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I need this wild life, this freedom.
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Zane Grey
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Recipe For Greatness - To bear up under loss; To fight the bitterness of defeat and the weakness of grief; To be victor over anger; To smile when tears are close; To resist disease and evil men and base instincts; To hate hate and to love love; To go on when it would seen good to die; To look up with unquenchable faith in something ever more about to be. That is what any man can do, and be great.
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Zane Grey
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Instinct may not be greater than reason, but it's a million years older. Don't fight your instincts so hard. If they were not good the God of Creation would not have given them to you.
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Zane Grey (The Man of the Forest)
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Where I was raised a woman's word was law. I ain't quite outgrowed that yet.
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
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Jealousy is an unjust and stifling thing.
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Zane Grey (The Call of the Canyon)
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But what can women do in times of war? They help, they cheer, they inspire, and if their cause is lost they must accept death or worse. Few women have the courage for self-destruction. "To the victor belong the spoils," and women have ever been the spoils of war.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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I knew you"d never be American enough to help me reconstruct my life.
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Zane Grey (The Call of the Canyon)
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The narrator finds that as a maturing character grows in stature before her friends that she sees less stature while evaluating herself.
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Zane Grey (The Call of the Canyon)
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That, my dear uncultured wolf, is a Charlie Russellβcowboy turned artist. Without him, Montanaβs history would just be a footnote in a Zane Grey novel.
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Patricia Briggs (River Marked (Mercy Thompson, #6))
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You and I will never live to see the day that women recover their balance.
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Zane Grey (The Call of the Canyon)
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Pride would never be her ally.
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Zane Grey (The Call of the Canyon)
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When I envied a man's spurs then they were indeed worth coveting.
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Zane Grey
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Unhappiness is only a change. Happiness itself is only change. So what does it matter? The great thing is to see life--to understand--to feel--to work--to fight--to endure.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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I need this wild life, this freedom. To be alive, to look into nature, and so into my soul.
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Zane Grey
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Love of man for woman - love of woman for man. That's the nature, the meaning, the best of life itself.
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
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I am waiting to plunge down, to shatter and crash, roar and boom, to bury your trail, and close forever the outlet to Deception Pass!
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Zane Grey (Riders of the Purple Sage)
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It was a sight to make Zane Grey reach for his ballpoint, or Sergio Leone send out for another fifty foot of standard eight.
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Robert Rankin (The Antipope)
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Mrs. Mudford. Room six. I realize she might be a little more advanced than some of the other children, but I doubt sheβll be the only one reading Zane Grey, donβt you?
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Bonnie Garmus (Lessons in Chemistry)
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Socialism reached into her mind, to be rejected. She had never understood it clearly, but it seemed to her a state of mind where dissatisfied men and women wanted to share what harder working or more gifted people possessed.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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As he watched this beautiful, still world, Louie played with a thought that had come to him before. He had thought it as he had watched hunting seabirds, marveling at their ability to adjust their dives to compensate for the refraction of light in water. He had thought it as he had considered the pleasing geometry of the sharks, their gradation of color, their slide through the sea. He even recalled the thought coming to him in his youth, when he had lain on the roof of the cabin in the Cahuilla Indian Reservation, looking up from Zane Grey to watch night settling over the earth. Such beauty, he thought, was too perfect to have come about by mere chance. That day in the center of the Pacific was, to him, a gift crafted deliberately, compassionately, for him and Phil. Joyful and grateful in the midst of slow dying, the two men bathed in that day until sunset brought it, and their time in the doldrums, to an end.
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Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
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So that's troublin' you? I reckon it needn't. You see it was this way. I come round the house an' seen that fat party an' heard him talkin' loud. Then he seen me, an' very impolite goes straight for his gun. He oughtn't have tried to throw a gun on me - whatever his reason was. For that's meetin' me on my own grounds. I've seen runnin' molasses that was quicker'n him. Now I didn't know who he was, visitor or friend or relation of yours, though I seen he was a Mormon all over, an' I couldn't get serious about shootin'. So I winged him - put a bullet through his arm as he was pullin' at his gun. An' he droppped the gun there, an' a little blood. I told him he'd introduced himself sufficient, an' to please move out of my vicinity. An' went" - Lassiter
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
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Like an arrow sprung from a bow Betty flashed past the Colonel and out on the green. Scarcely ten of the long hundred yards had been covered by her flying feet when a roar of angry shouts and yells warned Betty that the keen-eyed savages saw the bag of powder and now knew they had been deceived by a girl.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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Get up, an' take my scarf," said Wade, "an' bandage these bullet-holes I got.
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Zane Grey (The Mysterious Rider)
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You dreamβ¦ or youβre driven mad.
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
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Mister Hawe, you come along, not satisfied with ropin
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Zane Grey (Light of the Western Stars)
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With distrust came suspicion and with suspicion came fear, and with fear came hate--and these, in already distorted minds, inflamed a hell.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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Fishing keeps men boys longer than any other pursuit
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Zane Grey (Zane Grey On Fishing)
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Shut off your wind, Jack! And you, too, Blaze! I didn't want you fellows to come here. But as you would come, you've got to shut up. This is my business.
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Zane Grey
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I arise full of eagerness and energy, knowing well what achievement lies ahead of me.
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Zane Grey
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What is writing but an expression of my own life?
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Zane Grey
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An awful sense of her deadness, of her soul-blighting selfishness, began to dawn upon her as something monstrous out of dim, gray obscurity.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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Β Carley saw two forces in life--the destructive and constructive. On the one side greed, selfishness, materialism: on the other generosity, sacrifice, and idealism.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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the false courage of association with a crowd.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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Good God!β cried Hare. βTheyβre firing on us! They'd shoot a woman!ββ
βHas it taken you so long to learn that?
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Zane Grey (The Heritage of the Desert)
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When I rodeβI rode like the wind," she replied, "and never had time to stop for anything.
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Zane Grey (Riders of the Purple Sage)
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The blindness I mean is blindness that keeps you from seein' the truth.
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Zane Grey (Riders of the Purple Sage)
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Her forefathers had been Vikings, savage chieftains who bore no cross and brooked no hindrance to their will.
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Zane Grey (Riders of the Purple Sage: Filibooks Classics (Illustrated))
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What's all the row over at Ben's?" [Mrs. Ide] inquired, placidly, from her comfortable chair.
"Rustlers, cattle, foremen, sheriffs, and Heaven only knows what," replied Hettie, distractedly.
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Zane Grey (Nevada)
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And as he lost that softness of nature, so he lost his fear of men. He would watch for Oldring, biding his time, and he would kill this great black-bearded rustler who had held a girl in bondage, who had used her to his infamous ends.
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Zane Grey (Riders of the Purple Sage)
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Instantly a thick blackness seemed to enfold her and silence as of a dead world settled down upon her. Drowsy as she was she could not close her eyes nor refrain from listening. Darkness and silence were tangible things. She felt them. And they seemed suddenly potent with magic charm to still the tumult of her, to sooth and rest, to create thought she had never thought before. Rest was more than selfish indulgence. Loneliness was necessary to gain conciseness of the soul.
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Zane Grey (The Call of the Canyon)
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He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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No nerve, hey? Not half a man!... Buster Jack, why don't you finish game? Make up for your low-down tricks. At the last try to be worthy of your dad. In his day he was a real man.... Let him have the consolation that you faced Hell-Bent Wade an' died in your boots!
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Zane Grey (The Mysterious Rider)
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...dare we live for one another? Dare we be happy?"
"Child, it's our only hope. Let us make our love atone for the hate of our fathers. We have been doomed by their sins. Not that...nor anythin' can keep us apart. I am a slayer of men, but I think God spoke to me today.
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Zane Grey (Tonto Basin)
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Halt!..." Wade leaped at the white Belllounds. "If you run I'll break a leg for you--an' then I'll beat your miserable brains out!... Have you no sense? Can't you recognize what's comin'?... I'm goin' to kill you, Buster Jack!"
"My God!" whispered the other, understanding fully at last.
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Zane Grey (The Mysterious Rider)
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A man can die. He is glorious when he calmly accepts death; but when he fights like a tiger, when he stands at bay his back to the wall, a broken weapon in his hand, bloody, defiant, game to the end, then he is sublime. Then he wrings respect from the souls of even his bitterest foes. Then he is avenged even in his death.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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The rugged fallow ground under her feet seemed to her to be a symbol of faith β faith that winter would come and pass β the spring sun and rain would burst the seeds of wheat β and another summer would see the golden fields of waving grain. If she did not live to see them, they would be there just the same; and so life and nature had faith in its promise. That strange whisper was to Lenore the whisper of God.
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Zane Grey (The Desert of Wheat)
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He saw his enemies stealthily darting from rock to tree, and tree to bush, creeping through the brush, and slipping closer and closer every moment. On three sides were his hated foes and on the remaining sideβthe abyss. Without a moment's hesitation the intrepid Major spurred his horse at the precipice. Never shall I forget that thrilling moment. The three hundred savages were silent as they realized the Major's intention. Those in the fort watched with staring eyes. A few bounds and the noble steed reared high on his hind legs. Outlined by the clear blue sky the magnificent animal stood for one brief instant, his black mane flying in the wind, his head thrown up and his front hoofs pawing the air like Marcus Curtius' mailed steed of old, and then down with a crash, a cloud of dust, and the crackling of pine limbs.
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Zane Grey (Maude and Miriam: Or, the Fair Crusader)
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The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day.
I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.
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Zane Grey (The Last of the Plainsmen)
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We cannot possibly expect, and should not desire, that the great bulk of the populace embark on a mental and spiritual voyage for which very few people are equipped and which even fewer have survived. They have, after all, their indispensable work to do, even as you and I. What we are distressed about, and should be, when we speak of the state of mass culture in this country, is the overwhelming torpor and bewilderment of the people. The people who run the mass media are not all villains and they are not all cowardsβthough I agree, I must say, with Dwight Macdonaldβs forceful suggestion that many of them are not very bright. (Why should they be? They, too, have risen from the streets to a high level of cultural attainment. They, too, are positively afflicted by the worldβs highest standard of living and what is probably the worldβs most bewilderingly empty way of life.) But even those who are bright are handicapped by their audience: I am less appalled by the fact that Gunsmoke is produced than I am by the fact that so many people want to see it. In the same way, I must add, that a thrill of terror runs through me when I hear that the favorite author of our President is Zane Grey.
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James Baldwin (The Cross of Redemption: Uncollected Writings)
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He came at length to realize that the desert was a teacher. He did not realize all that he had learned, but he was a different man. And when he decided upon that, he was not thinking of the slow, sure call to the primal instincts of man; he was thinking that the desert, as much as he had experienced and no more, would absolutely overturn the whole scale of a manβs values, break old habits, form new ones, remake him. More of desert experience, Gale believed, would be too much for intellect. The desert did not breed civilized man, and that made Gale ponder over a strange thought: after all, was the civilized man inferior to the savage?
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Zane Grey (Desert Gold)
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OhβSilvermanelβ cried Hare. It was just a call, as if the horse were human, and knew what that pace meant to his master. The stern business of the race had ceased to rest on Hare. Silvermane was out to the front! He was like a level-rushing thunderbolt. Hare felt the instantanepus pause between his long low leaps, the gather of mighty muscles, the strain, the tension, then the quivering expubsion of force. It was a perilous ride down that red slope, not so much from the hissing bullets as from the washes and gullies which Silvermane sailed over in magnificent leaps Hare thrilled with savage delight in the wonderful prowess of his desert king, in the primal instinct of joy at escaping with the woman he loved.
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Zane Grey (The Heritage of the Desert)
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The wind blew steadily in from the desert seeping the sand in low, thin sheets. Afternoon waned, the sun sank, twilight crept over the barren waste. There were no sounds but the seep of sand, the moan of wind, the mourn of wolf. Loneliness came with the night that mantled Beauty Stantonβs grave. Shadows trooped in from the desert and the darkness grew black. On that slope the wind always blew, and always the sand seeped, dusting over everything, imperceptibly changing the surface of the earth. The desert was still at work. Nature was no respecter of graves. Life was nothing. Radiant, cold stars blinked pitilessly out of the vast blue-black vault of heaven. But there hovered a spirit beside this womanβs last resting-place β a spirit like the night, sad, lonely, silent, mystical, immense.
And as it hovered over hers so it hovered over other nameless graves.
In the eternal workshop of nature, the tenants of these unnamed and forgotten graves would mingle dust of good with dust of evil, and by the divinity of death resolve equally into the elements again.
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Zane Grey (The U. P. Trail)
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She seemed the incarnation of girlish scorn and wilful
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Doma Publishing House (Zane Grey Collection: 23 Works)
Zane Grey (WILD WEST Boxed Set: 150+ Western Classics in One Volume: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaw Classics, Gold Rush Adventures & ... The Last of the Mohicans, Rimrock Trailβ¦))
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A sharp clip-crop of iron-shod hoofs deadened and died away, and clouds of yellow dust drifted from under the cottonwoods out over the sage.
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Zane Grey (Riders of the Purple Sage: Filibooks Classics (Illustrated))
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Is it not the loss of things which makes life bitter?
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Zane Grey (Tales of Fishes)
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So the struggle for existence continued till I seemed to see all the world before me with its myriads of wild creatures preying upon one another; the spirit of nature, unquenchable as the fires of the sun, continuing ceaseless and imperturbable in its inscrutable design.
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Zane Grey (Tales of Fishes)
Zane Grey (60 WESTERNS: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaws, Gold Rush Adventures: Riders of the Purple Sage, The Night Horseman, The Last ... of the West, A Texas Cow-Boy, The Prairieβ¦)
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I've seen runnin' molasses that was quicker 'n him.
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Zane Grey (Riders of the Purple Sage: By Zane Grey - Illustrated)
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The coach put his hand on Ken's knee.
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Zane Grey (The Young Pitcher)
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Peg, are you goin' to throw me down, too?β
βMr. Arthurs! IβIβ
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Zane Grey (The Young Pitcher)
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when he returned he told
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Zane Grey (60 WESTERNS: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaws, Gold Rush Adventures: Riders of the Purple Sage, The Night Horseman, The Last ... of the West, A Texas Cow-Boy, The Prairieβ¦)
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yet she did not miss the poisoned honey of some tongues or the expressive glances of many eyes. Ina was quick to grasp that
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Zane Grey (Forlorn River)
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Strangely it came to Gale then that he was glad. Yaqui had returned to his own β the great spaces, the desolation, the solitude β to the trails he had trodden when a child, trails haunted now by ghosts of his people, and ever by his gods. Gale realized that in the Yaqui he had known the spirit of the desert, that this spirit had claimed all which was wild and primitive in him.
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Zane Grey (Desert Gold)
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About noon the following day, the horses
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Zane Grey (The Last of the Plainsmen (Annotated))
Zane Grey (Zane Grey: The Ultimate Collection - 49 Works - Classic Westerns and Much More)
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She had grown now not to blame any man, honest miner or bloody bandit. She blamed only gold. She doubted its value. She could not see it a blessing. She absolutely knew its driving power to change the souls of men. Could she ever forget that vast ant-hill of toiling diggers and washers, blind and deaf and dumb to all save gold?
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Zane Grey (The Border Legion)
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Joan felt that she would always be haunted and would always suffer that pang for Kells. She would never lie down in the peace and quiet of her home, wherever that might be, without picturing Kells, dark and forbidding and burdened, pacing some lonely cabin or riding a lonely trail or lying with his brooding face upturned to the lonely stars. Sooner or later he would meet his doom. It was inevitable. She pictured over that sinister scene of the dangling forms; but no β Kells would never end that way. Terrible as he was, he had not been born to be hanged. He might be murdered in his sleep, by one of that band of traitors who were traitors because in the nature of evil they had to be. But more likely some gambling-hell, with gold and life at stake, would see his last fight. These bandits stole gold and gambled among themselves and fought. And that fight which finished Kells must necessarily be a terrible one. She seemed to see into a lonely cabin where a log fire burned low and lamps flickered and blue smoke floated in veils and men lay prone on the floor β Kells, stark and bloody, and the giant Gulden, dead at last and more terrible in death, and on the rude table bags of gold and dull, shining heaps of gold, and scattered on the floor, like streams of sand and useless as sand, dust of gold β the Destroyer.
ZANE GREY. THE BORDER LEGION (Kindle Locations 4367-4376).
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Zane Grey (The Border Legion)
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A bandit, then, in the details of his life, the schemes, troubles, friendships, relations, was no different from any other kind of a man. He was human, and things that might constitute black evil for observers were dear to him, a part of him.
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Zane Grey (The Border Legion)
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She sensed in him loneliness, hunger for the sound of a voice. She had heard her uncle speak of the loneliness of lonely camp-fires and how all men working or hiding or lost in the wilderness would see sweet faces in the embers and be haunted by soft voices.
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Zane Grey (The Border Legion)
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It was difficult to define an outlaw in a country where there was no law.
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Zane Grey (Robbers' Roost)
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The weird cedars, like great demons and witches chained to the rock and writhing in silent anguish, loomed up with wide and twisting naked arms.
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Zane Grey
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Ages of rain had run down the slope, circling, eddying in depressions, wearing deep round holes. There had been dry seasons, accumulations of dust, wind-blown seeds, and cedars rose wonderfully out of solid rock. But these were not beautiful cedars. They were gnarled, twisted, into weird contortions, as if growth were torture, dead at the tops, shrunken, gray, and old. Theirs had been a bitter fight.
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Zane Grey
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I was a preacher, and now I am thirsting for vengeance,β answered Christy, his face clouding darkly. βWait until you learn what frontier life means. You are young here yet; you are flushed with the success of your teaching; you have lived a short time in this quiet village, where, until the last few days, all has been serene. You know nothing of the strife, of the necessity of fighting, of the cruelty which makes up this border existence. Only two years have hardened me so that I actually pant for the blood of the renegade who has robbed me. A frontiersman must take his choice of succumbing or cutting his way through flesh and bone. Blood will be spilled; if not yours, then your foeβs. The pioneers run from the plow to the fight; they halt in the cutting of corn to defend themselves, and in winter must battle against cold and hardship, which would be less cruel if there was time in summer to prepare for winter, for the savages leave them hardly an opportunity to plant crops. How many pioneers have given up, and gone back east? Find me any who would not return home to-morrow, if they could. All that brings them out here is the chance for a home, and all that keeps them out here is the poor hope of finally attaining their object. Always there is a possibility of future prosperity. But this generation, if it survives, will never see prosperity and happiness. What does this border life engender in a pioneer who holds his own in it? Of all things, not Christianity. He becomes a fighter, keen as the redskin who steals through the coverts.
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Zane Grey (The Spirit of the Border)
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The sun lost its heat and wore down to the western horizon, where it changed from white to gold and rested like a huge ball about to roll on its golden shadows down the
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Zane Grey (WILD WEST Boxed Set: 150+ Western Classics in One Volume: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaw Classics, Gold Rush Adventures & ... The Last of the Mohicans, Rimrock Trailβ¦))
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he set out for Berkeley County, Virginia, to tell his people of the magnificent country he had discovered.
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Zane Grey (The Zane Grey Megapack)
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It was wonderful country that faced him, cedar, piΓ±on and sage, colored hills and flats, walls of yellow rock stretch away, and dim purple mountains all around. If his keen eyes did not deceive him there was a bunch of wild horses grazing on top of the first hill.
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Zane Grey (Valley of Wild Horses)
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For a few moments he indulged his old joy in range and mountain, stretching, rising on his right, away into the purple distance. Something had heightened its beauty. How softly gray the rolling range landβhow black the timbered slopes! The town before him sat like a hideous blotch on a fair landscape. It forced his gaze over and beyond toward the west, where the late afternoon sun had begun to mellow and redden, edging the clouds with exquisite light. To the southward lay Arizona, land of painted mesas and storied canyon walls, of thundering streams and wild pine forests, of purple-saged valleys and grassy parks, set like mosaics between the stark desert mountains.
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Zane Grey (Valley of Wild Horses)
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A valley that had some of the characteristics of a canyon yawned beneath, so deep and wide that it appeared like a blue lake, so long that he could only see the north end, which notched under a rugged mountain slope, green and black and golden and white according to the successive steps toward the heights. The height upon which he stood was the last of the ridges, for the elevation that lay directly across was a noble range of foothills, timbered, canyoned, apparently insurmountable for horses. Gray cliffs stood out of the green, crags of yellow rock mounted like castles.
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Zane Grey (Valley of Wild Horses)
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His words explained, but they did not convince. Was this sudden-bursting glory only the sun rising behind storm clouds? She could see the clouds moving while they were being colored. The universal gray surrendered under some magic paint brush. The rifts widened, and the gloom of the pale-gray world seemed to vanish. Beyond the billowy, rolling, creamy edges of clouds, white and pink, shone the soft exquisite fresh blue sky. And a blaze of fire, a burst of molten gold, sheered up from behind the rim of cloud and suddenly poured a sea of sunlight from east to west. It trans-figured the round foothills. They seemed bathed in ethereal light, and the silver mists that overhung them faded while Carley gazed, and a rosy flush crowned the symmetrical domes. Southward along the horizon line, down-dropping veils of rain, just touched with the sunrise tint, streamed in drifting slow movement from cloud to earth. To the north the range of foothills lifted toward the majestic dome of Sunset Peak, a volcanic upheaval of red and purple cinders, bare as rock, round as the lower hills, and wonderful in its color. Full in the blaze of the rising sun it flaunted an unchangeable front. Carley understood now what had been told her about this peak. Volcanic fires had thrown up a colossal mound of cinders burned forever to the hues of the setting sun. In every light and shade of day it held true to its name. Farther north rose the bold bulk of the San Francisco Peaks, that, half lost in the clouds, still dominated the desert scene. Then as Carley gazed the rifts began to close. Another transformation began, the reverse of what she watched. The golden radiance of sunrise vanished, and under a gray, lowering) coalescing pall of cloud the round hills returned to their bleak somberness, and the green desert took again its cold sheen.
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Zane Grey (The Call Of The Canyon)
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Steep black-cindered slope, with its soft gray patches of grass, sheered down and down, and out in rolling slope to merge upon a cedar-dotted level. Nothing moved below, but a red-tailed hawk sailed across her vision. How still-how gray the desert floor as it reached away, losing its black dots, and gaining bronze spots of stone! By plain and prairie it fell away, each inch of gray in her sight magnifying into its league-long roll, On and on, and down across dark lines that were steppes, and at last blocked and changed by the meandering green thread which was the verdure of a desert river. Beyond stretched the white sand, where whirlwinds of dust sent aloft their funnel-shaped spouts; and it led up to the horizon-wide ribs and ridges of red and walls of yellow and mountains of black, to the dim mound of purple so ethereal and mystic against the deep-blue cloud-curtained band of sky.
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Zane Grey (The Call Of The Canyon)
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The elder wife said that the stranger was welcome to the children, but she insisted that they hear nothing of the outside world, and that they be kept to the teachings of the Mormon geographyβwhich made all the world outside Utah an untrodden wilderness. August Naab did not hold to the letter of the Mormon law; he argued that if the children could not be raised as Mormons with a full knowledge of the world, they would only be lost in the end to the Church.
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Zane Grey (The Heritage of the Desert)
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if often telling makes it true.
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Zane Grey (The Frontier Trilogy by Zane Grey (Unexpurgated Edition) (Halcyon Classics))
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He had based much of The Godfather on a 1910 Western classic, βa book I read when I was a kid, Zane Greyβs Heritage of the Desert,β he said. His novel would represent a new form of Western with a new style of outlaw justice and at the perfect time.
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Mark Seal (Leave the Gun, Take the Cannoli: The Epic Story of the Making of The Godfather)
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Kent did not look back. Everything in the world for him lay ahead.
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Zane Grey (Stranger from the Tonto)
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While she waited there she forgot the prospect of untoward change. The bray of a lazy burro broke the afternoon quiet, and it was comfortingly suggestive of the drowsy farmyard, and the open corrals, and the green alfalfa fields. Her clear sight intensified the purple sage-slope as it rolled before her. Low swells of prairie-like ground sloped up to the west. Dark, lonely cedar trees, few and far between, stood out strikingly, and at long distances ruins of red rocks. Farther on, up the gradual slope, rose a broken wall, a huge monument, looming dark purple and stretching its solitary, mystic way, a wavering line that faded in the north. Here to the westward was the light and color and beauty. Northward the slope descended to a dim line of canyons from which rose an up-flinging of the earth, not mountainous, but a vast heave of purple uplands, with ribbed and fan-shaped walls, castle-crowned cliffs, and gray escarpments. Over it all crept the lengthening, waning afternoon shadows.
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
Zane Grey (The Fugitive Trail)
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as it is. There's good an
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Zane Grey (The Man of the Forest (Xist Classics))
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Life is hard enough, God knows, but it's unfailin' true in the end to the man or woman who finds the best in them an' stands by it." "Uncle John, y'u talk soβso
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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The other sleepers lay calm and white in the starlight. There was something nameless in that canyon, and whether or not it was what the Indian embodied in the great Nonnezoshe . . . the truth was that there was a spirit.
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Zane Grey (Tales of Lonely Trails)
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You must use that hope an' faith to help you get well.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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He was thinking that if he had his life to live over again he would begin at once to find happiness in other people's happiness.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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He saw how some divine guidance had directed his footsteps to this home. How many years had it taken him to get there!
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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I will live them. I will have faith and hope and love, for I am his daughter," she said.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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Likewise he believed that men wandering or lost in the wilderness often reversed that brutal order of life and became noble, wonderful, super-human.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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wild men in wild places, fighting cold, heat, starvation, thirst, barrenness, facing the elements in all their ferocity, usually retrograded, descended to the savage, lost all heart and soul and became mere brutes.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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perhaps he and this man, alone on the desert, driven there by life's mysterious and remorseless motive, were to see each other through God's eyes. His
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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his phantoms of peace. Majestically they formed around him, marshalling and mustering in ceremonious state, and moved to lay upon him their passionless serenity.
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Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
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So must you, so must we all take chances. You are here. Find your work and do it cheerfully, honestly, and let the future take care of itself. And let me sayβdo not be offendedβbeware of idleness and drink. They are as great a dangerβnay, greater than the Indians.
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Doma Publishing House (Zane Grey Collection: 23 Works)
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into loving me. I've
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Zane Grey (The Rustlers of Pecos County)