2 Faced Quotes

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At some point, you have to stop running and turn around and face whoever wants you dead.The hard thing is finding the courage to do it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Crows remember human faces. They remember the people who feed them, who are kind to them. And the people who wrong them too. They don’t forget. They tell each other who to look after and who to watch out for.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
A relieved grin filled up Thorne’s face. “We’re having another moment, aren’t we?” “If by a moment, you mean me not wanting to strangle you for the first time since we met, then I guess we are.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
This is about Tessa. I knew it was." Will flushed, a wash of color across the pallor of this face. "Not just her." "But you love her." Will stared at him. "Of course I do," he said finally. "I had come to think i would never love anyone, but I love her.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
But then she snapped your neck.” Tears rolled down his face. “And I felt you die,” he whispered. Tears were sliding down my own cheeks.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I'm going to wake Peeta," I say. "No, wait," says Finnick. "Let's do it together. Put our faces right in front of his." Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice. His eyelids flutter open and then he jumps like we've stabbed him. "Aa!" Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
There's no shame in fear, my father told me, what matters is how we face it.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Before I could figure out how to apologize for being such an idiot, she tackled me with a hug, then pulled away just as quickly. "I'm glad you're not a guinea pig." "Me, too." I hoped my face wasn't as red as it felt.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Annabeth's face, her blond hair and gray eyes, the way she laughed, threw her arms around him, and gave him a kiss whenever he did something stupid. She must have kissed me a lot, Percy thought.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
He looks up at me with his night-colored eyes, beautiful and terrible all at once. “For a moment,” he says, “I wondered if it wasn’t you shooting bolts at me.” I make a face at him. “And what made you decide it wasn’t?” He grins up at me. “They missed.
Holly Black (The Wicked King (The Folk of the Air, #2))
She turned back to Jace. "Do you have to be so-," she began, but stopped when she saw his face. It looked stripped down, oddly vulnerable. "Unpleasant?" he finishes for her. "Only at days when my adoptive mother tosses me out of the house with instructions never to darken her door again. Usually I'm remarkably good-natured. Try me on any day that doesn't end in y.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I hung my fingertips on his waistband, tugging him closer. Patch buried his face in the curve of my shoulder, his hands flexing over my back. He gave a low groan. "I love you," he murmured into my hair. "I'm happier right now than I ever remember being.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
You’re not asleep, and you’re not dead. I’m here, and I love you. I have always loved you, and I will always love you. I was thinking of you, seeing your face in my mind, every second that I was away. When I told you that I didn’t want you, it was the very blackest kind of blasphemy.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
He'd felt like a jack-o-lantern for the past few days, as if his guts had been yanked out with a fork and dumped in a heap while a grinning smile stayed plastered on his face.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was my face. "Sorry," she murrmured. "S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
I talk to you as I talk to my own soul," he said, turning me to face him. He reached up and cupped my cheek, fingers light on my temple. "And Sassenach," he whispered, "Your face is my heart.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
We kiss all the time." I clear my throat, then add, "We just...do it in private." "A smug expression crosses his face. "I don't buy it for a second, 'cause if you were my girlfriend and a stud like me was livin' in your house, I'd kiss you in front of the guy every chance I got as a reminder." "A reminder of w-w-what?" "That you were mine.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
I saw Jonathan after he faced the fear demon, you know. It showed itself to him as you. That told me all I needed to know. The greatest fear in Jonathan’s life is the love he feels for his sister.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground. "Is he dead?" he inquired. "He looks dead." "No," snapped Maryse. "He's not dead." "Have you checked? I could kick him if you want." Magnus moved toward Jace. "Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
He felt warm and familiar. He felt solid and safe. I wanted to cling to his shirt, bury my face into the warm curve of his neck, and never let go.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
I feel like I'm losing my damn mind, like your face has been carved into my heart, and I don't remember when, and I don't understand why, but the scar is there, and I can't get it to heal. It won't go. I can't make it fade. And you won't even look at me.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
The irony of life is that those who wear masks often tell us more truths than those with open faces.
Marie Lu (The Rose Society (The Young Elites, #2))
Enough! We have enough enemies as it is! There are worse things out there to face!" Celaena slowly turned to him, her face splattered with blood and eyes blazing bright. "No, there aren't," she said. "Because I'm here now.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Just take the weapon you hold in your hand and drive it through his heart," Valentine's voice was soft. "One simple motion. Nothing you haven't done before." Jace met his father's stare with a level gaze. "I saw Agramon," he said. "It had your face." "You saw Agramon?" The Soul-Sword glittered as Valentine moved toward his son. "And you lived?" "I killed it." "You killed the Demon of Fear, but you won't kill a single vampire, not even at my order?" Jace stood watching Valentine without expression. "He's a vampire, that's true," he said. "But his name is Simon.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
No one is born a monster. But I wish some people were. It would make it easier to hate them, to kill them, to forget their dead faces.
Victoria Aveyard (Glass Sword (Red Queen, #2))
The next time you face a room full of strangers . . . you might tell yourself that some of them are just friends waiting to be found.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Then, in the spirit of benevolence, "Your face is well balanced." She slapped him encouragingly on the back, "You have very long eyelashes. Like a cow.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
I’ll be your family now,” he says. “I love you,” I say. I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me. I am his, and he is mine, and it has been that way all along. He stares at me. I wait with my hands clutching his arms for stability as he considers his response. He frowns at me. “Say it again.” “Tobias,” I say, “I love you.” His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips. “I love you, too,” he says.
Veronica Roth (Insurgent (Divergent, #2))
A guy can tell a girl he's in love with her until he's blue in the face. Words don't mean anything to a woman when her head’s full of doubt. You have to show her.
Colleen Hoover (Point of Retreat (Slammed, #2))
I don't want to just see someone's face; I want to know his shadow, too. —Jude
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
Can I ask why you’re throwing knives at cheese?’ ‘Caleb came by to discuss something,’ Tobias says, leaning his head against the wall as he looks at me. ‘And knife-throwing just came up somehow.’ ‘As it so often does,’ I say, a small smile inching across my face.
Veronica Roth (Insurgent (Divergent, #2))
There is one rule, above all others, for being a man. Whatever comes, face it on your feet.
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
He had become a monster. You just couldn't see it...because it wore the face of a friend.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
He shouldn't have said that," repeated Adrian, eerily serious. He leaned his face toward mine. "I don't care if he's not the emotional type or the complimentary type or what. No one can look at you in this dress, in all that fire and gold, and start talking about anachronisms. If I were him, I would have said, 'You are the most beautiful creature I have ever seen walking this earth.
Richelle Mead (The Golden Lily (Bloodlines, #2))
What do you mean 'most of the damage happened to my face'?" She gestured to the mirror above the sink on the far side of the room. I ran over to it and looked at my reflection. "Son of a bitch!
Richelle Mead (Frostbite (Vampire Academy, #2))
I kissed her again, tenderly touching my lips to hers. “Now what?” “Kiss the kids, and then you and I can celebrate eleven years of in-your-face-we-made-it. How about that?
Jamie McGuire (Walking Disaster (Beautiful, #2))
Yes," Jace said, "I regret having disobeyed you." No! Clary thought, but her heart sank. Was he giving up, did he think it was the only way to save her and Simon? Valentine's face softened. "Jonathan-" "Especially," Jace said, "since I plan to do it again. Right now.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Idiotic reply, June. Why don't you punch him in the face while you're at it. I turn even more flustered when I remember that I have actually pistol-whipped him in the face before. Romantic
Marie Lu (Prodigy (Legend, #2))
It isn’t that the lies are too beautiful to resist. It’s that the truth is too hideous to face.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
I couldn‘t tell the difference between the two of you anymore!" he roared. I smashed my fist into his face. Lies roll off us. It‘s the truths we work hardest to silence. Then you weren‘t looking hard enough! I‘m the one with boobs!" I know you‘re the one with boobs!They‘re in my fucking face every fucking time I turn around!
Karen Marie Moning (Bloodfever (Fever, #2))
I hate cats." Death's face became a little stiffer, if that were possible. The blue glow in his eye sockets flickered red for an instant. "I SEE," he said. The tone suggested that death was too good for cat haters.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Because I am greedy for the sight of you. Because the prospect of facing this war, this loss, without you fills me with fear. Because I find I don’t want to fight for a future if I can’t find a way to make a future with you.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
I suppose he could have changed," Neal said dryly. "I myself have noticed my growing resemblance to a daffodil." The other pages snorted. Kel eyed her friend. "You do look yellow around the edges," she told him, her face quite serious. "I hadn’t wanted to bring it up." "We daffodils like to have things brought up," Neal said, slinging an arm around her shoulders. "It reminds us of spring.
Tamora Pierce (Page (Protector of the Small, #2))
I was about to look away when he reached across the seat, touched my jaw with his long, strong, beautiful fingers, and caressed my face. Being touched by Jericho Barrons with kindness makes you feel like you must be the most special person in the world. It’s like walking up to the biggest, most savage lion in the jungle, lying down, placing your head it its mouth and, rather than taking your life, it licks you and purrs.
Karen Marie Moning (Bloodfever (Fever, #2))
Brimstone once told me that to stay true in the face of evil is a feat of strength.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Sure. Whatever. She’s all yours.” Daemon grinned. “That she is.” My hand was twitching to connect with his face. “I am not yours.” A small part of me wanted his to deny my words, though. “Shush it,” he said, walking up to me. “How about I shush it right up you—“ “Kitten, your language is so unladylike.
Jennifer L. Armentrout (Onyx (Lux, #2))
Say something in Mandarin,” said Tessa, with a smile. Jem said something that sounded like a lot of breathy vowels and consonants run together, his voice rising and falling melodically: “Ni hen piao liang.” “What did you say?” Tessa was curious. “I said your hair is coming undone — here,” he said, and reached out and tucked an escaping curl back behind her ear. Tessa felt the blood spill hot up into her face, and was glad for the dimness of the carriage. “You have to be careful with it,” he said, taking his hand back, slowly, his fingers lingering against her cheek.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
تبسمك في وجه أخيك صدقة، وأمرك بالمعروف صدقة ونهيك عن المنكر صدقة، وإرشادك الرجل في أرض الضلال لك صدقة، ونصرك الرجل الرديء البصر لك صدقة، وإماطتك الحجر والشوك العظم عن الطريق لك صدقة Smiling in your brother’s face is an act of charity. So is enjoining good and forbidding evil, giving directions to the lost traveller, aiding the blind and removing obstacles from the path. (Graded authentic by Ibn Hajar and al-Albani: Hidaayat-ur-Ruwaah, 2/293)
Anonymous
I suppose that's why I love you." His eyes flew open and his face lit in an extraordinary grin. "All Saints, say it again." "I will not." "You must." "I'm the queen. I must do nothing but please myself." "Would it please you to kiss me?
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
He gazed amusedly down the table at Tessa. “You’re the shape-changer, aren’t you?” he said. “Magnus Bane told me about you. No mark on you at all, they say.” Tessa swallowed and looked him straight in the eye. They were discordantly human eyes, ordinary in his extraordinary face. “No. No mark.” He grinned around his fork. “I do suppose they’ve looked everywhere?” “I’m sure Will’s tried,” said Jessamine in a bored tone.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Neil thought about Renee's bruised knuckles, Dan's fierce spirit, and Allison holding her ground on the court a week after Seth's death. He thought about his mother standing unflinching in the face of his father's violent anger and her ruthlessly leaving bodies in their wake. He felt compelled to say, "Some of the strongest people I've known are women.
Nora Sakavic (The Raven King (All for the Game, #2))
I'd thought once, actually, of taking your mind, if you asked. I'd thought I could help you fall asleep at night." He opened his mouth to say something. Shut it again. His face closed for a moment, his unreadable mask falling into place. He spoke softly. "But that wouldn't be fair; for after I slept you'd be left awake, with no one to help you sleep.
Kristin Cashore (Fire (Graceling Realm, #2))
I’m going to go back and stop your son from killing her.” The queen’s face fell. For a moment, she looked as old as the years she’d spent lying in a suspended state. “That is not a small mistake to fix. If you do this, Time will take something equally valuable from you.” The Fate gave the queen a look more vicious than any curse. “There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
On the day the tree bloomed in the fall, when its white apple blossoms fell and covered the ground like snow, it was tradition for the Waverleys to gather in the garden like survivors of some great catastrophe, hugging one another, laughing as they touched faces and arms, making sure they were all okay, grateful to have gotten through it.
Sarah Addison Allen (First Frost (Waverley Family, #2))
He looked back at her, and when she saw the look on his face, she saw his eyes at Renwick’s, when he had watched the Portal that separated him from his home shatter into a thousand irretrievable pieces. He held her gaze for a split second, then looked away from her, the muscles in his throat working.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
You know what, you need to stay out of my bedroom. You have your own.” He smiled. “I know I do. I see it quite often. I just prefer your bed. It smells better.” I made a face. “It smells better? What does your bed smell like? Regret and bad taste?
Jennifer L. Armentrout (Pure (Covenant, #2))
Who knows how to make love stay? 1. Tell love you are going to Junior's Deli on Flatbush Avenue in Brooklyn to pick up a cheesecake, and if loves stays, it can have half. It will stay. 2. Tell love you want a momento of it and obtain a lock of its hair. Burn the hair in a dime-store incense burner with yin/yang symbols on three sides. Face southwest. Talk fast over the burning hair in a convincingly exotic language. Remove the ashes of the burnt hair and use them to paint a moustache on your face. Find love. Tell it you are someone new. It will stay. 3. Wake love up in the middle of the night. Tell it the world is on fire. Dash to the bedroom window and pee out of it. Casually return to bed and assure love that everything is going to be all right. Fall asleep. Love will be there in the morning.
Tom Robbins (Still Life with Woodpecker)
Everyone thinks that courage is about facing death without flinching. But almost anyone can do that. Almost anyone can hold their breath and not scream for as long as it takes to die. True courage is about facing life without flinching. I don't mean the times when the right path is hard, but glorious at the end. I'm talking about enduring the boredom, the messiness, and the inconvenience of doing what is right.
Robin Hobb (The Mad Ship (Liveship Traders, #2))
Re'lar Kvothe," he said seriously. "I am trying to wake your sleeping mind to the subtle language the world is whispering. I am trying to seduce you into understanding. I am trying to teach you." He leaned forward until his face was almost touching mine. "Quit grabbing at my tits.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
He won’t stop staring. “What?” I ask. “How much do you weigh?” “Wow. Is that how you talk to every girl you meet? That explains so much.” “I’m about one hundred seventy-five pounds,” he says. “Of muscle.” I stare at him. “Would you like an award?” “Well, well, well,” he says, cocking his head, the barest hint of a smile flickering across his face. “Look who’s the smart-ass now.” “I think you’re rubbing off on me,” I say.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I go to the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward and snap, "Hey, Haymitch, if you're not too drunk, we could use a little something for our skin." It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand. "About time" I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Tris," Tobias says, crouching next to me. His face is pale, almost yellow. There is too much I want to say. The first thing that comes out is, "Beatrice." He laughs weakly. "Beatrice," he amends, and touches his lips to mine. I curl my fingers into his shirt.
Veronica Roth (Insurgent (Divergent, #2))
Tell me," he said, his voice sharp and demanding. "Tell me David is all you need or want out of life." Ηis face was close to her, his soft breath caressing her face. "Τhat you never think of me when you are kissing him, that you don't dream of me the way I dream of you. Tell me you don't love me.
Aprilynne Pike (Spells (Wings, #2))
She wasn’t made to be alone.” “I guess none of us are.” Our eyes meet and an electric tingle runs through me. “She missed you,” I say in a whisper. “Did she?” His voice is a soft caress. His gaze into my eyes is so intense that I swear he sees straight into my soul. “Yes.” Warmth flushes my cheeks. I… “She thought about you all the time.” The candlelight flickers a soft glow along his jawline, along his lips. “I hated losing her.” His voice is a low growl. “I hadn’t realized just how attached I’d gotten.” He reaches and moves a strand of wet hair out of my face. “How dangerously addictive she could be.
Susan Ee (World After (Penryn & the End of Days, #2))
For a moment Anne's heart fluttered queerly and for the first time her eyes faltered under Gilbert's gaze and a rosy flush stained the paleness of her face. It was as if a veil that had hung before her inner consciousness had been lifted, giving to her view a revelation of unsuspected feelings and realities. Perhaps, after all, romance did not come into one's life with pomp and blare, like a gay knight riding down; perhaps it crept to one's side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps. . . perhaps. . .love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
He sucked some of the rain from my bottom lip, and I felt his mouth smile against mine. He swept my hair aside and kissed me just above the collarbone. He nibbled at my ear, then sank his teeth into my shoulder. I hung my fingertips on his waistband, tugging him closer. Patch buried his face in the curve of my shoulder, his hands flexing over my back. He gave a low groan. “I love you,” he murmured into my hair. “I’m happier right now than I ever remember being.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
He whipped out his sheet, then pulled it over himself and wrapped it tightly around his face like an old woman in a shawl. 'How do I look?' 'Like the ugliest shanky girl I’ve ever seen,' Minho responded. 'You better thank the gods above you were born a dude.' 'Thanks.
James Dashner (The Scorch Trials (The Maze Runner, #2))
I brush her hair out of her eyes and run my finger along the edge of her face. "I love you, Lake." "Say it again," she says. I kiss her forehead and repeat what I said. "I love you, Lake." "One more time." "I." I kiss her lips. "And love." I kiss them again. "And you." "I love you, too.
Colleen Hoover (Point of Retreat (Slammed, #2))
The Poet With His Face In His Hands You want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound. So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself across the forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheets like crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all you want and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touched by the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.
Mary Oliver (New and Selected Poems, Vol. 2)
Are you kidding?” I stop in the middle of the kitchen. Spin around. My face is pulled together in disbelief. “You’ve spoken to me maybe once in the two weeks I’ve been here. I hardly even notice you anymore.” “Okay, hold up,” he says, turning to block my path. “We both know there’s no way you haven’t noticed all of this” — he gestures to himself — “so if you’re trying to play games with me, I should let you know up front that it’s not going to work.” “What?” I frown. “What are you talking abou—” “You can’t play hard to get, kid.” He raises an eyebrow. “I can’t even touch you. Takes ‘hard to get’ to a whole new level, if you know what I mean.” “Oh my God,” I mouth, eyes closed, shaking my head. “You are insane.” He falls to his knees. “Insane for your sweet, sweet love!
Tahereh Mafi (Unravel Me (Shatter Me, #2))
They sped by a pack of sea lions lounging on the docks, and she swore she saw an old homeless guy sitting among them. From across the water the old man pointed a bony finger at Percy and mouthed something like 'Don't even think about it.' "Did you see that?" Hazel asked. Percy's face was red in the sunset. "Yeah. I've been here before. I...I don't know. I think I was looking for my girlfriend." "Annabeth," Frank said. "You mean, on your way to Camp Jupiter?" Percy frowned. "No. Before that.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
A tiny dark object came sailing out of the window and landed at the giant's feet. Polybotes yelled, "Grenade!" He covered his face. His troops hit the ground. When the thing did not explode, Polybotes bent down cautiously and picked it up. He roared in outrage. "A Ding Dong? You dare insult me with a Ding Dong?" He threw the cake back at the shop, and it vaporized in the light.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Why am I so drawn to you?" He muttered, almost to himself. "Why is it so hard to let go? I thought... at first... it was Ariella, that you remind me of so much. But it's not." Though he didn't smile, his eyes lightened a shade. "You're far more stubborn than she ever was." I sniffed. "That's like the pot calling the kettle black," I whispered, and a faint, tiny grin finally crossed his face, before his expression clouded and he lowered his head, touching his forehead to mine. "What do you want of me, Meghan?" he asked, a low thread of anguish flickering below the surface. Tears blurred my vision, all the fear and heartache of the past few days rising to the surface. "Just you," I whispered. "I just want you." -Ash and Meghan
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Then come here," he said, a bit redundantly, as he had already pulled her with him into an armchair and curled her up in his arms. "Tell me what I can do to help you feel better." Fire looked into his quiet eyes, touched his dear, familiar face, and considered the question. Well. I always like when you kiss me. "Do you?" You're good at it. "Well," he said. "That's lucky, because I'll always be kissing you.
Kristin Cashore (Fire (Graceling Realm, #2))
I should go," I said thickly. "Let me know when you want to start practice again. And thanks for...talking." I started to turn; then I heard him say abruptly, "No." I glanced back. "What?" He held my gaze, and something warm and wonderful and powerful shot between us. "No," he repeated. "I told her no." "I..." I shut my mouth before my jaw hit the floor. "But...why? That was a once-in-a-lifetime thing. You could have had a baby. And she...she was, you know, into you..." The ghost of a smile flickered on his face. "Yes, she was. Is. And that's why I had to say no. I couldn't return that...couldn't give her what she wanted. Not when..." He took a few steps toward me. "Not when my heart is somewhere else.
Richelle Mead (Frostbite (Vampire Academy, #2))
She gets a man who will love her completely and faithfully. She gets a man who will not only save her life, but lay down his own to keep her safe. He will provide for her no matter the cost, he will shelter her against all storms that come their way, he will be the one to bring a smile to her face when no one else can. She gets a friend, a lover, a mate, the only man in this world who can complete her and give her the other half of her soul.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
I look at her there in the shadows of the shut-down city, her hair falling onto her face, and I can see her trying to figure out if I’ve lost it. And I have to fight the urge to take her by the shoulders and slam her against a shuttered building until we feel the vibrations ringing through both of us. Because I suddenly want to hear her bones rattle. I want to feel the softness of her flesh give, to hear her gasp as my hip bone jams into her. I want to yank her head back until her neck is exposed. I want to rip my hands through her hair until her breath is labored. I want to make her cry and then lick up the tears. And then I want to take my mouth to hers, to devour her alive, to transmit all the things she can’t understand.
Gayle Forman (Where She Went (If I Stay, #2))
But instead of taking the cue to leave, Patch crossed to Scott in three steps. He flung him around to face the wall. Scott tried to get his bearings, but Patch slammed him against the wall again, disorienting him further. “Touch her,” he said in Scott’s ear, his voice low and threatening, “and it’ll be the biggest regret of your life.” Before leaving, Patch flicked his eyes once in my direction. “He’s not worth it.” He paused. “And neither am I.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Well enough,” I reply. “Remember, you’re drunk. And happy. You’re supposed to be lusting over your escort. Try smiling a little more.” Day plasters a giant artificial smile on his face. As charming as ever. “Aw, come on, sweetheart. I thought I was doing a pretty good job. I got my arm around the prettiest escort on this block—how could I not be lusting over you? Don’t I look like I’m lusting? This is me, lusting.” His lashes flutter at me. He looks so ridiculous that I can’t help laughing. Another passerby glances at me. “Much better.
Marie Lu (Prodigy (Legend, #2))
His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarrassing noises. It’s more intimate than the way he’s touching me, to be looked at like that. I hate that he knows what he’s doing and I don’t. I hate being vulnerable. I hate that I throw my head back, baring my throat. I hate the way I cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that I like him better than I’ve ever liked anyone and that of all the things he’s ever done to me, making me like him so much is by far the worst.
Holly Black (The Wicked King (The Folk of the Air, #2))
Falling in love is like getting hit by a truck and yet not being mortally wounded. just sick to your stomach, high one minute, low the next. Starving hungry but unable to eat. hot, cold, forever horny, full of hope and enthusiasm, with momentary depressions that wipe you out. It is also not being able to remove the smile from your face, loving life with a mad passionate intensity, and feeling ten years younger. Love does not appear with any warning signs. You fall into it as if pushed from a high diving board. No time to think about what's happening. It's inevitable. An event you can't control. A crazy, heart-stopping, roller-coaster ride that just has to take its course.
Jackie Collins (Lucky (Lucky Santangelo, #2))
Just answer me this. Is she worth it?" Ash's face went blank and cold, like a door slamming shut. "Would this be considered payment for finding sweetfinger?" he replied in a voice dead of emotion. The dwarf snorted. "Yeah, sure, whatever. But I want a serious answer, Prince." Ash was still for a moment. "Yes," he murmured, his voice so low I barely caught it. "She's worth it." "You know Mab will tear you apart for this." "I know.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
There were many versions of Gansey, but this one had been rare since the introduction of Adam's taming presence. It was also Ronan's favorite. It was the opposite of Gansey's most public face, which was pure control enclosed in a paper-thin wrapper of academia. But this version of Gansey was Gansey the boy. This was the Gansey who bought the Camaro, the Gansey who asked Ronan to teach him to fight, the Gansey who contained every wild spark so that it wouldn't show up in other versions. Was it the shield beneath the lake that had unleashed it? Orla's orange bikini? The bashed-up remains of his rebuilt Henrietta and the fake IDs they'd returned to? Ronan didn't really care. All that mattered was that something had struck the match, and Gansey was burning.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Today is filled with anger, fueled with hidden hate. Scared of being outkast, afraid of common fate. Today is build on tragedies which no one want's to face. Nightmares to humanity and morally disgraced. Tonight is filled with Rage, violence in the air. Children bred with ruthlessness cause no one at home cares. Tonight I lay my head down but the pressure never stops, knowing that my sanity content when I'm droped. But tomorrow I see change, a chance to build a new, build on spirit intent of heart and ideas based on truth. Tomorrow I wake with second wind and strong because of pride. I know I fought with all my heart to keep the dream alive.
Tupac Shakur
Meghan,” whispered a voice, heart wrenchingly familiar, drawing me out of the void. I recognized it immediately, just as I realized it was a figment of my desperate imagination, because the real owner of that voice would never be here, talking to me. Ash? “Wake up,” he murmured, his deep voice cutting through the layers of the darkness. “Don’t do this. If you don’t come out of this soon, you’ll fade away and drift forever. Fight it. Come back to us.” I didn’t want to wake up. There was nothing but pain waiting for me in the real world. If I was asleep, I couldn’t feel anything. If I was asleep, I didn’t have to face Ash and the cold contempt on his face when he looked at me. Darkness was my retreat, my sanctuary. I drew back from Ash’s voice, deeper into the comforting blackness. And, through the layer of dreams and delirium, I heard a quiet sob. “Please.” A hand gripped mine, real and solid, anchoring me to the present. “I know what you must think of me, but…” The voice broke off, took a ragged breath. “Don’t leave,” it whispered. “Meghan, don’t go. Come back to me.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Being in love is a very strange thing. Your thoughts constantly drift towards this other person, no matter what you’re doing. You could be reaching for a glass in the cupboard or brushing your teeth or listening to someone tell a story, and your mind will just start drifting towards their face, their hair, the way they smell, wondering what they’ll wear, and what they’ll say the next time they see you. And on top of the constant dream state you’re in, your stomach feels like it’s connected to a bungee cord, and it bounces and bounces around for hours until it finally lodges itself next to your heart.
Pittacus Lore (The Power of Six (Lorien Legacies, #2))
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be. “Boys, God doesn’t like you,” Fang intoned behind them. Whaaat? I thought, dumbfounded. “Wha!” they said, whirling. At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death. His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice. “What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head. I whipped my own wings open. Fun, anyway. “This was a test,” I said, using my best spooky voice. “And guess what? You both failed.” The bums stopped dead, looks of horror and amazement on their faces. Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up. “Rowr!” I said myself, shaking my wings out. “Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way. Fang and I slapped each other a quick high five—and we were out of there, jack.
James Patterson (School's Out—Forever (Maximum Ride, #2))
She sighed, annoyed at her restlessness. “So,” she said, disrupting Wolf in another backward glance. “Who would win in a fight—you or a pack of wolves?” He frowned at her, all seriousness. “Depends,” he said, slowly, like he was trying to figure out her motive for asking. “How big is the pack?” “I don’t know, what’s normal? Six?” “I could win against six,” he said. “Any more than that and it could be a close call.” Scarlet smirked. “You’re not in danger of low self-esteem, at least.” “What do you mean?” “Nothing at all.” She kicked a stone from their path. “How about you and … a lion?” “A cat? Don’t insult me.” She laughed, the sound sharp and surprising. “How about a bear?” “Why, do you see one out there?” “Not yet, but I want to be prepared in case I have to rescue you.” The smile she’d been waiting for warmed his face, a glint of white teeth flashing. “I’m not sure. I’ve never had to fight a bear before.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
I can't--I can't think about anything or anyone else," he whispered. A hand drifted up, dragging back through his hair. "I can't think straight when you're around. I can't sleep. It feels like I can't breathe--I just--" "Liam, please," I begged. "You're tired. You're barely over being sick. Let's just... Can we just go back to the others?" "I love you." He turned toward me, that agonized expression still on his face. "I love you every second of everyday, and I don't understand why, or how to make it stop--" He looked wild with pain; it pinned me in place, even before what he had said registered in my mind. "I know it's wrong; I know it down to my damn bones. And I feel like I'm sick. I'm trying to be a good person, but I can't. I can't do this anymore.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I do. I’m sorry if you expect me to do the noble thing. I warned you. I’m not sweet or soft or kind, and you fell anyway. This is what you get, Violet— me. The good, the bad, the unforgivable. All of it. I am yours.” His arm wraps around the small of my back, holding me steady and close. “You want to know something true? Something real? I love you. I’m in love with you. I have been since the night the snow fell in your hair and you kissed me for the first time. I’m grateful my life is tied to yours because it means I won’t have to face a day without you in it. My heart only beats as long as yours does, and when you die, I’ll meet Malek at your side. It’s a damned good thing that you love me, too, because you’re stuck with me in this life and every other that could possibly follow.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart." He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little." "Why?" "For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
I needed to say something. Something romantic! Something to sweep her off her feet. "You’re like a potato!" I shouted after her. "In a minefield." She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?” “It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.” “A potato.” “Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?” “Plenty of people. Why can’t I be something sweet, like a cake?” “Because cake wouldn’t grow in a minefield. Obviously.” She stared down the hallway at me for a few moments, then sat on an overgrown set of roots. Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
Brandon Sanderson (Firefight (The Reckoners, #2))
Aware of every breath, every movement, I sat in his lap. His hands gently braced my hips as I studied his face. “And now I want you to know, Rhysand, that I love you. I want you to know … ” His lips trembled, and I brushed away the tear that escaped down his cheek. “I want you to know,” I whispered, “that I am broken and healing, but every piece of my heart belongs to you. And I am honored—honored to be your mate.” His arms wrapped around me and he pressed his forehead to my shoulder, his body shaking. I stroked a hand through his silken hair. “I love you,” I said again. I hadn’t dared say the words in my head. “And I’d endure every second of it over again so I could find you. And if war comes, we’ll face it. Together. I won’t let them take me from you. And I won’t let them take you from me, either.” Rhys looked up, his face gleaming with tears. He went still as I leaned in, kissing away one tear. Then the other. As he had once kissed away mine. When my lips were wet and salty with them, I pulled back far enough to see his eyes. “You’re mine,” I breathed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time." Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high. "You're one to laugh. You moan about the cold floor more than anyone else than I know." She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar." "Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin. "Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?" "Well, as long as your men don't object to seeing you knocked on your ass." "We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning. Ress quickly added, "Captain.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
4. Religion. Your reason is now mature enough to examine this object. In the first place, divest yourself of all bias in favor of novelty & singularity of opinion... shake off all the fears & servile prejudices, under which weak minds are servilely crouched. Fix reason firmly in her seat, and call to her tribunal every fact, every opinion. Question with boldness even the existence of a God; because, if there be one, he must more approve of the homage of reason, than that of blindfolded fear. You will naturally examine first, the religion of your own country. Read the Bible, then as you would read Livy or Tacitus. The facts which are within the ordinary course of nature, you will believe on the authority of the writer, as you do those of the same kind in Livy and Tacitus. The testimony of the writer weighs in their favor, in one scale, and their not being against the laws of nature, does not weigh against them. But those facts in the Bible which contradict the laws of nature, must be examined with more care, and under a variety of faces. Here you must recur to the pretensions of the writer to inspiration from God. Examine upon what evidence his pretensions are founded, and whether that evidence is so strong, as that its falsehood would be more improbable than a change in the laws of nature, in the case he relates. For example in the book of Joshua we are told the sun stood still several hours. Were we to read that fact in Livy or Tacitus we should class it with their showers of blood, speaking of statues, beasts, &c. But it is said that the writer of that book was inspired. Examine therefore candidly what evidence there is of his having been inspired. The pretension is entitled to your inquiry, because millions believe it. On the other hand you are astronomer enough to know how contrary it is to the law of nature that a body revolving on its axis as the earth does, should have stopped, should not by that sudden stoppage have prostrated animals, trees, buildings, and should after a certain time have resumed its revolution, & that without a second general prostration. Is this arrest of the earth's motion, or the evidence which affirms it, most within the law of probabilities? You will next read the New Testament. It is the history of a personage called Jesus. Keep in your eye the opposite pretensions: 1, of those who say he was begotten by God, born of a virgin, suspended & reversed the laws of nature at will, & ascended bodily into heaven; and 2, of those who say he was a man of illegitimate birth, of a benevolent heart, enthusiastic mind, who set out without pretensions to divinity, ended in believing them, and was punished capitally for sedition, by being gibbeted, according to the Roman law, which punished the first commission of that offence by whipping, & the second by exile, or death in fureâ. ...Do not be frightened from this inquiry by any fear of its consequences. If it ends in a belief that there is no God, you will find incitements to virtue in the comfort and pleasantness you feel in its exercise, and the love of others which it will procure you... In fine, I repeat, you must lay aside all prejudice on both sides, and neither believe nor reject anything, because any other persons, or description of persons, have rejected or believed it... I forgot to observe, when speaking of the New Testament, that you should read all the histories of Christ, as well of those whom a council of ecclesiastics have decided for us, to be Pseudo-evangelists, as those they named Evangelists. Because these Pseudo-evangelists pretended to inspiration, as much as the others, and you are to judge their pretensions by your own reason, and not by the reason of those ecclesiastics. Most of these are lost... [Letter to his nephew, Peter Carr, advising him in matters of religion, 1787]
Thomas Jefferson (Letters of Thomas Jefferson)
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!
Benjamin Franklin
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?” “Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it. “Well, what the hell? Mare didn’t even say goodbye.” “You knew she was going to class. Quit being a cry baby.” Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?” “Shut up.” “That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?” “She didn’t say much, except that she’s not into birthdays.” “So what are we doing?” “Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.” Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?” “How do you feel about a puppy?” Shepley laughed once. “It’s not my birthday, bro.” I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.” “Keep it here? Seriously? What are we going to do with a dog?” “I found a Cairn Terrier online. It’s perfect.” “A what?” “Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.” Shepley’s face was blank. “The Wizard of Oz.” “What? I liked the scarecrow when I was a little kid, shut the fuck up.” “It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.” “So does America … minus the crapping.” Shepley wasn’t amused. “I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.” “You can’t keep it from barking.” “Think about it. You gotta admit it’ll win her over.” Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?” My brows pulled together. “Quit it.” His smile widened. “You can get the damn dog…” I grinned with victory. “…if you admit you have feelings for Abby.” I frowned in defeat. “C’mon, man!” “Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it. I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day. “I like her,” I said through my teeth. Shepley held his hand to his ear. “What? I couldn’t quite hear you.” “You’re an asshole! Did you hear that?” Shepley crossed his arms. “Say it.” “I like her, okay?” “Not good enough.” “I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?” “For now,” he said, grabbing his backpack off the floor.
Jamie McGuire (Walking Disaster (Beautiful, #2))