Yvonne Quotes

We've searched our database for all the quotes and captions related to Yvonne. Here they are! All 100 of them:

Part of the hem floated loose. She spun around again—the fabric tightened like wool on a spindle. She breathed in fear. The boat was farther away. She swung her head around—so was the shore.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
You can't change laws without first changing human nature.' -Nurse Greta You can't change human nature without first changing the law.' -Nurse Yvonne
Neal Shusterman (Unwind (Unwind, #1))
The water far below was black in the shadow of the ship. A plank creaked. She froze. No noisy jump. It would have to be a dive. Head down into darkness. She’d never dived at night.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
But  Phidias was better than most men since he made beautiful sculptures. He was even making one of her—well, he called it “Athena,” but anyone could see it looked like her.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Temples are for the gods,” Thucydides said. “No city has the hubris to put her own citizens on a temple.” Phidias promised, “The Athenians will look like gods.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
It had happened. Thucydides, his archrival, was a general. Glaucon, from his own tribe, was a general. And Pericles was no longer a general. He was just a citizen with one vote. And an idea
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Do you know the song Violet Crowned Athens?” he asked. Yellow hair like hers was rare among the Greeks. Though some people say that Helen of Troy . . .
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Pericles let a moment pass, then another. The Spartans needed time to set in balance the risks of accepting the offer and the joys of being rich. Not as much time as he’d expected, though.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Sometimes, you have to look back in order to understand the things that lie ahead.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
We’re not here to argue with you about the wisdom of our alliance that has kept the Persians at bay for forty years. An argument requires a measure of equality between those in the dispute and Samos is not the equal of Athens.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
The softness, warmth and weight of her breast filled his palm. “I’ve imagined this for weeks,” he murmured. Thinking of her out there on the battlefield. In his tent. What more could a woman want? Quite a lot, actually.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Running out the anchor line, the pirates babbled to one another, and in the tangle of their barbaric language, Aspasia listened for one word—Athens. It lit up the darkness in her mind, like the single glint her eyes fixed on above the distant gray-green hills.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Aspasia had herself fallen into very good fortune. So good that at the age of twenty years, she’d probably used up the whole life’s portion of good luck that Tyche had allotted her. To make good fortune last—for herself and the child in her womb—would be up to her.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Nearing the Riefler's big red brick house he could see the yellow light spill out on the galerie Yvonne had insisted her German husband wrap around the house.  There was a tightening in Victor's chest.  It happened to him whenever he got close to the Riefler's house, or church on Sunday- anytime he thought he might catch a glimpse of Celena.
Barbara Sontheimer (Victor's Blessing)
On the Acropolis, he’d thought she’d seen too much sun for a woman but in the courtyard, under the moon, her face, neck, and arms were as pale as the moon goddess. Allowing himself to imagine it was the moon goddess leading him upward was a way of climbing to the second story.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
My Aspasia. With her, he’d discovered the sweetness in life . . . and she might like to know that. He’d tell her sometime. But he knew he’d given this lovely woman what she’d wanted most, their son’s name. He leaned over to the child. “So, you’re Little Pericles.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
We had old architects and were working with what we had on hand. You’ve hired this new, young architect now, and, Pericles, I’m going to build you a statue of Athena—all gold and ivory, think of that, Pericles—and taller than our city walls.” Pericles raised his eyes toward the birds.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
... In love, everyone does things that hurt the other person, so there really is no "Right" and "Wrong". You just have to decide what you're willing to forgive
Yvonne Wood (Dead Beautiful (Dead Beautiful #1))
It helps sometimes to dwell on the good memories. They remind you that happiness does exist, though it may not seem that way now.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
As Aristocleia raised her cup to toast Xanthippus, her gown slipped from her shoulders, exquisite as Aphrodite’s, and flowed like the water that slid over her naked breasts when she allowed him to watch her bathe. It was wonderful to possess a gem of a woman. It made a man feel beautiful and godlike himself, briefly.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
The enemy uses those things your insecure about. Free yourself and take your power back by being secure in who you are - flaws and all.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Everyone has the ability to hurt. It's the choice that matters.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
I'm not afraid of death.....I'm afraid of life without you.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
When darkness falls and eyes stay shut A chain of voices opens up. Let wax not wane give breath to death. p.s. Shhh" -Yvonne Woon(Dead Beautiful)
Yvonne Woon
Real love is selfless.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Everyone has the abbility to hurt. It's the choice that matters.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Crying only makes your problems last longer.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
There are no such things as curses; only people and their decisions
Yvonne Wood (Dead Beautiful (Dead Beautiful #1))
Where’s my white out?” “Chapter ten is missing!” “Has anyone seen my socks?” Linda spun around. Mistress Yvonne gripped her shoulders. “This is a regular occurrence. No need to get involved.” Faint shouts echoed down the hall. “Leprechauns!
Marlene Simonette (Trouble In Bookland (Part One))
Rules help us live our lives when we lose the will to do it on our own
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
When you focus on someone's disability you'll overlook their abilities, beauty and uniqueness. Once you learn to accept and love them for who they are, you subconsciously learn to love yourself unconditionally.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Dante laughed. "No cold soup, no goat cheese. I'll make a mental note. And no Gottfried Curse." "And for you it's no food at all. No sleep. And no tunnels." "I'm low maintenance." "Is that what you are? Because I've been trying to figure it out all semester." "And what have you concluded?" "A mutant. A rare disease. A creature from the inferno. Dante." "And what if you found out you were right?" he asked. "What if it meant that I could hurt you?" "I would say that I'm not scared. Everyone has the ability to hurt. It's the choice that matters.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Holding on to weight (i.e. anger, bitterness, the past, hatred) will not only hold you back, but also block your blessings. You've got to let some things go to move forward.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Thanks to Scoop, I've learned a lot about how the male mind works, and as a result I've been having nightmares for months.
Yvonne Collins (Girl v. Boy)
Mom, camping is not a date; it's an endurance test. If you can survive camping with someone, you should marry them on the way home.
Yvonne Prinz (The Vinyl Princess)
Don't let toxic people infect you with the fear of giving and receiving one of the most powerful forces in this world... LOVE!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Use what you've been through as fuel, believe in yourself and be unstoppable!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
I now understood that real secrets were lonely. They planted themselves inside of you and expanded, until you felt like that was all you were-a lonely little secret, isolated in your experiences.
Yvonne Woon (Life Eternal (Dead Beautiful, #2))
... In this world, darkness is always looming on the horizon. At Gottfried, instead of avoiding the dark, we meet it head on ... do the same with your studies and with every obstacle you face in the future. Do not accept the confines of the world as you perceive it. Instead, look for what you cannot see. There are universes among us, within us. Our only way out of darkness is to learn how to see WITHOUT light.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
It's easy to point out other people flaws, but it takes TRUE courage and strength take a look in the mirror, admit personal flaws AND strive to do and be better. That's growth!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Grandfather : Death is nothing to be afraid of. Renee : It's not death I'm afraid of. Grandfather: What is it, then? Renee : LIFE
Yvonne Wood (Dead Beautiful (Dead Beautiful #1))
It's not strength, it's PERCEPTION that makes you stronger. If you change how you SEE it, you'll change how you FEEL about it.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
You'll have less heartaches and disappointments if you stop seeking from others the things ONLY God and you can give yourself!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
In the end we're all miserable. It's a human condition.
Yvonne Prinz (The Vinyl Princess)
Never only exists in you head. Anything is possible ..
Yvonne Wood (Dead Beautiful (Dead Beautiful #1))
It was all for you.
Yvonne Woon (Life Eternal (Dead Beautiful, #2))
The cool thing about being best friends is that you can make big plans even if there's only a slim chance in hell that they'll ever happen.
Yvonne Prinz (The Vinyl Princess)
Stop worrying about someone taking your spot. God already have it reserved. Do the work to get there and fill it!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Don't allow the pride, ego and insecurities of others stunt your growth.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
How do you measure someone’s life? By the scope of their accomplishments, or the number of people they’ve touched, or by the width of a hand? None of it seemed fair. None of it seemed like enough.
Yvonne Woon (Life Eternal (Dead Beautiful, #2))
With Dante gone, time seemed to stand still around me; the mornings just as cloudy and dark as the evenings, as if the sun had never decided to rise. There was no wind, like the world was holding its breath along with me, waiting for him to return.
Yvonne Woon (Life Eternal (Dead Beautiful, #2))
When the winds of life are pushing you back, THAT'S when you push forward the hardest.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Everyone has the ability to hurt; it's the choice that matters.
Yvonne Woon
Suppose that a man leaps out of a burning building—as my dear friend and colleague Jeff Goldberg sat and said to my face over a table at La Tomate in Washington not two years ago—and lands on a bystander in the street below. Now, make the burning building be Europe, and the luckless man underneath be the Palestinian Arabs. Is this a historical injustice? Has the man below been made a victim, with infinite cause of complaint and indefinite justification for violent retaliation? My own reply would be a provisional 'no,' but only on these conditions. The man leaping from the burning building must still make such restitution as he can to the man who broke his fall, and must not pretend that he never even landed on him. And he must base his case on the singularity and uniqueness of the original leap. It can't, in other words, be 'leap, leap, leap' for four generations and more. The people underneath cannot be expected to tolerate leaping on this scale and of this duration, if you catch my drift. In Palestine, tread softly, for you tread on their dreams. And do not tell the Palestinians that they were never fallen upon and bruised in the first place. Do not shame yourself with the cheap lie that they were told by their leaders to run away. Also, stop saying that nobody knew how to cultivate oranges in Jaffa until the Jews showed them how. 'Making the desert bloom'—one of Yvonne's stock phrases—makes desert dwellers out of people who were the agricultural superiors of the Crusaders.
Christopher Hitchens (Hitch 22: A Memoir)
Chickens are annoying. Is that why people eat them? My sister is annoying, but nobody eats her.
Yvonne Tasker
DANTE: And what if you found out you were right? What if it meant that I could hurt you? RENEE: I would not say that I'm not scared. Everyone has the ability to hurt. It's the choice that matters.
Yvonne Wood (Dead Beautiful (Dead Beautiful #1))
You can't expect to reap a harvest that you're not willing to plant.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
There's that thing that can happen to you when you meet somebody and you don't consider them extraordinary at all and then they do something like play the cello or write amazing poetry or sing and suddenly you look at them completely differently.
Yvonne Prinz (The Vinyl Princess)
Often people ask, "How can you say you're blessed to have a son with Down syndrome?" My outlook on life has forever changed. I see my own challenges differently. He's always showing me that life is so much bigger than self.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
My children taught me the true meaning of unconditional love.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Don't allow the fear of falling stop you from pursuing your dream. Prepare. Practice. Pray. Jump! It's through the fall that you'll realize you can to fly.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Even when you don't see Him working, He's busy working on your behalf. Forever grateful for God's grace!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
God has ALREADY given you the strength you need, it's up to you to recognize that you were BORN a conqueror!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
If my fall made you smile, you might not want to witness what's about to happen when I get up.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Dante: Evergreens aren't supposed to die Renee: Everything Dies ..
Yvonne Wood (Dead Beautiful (Dead Beautiful #1))
In many cases, people hold on so tightly to their past pains to avoid letting go of the “excuses” and the fear of having to be accountable for their life.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Some people simply REFUSE to be happy. If they were stuck in a tunnel you can show them the way out and give them a light, but they will just sit there complaining about how they got there. They are more willing to fight to STAY there instead of fighting to coming out. Okay it happened. Now what? Stop focusing so hard on how you got there, focus on how you're going to get out! Keep it moving!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Why do you keep staring at me?" I muttered under my breath. He glanced around to make sure no one was listening and then leaned towards me. His voice was hushed. "You have pen on your face. Here," he said, touching the space by his nose. "Oh." I felt my face go red as I wiped my cheek with my hand. "That and you remind me of someone I know. Or once knew. But I can't place who it is." "I thought you didn't have any friends," I challenged. Dante smiled. "I don't. Only enemies. Which doesn't bode well for you, considering the fact that you must resemble one of them.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
I Have a Dream... someday my son, Zyon and ALL individuals with disabilities will be seen as HUMAN beings. I Have a Dream... someday the human & civil rights of individuals with disabilities are honored and they are treated as equals. I Have a Dream... someday ALL parents who have children with disabilities see their child as a blessing and not a burden. I Have a Dream... someday there will be more jobs and opportunities for individuals with disabilities. I Have a Dream... someday there will be UNITY "within" the disabled community. I HAVE A DREAM!!!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
There's no need for us to talk. That's how it's like with us. We talk without speaking.
Yvonne Prinz (The Vinyl Princess)
Don't be discouraged if people don't see your vision, your harvest. All they see from their perspective is that you're watering a whole lot of dirt. They don't SEE what seeds you've been planting with blood, sweat, tears and lack of sleep. Make sure you don't abandon or neglect it because "they" don't see it. You have to KNOW and believe for yourself. They don't see the roots and what's budding under the dirt. But it's okay, because it's NOT meant for them to see it. While you wait, MASTER it. You continue to do YOUR work and have unwavering faith! Remember why you started planting in the first place. Your harvest WILL come!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
I raised an eyebrow. "You know, you're really good at compliments. Actually, it's surprising that a person with charm like yours has any enemies." The words came out before I could stop them. At this rate I would never be able to ask him about Benjamin Gallow, and it didn't help that every time he looked at me I wanted to melt. "So, you think I'm charming?" Dante countered, mocking me. "Is that why you keep staring at me?" "Alarming, not charming. And no, I'm just curious.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Music is love.
Yvonne Prinz (The Vinyl Princess)
There's something AMAZING about you. You owe it to yourself to fulfill your destiny. You were put on earth for a reason. Don't betray yourself because of other people opinions of who you should be. God has already implanted within you who you MEANT to be. Trust your gut instincts.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
She smiled, 'Oh, I'd like to believe that I'm always in love with something. After all, what else is there?
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Should I have taken him by the hand and led him over to the Zappa? No. I won't spoon-feed the customers. If you don't know your alphabet, you have no business leaving your house, let alone shopping for premium music.
Yvonne Prinz (The Vinyl Princess)
I... was impulsive and skinny, and wished that I could be more like a character in a novel, so I would finally stop blurting out the wrong things at the wrong time.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Before your reach your destination, you'll find yourself going through the wilderness. There's some survival skills that you'll need master through the wilderness journey. While in the wilderness, your faith will be tried and tested. You'll become humble. Your vision for your life will get clearer. You're in training for your purpose. You'll lose some friends, because there's some folks who are only with you because of where they think your journey will lead THEM. Don't worry, they're a little confused... but it was meant for them to get lost during this phase. Walk on. Continue on your journey. Soon, you'll be approaching the mountain. Get ready to climb!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
My kiss with Forest made every other kiss completely forgettable.
Yvonne Prinz (All You Get Is Me)
For every person who closed the door in my face, thank you. For every person who told me I wasn't good enough, thank you. For every person who laughed and told me that I was wasting my time going to college, because I was going to fail, thank you. For every person who tried to break me, thank you. For every person who took my kindness for weakness, thank you. For every person who told me I was wasting time chasing my dreams because I would fail, thank you. It could of broke me. From the core of my heart, I thank you. I truly mean it, because if it weren't for each of you I wouldn't be who I am today. I wouldn't of spend hours and loss sleep studying. I wouldn't developed tough skin. You pushed me to think about what I "really" want out of life. You pushed me to master my craft. You helped me develop the drive, passion and determination. You pushed me to not wait for someone to believe in my vision, but to find a way to make things happen. I know you didn't "intend" to, but I thank you for teaching me to believe in myself! AND you taught me to TRUST in God and lean on my faith, not man. Thank You!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Anyone could buy a green Jaguar, find beauty in a Japanese screen two thousand years old. I would rather be a connoisseur of neglected rivers and flowering mustard and the flush of iridescent pink on an intersection pigeon's charcoal neck. I thought of the vet, warming dinner over a can, and the old woman feeding her pigeons in the intersection behind the Kentucky Fried Chicken. And what about the ladybug man, the blue of his eyes over gray threaded black? There were me and Yvonne, Niki and Paul Trout, maybe even Sergei or Susan D. Valeris, why not? What were any of us but a handful of weeds. Who was to say what our value was? What was the value of four Vietnam vets playing poker every afternoon in front of the Spanish market on Glendale Boulevard, making their moves with a greasy deck missing a queen and a five? Maybe the world depended on them, maybe they were the Fates, or the Graces. Cezanne would have drawn them in charcoal. Van Gogh would have painted himself among them.
Janet Fitch (White Oleander)
No matter what challenges or obstacles we experience, we must make a CHOICE to become better or bitter because of it. Will and pray your way through it. In my opinion, the difference between those who are considered strong and those who are seen as weak are what they DECIDE to focus on. But, having down moments don't make someone weak, it makes them human. We wouldn't be human if we don't "feel", but at some point we MUCH force ourselves to get up!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Time is as necessary for remembering as it is for forgetting. Even the smallest embrace of pain needs time larger than a pause; the greatest pause requires an eternity, the greatest hurt a lifetime. A lifetime is longer than eternity: an eternity can exist without human presence.
Yvonne Vera (The Stone Virgins)
Don't base your decision on the opinions of those who don't want to see you grow.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
It was six hours to Hosannah Beach and he didn't glance at the silver coin that Dad had given him, not even once. All the way he clutched it tight in the palm of his hand and fel the bevelled edge bite into his skin. [...] Waiting in the car while Yvonne unlocked the house, he brought his hand up to his face and opened it. His sweat had the bitter smell of hot metal, hot and bitter, this was what leaving home would always smell like.
Rupert Thomson (The Five Gates of Hell)
How long—” I didn’t even have to finish my sentence. “Ten days.” “And you? You’re—?” Dante looked away. I let out a sigh. So the kiss worked. “Where are we going?” “You’ll see.” He looked older now, more masculine. He aged well, I told him, like an expensive cheese. He laughed. “Did I ever tell you how romantic you are?
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words. The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words. I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.
Janet Fitch (White Oleander)
and as they stood in silence before her, prayed again. "Nothing is altered and in spite of God's mercy I am still alone. Though my suffering seems senseless I am still in agony. There is no explanation of my life." Indeed there was not, nor was this what he'd meant to convey. "Please let Yvonne have her dream -- dream? -- of a new life with me -- please let me believe that all that is not an abominable self-deception," he tried... "Please let me make her happy, deliver me from this dreadful tyranny of self. I have sunk low. Let me sink lower still, that I may know the truth. Teach me to love again, to love life." That wouldn't do either... "Where is love? Let me truly suffer. Give me back my purity, the knowledge of the Mysteries, that I have betrayed and lost. -- Let me be truly lonely, that I may honestly pray. Let us be happy again somewhere, if it's only together, if it's only out of this terrible world. Destroy the world!" he cried in his heart.
Malcolm Lowry (Under the Volcano)
Haven’t you got any tenderness or love left for me at all?” Yvonne asked suddenly, almost piteously, turning round on him, and he thought: Yes, I do love you, I have all the love in the world left for you, only that love seems so far away from me and so strange too, for it is as though I could almost hear it, a droning or a weeping, but far, far away, and a sad lost sound, it might be either approaching or receding, I can’t tell which. “Don’t you think of anything except of how many drinks you’re going to have?
Malcolm Lowry (Under the Volcano)
Recognize that there's something AMAZING about you. Everyone has something that comes very natural for them - natural gifts and talents. That gift/talent is that thing or things that comes easy for you, but hard for most. The greatness that is stored within was given to you, because it was meant to be used. Whether you've been running from it or haven't discovered it yet, it's there. It's your job to discover and master it. It wasn't given to you in vain, it's part of your purpose.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Always enter a room with your head up. Right away that tells people you're your own person. If your head is down, that lets people feel they can do anything they want with you. When you talk to somebody, white or colored, always look him straight in the eye. First of all, it's honesty. Second, he knows he can beat up on you if you don't make eye contact.
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
On Christmas morning, Dustin knocked on my door. “Miss Winters,” he said cheerfully. “Breakfast.” I didn’t move. My parents were dead. My boyfriend was dead. My grandfather had a mysterious hidden room that had books about the walking dead—which is what I knew I would feel like if I attempted to stand up. “I don’t feel well,” I said meekly, and rolled over.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Americans. They came right out with things. Hitchens family lore related the tale of how once, when I was but a toddler, my parents were passing with me through an airport and ran into some Yanks. 'Real cute kid,' said these big and brash people without troubling to make a formal introduction. They insisted on photographing me and, before breaking off to resume their American lives, pressed into my dimpled fist a signed dollar bill in token of my cuteness. This story was often told (I expect that Yvonne and the Commander had been to an airport together perhaps three times in their lives) and always with a note of condescension. That was Americans for you: wanting to be friendly all right, but so loud, and inclined to flash the cash.
Christopher Hitchens (Hitch 22: A Memoir)
The patriarchal/kyriarchal/hegemonic culture seeks to regulate and control the body – especially women’s bodies, and especially black women’s bodies – because women, especially black women, are constructed as the Other, the site of resistance to the kyriarchy. Because our existence provokes fear of the Other, fear of wildness, fear of sexuality, fear of letting go – our bodies and our hair (traditionally hair is a source of magical power) must be controlled, groomed, reduced, covered, suppressed.
Yvonne Aburrow
If your boss asks you to do a task... You'll stay late for work to make sure it's done. You'll be confident that your boss wouldn't have asked you if he/she didn't trust that you could do it. You wouldn't allow anyone or anything to distract you. No matter how hard it is, it's not an option, you'll find a way to make it happen. You'll not only find time, you'll try to get it done before the deadline. So, why when God gives you a task... you allow fear to consume you, find excuses, allow distractions, care about what people think and assume it's impossible? If He gave it to you, He trusts you CAN get it done. Yes, they'll be distractions. And no it's not going to be easy, but know that it is POSSIBLE!!! Answer the call!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Absentmindedly, I started doodling in the margins of my paper. Renee, I wrote in cursive, and then again in bubble letters and then in the loopy handwriting of the mystery note. I drew a tiny picture of the moon above the lake. And then stick figures of people swimming in it. And then for some reason, I wrote Dante. First in print, and then in large, wavy letters, and then in all caps. Dante. Dante. DANTE. I had just finished writing, when I heard someone say my name. “Renee.” I shook myself out of my daze to discover that Mr. B. and the entire class were staring at me. “Earth to Renee. The most primitive tombs. What were they called?” he repeated. I glanced at my notes for the answer, but they were covered in doodles. “Dante,” I blurted out, reading the first word I saw. Immediately my face went red. “No, sorry, I meant . . . I meant dolmen.” I winced, hoping I was right so that I would be saved from further embarrassment. Thankfully, Dante wasn’t in my class. Mr. B. smiled. “Correct,” he said, returning to the board. He drew a diagram of a stonelike lean-to, which I recognized from the reading. I took notes and kept my head down for the rest of class.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Who is he?” Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.” I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?” Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.” I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.” I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it. “He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.” Eleanor still didn’t respond. “Shh . . .” she muttered under her breath. But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around. “Hi,” he said with a half grin that seemed to be mocking me. And that’s how I met Dante Berlin. So how do you describe someone who leaves you speechless? He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt. I wanted to say something witty or charming, but all I could muster up was a timid “Hi.” He studied me with what looked like a mix of disgust and curiosity. “You must be Eugene,” I said. “I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.” I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described. “And you are—” “Renee,” I interjected. “I was going to say, ‘in my seat,’ but Renee will do.” My face went red. “Oh, right. Sorry.” “Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.” I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move. I turned and walked to the last row, using all of my self-control to resist looking back.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
When I got to Crude Sciences at the end of the day, Dante was waiting for me at our table. This time, with no Latin book, no journal. “Hello,” he said, pulling my chair out for me. Surprised, I sat down next to him, trying not to stare at his perfectly formed arms. “Hi,” I said, with an attempt at nonchalance. “How are you?” I could feel his eyes on me. “Fine,” I said carefully, as Professor Starking handed out our lab assignments. Dante frowned. “Not very talkative today, I see.” I thrust a thermometer into the muddy water of the fish tank in front of us, which was supposed to represent an enclosed ecosystem. “So now you want to talk? Now that you’ve finished your Latin homework?” After a prolonged period of silence, he spoke. “It was research.” “Research on what?” “It doesn’t matter anymore.” I threw him a suspicious look. “Why’s that?” “Because I realized I wasn’t paying attention to the right thing.” “Which is?” I asked, looking back at the board as I smoothed out the hem of my skirt. “You.” My lips trembled as the word left his mouth. “I’m not a specimen.” “I just want to know you.” I turned to him, wanting to ask him a million questions. I settled for one. “But I can’t know anything about you?” Dante leaned back in his chair. “My favorite author is Dante, obviously,” he said, his tone mocking me. “Though I’m partial to the Russians. I’m very fond of music. All kinds, really, though I especially enjoy Mussorgsky and Stravinsky or anything involving a violin. They’re a bit dark, no? I used to like opera, but I’ve mostly grown out of it. I have a low tolerance for hot climates. I’ve never enjoyed dessert, though I once loved cherries. My favorite color is red. I often take long walks in the woods to clear my head. As a result, I have a unique knowledge of the flora and fauna of North American. And,” he said, his eyes burning through me as I pretended to focus on our lab, “I remember everything everyone has ever told me. I consider it a special talent.” Overwhelmed by the sudden influx of information, I sat there gaping, unsure of how to respond. Dante frowned. “Did I leave something out?
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))