Ear Studs Quotes

We've searched our database for all the quotes and captions related to Ear Studs. Here they are! All 65 of them:

For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
His right ear still held both studs, and I wondered who had the missing earring. I would have asked, but was afraid he’d tell me Ivy had it.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
His breath in my ear, he ran his tongue along the curved edge, sucking the fleshy lobe and my small diamond stud into his mouth, and my eyes drifted closed while I babbled a weak sound of longing.
Tammara Webber (Easy (Contours of the Heart, #1))
I can't recall a single amazing thing I have seen first hand that I didn't immediately reference to amp is of a TV show. You know the awful singsong the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
Gillian Flynn
There were doors that looked like large keyholes, others that resembled the entrances to caves, there were golden doors, some were padded and some were studded with nails, some were paper-thin and others as thick as the doors of treasure houses; there was one that looked like a giant's mouth and another that had to be opened like a drawbridge, one that suggested a big ear and one that was made of gingerbread, one that was shaped like an oven door, and one that had to be unbuttoned.
Michael Ende (The Neverending Story)
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
The ability to accessorize is what elevates us from lower-life forms," I said in my lecture voice, choosing a pair of diamond-studded drops for my ear. "Like men.
P.C. Cast (Divine By Mistake (Partholon, #1))
She’s so gorgeous. I can’t believe we made her,” he says quietly against my ear. “I’m buying a chastity belt.” “I don’t think she needs one yet.” “I’m thinking ahead.” He gently moves me aside to pluck the carrier out of the base. I arch a brow. “I heard you once had a threesome.” He nearly trips on a non-existent crack in the sidewalk. A light cough precedes his query, “A threesome? Who’d you hear that from?” Ha! He doesn’t deny it. Amused, I brush by him to get the front door. “Carin heard it. Said it was always the quiet ones.” “No threesomes for Jamie,” he declares. “Maybe we should homeschool her until she’s thirty.” “We’re turning into hypocrites.” Tucker nods enthusiastically. “Yup, and no guilt here.” Right before he ducks into the house, he murmurs, “By the way, it was a foursome.” I gasp. “Two guys and two girls?” He smirks. “Three girls and me.” “Wow.” I’m more impressed than angry. “Good for you, stud.
Elle Kennedy (The Goal (Off-Campus, #4))
They laughed and put their arms around each other and kissed, first gently, then more passionately, and Harry pulled his face back a few inches and looked lovingly at Marion, I love you, and kissed her on the tip of her nose, her eyelids, her cheeks, then her soft lips, her chin, her neck, her ears, then nuzzled his face in her hair and caressed her back with his hands and breathed her name in her ear, Marion, Marion, I love you, and she gently moved with the flow and felt his words and kisses and feelings flow through her, easing away all her problems, her doubts, her fears, her anxieties and she felt warm and alive and vital. She felt loved. She felt necessary. Harry felt real and substantial. He could feel all the loose pieces starting to fall into place. He felt on the verge of something momentous. They felt whole. They felt united. Though they were still on the couch they felt a part of the vastness of the sky and the stars and moon. They were somehow on the crest of a hill with a gentle breeze blowing Marions hair flowingly; and walking through a sunlit woods and flower studded field feeling the freedom of the birds as they flew through the air chirping and singing and the night was comfortingly warm as the soft filtered light continued to push the darkness into the shadows as they held each other and kissed and pushed each others darkness into the corner, believing in each others light, each others dream.
Hubert Selby Jr. (Requiem for a Dream)
It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative...we were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or a TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crispier, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
His ears were so littered with studs, safety pins and dangling razor blades that if he were to stand between two strong magnets his face would peel off.
Reed Farrel Coleman (Walking the Perfect Square (Moe Prager Book 1))
The single yellow diamond stud he wore in his left ear twinkled like a giggle in the morning sunlight.
Malorie Blackman (Double Cross)
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
There was a small stone in her palm, a deep blue opal. I leaned a little closer, eyeing it. It was set on a silver stud—an earring. “It should suffice to contain the parasite for what time remains,” Mab said. “Put it on.” “My ears aren’t pierced,” I objected. Mab arched an eyebrow. “Are you the Winter Knight or some sort of puling child?” I scowled at her. “Come over here and say that.” At that, Mab calmly stepped onto the shore of Demonreach, until her toes were almost touching mine. She was several inches over six feet tall, and barely had to reach up to take my earlobe in her fingers. “Wait,” I said. “Wait.” She paused. “The left one.” Mab tilted her head. “Why?” “It’s . . . Look, it’s a mortal thing. Just do the left one, okay?” She exhaled briefly through her nose. Then she shook her head and changed ears.
Jim Butcher (Skin Game (The Dresden Files, #15))
Like a thief, the image of her taut, well-formed body crept into his mind next. His hair swept backwards, shot up like long needles in the rush of the air and his thoughts grew bolder. He marveled how beautifully her body arched as she stood and gave commands. Vishwakarma, the god of all craftsmen, in an exalting moment had threaded a wire through it to give it that elegant curve. From that instant, the memories of a wife, of dear daughters waiting back in the village seemed hazy as in a dream. Inhibitions became soft barriers. He remembered the gestures of Chanda Bai’s two hands as she talked; her palms like delicate seashells; her elegant fingers. Flashes of her jewel studded ears, another pair of shells; and her long hair lovingly braided by her servants with thick strands of white and yellow jasmine flowers interlaced in them. He wanted to caress those flowers with his finger.
Mukta Singh-Zocchi (The Thugs & a Courtesan)
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who grew up with TV and movies and now the internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script
Gillian Flynn (Gone Girl)
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want too play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It
Gillian Flynn (Gone Girl)
the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
Gillian Flynn (Gone Girl)
If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls.
Gillian Flynn (Gone Girl)
One day there came from the South a stranger who was unlike any man that Shasta had seen before. He rode upon a strong dappled horse with flowing mane and tail, and his stirrups and bridle were inlaid with silver. The spike of a helmet projected from the middle of his silken turban and he wore a shirt of chain mail. By his side hung a curving scimitar; a round shield studded with bosses of brass hung at his back, and his right hand grasped a lance. His face was dark, but this did not surprise Shasta because all the people of Calormen are like that; what did surprise him was the man’s beard which was dyed crimson, and curled and gleaming with scented oil. But Arsheesh knew by the gold on the stranger’s bare arm that he was a Tarkaan or great lord, and he bowed kneeling before him till his beard touched the earth, and made signs to Shasta to kneel also. The stranger demanded hospitality for the night which of course the fisherman dared not refuse. All the best they had was set before the Tarkaan for supper (and he didn’t think much of it) and Shasta, as always happened when the fisherman had company, was given a hunk of bread and turned out of the cottage. On these occasions he usually slept with the donkey in its little thatched stable. But it was much too early to go to sleep yet, and Shasta, who had never learned that it is wrong to listen behind doors, sat down with his ear to a crack in the wooden wall of the cottage to hear what the grown-ups were talking about.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3))
The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap parsemé with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires.
Oscar Wilde (The Picture of Dorian Gray)
I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or a TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters.
Gillian Flynn (Gone Girl)
Then, she stepped hard on something soft. “Ouch!” exclaimed an urgent, musical voice behind her followed by another blast of that scent. That voice rang out in the night like a small bell. Damn, thought Carmen. These late-night stragglers always show up just as I am closing! “We’re closed,” she commented impatiently, not even bothering to turn around. “I can’t get you anything, my cash register is empty. And, I definitely can’t get you any gasoline. The pumps are shut down.” “You’re on my foot!” said the small, feminine voice again, protesting more loudly. “Get off!” The girl laughed. The street lights came on, as if the pressure of stepping on this person’s foot had turned them on. Carmen laughed at the synchronicity. She felt a small hand on her waist as she moved her foot off the soft place it had landed. It had been years since she had felt a woman’s touch. The feminine voice said quietly, “That hurt.” Carmen whirled around to face the girl she had stepped on, and almost lost her balance. Her eyes met the huge violet eyes of the most beautiful country girl she had ever seen standing directly behind her. Obviously, she had stepped on her. She apologized until she was speechless. Then, she coughed and indicated her truck. The girl had straight, healthy blue hair, delicately shaved over one ear and well-done light makeup with a few rhinestone studs in her ears and nose. Carmen had sucked her breath in audibly at the girl’s appearance. This diminutive girl was stunning. She was a real beauty, set in the dark country night like a diamond against the warm obsidian of the sky. And that fragrance!
Cassandra Barnes (Secret Love (Carmen & Rose: A Love to Remember #1))
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with movies and TV and now the internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because i'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just like a real actual person, instead of a collective personality trait selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls.
Gillian Flynn (Gone Girl)
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls. It had gotten to the point where it seemed like nothing matters, because I’m not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can’t recall a single amazing thing I have seen firsthand that I didn’t immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I’ve literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. (…) I’ve literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. (…) If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls. It had gotten to the point where it seemed like nothing matters, because I’m not a real person and neither is anyone else.
Gillian Flynn (Gone Girl)
We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing is, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.
Gillian Flynn (Gone Girl)
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
He is thinking if there is any way by which he can explain just how and what it is he suffers. He is wondering if there is anyone in the whole wide world with a heart big enough to comprehend what it is he wants to tell. There are so many little things to say first, and will anyone have the patience to listen to the end? Suffering is no one thing: it is composed of invisible atoms infinite in number, each one a universe in the great macrocosm of pain. He could begin anywhere, with anything, with a silly word even, a word such as flapdoodle, and he could erect a cathedral of staggering dimensions which would not occupy so much as a pocket in the crevice of the tiniest atom. To say nothing of the surrounding terrain, of the circumambient aura, of things like coast lines, volcanic craters, fathomless lagoons, pearl studs and tons of chicken feathers. The musician has an instrument to work with, the surgeon has his implements, the architect his plans, the general his pawns, the idiot his idiocy, but the one who is suffering has everything in the universe except relief. He can run out to the periphery a trillion times but the circle never straightens out. He knows every diameter but no egress. Every exit is closed, whether it be an inch away or a billion light years distant. You crash a gate made of arms and legs only to get a butt blow behind the ear. You pick up and run on bloody, sawed-off stumps, only to fall into an endless ravine. You sit in the very center of emptiness, whimpering inaudibly, and the stars blink at you. You fall into a coma, and just when you think you've found your way back to the womb they come after you with pick and shovel, with acetylene torches. Even if you found the place of death they would find a way to blow you out of it. You know time in all its curves and infidelities. You have lived longer than it takes to grow all the countless separate parts of a thousand new universes. You have watched them grow and fall apart again. And you are still intact, like a piece of music which goes on being played forever. The instruments wear out, and the players too, but the notes are eternal, and you are made of nothing but invisible notes which even the faintest zephyr can shake a tune out of.
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !
Rudyard Kipling (Mandalay)
A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed? “You have a present.” “What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.” Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.” After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud. “‘To Mom and Zach. Have fun tonight. Bre.’” Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.” “My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.” “Would you like me to? It’s addressed to both of us.” “I’m even more afraid for you to open it.” “Go ahead. It can’t be that bad.” “You don’t know my daughter.” Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped. “Oh, my God. I can’t believe she did this!” She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.” “I am going to kill her, after I beat her.” Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.” Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.” She huffed out a breath. “Can we close the box now?” “Not yet. I like it when you blush.” Zach grinned when Jade scowled at him. “This is completely spoiling the mood.” “I won’t have any problem getting hard again.” “Zach!” Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.” Jade covered her eyes with one hand. “I don’t believe this,” she muttered. “Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.” “Okay, that’s enough.” Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.” “I don’t care what they are.” “You might care about one of them.” Zach held up a large box of condoms. “Oh.” He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.” “One hundred?” “All different types, sizes, and colors.” Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?” “Cherry-flavored lubricant. It looks like she thought of everything.” “You must think my daughter is crazy.” “I think your daughter loves you very much and wants you to be happy.” “That’s true. But we won’t use all this…stuff.” “Who says we won’t?
Lynn LaFleur (Rent-A-Stud (Coopers' Companions, #1))
Eugenie looked great, her short spiky auburn hair edged with conservative blond tips and her face wearing a minimum of makeup. Must be Mr. Natural’s influence. I gave her a hug and turned to meet Quince, who was sitting across from her. Okay, I could see the attraction. He had thick, honey-blond hair pulled back in a ponytail not unlike my own, and a green gemstone stud in one ear. He reached out a grasped my hand, shaking it firmly. “It’s great to meet you. Eugenie talks about you all the time.” “She talks a lot about you too, Quince.” The man had no idea. He smiled and his blue-green eyes were almost enthralling. “Most people call me Rand, but Eugenie likes my real name better than my nickname.” After a half hour of small talk, I wasn’t sure I liked Quince Randolph. He was drop-dead gorgeous, no question about that. But there was something off about him I couldn’t quite pinpoint. He stared too hard when he talked to you, made my eye contact than a normal person. I tried to dig into his head a little but came up blank, which was weird, except I’d done a heavy grounding ritual this morning. “You know, I just noticed something.” Eugenie had a funny look on her face. “You guys have the same hair and eye colo. I’d never realized it till I saw you sitting there across from each other.” “Maybe we’re very distantly related.” Rand smiled. “I doubt it,” I said, frowning. “I don’t have much family. And if we were related, I’d be pissed off that you have better cheekbones.
Suzanne Johnson (River Road (Sentinels of New Orleans, #2))
Georgia gulped as the entire doorway suddenly filled with a man she didn't recognize. She'd been expecting Jesper MacMillian. This was definitely not Jesper MacMillian. This man had a rich black complexion. His head was bald- whether by nature or design, she couldn't be sure. Tiny studs flashed in his ears. He wore a beautiful black suit, painstakingly tailored to fit his massive shoulders. Dark tattoos curled just above his pressed white collar, and down below the edges of his cuffs. His face was neither kind nor unkind. He studied her with vague disinterest, his eyes quiet and guarded beneath solid brows.
Laura Oliva (Season Of The Witch (Shades Below #1.5))
Nice hammer,” Harlow said from behind me. “Hey,” I said, glancing around casually to see if Winnie was with her. “Nice shiner.” “You should see the other chick,” she muttered. “Can we talk?” Setting down my hammer, I followed her away from the other guys. Harlow seemed tense and I worried something was wrong with Winnie. “This is awkward and I feel weird coming here like this,” she said, pushing her blonde hair behind her ears. “Are you dating anyone?” My breath caught. A fear rose up in my chest at the thought of Harlow wanting to date me. What would that mean for me and Winnie? The look in Harlow’s eyes calmed my terror. I might as well have been a brick wall based on the lack of attraction she showed. “No.” “Some girl was hugging you outside a restaurant. Wasn’t that a date?” Frowning, I scratched at my jaw where I forgot to shave that morning. “That was a girl from high school. She might have been into me, but we went out as friends. I’m not dating anyone.” “Winnie saw you with that girl and she got really upset. I know she’s not ready to have a boyfriend, but she wants you. Do you want her?” Playing it cool might be the stud move, but I didn’t want to be a player. I wanted Winnie. Besides, for the second time in twenty four hours, someone close to Winnie wanted to play matchmaker. “Yes.” Harlow nodded. “She’s messed up. You know that, right?” “I know she’s fragile, yeah.” “Winnie has a lot of phobias. Not stupid shit for attention, but real chronic problems that won’t go away because you’re hot. She’s been in therapy for years and gotten stronger, but she’ll never be okay.” “I understand.” Harlow bit her lip then nodded again. “Do you want to take her out to dinner tomorrow?” “Yes.” Harlow smiled. “You better be chattier than that on the date or else no one will say anything. Winnie likely won’t say anything all night, but that doesn’t mean she doesn’t want to. She just takes a long time to warm up to people.” I wasn’t sure what Harlow saw on my face, but she grinned. “She really wants to warm up to you, Dylan. Don’t fuck it up, okay?” “I’ll do my best.” When Harlow narrowed her eyes, I was pretty sure she might hit me. “I appreciate the way you tried to save us that day. You showed balls and I respect that. With that said, you better be taking this seriously, understand?” Leaning closer, I stared right into those suspicious eyes. “No one makes me feel like Winnie. If she needs to take it slow, we’ll go slow. If she wants to rush into it, we’ll rush. If she needs me to stand on my fucking head and sing the National Anthem, I’ll do it. So yes, I’m taking this very seriously,” I said, running a hand where short dark stubble took the place of my mohawk. “I told Winnie I would wait and I meant it. What you think is me being passive is just patience.” “Okay,” Harlow said softly. “You know when I came to Ellsberg, I was pretty messed up. My family was dead and I was in this new place with strangers. Winnie took care of me. She became my sister and best friend. I love her like she’s blood. Nothing personal, but if you hurt her, I’ll have to kill you.” “Fair enough,” I said, grinning. “Smile all you want, buddy, but I’ve got moves.” Harlow faked a punch, but I didn’t flinch. My mind was already focused on tomorrow. I hadn’t talked to Winnie since the day Nick’s dad showed up. I hadn’t seen her close up in weeks. I needed to be close to her even if she couldn’t do more than hide behind her hair all night.
Bijou Hunter (Damaged and the Bulldog (Damaged, #6))
She had short black hair that she wore in pigtails at the back of each ear. She had a silver stud in her left nostril and didn’t wear the normal police uniform. She was wearing black pants with a funky red top displaying the name of what I thought to be some local band, as I hadn’t heard of them. She looked like she had just come from a rave. Or maybe that’s where she was heading.
Kelly Carrero (Evolution (Evolution, #1))
She’d spent nearly half her life with Matthew, and not until a hard, bright diamond ear stud had appeared in their bed had she realized that he was living a life apart, and was not, and perhaps never had been, the man she thought she knew.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
We are gathered here today in the sight of God—oh shit, that part doesn’t really apply.” He consults his envelope again, then asks the crowd. “Does anyone have a pencil?” Again, he catches Felicity’s eye, and she gives him a gesture that clearly says move on. “Right. So. Not God. Sort of God—I don’t think he’d have anything against this, to be honest. But we’re here.” He looks up again from his notes, and seems to see Monty and Percy for the first time. His shoulders relax, and his face breaks into a smile so big his eyes crinkle, like there are no two people on earth he loves more. “To join these two in matrimony. And we don’t give a damn if it’s holy or not.” “Please don’t be crass at my wedding,” Monty says. His dark hair is studded with splashes of color from the wildflower garland. A single stem of yarrow has come free and is dangling down over his ear. “In lieu of scripture,” George says, as though he wasn’t interrupted, “Monty has requested I read an erotic poem.” The assembly laughs and Monty goes fantastically red. He glares at George, mouth puckered mostly to keep himself from smiling. Percy has to turn away to conceal his laughter.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
waitress, who looked about sixteen, was encased in metal-ware from her pierced, ringed eyebrows to her studded nose and lip, and then sideways to her multi-pierced ears, which jangled as she bent down. ‘I’m starving,’ Connie remarked, picking up the menu. ‘How about a Barney’s Bonanza, then? Comes
Dee MacDonald (The Runaway Wife)
Gage is not someone you would expect to be involved in the Mafia. Brown, thick wavy hair over ice blue eyes. Perfectly sculpted face. Two diamond studs in each ear. Lean swimmers’ body. Complete pretty boy.
Ames Mills (Riches to Riches: Part One (Abbs Valley, #1))
Signey always wanted to get her ears pierced. I guess for girls her age, that’s common. I see little point in it. After all, Madam used clip-on earrings her entire life. What’s wrong with that? But Terri had her ears pierced nearly a year ago. So, of course, Signey wanted her ears pierced as well. The problem was that every time Signey got close to her appointment, she would cancel it. Three times now. All canceled. “Kimberly, do you think I would look good with earrings?” Signey asked me one afternoon. “Yes,” I said, opening an eye from my nap. “Would I look good with diamond studs?” “You can never go wrong with diamonds, girlfriend.
Rob Baddorf (Posh)
Steele tipped my face toward him, claiming my lips as his own. I gave a delighted sigh as his tongue stud flicked over my tongue, and Archer kissed his way down my body, circling my bellybutton with kisses as he spread my legs wider apart. Hell yeah, that's what I was here for. Kody leaned in on the opposite side from Steele, kissing my neck and cupping one of my bare breasts with his warm, calloused hand. "How do you wanna do this, babe?" he whispered in my ear, his voice low and seductive. "You're calling the shots here. Wanna make Steele sit back and watch as punishment for shooting you?" "Hey!" Steele protested, breaking away from my lips to glare at Kody. "I heard that, prick. It was weeks ago, okay?" Still, his eyes flashed with lingering guilt, so I cupped his cheek and brought his face back to mine to kiss. "You know I don't blame you, Max," I murmured against his lips.
Tate James (Kate (Madison Kate, #4))
The Manhandling of Gilbert Gripes by Stewart Stafford Scrummage in a birch wood, Pyrrhic rut for an oval prize, Grinning studs rake my face, A flayed Garryowen as sport. Cauliflower ears throb with fear, Thunderous hooves charging, Poleaxed by a car crash tackle, Nosebleed kiss tickles my lips. The rite of passage staggers on, A butcher's initiation of brothers, Cutthroat razors kindly supplied, Wealthy primates whoop in safety. © Stewart Stafford, 2024. All rights reserved.
Stewart Stafford
His hungry, dangerous gaze trapped hers. “There’s a lot going on behind those pretty blue eyes, but somewhere between those delectable ears and that remarkable brain is a seriously faulty connection, if when I call you ‘Amelia’ you hear it prefaced with ‘just.’ Believe me, I could have married ‘just anyone’ years ago.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
I'm all of yours." "Then lay back, beautiful," I hear Luke growl in my ear. "Cause we're about to make you our fucking queen.
Madison Faye (Five Card Studs)
Even as he mentally went over the details of the major events of 1920s United States history for a quiz, he had plenty of leftover brainpower to consider how his back ached from leaning over the engine, the grease he could feel in his ear, the frustration of this rusted head stud, the proximity of his court date, and the presence of others here on the ley line.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
She nodded at Red. “Was that one of your mounts?” “He was too young to have served. I own a stud farm in Surrey, and he is one of three whose training I did not want to see lapse over the summer. His name is Ethelred. Shall I introduce you?” “I’d be delighted.” She rose without assistance. “It isn’t every morning a lady finds two such handsome fellows on her back porch.” “He will be happy to opine regarding your grass, I’m sure,” the earl said, walking down the steps beside her. “I think he believes it to be too long and in need of his attentions.” Red looked up as they approached but continued chewing. “Is he a bit thin?” she asked, holding out a hand for Red to sniff. “He is. He’s three and a half. He’ll continue to grow for at least another year, and he’s in a weedy stage. Then, too, they all dropped weight on the journey north.” As he had himself. “Well, aren’t you handsome?” She addressed the horse, the minx. “I am pleased to make your acquaintance, Mr…?” She arched an eyebrow at the earl. “Ethelred,” the earl reminded her, “or Red, which he seems to like better.” Red was making sheep’s eyes at Miss Farnum, sniffing at her hand then wiggling his lips against her palm. “Shameless beggar.” The earl scratched at Red’s ears. “He must like the sugary scent of you.” Without thinking, Rosecroft grasped her hand and sniffed at her palm. “Sweet,” he remarked, “and a little spicy.” She shot him a quizzical look. “Perhaps I will experiment with making treats for your steed.” “And wouldn’t you love that?” the earl asked his horse.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Kat had expected Bork to be some fat cat with plump fingers, a tight collar, and a stroke-red flush in his skin. Wrong. Bork was short and wiry, almost like a bantamweight boxer, with olive-toned skin. She guessed his age at a youthful fifty. He wore funky designer glasses that would probably have worked better on a younger guy. There was a smoothness to his face that indicated some kind of cosmetic treatment, and a diamond stud in his left ear that traveled quickly from hip to desperate. Bork’s
Harlan Coben (Missing You)
That goat has been nothing but trouble. And the dratted creature isn’t even picturesque. Goats resemble nothing so much as badly dressed sheep.” “That’s quite unfair,” Beatrix said. “Goats have far more character and intelligence than sheep, who are nothing but followers. I’ve met far too many in London.” “Sheep?” Christopher asked blankly. “My sister is speaking figuratively, Captain Phelan,” Amelia said. “Well, I have met some actual sheep in London,” Beatrix said. “But yes, I was mainly referring to people. They all tell you the same gossip, which is tedious. They adhere to the current fashions and the popular opinions, no matter how silly. And one never improves in their company. One starts falling in line and baaing.” A quiet laugh came from the doorway as Cam Rohan entered the room. “Obviously Hathaways are not sheep. Because I’ve tried to herd the lot of you for years, without any success.” From what Christopher remembered of Rohan, he had worked at a London gaming club for a time, and then had made a fortune in manufacturing investments. Although his devotion to his wife and family was well-known in Stony Cross, Rohan was hardly the image of a staid and respectable patriarch. With his longish dark hair, exotic amber eyes, and the diamond stud flashing in his ear, his Romany heritage was obvious. Approaching Christopher, Rohan exchanged a bow and surveyed him with a friendly gaze. “Captain Phelan. It is good to see you. We were hoping for your safe return.” “Thank you. I hope my presence is not an imposition.” “Not in the least. With Lord Ramsay and his wife still in London, and my brother Merripen and his wife visiting Ireland, it’s been far too peaceful here of late.” Rohan paused, a glitter of amusement entering his eyes. “Fugitive goats notwithstanding.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Sophie could sense Aidan’s attraction to Morgan.  Could he be more insane? Not that Aidan was ugly.  Sophie just figured his black clothing, studded eyebrow and ears, and tattoos were something the Queen of Ice wouldn’t be interested in. Morgan shook her curls off of her shoulder with a silent glare for the group. Aidan grinned again and turned to Jackson.  “You play for the football team?”  He leaned back in his chair and tapped his fingers on the arm. “Could you please stop that?”  Morgan speared Aidan with another look. “Sure thing, Princess.” “Shut up.” Jackson watched their exchange with a small smile.  A curl fell over his forehead that made him look devastatingly virtuous.  “Tristan and I are on the same team.  We’ve played together since we were little.
Samantha Long (Awakening (Guardians, #1))
Would you like to hack out with me, Eve?” The smile disappeared. “I’m not dressed appropriately. Thank you for the invitation, nonetheless.” He hadn’t expected her to accept, though he had wanted to hear her reply. He shifted closer to her in the stall, close enough that he could stretch out a hand to his horse and not be overheard by the lads. “I’d put you up on Willy here. He’s gentle as a lamb under saddle.” “You’d let me ride your prize racing stud?” The longing in her voice was palpable. “I don’t think he’s going to hear, see, or obey anybody else when you’re in the vicinity. Willy’s in love.” The blighted beast nickered deep in its chest as if in agreement. “What a charming fellow.” Eve’s bare hand scratched right behind Willy’s ear, and if he’d been a dog, the stallion’s back leg would have twitched with pleasure. What was wrong with a man when he wanted to tell his horse: She petted me first, so don’t get any ideas? “I’d love to see you on him, Lucas. I’ll bet he has marvelous paces.” Now the smile was aimed at Deene, and even the horse seemed to be looking at him beseechingly. “I cannot disappoint a guest. We’ll have some luncheon up at the house, and the lads can saddle him up.” As Deene escorted the lady from the loose box, Willy managed to look crestfallen before he went back to desultorily lipping at his hay. “Some
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
The leader, a big-bellied Mexican wearing a huge sombrero, sat in a black saddle studded with silver conchos. Spurs jingled at the heels of his boots. A necklace of human ears hung from around his neck. The blood on them still looked fairly fresh.
James Axler (Warlord Of The Pit)
Geez, where's the fire? Something happen at school? Another failed run-in with Baseball Stud?" Peyton choked and sputtered beside me, but Faith continued despite her distress. "I already told you what you have to do. Find out whichever locker is his, stake it out, and when that Diamond Doll floozie leaves his side, offer to be his bat girl instead." She giggled as she said it, wiggling her eyebrows for innuendo, and Peyton's face blazed five shades of red. I couldn't wipe the smile from my face if someone paid me to. As Peyton's mouth opened and closed like a fish, I leaned close to her ear, inhaling the intoxicating scent of sunflowers, and murmured, "I'd love it if you did that.
Rachel Harris (The Natural History of Us (The Fine Art of Pretending, #2))
ceremony rehearsal, and one of the groomsmen dared to suggest that Evan might want to take a small sedative before the real wedding, which, as you can imagine, did not go over well. Oh, and Francois threatened to quit halfway through the final menu tasting.” Harmony cringed. “Yikes.” “I think if Francois would have quit, I would have too.” I sighed. “I believe it. I’ve never seen you use the coffee table as an ottoman before.” I smiled and wiggled my toes. “I don’t know why not.” “Well, as you explained to me, this here is an authentic Jason Partillo design,” Harmony replied, a lilt in her voice as she gently needled me with her elbow. I laughed softly. “Are you trying to say that those of us who live in diva houses shouldn’t throw shoes?” She barked a laugh. “No. This Evan guy sounds like he left diva in the dust a long time ago and plowed straight into narcissistic jerk land.” “Can’t argue with that.” I closed my eyes, my head leaning against the back of the sofa. “Two days and then it’s over and they won’t be my problem anymore. I have fifteen weddings between now and June. That’s going to feel like a walk in the park compared to this nonsense.” “And in the meantime, you get the rest of the night off to spend with me and your bestie!” Harmony said. “Assuming I can stay awake, that is,” I replied, peeling my eyes open. “I should have left room in the schedule for a pre-dinner nap.” Harmony laughed and sprang off the sofa to continue getting ready. “Do you think I should wear my black tights with the red sweater dress, or can I get away with jeans? Is the place we’re going fancy fancy or fancy-ish?” I smiled at my sister’s nervous musings. She wasn’t one to ask for my fashion advice, mostly because I preferred my clothes hole-free and didn’t own anything with spikes or studs on it. While she could dress up when the situation warranted, Harmony tended toward a certain grunge-chic aesthetic with colorful streaks in her otherwise bleached-blonde hair, four piercings in each ear, and a penchant for artfully torn clothing and bomber jackets. And she’d recently added a small crystal stud to her nose. “It’s fancy-adjacent,” I told her. “Go with the leggings and dress.” Harmony nodded, even as her teeth worked nervously at her lower lip. I smiled. “She’s going to love you, Harmony. Stop stressing.” Holly Boldt, my good friend and fellow witch, was coming into the Seattle Haven to speak at a potion making conference, and we’d made plans
Danielle Garrett (Wedding Bells and Deadly Spells (A Touch of Magic Mysteries #3))
He is thinking if there is any way by which he can explain just how and what it is he suffers. He is wondering if there is anyone in the whole wide world with a heart big enough to comprehend what it is he wants to tell. There are so many little things to say first, and will anyone have the patience to listen to the end? Suffering is no one thing: it is composed of invisible atoms infinite in number, each one a universe in the great macrocosm of pain. He could begin anywhere, with anything, with a silly word even, a word such as flapdoodle, and he could erect a cathedral of staggering dimensions which would not occupy so much as a pocket in the crevice of the tiniest atom. To say nothing of the surrounding terrain, of the circumambient aura, of things like coast lines, volcanic craters, fathomless lagoons, pearl studs and tons of chicken feathers. The musician has an instrument to work with, the surgeon has his implements, the architect his plans, the general his pawns, the idiot his idiocy, but the one who is suffering has everything in the universe except relief. He can run out to the periphery a trillion times but the circle never straightens out. He knows every diameter but no egress. Every exit is closed, whether it be an inch away or a billion light years distant. You crash a gate made of arms and legs only to get a butt blow behind the ear. You pick up and run on bloody, sawed-off stumps, only to fall into an endless ravine. You sit in the very center of emptiness, whimpering inaudibly, and the stars blink at you. You fall into a coma, and just when you think you've found your way back to the womb they come after you with pick and shovel, with acetylene torches. Even if you found the place of death they would find a way to blow you out of it. You know time in all its curves and infidelities. You have lived longer than it takes to grow all the countless separate parts of a thousand new universes. You have watched them grow and fall apart again. And you are still intact, like a piece of music which goes on being played forever. The instruments wear out, and the players too, but the notes are eternal, and you are made of nothing but invisible notes which even the faintest zephyr can shake a tune out of.
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
He has tattoos, nose rings, and those little metal studs that look like steel zits. Recently, he had a metal spike pierced through his ear. Made his lobes look like barbecued shrimp on a skewer.
James Patterson (I Funny TV: A Middle School Story (I Funny Series Book 4))
approaching her. “She’s-she’s out, I guess,” the girl replied, trying to sound confident but not succeeding. “But she should be back real soon.” The old man smiled again, more of a sneer, as he wavered slightly. “And that little shit brother of yours?” demanded her stepfather. “Where’s he at?” “I-I don’t know,” she mumbled. “No one was home when I got here.” “So it’s just you and me, huh, kiddo?” he mused, scratching his stubble thoughtfully as his cold bleary eyes wandered over the forms of her body beneath her thin, yellow sundress. “I’m sure Mom will be back real soon,” she repeated tearfully as she shrunk into the corner, shivering with terror. The old man grinned at her for a few seconds, then stepped back and pushed the door shut. As he returned, he started unbuttoning his jeans and retorted, “Well, girly, real soon is just not soon enough for me today. You’re just gonna have to fill your mama’s shoes.” The boy rolled away from the grill, not wanting to see what was taking place. His sister shrieked and several slaps were heard amidst a muttered “Quiet, little lady.” Covering his ears, the youngster cowered in the darkness and silently wept with frustration. But, what could he do? He was only ten. After a minute or two, the boy heard the bedroom door below swing open and slam shut and everything grew quiet. With tears in his eyes, he crawled forward and once again peered down through the grill. Their stepfather was gone but his sister was still there, lying on the bed, whimpering and shaking uncontrollably. Her dress was ripped and he could see her exposed breasts, scratched and bruised. Her left eye, just above the cheekbone, was already starting to swell from when the pig had hit her and the sheets were spattered with blood. He began to soundlessly weep once more as he vowed that he would get even when he was older. Chapter 1 - Tuesday, June 25, 1996 8:00 p.m. Sandy was at school, her last night of the spring term and would not be home for a while. She had mentioned that she would be going for a drink or two after class with a few fellow students to celebrate the completion of another semester. She would therefore most likely not be home before midnight. She never was on such occasions as she enjoyed these mini social events. With Sandy out, he was alone for the evening but this had never proved to be a problem in the past and this night would not be any different. He was perfectly capable of looking after himself and could always find a way to occupy his time. He pulled on some black Levi’s and a dark t-shirt, slipped into his black Reeboks and laced them securely. Leaving the bedroom, he descended to the main floor, headed for the foyer closet and retrieved his black leather jacket. No studs or chains, just black leather. He slipped into the coat and donned
Claude Bouchard (THE VIGILANTE SERIES 1-6)
He noticed she’d chosen tiny gold hoop earrings and small diamond studs for her ears. With their healing abilities, vampires pierced their ears anew each time they chose to wear them.
Joey W. Hill (The Vampire Queen's Servant (Vampire Queen, #1))
Bright smile, sensible haircut, gold studs in her ears because anything more elaborate would get in the way of the job. A caregiver through and through. I can see why everyone seemed to like her. I think I would have liked her, too.
Riley Sager (The Only One Left)