Zeppelin Love Quotes

If the sun refused to shine, I'd still be loving you. If mountains crumble to the sea, there will still be you and me.

If the sun refused to shine I would still be loving you When mountains crumble to the sea There will still be you and me

Call it inevitable, call it the doomed fate of love. Call it karmic, fucked up, the dance of the wolves. Live it, love it, call it life. Call it Led Zeppelin. Yeah, yeah. Really, I don’t really, really don’t fucking care.

And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.

The Zeppelin, God love her, was one of those chipper old broads who believed the secret to eternal youth lay in steering her ocean liner in the opposite direction of a conversation listing toward sadness.

And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation the plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transformed them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.

In England, I built ships, looked at ruined castles, listened to the thud of bombs dropped by German zeppelins, and wrote The Islanders. I regret that I did not see the February Revolution, and know only the October Revolution (I returned to Petersburg, past German submarines, in a ship with lights out, wearing a life belt the whole time, just in time for October). This is the same as never having been in love and waking up one morning already married for ten years or so.

In his earliest memories he was sitting on the floor in the family room, in front of the giant stereo his parents had bought themselves as a wedding present, his face pressed into the padded fabric of one speaker. The fabric was prickly against his forehead but his nose fit perfectly into a little groove, and he could feel music spilling like molten gold through his entire body. He'd sit back on his heels when the song was over and his father, an accountant and amateur drummer whose (still-unrealized) dream was to open a jazz club and coffee house, would say, "Order up!" and put another record on the turntable. Rabbit's favorite albums were by Earth, Wind & Fire (syncopation made his brain feel like it was laughing) and Also sprach Zarathustra, its opening rumbling like an earthquake. And he loved The White Album, and when his mother played ABBA on the piano and they'd sing together (though Alice couldn't do it without being a total showoff), and the Star Wars soundtrack, and of _course_ Zeppelin. For six months in 1984, he had asked his parents to play "Stairway to Heaven" instead of a bedtime story.

Not long after I learned about Frozen, I went to see a friend of mine who works in the music industry. We sat in his living room on the Upper East Side, facing each other in easy chairs, as he worked his way through a mountain of CDs. He played “Angel,” by the reggae singer Shaggy, and then “The Joker,” by the Steve Miller Band, and told me to listen very carefully to the similarity in bass lines. He played Led Zeppelin’s “Whole Lotta Love” and then Muddy Waters’s “You Need Love,” to show the extent to which Led Zeppelin had mined the blues for inspiration. He played “Twice My Age,” by Shabba Ranks and Krystal, and then the saccharine ’70s pop standard “Seasons in the Sun,” until I could hear the echoes of the second song in the first. He played “Last Christmas,” by Wham! followed by Barry Manilow’s “Can’t Smile Without You” to explain why Manilow might have been startled when he first heard that song, and then “Joanna,” by Kool and the Gang, because, in a different way, “Last Christmas” was an homage to Kool and the Gang as well. “That sound you hear in Nirvana,” my friend said at one point, “that soft and then loud kind of exploding thing, a lot of that was inspired by the Pixies. Yet Kurt Cobain” — Nirvana’s lead singer and songwriter — “was such a genius that he managed to make it his own. And ‘Smells Like Teen Spirit’?” — here he was referring to perhaps the best-known Nirvana song. “That’s Boston’s ‘More Than a Feeling.’ ” He began to hum the riff of the Boston hit, and said, “The first time I heard ‘Teen Spirit,’ I said, ‘That guitar lick is from “More Than a Feeling.” ’ But it was different — it was urgent and brilliant and new.” He played another CD. It was Rod Stewart’s “Do Ya Think I’m Sexy,” a huge hit from the 1970s. The chorus has a distinctive, catchy hook — the kind of tune that millions of Americans probably hummed in the shower the year it came out. Then he put on “Taj Mahal,” by the Brazilian artist Jorge Ben Jor, which was recorded several years before the Rod Stewart song. In his twenties, my friend was a DJ at various downtown clubs, and at some point he’d become interested in world music. “I caught it back then,” he said. A small, sly smile spread across his face. The opening bars of “Taj Mahal” were very South American, a world away from what we had just listened to. And then I heard it. It was so obvious and unambiguous that I laughed out loud; virtually note for note, it was the hook from “Do Ya Think I’m Sexy.” It was possible that Rod Stewart had independently come up with that riff, because resemblance is not proof of influence. It was also possible that he’d been in Brazil, listened to some local music, and liked what he heard.

The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!

Spent my days with a woman unkind Smoked my stuff and drank all my wine Made up my mind to make a new start Going To California with an aching in my heart Someone told me there's a girl out there With love in her eyes and flowers in her hair Took my chances on a big jet plane Never let them tell you that they're all the same The sea was red and the sky was grey Wondered how tomorrow could ever follow today The mountains and the canyons started to tremble and shake As the children of the sun began to awake Seems that the wrath of the Gods Got a punch on the nose and it started to flow I think I might be sinking Throw me a line if I reach it in time I'll meet you up there where the path Runs straight and high To find a queen without a king They say she plays guitar and cries and sings La la la la Side a white mare in the footsteps of dawn Tryin' to find a woman who's never, never, never been born Standing on a hill in my mountain of dreams Telling myself it's not as hard, hard, hard as it seems

Modern art is a waste of time. When the zombies show up, you can't worry about art. Art is for people who aren't worried about zombies. Besides zombies and icebergs, there are other things that Soap has been thinking about. Tsunamis, earthquakes, Nazi dentists, killer bees, army ants, black plague, old people, divorce lawyers, sorority girls, Jimmy Carter, giant quids, rabid foxes, strange dogs, new anchors, child actors, fascists, narcissists, psychologists, ax murderers, unrequited love, footnotes, zeppelins, the Holy Ghost, Catholic priests, John Lennon, chemistry teachers, redheaded men with British accents, librarians, spiders, nature books with photographs of spiders in them, darkness, teachers, swimming pools, smart girls, pretty girls, rich girls, angry girls, tall girls, nice girls, girls with superpowers, giant lizards, blind dates who turn out to have narcolepsy, angry monkeys, feminine hygiene commercials, sitcoms about aliens, things under the bed, contact lenses, ninjas, performances artists, mummies, spontaneous combustion, Soap has been afraid of all of these things at one time or another, Ever since he went to prison, he's realized that he doesn't have to be afraid. All he has to do is come up with a plan. Be prepared. It's just like the Boy Scouts, except you have to be even more prepared. You have to prepare for everything that the Boy Scouts didn't prepare you for, which is pretty much everything.

There was Francis Grasso, who was an anomaly: a straight DJ at a gay club, the Sanctuary, who liked to play the orgasmic interlude from “Whole Lotta Love,” by Led Zeppelin, on top of the drumming section of “I’m a Man,” by Chicago.

I used to be a roller coaster girl" (for Ntozake Shange) I used to be a roller coaster girl 7 times in a row No vertigo in these skinny legs My lipstick bubblegum pink As my panther 10 speed. never kissed Nappy pigtails, no-brand gym shoes White lined yellow short-shorts Scratched up legs pedaling past borders of humus and baba ganoush Masjids and liquor stores City chicken, pepperoni bread and superman ice cream Cones. Yellow black blending with bits of Arabic Islam and Catholicism. My daddy was Jesus My mother was quiet Jayne Kennedy was worshipped by my brother Mark I don’t remember having my own bed before 12. Me and my sister Lisa shared. Sometimes all three Moore girls slept in the Queen. You grow up so close never close enough. I used to be a roller coaster girl Wild child full of flowers and ideas Useless crushes on polish boys in a school full of white girls. Future black swan singing Zeppelin, U2 and Rick Springfield Hoping to be Jessie’s Girl I could outrun my brothers and Everybody else to that reoccurring line I used to be a roller coaster girl Till you told me I was moving too fast Said my rush made your head spin My laughter hurt your ears A scream of happiness A whisper of freedom Pouring out my armpits Sweating up my neck You were always the scared one I kept my eyes open for the entire trip Right before the drop I would brace myself And let that force push my head back into That hard iron seat My arms nearly fell off a few times Still, I kept running back to the line When I was done Same way I kept running back to you I used to be a roller coaster girl I wasn’t scared of mountains or falling Hell, I looked forward to flying and dropping Off this earth and coming back to life every once in a while I found some peace in being out of control allowing my blood to race through my veins for 180 seconds I earned my sometime nicotine pull I buy my own damn drinks & the ocean Still calls my name when it feels my toes Near its shore. I still love roller coasters & you grew up to be Afraid of all girls who cld ride Fearlessly like me.

For my mother, the experience was emotional. When my music was evolving, I hadn’t allowed her to hear it. For years up on Cloverdale, I had always locked myself in my room, not letting anybody hear what I was doing. Then, after I moved out, I never invited her to hear me working in the studios. So, when Let Love Rule was released, she was completely shocked. She could hear how everything that I had experienced on my journey came alive in that album: Tchaikovsky; the Jackson 5; James Brown; the Harlem School of the Arts; Stevie Wonder; Gladys Knight and the Pips; Earth, Wind & Fire; Miles Davis; Jimi Hendrix; Led Zeppelin; KISS; the California Boys’ Choir; Prince; David Bowie; Miss Beasley’s orchestra; the Beverly Hills High jazz band; the magical spark between me and Lisa; the spirit of our daughter. More than anyone, Mom knew that I had poured every aspect of my life into this effort. That was enough to make her proud. But what blindsided her—and me as well—was the sight of thousands of fans singing lyrics that I had written—and most of those fans didn’t even speak English.