Zoo Lights Quotes

Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.

Roses are red, violets are blue, This room's a psycho shopping zoo. The fashion's a disaster, the mirrors are large, And somebody left a crazy lady with needles in charge.

Franny looked at them up on the porch, everyone softened by the veil of the screen, by the light that was slanting in behind them, by the bank of yellow lilies that separated them from her. It was not unlike seeing tigers at the zoo.

After counting all the sheep in the world I enumerate the wildebeests, snails, camels, skylarks, etc., then I add up all the zoos and aquariums, country by country. By early light I am asleep in a nightmare about drowning in the Flood,

He became a surgeon because he was afraid of knives. He got married because he was afraid of women. He had a child because he was afraid of responsibility. Now, his marriage over and his child no longer speaking to him, he turned off all the lights in the house because he was afraid of the dark

She had to have men at her feet; that was, as it were, the price of her – purely social – daily bread as it was the price of the daily bread of her intimates. She was, and had been for many years, absolutely continent. And so very likely were, and had been, all her Moiras, and Megs, and Lady Marjories – but she was perfectly aware that they had to have, above their assemblies as it were, a light vapour of the airs and habits of the brothel. The public demanded that … a light vapour, like the slight traces of steam that she had seen, glutinously adhering to the top of the water in the crocodile-houses of the Zoo.

MEMORY believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by a ten foot steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant as the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.

I had the sense that these locked rooms were more than just a place to hold us. I thought they must be something more important, locking up our very lives and souls, isolating us, stripping even the light from us. This was a prison of the soul. This room had taught me a true loneliness of a kind I had never seen or experienced before, and the meaninglessness of a life without a future.

I dream that someone in space says to me: So let us rush, then, to see the world. It is shaped like an egg, covered with seas and continents, warmed and lighted by the sun. It has churches of indescribable beauty, raised to gods that have never been seen; cities whose distant roofs and smokestacks will make your heart leap; ballparks and comfortable auditoriums in which people listen to music of the most serious import; to celebrate life is recorded. Here the joy of women’s breasts and backsides, the colors of water, the shapes of trees, athletes, dreams, houses, the shapes of ecstasy and dismay, the shape even of an old shoe, are celebrated. Let us rush to see the world. They serve steak there on jet planes, and dance at sea. They have invented musical instruments to express love, peaceableness; to stir the finest memories and aspirations. They have invented games to catch the hearts of young men. They have ceremonies to exalt the love of men and women. They make their vows to music and the sound of bells. They have invented ways to heat their houses in the winter and cool them in the summer. They have even invented engines to cut their grass. They have free schools for the pursuit of knowledge, pools to swim in, zoos, vast manufactories of all kinds. They explore space and the trenches of the sea. Oh, let us rush to see this world.

There are also natural gifts of an on-the-road life. For instance, witnessing the northern lights in Colorado, or walking under a New Mexico moon bright enough to reveal the lines in my palm, or hearing the story of a solitary elephant in a Los Angelas zoo reunited with an elephant friend of many ears before, or finding myself snowed into Chicago with a fireplace, a friend and a reason to cancel everything. More reliably than anything else on earth, the road will force you to live in the present.

Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.

We had been out for one of our evening rambles, Holmes and I, and had returned about six o’clock on a cold, frosty winter’s evening. As Holmes turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read: CHARLES AUGUSTUS MILVERTON, Appledore Towers, Hampstead. Agent. “Who is he?” I asked. “The worst man in London,” Holmes answered, as he sat down and stretched his legs before the fire. “Is anything on the back of the card?” I turned it over. “Will call at 6:30--C.A.M.,” I read. “Hum! He’s about due. Do you feel a creeping, shrinking sensation, Watson, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that’s how Milverton impresses me. I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him--indeed, he is here at my invitation.” “But who is he?” “I’ll tell you, Watson. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Milverton, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?” I had seldom heard my friend speak with such intensity of feeling.

It would be overdramatic to say that modern humans are zoo animals. But our stress response to red lights, office cubicles, screeching subway cars and social isolation is similar to that of a captive animal. There is such a massive mismatch between our natural environment and the modern world that our bodies have been put in a state of perpetual stress. We don’t recognize this as abnormal since everyone we know suffers from it. A monkey raised in captivity has no idea that life need not be limited to tossing turds at well-dressed primates on the other side of the thick glass. Imagine its surprise when one day it is released into the wild and discovers that his new wild troupe has miles upon miles of tree branches to swing and eat figs from. Modern humans who have gone to live with hunter-gatherer societies have noticed a similar freedom. After spending time living with the Hadza tribe in Tanzania, Michael Finkel wrote: There are things I envy about the Hadza -- mostly, how free they appear to be. Free from possessions. Free of most social duties. Free from religious strictures. Free of many family responsibilities. Free from schedules, jobs, bosses, bills, traffic, taxes, laws, news, and money. Free from worry.

Ok, this farmer is driving down the road in his truck and he comes to a state cop in the middle of the road with the blue flashing and everything, and the farmer asks, What's the problem, Officer? The cop looks worried and nods on ahead where this pig is sitting right in the middle of the road-big damn pig- and the cop says, Got a problem with this pig in the road. So the farmer says, Hmmm. And the cop says, Hey I got an idea, Why don't we load this pig into your truck and then you take him to the zoo? And the farmer says, Well, I reckon we could do that. So they load they pig into the farmer's truck and off the farmer drives and that's that. So the next day the cop is out there on the road again because that is his usual speed trap, and who do you think drives by? The farmer--and sitting right next to him in the cab is the pig. And the pig's wearing a baseball hat! The farmer and the pig just go cruising by. So the cop shakes off the unreality of the whole situation, fires up the blue flashing light and sirens and gets scratch in 3 gears tearing out after the farmer, and caught up pretty soon and pulls the farmer over and walks up to the truck. The farmer looks real casual and says, Yessir. The cop says, Hey, I thought I told you to take that pig to the zoo! And the farmer says, I did! We had a good time, too, so today I thought we'd go to the ball game. HA! HA! HA!

Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him. “It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.” John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile. He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?” “Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.” John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly. Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes. Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs. John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.” He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve. That led to John Stainton’s call to Oregon on the eve of our honeymoon. “I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.” Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?” “Let’s go,” I replied.

So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.

Worldwide Long Range Solutions Special Interest Group [ ¤ SIG AeR.WLRS 253787890.546]. Space Colonization Subgroup. Open discussion board. Okay, so imagine we get past the next few rough decades and finally do what we should have back in TwenCen. Say we mine asteroids for platinum, discover the secrets of true nanotechnology, and set Von Neumann "sheep" grazing on the moon to produce boundless wealth. To listen to some of the rest of you, all our problems would then be over. The next step, star travel, and colonization of the galaxy, would be trivial. But hold on! Even assuming we solve how to maintain long-lasting ecologies in space and get so wealthy the costs of star-flight aren't crippling, you've still got the problem of time. I mean, most hypothetical designs show likely starships creeping along at no more than ten percent of the speed of light, a whole lot slower than those sci-fi cruisers we see zipping on three-vee. At such speeds it may take five, ten generations to reach a good colony site. Meanwhile, passengers will have to maintain villages and farms and cranky, claustrophobic grandkids, all inside their hollowed-out, spinning worldlets. What kind of social engineering will that take? Do you know how to design a closed society that'd last so long without flying apart? Oh, I think it can be done. But don't pretend it'll be simple! Nor will be solving the dilemma of gene pool isolation. In the arks and zoos right now, a lot of rescued species are dying off even though the microecologies are right, simply because too few individuals were included in the original mix. For a healthy gene pool you need diversity, variety, heterozygosity. One thing's clear, no starship will make it carrying only one racial group. What'll be needed, frankly, are mongrels… people who've bred back and forth with just about everybody and seem to enjoy it.

Save a life, and your path will always have light.

He’d stopped talking about bonding her to him forever and had apparently decided to concentrate on being charming instead. Liv never would have believed that such an intensely alpha male could be light and playful but she had been seeing an entirely different side of Baird lately. Aside from the sushi class, he’d also taken her to an alien petting zoo where she was able to see and touch animals that were native to the three home worlds of the Kindred and they’d been twice to the Kindred version of a movie theater where the seats were wired to make the viewer feel whatever was happening on the screen. He’d also taken her to a musical performance where the musicians played giant drums bigger than themselves and tiny flutes smaller than her pinky finger. The music had been surprisingly beautiful—the melodies sweet and haunting and Liv had been moved. But it was the evenings they spent alone together in the suite that made Liv really believe she was in danger of feeling too much. Baird cooked for her—sometimes strange but delicious alien dishes and once Earth food, when she’d taught him how to make cheeseburgers. They ate in the dim, romantic light of some candle-like glow sticks he’d placed on the table and there was always very good wine or the potent fireflower juice to go with the meal. Liv was very careful not to over-imbibe because she needed every ounce of willpower she had to remember why she was holding out. For dessert Baird always made sure there was some kind of chocolate because he’d learned from his dreams how much she loved it. Liv had been thinking lately that she might really be in trouble if she didn’t get away from him soon. If all he’d had going for him was his muscular good looks she could have resisted easily enough. But he was thoughtful too and endlessly interested in her—asking her all kinds of questions about her past and friends and family as well as people he’d seen while they were “dream-sharing” as he called it. Liv found herself talking to him like an old friend, actually feeling comfortable with him instead of being constantly on her guard. She knew that Baird was actively wooing her, doing everything he could to earn her affection, but even knowing that couldn’t stop her from liking him. She had never been so ardently pursued in her life and she was finding that she actually liked it. Baird had taken her more places and paid her more attention in the past week than Mitch had for their entire relationship. It was intoxicating to always be the center of the big warrior’s attention, to know that he was focused exclusively on her needs and wants. But attention and attraction aside, there was another factor that was making Liv desperate to get away. Just as he had predicted, the physical attraction she felt for Baird seemed to be growing exponentially. She only had to be in the same room with him for a minute or two, breathing in his warm, spicy scent, and she was instantly ready to jump his bones. The need was growing every day and Liv didn’t know how much longer she could fight it.

Hmm…” Melandre acknowledged the comment, then spun back, yelling at Andrake. “Quit dawdling!” She accessed her son's system and sent a flash of light across his eye-screens. “Didn’t have to do that, mum,” said Andrake as he shoved the hacking wand in his pocket and rubbed his eyes. “I was almost done.

In spite of the death of the big croc, I felt that our time at Cattle Creek had been superb. Even before we got back to the zoo and saw the footage, there was a hint in the air that something special had been accomplished. We were elated at saving one crocodile and bitterly disappointed at the one that had been shot. Perhaps Steve felt the failure to save the Cattle Creek croc from poachers more strongly than I did. He was normally an action man, focused on his next project. I wasn’t used to him being gloomy or fixated on mortality. But he kept asking me to promise him that I’d keep the zoo going if something happened to him. “Promise me,” he said, wanting me to say it out loud. I solemnly promised him that I would keep the zoo going. “But nothing’s going to happen,” I said lightly, “because the secret to being a great conservationist is living a long time.” On the drive back to the zoo, we had talked for a long time, a marathon conversation. We didn’t know whether our Cattle Creek documentary would make a huge difference or not. But we agreed that through our zoo and our shared life together, we would try to change the world. I told him about my days at the vet hospital in Oregon, and the times I’d sit on the floor and weep, I’d be so overwhelmed by the pain and suffering visited upon innocent animals. But that burden seemed much easier to bear now, because I had someone to share it with. Steve truly understood how I felt. And I was someone who could sympathize with the depth of his dedication to wildlife. There was a big wide world out there. We were just a small wildlife park in Australia. It was absurd to think the two of us could change the world. But our love seemed to make the impossible appear not only possible, but inevitable. I look back on the talk we had during the ride to the zoo from Cattle Creek as helping to create the basis of our marriage. No matter what problems came along, we were determined to stay together, because side by side we could face anything.

When we got close to the airport, the reality of the public reaction to Steve’s death began to sink in. Members of the media were everywhere. We drove straight through the gates to pull up right next to the charter plane. The last thing I felt like doing at that moment was to talk to anyone about what had happened. I just wanted to get to Steve. As I walked toward the plane, I turned back to thank the police who had helped us. The tears in their eyes shocked me out of my own personal cocoon of grief. This wasn’t just a job for them. They genuinely felt for us, and suffered Steve’s loss. So many other people loved him too, I thought. All during the endless, three-hour plane ride to Maroochydore, I kept flashing back to our fourteen years of adventures together. My mind kept focusing on another plane ride, so similar to this one, when Bindi and I had to fly from the United States back to Australia after Steve’s mum had died. Part of me wished we could have flown forever, never landing, never facing what we were about to. I concentrated on Bindi and Robert, getting them fed and making sure they were comfortable. But the thought of that last sad flight stayed there in the back of my mind. The plane landed at Maroochydore in the dark. We taxied in between hangars, out of public view. I think it was raining, but perhaps it wasn’t, maybe I was just sad. As I came down the steps of the plane, Frank, Joy, and Wes stood there. We all hugged one another. Wes sobbed. We managed to help one another to the hangar, where we all piled into two vehicles for the half-hour drive back to the zoo. I turned on the DVD in the backseat for the kids. I desperately needed a moment without having to explain what was going on. I wanted to talk to Wes, Joy, and Frank. At some point during the ride, Wes reached back and closed the DVD player. The light from the player was giving the press the opportunity to film and photograph us in the car. This was a time to be private and on our own. How clever of Wes to consider that, I thought, right in the middle of everything. “Wes,” I said, “what are we going to do now?

overhead lights set in the walls,

Alice Wakes at Two and Looks Out the Window" A gate, she thinks, I'm the gate of my breathing, of this powdery chant, and I'll always mistake stars for dust exploding white in the noon sun. They dance, those jewels, as will I, dance to the zoo with my blue feet on, with a silver drum, dance bad words and hard tunes, dance the colors men blush to. Once there I'll climb the fences, seduce the alarms, I'll move from lion to monkey to lamb and kiss the small packets of their hearts. Then come home to bed, to warm eternity, to the wheel that twines my flesh and spins it to sleep. So fall, star, and meet your embrace. I'll name you True Love and lick you with wishes.

The penumbra of dusk moves slowly westward. The owls of Europe are already hunting. The zoo owls will be waking now as the light declines and the grey Victorian brickwork glows with evening gold. Trees drift in the wind above the roar of traffic in the road outside. White mice lie dead on the floor of the cage. The eagle owl will not feed till dusk. He is waking as the people watch him, stretching his neck and uttering a soft call. His sunset-coloured eyes are kindling, the light coming slowly forward from within. The owl looks outward, beyond the watching faces. They have no significance for him. He is waking to his own world, to glooms of spruce or desert rock. He does not see the dull metallic chains that fence us in. His mind is still unscalable, a crag from which he can look down at the captives gazing up at him.

The light indicating the bathroom is occupied clicks off and the fabulous Gigi Fandone saunters back to stage side. A heavy smell follows her. It's a smell much like the trenches in the zoo, but worse. It's a smell much like Detroit's septic system, but worse. It's a smell much like a diaper disposal truck, but worse.

You’re going to break your idiot neck one day, or someone’s going to break it for you.” My dad. He was probably right. They were all right. But when the thing is right there in front of me, and I can kick it, grab it, shout it out, jump into it, paint it, launch it, or light it on fire, it’s like I’m a puppet on a string, powerless to resist. I don’t think; I do. It can be little things, like throwing darts at a pool float to test my sister’s swimming skills, or spitting back at the llamas at the zoo. It can be more creative—a helium balloon, a fishhook, and Uncle Mark’s toupee. It can even be the smart-alecky comments that got me voted Most Likely to Wind Up in Jail in my middle school the last two years running.

As he turned away, the sunlight struck his jacket at an unusual angle. Noah noticed that the pleats had thin cuts in the bottom of the folds. He wondered if there was a reason for the cuts, but before he had time to study them, the Descender moved out of the light, and they were concealed once more.

There were several definitions of the term mate—though Bryce supposed that to Ithan, to a shifter, only one mattered: one’s true lover, predestined by Urd. The Fae had a similar concept—a mate was a bond deeper than marriage, and beyond an individual’s control. The angels, she knew, used the term far more lightly: for the malakim, it was akin to a marriage, and matings could be arranged. Like breeding animals in a zoo.

What impressed Yali most were not the roads, the lights, and the tall buildings, but the Queensland Museum and the Brisbane Zoo. To his amazement, the museum was full of native New Guinea artifacts. One of the exhibits even contained his own people's carved ceremonial mask worn in the great puberty rituals of former times -- the very same mask which the missionaries had called the "works of Satan." Now, carefully preserved behind glass, the mask was being worshiped by priests in white frocks and a steady stream of well-dressed visitors, who talked in hushed tones. ... It was not until after the war, while attending a government conference in Port Moresby, the capital of Australian New Guinea, that Yali realized the extend to which the missionaries had been lying to the natives. During the course of the conference Yali was shown a certain book which contained pictures of apes and monkeys becoming progressively more similar to men. At last the truth dawned on him: The missionaries had said that Adam and Eve were man's ancestors, but the whites really believed their own ancestors were monkeys, dogs, cats, and other animals.

Everything smelled of dust trapped in light, cracked leather and wayward dreams. Breathing in and out through her nose, Tella looked down at the Map of All. It had transformed once they'd entered the library. It now revealed an entire kingdom made of books that could either have been a book lover's nightmare or their wish come true. There was a Broken Spine Castle, an Unread River, a Ravine of Ripped Pages, a Poetry Valley, a set of Novel Mountains, and then finally, the Ruscica and Books for Advanced Imaginations. The most direct route to this room was through an area referred to as The Zoo. Tella wondered if it would have books in cages, but The Zoo didn't even have bookshelves. The books all roamed freely in this room as they clung together to take the shapes of different animals. Tella spied bookish rhinos, paper-mache elephants and very tall giraffes that milled about in an oddly peaceful silence. The elephant sniffed at Tella with its leathery-grey trunk of books, while a paper bunny made of loose pages noiselessly hopped after Legend. The bunny continued to follow as they left The Zoo and reached The Reading Chamber, where books formed couches and chairs and one massive throne.

Her silver eyes reflected in the dark. They reminded him of the nocturnal exhibit in the zoo where the halls were pitch black and illuminated only by soft blue lights inside the cages. Pacing about in one was the first predatory big feline he ever saw. An anxious and muscular cougar not suited for the captivity it had been forced into. When the cat turned to look at the crowd, its eyes were two glowing spheres. A vivid green lining within an eye that looked like Ruby’s stared out at the viewing crowd.

The kingdom of poetry" This is like light. This is light, Useful as light, as charming And enchanting… …Poetry is certainly More interesting, more valuable, and certainly more charming Than Niagara Falls, the Grand Canyon, the Atlantic Ocean And other much admired natural phenomena. It is useful as light, and as beautiful It is preposterous Precisely, making it possible to say One cannot carry a mountain, but a poem can be carried all over. It is monstrous. Pleasantly, for poetry can say, seriously or in play: “Poetry is better than hope, “For poetry is patience of hope, and all hope’s vivid pictures, “Poetry is better than excitement, it is far more delightful, “Poetry is superior to success, and victory, it endures in serene blessedness “Long after the most fabulous feat like fireworks has mounted and fallen. “Poetry is far more powerful and far more enchanting animal “Than any wood, jungle, ark, circus or zoo possesses.” For poetry magnifies and heighten reality: Poetry says of reality that if it is magnificent, it is also stupid: For poetry is, in a way, omnipotent; For reality is various and rich, powerful and vivid, but it is not enough Because it is disorderly and stupid or only at times, and erratically, intelligent: For without poetry, reality is speechless or incoherent: It is inchoate, like the pomp and the bombast of thunder: Its peroration verge upon the ceaseless oration of the ocean: For reality glows and glory, without poetry, Fake, like the red operas of sunset The blue rivers and the windows of morning. The arts of poetry makes it possible to say: Pandemonium. For poetry is gay and exact. It says: “The sunset resembles a bull-fight. “A sleeping arm feels like soda, fizzing.” Poetry resurrect the past from the sepulchre, like Lazarus. It transforms a lion into a sphinx and a girl. It gives a girl the splendor of Latin. It transforms the water into wine at each marriage in Cana of Galilee. For it is true that poetry invented the unicorn, the centaur and the phoenix. Hence it is true that poetry is an everlasting Ark. An omnibus containing, bearing and begetting all the mind’s animals. Whence it is that poetry gave and gives tongue to forgiveness Therefore a history of poetry would be a history of joy, and a history of the mystery of love For poetry provides spontaneously, abundantly and freely The petnames and the diminutives which love requires and without which the mystery of love cannot be mastered. For poetry is like light, and it is light. It shines over all, like the blue sky, with the same blue justice. For poetry is the sunlight of consciousness: It is also the soil of the fruits of knowledge In the orchards of being: It shows us the pleasures of the city. It lights up the structures of reality. It is a cause of knowledge and laughter: It sharpens the whistles of the witty: It is like morning and the flutes of morning, chanting and enchanted. It is the birth and the rebirth of the first morning forever. Poetry is quick as tigers, clever as cats, vivid as oranges, Nevertheless, it is deathless: it is evergreen and in blossom; long after the Pharaohs and the Caesars have fallen, It shines and endures more than diamonds, It is because poetry is the actuality of possibility, it is The reality of the imagination, The throat of exaltation, The processions of possessions, The motion of meaning and The meaning of morning and The mastery of meaning. The praise of poetry is like the clarity of the heights of the mountains. The heights of poetry are like the exaltation of the mountains. It is the consummation of consciousness in the country of the morning!

But I was even more surprised when he stuck around with me and smiled a full, toothy, letter-D-shaped movie star grin. The magazines said he was only twenty-eight, which was young for an executive chef but felt old to me. He looked like a man. Even when Elliott turned twenty-eight, I doubted he would look as manly as Pascal. Somehow, in the supermarket lighting, Pascal seemed hotter- more capable and more real. In restaurants, he blended in with the scenery of the meal. But here, holding his basket just like everyone else, looking at the discounted produce, getting lost in the aisles, his presence became even more magical, as if I were seeing a beautiful, powerful animal in the wild instead of at the zoo.

The Fae had a similar concept—a mate was a bond deeper than marriage, and beyond an individual’s control. The angels, she knew, used the term far more lightly: for the malakim, it was akin to a marriage, and matings could be arranged. Like breeding animals in a zoo.

long time, and he gets the balance just right.” “And it sounds like he taught you well,” commented Jamison. Dawson brightened. “He has taught me well. Sometimes too well, such that I’m sitting in a restaurant with two strangers talking about cow pens and nitrogen levels.” Jamison said, “The closest I’ve ever gotten to livestock is at a petting zoo.” “What else did Hal Parker tell you about finding the body?” asked Decker. “That he threw up. That he’d never seen anything that awful in his life. And he fought in the Middle East.” “But he couldn’t have known it was Irene Cramer. She was identified after she was brought in.” Dawson sat back and looked at Decker in a new, perhaps sobering light. “I’m good friends with Liz Southern. She told me. But I don’t want her to get into trouble. I was just curious after Hal told me he’d found a body of a woman.” “That’s okay,” said Jamison. “It’s a small town and news was bound to get around.” “Got any suspects?” “None that we can talk about,” advised Decker quickly. “Did you know Ms. Cramer?” “No. But I knew that she taught school over at the Brothers’ Colony.” “Do you know the folks there?” “I can’t say I really know them all that well.” She glanced at Decker. “So, Stan also told me that you’re his brother-in-law.” “Soon to be ex-brother-in-law, as I’m sure he also told you.” “I wouldn’t be seeing him if he were still happily married,” she said firmly. “That’s good to know,” replied Decker. “I have to admit that I went to the OK Corral Saloon and watched you two dancing. Frankly, I don’t think I’ve ever seen him more uncomfortable.” Dawson smiled. “He is very