Zoo Story Quotes

It's one of those things a person has to do; sometimes a person has to go a very long distance out of his way to come back a short distance correctly.

At school, our classroom had a small rodent zoo consisting of two rabbits, three hamsters, a litter of baby gerbils and a guinea pig. At first, I’d thought the teacher was raising snack food, which impressed me, being the first sign of intelligence she’d shown. Soon, though, I’d figured out the animals’ true purpose and left them alone, though I would never understand the appeal of petting and coddling perfectly good food.

What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.

The world is a zoo

If you wait until you got time to write a novel, or time to write a story, or time to read the hundred thousands of books you should have already read - if you wait for the time, you will never do it. ‘Cause there ain’t no time; world don’t want you to do that. World wants you to go to the zoo and eat cotton candy, preferably seven days a week.

First, I'll kill the dog with kindness, and if that doesn't work, I'll just kill him.

Best day of my life was January 9, 1997. I was eight years old and my mom and I went to the zoo on a class trip. I liked the bears. She liked the monkeys. Best day ever. End of story.

Apparently I’m the only one who thinks this is the worst fucking idea since horses,” Garrett says irritably. “Horses?” Logan and Fitzy echo in unison. “Like, horses in general?” Morris asks in confusion. “As in, domesticating them,” he grumbles. “They belong in the wild. End of story.” “Babe,” Hannah hedges in, “are you just saying that because you’re scared of horses?” His jaw drops. “I’m not scared of horses.” She ignores the denial. “Oh my God, it’s all coming together. That’s why you wouldn’t go to the Thanksgiving fair in Philly.” She glances at the rest of us. “My aunt and uncle wanted to take us to this festival thing with all these cool booths and a petting zoo…and horseback riding. He said his stomach hurt.” Garrett visibly clenches his teeth. “My stomach did hurt. I ate too much fucking turkey, Wellsy. Anyway, I don’t like this.

Fairytales cleanse and sanitise what were once true stories. In fairytales, knights are chivalrous, clean-shaven and wear shining armour—when in truth they were swarthy, filthy rapists and thugs. Castles are bright and gay when in truth they were grim fortresses.

They can't expect anyone to actually pay for a shirt that says, 'I (picture of an elephant) the San Diego Zoo.' What does that even mean?

I have learned that neither kindness nor cruelty by themselves; independent of each other, creates any effect beyond themselves; and I have learned that the two combined, together, at the same time, are the teaching emotion. And what is gained is loss.

People can't have everything they want. You should know that; it's a rule; people can have some of the things they want, but they can't have everything.

All zoos, even the most enlightened, are built upon the idea both beguiling and repellent—the notion that we can seek out the wildness of the world and behold its beauty, but that we must first contain that wildness. Zoos argue that they are fighting for the conservation of the Earth, that they educate the public and provide refuge and support for vanishing species. And they are right. Animal-rights groups argue that zoos traffic in living creatures, exploiting them for financial gain and amusement. And they are right. Caught inside this contradiction are the animals themselves, and the humans charged with their well-being.

What a pity that most young people instead of seeing one animal in nature--which is worth a hundred in any Zoo--must derive their knowledge of God's creatures from their appearance in prisons. ... How do we manage to think that we know all about an animal by gazing at him penned in a cage?

The camel's hump is an ugly lump, Which well you might see at the zoo. But uglier yet is the hump we get, For having to little to do.

New life insists. It does not debate. It simply appears, trembling and hungry, and will not be denied.

I can feel his soul through his lips. It's telling me a story of agony over how long it's waited for this moment and how it never wants it to end.

Elephants, it turns out, are surprisingly stealthy. As the sunlight fades, other species declare their presence. Throngs of zebras and wildebeests thunder by in the distance, trailing dust clouds. Cape buffalo snort and raise their horns and position themselves in front of their young. Giraffes stare over treetops, their huge brown eyes blinking, then lope away in seeming slow motion. But no elephants.

But the landlady is a fat, ugly, mean, stupid, unwashed, misanthropic, cheap, drunken bag of garbage. And you may have noticed that I very seldom use profanity, so I can't describe her as well as I might.

Despite all their flaws, zoos wake us up. They invite us to step outside our most basic assumptions. Offered for our contemplation, the animals remind us of nature’s impossibly varied schemes for survival, all the strategies that species rely upon for courtship and mating and protecting the young and establishing dominance and hunting for something to eat and avoiding being eaten. On a good day, zoos shake people into recognizing the manifold possibilities of existence, what it’s like to walk across the Earth, or swim in its oceans of fly above its forests—even though most animals on display will never have the chance to do any of those things again, at least not in the wild.

... what I wanted to get at is the value difference between pornographic playing cards when you're a kid, and pornographic playing cards when you're older. It's that when you're a kid you use the cards as a substitute for a real experience, and when you're older you use real experience as a substitute for the fantasy.

But I knew how to visit the creatures who would never be sighted in the zoos or the museum or the woods. They were waiting for me in books and in stories.

Careers are funny things. They begin mysteriously and, just as mysteriously, they can end.

Now, here is what I had wanted to happen: I had tried to love, and I had tried to kill, and both had been unsuccessful by themselves.

Mkhaya's herd is a good-sized group - sixteen in all, counting the calves - and even though they are the largest land mammals on earth, they are not always easy to find. Elephants, it runs out, are surprisingly stealthy.

But fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories.

There is a certain concentrated, avid-for-blood look that appears on the faces of reporters on the trail of a very big story that you'd have to visit the big cat house at the zoo to see duplicated in its primal state. From the look on Brenda's face, if a tiger was standing between her and this story right now, the cat would soon have a tall-journalist-sized hole in him.

Fairy-tales are as old as language itself. Indeed, many linguistic scholars believe that language was invented simply so that humans could tell each other stories. Non-verbal communication is surprisingly effective, as anyone who has observed chimpanzees at the zoo can confirm. However, for humans to express more sophisticated ideas they needed a more subtle and complex form of communication. And so, about sixty thousand years ago, humans began telling each other stories. The purpose of these stories was manifold. On the one hand, they amused and entertained and brought comfort and consolation. On the other, they warned and enlightened and taught what was needed to be known.

Taken together, the narratives of how the animals ended up at Lowry Park revealed as much about Homo sapiens as they revealed about the animals themselves. The precise details—how and where each was born, how they were separated from their mothers and taken into custody, all they had witnessed and experienced on their way to becoming the property of this particular zoo—could have filled an encyclopedia with insights into human behavior and psychology, human geopolitics and history and commerce. Lowry Park’s very existence declared our presumption of supremacy, the ancient belief that we have been granted dominion over other creatures and have the right to do with them as we please. The zoo was a living catalogue of our fears and obsessions, the ways we see animals and see ourselves, all the things we prefer not to see at all. Every corner of the grounds revealed our appetite for amusement and diversion, no matter what the cost. Our longing for the wildness we have lost inside ourselves. Our instinct to both exalt nature and control it. Our deepest wish to love and protect other species even as we scorch their forests and poison their rivers and shove them toward oblivion. All of it was on display in the garden of captives.

Like that breeder-woman sitting at the bar, who thinks it's a buzz to go into a gay joint and has no doubt heard somewhere that this is one. Her lurid get-up's a joke, ludicrous. She's the type who dons the camouflage-green combat trousers, wraps a bandanna around her head and paints herself with black lipstick, imagining all the lesbians in the joint'll have the hots for her. Not so much imagining as secretly hoping. Naturally, no one goes and sits with her. She's been here before, and everyone gives the ice-cold shoulder, yet she still turns up again and again. Someone might argue we're zoo animals for her. But I've another theory. For her, we're noble savages, a kind of grey area outside the respectable, minutely organized community, an untamed wilderness it takes a lot of guts to step into. But if you do dare, there's a glorious smell of freedom floating around your trousers and giving the finger to society, making whoever an instant anarchist. Certainly, for her, coming here is like putting a washable tattoo on your shoulder : there's the thrill of deviance with none of the dull commitment - and she'll never have to wonder whether she's too weird to be seen out before dark.

If I could tell you how many times Noah lost his temper as a kid and set his parents’ house on fire—they were uncountable.” He shook his head. “Hell, Bella, the first time I shape-shifted it took me a week to figure out how to switch back.” That made her release a soft, watery laugh. “Oh, it gets better. Ask me what my first choice of animal was.” “Nooo . . .” “A pig. Not just any pig, mind you,” he said, talking over her startled laugh. “A huge, slobbery, grunting warthod. I had seen one at the zoo, and the next I knew . . .” Bella was laughing against her fists, trying to smother it with her fingers. “My father loved to tell the story for years about how he had to kidnap his own son from the zoo, a son who was so upset he squealed loudly the entire time his father was trying to smuggle him out. My father was a Demon of the Body, so he had no way of transforming me into a less conspicuous form of matter. He never let me live it down. Can you imagine? Centuries of being reminded of the most ridiculous moment of my life.

We have Dr Seuss to thank for ‘nerd’, one of the imaginary animals in his children’s story If I Ran the Zoo (1950), though the modern definition of the word arrived much later.

You know what’s going to happen to you?” she said, with no hint of a stutter. “I’m going to march you over to the zoo and feed you to the yak.

Sometimes it’s necessary to go a long distance out of the way in order to come back a short distance correctly.

The elephant was called Marlene. Mutti got to name her because she was working with the elephants in the zoo. She named her after a singer she loved, that many people loved in those days. Marlene Dietrich.

Na maioria das vezes são crianças como Christiane, particularmente sensíveis, vulneráveis e cheias de dignidade, que, em consequência do fracasso da geração dos seus pais, refugiam-se na marginalidade. Isso para escapar às pressões da adaptação, da "normalidade", para se proteger da despersonalização em que vivem seus pais.

That's one of the ideas that we must always strive to understand if we are ever to understand the world around us. All things on our planet are related to one another. Even the smallest of actions, to one degree or another, affect this complex web. Irrespective of magnitude, events ripple around our world in ways great and small.

At the very same time that we witnessed the explosion of white celebrity moms, and the outpouring of advice to a surveillance of middle-class mothers, the welfare mother, trapped in a "cycle of dependency," became ubiquitous in our media landscape, and she came to represent everything wrong with America. She appeared not in the glossy pages of the women's magazines but rather as the subject of news stories about the "crisis" in the American family and the newly declared "war" on welfare mothers. Whatever ailed America--drugs, crime, loss of productivity--was supposedly her fault. She was portrayed as thumbing her nose at intensive mothering. Even worse, she was depicted as bringing her kids into the realm of market values, as putting a price on their heads, by allegedly calculating how much each additional child was worth and then getting pregnant to cash in on them. For middle-class white women in the media, by contrast, their kids were priceless, these media depictions reinforced the divisions between "us" (minivan moms) and "them" (welfare mothers, working-class mothers, teenage mothers), and did so especially along the lines of race. For example, one of the most common sentences used to characterize the welfare mother was, "Tanya, who has_____ children by ______ different men" (you fill in the blanks). Like zoo animals, their lives were reduced to the numbers of successful impregnations by multiple partners. So it's interesting to note that someone like Christie Brinkley, who has exactly the same reproductive MO, was never described this way. Just imagine reading a comparable sentence in Redbook. "Christie B., who has three children by three different men." But she does, you know.

Theory has all too often been a zoo in which we cage the wild beasts of violence that inhabit our worlds. We then gaze at these beasts from a safe distance, we contemplate them, we theorize how they would act in their own environments - and we never go to those environments where the beasts roam freely to actually check our theories. To do so would be disastrous. It would point out the absurdity of our analyses and the illusion of safety so carefully crafted.

There are also natural gifts of an on-the-road life. For instance, witnessing the northern lights in Colorado, or walking under a New Mexico moon bright enough to reveal the lines in my palm, or hearing the story of a solitary elephant in a Los Angelas zoo reunited with an elephant friend of many ears before, or finding myself snowed into Chicago with a fireplace, a friend and a reason to cancel everything. More reliably than anything else on earth, the road will force you to live in the present.

The Legend of the Dragon Fairytales cleanse and sanitise what were once true stories. In fairytales, knights are chivalrous, clean-shaven and wear shining armour—when in truth they were swarthy, filthy rapists and thugs. Castles are bright and gay when in truth they were grim fortresses. If dragons were real, then in all likelihood they were not graceful, high-chested, noble creatures; rather they would have been dirty, ugly, reptilian and mean. From: The Power of Myth by Craig Ferguson (Momentum, Sydney, 2013)

But I learned at my expense that Father believed there was another animal even more dangerous than us, and one that was extremely common, too, found on every continent, in every habitat: the redoubtable species Animalus anthropomorphicus, the animal as seen through human eyes. We've all met one, perhaps even owned one. It is an animal that is "cute", "friendly", "loving", "devoted", "merry", "understanding". These animals lie in ambush in every toy store and children's zoo. Countless stories are told of them. They are the pendants of those "vicious", "bloodthirsty", "depraved" animals that inflame the ire of the maniacs I have just mentioned, who vent their spite on them with walking sticks and umbrellas. In both cases we look at an animal and see a mirror. The obsession with putting ourselves at the centre of everything is the bane not only of theologians but also of zoologists. I learned the lesson that an animal is an animal, essentially and practically removed from us, twice: once with Father and once with Richard Parker. Martel, Yann. Life of Pi (p. 39). Houghton Mifflin Harcourt.

The buffalo that in nature looks healthy and silken, in a zoo is a mangy creature with matted mane and dirty skin. Can those who see buffalo in captivity ever conceive how beautiful they can be? What a pity that most young people instead of seeing on animal in nature - which is worth a hundred in any zoo- must derive their knowledge of God's creatures from their appearances in prison. If we cannot perceive any right proportion of man's moral nature by looking at prisoners in a jail, how do we manage to think that we know all about an animal by gazing at him penned in a cage?

This is a story about a tiger named Mohini that was in captivity in a zoo, who was rescued from an animal sanctuary. Mohini had been confined to a 10-by-10-foot cage with a concrete floor for 5 or 10 years. They finally released her into this big pasture: With excitement and anticipation, they released Mohini into her new and expensive environment, but it was too late. The tiger immediately sought refuge in a corner of the compound, where she lived for the remainder of her life. She paced and paced in that corner until an area 10-by-10 feet was worn bare of grass. . . . Perhaps the biggest tragedy in our lives is that freedom is possible, yet we can pass our years trapped in the same old patterns.

We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories.

It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? But fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories. The

It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? However, fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories.

This story begins when Tay’s daughter Emily, who was nearly seven, shouted to her that she was stuck on a jungle gym, that she needed help to get off. I told her to get down and, when she said she couldn’t, I suddenly felt furious. I thought she was being ridiculous—she could easily get down herself. I shouted, “Get down this minute!” She eventually did. Then she tried to hold my hand, but I was still furious, and I said no, and then she howled. Once we got home and made tea together she calmed down and I wrote off the whole thing to myself as “God, kids can be a pain.” Fast-forward a week: we’re at the zoo and there’s another jungle gym. Looking at it, I felt a flash of guilt. It obviously reminded Emily of the previous week too, because she looked up at me almost fearfully. I asked her if she wanted to play on it. This time, instead of sitting on a bench looking at my phone, I stood by the jungle gym and watched her. When she felt she’d got stuck, she held out her arms to me for help. But this time I was more encouraging. I said, “Put one foot there and the other there and grab that and you’ll be able to do it by yourself.” And she did. When she had got down, she said, “Why didn’t you help me last time?” I thought about it, and I said, “When I was little, Nana treated me like a princess and carried me everywhere, told me to ‘be careful’ all the time. It made me feel incapable of doing anything for myself and I ended up with no confidence. I don’t want that to happen to you, which is why I didn’t want to help when you asked to be lifted off the jungle gym last week. And it reminded me of being your age, when I wasn’t allowed to get down by myself. I was overcome with anger and I took it out on you, and that wasn’t fair.” Emily looked up at me and said, “Oh, I just thought you didn’t care.” “Oh no,” I said. “I care, but at that moment I didn’t know that I was angry at Nana and not at you. And I’m sorry.

You're a Parselmouth. Why didn't you tell us?" "I'm a what?" said Harry. "A Parselmouth!" said Ron. "You can talk to snakes!" "I know," said Harry. "I mean, that's only the second time I've ever done it. I accidentally set a boa constrictor on my cousin Dudley at the zoo once- long story- but it was telling me it had never seen Brazil and I sort of set it free without meaning to- that was before I knew I was a wizard-" "A boa constrictor told you it had never seen Brazil?" Ron repeated faintly. "So?" said Harry. "I bet loads of people here can do it." "Oh, no they can't," said Ron. "It's not a very common gift. Harry, this is bad." "What's bad?" said Harry, starting to feel quite angry. "What's wrong with everyone? Listen, if I hadn't told that snake not to attack Justin-" "Oh, that's what you said to it?" "What d'you mean? You were there- you heard me-" "I heard you speaking Parseltongue," said Ron. "Snake language. You could have been saying anything- no wonder Justin panicked, you sounded like you were egging the snake on or something- it was creepy, you know-" Harry gaped at him. "I spoke a different language? But- I didn't realize- how can I speak a language without knowing I can speak it?" Ron shook his head. Both he and Hermione were looking as though someone had died. Harry couldn't see what was so terrible. "D'you want to tell me what's wrong with stopping a massive snake biting off Justin's head?" he said. "What does it matter how I did it as long as Justin doesn't have to join the Headless Hunt?" "It matters," said Hermione, speaking at last in a hushed voice, "because being able to talk to snakes was what Salazar Slytherin was famous for. That's why the symbol of Slytherin House is a serpent." Harry's mouth fell open. "Exactly," said Ron. "And now the whole school's going to think you're his great-great-great-great-grandson or something..." "But I'm not," said Harry, with a panic he couldn't quite explain. "You'll find that hard to prove," said Hermione. "He lived about a thousand years ago; for all we know, you could be.

If a surviving relict population of very early hominins were to be discovered, we’d be more likely to send them to zoos than boarding schools because they had modest, chimp-size brains.

Chester poisoned the Treasure Trove Zoo employees who showed up for work this morning, hacked them up, and fed them to the wolves, the hogs, and the coyotes.

And like something from her worst nightmare, she saw the top of Todd’s head explode in a cloud of blood and gore. Two quick bursts sent her precious Cindy and Aidan to heaven as Atlas moved quickly toward her. This time with no trace of a smile, he lifted his good arm and pointed directly at her nose only ten feet away, the same as he’d done at the zoo and on the bench across the street. But this time, instead of his finger, he was pointing the big black gun with a hole in the barrel the size of Texas. One shot splattered Norma’s head all over the room.

Founded in 2011, ToyTalk already produces popular animated conversational apps — among them the Winston Show and SpeakaZoo — that encourage young children to engage in complex dialogue with a menagerie of make-believe characters. Now the company’s technology, originally designed for two-dimensional characters on-screen, is poised to power tangible playthings that children hold in their hands. This fall, Mattel plans to introduce Hello Barbie, a Wi-Fi enabled version of the iconic doll, which uses ToyTalk’s system to analyze a child’s speech and produce relevant responses. “She’s a huge character with an enormous back story,” Mr. Jacob says of Barbie. “We hope that when she’s ready, she will have thousands and thousands of things to say and you can speak to her for hours and hours.” [Video: Hello Barbie is World's First Interactive Barbie Doll Watch on YouTube.] It was probably inevitable that the so-called Internet of Things — those Web-connected thermostats and bathroom scales and coffee makers and whatnot — would beget the Internet of Toys. And just like Web-connected consumer gizmos that can amass details about their owners and transmit that data for remote analysis, Internet-connected toys hold out the tantalizing promise of personalized services and the risk of privacy perils.

The metropolitan area of one-half million people was brought to a standstill. Restaurants, public buildings, and even the city zoo closed. People quickly bought up whatever bottled water was on store shelves. The governor of Ohio declared a state of emergency. The National Guard was enlisted to truck in water and portable water treatment plants. The national and international news media covered the story of a modern American city without the 80 million gallons of water it needed daily. It was not the sort of attention the long-struggling, rust-belt city wanted.

In recognition of his standing and commitment to conservation and research, the University of Queensland was about to appoint him as an adjust professor, an honor bestowed on only a few who have made a significant contribution to their field. Steve didn’t know this had happened. The letter from the university arrived at Australia Zoo while we were in the field studying crocs during August 2006. He never got back to the pile of mail that included that letter. I know he would have proudly accepted the recognition of his achievement, but I also suspect that he would have remained humble and given credit to those around him, especially Terri, his mum and dad, Wes, John Stainton, and the incredible team at Australia Zoo. A year later, in 2007, we are back here in northern Australia, continuing the research in his name. There is a big gap in all our lives, but I feel he is here, all around us. One sure sign is that the sixteen-foot crocodile we named “Steve” keeps turning up in our traps. My life has been enriched by my friendship with Steve. I now sit around the fire with Terri, his family, and mates from Australia Zoo chatting about crocodiles and continuing the legacy Steve has left behind. Terri and Bob Irwin are now leading the croc-catching team from Australia Zoo, and Bindi is helping to affix the tracking devices to crocs, and so the tradition continues. I miss him. We all do. But I can sit at the campfire and look into the coals and hear his voice, always intense, always passionate, telling us stories and goading us on to achieve more. The enthusiasm and determination Steve shared with us is alive and well. He has touched so many lives. His memory will never fade, and this book will be one of the ways we can remind ourselves of our brush with the indomitable spirit of a loving husband, father, and son; a committed wildlife ambassador and conservationist; and a great mate. Professor Craig E. Franklin, School of Integrative Biology University of Queensland Lakefield National Park August 2007

The next morning, Steve took his boat out and saw what had happened. The big male had triggered the trap and was snared in the mesh--sort of. Even though the rectangular-shaped net was the biggest he had, the croc’s tail and back leg stuck out. But the black ghost had finally been caught. At Steve’s approach, the animal thrashed wildly, smashing apart mangrove trees on either side of the trap. Steve tried to top-jaw-rope the croc, but it was fighting too violently. Normally Chilli acted as a distraction, giving Steve the chance to secure the croc. But the dog wanted no part of this. She cowered on the floor of the dinghy, unwilling to face this monstrously large croc. Steve was truly on his own. He finally secured a top-jaw rope and tied the other end to a tree. With a massive “death roll”--a defensive maneuver in which the reptile spins its enormous body--the big croc smashed the tree flat and snapped it off. Steve tried again; the croc thrashed, growling and roaring in protest at the trapper in khaki, lunging again and again to tear Steve apart. Finally, the giant croc death-rolled so violently that he came off the bank and landed in the boat, which immediately sank. Chilli had jumped out and was swimming for shore as Steve worked against time. With the croc underwater, Steve lashed the croc, trap and all, in the dinghy. But moving the waterlogged boat and a ton of crocodile was simply too much. Steve sprinted several miles in the tropical heat to reach a cane farm, where he hoped to get help. The cane farmers were a bit hesitant to lend a hand, so Steve promised them a case of beer, and a deal was made. With a sturdy fishing boat secured to each side of Steve’s dinghy, they managed to tow it downriver where they could winch croc and boat onto dry land to get him into a crate. By this time, a crowd of spectators had gathered. When Steve told me the story of the capture, I got the sense that he felt sorry he had to catch the crocodile at all. “It seemed wrong to remove the king of the river,” Steve said. “That croc had lasted in his territory for decades. Here I was taking him out of it. The local people just seemed relieved, and a couple even joked about how many boots he’d make.” Steve was very clever to include the local people and soon won them over to see just how special this crocodile really was. Just as he was dragged into his crate, the old croc attempted a final act of defiance, a death roll that forced Steve to pin him again. “I whispered to him to calm him down,” Steve said. “What did you say to him?” I asked. “Please don’t die.” The black crocodile didn’t die. Steve brought him back to Beerwah, named him Acco, and gave him a beautiful big pond that Bob had prepared, with plenty of places to hide. We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.

We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong. Standing there next to this impressive animal, I tried to wrap my mind around the idea that people had wanted him dead. His huge, intimidating teeth made him look primeval, and his osteodermal plates gleamed black in the sun--a dinosaur, living here among us. I felt so emotional, contemplating the fear-based cruelty that prompted humans to hate these animals. For his part, Acco still remembered his capture, even though it had happened nearly a decade before. Whenever Steve went into his enclosure, Acco would stalk him and strike, exploding out of the water with the intent to catch Steve unaware. Despite the conflict in Steve’s soul over whether he had done the right thing, I decided that Acco’s capture had to be. In the zoo, Acco had his own territory to patrol and a beautiful female crocodile, Connie, who loved him dearly. Left in the wild, somebody would have eventually shot him. If the choice is between a bullet and living in the Crocodile Environmental Park, I think his new territory was much more preferable. When I met Steve in 1991, he had just emerged from a solid decade in the bush, either with Bob or on his own, with just his dog Chilli, and later Sui. Those years had been like a test of fire. As a boy all Steve wanted to do was to be like his dad. At twenty-nine he’d become like Bob and then some. He had done so much more than catch crocs. In the western deserts, he and Bob helped researchers from the Queensland Museum understand the intricacies of fierce snake behavior. Steve also embarked on a behavioral study of a rare and little-understood type of arboreal lizard, the canopy goanna, scrambling up into trees in the rain forests of Cape York Peninsula in pursuit of herpetological knowledge. As much as Steve had become a natural for television, over the course of the 1980s he had become a serious naturalist as well. His hands-on experience, gleaned from years in the bush, meshed well with the more abstract knowledge of the academics. No one had ever accomplished what he had, tracking and trapping crocodiles for months at a time on his own. He would hand Bindi and Robert his knowledge of nature and the bush, just as Bob and Lyn had handed it down to him. This is what few people understood about Steve--his relationship with his family, and the tradition of passion and commitment and understanding that passed from generation to generation. Later on, that Irwin family tradition would bring Steve untold grief, when outsiders misjudged his effort to educate his children and crucified him for it.

Steve got up before me and left to check the trap. The fire was already going when I crawled out of my swag. I relived the events of the night before over my cup of tea. I heard the boat motor and saw that Steve was coming back, so I got up and ran down to the riverbank to meet him. “We got one,” he said, breathless. “A croc went in that trap after all, mate.” “I guess maybe my splashing around attracted it,” I said with a grin. He laughed. Then he turned and yelled up to the guys, “Cooee!” The whole camp erupted into action. The film crew grabbed their gear, and we went to rescue the crocodile before a poacher’s bullet could claim it. I didn’t know what to expect. I had heard stories of Steve catching crocodiles. I’d seen photographs and some of his video footage. Steve took me into the crocodile enclosures at the zoo. But this was something I’d never experienced. This was in the wild.

The park reminded me of our own Australia Zoo when it first started out. It was a family operation run by Dick and Judi Warren. They were both warm and friendly and eager to talk. Judi made us toasted sandwiches and hot drinks, while Dick told stories of satirizing the Baby Bob incident. “I dressed up like Steve in a blond wig,” Dick said. “Then I took a little baby doll in with the devils and fed them while holding this little doll.” He checked to make sure I was laughing, and I was. “It ended up on video on one of the ferries here on the island!” Judi said. Australians enjoy laughing at themselves and paying out on others. I’ve always found it refreshing.

I knew the one thing I wanted to do more than anything was to get to Steve. I needed to bring my kids home as fast as possible. I didn’t understand what had been going on in the rest of the world. Steve’s accident had occurred at eleven o’clock in the morning. The official time of death was made at twelve noon, the exact time that Bindi had looked at her watch and said, for no apparent reason, “It’s twelve o’clock.” Now I had to go out to the car and tell Bindi and Robert what had happened to their daddy. How do you tell an eight-year-old child that her father has died? A two-year-old boy? The person they loved most in the world was gone, the person they looked up to, relied on, and emulated, who played with them in the bubble bath and told them stories about when he was a naughty little boy, who took them for motorbike rides and got them ice cream, went on croc-catching adventures and showed them the world’s wildlife. I had to tell them that they had lost this most important person, on this most beautiful day. Emma came in and I told her what had happened. Suddenly I felt very sick. I didn’t know if I could stand up, and I asked to use the restroom. Then I realized this was the exact time for me to be strong. For years I had counted on Steve’s strength. At six feet tall and two hundred pounds, he was a force to be reckoned with. But he always told me there were different kinds of strength. Steve said he could count on me to be strong when times were hard. I thought about that, and I suddenly understood there must be a reason that I was here and he was gone. I needed to help his kids, to be there for our children. All I wanted to do was run, and run, and run. But I had to stay. With Emma at my side, I went outside and climbed into the car. Bindi had opened up the raspberries again. I put them away and sat her down. She knew instantly by my face that something was wrong. “Did something happen to one of the animals at the zoo?” she asked. “Something happened to Daddy,” I said. “He was diving, and he had an accident.” I told her everything that I knew about what had happened. She cried. We all cried. Robert still slept.

Idling the dinghy, bringing it quietly in closer and closer to the croc, Steve would finally make his move. He’d creep to the front of the boat and hold the spotlight until the last moment. Then he would leap into the water. Grabbing the crocodile around the scruff of the neck, he would secure its tail between his legs and wrap his body around the thrashing creature. Crocodiles are amazingly strong in the water. Even a six-foot-long subadult would easily take Steve to the bottom of the river, rolling and fighting, trying to dislodge him by scraping against the rocks and snags at the bottom of the river. But Steve would hang on. He knew he could push off the bottom, reach the surface for air, flip the crocodile into his dinghy, and pin the snapping animal down. “Piece of cake,” he said. That was the most incredible story I had ever heard. And Steve was the most incredible man I had ever seen--catching crocodiles by hand to save their lives? This was just unreal. I had an overwhelming sensation. I wanted to build a big campfire, sit down with Steve next to it, and hear his stories all night long. I didn’t want them to ever end. But eventually the tour was over, and I felt I just had to talk to this man. Steve had a broad, easy smile and the biggest hands I had ever seen. I could tell by his stature and stride that he was accustomed to hard work. I saw a series of small scars on the sides of his face and down his arms. He came up and, with a broad Australian accent, said, “G’day, mate.” Uh-oh, I thought. I’m in trouble. I’d never, ever believed in love at first sight. But I had the strangest, most overwhelming feeling that it was destiny that took me into that little wildlife park that day. Steve started talking to me as if we’d known each other all our lives. I interrupted only to have my friend Lori take a picture of us, and the moment I first met Steve was forever captured. I told him about my wildlife rescue work with cougars in Oregon. He told me about his work with crocodiles. The tour was long over, and the zoo was about to close, but we kept talking. Finally I could hear Lori honking her horn in the car park. “I have to go,” I said to Steve, managing a grim smile. I felt a connection as I never had before, and I was about to leave, never to see him again. “Why do you love cougars so much?” he asked, walking me toward the park’s front gate. I had to think for a beat. There were many reasons. “I think it’s how they can actually kill with their mouths,” I finally said. “They can conquer an animal several times their size, grab it in their jaws, and kill it instantly by snapping its neck.” Steve grinned. I hadn’t realized how similar we really were. “That’s what I love about crocodiles,” he said. “They are the most powerful apex predators.” Apex predators. Meaning both cougars and crocs were at the top of the food chain. On opposite sides of the world, this man and I had somehow formed the same interest, the same passion. At the zoo entrance I could see Lori and her friends in the car, anxious to get going back to Brisbane. “Call the zoo if you’re ever here again,” Steve said. “I’d really like to see you again.” Could it be that he felt the same way I did? As we drove back to Brisbane, I was quiet, contemplative. I had no idea how I would accomplish it, but I was determined to figure out a way to see him. The next weekend, Lori was going diving with a friend, and I took a chance and called Steve. “What do you reckon, could I come back for the weekend?” I asked. “Absolutely. I’ll take care of everything,” came Steve’s reply.

As Edward Albee put it neatly in his play The Zoo Story (1958): What I am going to tell you has something to do with how sometimes it’s necessary to go a long distance out of the way in order to come back a short distance correctly….

Everything that the elephants do in this novel may seem amazing but is easily within behavior noted about elephants at zoos or in the wild. That includes painting, vocalizing in human voices, observing death ceremonies, mimicry, even self-medicating. The story of people in Kenya being “taught” by elephants how to induce labor by chewing on leaves is true. Mankind has a long history of observing nature and its survival methods to keep ourselves alive. All of this elephant behavior is attributable to their big brains—all eleven pounds’ worth. And they do have the same number of neurons and synapses in their cerebral cortexes as us humans. Likewise, they put all that brainpower to good use. They use tools and solve problems and even show altruistic behavior. They are also self-aware and have a concept of art. So quit shooting them, please.

So many horses had been sent to the front that the Berlin Zoo’s elephants were put to work hauling wagons through the streets.

Maybe she is remembering all the road trips to Seaside Beach, or riding around and around the parking lot at the zoo because no matter what time we go, there is never a place to park.

Zoological Parks South of Florida “Cuba has several zoos, the largest of which are in Havana and Santiago de Cuba. The Havana National Zoo is dedicated to going beyond the mere display of animals and attempts to maintain a more natural habitat, supporting and promoting breeding programs for various species with follow-up scientific research programs.” From page 500, “The Exciting Story of Cuba” by award winning author Captain Hank Bracker. Available at Amazon.com, Barnes&Noble.com, BooksAMillon.com and other Independent book outlets.

hate being alone, but when I wake up in some guy's bed with dry come on the sheets underneath me and he's snoring like a garbage truck, I go, let me out of here. I slip out and crawl around the floor groping for my clothes, trying to untangle his blue jeans from mine, my bra from his Jockeys—Skip wears boxers, of course—and trying to be quiet at the same time, then slide out the door laughing like a seal escaping from the zoo and race home to where Jeannie has been warming the bed all night. Jumping in between the sheets and she wakes up and

It is often said that there are very few places left on Earth that have yet to be discovered. But those who say this are usually referring to the places that exist at the human scale. Take a magnifying glass to any part of your house and you will find a whole new world to explore. Use a powerful microscope and you will find another, complete with a zoo of living organisms of the most fantastic nature. Alternatively use a telescope and a whole universe of possibilities will open up before you. Ants build cities at their scale, and bacteria build cities at their scale. There is nothing special about our scale, about our cities, about our civilization, except that we have a material that allows us to transcend our scale – that material is glass.

The ‘story’ of the zoo is present everywhere,” Michelle went on as they passed a kiosk selling stuffed giraffes. “But of course, they also sell toys and food. That’s the commercial aspect. First they sell you on the values, then they get you to buy the products.

Getting a good look at him… he was huge. Like literally massive. Was that normal? Was he on steroids? “Hey, friend,” I said. “Wait here a second, okay? We’ll get you some help.” He didn’t respond, obviously. Why my heart started beating faster though, I really didn’t get. Never mind, I guess I did. I was going to have to grab this big son of a bitch. If my memory served me correctly—from all the episodes I’d seen of zoo shows and the one game warden show—you just kind of had to... grab them. Could they smell fear? Like dogs? I eyed my new friend and hoped like hell he couldn’t. Two seconds later, the door to the house burst open and Amos was out, setting a big crate down on the deck before running back inside. He was back out another second later, shoving something into his pockets and then picking up the crate again. He slowed down as he got closer to the garage and walked way around where the bird was still standing. He was breathing hard as he slowly set it down between us, then pulled out some leather gloves from his pockets and handed those over too. “This is the best I could find,” he said, eyes wide and face flushed. “You sure about this?” I slipped the gloves on and let out a shaky exhale before giving him a nervous smile. “No.” I kind of laughed from the nerves. “If I die—” That got him to roll his eyes. “You’re not doing to die.” “Make up some story about how I saved your life, okay?” He looked at me. “Maybe we should wait for my dad.” “Should we? Yeah, but are we? No, we have to get him. He should have flown off by now, and we both know it.” Amos cursed again under his breath, and I gulped. Might as well get it over with. Five minutes from now wasn’t going to change anything. My mom would’ve done it. “Okay, I can do this,” I tried to hype myself up. “Just like a chicken, right?” “You’ve picked up a chicken before?” I eyed Am. “No, but I’ve seen my friend do it. It can’t be that hard.” I hoped. I could do this. Just like a chicken. Just like a chicken. Opening and closing my hands with the big gloves on, I bounced my shoulders and moved my neck from side to side. “Okay.” I inched closer to the bird, willing my heart to slow down. Please don’t let him smell fear. Please don’t let him smell fear. “All right, love, pal, pretty boy. Be nice, okay? Be nice. Please be nice. You’re beautiful. I love you. I just want to take care of you. Please be nice—” I swooped down. Then I shouted, “Ahh! I got him! Open the crate! Open the crate! Am, open it! Shit, he’s heavy!” Out of the corner of my eye, Amos rushed over with the crate, door open, and set it on the ground. “Hurry, Ora!” I held my breath as I waddled, holding what I was pretty sure was a steroid-taking bird—who wasn’t struggling at all, honestly—and as fast as possible, set him inside, facing away from me, and Amos slammed it shut just as I got my arms out of there without getting murdered. We both jumped back and then peeked through the metal gate. He was just hanging out in there. He was fine. At least I was pretty sure he was; it wasn’t like he was making faces. I held up my hand, and Am high-fived it. “We did it!” The teenager grinned. “I’ll call Dad.” We high-fived again, pumped up. Amos hustled back inside his house, and I crouched down to look at my friend once more. He was a good hawk. “Good job, pretty boy,” I praised him. Most of all though, I’d done it! I got him in there! All by myself. How about that?

When a customer in Berlin waves you to his car, then at least he's smiling. But the guys here—who all thought they were God's gift to women—didn't think they needed to make the slightest effort. I think that most johns were friendlier and more affectionate than these assholes out here. These guys wanted to fuck you without knowing the first thing about you, without showing the least bit of kindness or affection, and, of course, without having the decency to pay for the privilege either.

«La città non è una giungla d’asfalto, come è stato detto; è uno zoo umano».

Corrie's birth resonated in Britain, and Australia gained some of the liveliest publicity since the battle of El Alamein. In the thick of war, this clearly ruffled the London Daily Telegraph who published a local rhymester's verse in their columns: Hush-a-bye Platypus, Pride of the Zoo Baby shall figure in Nature's Who's Who, Mummy will fondle and Daddy will brag While all the zoologists' tongues are a-wag. Shush, little mammal, you're nor all that smart, This is no time to expect a star part, Sleep—and remove that smirk off your bill We are making more history than you ever will. 'Australian jungle fighters', huffed the paper 'will doubtless agree'.

You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? But fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories.

He thought how easy it would be to write an entire book on Johannesburg violence. The strike leader Pickaxe Mary, after whom Mary Fitzgerald Square was named, who attacked her enemies with a pickaxe handle. The trenches dug into the streets of Fordsburg during the 1922 miners’ strike. The cannons of the government aimed at the poor whites of Vrededorp. The murdered woman in the 1960s whose head was found in the Zoo Lake and whose torso was discovered in a suitcase in Wemmer Pan. Jan Smuts, who wanted to bomb striking workers with aeroplanes. The countless schoolchildren shot during the 1976 uprising. The fifty-three supporters who were shot down in the street outside Shell House, the ANC headquarters. The huge bomb that went off shortly before the first democratic election and made a whole row of shops kneel down on the pavements of Bree Street. The commuters, in the early 1990s, killed by pangas or who jumped to their deaths from moving trains to escape their Portuguese-speaking attackers. The murderess Daisy de Melker, whose third husband survived only because she was caught in time. The violent home invasions, rapes and hijackings he read about in the newspapers every day.

It did occur to him that perhaps he’d gone to the wrong Academy – the guys in the Space Fleet always had more interesting stories to tell at the spaceport bars. You know, tales about the dude who got vaporized in a plasma accident in the engineering section, or the fella who got turned into a blob of weird space jelly by some alien virus – or the time someone flew a starship into an astor-field at warp four by mistake (they were still trying to find the black box on that one). The Imperial Space Fleet’s recruiting office sure didn’t go around advertising ‘Join up, see the universe, meet interesting aliens and die screaming’, but it was known there were risks involved. It was part of the job after all, and yet somehow, they still got recruits signing up in droves. Yes, indeedy – the stories were far more interesting than his – took a load of ore to Gorda, took a load of mining equipment back to Tordrazil. Took a load of Florpavian Flame-birds to a zoo on Deanna, took a load of machinery to Salus. Picked up and dropped off a few passengers on the way. Still, Florpavian Flame-birds were a risky cargo… and damned tricky to transport – which is probably the only reason he’d had any entertainment at all on the last trip.

Ham, the conquistador of outer space, was captured in Africa. He became the first chimpanzee to travel far beyond the world, the first chimponaut. They put him in the space capsule Mercury, hooked him up with more wires than a telephone switchboard, and blasted him off. He came back safe and sound, and the record of his bodily functions demonstrated that humans too could survive a voyage into space. Ham was on the cover of Life. And he spent the rest of his own caged in a zoo.

He didn’t have to tell me that. I knew Hank better than anyone else. He went out of his way not to hurt people. “And I love you even more for it. But you should know, I’m willing to be hurt because that’s what love is.” Hank stared at me out of the corners of his eyes. Clearly he was questioning my sanity. “It’s true,” I said with a firm nod. “It’s not always hot sex and romantic candlelit dinners. Or picnics in the park or fun days at the zoo. True love exists in the gaps between those moments. It’s in the arguments, where you’re so angry at each other that you may want to throw a tantrum and walk out the door, but you don’t. It lives in the hard times when one of you is sick or exhausted, and you have to carry each other for miles with no rest, and even though your body aches and you want to let go, you don’t.” “I don’t think I’ve ever known that kind of love.” He glanced at his hands in his lap. “My relationships have always been the bad kind. Where one of us gives up or gives in.” “Well, love that is worth anything isn’t like that. It blooms in the dead of winter because we have fed its soul in the spring and summer. That is what I fight for. You may not feel what I do because you lack the memories I have, but you feel something. I can see it in the way you look at me or touch me, and I can see you fighting it. Maybe because you’re afraid of hurting me or because you don’t understand what these emotions are. I don’t really know, but you should know this: Fighting it won’t make it go away, and it won’t change how our story will end. We will get married. We will grow old together. And before we breathe our last, the final words we will utter will be each other’s names.

Although she’d kept wildcats since she was in her twenties, she’d never removed one from his native environment before. All her cats had been found looking dejected in zoos or in circuses on the outskirts of industrial French towns. When she heard any story of ill treatment or brutality or cramped, dirty cages, she would jump in her car, get out her map, and race to the scene. Once there she would offer the zookeepers or circus owners so much money for the animal that they couldn’t refuse her. And if that failed, she was, quite simply, Mirabelle Moncur—the very sight of her, even in civilian clothes of jeans and a half-unbuttoned man’s shirt, would often be all that was needed to persuade them to unlock the poor animal’s cage and help her put the creature in the back of

I should like to stress the idea that if you know and understand the story of your community you will know and understand a great deal about the story of man, anywhere. —Mari Sandoz,

Henry Chimpman is a chimpanzee who lives in the zoo. He lives there by himself and is pretty lonely. He spends most of his time writing and telling stories about his past, and I spend most of my time drawing them. Some of these stories might seem farfetched for a chimpanzee. Is Henry telling the truth? Well, that’s for you to decide.