Z Wave Quotes

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The way the snowflakes float like tiny feathers—there’s an elegance to it. I could watch for hours. It’s hypnotic. It reminds me of the feeling I get when I stand on the beach, watching the waves. I’m mesmerized by the power, the vastness, and the mysteries of nature. There’s definitely something holy or divine about it. I wonder if it’s the same feeling people get when they enter a church.
Alex Z. Moores (Living in Water)
Z umieraniem jest całkiem podobnie. Masz wrażenie, że nie dotyczy cię osobiście, dopóki nie zacznie faktycznie dotyczyć,
Rick Yancey (The 5th Wave (The 5th Wave, #1))
The day I die, I’ll be too busy thinking to notice” he waved his hand as he left the ship. - Nelson Moon, shipwright and designer of the Altered Moon. Current location: Cantankerous Base, Planet Tarris, Arzian Alliance
A.Z. Kelvin (Rise of the Altered Moon (The Altered Moon #1))
What story will our kids be telling about us someday, do you suppose?” “It’ll be a lot more romantic than two senators matchmaking,” I said. “They’ll say that we were meant to be together no matter what. For us, stars aligned, the gods smiled—prob’ly there was a tidal wave someplace, too, and we just haven’t heard about it yet.” “A Homeric epic, it sounds like. Have another glass of champagne and tell me more.” *
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
We move out over the ocean, and …I am looking straight down at the waves underneath me. The mid-morning sun is low and each crest flashes silver, silver, until it crashed into the rocky beach….and turns to foam. The rocks are broken into sand, and each grain …eventually…is broken down further. And as each grief crashes into us, we are broken too. We are rendered down and broken apart. Maybe some scientist could determine our ages by the size and number of pieces into which we’ve been broken? Maybe she could look at our pieces and measure the weight in impact of every grief and joy and agony. Maybe.
Shawn Klomparens (Jessica Z.)
Jak zabić prawie cztery miliardy ludzi w trzy miesiące? Z pomocą ptaków.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Świat się skończył, ale jedno się nie zmieniło: jeśli bardzo chcesz być sam, z pewnością ktoś ci w tym przeszkodzi.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Okrucieństwo nie wynika z cech charakteru. Jest po prostu nawykiem.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
For us, stars aligned, the gods smiled—prob’ly there was a tidal wave someplace, too, and we just haven’t heard about it yet.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
Sweet tea with milk, three Oreos, and Bob Roy’s snug and cozy flat helped Sue breathe deeply for the first time in months. She let out a sigh as big as a cresting wave and leaned back into a chair so soft it put the z in cozy. “Okay,” Bob said. “Tell me everything.” She opened up about, well, everything, cued by Bob’s sympathy. He uttered his support at every story, every anecdote: New York was the only place for Sue to be! Shelley and her “yeah, okay” attitude were to be expected from such a see-you-next-Tuesday! The subway was survivable as long as you never made eye contact with anyone. You found an apartment by reading the Rental classifieds in the Times and The Village Voice, but you had to get them early, at seven in the morning, and then you had to hightail it to the apartments with a bag of donuts because the super would always open up for a pretty girl who shared her donuts.
Tom Hanks (Uncommon Type: Some Stories)
From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.
J.M.G. Le Clézio (Mondo et autres histoires)
Lecz teraz nie mam ani chwili do stracenia. Nie ma tu wytchnienia, nie ma cienia drżących liści ani altany, w której można by się schronić przed słońcem, usiąść z ukochaną na wieczornym chłodzie. (...) To jest życie - Pan Prentice o czwartej, Pan Eyres o czwartej czterdzieści (...) Brzemię świata spoczywa na naszych barkach. To jest życie. Jeśli będę parł do przodu, odziedziczę fotel i dywan, posiadłość w Surrey ze szklarniami i jakimś niezwykłym okazem drzewa szpilkowego, melona albo kwitnącego drzewa, którego będą mi zazdrościli inni handlowcy
Virginia Woolf (The Waves)
There are human boys here somewhere?” Zoey asked. Aurox’s face scrunched up as he frowned at her. “Not here. Outside—out there. ” He pointed in the general direction of the door to the field house behind them. “Outside the field house!” she almost yelled. “Zo, sometimes I think you don’t listen so good,” Aurox said. Still frowning at her, he continued speaking slowly, as if trying to get her to understand a foreign language. “Two boys. Outside the wall. With the keg. And cups. They. Want. Hot. Vampyre. Chicks.” “Okay, I think I get it.” Stark grabbed Aurox’s arm and started to drag him toward the door and away from Z before she went for his throat, although that would have been funny as hell. “You found two kids, with beer, trying to get over the wall, right?” “See, you listen better.” Aurox patted him on the back, almost knocking Stark over. “But they’re just looking through the hole for vampyre pussy, not trying to get over the wall.” “If you say pussy one more time I’m going to smack the crap out of you,” Zoey said, coming after them. “You can’t come!” Aurox stumbled to a stop. “You have legs and tits!” “Oh. My. Goddess. I’m going to kill him!” Stark stepped between the two of them. He faced Zoey. She’d gone from pale to bright red in zero-point-nothing seconds. “Z, I think this is something that a Warrior needs to handle.” Behind him, Aurox belched, sending a wave of beer air wafting over them. Zoey narrowed her eyes and pointed at Aurox. “You have never been able to drink!” Then she spun around and stomped back to the basement entrance, slamming the door behind her. “She seems mad. Should we bring her a beer?” Aurox said. Stark covered his laugh with a cough. “Ur, no. Z doesn’t like beer.” “Doesn’t like beer? She should. It would make her head feel bubbly and happy.” Stark didn’t bother to cover his laugh a second time. “I wish it worked that way with her, but it doesn’t.” “Because she has legs and tits?” Stark knew it was wrong, but he couldn’t stop himself. “I’m not sure. Maybe you should ask her next time you see her.” Aurox nodded, looking as serious as a drunk could look. “I will.” “That should be fun. But until then, show me where these humans are, and while we’re going there, start back at the beginning and tell me exactly what happened before and after you were introduced to the red Solo cup.
Kristin Cast (Revealed (House of Night, #11))
Dan has what amounts to my entire life in the palm of his hand. He’ll see our chats. He’ll see the texts I sent to Beth about him and my plan. And what did I think was going to happen? Did I really think I could pull off some only-works-in-movies shit? “Do you think it could be possible that Dan didn’t mean to hit me with that basketball?” The question flies out of my mouth, and I don’t remember thinking about asking it. She scowls, looking me up and down. “Are you okay? I mean, I can tell you’re not. Was he that big of a jerk last night?” I shake my head and pick at my nail polish. It’s not chipping yet, but it’s inevitable, so why not just go ahead and get it over with? “No, I’m fine. He was fine. I just… I don’t know.” She puts a worried hand on my shoulder. “What happened, Z? Tell me.” I let my forehead hit the surface of my desk. It hurts. “He has my phone.” A bit of time passes where she doesn’t say anything. I just wait for the moment of realization to explode from her. “Holy shit! Don’t tell me your chat is on there!” There it is. I nod my head, which probably just looks like I’m rubbing it up and down on my desk. “Please tell me it’s password protected or something.” I shake my head, again seemingly nuzzling my desk. “Zelda, do you have your homework?” Mr. Drew asks from above me. I pull out my five hundred words on the importance of James Dean in cinema from my backpack without even looking and hand it to him. Mr. Drew has a big thing for James Dean. “Are you…okay, Zelda?” he asks a bit uncomfortably. Good old Mr. Drew. Concerned about his students but very much not well versed in actually dealing with them. I raise a hand and wave him off. “I’m good. As you were, Drew.” “Right. Okay then.” He moves on. Beth rubs my back. “It’s going to be all good in the hood, babe. Don’t worry. Dan won’t be interested in your phone. How did he get it, by the way?” I turn my head just enough to let her see my face fully. I’m not sure if she sees a woman at the end of her rope or a girl who has no idea what to do next, but she pulls her hand back like she just touched a disguised snake. I’m so not in the mood to describe the sequence of events that led up to the worst moment of my life, and she knows it.
Leah Rae Miller (Romancing the Nerd (Nerd, #2))
The letter was signed Wallis Wallace in loopy letters. Dink grinned. “Pretty neat, huh?” “Pretty neat, Mister Duncan!” teased Josh. “You should have that letter framed,” Ruth Rose said. “Great idea!” Dink said. They passed Howard’s Barbershop. Howard waved through his window as they hurried by. “Come on!” Dink urged as he dragged his friends down the street to the Book Nook. They looked through the window, out of breath. The
Ron Roy (The Absent Author (A to Z Mysteries, #1))
Gil handed Henny one of the cushions and a one-pound coffee can from under the seat. Henny was very suspicious. “What’s this for?” he asked. “Why are you giving me this stuff?” “The cushion is for your sitter,” Gil said, “and the can is for the water.” “What water?” said Henny. He didn’t look too good. “Well, there’s bound to be a little extra water with the three of us sitting here,” said Gil. “And your friend hasn’t done much rowing. He splashes a bit over the side.” Henny glared at me. “Quit it,” he said. “Just quit splashing water into the boat.” I tried to be smooth. By the time we got out into the river, I was doing better. “Two steps forward, one step backward,” said Gil. “We aren’t making much progress against this current.” “I’ll go out a little farther,” I said. “Maybe the current won’t be so strong out there.” I felt very good about things. My rowing was getting better. We were closer to the bowl. The crew was busy and in high spirits. Gil was reading from The Journals of Lewis and Clark. Henny was searching his photographic memory for loose information. “Says here that one time, the expedition had nothing to eat but bear fat and candles,” said Gil. “Now that’s real interesting.” Henny sighed. “Sometimes they ate buffalo humps, and wolf meat, and a root called Wappato. Wappato is supposed to taste like potatoes. Boy, am I hungry. Did anybody bring a snack?” “There might be a few crackers under your seat,” said Gil. “Then again, there might not be.” “There is a box of Wheat Thins,” said Henny after he rummaged around under the seat. “It is soggy, dirty, crushed, and unfit for human consumption.” “I never eat them,” said Gil. “I feed them to the kingfishers. But if you’re really hungry, they’re better than candles.” Henny waved the box in the air. “Is anything going to go right on this trip?” he said. A sea gull swooped down and almost got the box. The crew was starting to feel the hardships. Desperation and hunger had set in. I figured the people from my island would look to the turtle for an answer to this situation, so I tried to do the same. The only thing I could come up with was that the armor on a turtle was much better protection than an old rowboat.
Brenda Z. Guiberson (Turtle People)
Each of us is like a wave in the ocean, a gust of wind, a lightning bolt—unique, yet at the same time part of a pattern of forces.
P.Z. Myers (The Happy Atheist)
Never Let Me Down" (feat. Jay-Z, J-Ivy) [Intro:] Yeah Grandmama Told you I won't let you down Told you I won't let this rap game change me, right? [Chorus:] When it comes to being true, at least true to me One thing I found,one thing I found Oh no you'll neva let me down, Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) [Jay-Z:] Yo, yo first I snatched the street then I snatched the charts, First had they ear now I hav they're heart, Rappers came and went, I've been hear from the start, Seen them put it together Watch them take it apart, See the Rovers roll up wit ribbons I've seen them re-poed, re-sold and re-driven So when I reload, he holds #1 position When u hot I'm hot And when your feet cold, mines is sizzelin It's plain to see Nigga's can't f*** wit me Cuz ima be that nigga fo life This is not an image This is God given This is hard liven Mixed wit crystal sipping It's the most consistent Hov Give you the most hits you can fit inside a whole disc and Nigga I'm home on these charts, y'all niggaz visitin It's Hov tradition, Jeff Gordan of rap I'm back to claim pole position, holla at ya boy [Chorus] [Kanye West:] I get down for my grandfather who took my momma Made her sit that seat where white folks ain't wanna us to eat At the tender age of 6 she was arrested for the sit in With that in my blood I was born to be different Now niggas can't make it to ballots to choose leadership But we can make it to Jacob and to the dealership That's why I hear new music And I just don't be feeling it Racism still alive they just be concealing it But I know they don't want me in the damn club They even made me show I.D to get inside of Sam's club I did dirt and went to church to get my hands scrubbed Swear I've been baptised at least 3 or 4 times But in the land where nigga's praise Yukons and getting paid It gon' take a lot more than coupons to get us saved Like it take a lot more than do-rags to get your waves Noting sadder than that day my girl father past away So I promised to Mr Rany I'm gonna marry your daughter And u know I gotta thank u for they way that she was brought up And I know that u were smiling when u see that car I bought her And u sent tears from heaven when u seen my car get balled up But I can't complaint what the accident did to my Left Eye Cuz look what a accident did to Left Eye First Aaliyah and now romeo must die I know a got angels watching me from the other side
Kanye West
Ad – Add               Ail – Ale               Air – Heir               Are - R               Ate - Eight               Aye - Eye - I                 B                            B – Be - Bee               Base - Bass               Bi – Buy - By – Bye               Bite - Byte               Boar - Bore               Board - Bored                 C               C – Sea - See               Capital – Capitol               Chord – Cord               Coarse - Course               Core - Corps               Creak – Creek               Cue – Q - Queue                 D               Dam - Damn               Dawg – Dog               Days – Daze               Dew – Do – Due               Die – Dye               Dual - Duel                 E               Earn – Urn               Elicit – Illicit               Elude - Illude               Ex – X                 F               Fat – Phat               Faze - Phase               Feat - Feet               Find – Fined               Flea – Flee               Forth - Fourth                 G               Gait – Gate               Genes – Jeans               Gnawed - Nod               Grate – Great                 H               Hair - Hare               Heal - Heel               Hear - Here               Heard - Herd               Hi - High               Higher – Hire               Hoarse - Horse               Hour - Our                 I               Idle - Idol               Ill – Ill               In – Inn               Inc – Ink               IV – Ivy                 J               Juggler - Jugular                 K               Knead - Need               Knew - New               Knight - Night               Knot – Naught - Not               Know - No               Knows - Nose                 L               Lead – Led               Lie - Lie               Light – Lite               Loan - Lone                 M               Mach – Mock               Made - Maid               Mane – Main               Meat - Meet               Might - Mite               Mouse - Mouth                 N               Naval - Navel               None - Nun                 O               Oar - Or – Ore               One - Won                 P               Paced – Paste               Pail – Pale                            Pair - Pear               Peace - Piece               Peak - Peek               Peer - Pier               Pray - Prey                 Q               Quarts - Quartz                 R               Rain - Reign               Rap - Wrap               Read - Red               Real - Reel               Right - Write               Ring - Wring                 S               Scene - Seen               Seas – Sees - Seize               Sole – Soul               Some - Sum               Son - Sun               Steal – Steel               Suite - Sweet                 T               T - Tee               Tail – Tale               Team – Teem               Their – There - They’re               Thyme - Time               To – Too - Two                 U               U - You                 V               Vale - Veil               Vain – Vane - Vein               Vary – Very               Verses - Versus                 W               Waive - Wave               Ware – Wear - Where               Wait - Weight               Waist - Waste               Which - Witch               Why – Y               Wood - Would                 X                 Y               Yoke - Yolk               Yore - Your – You’re                 Z
Gio Willimas (Hip Hop Rhyming Dictionary: The Extensive Hip Hop & Rap Rhyming Dictionary for Rappers, Mcs,Poets,Slam Artist and lyricists: Hip Hop & Rap Rhyming Dictionary And General Rhyming Dictionary)
The interpretation of apparent long-distance action by means of continuously propagating effects was vigorously asserted by Isaac Newton. In his wake, the interpretation of all forces or propagation of information over long distances in terms of hidden short-distance effects with finite velocity of propagation is one of the most challenging tasks of fundamental research in physics. We know that oscillations of charges in some given location build up fields propagating in space, causing electric and magnetic action to spread with the velocity of light. The general theory of relativity tells us that masses deform space and thereby cause other masses to move in appropriate directions. The deformation of space, too, spreads from point to point with the velocity of light by means of waves; these gravitational waves also have their carrier bosons, called gravitons. Their finite, if very large, velocity of propagation implies that it is not the Sun's existence right now that makes Earth follow a curved orbit right now; rather, it is the Sun's emission of gravitons eight minutes ago that keeps Earth from moving in a straight line right now. Photons and gravitons allow us to understand, at least in principle, how electromagnetic and gravitational forces spread from point to point. The same goes for gluons and for the W and Z bosons when it comes to the strong and weak nuclear interactions, respectively.
Henning Genz (Nothingness: The Science Of Empty Space)
Kathy waited for the waves of heat to stop running through her. She turned to the left and picked up the oversize serving spoon and fork. She put food on her plate and knew she could not eat it. Illness was in her, and shame for all of them. They despised him and they kept quiet. They were well bred and polite, so they kept quiet. Just as she did. Not making fusses was also part of the gentleman’s agreement. To rise and leave the room was not in her knees and muscles; to call him to account was not in her vocal cords and larynx.
Laura Z. Hobson (Gentleman's Agreement)
When you listen to a piece of music, for example, sound waves travel through the air at 1,100 feet per second and collide with your eardrums, setting off a chain of vibrations through the tiny bones of the ear, against the membrane of the cochlea; producing tiny electrical charges that reverberate all across the brain. Maybe you don’t know anything about music in the formal sense, but all your life—from the time when you were nursing in rhythm with your mother—you have been unconsciously constructing working models of how music works. You have been learning how to detect timed patterns and anticipate what will come next. Listening to music involves making a series of sophisticated calculations about the future. If the last few notes have had pattern Y, then the next few notes will probably have pattern Z. As Jonah Lehrer writes in his book Proust Was a Neuroscientist, “While human nature largely determines how we hear the notes, it is nurture that lets us hear the music. From the three-minute pop song to the five-hour Wagner opera, the creations of our culture teach us to expect certain musical patterns, which over time are wired into our brain.” When the music conforms to our anticipations, we feel a soothing drip of pleasure. Some scientists believe that the more fluently a person can process a piece of information, the more pleasure it produces. When a song or a story or an argument achieves limerence with the internal models of the brain, then that synchronicity produces a warm swelling of happiness. But the mind also exists in a state of tension between familiarity and novelty. The brain has evolved to detect constant change, and delights in comprehending the unexpected. So we’re drawn to music that flirts with our expectations and then gently plays jokes on them. As Daniel Levitin observes in This Is Your Brain on Music, the first two notes of “Over the Rainbow” arrest our attention with the jarring octave-gap between them, then the rest of the song eases us into a more conventional, soothing groove. In his book Emotion and Meaning in Music, Leonard Meyer showed how Beethoven would establish a clear rhythmic and harmonic pattern and then manipulate it, never quite repeating it. Life is change, and the happy life is a series of gentle, stimulating, melodic changes.
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)