β
I need this wild life, this freedom.
β
β
Zane Grey
β
Recipe For Greatness - To bear up under loss; To fight the bitterness of defeat and the weakness of grief; To be victor over anger; To smile when tears are close; To resist disease and evil men and base instincts; To hate hate and to love love; To go on when it would seen good to die; To look up with unquenchable faith in something ever more about to be. That is what any man can do, and be great.
β
β
Zane Grey
β
Instinct may not be greater than reason, but it's a million years older. Don't fight your instincts so hard. If they were not good the God of Creation would not have given them to you.
β
β
Zane Grey (The Man of the Forest)
β
Where I was raised a woman's word was law. I ain't quite outgrowed that yet.
β
β
Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
β
Jealousy is an unjust and stifling thing.
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β
Zane Grey (The Call of the Canyon)
β
But what can women do in times of war? They help, they cheer, they inspire, and if their cause is lost they must accept death or worse. Few women have the courage for self-destruction. "To the victor belong the spoils," and women have ever been the spoils of war.
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β
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
β
The narrator finds that as a maturing character grows in stature before her friends that she sees less stature while evaluating herself.
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β
Zane Grey (The Call of the Canyon)
β
I knew you"d never be American enough to help me reconstruct my life.
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β
Zane Grey (The Call of the Canyon)
β
That, my dear uncultured wolf, is a Charlie Russellβcowboy turned artist. Without him, Montanaβs history would just be a footnote in a Zane Grey novel.
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β
Patricia Briggs (River Marked (Mercy Thompson, #6))
β
Unhappiness is only a change. Happiness itself is only change. So what does it matter? The great thing is to see life--to understand--to feel--to work--to fight--to endure.
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β
Zane Grey (To The Last Man (Annotated): A Western Collection)
β
Pride would never be her ally.
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β
Zane Grey (The Call of the Canyon)
β
You and I will never live to see the day that women recover their balance.
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β
Zane Grey (The Call of the Canyon)
β
When I envied a man's spurs then they were indeed worth coveting.
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β
Zane Grey
β
I need this wild life, this freedom. To be alive, to look into nature, and so into my soul.
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β
Zane Grey
β
Love of man for woman - love of woman for man. That's the nature, the meaning, the best of life itself.
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β
Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
β
I am waiting to plunge down, to shatter and crash, roar and boom, to bury your trail, and close forever the outlet to Deception Pass!
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β
Zane Grey (Riders of the Purple Sage)
β
Her forefathers had been Vikings, savage chieftains who bore no cross and brooked no hindrance to their will.
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β
Zane Grey (Riders of the Purple Sage: Filibooks Classics (Illustrated))
β
It was a sight to make Zane Grey reach for his ballpoint, or Sergio Leone send out for another fifty foot of standard eight.
β
β
Robert Rankin (The Antipope)
β
Mrs. Mudford. Room six. I realize she might be a little more advanced than some of the other children, but I doubt sheβll be the only one reading Zane Grey, donβt you?
β
β
Bonnie Garmus (Lessons in Chemistry)
β
So that's troublin' you? I reckon it needn't. You see it was this way. I come round the house an' seen that fat party an' heard him talkin' loud. Then he seen me, an' very impolite goes straight for his gun. He oughtn't have tried to throw a gun on me - whatever his reason was. For that's meetin' me on my own grounds. I've seen runnin' molasses that was quicker'n him. Now I didn't know who he was, visitor or friend or relation of yours, though I seen he was a Mormon all over, an' I couldn't get serious about shootin'. So I winged him - put a bullet through his arm as he was pullin' at his gun. An' he droppped the gun there, an' a little blood. I told him he'd introduced himself sufficient, an' to please move out of my vicinity. An' went" - Lassiter
β
β
Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
β
Like an arrow sprung from a bow Betty flashed past the Colonel and out on the green. Scarcely ten of the long hundred yards had been covered by her flying feet when a roar of angry shouts and yells warned Betty that the keen-eyed savages saw the bag of powder and now knew they had been deceived by a girl.
β
β
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
β
As he watched this beautiful, still world, Louie played with a thought that had come to him before. He had thought it as he had watched hunting seabirds, marveling at their ability to adjust their dives to compensate for the refraction of light in water. He had thought it as he had considered the pleasing geometry of the sharks, their gradation of color, their slide through the sea. He even recalled the thought coming to him in his youth, when he had lain on the roof of the cabin in the Cahuilla Indian Reservation, looking up from Zane Grey to watch night settling over the earth. Such beauty, he thought, was too perfect to have come about by mere chance. That day in the center of the Pacific was, to him, a gift crafted deliberately, compassionately, for him and Phil. Joyful and grateful in the midst of slow dying, the two men bathed in that day until sunset brought it, and their time in the doldrums, to an end.
β
β
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
β
Good God!β cried Hare. βTheyβre firing on us! They'd shoot a woman!ββ
βHas it taken you so long to learn that?
β
β
Zane Grey (The Heritage of the Desert)
β
Shut off your wind, Jack! And you, too, Blaze! I didn't want you fellows to come here. But as you would come, you've got to shut up. This is my business.
β
β
Zane Grey
β
Fishing keeps men boys longer than any other pursuit
β
β
Zane Grey (Zane Grey On Fishing)
β
An awful sense of her deadness, of her soul-blighting selfishness, began to dawn upon her as something monstrous out of dim, gray obscurity.
β
β
Zane Grey (To The Last Man (Annotated): A Western Collection)
β
Β Carley saw two forces in life--the destructive and constructive. On the one side greed, selfishness, materialism: on the other generosity, sacrifice, and idealism.
β
β
Zane Grey (To The Last Man (Annotated): A Western Collection)
β
the false courage of association with a crowd.
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β
Zane Grey (To The Last Man (Annotated): A Western Collection)
β
With distrust came suspicion and with suspicion came fear, and with fear came hate--and these, in already distorted minds, inflamed a hell.
β
β
Zane Grey (To The Last Man (Annotated): A Western Collection)
β
Get up, an' take my scarf," said Wade, "an' bandage these bullet-holes I got.
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β
Zane Grey (The Mysterious Rider)
β
I arise full of eagerness and energy, knowing well what achievement lies ahead of me.
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β
Zane Grey
β
Mister Hawe, you come along, not satisfied with ropin
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β
Zane Grey (Light of the Western Stars)
β
You dreamβ¦ or youβre driven mad.
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β
Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
β
When I rodeβI rode like the wind," she replied, "and never had time to stop for anything.
β
β
Zane Grey (Riders of the Purple Sage)
β
The blindness I mean is blindness that keeps you from seein' the truth.
β
β
Zane Grey (Riders of the Purple Sage)
β
What's all the row over at Ben's?" [Mrs. Ide] inquired, placidly, from her comfortable chair.
"Rustlers, cattle, foremen, sheriffs, and Heaven only knows what," replied Hettie, distractedly.
β
β
Zane Grey (Nevada)
β
Socialism reached into her mind, to be rejected. She had never understood it clearly, but it seemed to her a state of mind where dissatisfied men and women wanted to share what harder working or more gifted people possessed.
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β
Zane Grey (To The Last Man (Annotated): A Western Collection)
β
And as he lost that softness of nature, so he lost his fear of men. He would watch for Oldring, biding his time, and he would kill this great black-bearded rustler who had held a girl in bondage, who had used her to his infamous ends.
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β
Zane Grey (Riders of the Purple Sage)
β
Instantly a thick blackness seemed to enfold her and silence as of a dead world settled down upon her. Drowsy as she was she could not close her eyes nor refrain from listening. Darkness and silence were tangible things. She felt them. And they seemed suddenly potent with magic charm to still the tumult of her, to sooth and rest, to create thought she had never thought before. Rest was more than selfish indulgence. Loneliness was necessary to gain conciseness of the soul.
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β
Zane Grey (The Call of the Canyon)
β
He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point.
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β
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
β
No nerve, hey? Not half a man!... Buster Jack, why don't you finish game? Make up for your low-down tricks. At the last try to be worthy of your dad. In his day he was a real man.... Let him have the consolation that you faced Hell-Bent Wade an' died in your boots!
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β
Zane Grey (The Mysterious Rider)
β
...dare we live for one another? Dare we be happy?"
"Child, it's our only hope. Let us make our love atone for the hate of our fathers. We have been doomed by their sins. Not that...nor anythin' can keep us apart. I am a slayer of men, but I think God spoke to me today.
β
β
Zane Grey (Tonto Basin)
β
Halt!..." Wade leaped at the white Belllounds. "If you run I'll break a leg for you--an' then I'll beat your miserable brains out!... Have you no sense? Can't you recognize what's comin'?... I'm goin' to kill you, Buster Jack!"
"My God!" whispered the other, understanding fully at last.
β
β
Zane Grey (The Mysterious Rider)
β
A man can die. He is glorious when he calmly accepts death; but when he fights like a tiger, when he stands at bay his back to the wall, a broken weapon in his hand, bloody, defiant, game to the end, then he is sublime. Then he wrings respect from the souls of even his bitterest foes. Then he is avenged even in his death.
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β
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
β
The rugged fallow ground under her feet seemed to her to be a symbol of faith β faith that winter would come and pass β the spring sun and rain would burst the seeds of wheat β and another summer would see the golden fields of waving grain. If she did not live to see them, they would be there just the same; and so life and nature had faith in its promise. That strange whisper was to Lenore the whisper of God.
β
β
Zane Grey (The Desert of Wheat)
β
He saw his enemies stealthily darting from rock to tree, and tree to bush, creeping through the brush, and slipping closer and closer every moment. On three sides were his hated foes and on the remaining sideβthe abyss. Without a moment's hesitation the intrepid Major spurred his horse at the precipice. Never shall I forget that thrilling moment. The three hundred savages were silent as they realized the Major's intention. Those in the fort watched with staring eyes. A few bounds and the noble steed reared high on his hind legs. Outlined by the clear blue sky the magnificent animal stood for one brief instant, his black mane flying in the wind, his head thrown up and his front hoofs pawing the air like Marcus Curtius' mailed steed of old, and then down with a crash, a cloud of dust, and the crackling of pine limbs.
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β
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
β
The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day.
I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.
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β
Zane Grey (The Last of the Plainsmen)
β
We cannot possibly expect, and should not desire, that the great bulk of the populace embark on a mental and spiritual voyage for which very few people are equipped and which even fewer have survived. They have, after all, their indispensable work to do, even as you and I. What we are distressed about, and should be, when we speak of the state of mass culture in this country, is the overwhelming torpor and bewilderment of the people. The people who run the mass media are not all villains and they are not all cowardsβthough I agree, I must say, with Dwight Macdonaldβs forceful suggestion that many of them are not very bright. (Why should they be? They, too, have risen from the streets to a high level of cultural attainment. They, too, are positively afflicted by the worldβs highest standard of living and what is probably the worldβs most bewilderingly empty way of life.) But even those who are bright are handicapped by their audience: I am less appalled by the fact that Gunsmoke is produced than I am by the fact that so many people want to see it. In the same way, I must add, that a thrill of terror runs through me when I hear that the favorite author of our President is Zane Grey.
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β
James Baldwin (The Cross of Redemption: Uncollected Writings)
β
He came at length to realize that the desert was a teacher. He did not realize all that he had learned, but he was a different man. And when he decided upon that, he was not thinking of the slow, sure call to the primal instincts of man; he was thinking that the desert, as much as he had experienced and no more, would absolutely overturn the whole scale of a manβs values, break old habits, form new ones, remake him. More of desert experience, Gale believed, would be too much for intellect. The desert did not breed civilized man, and that made Gale ponder over a strange thought: after all, was the civilized man inferior to the savage?
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β
Zane Grey (Desert Gold)
β
OhβSilvermanelβ cried Hare. It was just a call, as if the horse were human, and knew what that pace meant to his master. The stern business of the race had ceased to rest on Hare. Silvermane was out to the front! He was like a level-rushing thunderbolt. Hare felt the instantanepus pause between his long low leaps, the gather of mighty muscles, the strain, the tension, then the quivering expubsion of force. It was a perilous ride down that red slope, not so much from the hissing bullets as from the washes and gullies which Silvermane sailed over in magnificent leaps Hare thrilled with savage delight in the wonderful prowess of his desert king, in the primal instinct of joy at escaping with the woman he loved.
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Zane Grey (The Heritage of the Desert)
β
The wind blew steadily in from the desert seeping the sand in low, thin sheets. Afternoon waned, the sun sank, twilight crept over the barren waste. There were no sounds but the seep of sand, the moan of wind, the mourn of wolf. Loneliness came with the night that mantled Beauty Stantonβs grave. Shadows trooped in from the desert and the darkness grew black. On that slope the wind always blew, and always the sand seeped, dusting over everything, imperceptibly changing the surface of the earth. The desert was still at work. Nature was no respecter of graves. Life was nothing. Radiant, cold stars blinked pitilessly out of the vast blue-black vault of heaven. But there hovered a spirit beside this womanβs last resting-place β a spirit like the night, sad, lonely, silent, mystical, immense.
And as it hovered over hers so it hovered over other nameless graves.
In the eternal workshop of nature, the tenants of these unnamed and forgotten graves would mingle dust of good with dust of evil, and by the divinity of death resolve equally into the elements again.
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β
Zane Grey (The U. P. Trail)
β
Zane Grey, Max Brand, and Louis LβAmour
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β
Jon Tuska (The Lawless West)
β
American should read the signs of the times, realize the crisis, and meet it in an American way. Otherwise we are done as a race. Money is God in the older countries. But it should never become God in America. If it does we will make the fall of Rome pale into insignificance.
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Zane Grey (The Call of the Canyon)
β
Soon he would be walking a beat in one of the training camps, with a bugle call in his ears and the turmoil of thousands of soldiers in the making around him; soon, too, he would be walking the deck of a transport.....feeling under his feet the soil of a foreign country, with hideous and incomparable war shrieking its shell furies and its man anguish all about him.
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Zane Grey (The Desert of Wheat)
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He had based much of The Godfather on a 1910 Western classic, βa book I read when I was a kid, Zane Greyβs Heritage of the Desert,β he said. His novel would represent a new form of Western with a new style of outlaw justice and at the perfect time.
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Mark Seal (Leave the Gun, Take the Cannoli: The Epic Story of the Making of The Godfather)
β
Yes. Love of man for womanβlove of woman for man. Thatβs the nature, the meaning, the best of life itself.
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Zane Grey (Riders of the Purple Sage)
β
While she waited there she forgot the prospect of untoward change. The bray of a lazy burro broke the afternoon quiet, and it was comfortingly suggestive of the drowsy farmyard, and the open corrals, and the green alfalfa fields. Her clear sight intensified the purple sage-slope as it rolled before her. Low swells of prairie-like ground sloped up to the west. Dark, lonely cedar trees, few and far between, stood out strikingly, and at long distances ruins of red rocks. Farther on, up the gradual slope, rose a broken wall, a huge monument, looming dark purple and stretching its solitary, mystic way, a wavering line that faded in the north. Here to the westward was the light and color and beauty. Northward the slope descended to a dim line of canyons from which rose an up-flinging of the earth, not mountainous, but a vast heave of purple uplands, with ribbed and fan-shaped walls, castle-crowned cliffs, and gray escarpments. Over it all crept the lengthening, waning afternoon shadows.
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Zane Grey (Riders of the Purple Sage (Riders of the Purple Sage, #1))
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For Mescal was there. Far away she must be, a mere grain of sand in all that world of drifting sands, perhaps ill, perhaps hurt, but alive, waiting for him, calling for him, crying out with a voice that no distance could silence. He did not see the sharp peaks as pitiless barriers, nor the mesas and domes as black-faced death, nor the moisture-drinking sands as life-sucking foes to plant and beast and man. That painted wonderland had sheltered Mescal for a year. He had loved it for its color, its change, its secrecy; he loved it now because it had not been a grave for Mescal, but a home. βTherefore he laughed at the deceiving yellow distances in the foreground of glistening mesas, at the deceiving purple distances of the far-off horizon, The wind blew a song in his ears; the dry desert odors were fragrance in his nostrils; the sand tasted sweet between his teeth, and the quivering heat-waves, veiling the desert in transparent haze, framed beautiful pictures for his eyes.
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Zane Grey (The Heritage of the Desert)
β
The lure of the sea is some strange magic that makes men love what they fear. The solitude of the desert is more intimate than that of the sea. Death on the shifting barren sands seems less insupportable to the imagination than death out on the boundless ocean, in the awful, windy emptiness. Man's bones yearn for dust.
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Zane Grey
β
Nimble, alert, the big white dog was not still a moment. His duty was to keep the flock compact, to head the stragglers and turn them back; and he knew his part perfectly. There was dash and fire in his work. He never barked. As he circled the flock the small Navajo sheep, edging ever toward forbidden ground, bleated their way back to the fold, the larger ones wheeled reluctantly, and the old belled rams squared themselves, lowering their massive horns as if to butt him. Never, however, did they stand their ground when he reached them, for there was a decision about Wolf which brooked no opposition. At times when he was working on one side a crafty sheep on the other would steal out into the thicket. Then Mescal called and Wolf flashed back to her, lifting his proud head, eager, spirited, ready to take his order. A word, a wave of her whip sufficed for the dog to rout out the recalcitrant sheep and send him bleating to his fellows.
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Zane Grey (The Heritage of the Desert)
β
August NaabβS oasis was an oval valley, level as a floor, green with leaf and white with blossom, enclosed by a circle of colossal cliffs of vivid vermilion hue. At its western curve the Colorado River split the red walls from north to south. When the wind was west a sullen roar, remote as of some far-off driving mill, filled the valley; when it was east a dreamy hollow hum, a somnolent song, murmured through the cottonwoods; when no wind stirred, silence reigned, a silence not of serene plain or mountain fastness, but shut in, compressed, strange, and breathless. Safe from the storms of the elements as well as of the world was this Garden of Eschtah.
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Zane Grey (The Heritage of the Desert)
Zane Grey (Rogue River Feud)
β
Lassiter, I'll ride away with you. Hide me till danger is pastβtill we are forgottenβthen take me where you will. Your people shall be my people, and your God my God!
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Zane Grey (Riders of the Purple Sage (Illustrated))
β
Nat'rully I looked back to see what hed acted so powerful strange on the judge. An' there, half-way up the room, in the middle of the wide aisle, stood Lassiter! All white an' black he looked, an' I can't think of anythin' he resembled, onless it's death.
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Zane Grey (Riders of the Purple Sage (Illustrated))
β
In this materialistic age, this hard, practical, swift, greedy age of realism, it seems there is no place for writers of romance, no place for romance itself. For many years all the events leading up to the great war were realistic, and the war itself was horribly realistic, and the aftermath is likewise. Romance is only another name for idealism; and I contend that life without ideals is not worth living. Never in the history of the world were ideals needed so terribly as now. Walter Scott wrote romance; so did Victor Hugo; and likewise Kipling, Hawthorne, Stevenson. It was Stevenson, particularly, who wielded a bludgeon against the realists. People live for the dream in their hearts. And I have yet to know anyone who has not some secret dream, some hope, however dim, some storied wall to look at in the dusk, some painted window leading to the soul.
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Zane Grey (Zane Grey: The Ultimate Collection - 49 Works - Classic Westerns and Much More)
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The hunter had lived much with dogs and had come to learn that the longer he lived with them the more there was to marvel at and love.
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Zane Grey (Zane Grey: The Ultimate Collection - 49 Works - Classic Westerns and Much More)
β
I have spent most of my life trying to figure out what goes on inside your mind,β he said. βFirst I thought you were slow and then I thought you might be red. Finally it occurred to me that you are just a sentimentalist. You believe in the open range, the code, the nobility of the sufferinβ cowpoke and the emptiness of bankersβ heartsβall stuff you picked up from Zane Grey .Β .Β .β In fact I have not read Zane Grey, though I do not mind Wister, but explaining these distinctions to my brother is pointless.
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Philipp Meyer (The Son)
β
strong, stirring instant as with fascinated eyes I watched
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β
Zane Grey (Zane Grey: The Ultimate Collection - 49 Works - Classic Westerns and Much More)
Zane Grey (The Zane Grey Megapack)
β
keep me from ridinβ trail. But youβre acting
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β
Zane Grey (The Lost Wagon Train: A Western Story)
β
Belding hesitated and looked
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β
Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
β
Once he had said to her that a man should never be judged by the result of his labors, but by the nature of his effort.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
β
Oh, Glenn!--forgive--me! " she faltered. "I was only--talking. What do I know? Oh, I am blind--blind and little!
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Zane Grey (To The Last Man (Annotated): A Western Collection)
β
We must dress to make other women jealous and to attract men.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
β
False education, false standards, false environment had developed her into a woman who imagined she must feed her body on the milk and honey of indulgence.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
β
But that never was true. Glenn was as sane as I am, and, my dear, that's pretty sane, I'll have you remember. But he must have suffered some terrible blight to his spirit--some blunting of his soul.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
β
Aunt Mary, you hurt my feelings." Β "Well, child, I'm glad to learn your feelings are hurt," returned the aunt. "I'm sure, Carley, that underneath all this--this blase ultra something you've acquired, there's a real heart. Only you must hurry and listen to it--or--
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β
Zane Grey (To The Last Man (Annotated): A Western Collection)
β
get it, but I hoped he would be all afternoon on the job. βHurry, Cap!β was all I said. Ordinarily Dan is the swiftest of boatmen. To-day he was slower than molasses and all he did went wrong. What he said about the luck was more than melancholy. I had no way to gauge my own feelings because I had never had such an experience before. Nor had I ever heard or read of any one having it. We got a bait on and the kite out just in time to reach the first and larger school. I was so excited that I did not see we were heading right into it. My intent gaze was riveted upon my bait as it skimmed the surface. The swells were long, low, smooth mounds. My bait went out of sight behind one. It was then I saw water fly high and I felt a tug. I jerked so hard I nearly fell over. My bait shot over the top of the swell. Then that swell opened and burstβa bronze back appeared. He missed the hook. Another tuna, also missing, leaped into the airβa fish of one hundred and fifty pounds, glittering green and silver and blue, jaws open, fins stiff, tail
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β
Zane Grey (Tales of Fishes)
β
twenty-foot-square, furious splash as he hooked himself. I sat spellbound. I
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β
Zane Grey (Tales of Fishes)
β
And the reason that she did not falter and fail in this terrible situation was because her despair, great as it was, did not equal her love.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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I was a preacher, and now I am thirsting for vengeance,β answered Christy, his face clouding darkly. βWait until you learn what frontier life means. You are young here yet; you are flushed with the success of your teaching; you have lived a short time in this quiet village, where, until the last few days, all has been serene. You know nothing of the strife, of the necessity of fighting, of the cruelty which makes up this border existence. Only two years have hardened me so that I actually pant for the blood of the renegade who has robbed me. A frontiersman must take his choice of succumbing or cutting his way through flesh and bone. Blood will be spilled; if not yours, then your foeβs. The pioneers run from the plow to the fight; they halt in the cutting of corn to defend themselves, and in winter must battle against cold and hardship, which would be less cruel if there was time in summer to prepare for winter, for the savages leave them hardly an opportunity to plant crops. How many pioneers have given up, and gone back east? Find me any who would not return home to-morrow, if they could. All that brings them out here is the chance for a home, and all that keeps them out here is the poor hope of finally attaining their object. Always there is a possibility of future prosperity. But this generation, if it survives, will never see prosperity and happiness. What does this border life engender in a pioneer who holds his own in it? Of all things, not Christianity. He becomes a fighter, keen as the redskin who steals through the coverts.
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Zane Grey (The Spirit of the Border)
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Donβt apologize. Itβs a sign of weakness."
Captain Nathan Brittles,
"She Wore a Yellow Ribbon "(1949)
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Zane Grey
Zane Grey (WILD WEST Boxed Set: 150+ Western Classics in One Volume: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaw Classics, Gold Rush Adventures & ... The Last of the Mohicans, Rimrock Trailβ¦))
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he set out for Berkeley County, Virginia, to tell his people of the magnificent country he had discovered.
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Zane Grey (The Zane Grey Megapack)
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Surely with all its greatness it could not be lost; surely in the end it must triumph over evil.
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Zane Grey (To The Last Man (Annotated): A Western Collection)
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joy that was half a sob she fell upon her knees and clasped the little burro's neck. Noddle wearily flapped his long brown ears, wearily nodded his white nose; then evidently considering the incident closed, he went lazily to sleep.
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Zane Grey (Heritage of the Desert)
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The sun lost its heat and wore down to the western horizon, where it changed from white to gold and rested like a huge ball about to roll on its golden shadows down the
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Zane Grey (WILD WEST Boxed Set: 150+ Western Classics in One Volume: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaw Classics, Gold Rush Adventures & ... The Last of the Mohicans, Rimrock Trailβ¦))
Zane Grey (60 WESTERNS: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaws, Gold Rush Adventures: Riders of the Purple Sage, The Night Horseman, The Last ... of the West, A Texas Cow-Boy, The Prairieβ¦)
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I've seen runnin' molasses that was quicker 'n him.
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Zane Grey (Riders of the Purple Sage: By Zane Grey - Illustrated)
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Is it not the loss of things which makes life bitter?
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Zane Grey (Tales of Fishes)
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So the struggle for existence continued till I seemed to see all the world before me with its myriads of wild creatures preying upon one another; the spirit of nature, unquenchable as the fires of the sun, continuing ceaseless and imperturbable in its inscrutable design.
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Zane Grey (Tales of Fishes)
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his ideal of living.
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Zane Grey (The Man of the Forest)
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however, cut out much that I wanted, saying the thing to think of was a
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Doma Publishing House (Zane Grey Collection: 23 Works)
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She seemed the incarnation of girlish scorn and wilful
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Doma Publishing House (Zane Grey Collection: 23 Works)
Zane Grey (The Man of the Forest)
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It was wonderful country that faced him, cedar, piΓ±on and sage, colored hills and flats, walls of yellow rock stretch away, and dim purple mountains all around. If his keen eyes did not deceive him there was a bunch of wild horses grazing on top of the first hill.
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Zane Grey (Valley of Wild Horses)
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Dad, I don't know women very well, but I reckon they live by their hearts. You
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Zane Grey (Valley of Wild Horses)
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Morning dawned bright and sparkling after the rain. The air was keen and crisp. The cedars glistened as if decked with diamonds. Pan felt the sweet scent of the damp dust, and it gave him a thrill and a longing for the saddle and the open country.
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Zane Grey (Valley of Wild Horses)
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All the saddle horses, and even some of the pack animals, were affected by the scent of the wild herd. Freedom still lived deep down in their hearts. That was why a broken horse, no matter how gentle, became the wildest of the wild when he got free.
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Zane Grey (Valley of Wild Horses)
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For a few moments he indulged his old joy in range and mountain, stretching, rising on his right, away into the purple distance. Something had heightened its beauty. How softly gray the rolling range landβhow black the timbered slopes! The town before him sat like a hideous blotch on a fair landscape. It forced his gaze over and beyond toward the west, where the late afternoon sun had begun to mellow and redden, edging the clouds with exquisite light. To the southward lay Arizona, land of painted mesas and storied canyon walls, of thundering streams and wild pine forests, of purple-saged valleys and grassy parks, set like mosaics between the stark desert mountains.
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Zane Grey (Valley of Wild Horses)