Rimbaud Quotes

Genius is the recovery of childhood at will.

I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.

I believe I am in Hell, therefore I am.

A thousand Dreams within me softly burn

By being too sensitive I have wasted my life.

But, truly, I have wept too much! The Dawns are heartbreaking. Every moon is atrocious and every sun bitter.

A thousand Dreams within me softly burn: From time to time my heart is like some oak Whose blood runs golden where a branch is torn.

I understand, and not knowing how to express myself without pagan words, I’d rather remain silent

True alchemy lies in this formula: ‘Your memory and your senses are but the nourishment of your creative impulse’.

I shed more tears than God could ever have required.

Idle youth, enslaved to everything; by being too sensitive I have wasted my life.

Love...no such thing. Whatever it is that binds families and married couples together, that's not love. That's stupidity or selfishness or fear. Love doesn't exist. Self interest exists, attachment based on personal gain exists, complacency exists. But not love. Love has to be reinvented, that’s certain.

In the morning I had a look so lost, a face so dead, that perhaps those whom I met did not see me. - Bad Blood

Life is the farce we are all forced to endure.

I is another.

À l'aurore, armés d'une ardente patience, nous entrerons aux splendides Villes. (In the dawn, armed with a burning patience, we shall enter the splendid Cities.)

Je est un autre.

I'm intact, and I don't give a damn.

Come from forever, and you will go everywhere.

But the problem is to make the soul into a monster

I have stretched ropes from steeple to steeple; Garlands from window to window; Golden chains from star to star ... And I dance.

No woman could have been Nietzsche or Rimbaud without ending up in a whorehouse or lobotomized.

One evening I sat Beauty on my knees – And I found her bitter – And I reviled her.

I found I could extinguish all human hope from my soul.

Deserts possess a particular magic, since they have exhausted their own futures, and are thus free of time. Anything erected there, a city, a pyramid, a motel, stands outside time. It's no coincidence that religious leaders emerge from the desert. Modern shopping malls have much the same function. A future Rimbaud, Van Gogh or Adolf Hitler will emerge from their timeless wastes.

Elle est retrouvée! Quoi? -l'Éternité. C'est la mer allée Avec le soleil.

The poet, therefore, is truly the thief of fire. He is responsible for humanity, for animals even; he will have to make sure his visions can be smelled, fondled, listened to; if what he brings back from beyond has form, he gives it form; if it has none, he gives it none. A language must be found…of the soul, for the soul and will include everything: perfumes, sounds colors, thought grappling with thought

Eternity is the sun mixed with the sea

But I've just noticed that my mind is asleep.

Whose hearts must I break? What lies must I maintain? - Through whose blood am I to wade ?

As I descended into impassable rivers I no longer felt guided by the ferrymen.

Then you'll feel your cheek scratched... A little kiss, like a crazy spider, Will run round your neck... And you'll say to me : "Find it !" bending your head - And we'll take a long time to find that creature - Which travels a lot...

Now I am an outcast. I loathe my country. The best thing for me is a drunken sleep on the beach.

A poet makes himself a visionary through a long, boundless, and systematized disorganization of all the senses. All forms of love, of suffering, of madness; he searches himself, he exhausts within himself all poisons, and preserves their quintessences. Unspeakable torment, where he will need the greatest faith, a superhuman strength, where he becomes all men the great invalid, the great criminal, the great accursed--and the Supreme Scientist! For he attains the unknown! Because he has cultivated his soul, already rich, more than anyone! He attains the unknown, and if, demented, he finally loses the understanding of his visions, he will at least have seen them! So what if he is destroyed in his ecstatic flight through things unheard of, unnameable: other horrible workers will come; they will begin at the horizons where the first one has fallen!

The wolf howled under the leaves And spit out the prettiest feathers Of his meal of fowl: Like him I consume myself.

True life is elsewhere

Morality is the weakness of the mind.

To whom shall I hire myself out? What beast should I adore? What holy image is attacked? What hearts shall I break? What lies shall I uphold? In what blood tread?

Unhappiness was my god.

On the blue summer evenings, I will go along the paths, And walk over the short grass, as I am pricked by the wheat: Daydreaming I will feel the coolness on my feet. I will let the wind bathe my bare head. I will not speak, I will have no thoughts: But infinite love will mount in my soul; And I will go far, far off, like a gypsy, through the countryside - as happy as if I were with a woman. "Sensation

She will try to find the nice way to exercise intelligence. But intelligence is not ladylike. Intelligence is full of excesses. Rigorous intelligene abhors sentimentality, and women must be sentimental to value the dreadful silliness of the men around them. Morbid intelligence abhors the cheery sunlight of positive thinking and eternal sweetness; and women must be sunlight and cheery and sweet, or the woman could not bribe her way with smiles through a day. Wild intelligence abhors any narrow world; and the world of women must stay narrow, or the woman is an outlaw. No woman could be Nietzsche or Rimbaud without ending up in a whorehouse or lobotomized. Any vital intelligence has passionate questions, aggressive answers; but women cannot be explorers; there can be no Lewis or Clark of the female mind.

What am I doing here?

You will always be a hyena.

Is it in these bottomless nights that you sleep in exile?

But, true, I’ve wept too much! Dawns break hearts./ Every moon is brutal, every sun bitter.

He saw that science had become as great a hoax as religion, that nationalism was a farce, patriotism a fraud, education a form of leprosy, and that morals were for cannibals

My wisdom is as spurned as chaos. What is my nothingness, compared to the amazement that awaits you?

Mais, vrai, j’ai trop pleuré ! Les Aubes sont navrantes. Toute lune est atroce et tout soliel amer: L’âcre amour m’a gonflé de torpeurs enivrantes. Ô que ma quille éclate ! Ô que j’aille à la mer!

What we have witnessed in our own time is the death of universities as centres of critique. Since Margaret Thatcher, the role of academia has been to service the status quo, not challenge it in the name of justice, tradition, imagination, human welfare, the free play of the mind or alternative visions of the future. We will not change this simply by increasing state funding of the humanities as opposed to slashing it to nothing. We will change it by insisting that a critical reflection on human values and principles should be central to everything that goes on in universities, not just to the study of Rembrandt or Rimbaud.

I is another. If the brass wakes the trumpet, it’s not its fault. That’s obvious to me: I witness the unfolding of my own thought: I watch it, I hear it: I make a stroke with the bow: the symphony begins in the depths, or springs with a bound onto the stage. If the old imbeciles hadn’t discovered only the false significance of Self, we wouldn’t have to now sweep away those millions of skeletons which have been piling up the products of their one-eyed intellect since time immemorial, and claiming themselves to be their authors!

It began as research. I wrote of silences, of nights, I scribbled the indescribable. I tied down the vertigo.

And from that time on I bathed in the Poem Of the Sea, star-infused and churned into milk, Devouring the green azures; where, entranced in pallid flotsam, A dreaming drowned man sometimes goes down.

I could never throw Love out of the window.

It is found again. What? Eternity. It is the sea Gone with the sun.

The poet makes himself a voyant through a long, immense reasoned deranging of all his senses. All the forms of love, of suffering, of madness; he tries to find himself, he exhausts in himself all the poisons, to keep only their quintessences.

What is my nothingness to the stupor that awaits you?

And from then on, I bathed in the Poem of the Sea, star-infused, and opalescent, devouring green azures

In the great glasshouses streaming with condensation, the children in mourning-dress beheld marvels.

Je ne parlerai pas, je ne penserai rien : Mais l'amour infini me montera dans l'âme, Et j'irai loin, bien loin, comme un bohémien, Par la Nature, -- heureux comme avec une femme.

I have stretched ropes from bell-tower to bell-tower; garlands from window to window; chains of gold from star to star, and I dance.

In the dawn, armed with a burning patience, we shall enter the splendid cities.

Mais vrai, j'ai trop pleuré. Les Aubes sont navrantes. Toute lune est atroce et tout soleil amer: L'âcre amour m'a gonflé de torpeurs enivrantes. O que ma quille éclate! O que j'aille à la mer!

Once, if my memory serves me well, my life was a banquet where every heart revealed itself, where every wine flowed.

The northern lights rise like a kiss to the sea

I am alone in possessing a key to this barbarous sideshow.

Satan, you clown, you want to dissolve me with your charms. Well, I want it. I want it! Stab me with a pitchfork, sprinkle me with fire!

I'm now making myself as scummy as I can. Why? I want to be a poet, and I'm working at turning myself into a seer. You won't understand any of this, and I'm almost incapable of explaining it to you. The idea is to reach the unknown by the derangement of all the senses. It involves enormous suffering, but one must be strong and be a born poet. It's really not my fault.

He would say, "How funny it will all seem, all you've gone through, when I'm not here anymore, when you no longer feel my arms around your shoulders, nor my heart beneath you, nor this mouth on your eyes, because I will have to go away some day, far away..." And in that instant I could feel myself with him gone, dizzy with fear, sinking down into the most horrible blackness: into death.

Stronger than alcohol, vaster than poetry, Ferment the freckled red bitterness of love!

It was the voice of mad seas, roaring immense,/ That shattered your infant breast, too soft, too human.

Is it possible to become ecstatic amid destruction, rejuvenate oneself through cruelty?

My turn now. The story of one of my insanities. For a long time I boasted that I was master of all possible landscapes-- and I thought the great figures of modern painting and poetry were laughable. What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes. I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic. I invented colors for the vowels! A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator. I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.

La vraie vie est absente. Nous ne sommes pas au monde.

And, in the dawn, armed with a burning patience, we shall enter the splendid cities.

Quand le monde sera réduit en un seul bois noir pour nos quatre yeux étonnés, - en une plage pour deux enfants fidèles, - en une maison musicale pour notre claire sympathie, - je vous trouverai.

ONCE, if I remember well, my life was a feast where all hearts opened and all wines flowed. One evening I seated Beauty on my knees. And I found her bitter. And I cursed her.

True life is elsewhere. We are not in the world.

O seasons, O castles, What soul is without flaws? All its lore is known to me, Felicity, it enchants us all.

What an old maid I'm getting to be. lacking the courage to be in love with death!

The Poet makes himself a seer through a long, vast and painstaking derangement of all the senses

Ciel ! Amour ! Liberté ! Quel rêve, ô pauvre Folle! Tu te fondais à lui comme une neige au feu

The first study for the man who wants to be a poet is knowledge of himself, complete: he searches for his soul, he inspects it, he puts it to the test, he learns it. As soon as he has learned it, he must cultivate it! I say that one must be a seer, make oneself a seer. The poet becomes a seer through a long, immense, and reasoned derangement of all the senses. All shapes of love suffering, madness. He searches himself, he exhausts all poisons in himself, to keep only the quintessences. Ineffable torture where he needs all his faith, all his superhuman strength, where he becomes among all men the great patient, the great criminal, the great accursed one--and the supreme Scholar! For he reaches the unknown! ....So the poet is actually a thief of Fire!

All writers are, somewhere or other, mad. Not les grands fous, like Rimbaud, but mad, yes, mad. Because we do not believe in the stability of reality. We know that it can fragment, like a sheet of glass or a car's windscreen. but we also know that reality can be invented, reordered, constructed, remade. Writing is, in itself, an act of violence perpetrated against reality.

L'aube exalteé ainsi qu'un peuple de colombes, et j'ai vu quelquefois ce que l'homme a cru voir! (And dawn, exalted like a host of doves - and then I've seen what men believe they've seen!)

Talent is everything. If you've got talent, nothing else matters. You can screw up your personal life something terrible. So what. If you've got talent, it's there in reserve. Anybody who has talent they know they have it and that's it. It's what makes you what you are. It tells you you're you. Talent is everything; sanity is nothing. I'm convinced of it. I think I had something once. I showed promise, didn't I? But I was too sane. I couldn't make the leap out of my own soul into the soul of the universe. That's the leap they all made. From Blake to Rimbaud. I don't write anything but checks. I read science fiction. I go on business trips to South Bend and Rochester. The one in Minnesota. Not Rochester, New York. Rochester, Minnesota. I couldn't make the leap.

...these poets here, you see, they are not of this world:let them live their strange life; let them be cold and hungry, let them run, love and sing: they are as rich as Jacques Coeur, all these silly children, for they have their souls full of rhymes, rhymes which laugh and cry, which make us laugh or cry: Let them live: God blesses all the merciful: and the world blesses the poets.

Irony serves as an alibi for a fetish.

We live entirely in the past, nourished by dead thoughts, dead creeds, dead sciences. And it is the past which is engulfing us, not the future. The future always has and always will belong to—the poet.

All day long he was docile, intelligent, good, Though sometimes changing to a darker mood. He seemed hypocritical, could tell better lies, in the dark he saw dots of colors behind closed eyes, clenched fists, put his tongue out at his elder brother.

Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot. Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm.... The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview)

Conditioned to ecstasy, the poet is like a gorgeous unknown bird mired in the ashes of thought. If he succeeds in freeing himself, it is to make a sacrificial flight to the sun. His dreams of a regenerate world are but the reverberations of his own fevered pulse beats. He imagines the world will follow him, but in the blue he finds himself alone. Alone but surrounded by his creations; sustained, therefore, to meet the supreme sacrifice. The impossible has been achieved; the duologue of author with Author is consummated. And now forever through the ages the song expands, warming all hearts, penetrating all minds. At the periphery the world is dying away; at the center it glows like a live coal. In the great solar heart of the universe the golden birds are gathered in unison. There it is forever dawn, forever peace, harmony and communion. Man does not look to the sun in vain; he demands light and warmth not for the corpse which he will one day discard but for his inner being. His greatest desire is to burn with ecstasy, to commerge his little flame with the central fire of the universe. If he accords the angels wings so that they may come to him with messages of peace, harmony and radiance from worlds beyond, it is only to nourish his own dreams of flight, to sustain his own belief that he will one day reach beyond himself, and on wings of gold. One creation matches another; in essence they are all alike. The brotherhood of man consists not in thinking alike, nor in acting alike, but in aspiring to praise creation. The song of creation springs from the ruins of earthly endeavor. The outer man dies away in order to reveal the golden bird which is winging its way toward divinity.

Thus he spent his whole life searching for his own truth, but it remained hidden to him because he had learned at a very young age to hate himself for what his mother had done to him. (...) But not once did he allow himself to direct his endless, justified rage at the true culprit, the woman who had kept him locked up in her prison for as long as she could. All his life he attempted to free himself of that prison, with the help of drugs, travel, illusions, and above all poetry. But in all these desperate efforts to open the doors that would have led to liberation, one of them remained obstinently shut, the most important one: the door to the emotional reality of his childhood, to the feelings of the little child who was forced to grow up with a severely disturbed, malevolent woman, with no father to protect him from her.

I am the saint at prayer on the terrace like the peaceful beasts that graze down to the sea of Palestine. I am the scholar of the dark armchair. Branches and rain hurl themselves at the windows of my library. I am the pedestrian of the highroad by way of the dwarf woods; the roar of the sluices drowns my steps. I can see for a long time the melancholy wash of the setting sun. I might well be the child abandoned on the jetty on its way to the high seas, the little farm boy following the lane, its forehead touching the sky. The paths are rough. The hillocks are covered with broom. The air is motionless. How far away are the birds and the springs! It can only be the end of the world ahead.

Here I am on the shore of Brittany. Let the cities light up in the evening. My day is done. I am leaving Europe. The sea air will burn my lungs. Lost climates will tan me. I will swim, trample the grass, hung, and smoke especially. I will drink alcohol as strong as boiling metal--just as my dear ancestors did around their fires.

Evening prayer I spend my life sitting, like an angel in a barber's chair, Holding a beer mug with deep-cut designs, My neck and gut both bent, while in the air A weightless veil of pipe smoke hangs. Like steaming dung within an old dovecote A thousand Dreams within me softly burn: From time to time my heart is like some oak Whose blood runs golden where a branch is torn. And then, when I have swallowed down my Dreams In thirty, forty mugs of beer, I turn To satisfy a need I can't ignore, And like the Lord of Hyssop and of Myrrh I piss into the skies, a soaring stream That consecrates a patch of flowering fern.

All European writers are ‘slaves of their baptism,’ if I may paraphrase Rimbaud; like it or not, their writing carries baggage from an immense and almost frightening tradition; they accept that tradition or they fight against it, it inhabits them, it is their familiar and their succubus. Why write, if everything has, in a way, already been said? Gide observed sardonically that since nobody listened, everything has to be said again, yet a suspicion of guilt and superfluity leads the European intellectual to the most extreme refinements of his trade and tools, the only way to avoid paths too much traveled. Thus the enthusiasm that greets novelties, the uproar when a writer has succeeded in giving substance to a new slice of the invisible; merely recall symbolism, surrealism, the ‘nouveau roman’: finally something truly new that neither Ronsard, nor Stendahl , nor Proust imagined. For a moment we can put aside our guilt; even the epigones begin too believe they are doing something new. Afterwards, slowly, they begin to feel European again and each writer still has his albatross around his neck.

Between the ages of ten and fifteen in St. Petersburg, I must have read more fiction and poetry—English, Russian and French—than in any other five-year period of my life. I relished especially the works of Wells, Poe, Browning, Keats, Flaubert, Verlaine, Rimbaud, Chekhov, Tolstoy, and Alexander Blok. On another level, my heroes were the Scarlet Pimpernel, Phileas Fogg, and Sherlock Holmes. In other words, I was a perfectly normal trilingual child in a family with a large library. At a later period, in Western Europe, between the ages of 20 and 40, my favorites were Housman, Rupert Brooke, Norman Douglas, Bergson, Joyce, Proust, and Pushkin. Of these top favorites, several—Poe, Jules Verne, Emmuska Orezy, Conan Doyle, and Rupert Brooke—have lost the glamour and thrill they held for me. The others remain intact and by now are probably beyond change as far as I am concerned.

I saw myself before an infuriated mob, facing the firing squad, weeping out of pity for the evil they could not understand, and forgiving!-Like Jeanne d'Arc!-'Priests, professors, masters, you are making a mistake in turning me over to the law. I have never belonged to this people; I have never been a Christian; I am of the race that sang under torture; laws I have never understood; I have no moral sense, I am a brute: you are making a mistake.' Yes, my eyes are closed to your light. I am a beast, a nigger. But I can be saved. You are sham niggers, you, maniacs, fiends, misers. Merchant, you are a nigger; Judge, you are a nigger; General, you are a nigger; Emperor, old itch, you are a nigger: you have drunk of the untaxed liquor of Satan's still.-Fever and cancer inspire this people. Cripples and old men are so respectable they are fit to be boiled.-The smartest thing would be to leave this continent where madness stalks to provide hostages for these wretches. I enter the true kingdom of the children of Ham.

Come back, come back, dear friend, only friend, come back. I promise to be good. If I was short with you, I was either kidding or just being stubborn; I regret all this more than I can express. Come back and all is forgotten. It is unbearable to think you took my joke seriously. I have been crying for two days straight. Come back. Be brave, dear friend. All is not lost. You only need to come back. We will live here once again, bravely, patiently. I’m begging you. You know it is for your own good. Come back, all of your things are here. I hope you now know that our last conversation wasn’t real. That awful moment. But you, when I waved to you to get off the boat, why didn’t you come? To have lived together for two years and to have come to that! What will you do? If you don’t want to come back here, would you want me to come to you? Yes, I was wrong. Tell me you haven’t forgotten me. You couldn’t. I always have you with me. Listen, tell me: should we not live together anymore? Be brave. Write immediately. I can’t stay here much longer. Listen to your heart. Now, tell me if I should come join you. My life is yours.

I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in her long veils... - In the far-off woods you can hear them sound the mort. For more than a thousand years sad Ophelia Has passed, a white phantom, down the long black river. For more than a thousand years her sweet madness Has murmured its ballad to the evening breeze. The wind kisses her breasts and unfolds in a wreath Her great veils rising and falling with the waters; The shivering willows weep on her shoulder, The rushes lean over her wide, dreaming brow. The ruffled water-lilies are sighing around her; At times she rouses, in a slumbering alder, Some nest from which escapes a small rustle of wings; - A mysterious anthem falls from the golden stars. II O pale Ophelia! beautiful as snow! Yes child, you died, carried off by a river! - It was the winds descending from the great mountains of Norway That spoke to you in low voices of better freedom. It was a breath of wind, that, twisting your great hair, Brought strange rumors to your dreaming mind; It was your heart listening to the song of Nature In the groans of the tree and the sighs of the nights; It was the voice of mad seas, the great roar, That shattered your child's heart, too human and too soft; It was a handsome pale knight, a poor madman Who one April morning sate mute at your knees! Heaven! Love! Freedom! What a dream, oh poor crazed Girl! You melted to him as snow does to a fire; Your great visions strangled your words - And fearful Infinity terrified your blue eye! III - And the poet says that by starlight You come seeking, in the night, the flowers that you picked And that he has seen on the water, lying in her long veils White Ophelia floating, like a great lily.