Zane Grey Quotes

We've searched our database for all the quotes and captions related to Zane Grey. Here they are! All 100 of them:

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I need this wild life, this freedom.
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Zane Grey
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Recipe For Greatness - To bear up under loss; To fight the bitterness of defeat and the weakness of grief; To be victor over anger; To smile when tears are close; To resist disease and evil men and base instincts; To hate hate and to love love; To go on when it would seen good to die; To look up with unquenchable faith in something ever more about to be. That is what any man can do, and be great.
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Zane Grey
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Instinct may not be greater than reason, but it's a million years older. Don't fight your instincts so hard. If they were not good the God of Creation would not have given them to you.
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Zane Grey (The Man of the Forest)
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Where I was raised a woman's word was law. I ain't quite outgrowed that yet.
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
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Jealousy is an unjust and stifling thing.
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Zane Grey (The Call of the Canyon)
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But what can women do in times of war? They help, they cheer, they inspire, and if their cause is lost they must accept death or worse. Few women have the courage for self-destruction. "To the victor belong the spoils," and women have ever been the spoils of war.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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The narrator finds that as a maturing character grows in stature before her friends that she sees less stature while evaluating herself.
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Zane Grey (The Call of the Canyon)
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I knew you"d never be American enough to help me reconstruct my life.
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Zane Grey (The Call of the Canyon)
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That, my dear uncultured wolf, is a Charlie Russellβ€”cowboy turned artist. Without him, Montana’s history would just be a footnote in a Zane Grey novel.
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Patricia Briggs (River Marked (Mercy Thompson, #6))
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When I envied a man's spurs then they were indeed worth coveting.
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Zane Grey
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Unhappiness is only a change. Happiness itself is only change. So what does it matter? The great thing is to see life--to understand--to feel--to work--to fight--to endure.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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Pride would never be her ally.
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Zane Grey (The Call of the Canyon)
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You and I will never live to see the day that women recover their balance.
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Zane Grey (The Call of the Canyon)
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I am waiting to plunge down, to shatter and crash, roar and boom, to bury your trail, and close forever the outlet to Deception Pass!
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Zane Grey (Riders of the Purple Sage)
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Love of man for woman - love of woman for man. That's the nature, the meaning, the best of life itself.
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
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It was a sight to make Zane Grey reach for his ballpoint, or Sergio Leone send out for another fifty foot of standard eight.
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Robert Rankin (The Antipope)
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Mrs. Mudford. Room six. I realize she might be a little more advanced than some of the other children, but I doubt she’ll be the only one reading Zane Grey, don’t you?
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Bonnie Garmus (Lessons in Chemistry)
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Socialism reached into her mind, to be rejected. She had never understood it clearly, but it seemed to her a state of mind where dissatisfied men and women wanted to share what harder working or more gifted people possessed.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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So that's troublin' you? I reckon it needn't. You see it was this way. I come round the house an' seen that fat party an' heard him talkin' loud. Then he seen me, an' very impolite goes straight for his gun. He oughtn't have tried to throw a gun on me - whatever his reason was. For that's meetin' me on my own grounds. I've seen runnin' molasses that was quicker'n him. Now I didn't know who he was, visitor or friend or relation of yours, though I seen he was a Mormon all over, an' I couldn't get serious about shootin'. So I winged him - put a bullet through his arm as he was pullin' at his gun. An' he droppped the gun there, an' a little blood. I told him he'd introduced himself sufficient, an' to please move out of my vicinity. An' went" - Lassiter
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
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Like an arrow sprung from a bow Betty flashed past the Colonel and out on the green. Scarcely ten of the long hundred yards had been covered by her flying feet when a roar of angry shouts and yells warned Betty that the keen-eyed savages saw the bag of powder and now knew they had been deceived by a girl.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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Get up, an' take my scarf," said Wade, "an' bandage these bullet-holes I got.
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Zane Grey (The Mysterious Rider)
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Shut off your wind, Jack! And you, too, Blaze! I didn't want you fellows to come here. But as you would come, you've got to shut up. This is my business.
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Zane Grey
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Mister Hawe, you come along, not satisfied with ropin
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Zane Grey (Light of the Western Stars)
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I arise full of eagerness and energy, knowing well what achievement lies ahead of me.
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Zane Grey
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What is writing but an expression of my own life?
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Zane Grey
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Fishing keeps men boys longer than any other pursuit
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Zane Grey (Zane Grey On Fishing)
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An awful sense of her deadness, of her soul-blighting selfishness, began to dawn upon her as something monstrous out of dim, gray obscurity.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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Β Carley saw two forces in life--the destructive and constructive. On the one side greed, selfishness, materialism: on the other generosity, sacrifice, and idealism.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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the false courage of association with a crowd.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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With distrust came suspicion and with suspicion came fear, and with fear came hate--and these, in already distorted minds, inflamed a hell.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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I need this wild life, this freedom. To be alive, to look into nature, and so into my soul.
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Zane Grey
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When I rodeβ€”I rode like the wind," she replied, "and never had time to stop for anything.
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Zane Grey (Riders of the Purple Sage)
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The blindness I mean is blindness that keeps you from seein' the truth.
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Zane Grey (Riders of the Purple Sage)
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Good God!” cried Hare. β€œThey’re firing on us! They'd shoot a woman!”’ β€œHas it taken you so long to learn that?
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Zane Grey (The Heritage of the Desert)
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You dream… or you’re driven mad.
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
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Her forefathers had been Vikings, savage chieftains who bore no cross and brooked no hindrance to their will.
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Zane Grey (Riders of the Purple Sage: Filibooks Classics (Illustrated))
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What's all the row over at Ben's?" [Mrs. Ide] inquired, placidly, from her comfortable chair. "Rustlers, cattle, foremen, sheriffs, and Heaven only knows what," replied Hettie, distractedly.
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Zane Grey (Nevada)
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As he watched this beautiful, still world, Louie played with a thought that had come to him before. He had thought it as he had watched hunting seabirds, marveling at their ability to adjust their dives to compensate for the refraction of light in water. He had thought it as he had considered the pleasing geometry of the sharks, their gradation of color, their slide through the sea. He even recalled the thought coming to him in his youth, when he had lain on the roof of the cabin in the Cahuilla Indian Reservation, looking up from Zane Grey to watch night settling over the earth. Such beauty, he thought, was too perfect to have come about by mere chance. That day in the center of the Pacific was, to him, a gift crafted deliberately, compassionately, for him and Phil. Joyful and grateful in the midst of slow dying, the two men bathed in that day until sunset brought it, and their time in the doldrums, to an end.
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Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
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And as he lost that softness of nature, so he lost his fear of men. He would watch for Oldring, biding his time, and he would kill this great black-bearded rustler who had held a girl in bondage, who had used her to his infamous ends.
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Zane Grey (Riders of the Purple Sage)
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Instantly a thick blackness seemed to enfold her and silence as of a dead world settled down upon her. Drowsy as she was she could not close her eyes nor refrain from listening. Darkness and silence were tangible things. She felt them. And they seemed suddenly potent with magic charm to still the tumult of her, to sooth and rest, to create thought she had never thought before. Rest was more than selfish indulgence. Loneliness was necessary to gain conciseness of the soul.
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Zane Grey (The Call of the Canyon)
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He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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No nerve, hey? Not half a man!... Buster Jack, why don't you finish game? Make up for your low-down tricks. At the last try to be worthy of your dad. In his day he was a real man.... Let him have the consolation that you faced Hell-Bent Wade an' died in your boots!
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Zane Grey (The Mysterious Rider)
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...dare we live for one another? Dare we be happy?" "Child, it's our only hope. Let us make our love atone for the hate of our fathers. We have been doomed by their sins. Not that...nor anythin' can keep us apart. I am a slayer of men, but I think God spoke to me today.
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Zane Grey (Tonto Basin)
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Halt!..." Wade leaped at the white Belllounds. "If you run I'll break a leg for you--an' then I'll beat your miserable brains out!... Have you no sense? Can't you recognize what's comin'?... I'm goin' to kill you, Buster Jack!" "My God!" whispered the other, understanding fully at last.
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Zane Grey (The Mysterious Rider)
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A man can die. He is glorious when he calmly accepts death; but when he fights like a tiger, when he stands at bay his back to the wall, a broken weapon in his hand, bloody, defiant, game to the end, then he is sublime. Then he wrings respect from the souls of even his bitterest foes. Then he is avenged even in his death.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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The rugged fallow ground under her feet seemed to her to be a symbol of faith β€” faith that winter would come and pass β€” the spring sun and rain would burst the seeds of wheat β€” and another summer would see the golden fields of waving grain. If she did not live to see them, they would be there just the same; and so life and nature had faith in its promise. That strange whisper was to Lenore the whisper of God.
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Zane Grey (The Desert of Wheat)
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He saw his enemies stealthily darting from rock to tree, and tree to bush, creeping through the brush, and slipping closer and closer every moment. On three sides were his hated foes and on the remaining sideβ€”the abyss. Without a moment's hesitation the intrepid Major spurred his horse at the precipice. Never shall I forget that thrilling moment. The three hundred savages were silent as they realized the Major's intention. Those in the fort watched with staring eyes. A few bounds and the noble steed reared high on his hind legs. Outlined by the clear blue sky the magnificent animal stood for one brief instant, his black mane flying in the wind, his head thrown up and his front hoofs pawing the air like Marcus Curtius' mailed steed of old, and then down with a crash, a cloud of dust, and the crackling of pine limbs.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day. I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.
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Zane Grey (The Last of the Plainsmen)
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We cannot possibly expect, and should not desire, that the great bulk of the populace embark on a mental and spiritual voyage for which very few people are equipped and which even fewer have survived. They have, after all, their indispensable work to do, even as you and I. What we are distressed about, and should be, when we speak of the state of mass culture in this country, is the overwhelming torpor and bewilderment of the people. The people who run the mass media are not all villains and they are not all cowardsβ€”though I agree, I must say, with Dwight Macdonald’s forceful suggestion that many of them are not very bright. (Why should they be? They, too, have risen from the streets to a high level of cultural attainment. They, too, are positively afflicted by the world’s highest standard of living and what is probably the world’s most bewilderingly empty way of life.) But even those who are bright are handicapped by their audience: I am less appalled by the fact that Gunsmoke is produced than I am by the fact that so many people want to see it. In the same way, I must add, that a thrill of terror runs through me when I hear that the favorite author of our President is Zane Grey.
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James Baldwin (The Cross of Redemption: Uncollected Writings)
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He came at length to realize that the desert was a teacher. He did not realize all that he had learned, but he was a different man. And when he decided upon that, he was not thinking of the slow, sure call to the primal instincts of man; he was thinking that the desert, as much as he had experienced and no more, would absolutely overturn the whole scale of a man’s values, break old habits, form new ones, remake him. More of desert experience, Gale believed, would be too much for intellect. The desert did not breed civilized man, and that made Gale ponder over a strange thought: after all, was the civilized man inferior to the savage?
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Zane Grey (Desert Gold)
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Ohβ€”Silvermanel” cried Hare. It was just a call, as if the horse were human, and knew what that pace meant to his master. The stern business of the race had ceased to rest on Hare. Silvermane was out to the front! He was like a level-rushing thunderbolt. Hare felt the instantanepus pause between his long low leaps, the gather of mighty muscles, the strain, the tension, then the quivering expubsion of force. It was a perilous ride down that red slope, not so much from the hissing bullets as from the washes and gullies which Silvermane sailed over in magnificent leaps Hare thrilled with savage delight in the wonderful prowess of his desert king, in the primal instinct of joy at escaping with the woman he loved.
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Zane Grey (The Heritage of the Desert)
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The wind blew steadily in from the desert seeping the sand in low, thin sheets. Afternoon waned, the sun sank, twilight crept over the barren waste. There were no sounds but the seep of sand, the moan of wind, the mourn of wolf. Loneliness came with the night that mantled Beauty Stanton’s grave. Shadows trooped in from the desert and the darkness grew black. On that slope the wind always blew, and always the sand seeped, dusting over everything, imperceptibly changing the surface of the earth. The desert was still at work. Nature was no respecter of graves. Life was nothing. Radiant, cold stars blinked pitilessly out of the vast blue-black vault of heaven. But there hovered a spirit beside this woman’s last resting-place β€” a spirit like the night, sad, lonely, silent, mystical, immense. And as it hovered over hers so it hovered over other nameless graves. In the eternal workshop of nature, the tenants of these unnamed and forgotten graves would mingle dust of good with dust of evil, and by the divinity of death resolve equally into the elements again.
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Zane Grey (The U. P. Trail)
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however, cut out much that I wanted, saying the thing to think of was a
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Doma Publishing House (Zane Grey Collection: 23 Works)
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She seemed the incarnation of girlish scorn and wilful
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Doma Publishing House (Zane Grey Collection: 23 Works)
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I have spent most of my life trying to figure out what goes on inside your mind,” he said. β€œFirst I thought you were slow and then I thought you might be red. Finally it occurred to me that you are just a sentimentalist. You believe in the open range, the code, the nobility of the sufferin’ cowpoke and the emptiness of bankers’ heartsβ€”all stuff you picked up from Zane Grey .Β .Β .” In fact I have not read Zane Grey, though I do not mind Wister, but explaining these distinctions to my brother is pointless.
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Philipp Meyer (The Son)
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his ideal of living.
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Zane Grey (The Man of the Forest)
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or
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Zane Grey (The Young Forester [with Biographical Introduction])
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Life is hard enough, God knows, but it's unfailin' true in the end to the man or woman who finds the best in them an' stands by it." "Uncle John, y'u talk soβ€”so
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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Because of this genuine love for horses, the beautiful wild-horse panorama beneath Pan swelled his heart. He gazed and gazed. From near to far the bands dotted the green-gray valley. Far away this valley floor shaded into blue. Near at hand the colors were easily distinguishable. Blacks and bays, whites and chestnuts, pintos that resembled zebras dotted this wild pasture land. The closest band to where Pan and Blinky stood could not have been more than a mile distant, in a straight line. A shiny black stallion was the leader of this herd. He was acting strangely, too, trotting forward and halting, tossing his head and long black mane.
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Zane Grey (Valley of Wild Horses)
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Dusk settled down into this neck of the great valley. Coyotes barked out in the open. From the heights pealed down the mournful blood-curdling, yet beautiful, bay of a wolf. The rosy afterglow of sunset lingered a long time. The place was shut in, closed about by brushy steeps, redolent of sage. A tiny stream of swift water sang faintly down over rocks. And before darkness had time to enfold hollow and slope and horizon, the moon slid up to defeat the encroaching night and blanch the hills with silvery light.
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Zane Grey (Valley of Wild Horses)
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You must use that hope an' faith to help you get well.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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He saw how some divine guidance had directed his footsteps to this home. How many years had it taken him to get there!
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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For a few moments he indulged his old joy in range and mountain, stretching, rising on his right, away into the purple distance. Something had heightened its beauty. How softly gray the rolling range landβ€”how black the timbered slopes! The town before him sat like a hideous blotch on a fair landscape. It forced his gaze over and beyond toward the west, where the late afternoon sun had begun to mellow and redden, edging the clouds with exquisite light. To the southward lay Arizona, land of painted mesas and storied canyon walls, of thundering streams and wild pine forests, of purple-saged valleys and grassy parks, set like mosaics between the stark desert mountains.
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Zane Grey (Valley of Wild Horses)
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With that they, and many others, left the hall and joined the moving crowd in the street. The night was delightfully cool. Stars shone white in a velvet sky. The dry wind from mountain and desert blew in their faces. Pan
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Zane Grey (Valley of Wild Horses)
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Dad, I don't know women very well, but I reckon they live by their hearts. You
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Zane Grey (Valley of Wild Horses)
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Morning dawned bright and sparkling after the rain. The air was keen and crisp. The cedars glistened as if decked with diamonds. Pan felt the sweet scent of the damp dust, and it gave him a thrill and a longing for the saddle and the open country.
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Zane Grey (Valley of Wild Horses)
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All the saddle horses, and even some of the pack animals, were affected by the scent of the wild herd. Freedom still lived deep down in their hearts. That was why a broken horse, no matter how gentle, became the wildest of the wild when he got free.
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Zane Grey (Valley of Wild Horses)
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A valley that had some of the characteristics of a canyon yawned beneath, so deep and wide that it appeared like a blue lake, so long that he could only see the north end, which notched under a rugged mountain slope, green and black and golden and white according to the successive steps toward the heights. The height upon which he stood was the last of the ridges, for the elevation that lay directly across was a noble range of foothills, timbered, canyoned, apparently insurmountable for horses. Gray cliffs stood out of the green, crags of yellow rock mounted like castles.
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Zane Grey (Valley of Wild Horses)
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It was wonderful country that faced him, cedar, piΓ±on and sage, colored hills and flats, walls of yellow rock stretch away, and dim purple mountains all around. If his keen eyes did not deceive him there was a bunch of wild horses grazing on top of the first hill.
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Zane Grey (Valley of Wild Horses)
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Unless you begin to control your temper, to forget yourself, to kill your wild impulses, to be kind, to learn what love is--you'll never last!...
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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Jack had met me half-way that would have been better for him. An' for me, because I get good out of helpin' any one." His
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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the strong feeling beginning to be manifested to Wade was not the fun of matching wits and luck with his antagonists, nor a desire to accumulate money--for his recklessness disproved that--but the liberation of the gambling passion.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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as it is. There's good an
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Zane Grey (The Man of the Forest (Xist Classics))
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and returned. To Duane the outlaw
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Zane Grey (The Zane Grey Megapack)
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alacrity
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Zane Grey (The Man of the Forest)
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But he clung to hope, to faith in life, to the victory of the virtuous, to the defeat of evil.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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Hard work makes for what I reckon you like in a man, but don't understand. As I look back over my life--an' let me say, young fellar, it's been a tough one--what I remember most an' feel best over are the hardest jobs I ever did, an' those that cost the most sweat an' blood." As
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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He was thinking that if he had his life to live over again he would begin at once to find happiness in other people's happiness.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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his phantoms of peace. Majestically they formed around him, marshalling and mustering in ceremonious state, and moved to lay upon him their passionless serenity.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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Men rise on steppin'-stones of their dead selves to higher things!...
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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Likewise he believed that men wandering or lost in the wilderness often reversed that brutal order of life and became noble, wonderful, super-human.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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wild men in wild places, fighting cold, heat, starvation, thirst, barrenness, facing the elements in all their ferocity, usually retrograded, descended to the savage, lost all heart and soul and became mere brutes.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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perhaps he and this man, alone on the desert, driven there by life's mysterious and remorseless motive, were to see each other through God's eyes. His
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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I will live them. I will have faith and hope and love, for I am his daughter," she said.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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So must you, so must we all take chances. You are here. Find your work and do it cheerfully, honestly, and let the future take care of itself. And let me sayβ€”do not be offendedβ€”beware of idleness and drink. They are as great a dangerβ€”nay, greater than the Indians.
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Doma Publishing House (Zane Grey Collection: 23 Works)
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only back of the bar. A white-clad figure rushed
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Zane Grey (Desert Gold)
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The spell of the desert comes back to me, as it always will come. I see the veils, like purple smoke, in the caΓ±ons, and I feel the silence. And it seems that again I must try to pierce both and to get at the strange wild life of the last American wilderness-- wild still, almost, as it ever was.
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Zane Grey
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The other sleepers lay calm and white in the starlight. There was something nameless in that canyon, and whether or not it was what the Indian embodied in the great Nonnezoshe . . . the truth was that there was a spirit.
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Zane Grey (Tales of Lonely Trails)
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Saddle horses lined the hitching-rails as far as Brite could see. Canvas-covered wagons, chuck-wagons, buckboards, vehicles of all Western types, stood outside the saddle horses. And up one side and down the other a procession ambled in the dust. On the wide sidewalk a throng of booted, belted, spurred men wended their way up or down. The saloons roared. Black-sombreroed, pale-faced, tight-lipped men stood beside the wide portals of the gaming-dens. Beautiful wrecks of womanhood, girls with havoc in their faces and the look of birds of prey in their eyes, waited in bare-armed splendor to be accosted. Laughter without mirth ran down the walk. The stores were full. Cowboys in twos and threes and sixes trooped by, young, lithe, keen of eye, bold of aspect, gay and reckless. Hundreds of cowboys passed Brite in that long block from the hotel to the intersecting street. And every boy gave him a pang. These were the toll of the trail and of Dodge. It might have been the march of empire, the tragedy of progress, but it was heinous to Brite. He would never send another boy to his death.
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Zane Grey (The Trail Driver: A Western Story)
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He smiled a little wearily. β€œWal, old β€” trail driver, we pay,” he whispered, feebly. β€œI reckon β€” I cain’t β€” wait for β€” little gray-eyed β€” Ann!”.
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Zane Grey (The Trail Driver: A Western Story)
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Zane Grey, Max Brand, and Louis L’Amour
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Jon Tuska (The Lawless West)
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This beast that puffed smoke and spat fire and shrieked like a devil of an alien tribe; that split the silence as hideously as the long track split the once smooth plain; that was made of iron and wood; this thing of the white man’s, coming from out of the distance where the Great Spirit lifted the dawn, meant the end of the hunting-grounds and the doom of the Indian. Blood had flowed; many warriors lay in their last sleep under the trees; but the iron monster that belched fire had gone only to return again. Those white men were many as the needles of the pines. They fought and died, but always others came. The chief was old and wise, taught by sage and star and mountain and wind and the loneliness of the prairie-land. He recognized a superior race, but not a nobler one. White men would glut the treasures of water and earth. The Indian had been born to hunt his meat, to repel his red foes, to watch the clouds and serve his gods. But these white men would come like a great flight of grasshoppers to cover the length and breadth of the prairie-land. The buffalo would roll away, like a dust-cloud, in the distance, and never return. No meat for the Indian β€” no grass for his mustang β€” no place for his home. The Sioux must fight till he died or be driven back into waste places where grief and hardship would end him. Red and dusky, the sun was setting beyond the desert. The old chief swept aloft his arm, and then in his acceptance of the inevitable bitterness he stood in magnificent austerity, somber as death, seeing in this railroad train creeping, fading into the ruddy sunset, a symbol of the destiny of the Indian β€” vanishing β€” vanishing β€” vanishing β€”
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Zane Grey (The U. P. Trail)
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For the rest the old trapper was glad to see the last of habitations, and of men, and of the railroad. Slingerland hated that great, shining steel band of progress connecting East and West. Every ringing sledge-hammer blow had sung out the death-knell of the trapper’s calling. This railroad spelled the end of the wilderness. What one group of greedy men had accomplished others would imitate; and the grass of the plains would be burned, the forests blackened, the fountains dried up in the valleys, and the wild creatures of the mountains driven and hunted and exterminated. The end of the buffalo had come β€” the end of the Indian was in sight β€” and that of the fur-bearing animal and his hunter must follow soon with the hurrying years. Slingerland hated the railroad, and he could not see as Neale did, or any of the engineers or builders. This old trapper had the vision of the Indian β€” that far-seeing eye cleared by distance and silence, and the force of the great, lonely hills. Progress was great, but nature undespoiled was greater. If a race could not breed all stronger men, through its great movements, it might better not breed any, for the bad over-multiplied the good, and so their needs magnified into greed. Slingerland saw many shining bands of steel across the plains and mountains, many stations and hamlets and cities, a growing and marvelous prosperity from timber, mines, farms, and in the distant end β€” a gutted West.
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Zane Grey (The U. P. Trail)
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And so on this rainbow day, with storms all around them, and blue sky above, they rode only as far as the valley. But from there, before they turned to go back, the monuments appeared close, and they loomed grandly with the background of purple bank and creamy cloud and shafts of golden lightning. They seemed like sentinels β€” guardians of a great and beautiful love born under their lofty heights, in the lonely silence of day, in the star-thrown shadow of night. They were like that love. And they held Lucy and Slone, calling every day, giving a nameless and tranquil content, binding them true to love, true to the sage and the open, true to that wild upland home.
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Zane Grey (Wildfire)
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American should read the signs of the times, realize the crisis, and meet it in an American way. Otherwise we are done as a race. Money is God in the older countries. But it should never become God in America. If it does we will make the fall of Rome pale into insignificance.
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Zane Grey (The Call of the Canyon)
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Ages before men had lived on the earth, there had been the creatures of the wilderness, and the holes of the rocks and the nests of the trees, and rain, frost, heat, dew, sunlight, and night, storm and calm, the honey of the wild flower and the instinct of the bee-all the beautiful and multiple forms of life with their inscrutable design. To know something of them and to love them was to be close to the kingdom of earth-perhaps to the greater kingdom of heaven. For whatever breathed and moved was a part of that creation. The coo of the dove, the lichen on the mossy rock, the mourn of a hunting wolf, and the murmur of the waterfall, the ever-green and growing tips of the spruces and the thunderbolts along the battlements of the heights-these one and all must be actuated by the Great Spirit-that incalculable thing in the universe that had produced man and soul.
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Zane Grey (Dorn of the Mountains)
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I want to know who I can trust." "Las Vegas says we're shore in for it now." "Roy, what do you think?
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Zane Grey (Dorn of the Mountains)
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if she had just climbed a laborsome
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Zane Grey (Dorn of the Mountains)
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Many were the last resting-places of toilers of the wheat there on those hills. And surely in the long frontier days, and in the ages before, men innumerable had gone back to the earth from which they had sprung. The dwelling-places of men were beautiful; it was only life that was sad. In this poignant, revealing hour Kurt could not resist human longings and regrets, though he gained incalculable strength from these two graves on the windy slope. It was not for any man to understand to the uttermost the meaning of life.
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Zane Grey (The Desert of Wheat)
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line.” King strode on in the direction Shurd had taken. Neale pondered a moment, perplexed, impressed, and grateful to his comrade. He heard remarks among the laborers and he saw the flagman Casey
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Zane Grey (Union Pacific: A Western Story)