Younger Brother Love Quotes

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Halt regarded him. He loved Horace like a younger brother. Even like a second son, after Will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior's head against a convenient tree. "You have no sense of drama or symbolism, do you?" he asked. "Huh?" replied Horace, not quite understanding. Halt looked around for a convenient tree. Luckily for Horace, there were none in sight.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Years after the war, after marriages, children, divorces, books, he came to Paris with his wife. He phoned her. It's me. She recognized him at once from the voice. He said, I just wanted to hear your voice. She said, it's me, hello. He was nervous, afraid, as before. His voice suddenly trembled. And with the trembling, suddenly, she heard again the voice of China. He knew she'd begun writing books, he'd heard about it through her mother whom he'd met again in Saigon. And about her younger brother, and he'd been grieved for her. Then he didn't know what to say. And then he told her. Told her that it was as before, that he still loved her, he could never stop loving her, that he'd love her until death.
Marguerite Duras (The Lover)
When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lampost, a star, and he said in his letter something like this: "it is so beautiful I must show you how it looks." And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it. When I read this letter of Van Gogh's it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *acedemical* tendency, and were strictly modern. And so on and so on. But the moment I read Van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it. And Van Gogh's little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care.
Brenda Ueland (If You Want to Write: A Book about Art, Independence and Spirit)
I wasn't always in love with Colton Calloway; I was in love with his younger brother, Kyle, first. Kyle was my first one true love, my first in every way.
Jasinda Wilder (Falling into You (Falling, #1))
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
How simple love would be, Younger Brother, if we only had to bestow it on those who deserved it. Yet what would it be worth? If you gave a poor man a silver coin then that would be a gift. If you expected him to pay you back, then that would make it a loan. We do not loan our love, Lantern. We give it freely.
David Gemmell (White Wolf (The Drenai Saga, #10))
I’M LOSING FAITH IN MY FAVORITE COUNTRY Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed. Partly because of its proximity to the United States and a shared heritage, Canadians also aspired to what was commonly referred to as the American dream. I fall neatly into that category. For as long as I can remember I wanted a better life, but because I was born with a cardboard spoon in my mouth, and wasn’t a member of the golden gene club, I knew I would have to make it the old fashioned way: work hard and save. After university graduation I spent the first half of my career working for the two largest oil companies in the world: Exxon and Royal Dutch Shell. The second half was spent with one of the smallest oil companies in the world: my own. Then I sold my company and retired into obscurity. In my case obscurity was spending summers in our cottage on Lake Rosseau in Muskoka, Ontario, and winters in our home in Port St. Lucie, Florida. My wife, Ann, and I, (and our three sons when they can find the time), have been enjoying that “obscurity” for a long time. During that long time we have been fortunate to meet and befriend a large number of Americans, many from Tom Brokaw’s “Greatest Generation.” One was a military policeman in Tokyo in 1945. After a very successful business carer in the U.S. he’s retired and living the dream. Another American friend, also a member of the “Greatest Generation”, survived The Battle of the Bulge and lived to drink Hitler’s booze at Berchtesgaden in 1945. He too is happily retired and living the dream. Both of these individuals got to where they are by working hard, saving, and living within their means. Both also remember when their Federal Government did the same thing. One of my younger American friends recently sent me a You Tube video, featuring an impassioned speech by Marco Rubio, Republican senator from Florida. In the speech, Rubio blasts the spending habits of his Federal Government and deeply laments his country’s future. He is outraged that the U.S. Government spends three hundred billion dollars, each and every month. He is even more outraged that one hundred and twenty billion of that three hundred billion dollars is borrowed. In other words, Rubio states that for every dollar the U.S. Government spends, forty cents is borrowed. I don’t blame him for being upset. If I had run my business using that arithmetic, I would be in the soup kitchens. If individual American families had applied that arithmetic to their finances, none of them would be in a position to pay a thin dime of taxes.
Stephen Douglass
Halt regarded him. He loved Horace like a younger brother. Even like a second son, after will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior's head against a convenient tree.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Playing an instrument says you have passion. Taking the time to teach someone else, especially someone younger, says you’re not only sweet, but patient. It told me you obviously like music. Musicians typically appreciate all music, so it told me you were more open. The fact that your little brother thought you were good meant you’re dedicated. And the way he looked at you, like you hung the moon, spoke loudest of all. It told me that someone loved you. That you had to be a good person to have so much respect from your brother when most brothers can’t seem to get along. It told me you were special.
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
Miss Bingley was very deeply mortified by Darcy's marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth. Pemberley was now Georgiana's home; and the attachment of the sisters was exactly what Darcy had hoped to see. They were able to love each other, even as well as they intended. Georgiana had the highest opinion in the world of Elizabeth; though at first she often listened with an astonishment bordering on alarm at her lively, sportive manner of talking to her brother. He, who had always inspired in herself a respect which almost overcame her affection, she now saw the object of open pleasantry. Her mind received knowledge which had never before fallen in her way. By Elizabeth's instructions she began to comprehend that a woman may take liberties with her husband which a brother will not always allow in a sister more than ten years younger than himself. Lady Catherine was extremely indignant on the marriage of her nephew; and as she gave way to all the genuine frankness of her character, in her reply to the letter which announced its arrangement, she sent him language so very abusive, especially of Elizabeth, that for some time all intercourse was at an end. But at length, by Elizabeth's persuasion, he was prevailed on to overlook the offence, and seek a reconciliation; and, after a little farther resistance on the part of his aunt, her resentment gave way, either to her affection for him, or her curiosity to see how his wife conducted herself: and she condescended to wait on them at Pemberley, in spite of that pollution which its woods had received, not merely from the presence of such a mistress, but the visits of her uncle and aunt from the city. With the Gardiners they were always on the most intimate terms. Darcy, as well as Elizabeth, really loved them; and they were both ever sensible of the warmest gratitude towards the persons who, by bringing her into Derbyshire, had been the means of uniting them.
Jane Austen (Pride and Prejudice)
The word em refers to the little brother or little sister in a family; or the younger of two friends; or the woman in a couple. I like to think that the word em is the homonym of the verb aimer, “to love,” in French, in the imperative: aime.
Kim Thúy (Em)
Each moment of the happy lover's hour is worth an age of dull and common life.
Aphra Behn (The Younger Brother; Or, the Amorous Jilt)
I loved school. I loved new shoes and lunch boxes and sharp pencils. I would hold dance contests in tiny finished basements with my friends. I roller-skated in my driveway and walked home from the bus stop on my own. We never locked our door. I had a younger brother whom I loved and also liked. I thought my mother was the most beautiful mother in the world and my father was a superhero who would always protect me. I wish this feeling for every child on earth.
Amy Poehler (Yes Please)
The elder brother compares himself with the younger one and becomes jealous. But the father loves them both so much that it didn’t even occur to him to delay the party in order to prevent the elder son from feeling rejected. I am convinced that many of my emotional problems would melt as snow in the sun if I could let the truth of God’s motherly non-comparing love permeate my heart.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
The saints, these are the true men, the younger brothers of the savior. We are with them all our lives through every good deed every brave thought in every love...There are many saints who at first were sinners. Even sin can be a way to saintliness, sin and vice...Ah, Harry we have to stumble through so much dirt and humbug before we reach home. And we have no one to guide us. Our only guide is our homesickness.
Hermann Hesse
When Ronan was young and didn’t know any better, he thought everyone was like him. He made rules for humanity based upon observation, his idea of the truth only as broad as his world was. Everyone must sleep and eat. Everyone has hands, feet. Everyone’s skin is sensitive; no one’s hair is. Everyone whispers to hide and shouts to be heard. Everyone has pale skin and blue eyes, every man has long dark hair, every woman has long golden hair. Every child knows the stories of Irish heroes, every mother knows songs about weaver women and lonely boatmen. Every house is surrounded by secret fields and ancient barns, every pasture is watched by blue mountains, every narrow drive leads to a hidden world. Everyone sometimes wakes with their dreams still gripped in their hands. Then he crept out of childhood, and suddenly the uniqueness of experience unveiled itself. Not all fathers are wild, charming schemers, wiry, far-eyed gods; and not all mothers are dulcet, soft-spoken friends, patient as buds in spring. There are people who don’t care about cars and there are people who like to live in cities. Some families do not have older and younger brothers; some families don’t have brothers at all. Most men do not go to Mass every Sunday and most men do not fall in love with other men. And no one brings dreams to life. No one brings dreams to life. No one brings dreams to life.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
I had the pleasure of dining with your brother.” “Gregory? Really? You’d classify it as a pleasure?” But he was grinning as he said it, and Honoria could instantly picture what life must be like in the Bridgerton household: a great deal of teasing and a great deal of love. “He was most gracious to me,” she said with a smile. “Shall I tell you a secret?” Mr. Bridgerton murmured, and Honoria decided that in his case, it was right and proper to listen to gossip—he was an incredible flirt. “Must I keep the secret?” she asked, leaning forward ever-soslightly. “Definitely not.” She gave him a sunny smile. “Then yes, please.” Mr. Bridgerton leaned in, just about as far as she had done. “He has been known to catapult peas across the supper table.” Honoria gave him a very somber nod. “Has he done this recently?” “Not too recently, no.” She pressed her lips together, trying not to smile. It was lovely to witness this type of sibling teasing. There used to be so much of it in her home, although most of the time she’d been but a witness. She was so much younger than the rest of her siblings; in all honesty, most of the time they’d probably just forgotten to tease her. “I have but one question, Mr. Bridgerton.” He cocked his head. “How was this catapult constructed?” He grinned. “Simple spoon, Lady Honoria. But in Gregory’s devious hands, there was nothing simple about it.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
The younger son’s flight from the father was crashingly obvious. He left the father literally, physically, and morally. Though the older son stayed at home, he was actually more distant and alienated from the father than his brother, because he was blind to his true condition. He would have been horribly offended by the suggestion that he was rebelling against the father’s authority and love, but he was, deeply.
Timothy J. Keller (The Prodigal God: Recovering the Heart of the Christian Faith)
One of Ours by Willa Cather Book One: On Lovely Creek I. Claude Wheeler opened his eyes before the sun was up and vigorously shook his younger brother, who lay in the other half of the same bed. "Ralph, Ralph, get awake! Come down and help me wash the car." "What for?" "Why, aren't we going to the circus today?
Willa Cather (One of Ours)
Well, the black man has functioned in the white man's world as a fixed star, as an immovable pillar: and as he moves out of his place, heaven and earth are shaken to their foundations. You, don't be afraid. I said that it was intended that you should perish in the ghetto, perish by never being allowed to go behind the white man's definitions, by never being allowed to spell your proper name. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp of reality. But these men are your brothers - your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become. It will be hard, James, but you come from sturdy, peasant stock, men who picked cotton and damned rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets, some of the greatest poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off.
James Baldwin (The Fire Next Time)
He’s a year shorter than me, but he’s a foot younger. I love him like the brother of an only child.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Fucking fantastic," insisted George, pulling Marcus close to him and giving him a quick peck on the lips. I couldn't help but notice how both his parents looked away instinctively, while his younger brother and sister stared and giggled, but it felt very good to watch the moment as he pulled away and they looked into each other's eyes, a couple of teenager who had found each other - and would surely lose each other again for someone else soon but were happy right at that moment. It was something that never could have happened when I was that age.
John Boyne (The Heart's Invisible Furies)
Mizzy has wandered into the garden. Carole looks contemplatively at him, says, "Lovely boy." "My wife's insanely younger brother. He's one of those kids with too much potential, if you know what I mean." "I know exactly what you mean." Further details would be redundant. Peter knows the Potters' story: the pretty, unstoppable daughter who's tearing through her Harvard doctorate versus the older child, the son, who has, it seems, been undone by his good fortune; who at thirty-eight is still surfing and getting stoned by way of occupations, currently in Australia.
Michael Cunningham (By Nightfall)
Without trust, I cannot let myself be found. Trust is that deep inner conviction that the Father wants me home. As long as I doubt that I am worth finding and put myself down as less loved than my younger brothers and sisters, I cannot be found. I have to keep saying to myself, “God is looking for you. He will go anywhere to find you. He loves you, he wants you home, he cannot rest unless he has you with him.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
Anthony Marra (A Constellation of Vital Phenomena)
[T]hese men are your brothers - your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become.
James Baldwin (The Fire Next Time)
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly. “Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.” “A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will. “As for Cordelia Carstairs—how to describe her?” Charles went on. “Especially when one has not bothered to get to know her at all,” murmured James. “She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.” Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes. Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—” “Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!” Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved. “We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
He shuffles atoms and jet of light, remotest nebulae, drips of water, prick-points of sensation, slime-oozings and cosmic bulks, all mixed with pearls of faith, love of woman, imagined dignities, frightened surmises, and pompous arrogances, and of the stuff builds himself an immortality to startle the heavens and baffle the immensities. He squirms on his dunghill, and like a child lost in the dark among goblins, calls to the gods that he is their younger brother, a prisoner of the quick that is destined to be as free as they - monuments of egotism reared by the epiphenomena; dreams and the dust of dreams, that vanish when the dreamer vanishes and are no more when he is not.
Jack London (John Barleycorn: Alcoholic Memoirs)
Whether they're superior or inferior, older brothers are role models for their younger brothers. If the older brother takes the wrong path, the younger brothers can avoid it. And if I take the right path, my little brothers can follow behind.
Gege Akutami (呪術廻戦 16 (Jujutsu Kaisen, #16))
Is this flesh of yours you? Or is it an extraneous something possessed by you? Your body—what is it? A machine for converting stimuli into reactions. Stimuli and reactions are remembered. They constitute experience. Then you are in your consciousness these experiences. You are at any moment what you are thinking at that moment. Your I is both subject and object; it predicates things of itself and is the things predicated. The thinker is the thought, the knower is what is known, the possessor is the things possessed. "After all, as you know well, man is a flux of states of consciousness, a flow of passing thoughts, each thought of self another self, a myriad thoughts, a myriad selves, a continual becoming but never being, a will-of-the-wisp flitting of ghosts in ghostland. But this, man will not accept of himself. He refuses to accept his own passing. He will not pass. He will live again if he has to die to do it. "He shuffles atoms and jets of light, remotest nebulae, drips of water, prick-points of sensation, slime-oozings and cosmic bulks, all mixed with pearls of faith, love of woman, imagined dignities, frightened surmises, and pompous arrogances, and of the stuff builds himself an immortality to startle the heavens and baffle the immensities. He squirms on his dunghill, and like a child lost in the dark among goblins, calls to the gods that he is their younger brother, a prisoner of the quick that is destined to be as free as they—monuments of egotism reared by the epiphenomena; dreams and the dust of dreams, that vanish when the dreamer vanishes and are no more when he is not.
Jack London (John Barleycorn)
Halt regarded him. He loved Horace like a younger brother. Even like a second son, after Will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior’s head against a convenient tree.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
In the immediate aftermath of Chris’s death, Bubba dealt with his grief by playing. He played all the time, with anyone and everyone who came to the house. It was his way of staying busy and not focusing on sadness. Angel, younger, was a little more direct, though quieter. She often looked toward her brother as her spokesman and maybe test case: his emotions guided hers. She expressed her connection with her dad directly, mentioning that she often felt him still close to her. I came to take that as a comfort and reassurance: Chris walked with us still.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
One of the first things mental health practitioners tell you after you try to die is that your recent attempt is not selfish, not a misery you’ve inflicted on those you love most, but a fatal final symptom of a disease that’s destroying you. Which, sure. Fine. But seeing my younger brother’s face in that psych ward after he’d flown in from his first weeks of law school convinced me I deserved to die in the most torturous way imaginable. Loving people so much it hurts doesn’t necessarily negate the need to die; it just makes you hate yourself more for all the pain you cause, makes you feel your death would be a gift.
Anna Mehler Paperny (Hello I Want to Die Please Fix Me: Depression in the First Person)
those innocents who believed that your imprisonment made them safe are losing their grasp of reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it.
James Baldwin (The Fire Next Time)
So time drew on to the War of the Ring, and the sons of Denethor grew to manhood. Boromir, five years the elder, beloved by his father, was like him in face and pride, but in little else. Rather he was a man after the sort of King Eärnur of old, taking no wife and delighting chiefly in arms; fearless and strong, but caring little for lore, save the tales of old battles. Faramir the younger was like him in looks but otherwise in mind. He read the hearts of men as shrewdly as his father, but what he read moved him sooner to pity than to scorn. He was gentle in bearing, and a lover of lore and of music, and therefore by many in those days his courage was judged less than his brother’s. But it was not so, except that he did not seek glory in danger without a purpose. He welcomed Gandalf at such times as he came to the City, and he learned what he could from his wisdom; and in this as in many other matters he displeased his father. ‘Yet between the brothers there was great love, and had been since childhood, when Boromir was the helper and protector of Faramir. No jealousy or rivalry had arisen between them since, for their father’s favour or for the praise of men. It did not seem possible to Faramir that anyone in Gondor could rival Boromir, heir of Denethor, Captain of the White Tower; and of like mind was Boromir. Yet it proved otherwise at the test. But of all that befell these three in the War of the Ring much is said elsewhere.
J.R.R. Tolkien (The Lord of the Rings)
I would like to point out, though, Lady Georgiana," he continued, "that you have decided to stay in a household with five single gentlemen, three of them adults." "Four," Andrew broke in, coloring. "I'm seventeen. That's older than Romeo was when he married Juliet." "And it's younger than I am, which is what counts," Tristan countered, sending his brother a stern look.
Suzanne Enoch (The Rake (Lessons in Love, #1))
The money was tobacco money, not from the growing end but the manufacturing; they were from Winston-Salem, and there was plenty of it. Even Jeff who was a younger son (as Amy’s father had been, in the days before the increased popularity of cigarettes boosted the fortune) could look forward to something over a million in his own name after three brothers by his father’s first wife had got theirs.
Shelby Foote (Love in a Dry Season)
And the son bursting into his father's house, killing him, and at the same time not killing him, this is not even a novel, not a poem, it is a sphinx posing riddles, which it, of course, will not solve itself. If he killed him, he killed him; how can it be that he killed him and yet did not kill him--who can understand that? Then it is announced to us that our tribune is the tribune of truth and sensible ideas, and so from this tribune of 'sensible ideas' an axiom resounds, accompanied by an oath, that to call the murder of a father parricide is simply a prejudice! But if parricide is a prejudice, and if every child ought to ask his father, 'Father, why should I love you?'--what will become of us, what will become of the foundations of society, where will the family end up? Parricide--don't you see, it's just the 'brimstone' of some Moscow merchant's wife? The most precious, the most sacred precepts concerning the purpose and future of the Russian courts are presented perversely and frivolously, only to achieve a certain end, to achieve the acquittal of that which cannot be acquitted. 'Oh, overwhelm him with mercy,' the defense attorney exclaims, and that is just what the criminal wants, and tomorrow everyone will see how overwhelmed he is! And is the defense attorney not being too modest in asking only for the defendant's acquittal? Why does he not ask that a fund be established in the parricide's name, in order to immortalize his deed for posterity and the younger generation? The Gospel and religion are corrected: it's all mysticism, he says, and ours is the only true Christianity, tested by the analysis of reason and sensible ideas. And so a false image of Christ is held up to us! With what measure ye mete, it shall be measured to you,' the defense attorney exclaims, and concludes then and there that Christ commanded us to measure with the same measure as it is measured to us--and that from the tribune of truth and sensible ideas! We glance into the Gospel only on the eve of our speeches, in order to make a brilliant display of our familiarity with what is, after all, a rather original work, which may prove useful and serve for a certain effect, in good measure, all in good measure! Yet Christ tells us precisely not to do so, to beware of doing so, because that is what the wicked world does, whereas we must forgive and turn our cheek, and not measure with the same measure as our offenders measure to us. This is what our God taught us, and not that it is a prejudice to forbid children to kill their own fathers. And let us not, from the rostrum of truth and sensible ideas, correct the Gospel of our God, whom the defense attorney deems worthy of being called merely 'the crucified lover of mankind,' in opposition to the whole of Orthodox Russia, which calls out to him: 'For thou art our God...!
Fyodor Dostoevsky (The Brothers Karamazov)
But these men are your brothers - your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become.
James Baldwin (The Fire Next Time)
Halt regarded him. He loved Horace like a younger brother. Even like a second son, after Will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior’s head against a convenient tree. “You have no sense of drama or symbolism, do you?” he asked. “Huh?” replied Horace, not quite understanding. Halt looked around for a convenient tree. Luckily for Horace, there were none in sight.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
God’s love and forgiveness can pardon and restore any and every kind of sin or wrongdoing. It doesn’t matter who you are or what you’ve done. It doesn’t matter if you’ve deliberately oppressed or even murdered people, or how much you’ve abused yourself. The younger brother knew that in his father’s house there was abundant “food to spare,” but he also discovered that there was grace to spare. There is no evil that the father’s love cannot pardon and cover, there is no sin that is a match for his grace. Act
Timothy J. Keller (The Prodigal God: Recovering the Heart of the Christian Faith)
Mama,” the child exclaimed, breathless and agitated. Phoebe looked down at him in concern. “Justin, what is it?” “Galoshes brought me a dead mouse. She dropped it on the floor right in front of me!” “Oh, dear.” Tenderly Phoebe smoothed his dark, ruffled hair. “I’m afraid that’s what cats do. She thought it was a fine gift.” “Nanny won’t touch it, and the housemaid screamed, and I had a fight with Ivo.” Although Phoebe’s younger brother Ivo was technically Justin’s uncle, the boys were close enough in age to play together and quarrel. “About the mouse?” Phoebe asked sympathetically. “No, before the mouse. Ivo said there’s going to be a honeymoon and I can’t go because it’s for grownups.” The boy tilted his head back to look up at her, his lower lip quivering. “You wouldn’t go to the honeymoon without me, would you, Mama?” “Darling, we’ve made no plans to travel yet. There’s too much to be done here, and we all need time to settle in. Perhaps in the spring—” “Dad wouldn’t want to leave me behind. I know he wouldn’t!” In the electrified silence that followed, Tom shot a glance at West, who looked blank and startled. Slowly Phoebe lowered to the ground until her face was level with her son’s. “Do you mean Uncle West?” she asked gently. “Is that what you’re calling him now?” Justin nodded. “I don’t want him to be my uncle—I already have too many of those. And if I don’t have a dad, I’ll never learn how to tie my shoes.” Phoebe began to smile. “Why not call him Papa?” she suggested. “If I did, you’d never know which one I was talking about,” Justin said reasonably, “the one in heaven or the one down here.” Phoebe let out a breath of amusement. “You’re right, my clever boy.” Justin looked up at the tall man beside him with a flicker of uncertainty. “I can call you Dad … can’t I? Do you like that name?” A change came over West’s face, his color deepening, small muscles contorting with some powerful emotion. He snatched Justin up, one of his large hands clasping the small head as he kissed his cheek. “I love that name,” West said unsteadily. “I love it.” The boy’s arms went around his neck. “Can we go to Africa for our honeymoon, Dad?” he heard Justin ask. “Yes,” came West’s muffled voice. “Can I have a pet crocodile, Dad?” “Yes.” Phoebe produced a handkerchief from seemingly out of nowhere and tucked it discreetly into one of West’s hands.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
How Robin would have loved this!’ the aunts used to say fondly. 'How Robin would have laughed!’ In truth, Robin had been a giddy, fickle child - somber at odd moments, practically hysterical at others - and in life, this unpredictability had been a great part of his charm. But his younger sisters, who had never in any proper sense known him at all, nonetheless grew up certain of their dead brother’s favorite color (red); his favorite book (The Wind in the Willows) and his favorite character in it (Mr. Today); his favorite flavor of ice cream (chocolate) and his favorite baseball team (the Cardinals) and a thousand other things which they - being living children, and preferring chocolate ice cream one week and peach the next - were not even sure they knew about themselves. Consequently their relationship with their dead brother was of the most intimate sort, his strong, bright, immutable character shining changelessly against the vagueness and vacillation of their own characters, and the characters of people that they knew; and they grew up believing that this was due to some rare, angelic incandescence of nature on Robin’s part, and not at all to the fact that he was dead.
Donna Tartt (The Little Friend)
To a child, abandonment is death. In order to meet my two most basic survival needs (my parents are okay and I matter), I became Mom’s emotional husband and my younger brother’s parent. To help her and others made me feel that I was okay. I was told and believed that Dad loved me but was too sick to show it and that Mom was a saint. All of this covered up my sense of being worth-less than my parents’ time (toxic shame). My core material was composed of selected perceptions, repressed feelings, and false beliefs. This became the filter through which I interpreted all new experiences in my life.
John Bradshaw (Homecoming: Reclaiming and Healing Your Inner Child)
thanks to their support, and the eldest was praised for being the responsible first-born son who brought honor to the family through his own success and provided for his family. Oh Misook and her sister realized only then that their turn would not come; their loving family would not be giving them the chance and support to make something of themselves. The two sisters belatedly enrolled in the company-affiliated school. They worked days and studied nights to earn their middle-school diploma. Oh Misook studied for her high-school certificate on her own and received her diploma the same year her younger brother became a high-school teacher. When Kim Jiyoung was in elementary school, her mother was reading a one-line comment her homeroom teacher had made on her journal assignment and said, “I wanted to be a teacher, too.” Jiyoung burst into laughter. She found the idea outrageous because she’d thought until then that mothers could only be mothers. “It’s true. In elementary, I got the best grades out of all five of us. I was better than your eldest uncle.” “So why didn’t you become a teacher?” “I had to work to send my brothers to school. That’s how it was with everyone. All women lived like that back then.” “Why don’t you become a teacher now?” “Now I have to work to send you kids to school. That’s how it is with everyone. All mothers live like this these days.
Cho Nam-Joo (Kim Jiyoung, Born 1982)
What silliness that we must consider the proper order of milk and tea when pouring a cup." Callie swallowed back a laugh. "I suppose you do not place much stock in such ceremony in Venice?" "No. It is liquid. It is warm. It is not coffee. Why worry?" Juliana's smile flashed, showing a dimple in her cheek. "Why indeed?" Callie said, wondering, fleetingly, if Juliana's brothers had such an endearing trait. "Do not be concerned," Juliana held up a hand dramatically. "I shall endeavor to remember tea first, milk second. I should hate to cause another war between Britain and the Continent." Callie laughed, accepting a cup of perfectly poured tea from the younger woman. "I am certain that Parliament will thank you for your diplomacy.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Years after the war, after marriages, children, divorces, books, he came to Paris with his wife. He phoned her. It’s me. She recognized him at once from the voice. He said, I just wanted to hear your voice. She said, It’s me, hello. He was nervous, afraid, as before. His voice suddenly trembled. And with the trembling, suddenly, she heard again the voice of China. He knew she’d begun writing books, he’d heard about it through her mother whom he’d met again in Saigon. And about her younger brother, and he’d been grieved for her. Then he didn’t know what to say. And then he told her. Told her that it was as before, that he still loved her, he could never stop loving her, that he’d love her until death. Neauphle-le-Château–Paris February–May 1984
Marguerite Duras (The Lover (The Lover #1))
Plouton’s eyes narrowed coldly, and he grinned because he counted the result of this conversation as a tremendous and absolute victory over his older brother. Abbadon never saw his younger brother as competition or even as an enemy, but Plouton hated his brother from the bottom of his heart. He was controlled and possessed by his own negative thoughts, that his father, King Apollyon, loved and trusted Abbadon more and that he disliked and rejected him. Plouton was jealous… very jealous. He raised his eyebrows and opened his silvery eyes as wide as they could go. Diabolic sparkles appeared in his eyes. He grinned again when he thought about the Titans, the cave, the iron chains, the vultures, and the unforgiving ocean at the Rock of Mukane. (Maradonia and the Gold of Ophir)
Gloria Tesch
Dear Sawyer and Quin, If you ever read this and I'm gone I want you to know something that has been weighing on me. I watch you two play and it can be so sad sometimes. You two have been best friends since Sawyer's birth. Always inseparable. It's been adorable , but comes with its challenges. I'm worried when I watch you boys. Quinton, you are always driven by your ego. You're strong and talented, but much too determined to beat down everyone in your efforts to be the best. You push yourself to win a competition, then shove it in someone's face. I’ve rarely seen you compliment others, but you always give yourself a pat on the back. You don't play anything for the love of it, you play to win and normally do. I've seen you tear down your brother so many times just to feel good about yourself. You don't have to do that, dear. You don't have to spend your life trying to prove that you're amazing. One day you'll fail and be alone because you've climbed to the top of a pyramid with only enough room for yourself. Don't let it get to that point and if you do, learn humility from your brother. He could do without so much of it. Sawyer, just because you're most often the underdog and the peaceful introspective kid, don't think I'm letting you off the hook. Your humility has become your worst enemy. It's so intense that I wonder if it will be your vice one day, instead of your greatest virtue. It's one thing to believe you are below all men, even when you're not, but it's another thing to be crippled by fear and to no longer try. Sometimes , dear, I think you fear being good at something because you've tasted the bitterness of being the one who comes in last and you don't want to make others feel that way. That's sweet of you and I smile inside when I see you pretending to lose when you race your younger cousins , but if you always let people beat you they may never learn to work hard for something they want. It's okay to win, just win for the right reasons and always encourage those who lose. Oh, and Sawyer, I hope one day you read this. One day when it matters. If so, remember that the bottom of a mountain can be just as lonely as the top. I hope the two of you can learn to climb together one day. As I'm writing this you are trying to climb the big pine tree out back. Quin is at the top, rejoicing in his victory and taunting Sawyer. And Sawyer is at the bottom, afraid to get hurt and afraid to be sad about it. I'm going to go talk to you two separately now. I hope my words mean something. Love you boys, Mom
Marilyn Grey (When the City Sleeps (Unspoken #6))
I’m rather an admirer of the book,” Robert said and took a sip from his glass. “Damien, when you marry, you might want to see if Brianna won’t lend it out to your bride. I promise you no regrets if you give it to your beloved. Let’s just say there are certain things a gentleman won’t address with his wife that Lady Rothburg has no trouble discussing in detail.” If his younger brother’s sinful grin was any indication, it was true. “I’m headed back to Spain tomorrow.” Damien pointed out. “So I doubt romance of any kind is in my future, but I’ll keep it in mind.” “One never knows.” Colton commented. “Had anyone said it was in mine, I would have protested vehemently.” How true. How could anyone have guessed his upright older brother would marry such a lovely but impulsive young lady and manage to become a different man than the upright, unapproachable Duke of Rolthven?
Emma Wildes (Lessons From a Scarlet Lady (Northfield, #1))
Lola writes in her notebook: Leaf-fleas are even worse. Someone said, They don't bite people, because people don't have leaves. Lola writes, When the sun is beating down, they bite everything, even the wind. And we all have leaves. Leaves fall off when you stop growing, because childhood is all gone. And they grow back when you shrivel up, because love is all gone. Leaves spring up at will, writes Lola, just like tall grass. Two or three children in the village don't have any leaves, and those have a big childhood. A child like that is an only child, because it has a father and a mother who have been to school. The leaf-fleas turn older children into younger ones - a four-year-old into a three-year-old, a three-year-old into a one-year-old. Even a six-months-old, writes Lola, and even a newborn. And the more little brothers and sisters the leaf-fleas make, the smaller the childhood becomes.
Herta Müller (The Land of Green Plums)
The family is not of man's making; it is a gift of God and full of life. Upbringing in the family bears a quite special character. No school or educational institution can replace or compensate for the family. "Everything educates in the family, the handshake of the father, the voice of the mother, the older brother, the younger sister, the baby in the cradle, the sick loved one, the grandparents and the grandchildren, the uncles and the aunts, the guests and friends, prosperity and adversity, the feast day and the day of mourning, Sundays and workdays, the prayer and the thanksgiving at the table and the reading of God's Word, the morning and evening prayer. Everything is engaged to educate one another, from day to day, from hour to hour, unintentionally, without previously devised plan, method or system. From everything proceeds an educative influence though it can neither be analyzed nor calculated. A thousand insignificant things, a thousand trifles, a thousand details, all have their effect. It is life itself that here educates, life in its greatness, the rich, inexhaustible, universal life. The family is the school of life, because there is its spring and its hearth.' In A.B.W.M. Kok, Herman Bavinck, Amsterdam, 1945, pp. 1819.]
Anonymous
Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —
Paul Laurence Dunbar
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
Patricia MacLachlan (The Facts and Fictions of Minna Pratt)
Upon a lonely mountain, there lived two hermits who worshipped God and loved one another. Now these two hermits had one earthen bowl, and this was their only possession. One day an evil spirit entered into the heart of the older hermit and he came to the younger and said, “It is long that we have lived together. The time has come for us to part. Let us divide our possessions.” Then the younger hermit was saddened and he said, “It grieves me, Brother, that thou shouldst leave me. But if thou must needs go, so be it,” and he brought the earthen bowl and gave it to him saying, “We cannot divide it, Brother, let it be thine.” Then the older hermit said, “Charity I will not accept. I will take nothing but mine own. It must be divided.” And the younger one said, “If the bowl be broken, of what use would it be to thee or to me? If it be thy pleasure let us rather cast a lot.” But the older hermit said again, “I will have but justice and mine own, and I will not trust justice and mine own to vain chance. The bowl must be divided.” Then the younger hermit could reason no further and he said, “If it be indeed thy will, and if even so thou wouldst have it let us now break the bowl.” But the face of the older hermit grew exceedingly dark, and he cried, “O thou cursed coward, thou wouldst not fight.
Kahlil Gibran (The Khalil Gibran Megapack: 43 Classic Works)
This journey by time capsule to the early 1940s is not always a pleasant one. It affords us a glimpse at the pre-civil rights South. This was true in the raw copy of the guidebooks as well. The Alabama guidebook copy referred to blacks as “darkies.” It originally described the city of Florence struggling through “the terrible reconstruction, those evil days when in bitter poverty, her best and bravest of them sleep in Virginia battlefields, her civilization destroyed . . . And now when the darkest hour had struck, came a flash of light, the forerunners of dawn. It was the Ku Klux Klan . . .” The Dover, Delaware, report stated that “Negroes whistle melodiously.” Ohio copy talked of their “love for pageantry and fancy dress.” Such embarrassingly racist passages were usually edited out, but the America Eats manuscripts are unedited, so the word darkies remains in a Kentucky recipe for eggnog. In the southern essays from America Eats, whenever there is dialogue between a black and a white, it reads like an exchange between a slave and a master. There also seems to be a racist oral fixation. Black people are always sporting big “grins.” A description of a Mississippi barbecue cook states, “Bluebill is what is known as a ‘bluegum’ Negro, and they call him the brother of the Ugly man, but personal beauty is not in the least necessary to a barbecue cook.
Mark Kurlansky (The Food of a Younger Land: A portrait of American food- before the national highway system, before chainrestaurants, and before frozen food, when the ... of American food from the lost WPA files)
I was here. I was fine. It was a beautiful day, and I was around people who gave me more love and happiness in a month than I’d had for seventeen years. I would never have to see those jerks again. And today was going to be a good day, damn it. So I got it together and finally looked back down at my best friend to ask, “Did I tell you I stole a bottle of Visine once because I wanted to put a few drops into my dad’s coffee, but I always chickened out?” Lenny snickered. “No. Psycho. Did I tell you that one time I asked Santa to bring my mom back?” I made a face. “That’s sad, Lenny.” I blinked. “I pretty much did the same thing.” “Uh-huh.” I raised my eyebrows at her. “Did I ever tell you that I wanted to have like ten kids when I was younger?” The laugh that came out of her wasn’t as strong as it usually was, but I was glad she let it out anyway. It sounded just like her, loud and direct and so full of happiness it was literally infectious. “Ten? Jesus, why?” I wrinkled my nose at her. “It sounded like a good number.” The scoff that came out of her right then was a little louder. “You’re fucking nuts, Luna. One, two, three, four, five, six, seven, eight, nine, ten-ten?” “That’s what ten means.” I grinned at her. “I said that was back when I was younger, not any time recently. I can’t afford ten kids.” “Still. How about… none?” I glanced down the table again when I heard Thea’s sharp laugh. “Okay, Only Child.” I laughed. “I think four’s a good number now.” My friend beside me groaned before reaching forward to grab a chip, dipping it into the tiny bowl of guacamole beside it. “Look, Grandpa Gus was basically my brother, my dad, my uncle, and my grandpa all rolled into one, and I had a bunch of kids to play with,” she claimed. “Whatever makes you happy, but I think I’m fine with zero kids in my future.” I reached over and grabbed one of the pieces of fajita from her plate and plopped it into my mouth. “Watch, you’ll end up with two,” I told her, covering my mouth while I chewed the meat. “You’ve already got that ‘mom’ vibe going on better than anyone I know.” That had her rolling her eyes, but she didn’t argue that she didn’t, because we both knew it was true. She was a twenty-seven-year-old who dealt with full-grown man babies daily. She had it down. I was friends with my coworkers. Lenny was a babysitter for the ones she was surrounded with regularly. “Like you’re one to talk, bish,” she threw out in a grumpy voice that said she knew she couldn’t deny it. She had a point there. She picked up a piece of fajita and tossed it into her mouth before mumbling, “For the record, you should probably get started on lucky number four soon. You aren’t getting any younger.” I rolled my eyes, still chewing. “Bish.” “Bish.
Mariana Zapata (Luna and the Lie)
Those of us who hope to be their allies should not be surprised, if and when this day comes, that when those who have been locked up and locked out finally have the chance to speak and truly be heard, what we hear is rage. The rage may frighten us; it may remind us of riots, uprisings, and buildings aflame. We may be tempted to control it, or douse it with buckets of doubt, dismay, and disbelief. But we should do no such thing. Instead, when a young man who was born in the ghetto and who knows little of life beyond the walls of his prison cell and the invisible cage that has become his life, turns to us in bewilderment and rage, we should do nothing more than look him in the eye and tell him the truth. We should tell him the same truth the great African American writer James Baldwin told his nephew in a letter published in 1962, in one of the most extraordinary books ever written, The Fire Next Time. With great passion and searing conviction, Baldwin had this to say to his young nephew: This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it …. It is their innocence which constitutes the crime …. This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity …. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp on reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what it must become. It will be hard, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off …. We cannot be free until they are free. God bless you, and Godspeed.67
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colourblindness)
May I inquire about how to be a person’s lord?”9 I say: Make divisions and distributions according to ritual. Be evenhanded, inclusive, and not one-sided. “May I inquire about how to be a person’s minister?” I say: Serve (85) your lord according to ritual. Be loyal, compliant, and not lazy. “May I inquire about how to be a person’s father?” I say: Be broadminded, kind, and follow the dictates of ritual. “May I inquire about how to be a person’s son?” I say: Be respectful, loving, and have utmost good form. (90) “May I inquire about how to be a person’s elder brother?” I say: Be compassionate, loving, and display friendliness. “May I inquire about how to be a person’s younger brother?” I say: Be respectful, acquiescent, and do nothing improper. “May I inquire about how to be a person’s husband?” I say: Be (95) extremely hardworking and do not stray. Be extremely watchful and follow proper distinctions. “May I inquire about the proper way to be a person’s wife?” I say: If your husband follows the dictates of ritual, then compliantly obey him and wait upon him attentively. If your husband does not (100) follow the dictates of ritual, then be apprehensive but keep yourself respectful.10 If these ways are established in a one-sided manner,11 then there will be chaos, but if they are established in a comprehensive manner, there will be order, so this matter is worth keeping watch over.12
Xun Kuang (Xunzi: The Complete Text)
In ancient times, when the oldest son always got all the wealth and the second or younger sons had no social status, how does God work? Through Abel, not Cain. Through Isaac, not Ishmael. Through Jacob, not Esau. Through Ephraim, not Manasseh. Through David, not his older brothers. At a time when women were valued for their beauty and fertility, God chooses old Sarah, not young Hagar. He chooses Leah, not Rachel—unattractive Leah, whom Jacob doesn’t love. He chooses Rebekah, who can’t have children; Hannah, who can’t have children; Samson’s mother, who can’t have children; Elizabeth, John the Baptist’s mother, who can’t have children. Why? Over and over and over again God says, “I will choose Nazareth, not Jerusalem. I will choose the girl nobody wants. I will choose the boy everybody has forgotten.” Why? Is it just that God likes underdogs? No. He is telling us something about salvation itself. Every other religion and moral philosophy tells you to summon up all of your strength and live as you ought. Therefore, they appeal to the strong, to the people who can pull it together, the people who can “summon up the blood.” Only Jesus says, “I have come for the weak. I have come for those who admit they are weak. I will save them not by what they do but through what I do.” Throughout Jesus’ life, the apostles and the disciples keep saying to him, “Jesus, when are you going to take power and save the world?” Jesus keeps saying, “You don’t understand. I’m going to lose all my power and die—to save the world.
Timothy J. Keller (Hidden Christmas: The Surprising Truth Behind the Birth of Christ)
The kid in the newspaper was named Stevie, and he was eight. I was thirty-nine and lived by myself in a house that I owned. For a short time our local newspaper featured an orphan every week. Later they would transition to adoptable pets, but for a while it was orphans, children your could foster and possibly adopt of everything worked out, the profiles were short, maybe two or three hundred words. This was what I knew: Stevie liked going to school. He made friends easily. He promised he would make his bed every morning. He hoped that if he were very good we could have his own dog, and if he were very, very good, his younger brother could be adopted with him. Stevie was Black. I knew nothing else. The picture of him was a little bigger than a postage stamp. He smiled. I studied his face at my breakfast table until something in me snapped. I paced around my house, carrying the folded newspaper. I had two bedrooms. I had a dog. I had so much more than plenty. In return he would make his bed, try his best in school. That was all he had to bargain with: himself. By the time Karl came for dinner after work I was nearly out of my mind. “I want to adopt him,” I said. Karl read the profile. He looked at the picture. “You want to be his mother?” “It’s not about being his mother. I mean, sure, if I’m his mother that’s fine, but it’s like seeing a kid waving from the window of a burning house, saying he’ll make his bed if someone will come and get him out. I can’t leave him there.” “We can do this,” Karl said. We can do this. I started to calm myself because Karl was calm. He was good at making things happen. I didn’t have to want children in order to want Stevie. In the morning I called the number in the newspaper. They took down my name and address. They told me they would send the preliminary paperwork. After the paperwork was reviewed, there would be a series of interviews and home visits. “When do I meet Stevie?” I asked. “Stevie?” “The boy in the newspaper.” I had already told her the reason I was calling. “Oh, it’s not like that,” the woman said. “It’s a very long process. We put you together with the child who will be your best match.” “So where’s Stevie?” She said she wasn’t sure. She thought that maybe someone had adopted him. It was a bait and switch, a well-written story: the bed, the dog, the brother. They knew how to bang on the floor to bring people like me out of the woodwork, people who said they would never come. I wrapped up the conversation. I didn’t want a child, I wanted Stevie. It all came down to a single flooding moment of clarity: he wouldn’t live with me, but I could now imagine that he was in a solid house with people who loved him. I put him in the safest chamber of my heart, he and his twin brother in twin beds, the dog asleep in Stevie’s arms. And there they stayed, going with me everywhere until I finally wrote a novel about them called Run. Not because I thought it would find them, but because they had become too much for me to carry. I had to write about them so that I could put them down.
Ann Patchett (These Precious Days: Essays)
Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.
Thomas Pynchon (The Crying of Lot 49)
Hear me out. Stannis is no friend of yours, nor of mine. Even his brothers can scarcely stomach him. The man is iron, hard and unyielding. He’ll give us a new Hand and a new council, for a certainty. No doubt he’ll thank you for handing him the crown, but he won’t love you for it. And his ascent will mean war. Stannis cannot rest easy on the throne until Cersei and her bastards are dead. Do you think Lord Tywin will sit idly while his daughter’s head is measured for a spike? Casterly Rock will rise, and not alone. Robert found it in him to pardon men who served King Aerys, so long as they did him fealty. Stannis is less forgiving. He will not have forgotten the siege of Storm’s End, and the Lords Tyrell and Redwyne dare not. Every man who fought beneath the dragon banner or rose with Balon Greyjoy will have good cause to fear. Seat Stannis on the Iron Throne and I promise you, the realm will bleed. “Now look at the other side of the coin. Joffrey is but twelve, and Robert gave you the regency, my lord. You are the Hand of the King and Protector of the Realm. The power is yours, Lord Stark. All you need do is reach out and take it. Make your peace with the Lannisters. Release the Imp. Wed Joffrey to your Sansa. Wed your younger girl to Prince Tommen, and your heir to Myrcella. It will be four years before Joffrey comes of age. By then he will look to you as a second father, and if not, well … four years is a good long while, my lord. Long enough to dispose of Lord Stannis. Then, should Joffrey prove troublesome, we can reveal his little secret and put Lord Renly on the throne.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it. . . . It is their innocence which constitutes the crime. . . . This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity. . . . You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp on reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what it must become. It will be hard, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off. . . . We cannot be free until they are free. God bless you, and Godspeed.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
So then…you still like me?” “Yeah,” I whisper. “I mean, sort of.” My heartbeat is going quick-quick-quick. I’m giddy. Is this a dream? If so, let me never wake up. Peter gives me a look like Get real, you know you like me. I do, I do. Then, softly, he says, “Do you believe me that I didn’t tell people we had sex on the ski trip?” “Yes.” “Okay.” He inhales. “Did…did anything happen with you and Sanderson after I left your house that night?” He’s jealous! The very thought of it warms me up like hot soup. I start to tell him no way, but he quickly says, “Wait. Don’t tell me. I don’t want to know.” “No,” I say, firmly so he knows I mean it. He nods but doesn’t say anything. Then he leans in, and I close my eyes, heart thrumming in my chest like hummingbird wings. We’ve technically only kissed four times, and only one of those times was for real. I’d like to just get right to it, so I can stop being nervous. But Peter doesn’t kiss me, not the way I expect. He kisses me on my left cheek, and then my right; his breath is warm. And then nothing. My eyes fly open. Is this a literal kiss-off? Why isn’t he kissing me properly? “What are you doing?” I whisper. “Building the anticipation.” Quickly I say, “Let’s just kiss.” He angles his head, and his cheek brushes against mine, which is when the front door opens, and it’s Peter’s younger brother, Owen, standing there with his arms crossed. I spring away from Peter like I just found out he has some incurable infectious disease. “Mom wants you guys to come in and have some cider,” he says, smirking. “In a minute,” Peter says, pulling me back. “She said right now,” Owen says. Oh my God. I throw a panicky look at Peter. “I should probably get going before my dad starts to worry…” He nudges me toward the door with his chin. “Just come inside for a minute, and then I’ll take you home.” As I step inside, he takes off my coat and says in a low voice, “Were you really going to walk all the way home in that fancy dress? In the cold?” “No, I was going to guilt you into driving me,” I whisper back.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
You break her heart, and you’ll have to deal with me and her three brothers, and if you survive that, Her Grace will ensure your social ruin unto the nineteenth generation. I remind you, all of my boys are crack shots and more than competent with a sword.” “It is not my intention to break her heart.” “Oh, it’s never our intention.” His Grace’s brows drew down in thought, and he was once again the affable paterfamilias. “Maggie is different. I hope that’s from being the oldest daughter, but her unfortunate origins are too obvious a factor to be dismissed. She’s in want of… dreams, I think. My other girls have dreams. Sophie dreamed of her own family, Jenny loves to paint, Louisa has her literary scribbling, and Evie must racket about the property as her brothers used to, but Maggie has never been a dreamer. Not about her first pony nor her first waltz nor her first… beau.” Nor her first lover. The words hung unspoken in the air while the fire crackled and hissed and a log fell amid a shower of sparks. It wasn’t what Ben would have expected any papa to say of his daughter, but then, marrying into a family meant details like this would be shared—Esther Windham misplaced her everyday jewels, and Percy thought his daughters should be entitled to dream. In a different way, it felt as if Ben were still lurking in doorways and climbing through windows, but this window was called marriage, and Maggie was trying to lock it shut with Ben on the outside. “I’m not sure Maggie wants to marry me.” It was as close as he’d come to touching on the circumstances of the betrothal. His Grace regarded him for a long moment. “I’m her papa, but I was a young man once, Hazelton. Maggie is only a bit younger than Devlin and a few months older than Bart would have been. When I married, I had no idea either of my two oldest progeny existed. I’d no sooner started filling my nursery when—before my heir was out of dresses—both women came forward, hurling accusations and threats. If my marriage can survive that onslaught, surely you can overcome a little stubbornness in my daughter?” It was, again, an insight into the Windham family Ben gained only because he was engaged to marry Maggie. Such confidences prompted a rare inclination toward direct speech. “I think Maggie’s dream is to be left alone. If she jilts me, she’ll have one more excuse to retire from life, to hide and tell herself she’s content.” “Content.” His Grace spat the word. “Bother content. Content is milk toast and pap when life is supposed to be a banquet. Make Maggie’s dreams come true, young Hazelton, and show her contentment is shoddy goods compared to happiness.” “You make it sound simple.” “We’re speaking of women and that particular subspecies of the genre referred to as wives. It is simple—devote yourself to her happiness, and you will be rewarded tenfold. I do not, however, say the undertaking will ever be easy.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
When Jesus said the whole law could be summed up as “Love the Lord thy GOD with all your heart and soul and mind and might and love your neighbor as you love yourself”! Your neighbor is also animals, plants, minerals, nature Spirits, plant devas, elements of nature, elementals, and so on. These are our younger brothers and sisters who are in our care, who we have not always cared for as we should in our planet’s history!
Joshua D. Stone (The Golden Book of Melchizedek: How to Become an Integrated Christ/Buddha in This Lifetime Volume 2)
Speaking of feelings, there’s so much intense teasing between you and your brothers, Jep. Do feelings ever get hurt? Jep: I love my brothers and would do anything for them. I know they feel the same about me. Alan has always been there for me with a nonjudgmental attitude, a listening ear, and wise advice. Jase is such a good teacher about wildlife, and he’s the best speaker in our family. He studies, prepares, and he’s always able to look at the funny side of life. I really respect his knowledge. I’ve always thought Willie is the coolest guy in the world. I’ve loved and looked up to him from the first moment I can remember. I’d tag along with him more than anybody else, and he took the time to teach me basketball and baseball. I copied him in just about everything, and I know sometimes it got on his nerves. I was so much younger than my brothers that I really didn’t start stuff, but I sure didn’t mind going to tell on them. They’d get spanked, and I wouldn’t.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
One reason Bonhoeffer wished to spend a year as a pastor in Barcelona was that he believed communicating what he knew theologically—whether to indifferent businessmen, teenagers, or younger children—was as important as the theology itself. His success in children’s ministry shows this, and this letter to his future brother-in-law Walter Dress gives us a glimpse into this aspect of his year in Barcelona: 86 Today I encountered a completely unique case in my pastoral counseling, which I’d like to recount to you briefly and which despite its simplicity really made me think. At 11:00 a.m. there was a knock at my door and a ten-year-old boy came into my room with something I had requested from his parents. I noticed that something was amiss with the boy, who is usually cheerfulness personified. And soon it came out: he broke down in tears, completely beside himself, and I could hear only the words: “Herr Wolf ist tot” [Mr. Wolf is dead.], and then he cried and cried. “But who is Herr Wolf?” As it turns out, it is a young German shepherd dog that was sick for eight days and had just died a half-hour ago. So the boy, inconsolable, sat down on my knee and could hardly regain his composure; he told me how the dog died and how everything is lost now. He played only with the dog, each morning the dog came to the boy’s bed and awakened him—and now the dog was dead. What could I say? So he talked to me about it for quite a while. Then suddenly his wrenching crying became very quiet and he said: “But I know he’s not dead at all.” “What do you mean?” “His spirit is now in heaven, where it is happy. Once in class a boy asked the religion teacher what heaven was like, and she said she had not been there yet; but tell me now, will I see Herr Wolf again? He’s certainly in heaven.” So there I stood and was supposed to answer him yes or no. If I said “no, we don’t know” that would have meant “no.” . . . So I quickly made up my mind and said to him: “Look, God created human beings and also animals, and I’m sure he also loves animals. And I believe that with God it is such that all who loved each other on earth—genuinely loved each other—will remain together with God, for to love is part of God. Just how that happens, though, we admittedly don’t know.” You should have seen the happy face on this boy; he had completely stopped crying. “So then I’ll see Herr Wolf again when I am dead; then we can play together again”—in a word, he was ecstatic. I repeated to him a couple of times that we don’t really know how this happens. He, however, knew, and knew it quite definitely in thought. After a few minutes, he said: “Today I really scolded Adam and Eve; if they had not eaten the apple, Herr Wolf would not have died.” This whole affair was as important to the young boy as things are for one of us when something really bad happens. But I am almost surprised—moved, by the naïveté of the piety that awakens at such a moment in an otherwise completely wild young boy who is thinking of nothing. And there I stood—I who was supposed to “know the answer”—feeling quite small next to him; and I cannot forget the confident expression he had on his face when he left.
Eric Metaxas (Bonhoeffer: Pastor, Martyr, Prophet, Spy)
In their Vietnamese language, ‘anh’ was how one would address older men, male partners, and older brothers. It was also how these men referred to themselves when speaking to their younger siblings, their partners, or someone younger. So, instead of “I love you,” it was, “Anh yêu em.” That’s how he’d asked her to live with him.
Vina Nguyen (The Same Havoc)
Oh Misook and her sister realized only then that their turn would not come; their loving family would not be giving them the chance and support to make something of themselves. The two sisters belatedly enrolled in the company-affiliated school. They worked days and studied nights to earn their middle-school diploma. Oh Misook studied for her high-school certificate on her own and received her diploma the same year her younger brother became a high-school teacher.
Cho Nam-Joo (Kim Jiyoung, Born 1982)
Soon we were at Camp Eagle, a U.S. military base near Tuzla in Bosnia. The Tuzla airstrip was in constant use, sending planes to bomb the Taliban. As I talked to the service members there, I learned that before Camp Eagle had mostly been a peacekeeping mission to keep the Bosnian War from being reignited. They talked about having to be careful of landmines left behind. “I’m staying put with you guys then,” I said. I was mortified that before I came there, I had never even heard of Bosnia, and certainly didn’t know that American troops were there. When I’d reached out to the USO to volunteer to perform for service members, I’d had a vision of these sorts of big brothers and sisters in the military coming in to save the day. I was gonna put on this big show for them, high-octane with lots of red, white, and blue peekaboo clothes that I felt I had to wear for them. I even had a bikini top made from parachute material to go with army pants. But when I met actual service members, I wasn’t prepared for them to be so young. They were all my age or even younger. I did “God Bless America” as my last song at each stop, a capella, and Bosnia is where things changed. It was right at that first “stand beside her and guide her.” These men and women started to sing along with me, and I noticed they were just bawling their eyes out, so of course I did, too, and I knew that this was more than a song. It was a prayer. They just wanted to be with the people they loved, in the prairies, the mountains, and, yes, the rivers. I was so privileged to share in that moment. I have done a lot of singing at bases and aircraft carriers since, and every time I do “God Bless America,” I ask everyone to sing along. “I don’t care if you think you can’t sing,” I say. “I want to hear you.
Jessica Simpson (Open Book)
Phoebe looked at her as if she were a half-witted schoolgirl. “My brother is the most contained man I know. He keeps the books in his library ranked by language, then age, then author, then alphabetically. He prepares his speeches for Parliament weeks in advance and makes sure to know exactly which lords will be attending and how they will be voting in advance. He’s never, as far as I know, kept a mistress—and before you comment, even a virginal younger sister like myself has ways of finding these things out. He’s fanatical about family and is so worried about my safety that he had bars put on my bedroom windows, presumably so that I wouldn’t, in a fit of absentmindedness, blunder into them and fall out.” Phoebe took a deep breath and fixed Artemis with a gimlet eye. “And yet he dragged you into the woods in front of his entire country party, loses his tight rein on his temper with you, and has seduced you in his own home—a home he shares with me. Either my brother has a brain fever or he’s fallen hard in love with you.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
His younger brother looked to him for advice—wisdom—never realizing that older people were almost as uncertain of everything as Billy was, if not more.
John Jakes (The North and South Trilogy: North and South / Love and War / Heaven and Hell (North and South, #1-3))
Which meant that Eric began to explain his life story in detail. I loved the dude like a brother, but sometimes he was the younger brother that I wanted to choke a little. Did he even know what the word ‘date’ actually meant?
Simon Archer (Super Hero Academy (Super Hero Academy, #1))
I had a younger brother whom I loved and also liked. I thought my mother was the most beautiful mother in the world and my father was a superhero who would always protect me. I wish this feeling for every child on earth. Because
Amy Poehler (Yes Please)
So when can I meet your young man?” “He isn’t my young man.” Anna shook her head, rose, and found something fascinating to stare at out the window. “He was my employer, and he is a gentleman, so he and his brothers came to my aid.” “Fine-looking fellow,” Grandmama remarked innocently. “You’ve met him?” “Morgan and I ran into him and his younger brother when she took me to the park yesterday. Couple of handsome devils. In my day, bucks like that would have been brought to heel.” “This isn’t your day”—Anna smiled—“but as you are widowed, you shouldn’t feel compelled to exercise restraint on my behalf.” “Your dear grandfather gave me permission to remarry, you know.” Grandmother peered at a tray of sweets as she spoke. “At the time, I told him I could never love another, and I won’t—not in the way I loved him.” “But?” Anna turned curious eyes on her grandmother and waited. “But he knew me better than I know myself. Life is short, Anna James, but it can be long and short at the same time if you’re lonely. I think that was part of your brother’s problem.” “What do you mean?” Anna asked, not wanting to point out the premature use of the past tense. “He was too alone up there in Yorkshire.” Grandmother bit into a chocolate. “The only boy, then being raised by an old man, too isolated. There’s a reason boys are sent off to school at a young age. Put all those barbarians together, and they somehow civilize each other.” “Westhaven wasn’t sent to school until he was fourteen,” Anna said. “He is quite civilized, as are his brothers.” “Civilized, handsome, well heeled, titled.” Grandmother looked up from the tray of sweets. “What on earth is not to like?” Anna
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Being invisible to your father hurts,” Val said. He fell silent, wondering where the words had come from. Growing up, he’d been the runt, too young, too dreamy, too artistic to keep up with his brothers or their friends. As a younger man, he’d been disinclined to academic brilliance, social wit, or business acumen, and denied by ducal fiat from buying his colors. For the first time, he wondered if he’d chosen the piano or simply chained himself to it by default. Nick shot him a curious glance. “Would it be so much better if you’d ended up like Bart and Victor? If Esther and Percy had to bury three sons instead of two, while you were spared the pains of living the life God gave you? I think the more important question now, Val, is are you invisible to yourself?” “No, Nick.” A mirthless laugh. “I am not, but just when I realize what a pit I had fallen into with my slavish devotion to a simple manual skill, just when I can begin to hope there might be more to life than benumbing myself on a piano bench, I find a woman I can love, but she can’t love me back.” “I think she does love you,” Nick replied, remaining seated as Val rose and crossed the room. “And you certainly do love her.” Val considered Nick’s words. They settled something inside him, in his head—where he planned and worked out strategies—and in his heart, where his music and his love for Ellen both resided. “I do love her.” Val lowered himself to sit on the little stage enthroning the piano. “I most assuredly do. It’s helpful to be reminded of this.” “Now I am going to cry,” Nick said with mock disgust as he crossed the room and once again sat right next to Val. “What will you do about Ellen?” “About Ellen? I agree with you: We love each other. She believes her love for me requires us to part. I believe our love requires us to be together for whatever time the good Lord grants.” “So you must convince her,” Nick concluded with a nod. “How will you go about this?” “I have some ideas.” Those ideas were like the first stirrings of a musical theme in Val’s head. Tenuous, in need of development, but they were taking hold in Val’s mind with the same tenacity as a lovely new tune. “God alone knows if my ideas will work.” Val
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
It wasn’t dignified in the least, the way the grown man crouching on the floor played with the child—made a fool of himself to entertain a stranger’s abandoned baby. Not dignified, but it was… oddly endearing. Sophie felt an urge to get up and put some distance between herself and this tomfoolery on the floor, and yet she had to wonder too: if she brushed a lock of her hair over the child’s nose, would the baby take as much delight in it? She sat back. “How is it you know so much about babies?” “My half sisters are a great deal younger than my brother and I. We more or less raised them, and this is part of the drill. He’ll likely nap next, as outings tend to tire them when they’re this young.” He crouched low over the child and used his mouth to make a rude noise on the baby’s belly. The child exploded with glee, grabbing wildly for Mr. Charpentier’s hair and managing to catch his nose. It was quite a handsome nose in the middle of quite a handsome face. She’d noticed this at the coaching inn, in that first instant when he’d offered to help. She’d turned to find the source of the lovely, calm voice and found herself looking up into a face that put elegant masculine bones to the best possible use. His eyes were just the start of it—a true pale blue that suggested Norse ancestry, set under arching blond brows. It was a lean face, with a strong jaw and well-defined chin—Sophie could not abide a weak chin nor the artifices of facial hair men sported to cover one up. But none of that, not even the nose and chin and eyes combined, prepared Sophie for the visceral impact of more than six feet of Wilhelm Charpentier crouched on the floor, entertaining a baby. He smiled at the child as if one small package of humanity merited all the grace and benevolence a human heart could express. He beamed at the child, looked straight into the baby’s eyes, and communicated bottomless approval and affection without saying a word. It was… daunting. It was undignified, and yet Sophie sensed there was a kind of wisdom in the man’s handling of the baby she herself would lack. “He’ll
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
housekeeper. She’s like the absentminded professor in that old movie. Then there are Jessi Ramsey and Mallory Pike, junior officers in the club. Jessi and Mal are best friends. They’re also sixth-graders, while the rest of us are eighth-graders. We all go to Stoneybrook Middle School. Mal and Jessi are both the oldest kids in their families, both love horses, both love to read, both think their parents treat them like infants — even though recently they were allowed to get their ears pierced (just one hole in each ear, of course) — and neither one of them has ever had a boyfriend. But the similarities end there. Mal comes from a huge family (she has seven younger brothers and sisters), while Jessi comes from an average-sized family — one younger sister and a baby brother. Mal wants to be an author
Ann M. Martin (Dawn's Wicked Stepsister (The Baby-Sitters Club, #31))
His phone rang just as he was tucking it back into his coat. He saw that it was his brother, Matt, and answered. “I had a feeling you’d call.” “Anyone ever tell you that you’re a douchebag?” Nick grinned at the inside joke. Back when he and his brothers were younger, they’d once gotten carried away and “accidentally” tossed three footballs through Tommy Angolini’s second-floor apartment windows after he’d claimed during recess that Scottish douchebags couldn’t throw for shit. Tommy had been wrong on two counts: first, in not knowing that they were only half-Scottish douchebags, and second, in doubting the athletic prowess of the McCall brothers. Not surprisingly, that bit of good-natured fun had put an end to any trash talk from Tommy Angolini, but also had royally pissed off their father. A sergeant on the NYPD at the time, he had rounded up Nick and his brothers, brought them down to the Sixty-third Precinct, and locked them up in an empty jail cell. For six hours. Needless to say, after that the McCall brothers had all developed a healthy appreciation for the benefits of being lawabiding ten-, nine-, and seven-year-olds. The only person more traumatized by the lockup had been their mother, who’d spent the six hours crying, refusing to speak to their father, and making lasagna and cannoli—three helpings of which she’d practically force-fed each of her sons immediately upon their homecoming from the Big House
Julie James (A Lot like Love (FBI/US Attorney, #2))
Andrew, don’t you have some place to be? Something else to do?” He actually had the good grace to blush. “I suppose you’d like some… privacy.” “I suppose we might,” she said, a touch of impatience in her voice. “You have protected me long enough, dear brother. But you have given me to Ruaidri here and that is now his task, not yours.” “At the moment, he’s not fit to protect a fly from a spider, let alone—” “I’m fine,” Ruaidri insisted, yet again. Nerissa sighed and crossed her arms. “And just what do I need protecting from, Andrew?” Andrew’s color deepened. “Right. I understand. I’ll… leave you two to it, then.” He moved to the door and there, paused to look one last time at Ruaidri. “Remember my warning, O’ Devir. Be gentle with her.” Ruaidri raised a brow. He supposed he ought to take offense at such a remark and a few short years ago when he’d been younger, his temper hotter and his moods more volatile, perhaps he would have. But Andrew was her brother, a family member who loved her very much, and having been in a similar situation with his own sister not so very long ago, Ruaidri knew just how hard it was to turn and walk away, leaving your little sister in the care of a man who was anything but a brother and who had every intention of making her a woman. Yes, he understood. He smiled. “Ye have my word on it, Andrew,” he said reassuringly. With a last warning glance at Tigershark’s captain, Lord Andrew left the cabin.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
As I was writing this book, my sister-in-law called early one morning to say that my younger brother Glenn had died overnight after a lengthy illness. 'Go back to sleep,' she urged me, but as I sat there with the phone in my hand, I actually asked myself, 'What would Cokie do?' And I immediately knew the answer: get up, get dressed, and go over to my brother's house, about fifteen minutes away. As I was driving there, I called my sister and told her I was following Cokie's example. You're wrong, she said, Cokie would have been there last night, sleeping on the couch. When I told my son, Lee, this story, he corrected me again. Mom, he said, would have been there for the last three nights sleeping on the couch. Perhaps, after reading this book, you too will start asking that same question: What would Cokie do?
Steven V. Roberts (Cokie: A Life Well Lived)
They wanted some kind of verdict on their disappeared sons, husbands, and brothers so they could finally have a measure of peace, one of the women was telling the reporter, so that they could conclusively learn what had happened to the people they loved. Rani had turned to him after the segment was over and told him, shaking her head, that she was grateful for having seen her dead sons’ bodies, for having managed to hold the younger one in her arms for a few seconds, that she didn’t know what she would have done had either of them suddenly gone missing one day, had she been forced to live in uncertainty about whether they were alive or dead. When you didn’t see and hold the body of a dead child you couldn’t understand that they were gone, she told him, and unlike her the relatives of people who’d gone missing were forced as a result to live their lives in a kind of suspended state,
Anuk Arudpragasam (A Passage North)
younger brother, Proteus, would take over the kingdom, and the two of them hated each other. In desperation, Acrisius took a trip to the Oracle of Delphi to get his fortune read. Now, going to the Oracle is usually what we call a bad idea. You had to take a long trip to the city of Delphi and visit this dark cave at the edge of town, where a veiled lady sat on a three-legged stool, inhaling volcanic vapour all day and seeing visions. You would leave an expensive offering with the priests at the door. Then you could ask the Oracle one question. Most likely, she’d answer you with some rambling riddle. Then you’d leave confused, terrified and poorer. But, like I said, Acrisius was desperate. He asked, ‘O Oracle, what’s the deal with me not having any sons? Who’s supposed to take the throne and carry on the family name?’ This time, the Oracle did not speak in riddles. ‘That’s easy,’ she said in a raspy voice. ‘You will never have sons. One day your daughter Danaë will have a son. That boy will kill you and become the next king of Argos. Thank you for your offering. Have a nice day.’ Stunned and angry, Acrisius returned home. When he got to the palace, his daughter came to see him. ‘Father, what’s wrong? What did the Oracle say?’ He stared at Danaë – his beautiful girl with her long dark hair and lovely brown eyes. Many men had asked to marry her. Now all Acrisius could think about was the prophecy. He could never allow Danaë to marry. She could never have a son. She wasn’t his daughter any more. She was his death sentence.
Rick Riordan (Percy Jackson's Greek Gods)
There is something about sibling love that is greatly overlooked due to the talk of sibling rivalry, a phenomenon characterized by competition, jealousy and fighting between brothers, between sisters, and even between a brother and a sister. An older sibling’s love for the younger sibling starts when the younger brother or sister is in the crib. That love evolves into a rivalry that can be silent or overt as the siblings grow older. But do not be mistaken by all the appearances. The older sibling subconsciously retains his or her protective instinct whenever the younger sibling pursues a dangerous path in life, just like in the old days when the younger sibling was a helpless baby and the older sibling assumed the role of a protector even without being asked to. It is that protective instinct of the older sibling that eventually overcomes his misgivings about the ways of his younger sibling.
Janvier Chouteu-Chando (The Girl on the Trail)
I have seen a husband adapt honestly and courageously while his wife descended into terminal dementia. He made the necessary adjustments, step by step. He accepted help when he needed it. He refused to deny her sad deterioration and in that manner adapted gracefully to it. I saw the family of that same woman come together in a supporting and sustaining manner as she lay dying, and gain newfound connections with each other—brother, sisters, grandchildren and father—as partial but genuine compensation for their loss. I have seen my teenage daughter live through the destruction of her hip and her ankle and survive two years of continual, intense pain and emerge with her spirit intact. I watched her younger brother voluntarily and without resentment sacrifice many opportunities for friendship and social engagement to stand by her and us while she suffered. With love, encouragement, and character intact, a human being can be resilient beyond imagining. What cannot be borne, however, is the absolute ruin produced by tragedy and deception.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
I was clear from the very beginning that I didn't want kids, so it's not like I misled him. But then I realized he thought I'd change my mind." "Ugh. I hate when men think you don't know yourself." "Occasionally, people do change their minds, but I've known since I was sixteen." Vivian paused. "With all the time I spent looking after my younger brothers and sister, I realized I didn't want to go through that again. And I'm really not a fan of the baby and toddler stages. Toddler logic and tantrums?" She shuddered.
Jackie Lau (Donut Fall in Love)
It was hard to invest in a person when one saw how things passed. Take the ball player, for example, who dedicates his life, gets injured, and then watches the sport proceed without him. He sits on his leather couch, watching better athletes run across his television screen, younger ones on renovated fields. And he, who sacrificed his sweat, youth, and sanity to the sport and knew coaches, teammates, and even janitors at the stadium like brothers—is forced to still live afterward. His teammates said kind words before a match, hugged him after a goal, but now seem to be focused on new seasons and new goals. He gets left behind. Did none of it mean anything? He cries for the fast world to stop and says, “Slow down. This pains me. We were just here. I used to joke with you. We said we loved each other. Wait for me. Will you just wait for me?” Those hands he shook after a victory could not care for the weeping, broken-footed man hiding in the shadows of his home, once lit by the sun, once the life of the party. When Andrei walked into a job now, or even met someone for the first time, he thought: How long will it take you to forget me?
Kristian Ventura (A Happy Ghost)
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd have to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- tot he manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd had to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- to the manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Scotty” is not his real name, by the way; I only call him that because of his obsession with Star Trek, the same way he calls me “Ursula” because of my love for bears. Scotty’s brother, Trevor, is also waiting on the sofa. My stomach does its usual flip-flop when I see him. I knew he would be here, of course—he and I have an appointment to talk privately after the movie—but I can’t help the effect he has on me. Trevor Lehto is twenty-eight, ten years younger than Scotty and two years older than me. Today he’s wearing a lumberjack shirt with the sleeves turned up to his elbows, Converse sneakers, and jeans, which work well with his brown hair and eyes and a scruffy beard that manages to look both natural and groomed. I also have brown hair and eyes and am wearing jeans and plaid because this is practically the uniform for men and women in the U.P., but Trevor pulls off the look in a way that people tend to notice. I’m reasonably certain I’m not the only person at the hospital who has a crush on him.
Karen Dionne (The Wicked Sister)
Yoseb was almost unrecognizable from the boy she had loved from girlhood. He had become this cynical, broken man—something she could never have predicted. So it was only at the restaurant that Kyunghee behaved like herself. Here, she teased Kim like a younger brother and giggled with Sunja while they cooked. Now, even this place would be gone.
Min Jin Lee (Pachinko)
Tell me your greatest loves, the things you've loved the most, he said one afternoon. That's easy, I said. My mother, my younger brother. And the ocean. Though does it count if what you love can't love you back? Unrequited love is still love, he said. But it's never a great love. Can't be. It's one-sided. Except in the case of the ocean. For the ocean, we can make an exception. How about you? I said. Big, real, soul-splitting loves. How many? Real love? he said. Just the one time. And I couldn't decide if that was better or worse than all the other loves I might have imagined for him. How did you know? What made it so different from all the other times? Oh, it's just one of those things. You know it when you see it. Volatile, he called their love, but true.
Madelaine Lucas (Thirst for Salt)
Electra and I laughed at the size of the corsage. It seemed a bit ridiculous. Then again, everything about prom seemed a bit ridiculous: the awkwardness of taking photos in the vestibule of her house, the fact that my parents had followed the limo I rented in their own car with my ambivalent younger brothers and no less than three cameras, like paparazzi. We were embarrassed and happy and eager to get out of there and loving every minute.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
One day, Elva visited, as she often did from Brooklyn. Lily and Normon were chasing one another, tripping over their younger brother and all falling into a heap onto the floor. Chun grabbed the two by the arms and gave both a swift rap to the head with a sharp knuckle. Lily swiftly burst into tears. Normon bit his lip, nostrils flaring, refusing to cry. Chun flew into a rage—the eldest needed to model good behavior for the youngest children, and here was the toddler Johnny on the floor, bawling. If Normon was going to be so hard-necked obstinate, then both Lily and Normon, as the oldest children in the pecking order, needed to be punished. With a harder rap to the head, they were soon both crying—Normon’s face breaking open like a floodgate. Before she knew it, at the sight of them, Chun was herself in tears. It’s unclear if Elva put her hand on Chun’s shoulder or cleared her throat and said, Okay, enough, but once she’d ushered the children into their bedroom, she returned to find Chun sitting on a chair. They hate me, Chun said. They love you—they’re just being children. Not them, Chun said. The women—in this building. Why? They know that I am different, Chun said, attempting to explain, but knowing it was no use. For Elva, they were all Chinese at 37 Mott, but Chun was distinctly aware of the divisions. It was embarrassing to talk about such things to her aunt, her only true friend aside from Doshim, and a lofan. Elva was truly puzzled. “Shouldn’t that no longer matter here? You’re in a new country! This is America, after all.” Chun’s natural inclination to try to please Elva, to pretend that things were fine even when things were so bad that mo’ paa, mo’ waa—you can’t crawl, can’t scratch—made Elva’s misunderstanding feel like an anvil pressing down on her chest. “Don’t give up,” Elva finally said, her hand on Chun’s small shoulders, so bony like a little bird, now shaking as the tears began to flow. “I know it seems impossible, but there is always a way.” • • •
Ava Chin (Mott Street: A Chinese American Family's Story of Exclusion and Homecoming)
Silence fell in the room. They thought for a while and then the oldest brother shouted: “I have an idea!” The two younger brothers listened to him very carefully. “We can clean up after each game,” he suggested. “Then it won’t take so much time.
Shelley Admont (I Love to Keep My Room Clean)
Lying to my fathers should have been harder than it was…or, at the least, should have left a bitter taste in my mouth. But I’d become an expert at hiding the truth from the men who’d given me and my younger brother and sister a future. It wasn’t that I didn’t love or respect Cade and Rafe Barretti. No, it was the exact opposite, actually. In the seven years since they’d saved me and my siblings from a dire home life, I’d learned what real love was…and what being part of a family truly meant. But
Sloane Kennedy (Finding Hope (Finding, #5))
Learning from Incorrect Information The messages that society sends you are not always accurate. Females often hear that they should be kind, gentle, and sweet, whereas boys learn that they should be tough, strong, and unemotional. These messages can create much self-doubt and low self-esteem when someone doesn’t measure up to the ideal. Often, as a result, he or she develops social anxiety. Joella has two older brothers. When she was younger, she loved to ride her bike, climb trees, and play baseball with them. Because there were no other kids in the neighborhood, they usually let her tag along. When she entered fifth grade, however, her best friend told her that none of the boys would ever like her because she acted like a tomboy. She showed Joella a magazine article that stated that a girl should let boys feel smarter and make them feel more powerful by acting helpless. Even though it didn’t feel right to her, Joella started trying to be “girly.” But she couldn’t help hitting the ball farther and running faster than most boys; and she wanted to do well in the science fair even though she remembered the article advised girls not to. As a result of this conflict, Joella felt very unlikable. When she acted flirty and silly with the other girls, she felt false; but when she played baseball with the boys, she felt like she would never be feminine. She never knew how she should act. Soon, she became anxious in social situations and stopped playing baseball and going out with her female friends.
Heather Moehn (Social Anxiety (Coping With Series))