass. Then he felt Calypso's hand on his shoulder. "Gaea." Her voice was stern and steady. "You are not welcome.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Do you have any idea how much I love you?" he asked. "Enough to accept my apologies?" I suggested in a small voice. "Heck no," he said, and pushed off from the wall, stalking forward. When he reached me, he put his hands up and touched the sides of my neck with the tips of his fingers--as if I were something fragile. "No apologies from you," he told me, his voice soft enough to melt my knees and most of my other parts.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
When love beckons to you, follow him, Though his ways are hard and steep. And When his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And When he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden... But if in your fear you would seek only love’s peace and love’s pleasure, Then it is better for you that you cover your nakedness and pass out of love’s threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears... But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully.
Kahlil Gibran (The Prophet)
She felt him tremble with the force of his need. He spoke just beneath her ear, his voice thick with tormented pleasure. "You have to leave, Sara ... because I want to hold you like this until your skin melts into mine. I want you in my bed, the smell of you on my sheets, your hair spread across my pillow. I want to take your innocence. God! I want to ruin you for anyone else.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
You saved the world," annabeth said. "We saved the world." "And Rachel is the new Oracle, which means she won't be dating anybody." "You don't sound disappointed," I noticed. Annabeth shrugged. "Oh, I don't care." "Uh-huh." She raised an eyebrow. "You got something to say to me, Seaweed Brain?" "You'd probably kick my butt." "You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" "Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—" "Oh, you so wanted to." "Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. "Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. "You're laughing at me," I complained. "I am not!" "You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it." When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
His voice was like soothing melted chocolate. I wanted him to ooze his lovely voice all over my naked body.
James Lusarde (The Train of Arousal)
exhilaration fizzed through Clarke’s body. Before she realised what she was doing, she had thrown her arms around Bellamy. He joined in her laughter as he staggered backward, and wrapped his arms around her waist, lifting her up and spinning her through the air. The colours of the clearing swirled, green and gold and blue all blurring until there was nothing in the world but Bellamy’s smile, lighting up his eyes. Finally he set her down gently on the ground. Be he didn’t loosen his grip. Instead he pulled her even closer, and before Clarke had time to catch her breath, his lips were on hers. A voice in her brain told her stop, but it was overpowered by the smell of his skin and the pressure of his touch. Clarke felt like she was melting into his arms, losing herself in the kiss. He tasted like joy, and joy tasted better on Earth.
Kass Morgan (The 100 (The 100, #1))
...tell me the word that will win you, and I will speak it. I will speak the stars of heaven into a crown for your head; I will speak the flowers of the field into a cloak; I will speak the racing stream into a melody for your ears and the voices of a thousand larks to sing it; I will speak the softness of night for your bed and the warmth of summer for your coverlet; I will speak the brightness of flame to light your way and the luster of gold to shine in your smile; I will speak until the hardness in you melts away and your heart is free...
Stephen R. Lawhead (Taliesin (The Pendragon Cycle #1))
Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me." "I promise," I say. Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her." The whole world closes around me, like an eyelid: For a moment, everything goes dark. I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pleasure and chaos. My head is about to explode. He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver (Pandemonium (Delirium, #2))
He glanced at me, his eyes dark. "Would you rather talk about your dream?" "No." "Considering that I was featured in it, I think I deserve to know the particulars. Were my clothes missing because we were in bed? Was I touching you?" He glanced at me. His voice could've melted the clothes off my body. "Were you touching me?
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
What about me?" I whisper. "Where do I belong?" "With me," my mother and Galen say in unison. They exchange hard glares. Galen locks his jaw. "I'm her mother," she tells Galen, her voice sharp. "Her place is with me." "I want her for my mate," Galen says. The admission warms up the space between us with an impossible heat and I want to melt into him. His words, his declaration, cannot be unspoken. And now he's declared it to everyone who matters. It's out there in the open, hanging in the air. He wants me for his mate. Me. Him. Forever.
Anna Banks (Of Triton (The Syrena Legacy, #2))
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.
J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))
I’m afraid not.” Kai’s voice could’ve melted butter. “I don’t like sharing.
Ana Huang (King of Pride (Kings of Sin, #2))
You have to be an artist and a madman, a creature of infinite melancholy, in order to discern, at once, the little deadly demon among the wholesome children," he said, his British accent melting around the words, his voice smooth and low. "She stands unrecognized by them and unconscious herself of her fantastic power.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
His mouth twisted into a perceptive, sexy smile. "Hmm." "Hmm?" I looked away, flustered, automatically using irritation to cover my discomfort up. "What does 'hmm' have to do with anything? Could you ever use more than five words? All this grunting and miced words make you come across--primal." His smile tipped higher. "Primal." "You're impossible." "Me Jev, you Nora." "Stop it." But I nearly smiled in spite of myself. "Since we're keeping it primal, you smell good," he observed. Hw moved closer, makin me acutely aware of his size, the rise and fall of his chest, the warm burn of his skin on mine. Electricity tingled along my scalp, and I shuddered with pleasure. "It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought. "Naked. I know the drill," Jev said, something unreadable passing over his eyes. Unsure how to proceed, I attempted to wash away the moment with an airy laugh. "Are you flirting with me, Jev?" "Does it feel that way to you?" "I don't know you well enough to say either way." I tried to keep my voice level, neutral even. "Then we'll have to change that." Still uncertain of his motives, I cleared my throat. Two could play this game. "Running from bad guys together is your idea of playing getting-to-know-you?" "No. This is." He dipped my body backward, drawing me up in a slow arc until he raised me flush against him. In his arms, my joints loosened, my defenses melting as he led me through the sultry steps.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Deep, bone-melting pleasure surged through Kira’s subconscious as he thrust forward again, almost causing her to shout at the crash of rapture filling her. “That is what I feel when I’m inside you.” His voice was low, eyes lit up with blinding green. “And you will feel every measure of the same, I promise.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that." Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise." Lifting his head, Matt took her chin between his thumb and forefinger and forced her to meet his gaze. In an aching, solemn voice he said, "I'll give you paradise on a gold platter. Anything you want— everything you want. I come with it, of course. It's a package deal." Meredith wallowed audibly, mesmerized by the melting look in his silver eyes and the rich timbre of his deep voice. "We'll be a family," he continued, describing the paradise he was offering while he bent his head to her again. "We'll have children ... I'd like six," he teased, his lips against her temple. "But I'll settle for one. You don't have to decide now." She drew in a ragged breath and Matt decided he'd pushed matters as far as he dared for one night. Straightening abruptly, he chucked her under her chin. "Think about it," he suggested with a grin.
Judith McNaught (Paradise (Paradise, #1))
He leaned toward me. Suddenly the space between us shrank. "I will do everything in my power to ensure your survival, and should the need arise, I will put myself between danger and you." His voice was quiet and intimate. "Do not hesitate to use me as your shield." His voice sent tiny shivers through me. Wow.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
And we will shade Ourselves whole summers by a river glade; And I will tell thee stories of the sky, And breathe thee whispers of its minstrelsy, My happy love will overwing all bounds! O let me melt into thee! let the sounds Of our close voices marry at their birth; Let us entwine hoveringly!
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
It’s disgusting. They melted my girl down and poured her into their mold. And this perversion is what she cooled into. I can’t be near her. Can’t see her, smell her, hear her voice chirping like a bird. I tell her the same thing I’ve been whispering every night on the roof. “I’m sorry. It’s my fault.
Pam Bachorz (Candor)
This was it. And it was right. Perfect without the dinner, movies, and flowers, because how could you really plan something like this? You couldn't Daemon sat back- A fist pounded on the door, and Andrew's voice intruded. "Daemon, are you awake?" We stared at each other in disbelief. "If I ignore him," he whispered, "do you think he'll go away?" My hands dropped to my sides. "Maybe" The pounding came again. "Daemon, I really need you downstairs. Dawson is ready to go back to Mount Weather. Nothing Dee or I are saying to him is making a bit of difference. He's like a suicidal Energizer bunny." Daemon squeezed his eyes shut. "Son of a bitch..." "It's okay." I started to sit up. "He needs you." He let out a ragged sigh. "Stay here and get some rest. I'll talk-or beat some sense into him." He kissed me briefly and then gently pushed me back down. "I'll be back." Settling in, I smiled. "Try not to kill him." "No promises." He stood, pulled on his pajama bottoms, and headed for the door. Stopping short, he looked over his shoulder,his intense gaze melting my bones. "Dammit." A few seconds after he stepped out into the hallway and closed the door behind him, there was a fleshly smack and then Andrew yelling. "Ouch. What in the hell was that for?" "Your timing sucks on an epic level," Daemon shot back.
Jennifer L. Armentrout (Opal (Lux, #3))
I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel. Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness. Okay. Okay, R. Here it comes.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Then she laughed for real, and put her hands around my neck. 'I am never, ever going to make things easy for you Seaweed Brain. Get used to it.' When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, 'Well it's about time!' Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. 'Oh, come on!' I complained. 'Is there no privacy?' 'The lovebirds need to cool off!' Clarisse said with glee. 'The canoe lake!' Conner Stoll shouted. With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red. We held hands right up to the moment they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Democracy in America was never the same as Liberty in Europe. In Europe Liberty was a great life-throb. But in America Democracy was always something anti-life. The greatest democrats, like Abraham Lincoln, had always a sacrificial, self-murdering note in their voices. American Democracy was a form of self-murder, always. Or of murdering somebody else... The love, the democracy, the floundering into lust, is a sort of by-play. The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted.
D.H. Lawrence (Studies in Classic American Literature)
I taste you in the fleshy fruit of the guayaba that melts as slowly as your kisses in my mouth – your eyes that explode in sunlight, your humid, fluid voice the soft, oceanic touch of your fingertips.
Bear Step (Island Flirtations)
Water splashed over my jeans, and I yelped as something burned my skin. We examined my leg. Tiny holes marred my jeans where the drops had hit, the material seared away, the skin underneath red and burned. It throbbed as if I’d jabbed needles into my flesh. “What the heck?” I muttered, glaring into the storm. It looked like ordinary rain—gray, misty, somewhat depressing. Almost compulsively, I stuck my hand toward the opening, where water dripped over the edge of the tube. Ash grabbed my wrist, snatching it back. “Yes, it will burn your hand as well as your leg,” he said in a bland voice. “And here I thought you learned your lesson with the chains.” Embarrassed, I dropped my hand and scooted farther into the tube, away from the rim and the acid rain dripping from it. “Guess I’m staying up all night,” I muttered, crossing my arms. “Wouldn’t want to doze off and find half my face melted off when I wake up.
Julie Kagawa (The Iron King (The Iron Fey, #1))
I knew this for a fact. Little by little, the ache to see him, to hear him would disappear. Little by little I’d forget how his arms felt, how his fingers felt, how his lips felt..the sound of his voice, the intensity of his gaze, all of it. Trace by trace it would slip from my mind, recede into foggy memory. The painful haze that dulled my present would melt into the past. Maybe not all the way, maybe there would be a few scars. Maybe I'd be different, but I’d be me again. Little by little.
Jennifer DeLucy
The amusement fled from Royce's face and with a groan he pulled her roughly against his chest, crushing her to him. "Jenny," he whispered hoarsely, burying his face in her fragrant hair. "Jenny, I love you." She melted against him, molding her body to the rigid contours of his, offering her lips up for his fierce, devouring kiss, then she took his face between both her hands. Leaning back slightly against his arm, her melting blue eyes gazing deeply into his, his wife replied in a shaky voice, "I think, my lord, I love you more.
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
She [Anita] turns back to Raffe, her face melting into a radiant smile. She puts her hand on his arm as he’s about to take off his pants. And that’s all the excuse I need. I grab the sudsy shirt out of the gray water and throw it at her. It makes a plop noise when it lands on her face, wrapping around her hair. Her perfect hair clumps into a stringy mass, and her mascara smears as the cloth slides wetly down her blouse. She emits a high-pitched squeal that turns every head within earshot. “Oh, I’m sorry,” I say in a sugary voice. “Did you not like that? I thought that’s what you wanted. I mean, why else would you be putting your paws on my man?
Susan Ee (Angelfall (Penryn & the End of Days, #1))
He spoke just beneath her ear, his voice thick with tormented pleasure. "You have to leave, Sara ... because I want to hold you like this until your skin melts into mine. I want you in my bed, the smell of you on my sheets, your hair spread across my pillow. I want to take your innocence. God! I want to ruin you for anyone else." Blindly Sara flattened her hand on his cheek, against the scratch of newly grown beard. "What if I want the same?" she whispered.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
We focused our attention on the tall businessman. His rhetoric did not soar. Even his voice was gray; bleak like a dead possum in melting, muddy snow.
James Aura (The Cumberland Killers: A Kentucky Mystery (Kentucky Mysteries Book 2))
Perhaps we can take a turn in the garden. The slave can avail himself of the garden seat and rest his injuries' 'How thoughtful of you, Councillor,' said Laurent. He turned to Damen and said in a melting voice, 'Your back must hurt terribly.' 'It's fine,' said Damen. 'Kneel on the ground then,' Laurent said.
C.S. Pacat (Captive Prince (Captive Prince, #1))
Her hair gives dawn it's fire, her eyes give dusk her soul" He knew how to use his voice to melt a girl's heart, to make a girl want to believe. I steeled myself against the seductive words. "Excuse me?" "It's a line of poetry describing a beautiful girl, one who doesn't seem to know it.
Elizabeth Chandler (No Time to Die (Dark Secrets, #3))
She still took my breath away with how beautiful she was. “Hei, Poppymin,” I said and sat on the edge of her bed. “Hey, baby,” she replied, her voice now barely above a whisper. I brought my hand to hers and pressed a kiss to her mouth. Poppy smiled and melted my heart. A loud gust of wind blew past the window, whistling against the glass. Poppy inhaled sharply. I turned to see what she was seeing. A mass of blossom petals went sailing in the wind. “They’re leaving…,” she said. I closed my eyes briefly. It was apt that Poppy left the same day that the cherry blossoms lost their petals too. They were guiding her soul home.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper. "I'm a little cold... and a little nervous." "Don't be nervous, Maggie. It's juste me." It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know." He pulls me closer. I rest my head in the crook of his arm and am more content than ever. "Maggie ?" "Yeah ?" "Thanks." "For what ?" "For making me feel alive again." I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms. He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here." " I know. But I'm not asking you to be one." "You sure you know what you're getting into ?" "Nope. I've got no clue." I start kissing and feeling my way across his broad chest. "You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
Normal and I parted ways when Patch strolled into my life. Patch has seven inches on me, operates on cold, hard logic, moves like smoke, and lives alone in a supersecret, superswanky studio beneath Delphic Amusement Park. The sound of his voice, low and sexy, can melt my heart in three seconds flat. He’s also a fallen angel, kicked out of heaven for his flexibility when it comes to following rules. I personally believe Patch scared the pants off normal, and it took off running for the far side of the world.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Gareth?” Hyacinth said softly. He turned to her, wondering how long he’d been standing there, pondering his options. “Hyacinth,” he said. She looked at him expectantly. “Hyacinth,” he said again, this time with a bit more certitude. He smiled, letting his eyes melt into hers. “Hyacinth.” “We know her name,” came his grandmother’s voice. Gareth ignored her and pushed a table aside so that he could drop to one knee. “Hyacinth,” he said, relishing her gasp as he took her hand in his, “would you do me the very great honor of becoming my wife?” Her eyes widened, then misted, and her lips, which he’d been kissing so deliciously mere hours earlier, began to quiver. “I…I…” It was unlike her to be so without words, and he was enjoying it, especially the show of emotion on her face. “I…I…” “Yes!” his grandmother finally yelled. “Yes! She’ll marry you!” “She can speak for herself,” he said. “No,” Lady D said, “she can’t. Quite obviously.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
When Pidge wakes up, let me know, okay?” he said in a soft voice. “I got spaghetti, and pancakes, and strawberries, and that oatmeal shit with the chocolate packets, and she likes Fruity Pebbles cereal, right, Mare?” he asked, turning. When he saw me, he froze. After an awkward pause, his expression melted, and his voice was smooth and sweet.“Hey, Pigeon.” I couldn’t have been more confused if I had woken up in a foreign country. Nothing made sense. At first I thought I had been evicted, and then Travis comes home with bags full of my favorite foods. He took a few steps into the living room, nervously shoving his hands in his pockets. “You hungry, Pidge? I’ll make you some pancakes. Or there’s uh…there’s some oatmeal. And I got you some of that pink foamy shit that girl’s shave with, and a hairdryer, and a… a….just a sec, it’s in here,” he said, rushing to the bedroom. The door opened, shut, and then he rounded the corner, the color gone from his face. He took a deep breath and his eyebrows pulled in. “Your stuff’s packed.” “I know,” I said. “You’re leaving,” he said, defeated.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
...The means of choice: She might choose to ascend The falling dream, By some angelic power without a name Reverse the motion, plunge into upwardness, Know height without an end, Density melt to air, silence yield a voice-- Within her fall she felt the pull of Grace.
May Sarton (Selected Poems)
Hey Beautiful,' said a familiar male voice. She opened her eyes. Lucas knelt beside her bed, holding a bouquet of roses in his hands. She sat up and saw more roses all around the room. 'What sis you do, rob a florist?' He gave her his bad-boy grin, and Kylie felt her heart melt just a little. 'No, but let me just say that my grandmother is going to be really pissed when she sees her garden in the morning.
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
So this is what you two do when you’re up here,” Dean drawls. “All that deep, intensive tutoring.” He air-quotes the last word, chuckling in delight. “Actually, Garrett’s just helping me brush up on my make-out skills,” I tell Dean in the most casual voice I can muster. Dean snickers. “’That so?” “Okay…” Dean’s eyes gleam. “Then I’m calling your bluff, baby doll. Show me your moves.” I blink in surprise. “What?” “If a doctor told you you’ve got ten days to live, you’d go for a second opinion, wouldn’t you? Well, if you’re worried about being a crappy kisser, you can’t just take G’s word for it. You need a second opinion.” His brows lift in challenge. “Let me see what you’ve got.” “Stop being a jackass,” Garrett mutters. “No, he has a point,” I answer awkwardly, and my brain screams, What? He has a point? Apparently Garrett’s body-melting kisses have turned me into a crazy person.
Elle Kennedy (The Deal (Off-Campus, #1))
Anne looked up. Tall and handsome and distinguished-looking—dark, melancholy, inscrutable eyes—melting, musical, sympathetic voice—yes, the very hero of her dreams stood before her in the flesh. He could not have more closely resembled her ideal if he
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
In time she said, "I love you, Oddie." My voice was thick when I replied. "I love you more than life.” "We'll be okay," she said. "We are okay." "We're weird and screwed-up, but we're okay," she agreed. "If someone invented a thermometer that measured weirdness, it would melt under my tongue. But you-you're cool.
Dean Koontz (Odd Thomas (Odd Thomas, #1))
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Kahlil Gibran (The Prophet)
Sometimes, in the stillness of my room, my mom’s voice came to me, repeating things she’d said for months. Like, “My skin is melting off my face, isn’t it?” And, “My whole body feels dead from the crap they’re pouring into me. Do I look green to you?” And, “When I’m naked, I can see my heart beating.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
Effective leaders almost never need to yell. The leader will have created an environment where disappointing him causes his people to be disappointed in themselves. Guilt and affection are far more powerful motivators than fear. The great coaches of team sports are almost always people who simply need to say, in a quiet voice, “That wasn’t our best, now was it?” and his players melt. They love this man, know he loves them, and will work tirelessly not to disappoint him. People are drawn to this kind of leader, as I was drawn all those years ago to Harry Howell, the grocer. A leader who screams at his employees or belittles them will not attract and retain great talent over the long term.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
I knew that some victims of powerful self-loathing turn out to be dangerous, violent, reproducing the enemy who has humiliated them over and over. Others surrender their identity; melt into a structure that delivers the strong persona they lack. Most others, however, grow beyond it. But there are some who collapse, silently, anonymously, with no voice to express or acknowledge it. They are invisible. The death of self-esteem can occur quickly, easily in children, before their ego has “legs,” so to speak. Couple the vulnerability of youth with indifferent parents, dismissive adults, and a world, which, in its language, laws, and images, re-enforces despair, and the journey to destruction is sealed.
Toni Morrison (The Bluest Eye (Vintage International))
Her features were dainty, her small slender wrists climbed up to become the delicate shoulders that beckoned him. Her skin was like peach-tinted cream and he need not have touched her to experience the melting softness of her body. Her perfectly oval face was austere and her manner a little haughty. Her expressions had delicacy as well as a particular strength that did not abate her femininity. It seemed that the world had stopped. Her voice sounded like a melody and she looked like a dream, an illusion, up close and personal.
Faraaz Kazi (Truly, Madly, Deeply)
Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: “Don’t believe her.” The whole world closes around me, like an eyelid: For a moment, everything goes dark. I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pressure and chaos. My head is about to explode. He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes—once a sweet, melted brown, like syrup—have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver
I would like to ask one favor though, if that's not too much," he said. I wonder what he saw on my face, because something flickered across his own face in response. But, before I could identify it, he'd composed his features into the same serene mask. "Anything," I vowed, my voice faintly stronger. As I watched, his frozen eyes melted. The gold became liquid again, molten, burning down into mine with an intensity that was overwhelming. "Don't do anything reckless or stupid," he ordered, no longer detached. "Do you understand what I'm saying?" I nodded helplessly. His eyes cooled, the distance returned.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
I know your race and mine are never on the best of terms." There was a cold smile in his voice if not on his face. "But I do only what you force me to. You rationalize, Keeton. You defend. You reject unpalatable truths, and if you can't reject them outright you trivialize them. Incremental evidence is never enough for you. You hear rumors of Holocaust; you dismiss them. You see evidence of genocide; you insist it can't be so bad. Temperatures rise, glaciers melt—species die—and you blame sunspots and volcanoes. Everyone is like this, but you most of all. You and your Chinese Room. You turn incomprehension into mathematics, you reject the truth without even knowing what it is.
Peter Watts (Blindsight (Firefall, #1))
His voice a rhythm like rain, words rolling over themselves... “You are distinguished from the leaves by the shape of your eyes. They are whiter in color and rounder. Except on nights like this when the leaves are luminous....” “Still, you are distinguished from the night– your voice silent as candles melted in their own pools, used up with expression and light....
Debi Cimo (Delicate The alchemy of Emily Greyson)
You remember?' he said incredulously. 'What could you possibly remember?' he asked, staring at her, waiting for the answer. The beauty from within her soul shined brightly through her loving eyes as she looked deep into Noah’s now melting eyes. 'I remember — I love you,' she said in a soft voice, nervously biting her lip.
Sebastian Cole (Sand Dollar: A Story of Undying Love)
She raised an eyebrow. "You got something to say to me, Seaweed Brain?" You'd probably kick my butt." You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-" Oh, you so wanted to." Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. You're laughing at me," I complained. I am not!" You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.” When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
He looked at the granite. To be cut, he thought, and made into walls. He looked at a tree. To be split and made into rafters. He looked at a streak of rust on the stone and thought of iron ore under the ground. To be melted and to emerge as girders against the sky. These rocks, he thought, are waiting for me; waiting for the drill, the dynamite and my voice; waiting to be split, ripped, pounded, reborn; waiting for the shape my hands will give them.
Ayn Rand (The Fountainhead)
Aubade " There was one summer that returned many times over there was one flower unfurling taking many forms Crimson of the monarda, pale gold of the late roses There was one love There was one love, there were many nights Smell of the mock orange tree Corridors of jasmine and lilies Still the wind blew There were many winters but I closed my eyes The cold air white with dissolved wings There was one garden when the snow melted Azure and white; I couldn’t tell my solitude from love— There was one love; he had many voices There was one dawn; sometimes we watched it together I was here I was here There was one summer returning over and over there was one dawn I grew old watching
Louise Glück (Poems, 1962-2012)
Ye can at least promise me the victory,” he said, but his voice held the whisper of a question. “Yes,” I said, and touched his face. I sounded choked, and my vision blurred. “Yes, I can promise that. This time.” No mention made of what that promise spared, of the things I could not guarantee. Not life, not safety. Not home, nor family; not law nor legacy. Just the one thing—or maybe two. “The victory,” I said. “And that I will be with you ’til the end.” He closed his eyes for a moment. Snowflakes pelted down, melting as they struck his face, sticking for an instant, white on his lashes. Then he opened his eyes and looked at me. “That is enough,” he said softly. “I ask no more.” He reached forward then and took me in his arms, held me close for a moment, the breath of snow and ashes cold around us. Then he kissed me, released me, and I took a deep breath of cold air, harsh with the scent of burning.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in her long veils... - In the far-off woods you can hear them sound the mort. For more than a thousand years sad Ophelia Has passed, a white phantom, down the long black river. For more than a thousand years her sweet madness Has murmured its ballad to the evening breeze. The wind kisses her breasts and unfolds in a wreath Her great veils rising and falling with the waters; The shivering willows weep on her shoulder, The rushes lean over her wide, dreaming brow. The ruffled water-lilies are sighing around her; At times she rouses, in a slumbering alder, Some nest from which escapes a small rustle of wings; - A mysterious anthem falls from the golden stars. II O pale Ophelia! beautiful as snow! Yes child, you died, carried off by a river! - It was the winds descending from the great mountains of Norway That spoke to you in low voices of better freedom. It was a breath of wind, that, twisting your great hair, Brought strange rumors to your dreaming mind; It was your heart listening to the song of Nature In the groans of the tree and the sighs of the nights; It was the voice of mad seas, the great roar, That shattered your child's heart, too human and too soft; It was a handsome pale knight, a poor madman Who one April morning sate mute at your knees! Heaven! Love! Freedom! What a dream, oh poor crazed Girl! You melted to him as snow does to a fire; Your great visions strangled your words - And fearful Infinity terrified your blue eye! III - And the poet says that by starlight You come seeking, in the night, the flowers that you picked And that he has seen on the water, lying in her long veils White Ophelia floating, like a great lily.
Arthur Rimbaud (A Season in Hell and The Drunken Boat)
Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping.
Emma Chase (Royally Endowed (Royally, #3))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
She raised an eyebrow. "You got something to say to me, Seaweed Brain?" You'd probably kick my butt." You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-" Oh, you so wanted to." Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. You're laughing at me," I complained. I am not!" You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.” When she kissed me, I had the feeling my brain was melting right through my body.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I mean... it's just one night,' he said softly. 'In the morning, you can forget it. You can go back to pretending you don't like me, and I can pretend that I don't care. But for tonight, let me pretend you're mine.' She melted at the word mine. For a dizzying second, she couldn't think. She couldn't bring herself to pull away, and yet she couldn't tell him she would stay. 'If it's easier, you can pretend, too,' he whispered. 'You can pretend I'm still Jacks of the Hollow and that you want to be mine.' His mouth pressed against her throat once more and slowly traced a blissful line up her neck, to her ear. Then his teeth nipped her earlobe. She gasped. The bite was sharp and a little painful, as if he wanted to hold her and punish her, too. But he didn't have to punish her. This was already torture because she wanted it so much. She wanted him to want her, even if he was half-delirious in his wanting. 'I'm not delirious.' His voice was husky with something like sleep, but when he looked down on her, his eyes were clear and lucid. And Evangeline felt as if she was tumbling in to them.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
The woman had gasped beneath his heavy body. He rubbed against her, lubricated by the warm, sticky liquid, but as her body gradually grew cold, he felt as though they'd been glued together. She seemed to be see-sawing between agony and ecstasy, but finally Satake pressed his lips over hers to quiet the groans-of pain or pleasure-that were leaking from her mouth. He found the hole that he had made in her side and worked his finger deep into the opening. Blood was pumping from the wound, staining their sex a gruesome crimson. He wanted to get further inside, to melt into her. As he was about to come, he pulled his lips from her and she whispered in his ear: "I'm finished . . . finished." "I know," he'd said, and he could still hear the exact sound of his own voice.
Natsuo Kirino (Out)
She done mellowed plenty since this marriage. Soft around the edges without getting too soft at the center. You fear that sometimes for women, that they would just fold up and melt away. She'd seen it happen so much in her time, too much for her to head on into it without thinking. Yes, that one time when she was way, way young. But after that, looking at all the beating, the badgering, the shriveling away from a lack of true touching was enough to give her pause. Not that she mighta hooked up with one of those. And not that any man — even if he tried — coulda ever soaked up the best in her. But who needed to wake up each morning cussing the day just to be sure you still had your voice? A woman shouldn't have to fight her man to be what she was; he should be fighting that battle for her.
Gloria Naylor (Mama Day)
His eyes flared, and he tightened his grip on her arm. “Don’t press me, Meg.” She didn’t miss the intimate use of her Christian name, but there was no mistaking the threat this time. His voice was deep and liquid and seemed to wrap around her. She knew she shouldn’t provoke him, but he brought out a mischievous side of her long forgotten. Lifting one brow, she asked, “Or what?” Before the taunt had left her mouth, she was in his arms again and jerked firmly against the broad chest she’d just admired. She gasped. Not from shock, but from the realization of how much she liked being pressed against him. Of how she savored the sensation of her breasts and hips molded against the hard length of his body, of melting against him, of being secured in his arms. A wave of heated awareness shuddered through her. His eyes were hooded, his expression dark and full of promise. “Or I will prove to you just how innocent you are, my sweet, and how very little control you have over a man and a man’s desires.
Monica McCarty (Highlander Unmasked (MacLeods of Skye Trilogy, #2))
While Brambleclaw paused to taste the air, she crouched down beside one of the puddles and touched the ice with her tongue, grateful for the tingling freshness. “Come on,” the Clan deputy meowed. “This way.” Hollyleaf tried to jump up, only to stop with a strangled cry of dismay. Her tongue had frozen to the ice; a sharp pain shot through it as she tried to wrench herself free. “What’s the matter?” Lionblaze asked. “My tongue . . .” Hollyleaf could hardly get the words out. “It’th thtuck!” Lionblaze snorted as he suppressed a mrrow of laughter. Birchfall stooped down until he was nose to nose with Hollyleaf; irritation swelled inside her when she saw amusement dancing in his eyes. “It’th not funny!” she mumbled as clearly as she could with her tongue plastered to the ice. “Stand back.” Brackenfur’s calm voice came from behind Hollyleaf. “Let me have a look.” He leaned beside Birchfall, gently shouldering the younger cat out of the way. “Well, you’re certainly stuck,” he went on. Hollyleaf could tell that he was struggling not to laugh, too. “I suppose we could break off the ice. Then you’d have to carry it until it melts.” “Hey, you’ve discovered a new way to fetch water for the elders!” Hazeltail put in. Her pelt itching with frustration, Hollyleaf tried again to wrench her tongue free, only getting another stab of pain for her efforts. “It hurt-th! Do thomething!” She pictured herself crouched on the hard ground with her tongue stretched out, and suddenly she felt laughter bubbling up inside her. I guess I do look pretty funny. She couldn’t remember the last time she had found anything to laugh at.
Erin Hunter (Sunrise (Warriors: Power of Three #6))
A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter. And the camels galled, sore-footed, refractory, Lying down in the melting snow. There were times we regretted The summer palaces on slopes, the terraces, And the silken girls bringing sherbet. Then the camel men cursing and grumbling And running away, and wanting their liquor and women, And the night fires going out, and the lack of shelters, And the cities hostile and the towns unfriendly And the villages dirty and charging high prices: A hard time we had of it. At the end we preferred to travel all night, Sleeping in snatches, With the voices singing in our ears, saying That this was all folly. Then at dawn we came down to a temperate valley, Wet, below the snow line, smelling of vegetation; With a running stream and a water-mill beating the darkness, And three trees on the low sky, And an old white horse galloped away in the meadow. Then we came to a tavern with vine-leaves over the lintel, Six hands at an open door dicing for pieces of silver, And feet kicking the empty wine-skins, But there was no information, and so we continued And arrived at evening, not a moment too soon Finding the place; it was (you may say) satisfactory. All this was a long time ago, I remember, And I would do it again, but set down This set down This: were we led all that way for Birth or Death? There was a Birth, certainly, We had evidence and no doubt. I had seen birth and death, But had thought they were different; this Birth was Hard and bitter agony for us, like Death, our death. We returned to our places, these Kingdoms, But no longer at ease here, in the old dispensation, With an alien people clutching their gods. I should be glad of another death.
T.S. Eliot
Back in Henrietta, night proceeded. Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired. He opened his eyes. He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school. He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that. In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now. He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Willem puts down his fork and knife. 'This is falling in love.' With his finger, he swipes a bit of the Nutella from inside his crepe and puts a dollop on the inside of my wrist. It is hot and oozy and starts to melt against my sticky skin, but before it has a chance to slither away, Willem licks his thumb and wipes the smear of Nutella off and pops it into his mouth. It all happens fast, like a lizard zapping a fly. 'This is being in love.' And he takes my other wrist, the one with my watch on it, and moves the watchband around until he sees what he's looking for. Once again, he licks his thumb. Only this time, he rubs it against my birthmark, hard, as if trying to scrub it off. 'Being in love is a birthmark?' I joke as I retract my arm. But my voice has a tremble in it, and the place where his wet thumbprint is drying against my skin burns somehow. 'It's something that never comes off, no matter how much you might want it to.' 'You're comparing love to a...stain?' He leans so far back in his seat that the front legs of his chair scrape off the floor. He looks very satisfied, with the crepe or with himself, I'm not sure. 'Exactly.
Gayle Forman (Just One Day (Just One Day, #1))
The way God squandered Himself had always hurt her; and annoyed her too. The sky full of wings and only the shepherds awake. That golden voice speaking and only a few fishermen there to hear; and perhaps some of the words He spoke carried away on the wind or lost in the sound of the waves lapping against the side of the boat. A thousand blossoms shimmering over the orchard, each a world of wonder all to itself, and then the whole thing blown away on a southwest gale as though the delicate little worlds were of no value at all. Well, of all the spendthrifts, she would think and then pull herself up. It was not for her to criticize the ways of Almighty God; if He liked to go to all that trouble over the snowflakes, millions and millions of them, their intricate patterns too small to be seen by human eyes, and melting as soon as made, that was His affair and not hers. All she could do about it was to catch in her window, and save from entire waste, as much of the squandered beauty as she could.
Elizabeth Goudge (The Rosemary Tree)
Wyatt should’ve looked ridiculous sitting on the floor, leaning into the crate making kissykiss noises at the cat, but he didn’t. He looked … mouthwatering. “Hey, sweet thing,” he said in a low cajoling voice. “Come on out. I’ll gonna love you up, I promise. You know you want some of that.” “Oh, please,” Emily said on a laugh to cover up the fact that her bones melted at the sound of him. “That’s never going to work—“ But hell if the cat didn’t shift ever so slightly closer to Wyatt and sniff at him. Wyatt flashed both Sweetie and Emily a smile. “Aw, that’s it,” he crooned to the suspicious, wary cat. “Come on, baby girl, all the way. I’ll be good to you, I promise.” Emily laughed again, even as she felt her nipples tighten. She crossed her arms over her chest. “Honestly, Wyatt, no selfrespecting female – cat or woman – is going to—
Jill Shalvis (Then Came You (Animal Magnetism, #5))
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey
That which we dare invoke to bless; Our dearest faith; our ghastliest doubt; He, They, One, All; within, without; The Power in darkness whom we guess; I found Him not in world or sun, Or eagle's wing, or insect's eye; Nor thro' the questions men may try, The petty cobwebs we have spun: If e'er when faith had fall'n asleep, I heard a voice `believe no more' And heard an ever-breaking shore That tumbled in the Godless deep; A warmth within the breast would melt The freezing reason's colder part, And like a man in wrath the heart Stood up and answer'd `I have felt.' No, like a child in doubt and fear: But that blind clamour made me wise; Then was I as a child that cries, But, crying, knows his father near; And what I am beheld again What is, and no man understands; And out of darkness came the hands That reach thro' nature, moulding men.
Alfred Tennyson (In Memoriam)
And you can glance out the window for a moment, distracted by the sound of small kids playing a made-up game in a neighbor's yard, some kind of kickball maybe, and they speak in your voice, or piggyback races on the weedy lawn, and it's your voice you hear, essentially, under the glimmerglass sky, and you look at the things in the room, offscreen, unwebbed, the tissued grain of the deskwood alive in light, the thick lived tenor of things, the argument of things to be seen and eaten, the apple core going sepia in the lunch tray, and the dense measures of experience in a random glance, the monk's candle reflected in the slope of the phone, hours marked in Roman numerals, and the glaze of the wax, and the curl of the braided wick, and the chipped rim of the mug that holds your yellow pencils, skewed all crazy, and the plied lives of the simplest surface, the slabbed butter melting on the crumbled bun, and the yellow of the yellow of the pencils, and you try to imagine the word on the screen becoming a thing in the world, taking all its meanings, its sense of serenities and contentments out into the streets somehow, its whisper of reconciliation, a word extending itself ever outward, the tone of agreement or treaty, the tone of repose, the sense of mollifying silence, the tone of hail and farewell, a word that carries the sunlit ardor of an object deep in drenching noon, the argument of binding touch, but it's only a sequence of pulses on a dullish screen and all it can do is make you pensive--a word that spreads a longing through the raw sprawl of the city and out across the dreaming bournes and orchards to the solitary hills. Peace.
Don DeLillo
You have a freckle,” he murmured. “Right” – he leaned down and dropped a light kiss near the inside of her elbow – “here.” “You’ve seen it before,” she said softly. It wasn’t in an immodest spot; she had plenty of frocks with short sleeves. He chuckled. “But I’ve never given it it’s proper due.” “Really.” “Mmm-hmm.” He lifted her arm, twisting it just a bit so that he could pretend to be studying her freckle. “It is clearly the most delightful beauty mark in all of England.” A marvelous sense of warmth and contentment melted through her. Even as her body burned for his, she could not stop herself from encouraging his teasing conversation. “Only England?” “Well, I haven’t traveled very extensively abroad…” “Oh, really?” “And you know…” His voice dropped to a husky growl. “There may be other freckles right here in this room. You could have one here.” He dipped a finger under the bodice of her nightgown, then moved his other hand to her hip. “Or here.” “I might,” she agreed. “The back of your knee,” he said, the words hot against her ear . “You could have one there.” She nodded. She wasn’t sure she was still capable of speech. “One of your toes,” he suggested. “Or your back.” “You should probably check,” she managed to get out. He took a deep, shuddering breath.
Julia Quinn (Because of Miss Bridgerton (Rokesbys, #1))
I sent a clear warning to you, Aidan." There was a hint of censure in his words, although his voice was soft. There was a hard edge to Aidan's mouth. "I received your warning. But this is my city, Gregori, and my family. I take care of my own." Savannah rolled her eyes. "You could just beat on your chests,you know. It probably works just as well." You will show some respect, Gregori ordered. Savannah burst out laughing, then reached up to caress his shadowed jaw. "Keep hoping,my love, and perhaps someday someone will obey you." Aidan's mouth twitched, the golden eyes sliding over Gregori in amusement. "She inherited something besides her mother's good looks,did she not?" Gregori sighed heavily. "She is impossible." Aidan laughed,ignoring the warning flash from Gregori's pale eyes. "I believe they all are." Savannah ducked out from under Gregori's arm and found an overstuffed chair to curl up on. "Of course we're impossible.It's the only way to stay sane." "I would have brought Alexandria to meet you,but Gregori's warning dictated prudence." Aidan sounded smug, as if he had been able to lay down the law to his woman when Gregori was unable to do so. Savannah flashed an impish grin up at the man. "What did you do,leave her sleeping while you ran off to play hero? I'll just bet she has a thing or two to say to you when you wake her." Aidan had the grace to look sheepish. Then he turned to Gregori. "Your lifemate is a mean little thing, healer. I do not envy you." Savannah laughed, unrepentant. "He's crazy about me. Don't let him fool you." "I believe you," Aidan agreed. "Do not encourage her in her rebellion," Gregori tried to sound severe,but she was turning him inside out.She was everything to him, even with her silliness.Where did she get her outrageous sense of humor? How could she ever be happy with someone who hadn't laughed in centuries? She melted his insides. Melted him. He was careful to keep his face expressionless. It was bad enough that Savannah knew he was practically wrapped around her little finger. Aidan didn't need to know,too.
Christine Feehan (Dark Magic (Dark, #4))
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Behold now, let the Dead and Living meet! Across the gulf of Time they still are one. Time hath no power against Identity, though sleep the merciful hath blotted out the tablets of our mind, and with oblivion sealed the sorrows that else would hound us from life to life, stuffing the brain with gathered griefs till it burst in the madness of uttermost despair. Still are they one, for the wrappings of our sleep shall roll away as thunder-clouds before the wind; the frozen voice of the past shall melt in music like mountain snows beneath the sun; and the weeping and the laughter of the lost hours shall be heard once more most sweetly echoing up the cliffs of immeasurable time. Ay, the sleep shall roll away, and the voices shall be heard, when down the completed chain, whereof our each existence is a link, the lightning of the Spirit hath passed to work out the purpose of our being; quickening and fusing those separated days of life, and shaping them to a staff whereon we may safely lean as we wend to our appointed fate. - Ayesha
H. Rider Haggard (She (She, #1))
Where do I belong?” “With me,” my mother and Galen say in unison. They exchange hard glares. Galen locks his jaw. “I’m her mother,” she tells Galen, her voice sharp. “Her place is with me.” “I want her for my mate,” Galen says. The admission warms up the space between us with an impossible heat and I want to melt into him. His words, his declaration, cannot be unspoken. And how he’s declared it to everyone who matters. It’s out there in the open, hanging in the air. He wants me for his mate. Me. Him. Forever. And I’m not sure how I feel about that. How I should feel about that. I’ve known for some time that he wanted that eventually, but how soon? Before we graduate? Before I go to college? What does it mean to mate with him? He’s a Triton prince. His place is with the Syrena, in the ocean. And let’s not forget that my place with them is dead-no Half-Breeds allowed. We have so much to talk about before this can even happen, but I feel saying so might make him feel rejected, or embarrass him in front of his older brother, the great Triton king. Or like I’m having second thoughts, and I’m not. Not exactly. I peer up at him, wanting to see his eyes, to see the promise in them that I heard in his voice. But he won’t look at me. He’s not looking at Mom, either. He keeps his iron glare on Grom, unyielding and demanding. But Grom doesn’t wither under the weight of it. In fact, he deflects it with an indifferent expression. They are definitely engaging in some sort of battle of will via manly staring contest.
Anna Banks (Of Triton (The Syrena Legacy, #2))
She raised an eyebrow. "You got something to say to me, Seaweed Brain?" You'd probably kick my butt." You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-" Oh, you so wanted to." Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. You're laughing at me," I complained. I am not!" You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.” When she kissed me, I had the feeling my brain was melting right through my body.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
We heard of this woman who was out of control. We heard that she was led by her feelings. That her emotions were violent. That she was impetuous. That she violated tradition and overrode convention. That certainly her life should not be an example to us. (The life of the plankton, she read in this book on the life of the earth, depends on the turbulence of the sea) We were told that she moved too hastily. Placed her life in the stream of ideas just born. For instance, had a child out of wedlock, we were told. For instance, refused to be married. For instance, walked the streets alone, where ladies never did, and we should have little regard for her, even despite the brilliance of her words. (She read that the plankton are slightly denser than water) For she had no respect for boundaries, we were told. And when her father threatened her mother, she placed her body between them. (That because of this greater heaviness, the plankton sink into deeper waters) And she went where she should not have gone, even into her sister's marriage. And because she imagined her sister to be suffering what her mother had suffered, she removed her sister from that marriage. (And that these deeper waters provide new sources of nourishment) That she moved from passion. From unconscious feeling, allowing deep and troubled emotions to control her soul. (But if the plankton sinks deeper, as it would in calm waters, she read) But we say that to her passion, she brought lucidity (it sinks out of the light, and it is only the turbulence of the sea, she read) and to her vision, she gave the substance of her life (which throws the plankton back to the light). For the way her words illuminated her life we say we have great regard. We say we have listened to her voice asking, "of what materials can that heart be composed which can melt when insulted and instead of revolting at injustice, kiss the rod?" (And she understood that without light, the plankton cannot live and from the pages of this book she also read that the animal life of the oceans, and hence our life, depends on the plankton and thus the turbulence of the sea for survival.) By her words we are brought to our own lives, and are overwhelmed by our feelings which we had held beneath the surface for so long. And from what is dark and deep within us, we say, tyranny revolts us; we will not kiss the rod.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
When I was at the River Styx, turning invulnerable...Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" "Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking--" "Oh, you so wanted to." "Well, maybe a little. But I didn't, because I thought--I didn't want things to stay the same for eternity, because things could always get better. And I was thinking..." My throat felt really dry. "Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. "You're laughing at me," I complained. "I am not!" "You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it." When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red. We held hands right up to the moment they dumped us in the water. Afterward, I had the last laugh. I made an air bubble at the bottom of the lake. Our friends kept waiting for us to come up, but hey--when you're the son of Poseidon, you don't have to hurry. And it was pretty much the best underwater kiss of all time.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I wanted peace and quiet, tranquillity, but was too much aboil inside. Somewhere beneath the load of the emotion-freezing ice which my life had conditioned my brain to produce, a spot of black anger glowed and threw off a hot red light of such intensity that had Lord Kelvin known of its existence, he would have had to revise his measurements. A remote explosion had occurred somewhere, perhaps back at Emerson's or that night in Bledsoe's office, and it had caused the ice cap to melt and shift the slightest bit. But that bit, that fraction, was irrevocable. Coming to New York had perhaps been an unconscious attempt to keep the old freezing unit going, but it hadn't worked; hot water had gotten into its coils. Only a drop, perhaps, but that drop was the first wave of the deluge. One moment I believed, I was dedicated, willing to lie on the blazing coals, do anything to attain a position on the campus -- then snap! It was done with, finished, through. Now there was only the problem of forgetting it. If only all the contradictory voices shouting inside my head would calm down and sing a song in unison, whatever it was I wouldn't care as long as they sang without dissonance; yes, and avoided the uncertain extremes of the scale. But there was no relief. I was wild with resentment but too much under "self-control," that frozen virtue, that freezing vice. And the more resentful I became, the more my old urge to make speeches returned. While walking along the streets words would spill from my lips in a mumble over which I had little control. I became afraid of what I might do. All things were indeed awash in my mind. I longed for home.
Ralph Ellison (Invisible Man)
Where did Grizel go?” Sandor asked as they turned to leave. “She’s supposed to stay by your side.” “I’m right here,” a husky female voice said as a lithe gray goblin in a fitted black jumpsuit seemed to melt out of the shadows. Fitz’s bodyguard was just as tall as Sandor, but far leaner—and what she lacked in bulk she made up for in stealth and grace. “I swear,” she said, tapping Sandor on the nose. “It’s almost too easy to evade you.” “Anyone can hide in this chaos,” Sandor huffed. “And now is not the time for games!” “There’s always time for games.” Grizel tossed her long ponytail in a way that almost seemed . . . Was it flirty? Sandor must’ve noticed too, because his gray skin tinted pink. He cleared his throat and turned to Sophie. “Weren’t we heading to the cafeteria?” She nodded and followed Fitz into the mazelike halls, where the colorful crystal walls shimmered in the afternoon sunlight. The cafeteria was on the second floor of the campus’s five-story glass pyramid, which sat in the center of the courtyard framed by the U-shaped main building. Sophie spent most of the walk wondering how long it would take Dex to notice her new accessories. The answer was three seconds—and another after that to notice the matching rings on Fitz’s thumbs. His periwinkle eyes narrowed, but he kept his voice cheerful as he said, “I guess we’re all giving rings this year.” Biana held out her hand to show Sophie a ring that looked familiar—probably because Sophie had a less sparkly, slightly more crooked, definitely less pink version on her own finger. “I also made one for you,” Dex told Fitz. “It’s in your thinking cap. And I have some for Tam and Linh, whenever we see them again. That way we’ll all have panic switches—and I added stronger trackers, so I can home in on the signal even if you don’t press your stone. Just in case anything weird happens.” “Your Technopath tricks aren’t necessary,” Sandor told him, pointing to their group of bodyguards—four goblins in all. “But it’s still good to have a backup plan, right?” Biana asked, admiring her ring from another angle. The pink stone matched the glittery shadow she’d brushed around her teal eyes, as well as the gloss on her
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
Hey.’ Annabeth slid next to me on the bench. ‘Happy birthday.’ She was holding a huge misshapen cupcake with blue icing. I stared at her. ‘What?’ ‘It’s August eighteenth,’ she said. ‘Your birthday, right?’ I was stunned. It hadn’t even occurred to me, but she was right. I had turned sixteen this morning – the same morning I’d made the choice to give Luke the knife. The prophecy had come true right on schedule, and I hadn’t even thought about the fact that it was my birthday. ‘Make a wish,’ she said. ‘Did you bake this yourself?’ I asked. ‘Tyson helped.’ ‘That explains why it looks like a chocolate brick,’ I said. ‘With extra-blue cement.’ Annabeth laughed. I thought for a second then blew out the candle. We cut it in half and shared, eating with our fingers. Annabeth sat next to me and we watched the ocean. Crickets and monsters were making noise in the woods, but otherwise it was quiet. ‘You saved the world,’ she said. ‘We saved the world.’ ‘And Rachel is the new Oracle, which means she won’t be dating anybody.’ ‘You don’t sound disappointed,’ I noticed. Annabeth shrugged. ‘Oh, I don’t care.’ ‘Uh-huh.’ She raised an eyebrow. ‘You got something to say to me, Seaweed Brain?’ ‘You’d probably kick my butt.’ ‘You know I’d kick your butt.’ I brushed the cake off my hands. ‘When I was at the River Styx, turning invulnerable … Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal.’ Annabeth kept her eyes on the horizon. ‘Yeah?’ ‘Then up on Olympus,’ I said, ‘when they wanted to make me a god and stuff, I kept thinking –’ ‘Oh, you so wanted to.’ ‘Well, maybe a little. But I didn’t, because I thought – I didn’t want things to stay the same for eternity, because things could always get better. And I was thinking …’ My throat felt really dry. ‘Anyone in particular?’ Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. ‘You’re laughing at me,’ I complained. ‘I am not!’ ‘You are so not making this easy.’ Then she laughed for real, and she put her hands around my neck. ‘I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.’ When she kissed me, I had the feeling my brain was melting right through my body.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
He crushed me against the wall, bracing me with his body. I strained, trying to break free. He might have been made of stone for all the good it did me. Except he was made of flesh and he was stark naked. I strained every muscle I had. Nothing. Outmuscling him was beyond me. “Feel better?” he inquired. “Lean over to the left, Your Majesty.” “Want a shot at my jugular with your teeth?” He leaned to the right, exposing his thick neck. “Carotid’s better.” “My teeth are too small. I wouldn’t cause enough damage for you to bleed out. Jugular is better—if I rip it a bit and get air bubbles into the bloodstream, they’ll be in your heart in two breaths. You would pass out at my feet.” A normal human would die, but it took more than an air embolism to bring a shapeshifter down permanently. “Here you go.” He leaned his head to me, his neck so close to my lips, I felt the heat coming off his skin. His breath was warm against my ear. His voice was a ragged snarl. “I miss you.” This wasn’t happening. “I worry about you.” He dipped his head and looked into my eyes “I worry something stupid will happen and I won’t be there and you’ll be gone. I worry we won’t ever get a chance and it’s driving me out of my skull.” No, no, no, no . . . We stared at each other. The tiny space between us felt too hot. Muscles bulged on his naked frame. He looked feral. Mad gold eyes stared into mine. “Do you miss me, Kate?” I closed my eyes, trying to shut him out. I could lie and then we’d be back to square one. Nothing would be resolved. I’d still be alone, hating him and wanting him. He grabbed my shoulders and shook me once. “Do you miss me?” I took the plunge. “Yes.” He kissed me. The taste of him was like an explosion of color in a gray room. It was a fierce, possessive kiss and I melted into it. His tongue brushed mine, eager and hot. I licked at it, tasting him again. My arms slid around his neck. He growled, pulling me to him, and kissed my lips, my cheeks, my neck . . . “Don’t make me leave.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
He laughed. “I’m never forgettin’, so….” “So what you’re saying is we’re doing this?” “Yeah, because I’m not forgettin’ you used to like me—” “Oh hell no.” I rolled onto my hip and freaking went for him. Not for his head but for his ribs. His weak spot. “What the fuck, Bianca!” Zac literally fucking shouted as he threw his body and head back against the headboard, his arms slamming down into place against his ribs… and my fingers. I cackled, digging my fingers even deeper into his sides. “You remember now? Who’s your daddy, huh?” Those big, strong arms jerked up and down along his sides, trying to disengage me as he tried to melt into the headboard to get away from me. “You said you were gonna noogie me! What the hell are you doing? Stop it!” “Duh. Ouch!” He instantly stopped moving, and so did I in surprise that he’d actually stopped after his elbow clipped one of the bones on my wrist. Zac’s face was flushed red, eyes bright, and I decided to take pity on him. So I smiled, keeping my fingers where they were but not digging in anymore. “You thought I didn’t remember?” I asked him before dipping my face in even closer. Then I whispered, like a psycho, “I remember everything.” I tapped my fingers lightly along his sides, feeling him flinch. “Especially you being ticklish.” Those blue eyes bore into mine, and his mouth went damn near flat. Zac’s voice was almost a whisper too as he said, “Did you ask me who my daddy is?” I nodded gravely. His voice was still a whisper when he went on with, “You’re my daddy now, I guess.” Pulling my fingers away, I sat back on my knees and laughed. “Deal. I promise not to use that against you unless I have to.” His nostrils flared, and he stared at me right in the eyes as he said, still quietly, “Bianca.” “Yes?” “I remember things too.” What? Before I could process who this man was, what he did for a living, and what talents he’d polished over the years, he came at me with one of those hands that were lightning fast and accurate. Zac licked the tip of his index finger and shoved that turd into my ear just as I started yelling, “Don’t you dare!” He dared.
Mariana Zapata (Hands Down)
She felt him relax and his voice softened. “Is that what this is all about? You feel like you can’t talk to me anymore? We haven’t changed; we’re still the same people.” She slipped her hands beneath the front of his shirt, slowly running her fingertips over his chest and back down to his waist. He turned in her arms and smiled, but his grin was filled with mocking suspicion. “Are you trying to distract me, Violet Ambrose?” “I guess you’re smarter than you look,” she teased as he pushed her backward so that they both fell on her bed. “And you are not as funny as you think you are.” His mouth hovered over hers, his arms tightening, crushing her against him. Violet giggled and tried to squirm free, but Jay wouldn’t let her. He kissed her throat, his lips teasing her until it wasn’t his grip that made it hard for Violet to breathe. “Oh, and Violet,” he whispered against her ear, his breath tickling her cheek, “I’m still your best friend. Don’t ever forget it.” His words were fervent and touching. Violet tried to think of a response that made sense, something appropriate, but all she could manage was: “Please. Don’t stop.” She didn’t mind begging if it meant getting her way. Apparently that was enough to satisfy Jay, and he kissed her possessively. Thoroughly. Deeply. He eased her back until she was lying against the pillows, and she waited for him to stop, to tell her that they’d gone far enough for tonight. But she didn’t want him to. She wanted him to keep going. She wanted him to touch her, to kiss her, to explore her. Her body ached for it. She reached for him, clinging so tightly that her fingers hurt. Everything inside of her hurt. Jay settled over her, covering her with his body, reacting to her. Violet wrapped her legs around him, pulling his hip closer, telling him with her every movement that she wanted him, that she wanted this. Now. “Are you sure?” Jay asked into the warm breath between them, barely lifting his mouth from hers. She nodded, but when she tried to speak, her voice trembled. She hoped he didn’t read it wrong. “Of course I am.” She was nervous and terrified and thrilled all at the same time. He smiled against her mouth, still kissing her, and she melted into him, unable to stop her heart from thundering. He reached around for his wallet. “I have a condom.” His voice was rough. Violet smiled. She’d been waiting for this moment for far too long not to be prepared, but she was happy to hear that he’d been considering it seriously also. “Me too,” she told him, reaching into her nightstand drawer and pulling out a handful of them. “I knew you’d give in.” He groaned, his lips moving to her neck as he tugged at his shirt and pulled it over his head. Violet thought he was beautiful. He was right for her; he always had been. And as he slowly slid her shirt up, his fingertips stroking her bare skin and making goose bumps prickle in the wake of his touch, she wondered why it had taken them so long to get to this place.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
And now, dear Emma, I'll show you just what you have to be wary of," he said, and his head moved down, blotting out the light. This was no slow, sensuous caress of mouth and lip. This was no chaste salute, nor was it the wet awkwardness of an untried boy or a randy old man. He opened his mouth over hers and kissed her, using his tongue, his teeth, and all the clever weapons he had in his arsenal. She told herself she was being kissed by a practiced rake. She told herself it meant nothing, it was a trick, an act, a small skill that anyone could acquire. She told herself that as her body trembled and melted beneath him, as her mouth opened to his skillful insistence. She told herself it meant absolutely nothing as his tongue pushed into her mouth, and the moan that came from deep inside her had to be one of displeasure, didn't it? It wasn't one kiss, it was twenty, it was a long series of unending kisses, leading one into another, so that she barely had time to begin to regain her sanity when he stripped it away once more. He kissed her eyelids, the side of her mouth, the beating pulse at the base of her neck. He kissed her nose and her chin, he bit her earlobe, and then he covered her mouth once more, kissing her with a devastating thoroughness that had her damp and trembling in his arms. His hands were on her petticoats, slowly drawing them up her long legs, and her hips cradled him. He was hard against her, she belatedly recognized that fact, and the knowledge panicked her.e wanted her, his body wanted to claim hers, and there was no way she could stop him. No way, God help her, that she wanted to stop him. He broke the kiss, rising up over her as she lay on the bed, staring down at her with a hooded expression in his eyes. His mouth was wet from hers, and his breathing was slightly labored. It would have been the only sign of his arousal, had it not been for the heat pressing against her hips. "Do you want me, Emma?" he murmured, his voice low and insistent. "You don't have to say a word. Just put your mouth against mine." Oh, God, she did want him, as terrifying as that notion was. She wanted to touch him, to feel his skin against hers, and she felt a dark burning deep inside her that she knew only he could assuage. She wanted his mouth, she wanted his heart, she wanted his soul.
Anne Stuart (To Love a Dark Lord)
I released a breath I didn’t remember holding. Turned to Ben. Found him looking at me, face inches from mine on Sewee’s deck. Panic flared, white hot, paralyzing me as I lay beside him. Our gazes met. I saw fear in his dark brown eyes. Indecision. Doubt. Ben went rigid, his chest rising and falling like a bellows. Then something changed. His face relaxed, a small smile playing on his lips. Before I could blink, his mouth covered mine. We shared a breath. A tingle ran my spine. Then I pulled back, breathing hard, unsure what either my mind or body were doing. Ben’s unsure look returned. Then vanished. He pulled me near again, his lips melting into mine. Strong, calloused fingers stroked the side of my face. His smell enveloped me. Earthy. Masculine. Ben. Fire rolled through my body. So this is what it’s like. I broke away again, gasping slightly for breath. Reality crashed home. I sat up and scooted a few feet away, rubbing my face with both hands. What was I doing? “Ben, I—” His hand rose to cut me off. He leaned against the bench, face suddenly serious. “I’m not going to pretend anymore. One way or another, I’m going to say how I feel.” Ben snorted softly. “Make my case.” We sat still in the darkness, Sewee rocking gently, the scene dream-like and surreal. “You don’t have to make a case.” I stared at my shoes, had no idea where I wanted this conversation to go. “It’s just, things are—” “YO!” Our heads whipped in the voice’s direction. Ben scrambled to a crouch, scanning the silent bulk of Tern Point, as if just now recalling we were adrift at sea. The voice called down again, suddenly familiar. “What, are you guys paddling around the island? I don’t have a boat license, but that seems dumb.” “Shut up, Hi!” Ben shouted, with more heat than was necessary. Scowling, he slid behind the controls and fired the engine. I scurried to the bow, as far from the captain’s chair as I could manage and stay dry. You’ve done it now, Tory Brennan. Better hope there’s a life preserver somewhere. A glance back. Ben was watching me, looking for all the world like he had more to say. I quickly turned away. Nope. Nope nope nope. I needed some time to think about this one. Perhaps a decade? “Where are we?” I asked, changing the subject. Ben must’ve sensed that my “personal” shop was closed for business.
Kathy Reichs (Terminal (Virals, #5))
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line. “I’m going into hiding with Jim.” The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need. “I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.” “Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.” I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.” “No?” “There will be no falling, no sex, no you and me.” “I wanted to kiss you when you were in your house. In Savannah.” Why the hell was my heart pounding? “And?” “You looked afraid. That wasn’t the reaction I was hoping for.” Be calm and reasonable. “You flatter yourself. You’re not that scary.” “After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.” Melt? “You’re scared there might be something there, between you and me.” Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.” “You thought about dragging me into your bed this morning.” “I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.” “I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.” “Enjoy the memory,” I ground out. “That’s the last time it will ever happen.” “Go play your games with Jim. I’ll find you both when I need you.” Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.” “Is that a promise?” “Yes. Go fuck yourself.” I slammed the phone down. Well, then. That was perfectly reasonable. On the other side of the counter an older, heavyset man stared at me like I had sprouted horns. Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
But if you could just pay her some small attention-or better yet, escort her yourself-it would be ever so helpful, and I would be grateful forever.” “Alex, if you were married to anyone but Jordan Townsende, I might consider asking you how you’d be willing to express your gratitude. However, since I haven’t any real wish to see my life brought to a premature end, I shall refrain from doing so and say instead that your smile is gratitude enough.” “Don’t joke, Roddy, I’m quite desperately in need of your help, and I would be eternally grateful for it.” “You are making me quake with trepidation, my sweet. Whoever she is, she must be in a deal of trouble if you need me.” “She’s lovely and spirited, and you will admire her tremendously.” “In that case, I shall deem it an embarrassing honor to lend my support to her. Who-“ His gaze flicked to a sudden movement in the doorway and riveted there, his eternally bland expression giving way to reverent admiration. “My God,” he whispered. Standing in the doorway like a vision from heaven was an unknown young woman clad in a shimmering silver-blue gown with a low, square neckline that offered a tantalizing view of smooth, voluptuous flesh, and a diagonally wrapped bodice that emphasized a tiny waist. Her glossy golden hair was swept back off her forehead and held in place with a sapphire clip, then left to fall artlessly about her shoulders and midway down her back, where it ended in luxurious waves and curls that gleamed brightly in the dancing candlelight. Beneath gracefully winged brows and long, curly lashes her glowing green eyes were neither jade nor emerald, but a startling color somewhere in between. In that moment of stunned silence Roddy observed her with the impartiality of a true connoisseur, looking for flaws that others would miss and finding only perfection in the delicately sculpted cheekbones, slender white throat, and soft mouth. The vision in the doorway moved imperceptibly. “Excuse me,” she said to Alexandra with a melting smile, her voice like wind chimes, “I didn’t realize you weren’t alone.” In a graceful swirl of silvery blue skirts she turned and vanished, and still Roddy stared at the empty doorway while Alexandra’s hopes soared. Never had she seen Roddy display the slightest genuine fascination for a feminine face and figure. His words sent her spirits even higher: “My God,” he said again in a reverent whisper. “Was she real?” “Very real,” Alex eagerly assured him, “and very desperately in need of your help, though she mustn’t know what I’ve asked of you. You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage!
Judith McNaught (Almost Heaven (Sequels, #3))
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))