Zeppelin Quotes

Well, I sort of don’t trust anybody who doesn’t like Led Zeppelin.

Mellow is the man who knows what he's been missing

The last I saw of Percy and Annabeth, their Prius was turning the corner on First Avenue, Percy singing along with Led Zeppelin on the radio, Annabeth laughing at his bad voice. Alex crossed his arms. "If those two were any cuter together, they'd cause a nuclear explosion of cuteness and destroy the Eastern Seaboard.

My gosh, if you’re going away, we got a million things to talk about! All the things we would’ve talked about next month, the month after! Praying mantises, zeppelins, acrobats, sword swallowers!

These are the seasons of emotion, and like the winds, they rise and fall.

Sing loud for the sunshine. Pray hard for the rain.

Heavy Metal would not exist without Led Zeppelin, and if it did, it would suck.

Maybe she feels like a jerk about leaving him at Pitch Manor on Christmas Eve. I know I do. The vibe here is very, Let's kill a virgin and write a great Led Zeppelin album

I named my camel Katrina. She was a natural disaster. She slobbered everywhere and seemed to think the purple streak in my hair was some kind of exotic fruit. She was obsessed with trying to eat my head. I named Walt's camel Hindenburg. He was almost as large as a zeppelin and definitely as full of gas.

As it was, then again it will be; though the course may change sometimes, rivers always lead to the sea.

Yes,there are two paths you can go by, but in the long run, there's still time to change the road you're on.

If the sun refused to shine, I'd still be loving you. If mountains crumble to the sea, there will still be you and me.

Who knew knights wore flannel shirts and Led Zeppelin tees?

So, if you wake up with the new sunrise and all your dreams are still as new. And happiness is what you need so bad, girl, the answer lies with you.

Many times I've lied, many times I've listened, many times I've wondered how much there is to know.

I remember saying to Tony [Iommi], ‘Did you hear how heavy that Led Zeppelin album sounded?’ Without missing a beat, he replied, ‘We’ll be heavier.’

Well, there's a light in your eye that keeps shinin', like a star that can't wait for the night.

Many dreams come true, and some have silver linings

Nobody hears a single word you say, but you keep on talkin' till your dying day.

Call it inevitable, call it the doomed fate of love. Call it karmic, fucked up, the dance of the wolves. Live it, love it, call it life. Call it Led Zeppelin. Yeah, yeah. Really, I don’t really, really don’t fucking care.

And as we wind on down the road Our shadows taller than our souls There walks a lady we all know Who shines white light and wants to show How everything still turns to gold And if you listen very hard The tune will come to you at last Where all are one and one is all To be a rock and not to roll.

If there’s a zeppelin, it’s alternate history. If there’s a rocketship, it’s science fiction. If there are swords and/or horses, it’s fantasy. A book with swords and horses in it can be turned into science fiction by adding a rocketship to the mix. If a book has a rocketship in it, the only thing that can turn it back into fantasy is the Holy Grail.

Yes, there are two paths you can go by, but in the long run there’s still time to change the road you’re on.

There's a feeling I get when I look to the west, And my spirit is crying for leaving. In my thoughts I have seen rings of smoke through the trees, And the voices of those who standing looking. Ooh, it makes me wonder, Ooh, it really makes me wonder.

If the sun refused to shine I would still be loving you When mountains crumble to the sea There will still be you and me

And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.

Then as it was, then again it will be. Though the course may change sometimes, rivers always reach the sea.

I am running through a snowfall which is her thighs, he dramatized in purple. Her thighs are filling up the street. Wide as a snowfall, heavy as huge falling Zeppelins, her damp thighs are settling on the sharp roofs and wooden balconies. Weather-vanes press the shape of roosters and sail-boats into the skin. The faces of famous statues are preserved like intaglios....

The sun's champagne streamed from one body into another. And there was a couple on the green silk of the grass, covered by a raspberry umbrella. Only their feet and a little bit of lace could be seen. In the magnificent universe beneath the raspberry umbrella, with closed eyes, they drank in the sparkling madness. 'Extra! Extra! Zeppelins over the North Sea at 3 o'clock.' But under the umbrella, in the raspberry universe, they were immortal. What did it matter that in another far-away universe people would be killing each other?

To be a Rock, and not to Roll...

Mr. Stock came out of the competition tent carrying his zeppelin marrow on one shoulder and demanding to know what was going on. When he saw the hordes advancing on Aidan, he charged off that way, whirling the great vegetable. The Puck, who was rushing behind the horde, yelling at them to grab Aidan and kill Rolf, was Mr. Stock's first victim. The marrow caught him THOCK! on the side of the head. It laid the Puck out cold on the grass, but the mighty vegetable remained intact, mottled and glossy

The kids cheered every time the lights went on and a spotlight revealed Jimmy [Page] bowing his electric guitar, eliciting stygian growls and demonic shrieks, as if to draw the Dark One from his lair in hell. Invariably, some of the more astute of Led Zeppelin's listeners realized that what they were watching was in part a magic show.

His mother and father were agnostics, and Jim respected devout Christians in the same way that he respected people who were members of the Graf Zeppelin Club or shopped at the Chinese department stores, for their mastery of an exotic foreign ritual. Besides, those who worked hardest for others, like Mrs. Philips and Mrs. Gilmour and Dr. Ransome, often held beliefs that turned out to be correct.

The nights in Billancourt were soft and sweet, enlivened now and again by those childish airplane or zeppelin alarms which provided the civilian population with thrills and self-justification.

On the TV screen right now, it's 1975, and Jimmy Page is playing like a man who answers to nobody. A man existing in that seductive state of extended adolescence that rock legends bask in, a man connected to something in the universe larger than even the sum total of the legendary Led Zeppelin, playing guitar because that is so clearly what he was put here to do. And it's wrong to expect that kind of divine moment to last forever, and to expect an artist to stay in 1975. Fact is, ten minutes ago I saw the guy onscreen right downstairs, coming off the trading floor of the stock exchange with a banker carrying his guitar cases for him. I sit cross-legged on the floor on a workday staring into my cereal bowl, thinking about how we all change. We all grow up. We all move on, one way or another, whether we want to or not.

It was not a great presence but a great absence, a geometric ocean of darkness that seemed to swallow heaven itself.

Rest now within the peace. Take of the fruit, but guard the seed.

Opposites attract, mom.’ ‘Yes, but in your case, darling, it is hydrogen and oxygen, and we all know what happened the Hindenberg.’ Just in case their daughter wasn’t aware of the ill-fated zeppelin, Lambert clarified: ‘This too will end in flames.

I named Walt’s camel Hindenburg. He was almost as large as a zeppelin and definitely as full of gas.

I have got airplanes, zeppelins and apparatus.

Rooks were cawing somewhere, and bells were ringing, and from the oxpens the steady beat of a gas engine announced the ascent of the evening Royal Mail zeppelin for London.

Are the Holy Rollers playing at the fair?” “This lame scene? Nah.” He kicked the ground. “They wouldn’t book you?” “They said we sucked. But people thought Led Zeppelin sucked, too.

While the sound mixing was underway, Bonzo was on the loose, taking care of buisness his own way. One night he showed up backstage at a Deep Purple concert at the Nassau Coliseum on Long Island. Bonzo was drunk and in very high spirits, and was wobbling on his feet in the wings when he noticed a free microphone during a lull in the music. Staggering forward, Bonzo walked out onto the stage before the Deep Purple roadies could grab him. The group stopped playing, amazed, as Bonzo grabbed the mike and shouted, 'My name is John Bonham of Led Zeppelin, and I just wanna tell ya that we got a new album comin' out and that it's fuckin' great!!' Then Bonzo turned to leave, but before he went he turned back and gratuitously insulted Deep Purple's guitarist. 'And as far as Tommy Bolin is concerned, he can't play for shit!!

Led Zeppelin created their music from a diet of Bert Jansch, Memphis Minnie, John Fahey, Billy Fury, Phil Spector, Richard 'Rabbit' Brown, Moby Grape, Manitas De Plata and Om Kalsoum. Those who came afterwards were content with a diet of Led Zeppelin, which is not the same thing at all.

The Zeppelin, God love her, was one of those chipper old broads who believed the secret to eternal youth lay in steering her ocean liner in the opposite direction of a conversation listing toward sadness.

The band was no Led Zeppelin, but they had smart lyrics, a great drummer and that reckless shine that bands did have, back then, when no one had anything to lose and the fact that you didn’t have a snowball’s chance in hell of making it big didn’t matter, because throwing your whole heart into this band was the only thing that stopped you being just another futureless dole bunny moping in his bedsit. It gave them something: a drop of magic.

- You know I don't like Limp Bizkit. I prefer good old rock: Beatles, Black Sabbath, Led Zeppelin, Grand Funk Railroad. OOMPH! and In Extremo, at the very least. - Oh, come on. If everyone were like you we'd still be apes. Why do you hate new things?

But the huge bowl of the sky remains untracked: no zeppelins, no bombers, no superhuman paratroopers, just the last songbirds returning from their winter homes, and the quicksilver winds of spring transmuting into the heavier, greener breezes of summer.

I think God might be the dust and the jackrabbits and the rain, that God might be Teddy and the bullet that killed him, the beautiful and exquisite moon and the terrible zeppelins, all spread out and everywhere. I've begun to think that maybe we are god's fingers rubbing against each other to see how it feels. Do you think that it is a sacrilegious thought - that God might be everything and its opposite?

Her sister Lea had an ancient book of myths and legends, and there was all kinds of info in there - of course Lea had written that book herself, so how much could it be counted on for accuracy? For instance, under the heading of "Gods and Demigods,” you could find entries for The Beatles, Pink Floyd, and Led Zeppelin. She'd also added a new "tribe" consisting of her favorite cartoon characters, naming them The Animatus.

These are the seasons of emotion And like the wind, they rise and fall This is the wonder of devotion I see the torch We all must hold This is the mystery of the quotient, quotient Upon us all, upon us all a little rain must fall

And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation the plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transformed them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.

Look at this fog. The damp gets right into your bones. It's doing my chest no good at all. I'll need a vapour bath." Bryant pulled down his scarf and peered over the sodden hedge. Dew had formed on his bald head and ears. He resembled a minor Tolkien character. "You're getting old before your time," warned May. "I can't imagine what you'll look like in your eighties." "I'm ageing gracefully, which means not trying to look like a member of Concrete Blimp." "I assume you mean Led Zeppelin...

People don't always go down in history for the vigor with which they perform their jobs. We remember Louis the Fifteenth . . . for his furniture; we remember Pierre Léotard, despite his being the greatest trapeze artist ever, for his leotard. The idea is to give your name to something, like the zeppelin, the newton, Morse code, the chicuelina.

And it's whispered that soon, If we all call the tune Then the piper will lead us to reason And a new day will dawn For those who stand long And the forests will echo with laughter

Something is gone. My sleeping capsule, my red and blue zeppelin Drops me from a terrible altitude. Carapace smashed, I spread to the beaks of birds.

Ah.” Vale stepped away from the side of the zeppelin and offered her his hand. “Then I believe we can work together, Miss Winters.

gyropters will arrive shortly after the zeppelins. In accordance with your orders, the Lady

the zeppelin. It sounded

Then she asked me who the lead singer of Led Zeppelin was. I told her zeppelins could not be made of lead due to the obvious weight issues. She said, “Case closed.” Led Zeppelin is a band. I know that now.

A semi came screaming around a bend in the road, interrupting my thoughts and reminding me suddenly of why walking by the side of the road on a country lane was best reserved for historical romance and Led Zeppelin songs.

I was petrified of making a mistake—head-banging to the wrong song or not hard enough, or thinking a guitar solo was over when it wasn't. A rule of thumb is that if the guitar solo is by Led Zep or Lynyrd Skynyrd then it's not over. Ever.

I thought that ground fire couldn’t reach the zeppelins,” I said. “I thought that guns on the ground didn’t have the range.” “Eleanore. Do you imagine for one particle of one second that he was thinking clearly enough to fathom that?” “He was thinking clearly enough to fathom all of this,” I retorted, my hand flung out to encompass the roof. Blood stained my palm. “Clearly enough to have men haul all these crates into the castle in broad daylight all week long, so that everyone could see them and wonder what was actually inside!

Led Zeppelin was the rock band's rock band, but it was Plant who made it special. He had the knack of taking a seemingly inconsequential string of words, adding a searing shriek, and knocking the listener back on his heels. This was no less impressive on stage than in the restaurant.

What is what?” asked Armand. “I don’t hear anything.” I hadn’t taken my eyes from Jesse. “There’s more than one. Two at least, right?” “Two,” he said. “I hear two.” Armand stood. “Two what?” I sent him a look. “Zeppelins. Headed this way.” He stared at us, silent. And really, what could he say? Sorry my father doomed us all? Nice knowing you? “All right, all right.” I chafed my hands nervously up and down my sides, rumpling the shirt. “I can-I can fly up there. Turn to dragon. Claw them open, make them crash.” Instinctively, I turned to Jesse, almost plaintive. “Can’t I?” He took up my and. I swear I saw the stars brighten around him, a sparkling, silvered nimbus. “Perhaps.” “Well, I have to. That’s all there is to it. I have to.” “No,” burst out Armand. “They have guns! Bombs! They’ll fill you with holes before you can blink!” “Not if I’m smoke.” “Smoke can’t tear apart a dirigible!

We go in and sit on the sofa by the fire to dry out, and she plays her favourite records, lots of Rickie Lee Jones and Led Zeppelin and Donovan and Bob Dylan - even though she was sixteen in 1982, there's definitely something very 1971 about Alice. I watch as she jumps around the room to 'Crosstown Traffic' by Jimi Hendrix, then when she's out of breath and tired of changing records every three minutes she puts a crackly old Ella Fitzgerald LP on, and we lie on the sofa and read our books, and steal glances at each other every now and then, like that bit between Michael York and Liza Minnelli in Cabaret, and talk only when we feel like it.

As for Crowley, his reputation grew and grew. His gospel of “Do what thou wilt”—modified and transformed—appealed strongly to the socially liberated sixties generation. He resurfaced as a countercultural icon; his photograph appeared on the cover of the Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band, and his ideas influenced everyone from Dr. Timothy Leary to the rock group Led Zeppelin. He was hailed as a prophet before his time for bringing together eastern and western esoteric traditions, and although he could never quite escape the “Satanist” tag that he had gained in the Edwardian newspapers, this ensured his present-day popularity.

Led Zeppelin! I clapped my hand over my mouth. This big, strong man, wearing a muscle shirt and cargo pants, sang rock songs to a toddler in the middle of the night. I was so toast. Game over. And it was doubly terrifying, considering I had no idea how to make him stick around. He would leave and take his sweetness and his Pepto and our hearts.

Churchill created the Royal Naval Air Service, which had fifty planes by 1914, and pioneered the concept of aerial bombing of Zeppelin airship aerodromes and German lines of communication. The first successful launch of a plane off the deck of a battleship took place in January 1912, and some military historians see Churchill as the father of the modern aircraft carrier.

selected a disc, and turned the volume up louder than he’d ever pushed it. A gentle guitar riff; a tap-tapping of some percussion instrument—he pictured a man hitting a wooden spoon against his legs; a solid male voice, and the song broke into something more, a beat that filled his head with cool images and colors. “What is it?” “Led Zeppelin,” she said. “‘Ramble On.’” He sat against the wall, his eyes trained on the space in the corner, while she selected more songs, rocking back on her legs and staring at him intently. “Free Bird.” “Roundabout.” “Sympathy for the Devil.” “Time.” “The Wreck of the Edmund Fitzgerald.” “Brass in Pocket.” “Bad Company.” “Limelight.” “Crazy on You.” “Voodoo Child.” “Take the Long Way Home.” “Thank you,” he said. “Where have I been hiding all this time?

Robert Johnson, whose primitive licks hid behind the chords of almost every Led Zeppelin and Yardbirds song ever recorded. Who, according to the legend, had gone down to the crossroads and sold his soul to Satan for seven years of fast living, high-tension liquor, and streetlife babies. And for a jukejoint brand of immortality, of course. Which he had gotten. Robert Johnson, supposedly poisoned over a woman.

In England, I built ships, looked at ruined castles, listened to the thud of bombs dropped by German zeppelins, and wrote The Islanders. I regret that I did not see the February Revolution, and know only the October Revolution (I returned to Petersburg, past German submarines, in a ship with lights out, wearing a life belt the whole time, just in time for October). This is the same as never having been in love and waking up one morning already married for ten years or so.

I Can't Quit You Baby" I can't quit you babe Woman I think I'm gonna put you down for a little while I can't quit you babe I... think I'm gonna put you down for a while I said you messed up my happy home Made me mistreat my only child You built my hopes so high Baby then you let me down so low You built my hopes so high then ya let me down... so low Don'tcha realize sweet baby? Woman I don't know... which way to go Woman I can't quit you babe I think I'm gonna put you down for a while

I’m not one of those guys who can hear a band and immediately cite their influences and probable heroes. There are guys like that out there. Play them the first drumbeat and they’ll start banging on about Led Zeppelin or Limp Bizkit or how everything can be traced back to the man who wrote the Birdie Song. Dev can do it with videogames. He can take one look at a game and tell you what it’s trying to be, where it got the idea, what it’s been crossed with and how well it’s done, but I just can’t. Because I’m the other sort of person. A Type 2. One that judges everything on its own merits. Not because it’s the right and just and fair thing to do, but because there’s something about me that doesn’t quite have that passion. That need for peripheral knowledge. I like a little of everything; I don’t need it all. It can make conversations with the Type 1s a little strained. A Type 1 will have all his opinions ready to go and probably alphabetised before he even gets near you. A Type 2 will then shrink behind his sandwich.

I can't believe you all had so much fun being young. I just want to be old. I want to be old and rich and smell like butterscotch." You would have thought I'd said something super awful. Like that I hated Led Zeppelin. Or worse, that I was a Republican. Dad unfolded his feet, let down his legs, and pulled my face to his. "Can't you see how you have the whole world in front of you, Maggie?" First of all, that's not even possible because just as much of the world is in front of me as is behind me because that's just how geography.

Berlin. November 18, 1917. Sunday. I think Grosz has something demonic in him. This new Berlin art in general, Grosz, Becher, Benn, Wieland Herzfelde, is most curious. Big city art, with a tense density of impressions that appears simultaneous, brutally realistic, and at the same time fairy-tale-like, just like the big city itself, illuminating things harshly and distortedly as with searchlights and then disappearing in the glow. A highly nervous, cerebral, illusionist art, and in this respect reminiscent of the music hall and also of film, or at least of a possible, still unrealized film. An art of flashing lights with a perfume of sin and perversity like every nocturnal street in the big city. The precursors are E.T.A. Hoffmann, Breughel, Mallarmé, Seurat, Lautrec, the futurists: but in the density and organization of the overwhelming abundance of sensation, the brutal reality, the Berliners seem new to me. Perhaps one could also include Stravinsky here (Petrushka). Piled-up ornamentation each of which expresses a trivial reality but which, in their sum and through their relations to each other, has a thoroughly un-trivial impact. All round the world war rages and in the center is this nervous city in which so much presses and shoves, so many people and streets and lights and colors and interests: politics and music hall, business and yet also art, field gray, privy counselors, chansonettes, and right and left, and up and down, somewhere, very far away, the trenches, regiments storming over to attack, the dying, submarines, zeppelins, airplane squadrons, columns marching on muddy streets, Hindenburg and Ludendorff, victories; Riga, Constantinople, the Isonzo, Flanders, the Russian Revolution, America, the Anzacs and the poilus, the pacifists and the wild newspaper people. And all ending up in the half-darkened Friedrichstrasse, filled with people at night, unconquerable, never to be reached by Cossacks, Gurkhas, Chasseurs d'Afrique, Bersaglieris, and cowboys, still not yet dishonored, despite the prostitutes who pass by. If a revolution were to break out here, a powerful upheaval in this chaos, barricades on the Friedrichstrasse, or the collapse of the distant parapets, what a spark, how the mighty, inextricably complicated organism would crack, how like the Last Judgment! And yet we have experienced, have caused precisely this to happen in Liège, Brussels, Warsaw, Bucharest, even almost in Paris. That's the world war, all right.

Благодарение на съгласуваността и професионалисма си Led Zeppelin се радват на невиждан триумф, докато велики групи като Cream се разпадат, защото членовете им не могат да се понасят помежду си. През същата година The Beatles прекратяват съществуването си, а The Rolling Stones са заменили Брайън Джоунс, който малко по-късно умира в басейна на къщата си. Led Zeppelin обаче сякаш успяват да избегнат самодоволния егоцентризъм на останалите поп звезди. Те са способни на трезва самооценка и си поставят дългосрочни цели, които ги карат да вървят напред. Като отказват да се появяват по телевизията и да стрелят на сигурно с хит сингли, музикантите успяват да се преборят с установените норми, които по принцип изглеждат невъзможни за заобикаляне. И четиримата са напълно различни един от друг, но нещо тайнствено и мистериозно ги държи заедно. Докато Пейдж и Джоунс са професионални и цинични лондонски студийни наемници, Робърт и Бонзо са наивни провинциалисти, които се занимават с музика по-скоро от любов, отколкото за пари. Пейдж и Джоунс се държат като самовглъбени единаци, а Робърт и Бонзо са достъпни и открити. Пейдж и Джоунс са търпеливи, със сухо чувство за хумор и винаги се контролират. Плант и Бонъм пък са шумни, забавни и се оставят да бъдат манипулирани от останалите двама и от Питър Грант." "Led Zeppelin: Чукът на боговете

Often, when tempted to peek into the drawer too early, Wendy could assuage her longing by pulling out the tiny notebook she always kept with her. It had a very slim blue pencil that perfectly fit down the spine, and was nearly full of her neat, enthusiastic words. Well-thumbed pages were titled with things like "Peter Pan and the Pirates and the Unexpected Zeppelin" or "Peter Pan and Tiger Lily versus the Cyclops of the Cerulean Sea." And she had illustrated "Captain Hook Is Taught A Timely Lesson by Peter Pan" with a little picture of a clock she had carefully copied from the mantel, as well as the eyes and nostrils of a fierce crocodile- the rest of whose body she had no hope of depicting accurately, and thus chose to submerge.

In his earliest memories he was sitting on the floor in the family room, in front of the giant stereo his parents had bought themselves as a wedding present, his face pressed into the padded fabric of one speaker. The fabric was prickly against his forehead but his nose fit perfectly into a little groove, and he could feel music spilling like molten gold through his entire body. He'd sit back on his heels when the song was over and his father, an accountant and amateur drummer whose (still-unrealized) dream was to open a jazz club and coffee house, would say, "Order up!" and put another record on the turntable. Rabbit's favorite albums were by Earth, Wind & Fire (syncopation made his brain feel like it was laughing) and Also sprach Zarathustra, its opening rumbling like an earthquake. And he loved The White Album, and when his mother played ABBA on the piano and they'd sing together (though Alice couldn't do it without being a total showoff), and the Star Wars soundtrack, and of _course_ Zeppelin. For six months in 1984, he had asked his parents to play "Stairway to Heaven" instead of a bedtime story.

The explosion of government and spending under Obama insured that while the rest of the nation continued to suffer stagnant job growth and slow housing sales long past the time when a recovery should have been underway, one city was booming like a five-year-long Led Zeppelin drum solo: Washington, D.C. According to the 2014 Forbes ranking of the ten richest counties in America, none were in New York, California, or Texas. Before Obama took office, five of the richest counties surrounded Washington, D.C. Now, seven years after Obama took office on his promise to rid the place of big money lobbyists, and Democrats assumed complete control of the White House and Congress for two years, six of the richest counties surround Washington, D.C. Bear in mind that unlike Texas or California, where money is generated by creating products people actually need, such as oil or computers, Washington, D.C., produces nothing but government. In other words, six of the ten richest counties in America got that rich by being parasites. A case could be made that under the current leadership, crony capitalism is more rewarding than actual capitalism. And with all that government around business people’s necks, it’s certainly a heckuva lot easier.

CAN WE TRUST ANYTHING THE NEW YORK TIMES SAYS ABOUT IMMIGRATION? In 2008, the world’s richest man, Carlos Slim Helu, saved the Times from bankruptcy. When that guy saves your company, you dance to his tune. So it’s worth mentioning that Slim’s fortune depends on tens of millions of Mexicans living in the United States, preferably illegally. That is, unless the Times is some bizarre exception to the normal pattern of corruption—which you can read about at this very minute in the Times. If a tobacco company owned Fox News, would we believe their reports on the dangers of smoking? (Guess what else Slim owns? A tobacco company!) The Times impugns David and Charles Koch for funneling “secret cash” into a “right-wing political zeppelin.”1 The Kochs’ funding of Americans for Prosperity is hardly “secret.” What most people think of as “secret cash” is more like Carlos Slim’s purchase of favorable editorial opinion in the Newspaper of Record. It would be fun to have a “Sugar Daddy–Off” with the New York Times: Whose Sugar Daddy Is More Loathsome? The Koch Brothers? The Olin Foundation? Monsanto? Halliburton? Every time, Carlos Slim would win by a landslide. Normally, Slim is the kind of businessman the Times—along with every other sentient human being—would find repugnant. Frequently listed as the richest man in the world, Slim acquired his fortune through a corrupt inside deal giving him a monopoly on telecommunications services in Mexico. But in order to make money from his monopoly, Slim needs lots of Mexicans living in the United States, sending money to their relatives back in Oaxaca. Otherwise, Mexicans couldn’t pay him—and they wouldn’t have much need for phone service, either—other than to call in ransom demands. Back in 2004—before the Times became Slim’s pimp—a Times article stated: “Clearly . . . the nation’s southern border is under siege.”2 But that was before Carlos Slim saved the Times from bankruptcy. Ten years later, with a border crisis even worse than in 2004, and Latin Americans pouring across the border, the Times indignantly demanded that Obama “go big” on immigration and give “millions of immigrants permission to stay.”3

Not long after I learned about Frozen, I went to see a friend of mine who works in the music industry. We sat in his living room on the Upper East Side, facing each other in easy chairs, as he worked his way through a mountain of CDs. He played “Angel,” by the reggae singer Shaggy, and then “The Joker,” by the Steve Miller Band, and told me to listen very carefully to the similarity in bass lines. He played Led Zeppelin’s “Whole Lotta Love” and then Muddy Waters’s “You Need Love,” to show the extent to which Led Zeppelin had mined the blues for inspiration. He played “Twice My Age,” by Shabba Ranks and Krystal, and then the saccharine ’70s pop standard “Seasons in the Sun,” until I could hear the echoes of the second song in the first. He played “Last Christmas,” by Wham! followed by Barry Manilow’s “Can’t Smile Without You” to explain why Manilow might have been startled when he first heard that song, and then “Joanna,” by Kool and the Gang, because, in a different way, “Last Christmas” was an homage to Kool and the Gang as well. “That sound you hear in Nirvana,” my friend said at one point, “that soft and then loud kind of exploding thing, a lot of that was inspired by the Pixies. Yet Kurt Cobain” — Nirvana’s lead singer and songwriter — “was such a genius that he managed to make it his own. And ‘Smells Like Teen Spirit’?” — here he was referring to perhaps the best-known Nirvana song. “That’s Boston’s ‘More Than a Feeling.’ ” He began to hum the riff of the Boston hit, and said, “The first time I heard ‘Teen Spirit,’ I said, ‘That guitar lick is from “More Than a Feeling.” ’ But it was different — it was urgent and brilliant and new.” He played another CD. It was Rod Stewart’s “Do Ya Think I’m Sexy,” a huge hit from the 1970s. The chorus has a distinctive, catchy hook — the kind of tune that millions of Americans probably hummed in the shower the year it came out. Then he put on “Taj Mahal,” by the Brazilian artist Jorge Ben Jor, which was recorded several years before the Rod Stewart song. In his twenties, my friend was a DJ at various downtown clubs, and at some point he’d become interested in world music. “I caught it back then,” he said. A small, sly smile spread across his face. The opening bars of “Taj Mahal” were very South American, a world away from what we had just listened to. And then I heard it. It was so obvious and unambiguous that I laughed out loud; virtually note for note, it was the hook from “Do Ya Think I’m Sexy.” It was possible that Rod Stewart had independently come up with that riff, because resemblance is not proof of influence. It was also possible that he’d been in Brazil, listened to some local music, and liked what he heard.

He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.

The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!

ONE of the evil results of the political subjection of one people by another is that it tends to make the subject nation unnecessarily and excessively conscious of its past. Its achievements in the old great days of freedom are remembered, counted over and exaggerated by a generation of slaves, anxious to convince the world and themselves that they are as good as their masters. Slaves cannot talk of their present greatness, because it does not exist; and prophetic visions of the future are necessarily vague and unsatisfying. There remains the past. Out of the scattered and isolated facts of history it is possible to build up Utopias and Cloud Cuckoo Lands as variously fantastic as the New Jerusalems of prophecy. It is to the past — the gorgeous imaginary past of those whose present is inglorious, sordid, and humiliating — it is to the delightful founded-on-fact romances of history that subject peoples invariably turn. Thus, the savage and hairy chieftains of Ireland became in due course “the Great Kings of Leinster,” “the mighty Emperors of Meath.” Through centuries of slavery the Serbs remembered and idealised the heroes of Kossovo. And for the oppressed Poles, the mediaeval Polish empire was much more powerful, splendid, and polite than the Roman. The English have never been an oppressed nationality; they are in consequence most healthily unaware of their history. They live wholly in the much more interesting worlds of the present — in the worlds of politics and science, of business and industry. So fully, indeed, do they live in the present, that they have compelled the Indians, like the Irish at the other end of the world, to turn to the past. In the course of the last thirty or forty years a huge pseudo-historical literature has sprung up in India, the melancholy product of a subject people’s inferiority complex. Industrious and intelligent men have wasted their time and their abilities in trying to prove that the ancient Hindus were superior to every other people in every activity of life. Thus, each time the West has announced a new scientific discovery, misguided scholars have ransacked Sanskrit literature to find a phrase that might be interpreted as a Hindu anticipation of it. A sentence of a dozen words, obscure even to the most accomplished Sanskrit scholars, is triumphantly quoted to prove that the ancient Hindus were familiar with the chemical constitution of water. Another, no less brief, is held up as the proof that they anticipated Pasteur in the discovery of the microbic origin of disease. A passage from the mythological poem of the Mahabharata proves that they had invented the Zeppelin. Remarkable people, these old Hindus. They knew everything that we know or, indeed, are likely to discover, at any rate until India is a free country; but they were unfortunately too modest to state the fact baldly and in so many words. A little more clarity on their part, a little less reticence, and India would now be centuries ahead of her Western rivals. But they preferred to be oracular and telegraphically brief. It is only after the upstart West has repeated their discoveries that the modern Indian commentator upon their works can interpret their dark sayings as anticipations. On contemporary Indian scholars the pastime of discovering and creating these anticipations never seems to pall. Such are the melancholy and futile occupations of intelligent men who have the misfortune to belong to a subject race. Free men would never dream of wasting their time and wit upon such vanities. From those who have not shall be taken away even that which they have.

Well, I can no longer hear the silence.” But that’s okay, because you are mildly amusing and I am enjoying hearing you ramble on like a Led Zeppelin song. “Oh my God!” “What is it this time?” “Your subtext changed!” Jared’s smiles were always

of the Led Zep rarities 145 words Led Zeppelin (1969) 'Heartbreaker' (Live). Few meaningful alternative takes exist for the band's quickly assembled debut album. So for the companion disc, Jimmy Page chose tracks from

My soundless feet shall fly among the runners Through the red thunders of a Zeppelin raid, My still voice cheer the Anti-Aircraft gunners, The fires shall glare - but I shall cast no shade.

The pain of war cannot exceed the woe of aftermath, just ask Led Zeppelin.

Listening to Led Zeppelin's Heartbreaker while reading your own book, sipping a beer after midnight, is a satisfying feeling...however fleeting.

John had recently appeared in the Stones’ Rock and Roll Circus in a supergroup that was an unlikely combination of him, Keith Richards, Eric Clapton, and Mitch Mitchell. It was unrehearsed, and the performance was just a bit of fun really. I was in my booth, way up in the gods, recording the sound for the show, and the area on the set where they were playing was obscured from my view. All was going well until I heard this extraordinary noise that sounded like someone stepping on the cat. I panicked, thinking that a piece of equipment might be malfunctioning, while peering at the screen trying to see if it was adversely affecting the guys onstage. All of a sudden a picture appeared of a small figure with a black bag over its head with a mic cable disappearing into it. It turned out to be Yoko, who had decided to contribute to the proceedings. How anyone could have considered her intrusion to be in any way musical is a complete mystery to me.

Led Zeppelin was a very sensitive and beautiful animal beast.

No one should ever underestimate the influence that Pete Townshend has had on popular music. There is no question in my mind that both he and The Who were every bit as influential as The Beatles and the Stones as the UK invasion took America and the rest of the world by storm. He was equally as innovative as a musician and lyricist, finding a way to state the feelings of the mod generation he and the band represented. The combination of these four unlikely cohorts interpreting Pete’s writing was something to behold, each of them contributing in his own original way. The seemingly uncontrolled explosion of energy they produced, glued together by exceptional musicianship.

As it turned out, none of this mattered, as in the end, after the group broke up, John gave the tapes to Phil Spector, who puked all over them, turning the album into the most syrupy load of bullshit I have ever heard. My master tape, perhaps quite rightly, ended

I wasn’t crazy—I didn’t see us in the same league as Zeppelin.

Using a double bass drum in rock came about as a way to emulate what John Bonham of Led Zeppelin managed to do with one bass drum. His foot was so fast that it took most drummers two kick drums and both feet to mimic it.

Scot Adams, author of “Dilbert” — “Science shows that when you fake a smile long enough, you’ll eventually be happier”. I know that when I listen to music I smile. So I’m listening to Kashmir by Led Zeppelin right now. And smiling.

The entire problem is this victim mentality. When did that start? Life’s not turning out the way they said it would when you were in first grade. You’re not the president or a movie star or playing center field for the Yankees. Guess what? They lied! Move on! You come from incredible stock! Immigrants who chewed through it all and spit it out with thanks: Ellis Island, Manifest Destiny, the dust bowls, Normandy, and for what? For a society that now encourages everyone to choose up excuse teams: My attention span’s a little off, sometimes I’m nervous, sometimes I’m tired, insults make me sad, I was unfairly labeled slow in school when I really just didn’t want to do any work, a diet of super-size French fries turned me into a human zeppelin, your honor, so I need to be given a lot of money….

Some of the world’s richest and most famous people flew on the Graf Zeppelin and the Hindenburg,

Something you never due, turn the volume down on Zeppelin or Skynyrd. .