Cut Your Losses Quotes

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your loved ones have been used to lure you into Kronos's traps. Your fatal flaw is personal loyalty Percy. You do not know when it is time to cut your losses. To save a friend you would sacrifice the world.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
1. I’m lonely so I do lonely things 2. Loving you was like going to war; I never came back the same. 3. You hate women, just like your father and his father, so it runs in your blood. 4. I was wandering the derelict car park of your heart looking for a ride home. 5. You’re a ghost town I’m too patriotic to leave. 6. I stay because you’re the beginning of the dream I want to remember. 7. I didn’t call him back because he likes his girls voiceless. 8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth. 9. I couldn’t love you, you were a small war. 10. We covered the smell of loss with jokes. 11. I didn’t want to fail at love like our parents. 12. You made the nomad in me build a house and stay. 13. I’m not a dog. 14. We were trying to prove our blood wrong. 15. I was still lonely so I did even lonelier things. 16. Yes, I’m insecure, but so was my mother and her mother. 17. No, he loves me he just makes me cry a lot. 18. He knows all of my secrets and still wants to kiss me. 19. You were too cruel to love for a long time. 20. It just didn’t work out. 21. My dad walked out one afternoon and never came back. 22. I can’t sleep because I can still taste him in my mouth. 23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home. 24. The women in my family die waiting. 25. Because I didn’t want to die waiting for you. 26. I had to leave, I felt lonely when he held me. 27. You’re the song I rewind until I know all the words and I feel sick. 28. He sent me a text that said “I love you so bad.” 29. His heart wasn’t as beautiful as his smile 30. We emotionally manipulated one another until we thought it was love. 31. Forgive me, I was lonely so I chose you. 32. I’m a lover without a lover. 33. I’m lovely and lonely. 34. I belong deeply to myself .
Warsan Shire
I didn't get to grow up and pull away from her and bitch about her with my friends and confront her about the things I'd wished she'd done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very heigh of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we'd left off. She was my mother, but I was motherless. I was trapped by her, but utterly alone. She would always be the empty bowl that no one could full. I'd have to fill it myself again and again and again.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful – as painful as actually being cut with a knife.
Haruki Murakami (1Q84 (1Q84, #1-3))
Feel. Grieve. Let yourself fell the anger at the fact that he was taken from you. Feel the loss of him . Feel the sadness and the missing him. Don't block it out, don't cut so it so stop, don't drink yourself numb. Just sit and let it all rip you apart. And then get up and keep breathing. One breath at a time. One day at a time. Wake up, and be shredded. Cry for a while. Then stop crying and go about your day. You're not okay but you're alive, and you will be okay, someday
Jasinda Wilder (Falling into You (Falling, #1))
I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers. Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun? I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without. I want to be someone you can’t live without.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
Your fatal flaw is personal loyalty, Percy. You do not know when it is time to cut your losses. To save a friend, you would sacrifice the world. In a hero of the prophecy, that is very, very dangerous.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Darius held Stark back from launching himself at Neferet, and Duantia spoke quickly into the rising tension. 'Neferet, I think we can all agree that there are many unanswered questions about the tragedy that occured on our island today. Stark, we also understand the passion and rage you feel at the loss of your Priestess. it is a hard blow for a Warrior to-' Duantia's wisdom was cut off by the sound of Aretha Franklin belting out the chorus from "Respect," which was coming from the little Coach purse Aphrodite had slung over her shoulder. Oopsie, um, sorry 'bout that.' Aphrodite frantically unzipped her purse and dug for her iPhone.
P.C. Cast (Burned (House of Night, #7))
Insist on going to the cremation, insist on going to the burial. Insist on being involved, even if it is just brushing your mother’s hair as she lies in her casket. Insist on applying her favorite shade of lipstick, the one she wouldn’t dream of going to the grave without. Insist on cutting a small lock of her hair to place in a locket or a ring. Do not be afraid. These are human acts, acts of bravery and love in the face of death and loss.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Your fatal flaw is personal loyalty, Percy. You do not know when it is time to cut your losses. To save a friend, you would sacrifice the world.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
No, you're not free," he said. "The string you're tied to is perhaps no longer than other people's. That's all. You're on a long piece of string, boss; you come and go, and think you're free, but you never cut the string in two. And when people don't cut that string . . ." "I'll cut it some day!" I said defiantly, because Zorba's words had touched an open wound in me and hurt. "It's difficult, boss, very difficult. You need a touch of folly to do that; folly, d'you see? You have to risk everything! But you've got such a strong head, it'll always get the better of you. A man's head is like a grocer; it keeps accounts: I've paid so much and earned so much and that means a profit of this much or a loss of that much! The head's a careful little shopkeeper; it never risks all it has, always keeps something in reserve. It never breaks the string. Ah no! It hangs on tight to it, the bastard! If the string slips out of its grasp, the head, poor devil, is lost, finished! But if a man doesn't break the string, tell me, what flavor is left in life? The flavor of camomile, weak camomile tea! Nothing like rum-that makes you see life inside out!
Nikos Kazantzakis (Zorba the Greek)
You're perfect," He said roughly, cutting off my protest. "And if I had to do it over again, I would save you every time." His mouth closed over mine and there was no more thought. No more worry. No more pain or loss or fear. There was only Damian. His arm tightened around me, crushing me to him. I clung to him as his lips moved on mine with a need and hunger that nearly overwhelmed me.
Sara B. Larson (Defy (Defy, #1))
Cut your losses and live to fight another day.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
DO NOT FALL IN LOVE WITH PEOPLE LIKE ME Do not fall in love with people like me. People like me will love you so hard that you turn into stone, into a statue where people come to marvel at how long it must have taken to carve that faraway look into your eyes. Do not fall in love with people like me. We will take you to museums and parks and monuments and kiss you in every beautiful place so that you can never go back to them without tasting us like blood in your mouth. Do not come any closer. People like me are bombs. When our time is up, we will splatter loss all over your walls in angry colors that make you wish your doorway never learned our name. Do not fall in love with people like me. With the lonely ones. We will forget our own names if it means learning yours. We will make you think that hurricanes are gentle, that pain is a gift. You will get lost in the desperation, in the longing for something that is always reaching, but never able to hold. Do not fall in love with people like me. We will destroy your apartment. We will throw apologies at you that shatter on the floor and cut your feet. We will never learn how to be soft. We will leave. We always do.
Caitlyn Siehl (What We Buried)
the whole philosophy behind this book is that true success lies in knowing your weaknesses and playing to your strengths. In short, when you suck at something and don’t want it anyway, cut your losses and move on.
Sophia Amoruso (#GIRLBOSS)
When considering a new relationship of any kind, practice the Rule of Threes regarding the claims and promises a person makes, and the responsibilities he or she has. Make the Rule of Threes your personal policy. One lie, one broken promise, or a single neglected responsibility may be a misunderstanding instead. Two may involve a serious mistake. But three lies says you're dealing with a liar, and deceit is the linchpin of conscienceless behavior. Cut your losses and get out as soon as you can. Leaving, though it may be hard, will be easier now than later, and less costly. Do not give your money, your work, your secrets, or your affection to a three-timer. Your valuable gifts will be wasted. 4.
Martha Stout (The Sociopath Next Door)
The challenge of mindfulness is to work with the very circumstances that you find yourself in—no matter how unpleasant, how discouraging, how limited, how unending and stuck they may appear to be—and to make sure that you have done everything in your power to use their energies to transform yourself before you decide to cut your losses and move on.
Jon Kabat-Zinn (Wherever You Go, There You Are)
Never quit on your dream, but learn to cut your losses and quit your plan if it is not working.
Ken Poirot
The night has already turned on that imperceptible pivot where two A.M. changes to six A.M. You know this moment has come and gone, but you are not yet willing to concede that you have crossed the line beyond which all is gratuitous damage and the palsy of unraveled nerve endings. Somewhere back there you could have cut your losses, but your rode past that moment on a comet trail of white powder and now you are trying to hang on to the rush.
Jay McInerney (Bright Lights, Big City)
AMERICANISM, n. 1) The desire to purge America of all those qualities which make it a more or less tolerable place in which to live; 2) The ability to simultaneously kiss ass, follow your boss's orders, swallow a pay cut, piss in a bottle, cower in fear of job loss, and brag about your freedom.
Ambrose Bierce
I am mouthy, and I get easily annoyed, and I don't know how to shoot a bow and arrow, so dystopias are a solid no from me. I'm basically Peeta from The Hunger Games, except gay. I am here for the baked goods and then basically I'm going to be dead weight. Cut your losses.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Until you get the measure of your own soul, Jim, don't be quick to condemn a priest, or anyone else for that matter. I'm not scolding you, sweetheart," she said hurriedly. "It's just that, until you've been there, you can't know what it's like to hold yourself to promises you made in good faith a long time ago. Do you hang in there, or cut your losses? Soldier on, or admit defeat and try to make the best of things?" She'd looked a little sheepish then and admitted, "You know, I used to be a real hardass about stuff like this. No retreat, no surrender! But now? Jimmy, I honestly don't know if the world would be better or worse if we all held ourselves to the vows of our youth.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
When you move so quickly from innocence to a world of fear, pain and loss, it's as if the flesh of your heart and mind gets cut away, piece by piece, like slices taken off a ham. Finally, there is nothing left but bone.
Leymah Gbowee (Mighty Be Our Powers: How Sisterhood, Prayer, and Sex Changed a Nation at War)
No, it was too much. The line between madness and masochism was already hazy; the time had come to pull back ... to retire, hunker down, back off and "cop out," as it were. Why not? in every gig like this, there comes a time to either cut your losses or consolidate your winnings—whichever fits.
Hunter S. Thompson
In America the quirk was that people were things. Best to cut your losses on an old man who won’t survive a trip across the ocean. A young buck from strong tribal stock got customers into a froth. A slave girl squeezing out pups was like a mint, money that bred money. If you were a thing—a cart or a horse or a slave—your value determined your possibilities.
Colson Whitehead (The Underground Railroad)
Don’t play with your kills. Don’t go for the one-thrust beautiful finish. Cut someone twenty times and let them collapse from blood loss—then finish them. Don’t make it beautiful. You aren’t making art, you’re making corpses.
Brent Weeks (The Way of Shadows (Night Angel, #1))
In short, when you suck at something and don't want it anyway, cut your losses and move on.
Sophia Amoruso (#Girlboss)
What exactly do you say to a woman after you blow up and tell her you want to fuck her in the ass? I’m pretty sure that this is the moment you just cut your losses and move on.
Aly Martinez (Stolen Course (Wrecked and Ruined, #2))
Concorde fallacy,” the conviction that it’s less wasteful to keep on throwing money into a failing project than to cut your losses and do something else.
John Michael Greer (Dark Age America: Climate Change, Cultural Collapse, and the Hard Future Ahead)
Go Home. Cut your losses. Stay. Go for it. You are a republic of voices tonight. Unfortunately, that republic is Italy. All these voices waving their arms and screaming at one another.
Jay McInerney (Bright Lights, Big City)
The simplest way to activate someone's identity is to threaten it, to tell them they don't deserve what they have, to make them consider that it might be taken away. The experience of losing status -- and being told your loss of status is part of society's march to justice -- is itself radicalizing. There's a quote I occasionally see ricochet around social media. "When you're accustomed to privilege, equality feels like oppression." There's truth to this line, but it cuts both ways. To the extent that it's true that a loss of privilege feels like oppression, that feeling needs to be taken seriously, both because it's real, and because, left to fester, it can be weaponised by demagogues and reactionaries.
Ezra Klein (Why We're Polarized)
With each new day, another piece of my past resurfaces, painfully reminding me of what's missing. Life can feel like an endless procession of losses, from start to finish. Your absence cuts through me like a knife, erasing the memory of the once-familiar contours of your face, leaving behind only the ache of your departure.
Rolf van der Wind
grief. The first is anticipatory. This is hospice grief. Prognostic grief. This is the grief that comes when you drive your dog to the vet for the very last time. This is the death row inmate’s family’s grief. See that pain in the distance? It’s on its way. This is the grief that it is somewhat possible to prepare for. You finish all business. You come to terms. Goodbyes are said and said again. Anguish stalks the chambers of your heart and you steel yourself for the impending presence of an everlasting absence. This grief is an instrument of torture. It squeezes and pulls and presses down. Grief that follows an immediate loss comes on like a stab wound. This is the second kind of grief. It is a cutting pain and it is always a surprise. You never see it coming. It is a grief that can’t be
Jill Alexander Essbaum (Hausfrau)
Everyone deserves to die—even that abominable man I cut down only minutes ago.” He kneels across from me and reaches out, caressing the skin that he just so recently healed. “To live is to die,” he adds. “That was the agreement you made when you came into this world. You cannot have one without the other. All your life, all your suffering, all your loss—it was all for this.” He gestures to the dead around us, his wings spreading wide. “You all have been running towards me your entire life.
Laura Thalassa (Death (The Four Horsemen, #4))
What a joke, coming from a woman who worked for the fashion industry. Really. Starving yourself to fit into a size zero — why did that size even exist? Zero referred to the absence of something, but what did it mean in terms of a model's measurements? Her fat? Or her presence? How much could you cut away before the person herself vanished? It was hypocritical, that's what it was. I said as much, adding, “If you're so keen on me being healthy then you should have no problem accepting me for the way I am. That's what's healthy, Mom. Not being focused on all this freaky weight-loss stuff.
Nenia Campbell (Cloak and Dagger (The IMA, #1))
I don’t know the plan, I say. I wish there was one, I say. But there’s only trying to find more work. There’s only hoping that it adds up to enough. At what point, says my mother, is it time to cut your losses? At what point is it time to give up on this whole dream thing? I don’t … I start to say but don’t know what she’s asking. What dream? I ask.
Lynn Steger Strong (Want)
We won’t get our rituals back if we don’t show up. Show up first, and the ritual will come. Insist on going to the cremation, insist on going to the burial. Insist on being involved, even if it is just brushing your mother’s hair as she lies in her casket. Insist on applying her favorite shade of lipstick, the one she wouldn’t dream of going to the grave without. Insist on cutting a small lock of her hair to place in a locket or in a ring. Don’t be afraid. These are human acts, acts of bravery and love in the face of death and loss.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
In America the quirk was that people were things. Best to cut your losses on an old man who won’t survive a trip across the ocean.
Colson Whitehead (The Underground Railroad)
I tried to book a flight to her mind, but I’m not on the list. And now I’m terminal: I’m breathing brandy. I’ve incorporated another tally mark on my wrist. I get my vitamins in: colored capsules I call candy. Life is just a bunch of dashes— Interrupted sentences with no finish line. But at least if you wet your eyelashes, You can get a cinematic look in life.
Kristian Ventura (Can I Tell You Something?)
I appreciate the fact that you have one redeeming quality, Jack, but that is all it is. Just a hint of redemption with six years of disappointment. No matter what you do,, it will never make up for what happened between us. I will never trust you. I will never again be comfortable around you. I will never look at you or think of you without considering the destruction you have train wrecked through my life. I wish you the very best in your future, because without you in my life I think I might finally have a future. And as angry as I am with what you have put me through, I am so very glad that we are now at this moment. This moment means I can move on the bigger and better things without you constantly weighing on my shoulders. I will never again turn a corner in New York terrified that I will run into you and even more terrified that I won't. I can go into any coffee shop I want. I can hope for love again. A love that will be more than anything you ever attempted to give me. Because the love I am looking for will be reciprocted one hundred and ten percent. There will never be another someone to distract our affections, because YOU will not be in the picture. *****So, as sad as this day is for me, as I am losing a part of myself with the loss of you, it is really just the beginning for me. It is like cutting off the spoiled part to get the juicy center. So, I would appreciate it this time, if you did not try and contact me. Because, as I'm sure you know, I deserve much better. I want everything this time around, and I deserve it!*****
K.A. Linde (Avoiding Commitment (Avoiding, #1))
I am very concerned when I imagine how strangled and cut off you currently live, afraid of touching anything that is filled with memories (and what is not filled with memories?). You will freeze in place if you remain this way. You must not, dear. You have to move. You have to return to his things. You have to touch with your hands his things, which through their manifold relations and affinity are after all also yours. You must, Sidie (this is the task that this incomprehensible fate imposes upon you), you must continue his life inside of yours insofar as it was unfinished; his life has now passed onto yours. You, who quite truly knew him, can quite truly continue in his spirit and on his path. Make it the task of your mourning to explore what he had expected of you, had hoped for you, had wished to happen to you. If I could just convince you, my dear friend, that his influence has not vanished from your existence
Rainer Maria Rilke (The Dark Interval: Letters on Loss, Grief, and Transformation (Modern Library Classics))
I’ve learned difference between a friend and an acquaintance. Acquaintances provide a warm body in the room. They provide entertainment. They can keep you from feeling lonely. And acquaintances don’t involve sacrifice. If they don’t fit your schedule, it’s no big loss. You can know someone for decades, get together with them on countless occasions, and never become their friend. Friendship means cutting away a small piece of your heart and allowing another person to fill that gap. Friendship is anchored in love. When we put love into action, it communicates value.
John Herrick (8 Reasons Your Life Matters)
Dad: “You’re a survivor yourself, then?” Augustus: “I am. I didn’t cut this fella off for the sheer unadulterated pleasure of it, although it is an excellent weight-loss strategy. Legs are heavy!” Dad:
John Green (The Fault in Our Stars)
The ideas of justice of Europe and Africa are not the same and those of the one world are unbearable to the other. To the African there is but one way of counter-balancing the catastrophes of existence, it shall be done by replacement; he does not look for the motive of an action. Whether you lie in wait for your enemy and cut his throat in the dark; or you fell a tree, and a thoughtless stranger passes by and is killed; so far as punishment goes, to the Native mind, it is the same thing. A loss has been brought upon the community and must be made up for, somewhere, by somebody. The Native will not give time or thought to the weighing of guilt or desert; either he fears that this may lead him too far, or he reasons that such things are no concerns of his. But he will devote himself, in endless speculations, to the method by which crime or disaster shall be weighed up in sheep and goats - time does not count to him; he leads you solemnly into a sacred maze of sophistry.
Karen Blixen (Out of Africa)
The real cutting edge of growth and development is in hurting with each other. It’s in companionship, not correction. Acknowledgment—being seen and heard and witnessed inside the truth about one’s own life—is the only real medicine of grief.
Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
You never get poor by taking a profit." It would follow that cutting your losses is also a good idea, but investors hate to take losses, because, tax considerations aside, a loss taken is an acknowledgment of error. Loss-aversion combined with ego leads investors to gamble by clinging to their mistakes in the fond hope that some day the market will vindicate their judgment and make them whole.
Peter L. Bernstein (Against the Gods: The Remarkable Story of Risk)
Grief is already a lonely experience. It rearranges your address book: people you thought would stay beside you through anything have either disappeared or they’ve behaved so badly, you cut them out yourself. Even those who truly love you, who want more than anything to stay beside you, fall short of joining you here. It can feel like you lost the entire world right along with the person who died.
Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
If God started a work in you, you can be sure he intends to complete it. Your hang-ups and mess-ups don’t take him by surprise. At no point in the process does he say, “This is more than I expected. You are in worse shape than I thought. I’d better cut my losses and give up on you.
Judah Smith (How's Your Soul?: Why Everything that Matters Starts with the Inside You)
Bukowski was dead wrong, the man was drunk most likely when he said this. Sometimes you get so fucking lonely that it makes no sense whatsoever. That sense losses meaning and usage, that meaning losses context as the sky pushes down upon you and threatens you to act a little more like your fellow human beings or else it'll cut your throat. When one is this lonely insanity is the only logical route and im on it quite well.
Samuel K
A memory comes up and you brace yourself. What will it be? Something that makes you cry? So what if it makes you cry? Why do you judge your tears? That’s another lie that someone told you. That tears are bad. That tears are a sign of weakness. Tears are a sign of life and love and like the spring rains that wash away the harshness of winter they nourish and clear the way for regeneration. Tears are a part of life. Sadness and sorrow are a part of life. Are you willing to cut off the life we shared together simply because you do not want to feel your sorrow or the wet tears upon your face?
Kate McGahan (Only Gone From Your Sight: Jack McAfghan's Little Therapy Guide to Pet Loss and Grief (Jack McAfghan Pet Loss Series Book 4))
This is not how you thought it would be. Time has stopped. Nothing feels real. Your mind cannot stop replaying the events, hoping for a different outcome. The ordinary, everyday world that others still inhabit feels coarse and cruel. You can’t eat (or you eat everything). You can’t sleep (or you sleep all the time). Every object in your life becomes an artifact, a symbol of the life that used to be and might have been. There is no place this loss has not touched. In the days and weeks since your loss, you’ve heard all manner of things about your grief: They wouldn’t want you to be sad. Everything happens for a reason. At least you had them as long as you did. You’re strong and smart and resourceful—you’ll get through this! This experience will make you stronger. You can always try again—get another partner, have another child, find some way to channel your pain into something beautiful and useful and good. Platitudes and cheerleading solve nothing. In fact, this kind of support only makes you feel like no one in the world understands. This isn’t a paper cut. It’s not a crisis of confidence. You didn’t need this thing to happen in order to know what’s important, to find your calling, or even to understand that you are, in fact, deeply loved. Telling the truth about grief is the only way forward: your loss is exactly as bad as you think it is. And people, try as they might, really are responding to your loss as poorly as you think they are. You aren’t crazy. Something crazy has happened, and you’re responding as any sane person would.
Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
You’re still young and healthy. Maybe that’s why you don’t understand what I am saying. Let me give you an example. Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a comb losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or, then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful—as painful as actually being cut with a knife. You will be turning thirty soon, Mr. Kawana, which means that, from now on, you will gradually enter that twilight portion of life—you will be getting older. You are probably beginning to grasp that painful sense that you are losing something, are you not?
Haruki Murakami (1Q84 (1Q84, #1-3))
A fox once fell into a trap, and after a struggle managed to get free, but with the loss of his brush. He was then so much ashamed of his appearance that he thought life was not worth living unless he could persuade the other Foxes to part with their tails also, and thus divert attention from his own loss. So he called a meeting of all the Foxes, and advised them to cut off their tails: “They’re ugly things anyhow,” he said, “and besides they’re heavy, and it’s tiresome to be always carrying them about with you.” But one of the other Foxes said, “My friend, if you hadn’t lost your own tail, you wouldn’t be so keen on getting us to cut off ours.
Aesop (Aesop's Fables)
When they were only a few yards from the stone hull, Inej halted and watched the mists wreathing the branches. “He was going to break by legs,” she said. “Smash them with a mallet so they’d never heal….” She took a shaky breath. The words came like a string of gunshots, rapid-fire, as if she resented the very act of speaking them. “I didn’t know if you would come.” Kaz couldn’t blame Van Eck for that. Kaz has built that doubt in her with every cold word and small cruelty. “We’re your crew, Inej. We don’t leave our own at the mercy of merch scum.” It wasn’t the answer he wanted to give. It wasn’t the answer she wanted. When she turned to him, her eyes were bright with anger. “He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?” Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on. “I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.” The wind rose. The boughs of the willows whispered, a sly, gossiping sound. Kaz held her gaze, saw the moon reflected there, twin scythes of light. She was right to be cautious. Even of him. Especially of him. Cautious was how you survived. At last she nodded, the smallest dip of her chin.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
One Day: One day, you will heal One day, you will be grateful for the deepest cuts of pain One day, you will glance at yourself And see a stronger person through your reflection One day, you will kiss away your hurt... gently, and with grace Until then, use it all to propel you forward Like a white-hot pyre through your star-spangled eyes A fire to regenerate every shadowy cell And open your heart to every experience Knowing that one day You will search your heart And understand that love is the only thing to ever hold onto
Christine Evangelou (Beating Hearts and Butterflies: Poetry of Wounds, Wishes and Wisdom)
Not everyone who's been around you in your journey of life is worth keeping. Some have been there to distract you from reaching your purpose.
Mitta Xinindlu
watched him let the blanket fall to his waist and then fold his hands under his head. Once he appeared comfortable, he said, “But, just so you know, if you want my lips on any piece of you, I’m more than willing to appease you.” My mouth dropped open. “And my willingness to comply extends to my hands, my fingers, and my cock—” “Oh, my gods,” I cut him off. “You don’t have to worry about that. I will never request your…your services.” “Services?” He tipped his head toward me. “That sounds so dirty.” I ignored that comment. “You and I are never going to do anything like what we did before.” “Never?” “Never.” “Would you say it would be…impossible?” “Yes. It’s definitely impossible.” Hawke smiled then, and it was Hawke’s smile. Dimples appeared in both cheeks, and I hated the catch I felt in my chest upon seeing them. Loathed that it made me see him as Hawke. “But didn’t you just say nothing was impossible?” he all but purred. I stared down at him, at an absolute loss for words. “I want to stab you in the heart right now.” “I’m sure you do,” he replied, closing his eyes.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
So sorry for your loss," Grandma said to Monica. "My condolences." "Yeah, whatever," Monica said. Grandma leaned into the casket for a close look. "What are you gonna do, kiss him?" Monica asked. "I was trying to see where they cut him up when they took his brain out," Grandma said. Monica sucked in some fake smoke. "You'd have to unzip his pants for that one.
Janet Evanovich (Tricky Twenty-Two (Stephanie Plum, #22))
Work is as much a basic human need as food, beauty, rest, friendship, prayer, and sexuality; it is not simply medicine but food for our soul. Without meaningful work we sense significant inner loss and emptiness. People who are cut off from work because of physical or other reasons quickly discover how much they need work to thrive emotionally, physically, and spiritually.
Timothy J. Keller (Every Good Endeavor: Connecting Your Work to God's Work)
loss of self-esteem Beverly Engel, in The Emotionally Abused Woman (1990), describes the effect of emotional abuse on self-esteem: Emotional abuse cuts to the very core of a person, creating scars that may be longer-lasting than physical ones. With emotional abuse, the insults, insinuations, criticism, and accusations slowly eat away at the victim’s self-esteem until she is incapable of judging the situation realistically. She has become so beaten down emotionally that she blames herself for the abuse. Emotional abuse victims can become so convinced that they are worthless that they believe that no one else could want them. They stay in abusive situations because they believe they have nowhere else to go. Their ultimate fear is being all alone.
Paul Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
In America the quirk was that people were things. Best to cut your losses on an old man who won’t survive a trip across the ocean. A young buck from strong tribal stock got customers into a froth. A slave girl squeezing out pups was like a mint, money that bred money. If you were a thing—a cart or a horse or a slave—your value determined your possibilities. She minded her place.
Colson Whitehead (The Underground Railroad)
Bad luck alone does not embitter us that badly . . . nor does the feeling that our affairs might have been better managed move us out of range of ordinary disappointment; it is when we recognize that the loss has been caused in great part by others; that it needn't have happened; that there is an enemy out there who has stolen our loaf, soured our wine, infected our book of splendid verse with filthy rhymes; then we are filled with resentment and would hang the villains from that bough we would have lounged in liquorous love beneath had the tree not been cut down by greedy and dim-witted loggers in the pay of the lumber interests. Watch out, then, watch out for us, be on your guard, look sharp, both ways, when we learn--we, in any numbers--when we find who is forcing us--wife, children, Commies, fat cats, Jews--to give up life in order to survive. It is this condition in men that makes them ideal candidates for the Party of the disappointed People.
William H. Gass (The Tunnel)
We said it should be enough to cover three to six months of expenses, but should you go with three months or six months? If you think about the purpose of this fund, it will help you determine what is right for you. The purpose of the fund is to absorb risk, so the more risky your situation, the greater the emergency fund you should have. For example, if you earn straight commission or are self-employed, you should use the six-months rule. If you are single or you are a one-income married household, you should use the six-months rule because a job loss in your situation is a 100 percent cut in household income.
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
The God I serve is able to save us both. To give us the winning lottery ticket so all our money problems will go away. To mend our broken hearts. To bring us close to those we love. He is able. He is able. He is able. But even if He doesn’t, do not bow to bitterness. Do not fall down onto your broken pieces and let them cut you to ribbons. Even if He doesn’t do all that He is able to do, all that we wish He would do, He is good.
Ännä White (Mended: Thoughts on Life, Love, and Leaps of Faith)
First, when you try to restrict calories and exercise more, your body is hardwired to perceive a starvation situation. That makes you tired (so you move less and conserve energy) and hungry (so you eat more), and it slows down your metabolism (so you don’t die!). This “eat less, exercise more” formula is not too successful for most people. It can work for a short time, certainly, but less than 10 percent of people lose weight and keep it off for a year;4 you will almost always rebound and gain back the weight. Second, when you eat carbs and sugar, insulin spikes and your blood sugar drops. The insulin drives most of the available fuel in your bloodstream into fat cells, especially the fat cells around your middle, otherwise known as belly fat. So your body is starved of fuel, and this stimulates your brain5 to make you eat more.6 You could have a year’s worth of stored energy in your fat tissue and yet feel like you are starving. The only thing that can stop this vicious cycle is eating a lot of fat and cutting out the refined carbs and sugar. A high-fat, low-carb diet leads to a faster metabolism and sustained weight loss.
Mark Hyman (Eat Fat Get Thin: Why the Fat We Eat Is the Key to Sustained Weight Loss and Vibrant Health)
What Frost makes clear in his poem is that the act of choosing is the most important thing. The act of moving forward is what matters. He might have chosen either teaching or poetry. But he had to choose one or the other. He looked long down each path. He understood the loss involved—the cutting off of possibilities. He saw clearly that options once discarded are usually gone forever. Way leads on to way. But Krishsna writes: Concerning one’s dharma, one should not vacillate!
Stephen Cope (The Great Work of Your Life: A Guide for the Journey to Your True Calling)
We knew better than to ask when they would return. They would simply be away until the grief they felt had been processed and the mourning concluded. Shakespeare, too, knew the logic of this when he said: “He who lacks time to mourn, lacks time to mend.” And yet our culture tells us to cut our losses—say goodbye to the old and get on with the new as quickly as possible—no use crying over spilt milk—what’s done is done. How wonderfully efficient and productive all this sounds!
Joan Anderson (A Weekend to Change Your Life: Find Your Authentic Self After a Lifetime of Being All Things to All People)
The origin of the word ‘trauma’ is the Greek for ‘wound’. Trauma is a wound. How I think about it is that if I wounded you, if I cut your flesh, the healing would involve scar tissue forming. If the wound was great enough, you’d get a big scar, and it would be without nerve endings so you wouldn’t feel, and it would be much less flexible than your normal tissue. Trauma is when there is a loss of feeling and there is a reduced flexibility in responding to the world. This is a response to a wound. Trauma is a psychic wound that hardens you psychologically that then interferes with your ability to grow and develop. It pains you and now you’re acting out of pain. It induces fear and now you’re acting out of fear. So without knowing it, your whole life is regulated by fear and pain that you’re trying to escape from in various ways. Trauma is not what happens to you, it’s what happens inside you as a result of what happened to you. Trauma is that scarring that makes you less flexible, more rigid, less feeling and more defended.
Gabor Maté
Of course, opera has plot – and I was already anticipating all those unknown stories I was about to discover – but its main function is to deliver the characters as swiftly as possible to the point where thet can sing of their deepest emotions. Opera cuts to the chase – as death does. So now, contented indifference before Middlesbrough against Slovan Bratislava coexisted with a craving for an art in which violent, overwhelming, hysterical and destructive emotion was the norme; an art which seeks, more obviously than any other form, to break your heart.
Julian Barnes (Levels of Life)
Do not fear the ghosts in this house; they are the least of your worries. Personally I find the noises they make reassuring. The creaks and footsteps in the night, their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place feel so much more like a home. Inhabited. Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me. There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self, feeling her wings kiss my palms so gentle, and put her out, and watched her fly away. I've little patience with the seasons here, but your arrival eased this winter's chill. Please, wander round. Explore it all you wish. I've broken with tradition on some points. If there is one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood. Regard: just tools, a washing-machine, a drier, a water-heater, and a chain of keys. Nothing that can alarm you. Nothing dark. I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune, carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream of making me forget what came before you walked into the hallway of this house. Bringing a little summer in your glance, and with your smile. While you are here, of course, you will hear the ghosts, always a room away, and you may wake beside me in the night, knowing that there's a space without a door, knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound. If you are wise you'll run into the night, fluttering away into the cold, wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run, so, if I wished, I could just follow you, tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home. The world flutters like insects. I think this is how I shall remember you, my head between the white swell of your breasts, listening to the chambers of your heart.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Let me cite a clear-cut example: Once, an elderly general practitioner consulted me because of his severe depression. He could not overcome the loss of his wife who had died two years before and whom he had loved above all else. Now, how could I help him? What should I tell him? Well, I refrained from telling him anything but instead confronted him with the question, “What would have happened, Doctor, if you had died first, and your wife would have had to survive you?” “Oh,” he said, “for her this would have been terrible; how she would have suffered!” Whereupon I replied, “You see, Doctor, such a suffering has been spared her, and it was you who have spared her this suffering—to be sure, at the price that now you have to survive and mourn her.” He said no word but shook my hand and calmly left my office. In some way, suffering ceases to be suffering at the moment it finds a meaning, such as the meaning of a sacrifice.
Viktor E. Frankl (Man's Search for Meaning)
the split-strike conversion strategy. Option traders often referred to it as a “collar” or “bull spread.” Basically, it involved buying a basket of stocks, in Madoff’s case 30 to 35 blue-chip stocks that correlated very closely to the Standard & Poor’s (S&P) 100-stock index, and then protecting the stocks with put options. By bracketing an investment with puts and calls, you limit your potential profit if the market rises sharply; but in return you’ve protected yourself against devastating losses should the market drop. The calls created a ceiling on his gains when the market went up; the puts provided a floor to cut his losses when the market went down.
Harry Markopolos (No One Would Listen)
It is as if a man should hesitate indefinitely to ask a certain woman to marry him because he was not perfectly sure that she would prove an angel after he brought her home. Would he not cut himself off from that particular angel-possibility as decisively as if he went and married some one else? Scepticism, then, is not avoidance of option; it is option of a certain particular kind of risk. Better risk loss of truth than chance of error,-that is your faith-vetoer's exact position. He is actively playing his stake as much as the believer is; he is backing the field against the religious hypothesis, just as the believer is backing the religious hypothesis against the field.
William James (The Will to Believe)
Put simply: in some cases, eliminating gluten is just a proxy for cooking at home and cutting down on junk food. No one wants to cut down on foods they like. But when weight loss in itself is insufficient motivation, thinking that your favorite foods cause autism, foggy brain, and Alzheimer’s can provide the boost you need to make good on your diet.
Alan Levinovitz (The Gluten Lie: And Other Myths About What You Eat)
When we start a relationship, professional, romantic or otherwise, even when we're born, we establish these threads of energy that connect us to another person...Even by just being here, you're creating one with me. Many times, as people grow or change, or hurt us, the energy that was flowing gets confused and trapped. Especially in the case of loss, where the energy doesn't have anywhere tangible to move forward. We can become very sick by storing up outdated energy. Cord cutting isn't always about severing completely from someone, but it is about separating ourselves off from the iteration of the relationship that no longer enriches our life. It's a ceremony, really. And a difficult one. But it's tremendously important.
Courtney Maum (Touch)
if you are led to believe carbs are bad then you fear them, and you try to cut out potatoes, yams, rice, whatever. These become your ‘fear foods’ and it can get pretty ridiculous. For example, people who buy into the notion of high vs. low glycemic carbs are told to cut out carrots for example, so that a completely healthy and useful food becomes a ‘fear food.’ When
Scott Abel (The Anti-Diet Approach to Weight Loss and Weight Control)
Sweet little thing says she still wants to marry him. Breaks your heart: She sighed and sounded sincere, so Tracy nodded in a way she hoped denoted that she, too, was a little bit heartbroken — even though she thought that if her (hypothetical) boyfriend were in a coma for more than a few weeks, she’d probably just cut her losses and move on, not stick around to watch him shit in his pants for the next fifty years.
Belinda Bauer (Rubbernecker)
We can rob nobles. We can do second-story work. We can slide down chimneys and slip locks and rob coaches and break vaults and do a fine spread of card tricks,” said Locke. “I could cut your balls off, if you had any, and replace them with marbles, and you wouldn’t notice for a week. But I hate to tell you that the one class of criminal we really haven’t associated with, ever, is fucking pirates!” “We’re at a bit of a loss
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
I think about the people I know with the absolutely largest hearts, people with a stunning capacity for endurance and grace and kindness against the most screaming terrors and pains. My Mom and Dad, for example, enduring the death of their first child at six months old, the boy the brother I never met, dying quietly in his stroller on the porch in the moment that my mother stepped back inside to get a pair of gloves because the crisp brilliant April wind was filled with a whistling cutting wind.... Fifty years later after five more children and two miscarriages she is standing in the kitchen with her usual eternal endless cup of tea and I ask her: How do you get over the death of your child? And she says, in her blunt honest direct terse kind way, You don't. Her face harrowed like a hawk for a moment in the swirling steam of the tea. p112-13
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
80% of people’s complaints are about situations that can be changed in one day. The other 20% are about real complaints that can’t be changed, and then what does complaining about it do? So you’re unhappy about the situation you’re in? Change it. Now. Cut the ropes. Don’t text her back. Change your job. Learn a new skill. Sell your house and move to a new city. Start over. Get healthy, start running. Or play tennis. Or anything that gets you moving. Cut out processed food. Cut out sugar. Read books. Listen to audiobooks. Or watch YouTube videos. You live in a time where there are zero excuses. You can do anything you want! You want a new life? Well, you can have it? But no one will hand it to you on a silver plate, you will have to stand up from that couch and go get it yourself. Because no one else cares. No one cares about how you live your life but you.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
But on the other hand, I am very concerned when I imagine how strangled and cut off you currently live, afraid of touching anything that is filled with memories and what is not filled with memories?). You will freeze in place if you remain this way. You must not, dear. You have to move. You have to return to his things. You have to touch with your hands his things, which through their manifold relations and affinity are after all also yours.
Rainer Maria Rilke (The Dark Interval: Letters on Loss, Grief, and Transformation (Modern Library Classics))
The decision on whether to appeal was a fraught one. I prayed about it a lot. I looked through the Bible for various phrases, without really arriving at a good decision. Sometimes you just have to cut your losses and go--but this didn’t feel like just a business issue. There were principles involved, primarily doing the right thing by Chris. Late at night, I was sitting on my back patio talking with a friend. “What do you think I should do?” I asked. She answered with a question of her won. “Taya, what do you always say?” “Stand up for what you believe in?” “Right.” “But we might lose.” “Then remember what Chris said when going up against someone: You may win, but you will remember you fought me.” I realized that making the decision didn’t mean that I had to win. The important thing was to stand up for what I believed in. If people were going to try to abuse Chris, they were going to have to fight me. They might win, but they’d go away with scars.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
My reading has been lamentably desultory and immedthodical. Odd, out of the way, old English plays, and treatises, have supplied me with most of my notions, and ways of feeling. In everything that relates to science, I am a whole Encyclopaedia behind the rest of the world. I should have scarcely cut a figure among the franklins, or country gentlemen, in King John's days. I know less geography than a schoolboy of six weeks standing. To me a map of old Ortelius is as authentic as Arrowsmith. I do not know whereabout Africa merges into Asia, whether Ethiopia lie in one or other of those great divisions, nor can form the remotest, conjecture of the position of New South Wales, or Van Diemen's Land. Yet do I hold a correspondence with a very dear friend in the first named of these two Terrae Incognitae. I have no astronomy. I do not know where to look for the Bear or Charles' Wain, the place of any star, or the name of any of them at sight. I guess at Venus only by her brightness - and if the sun on some portentous morn were to make his first appearance in the west, I verily believe, that, while all the world were grasping in apprehension about me, I alone should stand unterrified, from sheer incuriosity and want of observation. Of history and chronology I possess some vague points, such as one cannot help picking up in the course of miscellaneous study, but I never deliberately sat down to a chronicle, even of my own country. I have most dim apprehensions of the four great monarchies, and sometimes the Assyrian, sometimes the Persian, floats as first in my fancy. I make the widest conjectures concerning Egypt, and her shepherd kings. My friend M., with great pains taking, got me to think I understood the first proposition in Euclid, but gave me over in despair at the second. I am entirely unacquainted with the modern languages, and, like a better man than myself, have 'small Latin and less Greek'. I am a stranger to the shapes and texture of the commonest trees, herbs, flowers - not from the circumstance of my being town-born - for I should have brought the same inobservant spirit into the world with me, had I first seen it, 'on Devon's leafy shores' - and am no less at a loss among purely town objects, tool, engines, mechanic processes. Not that I affect ignorance - but my head has not many mansions, nor spacious, and I have been obliged to fill it with such cabinet curiosities as it can hold without aching. I sometimes wonder how I have passed my probation with so little discredit in the world, as I have done, upon so meagre a stock. But the fact is, a man may do very well with a very little knowledge, and scarce be found out, in mixed company; everybody is so much more ready to produce his own, than to call for a display of your acquisitions. But in a tete-a-tete there is no shuffling. The truth will out. There is nothing which I dread so much, as the being left alone for a quarter of an hour with a sensible, well-informed man that does not know me.
Charles Lamb
Your body is almost always within your control. This is rare in life, perhaps unique. Simply focusing on some measurable element of you physical nature can prevent you from becoming a "Dow Joneser," someone whose self-worth is dependent on things largely outside of their control. Job not going well? Company having issues? Some idiot making life difficult? If you add ten laps to your swimming or if you cut five seconds off your best mile time, it can still be a great week. Controlling your body puts you in life's driver's seat. p467
Timothy Ferriss (The 4-Hour Body: An Uncommon Guide to Rapid Fat-Loss, Incredible Sex, and Becoming Superhuman (Audiobook))
No, of course not. You’re still young and healthy. Maybe that’s why you don’t understand what I am saying. Let me give you an example. Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a comb losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or, then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful—as painful as actually being cut with a knife. You will be turning thirty soon, Mr. Kawana, which means that, from now on, you will gradually enter that twilight portion of life—you will be getting older. You are probably beginning to grasp that painful sense that you are losing something, are you not?
Haruki Murakami (1Q84 (1Q84, #1-3))
The NFL determines your worth as a player, but only God knows your true worth. Players work long and hard through pain and suffering, injuries, and pushing themselves further than they imagined going—then poof ! A dream is gone. That kind of treatment can really mess with one’s self worth. Getting cut can be deemed a failure, the loss of a lifetime goal. Thankfully, as Christians our worth is not determined by mistakes we’ve made, either accidentally or by stupid stuff we’ve purposely done. Neither is it determined by what anyone else thinks. Our worth is determined by what Jesus Christ has already done.
Jake Byrne (First and Goal: What Football Taught Me About Never Giving Up)
We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I was certain she would recover. She had so much strength in her, and spirit. I started making some pickles; I was thinking that many months ahead. The cucumbers were so green and compelling, and I carefully cut away bruises. But Maruschl was gone before the next Tuesday. The baby Katharina died as well within the month. To hear Susanna weeping in an unspeakable misery saying, My baby, my baby, was worse than my own losses. I was willing to give everything and anything to bring the children back. As we waited for Hans to return, there was a part of me that held out the hope that when he returned, so they would too. I dreamed of walking hand in hand with Maruschl. I dreamed even of us arguing, of her growing angry with me, or disappointed, I wanted that for her much more than I wanted to live.
Rivka Galchen (Everyone Knows Your Mother Is a Witch)
Catalina could not wait a minute longer. “Mother, the Blessed Virgin has appeared to me.” “Yes, dear?” Maria answered. “Clean the carrots for me, will you, and cut them up.” “But, Mother, listen. The Blessed Virgin appeared to me. She spoke to me.” “Don’t be silly, child. I saw you were asleep when I came in and I thought I’d let you sleep on. If you had a nice dream all the better. But now you’re awake you can help me to get the supper ready.” “But I wasn’t dreaming. It was before I went to sleep.” Then she related the extraordinary thing that had happened to her. Maria Perez had been good-looking in her youth, but now in middle age she had grown stout as do many Spanish women with advancing years. She had known a lot of trouble, two children she had had before Catalina had died, but she had accepted this, as well as her husband’s desertion, as a mortification sent to try her, for she was extremely pious; and being a practical woman, not accustomed to cry over spilt milk, had found solace in hard work, the offices of the Church, and the care of her daughter and of her wilful brother Domingo. She listened to Catalina’s story with dismay. It was so circumstantial, with such precise detail, that she would not have been unwilling to credit it if only it hadn’t been incredible. The only possible explanation was that the poor girl’s illness and the loss of her lover had turned her brain. She had been praying in the church and then had sat in the hot sun; it was only too probable that something had gone awry in her head and she had imagined the whole thing with such force that she was convinced of its reality.
W. Somerset Maugham (Catalina)
Once people believed her careful documentation, there was an easy answer—since babies are cute and inhibit aggression, something pathological must be happening. Maybe the Abu langur population density was too high and everyone was starving, or male aggression was overflowing, or infanticidal males were zombies. Something certifiably abnormal. Hrdy eliminated these explanations and showed a telling pattern to the infanticide. Female langurs live in groups with a single resident breeding male. Elsewhere are all-male groups that intermittently drive out the resident male; after infighting, one male then drives out the rest. Here’s his new domain, consisting of females with the babies of the previous male. And crucially, the average tenure of a breeding male (about twenty-seven months) is shorter than the average interbirth interval. No females are ovulating, because they’re nursing infants; thus this new stud will be booted out himself before any females wean their kids and resume ovulating. All for nothing, none of his genes passed on. What, logically, should he do? Kill the infants. This decreases the reproductive success of the previous male and, thanks to the females ceasing to nurse, they start ovulating. That’s the male perspective. What about the females? They’re also into maximizing copies of genes passed on. They fight the new male, protecting their infants. Females have also evolved the strategy of going into “pseudoestrus”—falsely appearing to be in heat. They mate with the male. And since males know squat about female langur biology, they fall for it—“Hey, I mated with her this morning and now she’s got an infant; I am one major stud.” They’ll often cease their infanticidal attacks. Despite initial skepticism, competitive infanticide has been documented in similar circumstances in 119 species, including lions, hippos, and chimps. A variant occurs in hamsters; because males are nomadic, any infant a male encounters is unlikely to be his, and thus he attempts to kill it (remember that rule about never putting a pet male hamster in a cage with babies?). Another version occurs among wild horses and gelada baboons; a new male harasses pregnant females into miscarrying. Or suppose you’re a pregnant mouse and a new, infanticidal male has arrived. Once you give birth, your infants will be killed, wasting all the energy of pregnancy. Logical response? Cut your losses with the “Bruce effect,” where pregnant females miscarry if they smell a new male. Thus competitive infanticide occurs in numerous species (including among female chimps, who sometimes kill infants of unrelated females). None of this makes sense outside of gene-based individual selection. Individual selection is shown with heartbreaking clarity by mountain gorillas, my favorite primate. They’re highly endangered, hanging on in pockets of high-altitude rain forest on the borders of Uganda, Rwanda, and the Democratic Republic of the Congo. There are only about a thousand gorillas left, because of habitat degradation, disease caught from nearby humans, poaching, and spasms of warfare rolling across those borders. And also because mountain gorillas practice competitive infanticide. Logical for an individual intent on maximizing the copies of his genes in the next generation, but simultaneously pushing these wondrous animals toward extinction. This isn’t behaving for the good of the species.
Robert M. Sapolsky
I would not exchange this one little English girl for the Grand Turk’s whole seraglio, gazelle-eyes, houri forms, and all!” The Eastern allusion bit me again. “I’ll not stand you an inch in the stead of a seraglio,” I said; “so don’t consider me an equivalent for one. If you have a fancy for anything in that line, away with you, sir, to the bazaars of Stamboul without delay, and lay out in extensive slave-purchases some of that spare cash you seem at a loss to spend satisfactorily here.” “And what will you do, Janet, while I am bargaining for so many tons of flesh and such an assortment of black eyes?” “I’ll be preparing myself to go out as a missionary to preach liberty to them that are enslaved—your harem inmates amongst the rest. I’ll get admitted there, and I’ll stir up mutiny; and you, three-tailed bashaw as you are, sir, shall in a trice find yourself fettered amongst our hands: nor will I, for one, consent to cut your bonds till you have signed a charter, the most liberal that despot ever yet conferred.
Charlotte Brontë (Jane Eyre)
Love—as it is in the wild, no fingerprints on the glass—knows nothing of time. If you were lucky enough for your first fall to be in love and not loss, you might get what I'm talking about. The pure stuff, like flying before you look down. Like learning that the body you thought you had to fill out all by yourself actually came with an extension; that neither worked alone, but together—bam, all of the lights come on. That's how love is supposed to be. When you add in time, however, it does what time always does. Brings everything, eventually, inevitably, to its end. After loss, love is never the same. That is not to say you won't love another, maybe even more than ever before. But as you love them, you will mourn them. You'll try not to, of course. Try to say, "You'll never know." But you do. You know. And every inch gained in flight is an inch added to the fall. That's why, when you're flat-backed on the belt, we don't cut the love out. Every time you manage to think about that which you love—remember a face or a smell—you will be bird-dogged, instantly, by the bone saw of reality. Not how it will end, but how it always has. Love tortures you more than we ever could.
Claudia Lux (Sign Here)
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps. Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air. He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.” “Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.” “There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.” “Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!” The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.” “You keep saying ‘he.’ Who was it that got to work on you?” “Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!” The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves. That night, the news of a far more terrible incident flew around the camp. Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board. His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite. The astonishing thing was that he did not kill himself immediately afterward.
Boris Pasternak (Doctor Zhivago)
It's not the end of the world if we lose," Francis said. "Don't lose sleep over it." She hated that about him - his willingness to accept a loss before it had even happened. It was his way of consoling his team, she guessed: he believed it was better to expect the worst and be pleasantly surprised than to be crushed by an unexpected loss. Dan thought a coach had no right to be so pessimistic. She didn't want a coach who softened the blow. She wanted a coach who believed in the impossible. "I can't afford to lose," she told him. "I need to make it to finals if I'm to catch a recruiter's eye." "Danielle, I need you to understand something." "I'm good," Dan insisted. "I'm more than good enough to make the cut." "You're very talented..." "Don't patronize me, Coach." "You're amazing," he said, "but it's not enough to be good. You're a girl." "That means nothing." "That means everything. Maybe it's not fair, but it's a fact. Men are faster and stronger. They can hit harder and throw further. Nothing you do can change that bias. If a coach can choose between a man and a woman, he will choose the man every time." "There are plenty of women playing for college teams." "I didn't say there aren't women," Francis said. "I'm saying they're the exception.
Nora Sakavic
You'll need to prove your worth again. They'll need to see it. To believe I see it." He cut her a look. "My worth is three times that of most respected men of the ton." She shook her head. "I mean your value. As a marquess. As a man." He went still. "Anyone who knows my tale can tell you that I haven't much value as either of those things. I lost it all a decade ago. Perhaps you hadn't heard?" The words oozed from him, all condescension, and she knew the question was rhetorical, but she would not be cowed. "I have heard.." She lifted her chin to meet his gaze head-on. "And you are willing to let one foolish, childhood peccadillo cloud your image for the rest of eternity? And mine as well, now?" He shifted, leaning toward her, all danger and threat. She held her own, refusing to sit back. To look away. "I lost it all. Hundreds of thousands of pounds' worth. On one card. It was colossal. A loss for the history books. And you call it a peccadillo?" She swallowed. "Hundreds of thousands?" "Give or take." She resisted the urge to ask precisely how much was to be given or taken. "On one card?" "One card." "Perhaps not a peccadillo, then. But foolish, to be sure." She had no idea where the words came from, but they came nonetheless, and she knew that her choices were to brazen it through or show her fear.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
We must never forget that we may also find meaning in life even when confronted with a hopeless situation, when facing a fate that cannot be changed. For what then matters is to bear witness to the uniquely human potential at its best, which is to transform a personal tragedy into a triumph, to turn one’s predicament into a human achievement. When we are no longer able to change a situation—just think of an incurable disease such as inoperable cancer—we are challenged to change ourselves. Let me cite a clear-cut example: Once, an elderly general practitioner consulted me because of his severe depression. He could not overcome the loss of his wife who had died two years before and whom he had loved above all else. Now, how could I help him? What should I tell him? Well, I refrained from telling him anything but instead confronted him with the question, “What would have happened, Doctor, if you had died first, and your wife would have had to survive you?” “Oh,” he said, “for her this would have been terrible; how she would have suffered!” Whereupon I replied, “You see, Doctor, such a suffering has been spared her, and it was you who have spared her this suffering—to be sure, at the price that now you have to survive and mourn her.” He said no word but shook my hand and calmly left my office. In some way, suffering ceases to be suffering at the moment it finds a meaning, such as the meaning of a sacrifice.
Viktor E. Frankl (Man's Search for Meaning)
… The frayed and gritty edges of everyone’s world were being worried away by neighbors you’d never noticed until the air spilled over with the tragedy of their loss. The war had taken them or their children; killed them, lost them, torn off body parts, shipped them back brain-fried…. … Tales fell from hearts in heavy, wet tones of grief and confusion…. … Even when rare moments of relative calm and clarity crept briefly through our days, they crawled in with head hanging through that most familiar of all tunnels, our sense of loss. Each new friend seemed only to step in and announce himself with his last breath. Why hadn’t we loved him earlier when there had been more time? That overriding sense of loss was the dismal cloud through which you viewed the world. Dreading life’s relentless advance, but knowing your locks could never keep it out…. … As the late 60’s gave in and died, and I trudged through my first year as an art student in college, even the old folks were growing up. Their World War II glories clouded over. Someone had shot the president, his brother, and a great civil rights leader, dragging us all out of our warm, snuggly innocence. People seemed infested by life, burdened by the stifling weight of it, until we could only force shallow, labored breaths. Each new day was just an old one playing through again, a dust-laden August, a storm always riding right on top of you that never quite cut loose. It settled into your joints until they grew achy, too heavy to lift; tarring all hearts with a dark, heavy plaque. Days stuck together as walking and breathing grew tedious. Until even my bubbly sister couldn’t offer up a smile without a shadow lurking inside it. We trudged through life as our mighty nation killed our sons and broke our buddies, defending itself from skinny barefoot farmers with sticks, in rice swamps somewhere on the other side of existence, where you couldn’t tell the good guys from the bad. Some lost tiny nowhere that hadn’t even existed when you’d been a kid; when the world had been innocent and untainted. Back when Father Knew Best, Beaver’s mom fed his dad all the answers, and Annie Oakley never had to shoot to kill…. - From “Entertaining Naked People
Edward Fahey (Entertaining Naked People)
I’m telling you, you bastard, you’re going to pay for that rum. In gold or goods, I don’t care which.” “Captain Mallory.” Gray’s baritone was forbidding. “And I apply that title loosely, as you are no manner of captain in my estimation…I have no intention of compensating you for the loss of your cargo. I will, however, accept your thanks.” “My thanks? For what?” “For what?” Now O’Shea entered the mix. “For saving that heap of a ship and your worthless, rum-soaked arse, that’s what.” “I’ll thank you to go to hell,” the gravelly voice answered. Mallory, she presumed. “You can’t just board a man’s craft and pitch a hold full of spirits into the sea. Right knaves, you lot.” “Oh, now we’re the knaves, are we?” Gray asked. “I should have let that ship explode around your ears, you despicable sot. Knaves, indeed.” “Well, if you’re such virtuous, charitable gents, then how come I’m trussed like a pig?” Sophia craned her neck and pushed the hatch open a bit further. Across the deck, she saw a pair of split-toed boots tied together with rope. Gray answered, “We had to bind you last night because you were drunk out of your skull. And we’re keeping you bound now because you’re sober and still out of your skull.” The lashed boots shuffled across the deck, toward Gray. “Let me loose of these ropes, you blackguard, and I’ll pound you straight out of your skull into oblivion.” O’Shea responded with a stream of colorful profanity, which Captain Grayson cut short. “Captain Mallory,” he said, his own highly polished boots pacing slowly, deliberately to halt between Mallory’s and Gray’s. “I understand your concern over losing your cargo. But surely you or your investor can recoup the loss with an insurance claim. You could not have sailed without a policy against fire.” Gray gave an ironic laugh. “Joss, I’ll wager you anything, that rum wasn’t on any bill of lading or insurance policy. Can’t you see the man’s nothing but a smuggler? Probably wasn’t bound for any port at all. What was your destination, Mallory? A hidden cove off the coast of Cornwall, perhaps?” He clucked his tongue. “That ship was overloaded and undermanned, and it would have been a miracle if you’d made it as far as Portugal. As for the rum, take up your complaint with the Vice Admiralty court after you follow us to Tortola. I’d welcome it.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
When the day of the meeting arrived, Anna opened by acknowledging ABC’s biggest gripes. “We understand that we brought you on board with the shared goal of having you lead this work,” she said. “You may feel like we have treated you unfairly, and that we changed the deal significantly since then. We acknowledge that you believe you were promised this work.” This received an emphatic nod from the ABC representatives, so Anna continued by outlining the situation in a way that encouraged the ABC reps to see the firms as teammates, peppering her statements with open-ended questions that showed she was listening: “What else is there you feel is important to add to this?” By labeling the fears and asking for input, Anna was able to elicit an important fact about ABC’s fears, namely that ABC was expecting this to be a high-profit contract because it thought Anna’s firm was doing quite well from the deal. This provided an entry point for Mark, who explained that the client’s new demands had turned his firm’s profits into losses, meaning that he and Anna needed to cut ABC’s pay further, to three people. Angela, one of ABC’s representatives, gasped. “It sounds like you think we are the big, bad prime contractor trying to push out the small business,” Anna said, heading off the accusation before it could be made. “No, no, we don’t think that,” Angela said, conditioned by the acknowledgment to look for common ground. With the negatives labeled and the worst accusations laid bare, Anna and Mark were able to turn the conversation to the contract. Watch what they do closely, as it’s brilliant: they acknowledge ABC’s situation while simultaneously shifting the onus of offering a solution to the smaller company. “It sounds like you have a great handle on how the government contract should work,” Anna said, labeling Angela’s expertise. “Yes—but I know that’s not how it always goes,” Angela answered, proud to have her experience acknowledged. Anna then asked Angela how she would amend the contract so that everyone made some money, which pushed Angela to admit that she saw no way to do so without cutting ABC’s worker count. Several weeks later, the contract was tweaked to cut ABC’s payout, which brought Anna’s company $1 million that put the contract into the black. But it was Angela’s reaction at the end of the meeting that most surprised Anna. After Anna had acknowledged that she had given Angela some bad news and that she understood how angry she must feel, Angela said:
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
The Robot With Human Hair Pt2" Said it's the coming of man And I forget when you went away Like a kick to the face Not winning the race (Lion, I've seen you from afar) I've seen her in the car Knowing that you deserve such more Deserved to know you're free Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you from all of those bruised, bruised and battered wounds (Wave right with a gun in his hand wave right) Can you taste this blood Dripping sweeter than...? And over your eyes And I, and I fall to both knees Not to beg for your forgiveness But to hate the word And you speak Take a right off these cliffs The ground is staring at your wounded weapons Wounded weapons (And I can't believe that you're right) You can bank the night on this its round And glaring at your well I get hyphy Tell 'em I get hyphy And this is where it ends Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you, save you Save you, save you I can't believe these long words Come from many national absurd This is a line cut across Hope, defeat, the line, the loss I can never be this lone wolf You can never see me across this earth This will be a light that I run from You thought you were so strong You pleaded to never be wrong (Brace yourself, fasten belts) Well, now that you go (Close the hatch, flip the latch) I sit here and wonder (They're not dead, speed ahead) Times have changed It's like we've been trashing silos (Well, now that you go) In the time bomb aisle (I sit here and wonder) Maybe they'll dodge the spill Oil kills, sure it will And I can't breathe the air (Hide your daughter 'cause I'm coming over) To reach for this light (You know I'm not lying about) (Trashing silos in the time bomb aisle) And you can't breathe the air (About trashing silos in the time bomb aisle) Not leaving her to reach The line, the work, the rope, the love And I have seen such worse for you It's a no, I'm not coming back It's a no, I'm not coming back It's a no, I'm not coming back And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone
Dance Gavin Dance