“
Well enough,” I reply. “Remember, you’re drunk. And happy. You’re supposed to be lusting over your escort. Try smiling a little more.”
Day plasters a giant artificial smile on his face. As charming as ever. “Aw, come on, sweetheart. I thought I was doing a pretty good job. I got my arm around the prettiest escort on this block—how could I not be lusting over you? Don’t I look like I’m lusting? This is me, lusting.” His lashes flutter at me.
He looks so ridiculous that I can’t help laughing. Another passerby glances at me. “Much better.
”
”
Marie Lu (Prodigy (Legend, #2))
“
Charlotte, darling, Henry said to his wife, who was staring at im in gape-mouthed horror. Jassamine, beside her, was wided eyed. Sorry im late. You know, i think i might nearly have the sensor working-
Will interrupted. Henry, he said, your on fire. You do know that, don't you?
Oh, yes, Henry said eagerly. The flames were now nearly to his shoulder. I've been working like a man possessed all day. Charlotte, did you hear what i said about the sensor?
Charlotte dropped her hand from her mouth. Henry! She shrieked. Your arm!
Henry glanced down at his arm, and his mouth dropped open.
Bloody hell!
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Amor"
So many days, oh so many days
seeing you so tangible and so close,
how do I pay, with what do I pay?
The bloodthirsty spring
has awakened in the woods.
The foxes start from their earths,
the serpents drink the dew,
and I go with you in the leaves
between the pines and the silence,
asking myself how and when
I will have to pay for my luck.
Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.
What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.
You please me more each afternoon.
Where is she? I keep on asking
if your eyes disappear.
How long she's taking! I think, and I'm hurt.
I feel poor, foolish and sad,
and you arrive and you are lightning
glancing off the peach trees.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
”
”
Pablo Neruda (Intimacies: Poems of Love)
“
Some day soon, reaper, your mouth is going to be the source of your own destruction."
"That does seem likely, doesn’t it?" Tod glanced at me and shrugged. "Until then, it remains a source of my own amusement.
”
”
Rachel Vincent (With All My Soul (Soul Screamers, #7))
“
Can you at least pretend to be professional today?”
Lindsey stopped, glanced back at Luc. “You show me professional, and I’ll
show you professional.”
Luc snorted, but his expression was gleeful. “Sweetheart, you wouldn’t know
professional if it bit you on the ass.”
“I prefer my bites in other places.”
“Is that an invitation?”
“If only you were so lucky, cowboy.”
“Lucky? Hooking up with me would be the luckiest day of your life, Blondie.
”
”
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
“
Well I'm not dancing," Will said through gritted teeth. "I don't know how."
Oh yes you are," Alyss told him. "Let's hope you're a fast learner."
He glanced at her and saw no prospect of escape. "Well,at least I won't be the only one," he said. "Halt will be terrible too."
But nobody in the assembly knew tat for the past ten days, Halt had been taking dance lessons from Lady Sandra.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
Penryn? Who are you talking to?” My mother sounds almost frantic now.
“Just my own personal demon, Mom. Don’t worry. He’s just a little weakling.”
Weak or not, we both know he could have killed me if that’s what he wanted. I won’t give him the satisfaction of knowing I was scared, though.
“Oh.” She sounds calm suddenly, as if that explained everything. “Okay. Don’t underestimate them. And don’t make them promises you can’t keep.” I can tell by her fading voice as she says this that she’s reassured and walking away.
The baffled look the angel shoots at the door makes me chuckle. He glances my way, giving me a you’re-weirder-than-your-mom look.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time."
Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high.
"You're one to laugh. You moan about the cold floor more than anyone else than I know."
She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar."
"Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin.
"Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?"
"Well, as long as your men don't object to seeing you knocked on your ass."
"We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning.
Ress quickly added, "Captain.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
...If it wasn’t for you, I’d think that angels were all totally interchangeable.’
‘You mean because I’m beyond perfect?’
‘No. Because you’re so humble.’
‘Humility’s overrated.’
‘So is clear self-assessment, apparently.’
‘Real warriors don’t stand for psychobabble.’
‘Or for rational thinking.’
He glances at my naked legs. ‘No, not that rational, I admit.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
I have to ask,’ says Thermo. ‘I know the others are wondering this too. Is she your Daughter of Man?’ He nods toward me.
I glance at Raffe.
Am I?
Raffe thinks about that for a second before answering. ‘She is a Daughter of Man. And she is traveling with me. But she’s not my Daughter of Man.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
He stepped forward and wrapped his arms around the small of my back, tugging me to his chest. I threw my arms around his shoulders, sliding my nails up and down his neck gently. “Stay with me. And with Nathaniel and Lauren. All day. Be happy today.”
“That’s it?”
He bent down and kissed me richly. “Each time I look at you, I want to see a smile on your beautiful face.”
“Will you be looking at me a lot?”
“I’m always stealing glances,” he confessed. “You rarely notice.
”
”
Courtney Allison Moulton (Wings of the Wicked (Angelfire, #2))
“
So much held in a heart in a lifetime. So much held in a heart in a day, an hour, a moment. We are utterly open with no one, in the end -- not mother and father, not wife or husband, not lover, not child, not friend. We open windows to each but we live alone in the house of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart. When young we think there will come one person who will savor and sustain us always; when we are older we know this is the dream of a child, that all hearts finally are bruised and scarred, scored and torn, repaired by time and will, patched by force of character, yet fragile and rickety forevermore, no matter how ferocious the defense and how many bricks you bring to the wall. You can brick up your heart as stout and tight and hard and cold and impregnable as you possibly can and down it comes in an instant, felled by a woman's second glance, a child's apple breath, the shatter of glass in the road, the words 'I have something to tell you,' a cat with a broken spine dragging itself into the forest to die, the brush of your mother's papery ancient hand in a thicket of your hair, the memory of your father's voice early in the morning echoing from the kitchen where he is making pancakes for his children.
”
”
Brian Doyle (One Long River of Song: Notes on Wonder)
“
Will interrupted. "Henry," he said, "you're on fire. You do know that, don't you?"
"Oh, yeas," Henry said eagerly. The flames were now nearly to his shoulder. "I've been working like a man possessed all day. Charlotte, did you hear what I said about the Sensor?"
Charlotte dropped her hand from her mouth. "Henry!" she shrieked. "Your arm!"
Henry glanced down at his arm, and his mouth dropped open. "Bloody hell!" was all he had time to say before Will, exhibiting a starling presence of mind, stood up, seized the vase of flowers off the table, and hurled the contents over Henry.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Your voice, your eyes, your hands, your lips
Our silence, our words
Light that goes, light that returns
A single smile between us
In quest of knowledge I watched night create day
O beloved of all, beloved of one alone
your mouth silently promised to be happy
Away, away, says hate
Closer, closer, says love
A caress leads us from our infancy
Increasingly I see the human form as a lovers’ dialogue
The heart has but one mouth
Everything by chance
All words without thought
Sentiments adrift
A glance, a word, because I love you
Everything moves
We must advance to live
Aim straight ahead toward those you love
I went toward you, endlessly toward the light
If you smile, it enfolds me all the better
The rays of your arms pierce the mist.
”
”
Paul Éluard
“
You know how you can think you know someone or think you know them but maybe you only know them one way?" He sneaks a glance at me and I notice that his cheeks are red in the moonlight. "Maybe you know someone as your little sister's friend," he says. "And then maybe something shifts. Maybe one day you hear them say something unexpected. Or hear the way they laugh and then suddenly you see them all over again. Like this time it's different. This time maybe you see them as ..." He pauses. "Beautiful," he finishes. Catcher leans in closer. "Wonderful and funny.
”
”
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
“
Instead of lowering your head and copping to it like a man, you pick up the journal as one might hold a bady's beshattered diaper, as one might pinch a recently benutted condom. You glance at the offending passages. Then you look at her and smile a smile your dissembling face will remember until the day you die. Baby, you say, baby, this is part of my novel.
This is how you lose her.
”
”
Junot Díaz (This Is How You Lose Her)
“
Hence this life of yours which you are living is not merely a piece of the entire existence, but is in a certain sense the whole; only this whole is not so constituted that it can be surveyed in one single glance. This, as we know, is what the Brahmins express in that sacred, mystic formula which is yet really so simple and so clear: Tat tvam asi, this is you. Or, again, in such words as 'I am in the east and in the west, I am below and above, I am this whole world'.
Thus you can throw yourself flat on the ground, stretched out upon Mother Earth, with the certain conviction that you are one with her and she with you. You are as firmly established, as invulnerable as she, indeed a thousand times firmer and more invulnerable. As surely she will engulf you tomorrow, so surely will she bring you forth anew to new striving and suffering. And not merely 'some day': now, today, every day she is bringing you forth, not once but thousands upon thousands of times, just as every day she engulfs you a thousand times over. For eternally and always there is only now, one and the same now; the present is the only thing that has no end.
”
”
Erwin Schrödinger (My View of the World)
“
You said you'd kiss me if I lost Tank."
---
"You want me to kiss you?"
Oh boy. "You were happy I'd lost your puppy?"
He was looking like he was still thinking about smiling as he glanced down at Tank, tucked under his arm. "No. That would make me an asshole."
Right...
”
”
Jill Shalvis (Forever and a Day (Lucky Harbor, #6))
“
Juliette"
I inhale too quickly. A stifled cough is balloning in my throat.
His glassy green eyes glint in my direction.
"Are you not hungry?"
"No, thank you."
He licks his bottom lip into a smile.
"Don't confuse stupidity for bravery, love. I know you haven't eaten anything in days."
Something in my patioence snaps. "I'd rather die than eat your food and listen to you call me love," I tell him.
Adam drops his fork. Warner spares him a swift glance and when he looks at my way again his eyes have hardened. He holds my gaze fo a few infinitely long seconds before he pulls a gun out of his jacket pocket. He fires.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
Imagine if I hadn’t gone to class five years ago.” He gestured to Sarah. “I could’ve missed my chance. She saw me that day. There were two hundred people in the room, and somehow, she saw me.” He shrugged. “Any other day, maybe she wouldn’t have. But she saw me, she did, and now here we are. Here we all are.” He glanced at Wit, then gave me a look. “Enough with this pretending nonsense. If you want him, go get him. Don’t miss your shot.” *
”
”
K.L. Walther (The Summer of Broken Rules)
“
Live your life each day as you would climb a mountain. An occasional glance toward the summit keeps the goal in mind, but many beautiful scenes are to be observed from each new vantage point.
”
”
Harold B. Melchart
“
The next person who kicks or hits him gets banned from all betting. You will be blackballed for the rest of your shriveled lives. Now back off.’
Amazingly, they all back off.
Everyone else might reject the locust victims, but I guess the twins don’t discriminate in their betting pools.
Dee looks just as surprised as I am. He glances over at his brother. ‘Dude, we’re the new HBO.’ He flashes a grin.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
He didn't see anything."
She rolled to her feet. "I was in your bed! We could have scarred him for life!"
"Grace, we weren't doing anything. Well, I wasn't. You were snoring."
"I don't--" She smoothed her dress down and searched out her sandals, shoving her feet into them. She glanced at herself in the mirror over his dresser and groaned. Hair, wild. Lips, swollen. Face, flushed.
Nipples, hard.
"Dammit!" She clapped her hands over them. "It's like they're broken!
”
”
Jill Shalvis (Forever and a Day (Lucky Harbor, #6))
“
His reasoning was sound, but his remark about carrying me all the way to the river still rankled. “You speak as if I’m as heavy as an ox,” I said. “Last week I was a bundle of sticks.”
“You’re still too thin.”
“Perhaps if I gain some weight, you won’t call me a stick anymore.”
“You may hope to one day be a branch.”
I glanced at him sharply, unable to repress a little flutter of delight that he was bothering to joke with me.
“A log, even,” I suggested.
“Doubtful,” he said wryly.
”
”
Elly Blake (Frostblood (Frostblood Saga, #1))
“
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."...
It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
”
”
Libba Bray (Rebel Angels (Gemma Doyle, #2))
“
There is no moment that exceeds in beauty that moment when one looks at a woman and finds that she is looking at you in the same way that you are looking at her. The moment in which she bestows that look that says, "Proceed with your evil plan, sumbitch." The initial smash on glance. The, the drawing near. This takes a long time, it seems like months, although only minutes pass, in fact. Languor is the word that describes this part of the process. Your persona floats toward her persona, over the Sea of Hesitation. Many weeks pass before they meet, but the weeks are days, or seconds. Still, everything is decided. You have slept together in the glance.
”
”
Donald Barthelme (Flying to America: 45 More Stories)
“
Eat slowly," the blueblood said. "Don't cut your food with the fork. Cut it with the knife, and make the pieces small enough so you can answer a question without having to swallow first."
Why me? "Right. Any other tips?" Her sarcasm whistled right over his head.
"Yes. Look at me and not at your plate. If you have to look at your plate, glance at it occasionally."
Rose put down her fork. "Lord Submarine..."
"Camarine."
"Whatever."
"You can call me Declan." He said it as if granting her a knighthood. The nerve.
"Declan, then. How did you spend your day?"
He frowned.
"It's a simple question: How did you spend your day? What did you do prior to the fight and the pancake making?"
"I rested from my journey," he said with a sudden regal air.
"You took a nap"
"Possibly."
"I spent my day scrubbing, vacuuming and dusting ten offices in the Broken. I got there at seven thirty in the morning and left at six. My back hurts, I can still smell bleach on my fingers, and my feet feel as flat as these pancakes. Tomorrow, I have to go back to work, and I want to eat my food in peace and quiet. I have good table manners. They may not be good enough for you, but they're definitely good enough for the Edge, and they are the height of social graces in this house. So please keep your critique to yourself."
The look on his face was worth having him under her roof. As if he had gotten slapped.
She smiled at him. "Oh and thank you for the pancakes. They are delicious.
”
”
Ilona Andrews (On the Edge (The Edge, #1))
“
How arrogant you are
To think your wretched Self so singular!
The disappointments of this world will die
In less time than the blinking of an eye,
And as the earth must pass, pass by the earth
Don't even glance at it, know what it's worth;
What empty foolishness it is to care
For what must one day be dispersed to air!
”
”
عطار نیشابوری
“
We live in a modern society. Husbands and wives don't
grow on trees, like in the old days. So where
does one find love? When you're sixteen it's easy,
like being unleashed with a credit card
in a department store of kisses. There's the first kiss.
The sloppy kiss. The peck.
The sympathy kiss. The backseat smooch. The we
shouldn't be doing this kiss. The but your lips
taste so good kiss. The bury me in an avalanche of tingles kiss.
The I wish you'd quit smoking kiss.
The I accept your apology, but you make me really mad
sometimes kiss. The I know
your tongue like the back of my hand kiss. As you get
older, kisses become scarce. You'll be driving
home and see a damaged kiss on the side of the road,
with its purple thumb out. If you
were younger, you'd pull over, slide open the mouth's
red door just to see how it fits. Oh where
does one find love? If you rub two glances, you get a smile.
Rub two smiles, you get a warm feeling.
Rub two warm feelings and presto-you have a kiss.
Now what? Don't invite the kiss over
and answer the door in your underwear. It'll get suspicious
and stare at your toes. Don't water the kiss with whiskey.
It'll turn bright pink and explode into a thousand luscious splinters,
but in the morning it'll be ashamed and sneak out of
your body without saying good-bye,
and you'll remember that kiss forever by all the little cuts it left
on the inside of your mouth. You must
nurture the kiss. Turn out the lights. Notice how it
illuminates the room. Hold it to your chest
and wonder if the sand inside hourglasses comes from a
special beach. Place it on the tongue's pillow,
then look up the first recorded kiss in an encyclopedia: beneath
a Babylonian olive tree in 1200 B.C.
But one kiss levitates above all the others. The
intersection of function and desire. The I do kiss.
The I'll love you through a brick wall kiss.
Even when I'm dead, I'll swim through the Earth,
like a mermaid of the soil, just to be next to your bones.
”
”
Jeffrey McDaniel
“
I'm assuming you're taking me to ACRO."
"Can't get anything by you," Annika drawled.
"What's going to happen when we get there?"
"They'll probably torture you for a few days." Annika glanced at Faith's hands and shrugged. "You didn't need those fingernails anyway. Terrible polish. Black doesn't look good on you.
”
”
Sydney Croft (Seduced by the Storm (ACRO, #3))
“
Answers seemed to float through the space around him. It was about love. It was about getting handed at conception a gift that sets you apart from everyone and you spend your whole life drifting through the margins of time, not understanding hours like everyone else seems to: glancing at wristwatches, checking timetables - you hardly know what it is people are trying to accomplish when they go through their days: morning, noon, evening, night. Wake up and sleep and wake up. This was about family, how blood superseded death; it was about trying your hardest, it was about snow.
”
”
Anthony Doerr (About Grace)
“
She needed Andrew Simpson Smith, it was that simple. And he had spent his life training to help people like her. Gods.
"Okay, Andrew. But let's leave today. I'm in a hurry."
"Of course. Today." He stroked the place where his slight beard was beginning to grow. "These ruins where your friends are waiting? Where are they?"
Tally glances up at the sun, still low enough to indicate the eastern horizon. After a moment's calculation, she pointed off to the northwest, back toward the city and beyond that, the Rusty Ruins. "About a week's walk that way."
"A week?"
"That means seven days."
"Yes, I know the gods' calendar," he said huffily. "But a whole week?"
"Yeah. That's not so far, is it?" The hunters had been tireless on their march the night before.
He shook his head, an awed expression on his face. "But that is beyond the edge of the world.
”
”
Scott Westerfeld (Pretties (Uglies, #2))
“
My wife was on a visit to her aunt's, and for a few days I was a dweller once more in my old quarters at Baker Street.
'Why,' said I, glancing up at my companion, 'that was surely the bell? Who could come tonight? Some friend of yours, perhaps?'
'Except yourself I have none,' he answered. 'I do not encourage visitors.
”
”
Arthur Conan Doyle (The Five Orange Pips (The Adventures of Sherlock Holmes, #5))
“
Quick Ben, tell me, who was the toughest Bridgeburner you ever knew? Think back, and think carefully. Get your ego out of the way. Ignore your favorites and the ones who spent all their time looking mean. Not the callous shits, not the back-stabbers, none of the posers. The toughest, Quick Ben. Day in, day out, good times, bad. Tell me. Who?"
The High Mage squinted, glanced down at the ground at this feet, and then he sighed and nodded, looking up as he said, "I didn't need that list, Ganoes. I knew my answer right from the start. We all knew."
"Who?"
"Fiddler. There's no tougher man alive.
”
”
Steven Erikson
“
Hello, Celaena,” he said as calmly as he could, well aware that two Fae males behind him could hear his thundering heart. Rolfe whipped his head toward him. Because it was Celaena who sat here—for whatever purpose, it was Celaena Sardothien in this room. She jerked her chin at Rolfe. “You’ve seen better days, but considering half your fleet has abandoned you, I’d say you look decent enough.” “Get out of my chair,” Rolfe said too quietly. Aelin did no such thing. She just gave Rowan a sultry sweep from foot to face. Rowan’s expression remained unreadable, eyes intent—near-glowing. And then Aelin said to Rowan with a secret smile, “You, I don’t know. But I’d like to.” Rowan’s lips tugged upward. “I’m not on the market, unfortunately.” “Pity,” Aelin said, cocking her head as she noticed a bowl of small emeralds on Rolfe’s desk. Don’t do it, don’t— Aelin swiped up the emeralds in a hand, picking them over as she glanced at Rowan beneath her lashes. “She must be a rare, staggering beauty to make you so faithful.” Gods save them all. He could have sworn Fenrys coughed behind him. Aelin chucked the emeralds into the metal dish as if they were bits of copper, their plunking the only sound. “She must be clever”—plunk—“and fascinating”—plunk—“and very, very talented.” Plunk, plunk, plunk went the emeralds. She examined the four gems remaining in her hand. “She must be the most wonderful person who ever existed.” Another cough from behind him—from Gavriel this time. But Aelin only had eyes for Rowan as the warrior said to her, “She is indeed that. And more.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
The ringtone was a dead giveaway, emphasis on dead . . . creepy organ music. She didn’t even have to glance at the image of fanged
bunny slippers on the screen to know who was calling. She just sighed, thumbed it on, and held it to her ear.
“Claire! I need you here immediately. Something’s wrong with Bob.” Myrnin, her mad-scientist, blood-addicted boss, sounded actually shaken. “I
can’t get him to eat his insects, and I used his favorites. He just sits there.”
“Bob,” she repeated, looking at Shane in wide-eyed disbelief. “Bob the spider.”
“Just because he’s a spider doesn’t mean he deserves any less concern! Claire, you have a way with him. He likes you.”
Just what she needed. Bob the spider liked her. “You do realize that he’s a year old, at least. And spiders don’t live that long.”
“You think he’s dead?” Myrnin sounded horrified. So wrong.
“Is he curled up?”
“No. He’s just quiet.”
“Well, maybe he’s not hungry.”
“Will you come?” Myrnin asked. He sounded calmer now, but also oddly needy. “It’s been very lonely here these past few days. I’d like your
company, at least for a little while.” When she hesitated, he used the pity card. “Please, Claire.”
“Fine,” she sighed. “I’m bringing Shane.”
After a second of silence, he said, flatly, “Goody,” and hung up.
”
”
Rachel Caine
“
Don't forget, as busy as you may be, to quickly raise your head and cast a glance at those great silver clouds and that silent blue ocean in which they are swimming...take notice of the resplendence and glory that overlie this day...because this day will never, ever come again! This day is a gift to you like a rose in full bloom, lying at your feet, waiting for you to pick it up and press it to your lips.
”
”
Rosa Luxemburg
“
Go on," Kell told him without taking his eyes from Lila. " Get some rest."
Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--"
"I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps.
Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity.
"You never told me," he whispered.
"You never noticed," she answered. And then, "Alucard did."
The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously.
He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--"
A sleepy flicker of amusement. "Trying to get me into bed?"
Kell mustered a smile. "It's only fair. I've spent enough time in yours."
"If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time."
"And tied to it," observed Kell.
Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her.
"Lila?" he asked, first gently, and then more urgently. "Lila?"
She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed.
"What have you done?" demanded Kell.
"It was just a tonic, sir," he fumbled, "something for sleep."
"You drugged her?"
"It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy.
"And what do you plan to do when she wakes back up?"
Hastra shrank back. "Apologize?"
Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder.
"I suggest," he snapped at the young man, "you think of something better. Like an escape route."
Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch.
Hastra handed him a blanket. "Shouldn't you take off her knives?"
"There's not enough tonic in the world to risk it," said Kell.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
I've had a really bad day," she said to Jack. "Your party sucked. I think my boyfriend and I are breaking up. I got taken hostage by a serial killer. I have spiders in my hair. And you're being a pig-headed asshole. I'm telling you," she added, with a glance over her shoulder at Razor Burn, "if someone points a gun at me again, or threatens me in any way, I'm going to lose it.
”
”
Chelsea Cain (Let Me Go (Archie Sheridan & Gretchen Lowell, #6))
“
Vanity's a debilitating affliction. You're so in absorbed in yourself it's impossible to love anyone other than oneself, leaving you weak without realization of it. It's quite sad. You've no idea what you're missing either. You will never know real love and your life will pass you by.
But you will see.
One day you will blink and the haze will dissipate. You'll discover that what once defined you has wilted into graying hair and wrinkled skin. Frantic, you'll glance around yourself, in hopes of finding those you swore adored you, but all you will find is empty picture frames.
”
”
Fisher Amelie (Vain (The Seven Deadly, #1))
“
That day, I stared for a few extra seconds at the little oblong bubble next to my husband’s name for president of the United States. After almost twenty-one months of campaigning, attacks, and exhaustion, this was it—the last thing I needed to do. Barack glanced my way and laughed. “You still trying to make up your mind?” he said. “Need a little more time?
”
”
Michelle Obama (Becoming)
“
I have said that the soul is not more than the body,
And I have said that the body is not more than the soul,
And nothing, not God, is greater to one than one's self is,
And whoever walks a furlong without sympathy walks to his own
funeral drest in his shroud,
And I or you pocketless of a dime may purchase the pick of the
earth,
And to glance with an eye or show a bean in its pod confounds the
learning of all times,
And there is no trade or employment but the young man following it
may become a hero,
And there is no object so soft but it makes a hub for the wheel'd
universe,
And I say to any man or woman, Let your soul stand cool and composed
before a million universes.
And I say to mankind, Be not curious about God,
For I who am curious about each am not curious about God,
(No array of terms can say how much I am at peace about God and
about death.)
I hear and behold God in every object, yet understand God not in the
least,
Nor do I understand who there can be more wonderful than myself.
Why should I wish to see God better than this day?
I see something of God each hour of the twenty-four, and each moment
then,
In the faces of men and women I see God, and in my own face in the
glass,
I find letters from God dropt in the street, and every one is sign'd
by God's name,
And I leave them where they are, for I know that wheresoe'er I go,
Others will punctually come for ever and ever.
”
”
Walt Whitman
“
It breaks my heart. Better than your words, your eye tells me all your peril.
You are not yet free, you still search for freedom. Your search has fatigued you and made you too wakeful.
You long for the open heights, your soul thirsts for the stars. But your bad instincts too thirst for freedom.
Your fierce dogs long for freedom; they bark for joy in their cellar when your spirit aspires to break open all prisons.
To me you are still a prisoner who imagines freedom: ah, such prisoners of the soul become clever, but also deceitful and base.
The free man of the spirit, too, must still purify himself. Much of the prison and rottenness still remain within him: his eye still has to become pure.
Yes, I know your peril. But, by my love and hope I entreat you: do not reject your love and hope!
You still feel yourself noble, and the others, too, who dislike you and cast evil glances at you, still feel you are noble. Learn that everyone finds the noble man an obstruction.
The good, too, find the noble man an obstruction: and even when they call him a good man they do so in order to make away with him.
The noble man wants to create new things and a new virtue. The good man wants the old things and that the old things shall be preserved.
But that is not the danger for the noble man — that he may become a good man — but that he may become an impudent one, a derider, a destroyer.
Alas, I have known noble men who lost their highest hope. And henceforth they slandered all high hopes.
Henceforth they lived impudently in brief pleasures, and they had hardly an aim beyond the day.
‘Spirit is also sensual pleasure’ — thus they spoke. Then the wings of their spirit broke: now it creeps around and it makes dirty what it feeds on.
Once they thought of becoming heroes: now they are sensualists. The hero is to them an affliction and a terror.
But, by my love and hope I entreat you: do not reject the hero in your soul! Keep holy your highest hope!
Thus spoke Zarathustra.
”
”
Friedrich Nietzsche
“
Would you let me drive this?" I ask, surprised that I say the words out loud.
"Of course," Christian replies, smiling. "What's mine is yours. If you dent it, though, I will take you into the Red Room of Pain." He glances swiftly at me with a malicious grin.
"You're kidding. You'd punish me for denting your car? You love your car more than you love me?" I tease.
"It's close," he says and reaches across to squeeze my knee, "But she doesn't keep me warm at night."
"I'm sure it could be arranged. You could sleep in her," I snap.
Christian laughs. "We haven't been home one day and you're kicking me out already?" He seems delighted.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
You don’t know that, Clark. You have no idea how this would play out. You have no idea how you’re going to feel even six months from now. And I don’t want to look at you every day, to see you naked, to watch you wandering around the annexe in your crazy dresses and not … not be able to do what I want with you. Oh, Clark, if you had any idea what I want to do to you right now. And I … I can’t live with that knowledge. I can’t. It’s not who I am. I can’t be the kind of man who just … accepts.’
He glanced down at his chair, his voice breaking. ‘I will never accept this.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it.
I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee.
...
I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck.
I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said:
“Well, what’s the matter with you?”
I said:
“I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.”
And I told him how I came to discover it all.
Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out.
I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back.
He said he didn’t keep it.
I said:
“You are a chemist?”
He said:
“I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.”
I read the prescription. It ran:
“1 lb. beefsteak, with
1 pt. bitter beer
every 6 hours.
1 ten-mile walk every morning.
1 bed at 11 sharp every night.
And don’t stuff up your head with things you don’t understand.”
I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
She glanced over her shoulder at the house, which was now bathed in a warm tint of yellow from the sun. "Yes, everyone needs to find the one thing that brings out her passion. Its what we do and share with the world that matters. I believe its important that we leave our communities in better shape that we found them. Cecelia Rose," she said, reaching for my hand, "Far too many people die with a heart that's gone flat with indifference, and it surely must be a terrible way to go. Life will offer us amazing opportunities, but we've got to be awake to recognize them."
She rested her hands on my shoulders and looked into my eyes. "If there's one thing I'd like most for you, its that you'll find your calling in life. That's where true happiness and purpose lie. Whether its taking care of abandoned animals, saving old houses from the wreckin' ball or reading to the blind, you've got to find your fire, sugar. You'll never be fulfilled if you don't."
"But how will I know what my fire is?"
"Oh, you'll know. One day you'll do something, see something or get an idea that seems to pop up from nowhere. And you'll feel a kind of stirring- like a warm flicker inside your chest. When that happens, whatever you do, don't ignore it. Open your mind and explore the idea. Fan your flame. And when you do, you'll have found it.
”
”
Beth Hoffman (Saving CeeCee Honeycutt)
“
Listen to me, maggots. Listen for your lives, for that's what it could mean some day. You never see all that you see. One of the things they send you to me for is to show you what you don't see in what you see--what you don't see when you're scared, or fighting or running or fucking. No man sees al that he sees, but before you're gunslinger--those of you who don't go west, that is,--you'll see more in one single glance than some men see in a lifetime. And some of what you don't see in that glance you'll see afterwards, in the eye of your memory--if you live long enough to remember, that is. Because the difference between seeing and not seeing can be the difference between the living and dying.
”
”
Stephen King
“
Now the day is done,
Now the shepherd sun
Drives his white flocks from the sky;
Now the flowers rest
On their mother's breast,
Hushed by her low lullaby.
Now the glowworms glance,
Now the fireflies dance,
Under fern-boughs green and high;
And the western breeze
To the forest trees
Chants a tuneful lullaby.
Now 'mid shadows deep
Falls blessed sleep,
Like dew from the summer sky;
And the whole earth dreams,
In the moon's soft beams,
While night breathes a lullaby.
Now, birdlings, rest,
In your wind-rocked nest,
Unscared by the owl's shrill cry;
For with folded wings
Little Brier swings,
And singeth your lullaby.
”
”
Louisa May Alcott
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
The glance of women resembles certain combinations of wheels, which are tranquil in appearance yet formidable. You pass close to them every day, peaceably and with impunity, and without a suspicion of anything. A moment arrives when you forget that the thing is there. You go and come, dream, speak, laugh. All at once you feel yourself clutched; all is over. The wheels hold you fast, the glance has ensnared you. It has caught you, no matter where or how, by some portion of your thought which is fluttering loose, by some distraction which had attacked you. You are lost. The whole of you passes into it. A chain of mysterious forces takes possession of you. You struggle in vain; no more human succor is possible. You go on falling from gearing to gearing, from agony to agony, from torture to torture, you, your mind, your fortune, your future, your soul; and, according to whether you are in the power of a wicked creature, or of a noble heart, you will not escape from this terrifying machine otherwise than disfigured with shame, or transfigured by passion.
”
”
Victor Hugo (Les Misérables)
“
The Devil's Rose
You would never take a rose from a beast.
If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do.
But the cunning beast will have his beauty.
He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow.
The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume.
As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch.
Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence.
Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Dalinar took a deep breath, then forced himself to open his arms and pull back. “If you had hoped to
soothe my worries for the day, then this didn’t help.”
She folded her arms. He could still feel where her safehand had touched him on the back. A tender
touch, reserved for a family member. “I’m not here to soothe you, Dalinar. Quite the opposite.”
“Please. I do need time to think.”
“I won’t let you put me away. I won’t ignore that this happened. I won’t—”
“Navani,” he gently cut her off, “I will not abandon you. I promise.”
She eyed him, then a wry smile crept onto her face. “Very well. But you began something today.”
“I began it?” he asked, amused, elated, confused, worried, and ashamed at the same time.
“The kiss was yours, Dalinar,” she said idly, pulling open the door and entering his antechamber.
“You seduced me to it.”
“What? Seduced?” She glanced back at him. “Dalinar, I’ve never been more open and honest in my
life.”
“I know,” Dalinar said, smiling. “That was the seductive part.” He closed the door softly, then let out
a sigh. Blood of my fathers, he thought, why can’t these things ever be simple?
And yet, in direct contrast with his thoughts, he felt as if the entire world had somehow become
more right for having gone wrong.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
You’re quiet.” Bodie issued that statement with no small amount of suspicion. “I’m always quiet.” As Bodie pulled the car past the gates and out onto the street, he glanced at me just long enough to smirk. “And I’m always perceptive. This quiet is a different quiet.” My mind was awash in the day’s events. Georgia’s visit. Vivvie and the article on Pierce. The two names from Henry’s list. Adam’s father being the one who had arranged the get-together in that photograph. “I’m fluent in all varieties of Kendrick silences,” Bodie declared. “And you and your sister both stare very intently at absolutely nothing when the wheels are turning in here.” He lazily reached over and tapped the side of my head. I swatted his hand away. “I have a lot to think about.
”
”
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
“
But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-"
Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves.
Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself.
"Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist.
"What?" he asked once he laid a smacking kiss on her cheek. "They look better like that."
Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this."
I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit.
Then I was in a bikini.
So Nick was wearing a particularly poofy purple prom dress.
By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Jason winced. “Knocked out twice in two days,” he muttered. “Some demigod.” He glanced sheepishly at Percy. “Sorry, man. I didn’t mean to blast you.” Percy’s shirt was peppered with burn holes. His hair was even more disheveled than normal. Despite that, he managed a weak laugh. “Not the first time. Your big sister got me good once at camp.” “Yeah, but…I could have killed you.” “Or I could have killed you,” Percy said. Jason shrugged. “If there’d been an ocean in Kansas, maybe.” “I don’t need an ocean—” “Boys,” Annabeth interrupted, “I’m sure you both would’ve been wonderful at killing each other. But right now, you need some rest.” “Food first,” Percy said. “Please?
”
”
Rick Riordan (The Heroes of Olympus: Books I-III (The Heroes of Olympus, #1-3))
“
Tenways showed his rotten teeth. ‘Fucking make me.’
‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’
Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’
And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea.
‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’
‘So what?’
‘So shall I draw?
”
”
Joe Abercrombie (The Heroes)
“
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely.
“He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers.
I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.”
I’m so suave.
I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father.
This is silly.
Brushing through my embarrassment, I walk up, put my hand on his shoulder.
He straightens up with a wide grin. “Am I glad to see you!”
“Oh, really?”
“Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.”
“Maybe you should have gotten more sleep,” I offer.
“No way,” he says. Then we just gaze at each other for a long moment.
For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also.
“That was the best study session I ever had,” I tell him.
“Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.”
“This thumb?” I reach for one of his callused hands, kiss the thumb.
“It was the left one.” Jase’s face creases into a smile as I pick up his other hand.
“I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.”
I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt.
“Feeling better?”
His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.”
My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.”
Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
The realms of dating, marriage, and sex are all marketplaces, and we are the products. Some may bristle at the idea of people as products on a marketplace, but this is an incredibly prevalent dynamic. Consider the labor marketplace, where people are also the product. Just as in the labor marketplace, one party makes an offer to another, and based on the terms of this offer, the other person can choose to accept it or walk. What makes the dating market so interesting is that the products we are marketing, selling, buying, and exchanging are essentially our identities and lives.
As with all marketplaces, every item in stock has a value, and that value is determined by its desirability. However, the desirability of a product isn’t a fixed thing—the desirability of umbrellas increases in areas where it is currently raining while the desirability of a specific drug may increase to a specific individual if it can cure an illness their child has, even if its wider desirability on the market has not changed.
In the world of dating, the two types of desirability we care about most are:
- Aggregate Desirability: What the average demand within an open marketplace would be for a relationship with a particular person.
- Individual Desirability: What the desirability of a relationship with an individual is from the perspective of a specific other individual.
Imagine you are at a fish market and deciding whether or not to buy a specific fish:
- Aggregate desirability = The fish’s market price that day
- Individual desirability = What you are willing to pay for the fish
Aggregate desirability is something our society enthusiastically emphasizes, with concepts like “leagues.” Whether these are revealed through crude statements like, “that guy's an 8,” or more politically correct comments such as, “I believe she may be out of your league,” there is a tacit acknowledgment by society that every individual has an aggregate value on the public dating market, and that value can be judged at a glance. When what we have to trade on the dating market is often ourselves, that means that on average, we are going to end up in relationships with people with an aggregate value roughly equal to our own (i.e., individuals “within our league”). Statistically speaking, leagues are a real phenomenon that affects dating patterns. Using data from dating websites, the University of Michigan found that when you sort online daters by desirability, they seem to know “their place.” People on online dating sites almost never send a message to someone less desirable than them, and on average they reach out to prospects only 25% more desirable than themselves.
The great thing about these markets is how often the average desirability of a person to others is wildly different than their desirability to you. This gives you the opportunity to play arbitrage with traits that other people don’t like, but you either like or don’t mind. For example, while society may prefer women who are not overweight, a specific individual within the marketplace may prefer obese women, or even more interestingly may have no preference. If a guy doesn’t care whether his partner is slim or obese, then he should specifically target obese women, as obesity lowers desirability on the open marketplace, but not from his perspective, giving him access to women who are of higher value to him than those he could secure within an open market.
”
”
Malcolm Collins (The Pragmatist's Guide to Relationships)
“
He glances back at me. "But there's hardly ever any activity outside the fence these days, at least close by. Only the people we put out, and they rarely try to get back into Westfall. I guess they figure it's better to take your chances out there than be guaranteed a death sentence in here."
"Either option sounds pretty horrible to me."
Bishop shrugs. "I don't know, sometimes I think we should just tear down the fence. Towns didn't have fences around them before the war and everything was fine. I think it was supposed to keep us safe, but instead it's made us scared.
”
”
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
“
His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood.
I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
”
”
Angela Carter (Burning Your Boats: The Collected Short Stories)
“
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
”
”
Charlotte Brontë (Jane Eyre)
“
The three of us exchanged glances but said nothing. After all, what was there to say? The truth was that hookers did take credit cards—or at least ours did! In fact, hookers were so much a part of the Stratton subculture that we classified them like publicly traded stocks: Blue Chips were considered the top-of-the-line hooker, zee crème de la crème. They were usually struggling young models or exceptionally beautiful college girls in desperate need of tuition or designer clothing, and for a few thousand dollars they would do almost anything imaginable, either to you or to each other. Next came the NASDAQs, who were one step down from the Blue Chips. They were priced between three and five hundred dollars and made you wear a condom unless you gave them a hefty tip, which I always did. Then came the Pink Sheet hookers, who were the lowest form of all, usually a streetwalker or the sort of low-class hooker who showed up in response to a desperate late-night phone call to a number in Screw magazine or the yellow pages. They usually cost a hundred dollars or less, and if you didn’t wear a condom, you’d get a penicillin shot the next day and then pray that your dick didn’t fall off. Anyway, the Blue Chips took credit cards, so what was wrong with writing them off on your taxes? After all, the IRS knew about this sort of stuff, didn’t they? In fact, back in the good old days, when getting blasted over lunch was considered normal corporate behavior, the IRS referred to these types of expenses as three-martini lunches! They even had an accounting term for it: It was called T and E, which stood for Travel and Entertainment. All I’d done was taken the small liberty of moving things to their logical conclusion, changing T and E to T and A: Tits and Ass!
”
”
Jordan Belfort (The Wolf of Wall Street)
“
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.”
My ears burned. Oh great, am I the color of a tomato now?
“Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was.
“Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject.
“I got you Moby-Dick,” I blurted out. He gave me a sly smile.
“Mmmm, did you? How... interesting.”
“And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner.
“Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?”
I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.”
Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.”
“Was?” I squeaked. Then I cleared my throat and tried again. “I mean—”
“Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.”
His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me.
“It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain.
I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.”
“I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
”
”
Jessica Verday (The Haunted (The Hollow, #2))
“
A KING WHO PLACED MIRRORS IN HIS PALACE
There lived a king; his comeliness was such
The world could not acclaim his charm too much.
The world's wealth seemed a portion of his grace;
It was a miracle to view his face.
If he had rivals,then I know of none;
The earth resounded with this paragon.
When riding through his streets he did not fail
To hide his features with a scarlet veil.
Whoever scanned the veil would lose his head;
Whoever spoke his name was left for dead,
The tongue ripped from his mouth; whoever thrilled
With passion for this king was quickly killed.
A thousand for his love expired each day,
And those who saw his face, in blank dismay
Would rave and grieve and mourn their lives away-
To die for love of that bewitching sight
Was worth a hundred lives without his light.
None could survive his absence patiently,
None could endure this king's proximity-
How strange it was that man could neither brook
The presence nor the absence of his look!
Since few could bear his sight, they were content
To hear the king in sober argument,
But while they listened they endure such pain
As made them long to see their king again.
The king commanded mirrors to be placed
About the palace walls, and when he faced
Their polished surfaces his image shone
With mitigated splendour to the throne.
If you would glimpse the beauty we revere
Look in your heart-its image will appear.
Make of your heart a looking-glass and see
Reflected there the Friend's nobility;
Your sovereign's glory will illuminate
The palace where he reigns in proper state.
Search for this king within your heart; His soul
Reveals itself in atoms of the Whole.
The multitude of forms that masquerade
Throughout the world spring from the Simorgh's shade.
If you catch sight of His magnificence
It is His shadow that beguiles your glance;
The Simorgh's shadow and Himself are one;
Seek them together, twinned in unison.
But you are lost in vague uncertainty...
Pass beyond shadows to Reality.
How can you reach the Simorgh's splendid court?
First find its gateway, and the sun, long-sought,
Erupts through clouds; when victory is won,
Your sight knows nothing but the blinding sun.
”
”
Attar of Nishapur
“
You revolutionists' the other continued, with leisurely self-confidence, 'are the slaves of the social convention, which is afraid of you; slaves of it as much as the very police that stands up in the defence of that convention. Clearly you are, since you want to revolutionize it. It governs your action, too, and thus neither your thought nor your action can ever be conclusive. (...) 'You are not a bit better than the forces arrayed against you -- than the police, for instance. The other day I came suddenly upon Chief Inspector Heat at the corner of Tottenham Court Road. He looked at me very steadily. But I did not look at him. Why should I give him more than a glance ? He was thinking of many things -- of his superiors, of his reputation, of the law courts, of his salary, of newspapers -- of a hundred things. But I was thinking of my perfect detonator only. He meant nothing to me. He was as insignificant as -- I can't call to mind anything insignificant enough to compare him with -- except Karl Yundt perhaps. Like to like. The terrorist and the policeman both come from the same basket. Revolutions, legality -- counter moves in the same game; forms of idleness at bottom identical. He plays his little game -- so do you propagandists.
”
”
Joseph Conrad (The Secret Agent)
“
Fireworks exploded to life overhead: Hercules killing the Nemean lion, Artemis chasing the boar, George Washington (who, by the way, was a son of Athena) crossing the Delaware. ‘Hey, Grover,’ I called. He turned at the edge of the woods. ‘Wherever you’re going – I hope they make good enchiladas.’ Grover grinned, and then he was gone, the trees closing around him. ‘We’ll see him again,’ Annabeth said. I tried to believe it. The fact that no searcher had ever come back in two thousand years… well, I decided not to think about that. Grover would be the first. He had to be. July passed. I spent my days devising new strategies for capture-the-flag and making alliances with the other cabins to keep the banner out of Ares’s hands. I got to the top of the climbing wall for the first time without getting scorched by lava. From time to time, I’d walk past the Big House, glance up at the attic windows and think about the Oracle. I tried to convince myself that its prophecy had come to completion. You shall go west, and face the god who has turned. Been there, done that – even though the traitor god had turned out to be Ares rather than Hades.
”
”
Rick Riordan (Percy Jackson and the Lightning Thief (Percy Jackson, #1))
“
Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on."
"So the wife has to be all those things?"
"No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said."
Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me."
"And did you think he would?"
Momentarily Meggie was taken aback. "Well, yes."
"Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together."
Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.
”
”
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
“
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me.
'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.'
Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.'
She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build.
I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right.
I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.'
Someone knocks, I ignore it.
'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth.
'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.'
Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink.
Never again. Those eyes will never reflect hurt I've inflicted ever again.
'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.'
I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them.
'And if it's not possible?'
'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
History is a funny little creature. Do you remember visiting your old Aunt that autumn when the trees shone so very yellow, and how she owned a striped and unsocial cat, quite old and fat and wounded about the ears and whiskers, with a crooked, broken tail? That cat would not come to you no matter how you coaxed and called; it had its own business, thank you, and no time for you. But as the evening wore on, it would come and show some affection or favor to your Aunt, or your Father, or the old end-table with the stack of green coasters on it. You couldn’t predict who that cat might decide to love, or who it might decide to bite. You couldn’t tell what it thought or felt, or how old it might really be, or whether it would one day, miraculously, decide to let you put one hand, very briefly, on its dusty head.
History is like that.
Of course, unlike your Aunt’s cat, history is going on all around you, all the time, and is often quite lively. Sometimes it rests in a sunbeam for a peaceful century or two, but on the whole, history is always plotting, and it bites very hard. It stalks around the world, fickle and dissatisfied and often angry. It demands to be fed just a little earlier each day, until you find yourself carving meat from the bone as fast as you can, faster than you thought possible, just to satisfy it. Some people have a kind of marvelous talent for calming it and enticing it onto their laps. To some it will never even spare a glance.
”
”
Catherynne M. Valente (The Girl Who Ruled Fairyland - For a Little While (Fairyland, #0.5))
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath!
"One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes.
"Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately.
"Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.
”
”
Guy de Maupassant (Selected Short Stories)
“
When he was finished, he set his plate down, looked at me, and raised an eyebrow.
I leaned forward and whispered angrily, “I am not going to sit on your lap, so don’t get your hopes up, Mister.”
He still waited until I picked up a fork and took a few bites. I speared a bite of macadamia nut crusted ruby snapper and said, “Whew. Time’s up. Isn’t it? The clock is ticking. You must be sweating it, huh? I mean, you could turn any second.”
He just took a bite of curried lamb and then some saffron rice and sat there chewing as cool as a cucumber.
I watched him closely for a full two minutes and then folded up my napkin.
“Okay, I give. Why are you acting so smug and confident? When are you going to tell me what’s going on?”
He wiped his mouth carefully and took a sip of water. “What’s going on, my prema, is that the curse has been lifted.”
My mouth dropped open. “What? If it was lifted, why were you a tiger for the last two days?”
“Well, to be clear, the curse is not completely gone. I seem to have been granted a partial removal of the curse.”
“Partial? Partial meaning what, exactly?”
“Partial, meaning a certain number of hours per day. Six hours to be exact.”
I recited the prophecy in my mind and remembered that there were four sides to the monolith, and four times six was…”Twenty-four.”
He paused. “Twenty-four what?”
“Well, six hours makes sense because there are four gifts to obtain for Durga and four sides of the monolith. We’ve only completed one of the tasks, so you only get six hours.”
He smiled. “I guess I get to keep you around then, at least until the other tasks are finished.”
I snorted. “Don’t hold your breath, Tarzan. I might not need to be present for the other tasks. Now that you’re a man part of the time, you and Kishan can resolve this problem yourselves, I’m sure.”
He cocked his head and narrowed his eyes at me. “Don’t underestimate your level of…involvement, Kelsey. Even if you weren’t needed anymore to break the curse, do you think I’d simply let you go? Let you walk out of my life without a backward glance?”
I nervously began toying with my food and decided to say nothing. That was exactly what I’d been planning to do.
Something had changed. The hurt and confused Ren that made me feel guilty for rejecting him in Kishkindha was gone. He was now supremely confident, almost arrogant, and very sure of himself.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Lady Sarah steps in, wearing her nightclothes under a fluffy ivory robe and a chastising expression. Behind her glasses, her eyes narrow on Henry.
“So this is how it’s going to be, then? Married only a few days and I already have to search the palace to drag my husband to bed?”
Henry goes to Sarah, like an invisible rope is reeling him to her. “Dragging me to your bed is something you’ll never have to do, love. You can even tie me there whenever you like, and I’ll be happy to reciprocate.”
He kisses her mouth, as she blushes deep and bright.
She leans back. “Then why are you down here instead of up there with me?”
“There was an emergency.”
“What kind of an emergency?”
“You’re not going to believe it.”
“Try me.”
“Logan and Ellie are fucking.”
She automatically glances at me, and her cheeks deepen to a shade of crimson. “I’m sure there’s a more delicate way to word that, Henry.”
Henry nods, soberly. “You’re right, I’m sorry. Let me try again: Logan and Ellie are humping, like insatiable randy bunnies, all over the palace.”
Sarah shakes her head. “You’re hopeless.”
The Prince grins broadly. “It’s part of my charm.”
“What am I going to do with you?”
Henry kisses her again. “Take me to bed. Obviously.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
You could join me, son of Hephaestus," Khione said. "I know you find me beautiful. It would be enough for my plan if these two were to die. Reject that ridiculous destiny the fates have given you. Live and be my champion, instead. Your skills would be quite useful."
Leo looked stunned. He glanced behind him, like Khione might be talking to somebody else. For a second Jason was worried. He figured Leo didn't have beautiful goddesses make him offers like this every day.
Then Leo laughed so hard, he doubled over. "Yeah, join you. Right. Until you get bored with me and turn me into a leosicle? Lady, nobody messes with my dragon and gets away with it. I can't believe I thought you were hot."
"Khione's face turned red. "Hot? You dare insult me? I am cold, Leo Valdez. Very, very cold."
She shot a blast of wintry sleet at the demigods, but Leo held up his hand. A wall of fire roared to life in front of them, and the snow dissolved into a steamy cloud.
Leo grinned. "See, lady, that's what happens to snow in Texas. It-freaking-melts.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
You're wearing a bow tie," I said necessarily.
He glanced over at me. "Mom said I had to dress up for this."
I heard a low snort of laughter coming through the open window above the sink.
And I knew.
I stalked over to the window and looked outside.
There, sitting spread out on the grass, were the rest of the Bennetts.
Goddamn fucking werewolves.
"Hello, Ox," Elizabeth said without a jint of shame. "Lovely day, isn't it?"
"I will deal with you late," I said.
Ooh," Carter said. "I actually got chills from that."
"We're just here for support," Kelly said. "And to laugh at how embarrassing Joe is."
"I heard that!" Joe shouted from behind me.
I banged my head on the windowsill.
"Maggie," Joe said. Then, "May I call you Maggie?"
"Sure." My mother sound like she was enjoying this. The traitor. "You can call me Maggie."
"Good," Joe glanced down at his card berfore looking back up at my mother. " There comes a time in every werewolf's life when he is of age to make certain decisions about his future."
I wondered if I threw something at him if it'd distract him enough for me to drag him out of the kitchen. I glanced over my shoulder out the window. Cater waved at me. Like an asshole.
"My future," Joe said, "is Ox."
Ah god, that made me ache. “Is that so?” Mom asked. “How do you figure?” “He’s really nice,” Joe said seriously. “And smells good. And he makes me happy. And I want to do nothing more than put my mouth on him.” “Ah well,” Thomas said. "We tried."
"He's our little snowflake," Elizabeth told him.
"You want to do what?!" I asked Joe incredulously.
He winced. "I didn't mean to say it like that.
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
My Last Duchess
That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fra Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her? I said
“Fra Pandolf” by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, ’twas not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek: perhaps
Fra Pandolf chanced to say “Her mantle laps
Over my lady’s wrist too much,” or “Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat”: such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech—(which I have not)—to make your will
Quite clear to such an one, and say, “Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark”—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
—E’en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene’er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
”
”
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
“
first time Calypso came to check on him, it was to complain about the noise. “Smoke and fire,” she said. “Clanging on metal all day long. You’re scaring away the birds!” “Oh, no, not the birds!” Leo grumbled. “What do you hope to accomplish?” He glanced up and almost smashed his thumb with his hammer. He’d been staring at metal and fire so long he’d forgotten how beautiful Calypso was. Annoyingly beautiful. She stood there with the sunlight in her hair, her white skirt fluttering around her legs, a basket of grapes and fresh-baked bread tucked under one arm. Leo tried to ignore his rumbling stomach. “I’m hoping to get off this island,” he said. “That is what you want, right?” Calypso scowled. She set the basket near his bedroll. “You haven’t eaten in two days. Take a break and eat.” “Two days?” Leo hadn’t even noticed, which surprised him, since he liked food. He was even more surprised that Calypso had noticed. “Thanks,” he muttered. “I’ll, uh, try to hammer more quietly.” “Huh.” She sounded unimpressed. After that, she didn’t complain about the noise or the smoke. The next time she visited, Leo was putting the final touches on his first project. He didn’t see her until she spoke right behind him. “I brought you—” Leo jumped, dropping his wires. “Bronze bulls, girl! Don’t sneak up on me like that!” She was wearing red today—Leo’s favorite color. That was completely irrelevant. She looked really good in red. Also irrelevant. “I wasn’t sneaking,” she said. “I was bringing you these.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
This young woman,” said Diana, “was responsible for the destruction of the Triumvirate’s fleet.”
“Well, I had a lot of help,” Lavinia said.
“I don’t understand,” I said, turning to Lavinia. “You made all those mortars malfunction?”
Lavinia looked offended. “Well, yeah. Somebody had to stop the fleet. I did pay attention during siege-weapon class and ship-boarding class. It wasn’t that hard. All it took was a little fancy footwork.”
Hazel finally managed to pick her jaw off the pavement. “Wasn’t that hard?”
“We were motivated! The fauns and dryads did great.” She paused, her expression momentarily clouding, as if she remembered something unpleasant. “Um…besides, the Nereids helped a lot. There was only a skeleton crew aboard each yacht. Not, like, actual skeletons, but—you know what I mean. Also, look!”
She pointed proudly at her feet, which were now adorned with the shoes of Terpsichore from Caligula’s private collection.
“You mounted an amphibious assault on an enemy fleet,” I said, “for a pair of shoes.”
Lavinia huffed. “Not just for the shoes, obviously.” She tap-danced a routine that would’ve made Savion Glover proud. “Also to save the camp, and the nature spirits, and Michael Kahale’s commandos.”
Hazel held up her hands to stop the overflow of information. “Wait. Not to be a killjoy—I mean, you did an amazing thing!—but you still deserted your post, Lavinia. I certainly didn’t give you permission —”
“I was acting on praetor’s orders,” Lavinia said haughtily. “In fact, Reyna helped. She was knocked out for a while, healing, but she woke up in time to instill us with the power of Bellona, right before we boarded those ships. Made us all strong and stealthy and stuff.”
Hazel asked, “Is it true about Lavinia acting on your orders?”
Reyna glanced at our pink-haired friend. The praetor’s pained expression said something like, I respect you a lot, but I also hate you for being right.
“Yes,” Reyna managed to say. “Plan L was my idea. Lavinia and her friends acted on my orders. They performed heroically.”
Lavinia beamed. “See? I told you.”
The assembled crowd murmured in amazement, as if, after a day full of wonders, they had finally witnessed something that could not be explained.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
”
”
Alexander Pushkin (Eugene Onegin)
“
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine).
Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism.
Tell me about it. Everything you know. I gotta know something about metahemeralism.'
'I'm sorry. I don't know what that is.'
'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing.
'Donne. Walton. Metahemeralism. That's the problem as I see it.'
'Bunny, I don't think "metahemeralism" is even a word.'
'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.'
'Is it in the dictionary?'
'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?'
And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended.
He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in.
'This is a nice paper, Bun -,' Charles said cautiously.
'Thanks, thanks.'
'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?'
'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.'
Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?'
'Triple-spaced it,' said Bunny proudly.
'These lines are about an inch apart.'
'Looks kind of like free verse, doesn't it?'
Henry made a funny little snorting noise through his nose.
'Looks kind of like a menu,' he said.
All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
”
”
Donna Tartt (The Secret History)
“
Ah, poems amount to so little when you write them too early in your life. You ought to wait and gather sense and sweetness for a whole lifetime, and a lone one if possible, and then, at the very end, you might perhaps be able to write ten good lines. For poems are not, as people think, simply emotions (one has emotions early enough)—they are experiences.
For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents whom you had to hurt when they brought in a joy and you didn’t pick it up (it was a joy meant for somebody else—); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars, and it is still not enough to be able to think of all that.
You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves—only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them.
- For the Sake of a Single Poem
”
”
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
“
A month has passed since I’ve written, but it has seemed to pass much more slowly. Life passes by now like the scenery outside a car window. I breathe and eat and sleep as I always did, but there seems to be no great purpose in my life that requires active participation on my part. I simply drift along like the messages I write you. I do not know where I am going or when I will get there.
Even work does not take the pain away. I may be diving for my own pleasure or showing others how to do so, but when I return to the shop, it seems empty without you. I stock and order as I always did, but even now, I sometimes glance over my shoulder without thinking and call for you. As I write this note to you, I wonder when, or if, things like that will ever stop.
Without you in my arms, I feel an emptiness in my soul. I find myself searching the crowds for your face—I know it is an impossibility, but I cannot help myself. My search for you is a never-ending quest that is doomed to fail. You and I had talked about what would happen if we were forced apart by circumstance, but I cannot keep the promise I made to you that night. I am sorry, my darling, but there will never be another to replace you. The words I whispered to you were folly, and I should have realized it then. You—and you alone—have always been the only thing I wanted, and now that you are gone, I have no desire to find another. Till death do us part, we whispered, and I’ve come to believe that the words will ring true until the day finally comes when I, too, am taken from this world.
”
”
Nicholas Sparks (Message in a Bottle)
“
I am not sure exactly what healing is or looks like, what form it comes in, what it should feel like. I do know that when I was four, I could not lift a gallon of milk, could not believe how heavy it was, that white sloshing boulder. I'd pull up a wooden chair to stand over the counting, pouring the milk with two shaking arms, wetting the cereal, spilling. Looking back I don't remember the day that I lifted it with ease. All I know is that now I do it without thinking, can do it one-handed, on the phone, in a rush. I believe the same rules apply, that one day I'll be able to tell this story without it shaking my foundation. Each time will not require an entire production, a spilling, a sweating forehead, a mess to clean up, sopping paper towels. It will just be a part of my life, every day lighter to lift.
Ram Dass said, Allow that you are at this moment not in the wrong place in your life. Consider the possibility that there have been no errors in the game. Just consider it. Consider that there is not an error, and everything that's come down on your plate is the way it is and here we are. I don't believe it was my fate to be raped. But I do believe that here we are is all we have. For a long time, it was too painful to be here. My mind preferred to be dissociated. I used to believe the goal was forgetting.
It took me a long time to learn healing is not about advancing, it is returning repeatedly to forage something. Writing this book allowed me to go back to that place. I learned to stay in the hurt, to resist leaving. If I got stuck inside scenes in the courtroom, I would glance down at Mogu and wonder, if I really am in the past, how did this blinking thing get in my house? I assembled and reassembled letters in ways that would describe what I'd seen and felt. As I revisited that landscape, I grew more in control, could go and go when I needed to. Until one day I found there was nothing left to gather.
”
”
Chanel Miller (Know My Name)
“
You're all fucking dead.' His voice is eerily calm and all the scarier for it.
Every head in the room turns.
'Riorson!' Orsen's dagger clatters to the floor.
'You think surrendering will save you?' Xaden's lethally soft tone sends goose bumps up my arms. 'It is against our code to attack another rider in their sleep.'
'But you know he never should have bonded her!' Orsen puts his hands up, his palms facing us. 'You of all people have reason enough to want the weakling dead. We're just correcting a mistake.'
'Dragons don't make mistakes.' Xaden's shadows grab every assailant but Orsen by the throat, then constrict. They struggle, but it doesn't matter. Their faces turn people, the shadows holding tight as they sag to their knees, falling in an arc in front of me like lifeless puppets.
I can't find it in my head to pity them.
Xaden prowls forward as though he has all the time in the world and holds out his palm as yet another tendril of darkness lifts my discarded dagger from the floor.
'Let me explain.' Orsen eyes the dagger, and his hands tremble.
'I've heard everything I need to hear.' Xaden's fingers curl around the hilt. 'She should have killed you in the field, but she's merciful. That's not a flaw I possess.' He slashes forward so quickly that I barely catch the move, and Oren's throat opens in a horizontal line, blood streaming down his neck and chest in a torrent.
He grabs for his throat, but it's useless. He bleeds out in seconds, crumpling to the floor. A crimson puddle grows around him.
'Damn, Xaden,' Garrick walks in, sheathing his sword as his gazes rakes over the room. 'No time for questioning?' His glance sweeps to me as if cataloguing injuries, catching on my throat.
'No need for it,' Xaden counters...
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me.
My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand.
If I pushed her down across my knees, I could spank her ass.
She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?”
“Did you send me a potato?”
Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?”
“Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?”
Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?”
“Yeeeess. The note says to call you before I open it. Why am I afraid?”
Kristen giggled. “Open it now. Is Brandon with you?”
“Yes, he’s with me. He’s shaking his head.”
I could picture his face, that easy smile on his lips.
“Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!”
Kristen rolled forward, putting her forehead to my shoulder in laughter.
“I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!”
Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though.
“Wait, who’s with you?” Sloan asked.
Kristen wiped at her eyes. “Josh is here.”
“Didn’t he have a date tonight? Brandon told me he had a date.”
“He did, but he came back over after.”
“He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting.
Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering.
“And what did you two talk about?” I asked, arching an eyebrow.
I liked that she’d talked about me. Liked it a lot.
“Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.”
A hot fireman like you.I did my best to hide my smirk.
“So do you do this to Sloan a lot?” I asked.
“All the time. I love messing with her. She’s so easily worked up.” She reached for her beer.
I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?”
She took a swig of her beer. “With the fan on medium.”
My laugh came so hard Stuntman Mike looked up and cocked his head at me.
She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?”
“Those candles are a huge fire hazard.” I tipped my beer toward the screen.
“Right? And try getting wax out of the carpet. Good luck with that.”
I looked at the side of her face. “So what do you think is romantic?”
“Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
One," said the recording secretary.
"Jesus wept," answered Leon promptly.
There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him.
"Two," said the secretary after just a breath of pause.
Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids."
Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip.
"Three," called the secretary hurriedly.
Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years.
"Hatred stirreth up strife," he told her softly, "but love covereth all sins."
Things were so quiet it seemed as if the air would snap.
"Four."
The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise."
Still that silence.
"Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover.
"As a jewel of gold in a swine's snout, so is a fair woman without discretion."
"Six," said the secretary and looked appealingly at father, whose face was filled with dismay.
Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny."
I think he was rather proud of it, he worked so hard to keep them doing it.
"Lift not up your horn on high: speak not with a stiff neck," Leon commanded him.
Toward the door some one tittered.
"Seven," called the secretary hastily.
Leon glanced around the room.
"But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself.
"Eight," called the secretary with something like a breath of relief.
Our angel boy never had looked so angelic, and he was beaming on the Princess.
"Thou art all fair, my love; there is no spot in thee," he told her.
Laddie would thrash him for that.
Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?"
More than one giggled that time.
"Ten!" came almost sharply.
Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly."
"Eleven."
Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!"
Sure as you live my mother's shoulders shook.
"Twelve."
Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused.
"When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning.
"Thirteen."
"The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
”
”
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
“
So what happened?"
"I don't know." Another glance to ensure his continued state of Not Looking, and then I rip off my clothes in one fast swoop. I am now officially stark naked in the room with the most beautiful boy I know. Funny,but this isn't how I imagined this moment.
No.Not funny.One hundred percent the exact opposite of funny.
"I think I maybe,possibly, vaguely remember hitting the snooze button." I jabber to cover my mortification. "Only I guess it was the off button.But I had the alarm on my phone set,too, so I don't know what happened."
Underwear,on.
"Did you turn the ringer back on last night?"
"What?" I hop into my jeans, a noise he seems to determinedly ignore.His ears are apple red.
"You went to see a film,right? Don't you set your mobile to silent at the theater?"
He's right.I'm so stupid. If I hadn't taken Meredith to A Hard Day's Night, a Beatles movie I know she loves, I would have never turned it off. We'd already be in a taxi to the airport. "The taxi!" I tug my sweater over my head and look up to find myself standing across from a mirror.
A mirror St. Clair is facing.
"It's all right," he says. "I told the driver to wait when I came up here. We'll just have to tip him a little extra." His head is still down. I don't think he saw anything.I clear my throat, and he glances up. Our eyes meet in the mirror,and he jumps. "God! I didn't...I mean,not until just now..."
"Cool.Yeah,fine." I try to shake it off by looking away,and he does the same. His cheeks are blazing.I edge past him and rinse the white crust off my face while he throws my toothbrush and deodorant and makeup into my luggage, and then we tear downstairs and into the lobby.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Do not fear the ghosts in this house; they are the least of your worries.
Personally I find the noises they make reassuring.
The creaks and footsteps in the night,
their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place
feel so much more like a home.
Inhabited.
Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me.
There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self,
feeling her wings kiss my palms so gentle,
and put her out, and watched her fly away.
I've little patience with the seasons here, but
your arrival eased this winter's chill.
Please, wander round. Explore it all you wish.
I've broken with tradition on some points. If there is
one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood.
Regard:
just tools, a washing-machine, a drier, a water-heater, and a chain of keys.
Nothing that can alarm you. Nothing dark.
I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune,
carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream
of making me forget what came before you walked
into the hallway of this house. Bringing a little summer in your glance, and with your smile.
While you are here, of course, you will hear the ghosts, always a room away,
and you may wake beside me in the night,
knowing that there's a space without a door,
knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound.
If you are wise you'll run into the night, fluttering away into the cold,
wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run,
so, if I wished, I could just follow you,
tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home.
The world flutters like insects. I think this is how I shall
remember you,
my head between the white swell of your breasts,
listening to the chambers of your heart.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
With Tommy by his side but Anthony Jr. nowhere to be seen, Anthony cranks out an old 8mm projector, and soon choppy black- and-white images appear on the cream wall capturing a few snapshots from the canyon of their life—that tell nothing, and yet somehow everything. They watch old movies, from 1963, 1952, 1948, 1947—the older, the more raucous the children and parents becoming. This year, because Ingrid isn’t here, Anthony shows them something new. It’s from 1963. A birthday party, this one with happy sound, cake, unlit candles. Anthony is turning twenty. Tatiana is very pregnant with Janie. (“Mommy, look, that’s you in Grammy’s belly!” exclaims Vicky.) Harry toddling around, pursued loudly and relentlessly by Pasha—oh, how in 1999 six children love to see their fathers wild like them, how Mary and Amy love to see their precious husbands small. The delight in the den is abundant. Anthony sits on the patio, bare chested, in swimshorts, one leg draped over the other, playing his guitar, “playing Happy Birthday to myself,” he says now, except it’s not “Happy Birthday.” The joy dims slightly at the sight of their brother, their father so beautiful and whole he hurts their united hearts—and suddenly into the frame, in a mini-dress, walks a tall dark striking woman with endless legs and comes to stand close to Anthony. The camera remains on him because Anthony is singing, while she flicks on her lighter and ignites the candles on his cake; one by one she lights them as he strums his guitar and sings the number one hit of the day, falling into a burning “Ring of Fire ... ” The woman doesn’t look at Anthony, he doesn’t look at her, but in the frame you can see her bare thigh flush against the sole of his bare foot the whole time she lights his twenty candles plus one to grow on. And it burns, burns, burns . . . And when she is done, the camera—which never lies—catches just one microsecond of an exchanged glance before she walks away, just one gram of neutral matter exploding into an equivalent of 20,000 pounds of TNT. The reel ends. Next. The budding novelist Rebecca says, “Dad, who was that? Was that Grammy’s friend Vikki?” “Yes,” says Anthony. “That was Grammy’s friend Vikki.” Tak zhivya, bez radosti/bez muki/pomniu ya ushedshiye goda/i tvoi serebryannyiye ruki/v troike yeletevshey navsegda . . . So I live—remembering with sadness all the happy years now gone by, remembering your long and silver arms, forever in the troika that flew by . . . Back
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Do I get to choose
what she commands you to do? Come on, let me, it’ll be fun.”
Jai laughed humorlessly. “I said I don’t want her commanding me to do something asinine, kid.”
Charlie’s grin disappeared as quickly as it had surfaced. “I told you not to call me, kid, Jinn boy. I’m what… two years younger than you,
douchebag?”
“Try five. And that’s only in physical years.”
“What, you trying to say I’m not mature?”
“Oh those socks you’re wearing definitely are. Have you heard of detergent? A shower? Hygiene?”
“I shower, you militant, glorified fucking babysitter.”
“Watch it, kid.”
“Kid? I am this close to taking a swing at you, you overblown piece of-”
“Oh for the love of God!” Ari cried, throwing her hands up, her head pounding. So much for their strained peace treaty. “Shut up. Shut up. Shut
up!”Despite their matching glowers, both of them slammed their lips closed and glared at one another. Ari heaved a sigh of relief as she pulled a
chilled can of soda out of the refrigerator. At least the soda still felt nice sliding down her throat. Not the same as an ice cold Coke on a blazing
summer day but still nice. She took a refreshing swig and turned towards her male companions once again. Blasts of frost shot out from Jai’s eyes
only to be met by the simmering black heat of Charlie’s angry gaze. Rolling her eyes and biting back the guilt that she was somehow responsible
for the animosity between the only two people she could count on right now, Ari spilled into the chair between them and Jai slowly sunk back down
into his.
“So what will I command you?” she asked quietly, ignoring the way her fingers trembled as she played with the tab on her soda can.
When she got no answer, she glanced up to see Jai’s face going red, the veins in his head throbbing.
“Dude, what’s wrong?” Charlie asked quietly, looking at Ari in alarm. “Is he choking?”
Ari’s heart flipped in her chest at the thought and she reached across the table to grab his arm. “Jai?”
His eyes widened and he waved a large hand at his throat and mouth and then pointed at her.
What the hell?!
“Jesus Christ, he can’t talk?” Charlie asked incredulously. “Is this a joke?
”
”
Samantha Young (Smokeless Fire (Fire Spirits, #1))
“
CYRANO:
Thy name is in my heart as in a sheep-bell,
And as I ever tremble, thinking of thee,
Ever the bell shakes, ever thy name ringeth!
All things of thine I mind, for I love all things;
I know that last year on the twelfth of May-month,
To walk abroad, one day you changed your hair-plaits!
I am so used to take your hair for daylight
That,--like as when the eye stares on the sun's disk,
One sees long after a red blot on all things--
So, when I quit thy beams, my dazzled vision
Sees upon all things a blonde stain imprinted.
ROXANE (agitated):
Why, this is love indeed!. . .
CYRANO:
Ay, true, the feeling
Which fills me, terrible and jealous, truly
Love,--which is ever sad amid its transports!
Love,--and yet, strangely, not a selfish passion!
I for your joy would gladly lay mine own down,
--E'en though you never were to know it,--never!
--If but at times I might--far off and lonely,--
Hear some gay echo of the joy I bought you!
Each glance of thine awakes in me a virtue,--
A novel, unknown valor. Dost begin, sweet,
To understand? So late, dost understand me?
Feel'st thou my soul, here, through the darkness mounting?
Too fair the night! Too fair, too fair the moment!
That I should speak thus, and that you should hearken!
Too fair! In moments when my hopes rose proudest,
I never hoped such guerdon. Naught is left me
But to die now! Have words of mine the power
To make you tremble,--throned there in the branches?
Ay, like a leaf among the leaves, you tremble!
You tremble! For I feel,--an if you will it,
Or will it not,--your hand's beloved trembling
Thrill through the branches, down your sprays of jasmine!
(He kisses passionately one of the hanging tendrils.)
ROXANE:
Ay! I am trembling, weeping!--I am thine!
Thou hast conquered all of me!
--Cyrano de Bergerac III. 7
”
”
Edmond Rostand (Cyrano de Bergerac: nouveau programme (Classiques & Cie Collège (38)) (French Edition))
“
A few days later, I found myself back in the cellar. But this time, I was involved in an activity way more fun than cataloging magic junk.
“What happened to the promise of making out in castles?” I asked as Archer and I pulled back for a breather. I was leaning back against one of the shelves, my hands clutching Archer’s waist. Over his shoulder, there was a jar of eyeballs staring at me, and I nodded toward it. “Because, see, things like that? Kind of a mood killer.”
He glanced at the jar and then turned back to me, waggling his eyebrows. “Really? I find it has the opposite effect.”
Giggling, I elbowed him in the stomach and pushed myself off the shelf. “You’re sick.”
He smiled and ducked his head to kiss me again, but I skirted around him. “Come on, Cross, we came down here for a reason, and it wasn’t fooling around.”
Smirking, Archer folded his arms over his chest. “May not have been your reason, but-“
I cut him off. “No. Don’t distract me with your sexy talk. We need to search this place, and that spell Elodie did will only last so long.” Elodie had swooped into my body at the cellar door, doing a quick spell to unlock it. She hadn’t even looked at Archer, much less said anything. And the second the lock clicked open, she’d vanished.
The smirk disappeared from Archer’s face, and he actually looked kind of sullen.
“Are you honestly that bummed about not hooking up right now?” I teased.
But he was deadly serious when he shook his head and said, “It’s not that. It’s Elodie.”
“What about her?”
Archer rolled his eyes. “I don’t know, Mercer. Maybe it’s that I’m not completely crazy about the ghost of my ex-girlfriend occasionally inhabiting the body of my current girlfriend.”
I backed up another step and ran into another shelf. Something fell off and thunked against the dirt floor. “Whoa, I’m your girlfriend now?”
Archer shrugged. “We’ve tried to kill each other, fought ghouls, and kissed a lot. I’m pretty sure we’re married in some cultures.”
Now it was my turn to roll my eyes. “Whatever. Look, the fact of the matter is, I don’t have any magic right now. Elodie does. If her occasionally using me as her puppet means that I have powers again, then I’m fine with it. And you should be, too. My body, my ghost, and all that.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
When I took it off, I glanced in the mirror behind the dresser, and I nearly screamed when I saw the reflection. Finn was sitting behind me on the bed. His eyes, dark as night, met mine in the mirror, and I could hardly breathe.
"Finn!" I gasped and whirled around to look at him. "What are you doing here?"
"I missed your birthday," he said, as if that answered my question. He lowered his eyes, looking at a small box he had in his hands. "I got you something."
"You got me something?" I leaned back on the dresser behind me, gripping it.
"Yeah." He nodded, still staring down at the box. "I picked it up outside of Portland two weeks ago. I meant to get back in time to give it to you on your birthday." He chewed the inside of his cheek. "But now that I'm here, I'm not sure I should give it to you at all."
"What are you talking about?" I asked.
"It doesn't feel right." Finn rubbed his face. "I don't even know what I'm doing here."
"Neither do I," I said. "Don't get me wrong. I'm happy to see you. I just...I don't understand."
"I know." He sighed. "It's a ring. What I got you." His gaze moved from me to the engagement ring sitting on the dresser beside me. "And you already have one."
"Why did you get me a ring?" I asked tentatively, and my heart beat erratically in my chest. I didn't know what Finn was saying or doing.
"I'm not proposing to you, if that's what you're asking." He shook his head. "I saw it and thought of you. But now it seems like poor taste. And here I am, the night before your wedding sneaking in to give you a ring."
"Why did you sneak in?" I asked.
"I don't know." He looked away and laughed darkly. "That's a lie. I know exactly what I'm doing, but I have no idea why I'm doing it."
"What are you doing?" I asked quietly.
"I..." Finn stared off for a moment, then turned back to me and stood up.
"Finn, I-" I began, but he held up his hand, stopping me.
"No, I know you're marrying Tove," he said. "You need to do this. We both know that. It's what's best for you, and it's what I want for you." He paused. "But I want you for myself too."
All I'd ever wanted from Finn was for him to admit how he felt about me, and he'd waited until the day before my wedding. It was too late to change anything, to take anything back. Not that I could have, even if I wanted to.
"Why are you telling me this?" I asked with tears swimming in my eyes.
"Because." Finn stepped toward me, stopping right in front of me.
He looked down at me, his eyes mesmerizing me the way they always did. He reached up, brushing back a tear from my cheek.
"Why?" I asked, my voice trembling.
"I needed you to know," he said, as if he didn't truly understand it himself.
He set the box on the dresser beside me, and his hand went to my waist, pulling me to him. I let go of the dresser and let him. My breath came out shallow as I stared up at him.
"Tomorrow you will belong to someone else," Finn said. "But tonight, you're with me.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
A morning-flowered dalliance
demured and dulcet-sweet
with ebullience and efflorescence
admiring, cozy cottages
and elixirs of eloquence
lie waiting at our feet -
We'll dance through fetching pleasantries
as we walk ephemeral roads
evocative epiphanies
ethereal, though we know
our hearts are linked with gossamer
halcyon our day
a harbinger of pretty things
infused with whispers longing still
and gamboling in sultry ways
to feelings, all ineffable
screaming with insouciance
masking labyrinthine paths
where, in our nonchalance, we walk
through the lilt of love’s new morning rays.
Mellifluous murmurings
from a babbling brook
that soothes our heated passion-songs
and panoplies perplexed with thought
of shadows carried off with clouds
in stormy summer rains…
My dear, and that I can call you 'dear'
after ripples turned to crashing waves
after pyrrhic wins, emotions drained
we find our palace sunned and rayed
with quintessential moments lit
with wildflower lanterns arrayed
on verandahs lush with mutual love,
the softest love – our preferred décor
of life's lilly-blossom gate
in white-fenced serendipity…
Twilight sunlit heavens cross
our gardens, graced with perseverance,
bliss, and thee, and thou, so splendid, delicate
as a morning dove of charm and mirth –
at least with me; our misty mornings
glide through air...
So with whippoorwill’d sweet poetry -
of moonstones, triumphs, wonder-woven
in chandliers of winglet cherubs
wrought with time immemorial,
crafted with innocence, stowed away
and brought to light upon our day
in hallelujah tapestries
of ocean-windswept galleries
in breaths of ballet kisses, light,
skipping to the breakfast room
cascading chrysalis's love
in diaphanous imaginings
delightful, fleeting, celestial-viewed
as in our eyes which come to rest
evocative, exuberant
on one another’s moon-stowed dreams
idyllic, in quiescent ways,
peaceful in their radiance
resplendent with a myriad of thought
soothing muse, rhapsodic song
until the somnolence of night
spreads out again its shaded truss
of luminescent fantasies
waiting to be loved by us…
Oh, love! Your sincerest pardons begged!
I’ve gone too long, I’ve rambled, dear,
and on and on and on and on -
as if our hours were endless here…
A morning toast, with orange-juiced lips
exalting transcendent minds
suffused with sunrise symphonies
organic-born tranquilities
sublimed sonorous assemblages
with scintillas of eternity beating
at our breasts – their embraces but
a blushing, longing glance away…
I’ll end my charms this enraptured morn'
before cacophony and chafe
coarse in crude and rough abrade
when cynical distrust is laid
by hoarse and leeching parasites,
distaste fraught with smug disgust
by hairy, smelly maladroit
mediocrities born of poisoned wells
grotesque with selfish lies -
shrill and shrieking, biting, creeping
around our love, as if they rose
from Edgar Allen’s own immortal
rumpled decomposing clothes…
Oh me, oh my! I am so sorry!
can you forgive me? I gone and kissed you
for so long, in my morning imaginings,
through these words, through this song -
‘twas supposed to be "a trifle treat,"
but little treats do sometimes last
a little longer; and, oh, but oh,
but if I could, I surly would
keep you just a little longer tarrying here,
tarrying here with me this pleasant morn
”
”
Numi Who
“
I wish you’d told me this before.”
“It wouldn’t have changed anything.”
“Maybe not. But talking about wounds can help heal them.”
“You don’t talk about yours,” she pointed out.
He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.”
“I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.”
“No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.”
She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.”
“You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.”
“And you’ll make sure I never get pregnant.”
His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.”
She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness.
He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.”
“Colby might come back…”
He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.”
She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!”
His mouth covered the painful words, stilling them.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical.
Beneath her fingers, the white lawn started to redden.
She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath.
He coughed weakly, shifted his head.
"Don't you dare die on me!"
His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free."
"Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?"
He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to."
The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running.
She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years."
He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..."
She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together.
When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you."
He moistened his lips. Whispered, "You were?"
"Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me."
"Yes, I did." The words were firmer, bitten off through clenched teeth.
She caught his anger. Was anger good. Would temper hold him to the world?
A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
You've given me everything I need of you-thanks to you I have all my heart desires, all I thought I might never have. All I need for a wonderful, fulfilling future. And I nearly lost it all."
She held his gaze but was wise enough not to interrupt. If she had...
He drew breath and forged on, "Nearly dying clarified things. When you stand on the border between life and death, the truly important things are easy to discern. One of the things I saw and finally understood was that only fools and cowards leave the truth of love unsaid. Only the weak leave love unacknowledged."
Holding her gaze, all but lost in the shimmery blue of her eyes, he raised her hand to his lips, gently kissed. "So, my darling Heather, even though you already know it, let me put the truth-my truth-into words. I love you. With all my heart, to the depths of my soul. And I will love you forever, until the day I die."
Her smile lit his world. "Just as well." Happiness shone in her eyes. She pressed his fingers. "Because I plan to be with you, by your side, every day for the rest of your life, and in spirit far beyond. I'm yours for all eternity."
Smiling, he closed his hand about hers. "Mine to protect for our eternity."
Yes. Neither said the word, yet the sense of it vibrated in the air all around them.
A high-pitched giggle broke the spell, had them both looking along the path.
TO Lucilla and Marcus, who slipped out from behind a raised bed and raced toward them.
Reaching them, laughing with delight, the pair whooped and circled.
Heather glanced to left and right, trying to keep the twins in sight, uncertain of what had them so excited. So exhilarated.
Almost as if they were reacting to the emotions coursing through her, and presumably Breckenridge. Her husband-to-be.
"You're getting married!" Lucilla crowed.
Catching Lucilla's eyes as the pair slowed their circling dance, Heather nodded. "Yes, we are. And I rather think you two will have to come down in London to be flower girl and page boy."
Absolute delight broke across Lucilla's face. She looked at her brother. "See? I told you-the Lady never makes a mistake, and if you do what shetells you, you get a reward."
"I suppose." Marcus looked up at Breckenridge. "London will be fun." He switched his gaze to Lucilla. "Come on! Let's go and tell Mama and Papa.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a
very condensed version of it.
“Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as
fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted
countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a
hunger of the soul that could not be denied.”
Bryony trembled somewhere inside. This was not their story, but her story, the determined
spinster felled by the magnificence and charm of the gorgeous young thing.
He glanced at her. “You were the moon of my existence; your moods dictated the tides of
my heart.”
The tides of her own heart surged at his words, even though his words were nothing but
lies.
“I don’t believe I had moods,” she said severely.
“No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart
only rose ever higher to crash against the levee of my self-possession. For I loved you most
intemperately, my dear Mrs. Marsden.”
Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his
facile words, and even more so at herself, for the painful pleasure that trickled into her drop
by drop.
“Our wedding was the happiest hour of my life, that we would belong to each other always.
The church was filled with hyacinths and camellias, and the crowd overflowed to the steps,
for the whole world wanted to see who had at last captured your lofty heart.
“But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And
soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a
sign I must wander far and away. Find me then, if you can. Then and only then will I be yours
again.’”
Her heart pounded again. How did he know that she had indeed taken her hair turning white
as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of
whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten
how hypnotic Leo could be, when he wished to beguile a crowd.
“And so I have searched. From the poles to the tropics, from the shores of China to the
shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red,
brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’”
He looked into her eyes, and she could not look away, as mesmerized as the hapless
Braeburns.
“And now I have found you at last.” He raised his glass. “To the beginning of the rest of
our lives.
”
”
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))