“
In our time together, you claimed a special place in my heart, one I'll carry with me forever and that no one can ever replace.
”
”
Nicholas Sparks (Dear John)
“
I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face,I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine.
”
”
Laurell K. Hamilton (A Lick of Frost (Merry Gentry, #6))
“
Body cells replace themselves every month. Even at this very moment. Most everything you think you know about me is nothing more than memories.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
Stupid rock gods!” Leo yelled from the helm. “That’s the third time I’ve had to replace that mast! You think they grow on trees?”
Nico frowned. “Masts are from trees.”
“That’s not the point!
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there...
”
”
Stephen King
“
Choose a life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers... Choose DSY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit crushing game shows, stucking junk food into your mouth. Choose rotting away in the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself, choose your future. Choose life... But why would I want to do a thing like that?
”
”
Irvine Welsh (Trainspotting)
“
I get in that kind of situation all the time, Comrade. It's not a big deal." Anger replaced my fear. I didn't like being treated like a child.
"Stop calling me that. You don't even know what you're talking about."
"Sure I do. I had to do a report on the R.S.S.R. last year.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Money is only a tool. It will take you wherever you wish, but it will not replace you as the driver.
”
”
Ayn Rand (Atlas Shrugged)
“
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
”
”
Erma Bombeck (When God Created Mothers)
“
So, you're the man who can't spell 'fuck.'"
Dorothy Parker to Norman Mailer after publishers had convinced Mailer to replace the word with a euphemism, 'fug,' in his 1948 book, "The Naked and the Dead.
”
”
Dorothy Parker
“
Everyone is born creative; everyone is given a box of crayons in kindergarten. Then when you hit puberty they take the crayons away and replace them with dry, uninspiring books on algebra, history, etc. Being suddenly hit years later with the 'creative bug' is just a wee voice telling you, 'I'd like my crayons back, please.
”
”
Hugh MacLeod (Ignore Everybody: and 39 Other Keys to Creativity)
“
You can never replace anyone because everyone is made up of such beautiful specific details.
”
”
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
“
A dragon just gave me a piece of jewelry,” she said. She took another swig and handed the bottle back to Graydon. “Have I been added to his hoard?”
He shook his head and drank too. “No, cupcake,” he said. “I’m pretty sure you’ve replaced it.
”
”
Thea Harrison (Dragon Bound (Elder Races, #1))
“
You think that you are an iconoclast, but you’re not. You just move, or replace what you cannot have. If you fail at something, you retreat into something else. Nothing changes you.... I left you because I knew I could never change you. You would stand in the room so still sometimes, as if the greatest betrayal of yourself would be to reveal one more inch of your character.
”
”
Michael Ondaatje (The English Patient)
“
It gets better, you are important, and you can't be replaced. Hang on. You'll fing youre tribe.
”
”
Penelope Douglas (Punk 57)
“
i give myself five days to forget you.
on the first day i rust.
on the second i wilt.
on the third day i sit with friends but i think about your tongue.
i clean my room on the fourth day. i clean my body on the fourth day.
i try to replace your scent on the fourth day.
the fifth day, i adorn myself like the mouth of an inmate.
a wedding singer dressed in borrowed gold.
the midas of cheap metal.
tinsel in the middle of summer.
crevice glitter, two days after the party.
i glow the way unwanted things do,
a neon sign that reads;
come, i still taste like someone else’s mouth.
”
”
Warsan Shire
“
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see.
“Five dollars says you can’t do it again,” I said, coming up behind him.
Patch looked back and grinned. “I don’t want your money, Angel.”
“Hey now, kids, let’s keep this discussion PG-rated,” Rixon said.
“All three remaining pins,” I challenged Patch.
“What kind of prize are we talking about?” he asked.
“Bloody hell,” Rixon said. “Can’t this wait until you’re alone?”
Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table.
“Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up.
“You got lucky,” I said.
“I’m about to get lucky.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one's marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends' faces are replaced by fear and concern. Everything previously moving with the grain is now against-- you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
Bipolar robs you of that which is you. It can take from you the very core of your being and replace it with something that is completely opposite of who and what you truly are. Because my bipolar went untreated for so long, I spent many years looking in the mirror and seeing a person I did not recognize or understand. Not only did bipolar rob me of my sanity, but it robbed me of my ability to see beyond the space it dictated me to look. I no longer could tell reality from fantasy, and I walked in a world no longer my own.
”
”
Alyssa Reyans (Letters from a Bipolar Mother (Chronicles of A Fractured Life))
“
You don’t have to be afraid or embarrassed. No one does you better than you. You can’t be replaced. Not everyone will see that, but only you need to.” He
”
”
Penelope Douglas (Punk 57)
“
If you’re the girl that needs a boyfriend, and once she loses that boyfriend needs to replace it with a different boyfriend, it’s just this constant stream of boyfriends all the time. I don’t feel like I ever want to be that girl. I want to be the girl that when she falls in love, it’s a big deal and it’s a rare thing.
”
”
Taylor Swift
“
When you come out of the grips of a depression there is an incredible relief, but not one you feel allowed to celebrate. Instead, the feeling of victory is replaced with anxiety that it will happen again, and with shame and vulnerability when you see how your illness affected your family, your work, everything left untouched while you struggled to survive. We come back to life thinner, paler, weaker … but as survivors. Survivors who don’t get pats on the back from coworkers who congratulate them on making it. Survivors who wake to more work than before because their friends and family are exhausted from helping them fight a battle they may not even understand. I hope to one day see a sea of people all wearing silver ribbons as a sign that they understand the secret battle, and as a celebration of the victories made each day as we individually pull ourselves up out of our foxholes to see our scars heal, and to remember what the sun looks like.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
It's a funny thing about the modern world. You hear girls in the toilets of clubs saying, "Yeah, he fucked off and left me. He didn't love me. He just couldn't deal with love. He was too fucked up to know how to love me." Now, how did that happen? What was it about this unlovable century that convinced us we were, despite everything, eminently lovable as a people, as a species? What made us think that anyone who fails to love us is damaged, lacking, malfunctioning in some way? And particularly if they replace us with a god, or a weeping madonna, or the face of Christ in a ciabatta roll---then we call them crazy. Deluded. Regressive. We are so convinced of the goodness of ourselves, and the goodness of our love, we cannot bear to believe that there might be something more worthy of love than us, more worthy of worship. Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.
”
”
Zadie Smith (White Teeth)
“
Every single cell in the human body replaces itself over a period of seven years. That means there's not even the smallest part of you now that was part of you seven years ago.
”
”
Steven Hall (The Raw Shark Texts)
“
So I am not a broken heart.
I am not the weight I lost or miles or ran and I am not the way I slept on my doorstep under the bare sky in smell of tears and whiskey because my apartment was empty and if I were to be this empty I wanted something solid to sleep on. Like concrete.
I am not this year and I am not your fault.
I am muscles building cells, a little every day, because they broke that day,
but bones are stronger once they heal and I am smiling to the bus driver and replacing my groceries once a week and I am not sitting for hours in the shower anymore.
I am the way a life unfolds and bloom and seasons come and go and I am the way the spring always finds a way to turn even the coldest winter into a field of green and flowers and new life.
I am not your fault.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
You called me at four thirty-four....I hate four thirty-four. I think four thirty-four should be banned and replaced with something more reasonable, like, say, nine twelve.
”
”
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
“
I'm sorry about your Porsche."
"I can replace the Porsche. I can't replace you. You need to be more careful."
I was just sitting in your car!"
Babe, you're a magnet for disaster.
”
”
Janet Evanovich (Eleven on Top (Stephanie Plum, #11))
“
You think it's so easy to change yourself. You think it's so easy, but it's not. True, things don't stay the same forever: couches are replaced, boys leave, you discover a song, your body becomes forever scarred. And with each of these moments you change and change again, your true self spinning, shifting positions-- but always at last it returns to you, like a dancer on the floor. Because throughout it all, you are still, always, you: beautiful and bruised, known and unknowable. And isn't that - just you - enough.
”
”
Leila Sales (This Song Will Save Your Life)
“
When we replace a sense of service and gratitude with a sense of entitlement and expectation, we quickly see the demise of our relationships, society, and economy.
”
”
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
“
If I fought for them and was crippled, they would all say nice things,and then they would replace me and forget I was ever there. You would stay with me. You would take care of me, because you love me. I love you too, Kate. If you ever became hurt, I would not leave you.
I’ll be there. Wherever you want‘there’ to be.
-Curran to Kate
”
”
Ilona Andrews (Magic Slays (Kate Daniels, #5))
“
Why do humans never do as they're told? Someone should replace you all with robots. No, on second though, they shouldn't, bad idea.
”
”
Jonathan Morris (Doctor Who: Touched By An Angel)
“
Who is that?”
“Your replacement.”
“You replaced me with a shaved poodle?”
“He's got mad skills.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
I try to do something positive – I socialise more…
But deep down I know the truth.
An entire world of people can never replace the one that I’ve lost.
”
”
Ranata Suzuki
“
The simple truth is that you can understand a town. You can know and love and hate it. You can blame it, resent it, and nothing changes. In the end, you're just another part of it.
”
”
Brenna Yovanoff
“
Note to self: Caymen is very good at sarcasm.”
“If you’re recording notes for an official record, I’d like the word ‘very’ stricken and replaced with ‘exceptionally.
”
”
Kasie West (The Distance Between Us (Old Town Shops, #1))
“
Now, let's never talk about you being related to her again. Because I'm technically still engaged to her, and that's really weird."
Cinder couldn't help laughing, even exhaustedly, even just to cover up the screaming inside, as he bound her up in his arms again. Her headache began to fade, replaced with the strength of his heartbeat and the way she felt almost delicate when she was pressed up against him like this.
Almost fragile.
Almost safe.
Almost like a princess.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
If you seek Him, God can raise you up, and replace the darkness of the ocean, with the light of His Sun.
”
”
Yasmin Mogahed (Reclaim Your Heart: Personal Insights on Breaking Free from Life's Shackles)
“
I was terrified of what might have happened to you," I choked out.
"I was terrified thinking the same about you."
"The devilcraft-" I began.
Patch exhaled beneath me, and my body dipped with his. His breath carried relief and raw emotion. His eyes, stripped of everything but sincerity, found mine. "My skin can be replaced. But you can't, Angel. When Dante left, I thought it was over. I thought I'd failed you. I've never prayed so hard in my life.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
Being in love, you know... it's not like having a canary, in a cage. When you lose one sweetheart, you can't just go out and get another to replace her.
”
”
Sarah Waters (Tipping the Velvet)
“
6 months, 2 weeks, 4 days,
and I still don’t know which month it was then
or what day it is now.
Blurred out lines
from hangovers
to coffee
Another vagabond
lost to love.
4am alone and on my way.
These are my finest moments.
I scrub my skin
to rid me from
you
and I still don’t know why I cried.
It was just something in the way you took my heart and rearranged my insides and I couldn’t recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest.
But then you must have changed your mind
or made a wrong
because why did you
leave?
6 months, 2 weeks, 4 days,
and I still don’t know which month it was then
or what day it is now.
I replace cafés with crowded bars and empty roads with broken bottles
and this town is healing me slowly but still not slow or fast enough because there’s no right way to do this.
There is no right way to do this.
There is no right way to do this.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
All I took was a freaking penny. Besides, I already gave you another one.”
...
“You took a 1962 penny,” Dragos said. His teeth were gritted. “You left a 1975 penny. It’s no replacement.”
She stared at him. “Oh my God, it’s scary you noticed that.
”
”
Thea Harrison (Dragon Bound (Elder Races, #1))
“
Last night somebody broke into my apartment and replaced everything with exact duplicates... When I pointed it out to my roommate, he said, "Do I know you?
”
”
Steven Wright
“
A long time ago, before I even met you,
someone replaced my chest with a broken record.
For years, it’s been stammering through
the same old tune.
I want you to know I’m trying.
I quit smoking. I’m doing yoga. And those days
I wake up wishing for death are getting fewer
and farther apart.
No, I’m not ok. But I haven’t been ok
since I was 11, maybe 12. I am still here though.
I’m still breathing. For me, sometimes, that
will have to be enough
”
”
Clementine von Radics
“
You are not replaceable,” he said. His hands were shaking as he gripped her. “You are not required to make your death convenient. You are allowed to be important to people. The reason I took that fucking Vow was to keep you alive. To keep you safe." - Chapter 52: Flashback 27
”
”
SenLinYu (Manacled)
“
But every smile on your face
seems to replace
A memory I'd rather not hold
Each time you laugh, it fills a
void
Each kiss heals another wound
in my soul
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
Do you really want to know where we come from?" she said. "In every century, in every country, they'll call us something different. They'll say we're ghosts, angels, demons, elemental spirits, and giving us a name doesn't help anybody. When did a name change what someone is?
”
”
Brenna Yovanoff (The Replacement)
“
If you're going to knock down my suggestion, you'd better have one to replace it.
”
”
Alexandra Bracken (Brightly Woven)
“
It's a strange thing, becoming an orphan at sixteen. To lose your family long before you've had time to create your own to replace it. It's a very specific sort of loneliness.
”
”
Fredrik Backman (A Man Called Ove)
“
You cannot see what I see because you see what you see. You cannot know what I know because you know what you know. What I see and what I know cannot be added to what you see and what you know because they are not of the same kind. Neither can it replace what you see and what you know, because that would be to replace you yourself."
"Hang on, can I write this down?" said Arthur, excitedly fumbling in his pocket for a pencil.
”
”
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
“
You lose anyone, there’s no replacing them. What you need to get is that’s precious, you get to keep that, you don’t want to replace it. That doesn’t mean you can’t find something else just as good.
”
”
Kristen Ashley (The Gamble (Colorado Mountain, #1))
“
Nothing, in truth, can ever replace a lost companion. Old comrades cannot be manufactured. There is nothing that can equal the treasure of so many shared memories, so many bad times endured together, so many quarrels, reconciliations, heartfelt impulses. Friendships like that cannot be reconstructed. If you plant an oak, you will hope in vain to sit soon under its shade.
For such is life. We grow rich as we plant through the early years, but then come the years when time undoes our work and cuts down our trees. One by one our comrades deprive us of their shade, and within our mourning we always feel now the secret grief of growing old.
If I search among my memories for those whose taste is lasting, if I write the balance sheet of the moments that truly counted, I surely find those that no fortune could have bought me. You cannot buy the friendship of a companion bound to you forever by ordeals endured together.
”
”
Antoine de Saint-Exupéry (Wind, Sand and Stars)
“
But if this works-if I pass, I need to know that when you look at me, you're going to see me, not just her replacement. That there is more in this future for me than standing in the shadows while you wallow the rest of your existence away.
”
”
Aimee Carter (The Goddess Test (Goddess Test, #1))
“
There is an unfair responsibility that comes with being an only child - you grow up knowing you aren't allowed to disappoint, you're not even allowed to die. There isn't a replacement toddling around; you're it. It makes you desperate to be flawless, and it also makes you drunk with the power. In such ways are despots made.
”
”
Gillian Flynn (Gone Girl)
“
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life… But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?
”
”
Irvine Welsh (Trainspotting)
“
You understand that you are being manipulated by others and you become overwhelmed by hospital bureaucracy. It feels as though you have been violated by administrators who have robbed you of your passion for helping children. That passion that drove you to become a healthcare provider is replaced with mistrust, negativity, and hopeless skepticism.
”
”
Dean Mafako (Burned Out)
“
Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful – as painful as actually being cut with a knife.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Levana's heart throbbed. "It's been almost ten years."
"I know."
"And now? Are you still waiting for it to be over?"
His expression softened. The anger was gone, replaced with something infuriatingly kind, though his words were heartbreakingly cruel. "Are you still waiting for me to fall in love with you?
”
”
Marissa Meyer (Fairest (The Lunar Chronicles, #3.5))
“
Sadness is an emotion you can trust. It is stronger than all of the other emotions. It makes happiness look fickle and untrustworthy. It pervades, lasts longer, and replaces the good feelings with such an eloquent ease you don’t even feel the shift until you are suddenly wrapped in its chains. How hard we strive for happiness, and once we finally have the elusive feeling in our grasp, we hold it briefly, like water as it trickles through our fingers.
”
”
Tarryn Fisher (Marrow)
“
Do I look like I’ve been crying?’ I say.
‘Hmm.’ He leans in close, narrowing his eyes like he’s inspecting my face. A smile tugs at the corner of his mouth. Even closer, so we would be breathng the same air- if I could remember to breathe.
‘No, Tris,’ he says. A more serious look replaces his smile as he adds, ‘You look tough as nails.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
A day or two after my love pronouncement, now feral with vulnerability, I sent you the passage from Roland Barthes by Roland Barthes in which Barthes describes how the subject who utters the phrase “I love you” is like “the Argonaut renewing his ship during its voyage without changing its name.” Just as the Argo’s parts may be replaced over time but the boat is still called the Argo, whenever the lover utters the phrase “I love you,” its meaning must be renewed by each use, as “the very task of love and of language is to give to one and the same phrase inflections which will be forever new.
”
”
Maggie Nelson (The Argonauts)
“
There is no explaining this simple truth about life: you will forget much of it. The painful things you were certain you’d never be able to let go? Now you’re not entirely sure when they happened, while the thrilling parts, the heart-stopping joys, splintered and scattered and became something else. Memories are then replaced by different joys and larger sorrows, and unbelievably, those things get knocked aside as well, until one morning you’re picking cherries with your three grown daughters and your husband goes by on the Gator and you are positive that this is all you’ve ever wanted in the world.
”
”
Ann Patchett (Tom Lake)
“
Just beyond the ticket booth Father had painted on a wall in bright red letters the question: DO YOU KNOW WHICH IS THE MOST DANGEROUS ANIMAL IN THE ZOO? An arrow pointed to a small curtain. There were so many eager, curious hands that pulled at the curtain that we had to replace it regularly. Behind it was a mirror.
”
”
Yann Martel (Life of Pi)
“
Where you worried about me?"
"No, I'm ranting for fun, because I'm a disagreeable bitch!"
He smiled.
"You're a moron!" I told him.
He just looked at me. Happy golden lights danced in his eyes. I'd learned exactly what those sparks meant. Fury fled, replaced by alarm.
"Kiss me and I'll kill you," I warned.
"It might be worth it," he said softly.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
And isn't the whole world yours? For how often you set it on fire with your love and saw it blaze and burn up and secretly replaced it with another world while everyone slept. You felt in such complete harmony with God, when every morning you asked him for a new earth, so that all the ones he had made could have their turn. You thought it would be shabby to save them and repair them; you used them up and held out your hands, again and again, for more world. For your love was equal to everything.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
Passion isn't a path through the woods. Passion is the woods. It's the deepest, wildest part of the forest; the grove where the fairies still dance and obscene old vipers snooze in the boughs. Everybody but the most dried up and dysfunctional is drawn to the grove and enchanted by its mysteries, but then they just can't wait to call in the chain saws and bulldozers and replace it with a family-style restaurant or a new S and L. That's the payoff, I guess. Safety. Security. Certainty. Yes, indeed. Well, remember this, pussy latte: we're not involved in a 'relationship,' you and I, we're involved in a collision. Collisions don't much lend themselves to secure futures...
”
”
Tom Robbins (Half Asleep in Frog Pajamas)
“
Life is about balance. The good and the bad. The highs and the lows. The thing everyone should realize is that the key to happiness is being happy by yourself and for yourself. Happiness comes from within. You have the power to change your own mindset so that all the negative, horrible thoughts that try to invade your psyche are replaced with happy, positive, wonderful thoughts.
”
”
Ellen DeGeneres (Seriously... I'm Kidding)
“
...unfortunately, it's true: time does heal. It will do so whether you like it or not, and there's nothing anyone can do about it. If you're not careful, time will take away everything that ever hurt you, everything you have ever lost, and replace it with knowledge. Time is a machine: it will convert your pain into experience. Raw data will be compiled, will be translated into a more comprehensible language. The individual events of your life will be transmuted into another substance called memory and in the mechanism something will be lost and you will never be able to reverse it, you will never again have the original moment back in its uncategorized, preprocessed state. It will force you to move on and you will not have a choice in the matter.
”
”
Charles Yu (How to Live Safely in a Science Fictional Universe)
“
Amy [Winehouse] increasingly became defined by her addiction. Our media though is more interested in tragedy than talent, so the ink began to defect from praising her gift to chronicling her downfall. The destructive personal relationships, the blood soaked ballet slippers, the aborted shows, that YouTube madness with the baby mice. In the public perception this ephemeral tittle-tattle replaced her timeless talent. This and her manner in our occasional meetings brought home to me the severity of her condition. Addiction is a serious disease; it will end with jail, mental institutions, or death.
”
”
Russell Brand
“
it's weird how much people change. for example, when i was a kid i loved all of these things..and over time all of them just fell away, one after another, replaced by friends and IMing and cell phones and boys and clothes. it's kind of sad, if you think about it. like there's no continuity in people at all. like something ruptures when you hit twelve, or thirteen, or whatever the age is when you're no longer a kid but a "young adult," and after that you're a totally different person. maybe even a less happy person. maybe even a worse one.
”
”
Lauren Oliver (Before I Fall)
“
[Think] of an experience from your childhood. Something you remember clearly, something you can see, feel, maybe even smell, as if you were really there. After all you really were there at the time, weren't you? How else could you remember it? But here is the bombshell: you weren't there. Not a single atom that is in your body today was there when that event took place. Every bit of you has been replaced many times over (which is why you eat, of course). You are not even the same shape as you were then. The point is that you are like a cloud: something that persists over long periods, while simultaneously being in flux. Matter flows from place to place and momentarily comes together to be you. Whatever you are, therefore, you are not the stuff of which you are made. If that does not make the hair stand up on the back of your neck, read it again until it does, because it is important.
”
”
Steve Grand (Creation: Life and How to Make It)
“
Do not resent your place in the story. Do not imagine yourself elsewhere. Do not close your eyes and picture a world without thorns, without shadows, without hawks. Change this world. Use your body like a tool meant to be used up, discarded, and replaced. Better every life you touch. We will reach the final chapter. When we have eyes that can stare into the sun, eyes that only squint for the Shenikah, then we will see laughing children pulling cobras by their tails, and hawks and rabbits playing tag.
”
”
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
“
But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
”
”
Donna Tartt (The Goldfinch)
“
I like to watch his hands as he works, making a blank page bloom with strokes of ink, adding touches of color to our previously black and yellowish book. His face takes on a special look when he concentrates. His usual easy expression is replaced by something more intense and removed that suggests an entire world locked away inside him. I've seen flashes of this before: in the arena, or when he speaks to a crowd, or that time he shoved the Peacekeepers' guns away from me in District 11. I don't know quite what to make of it. I also become a little fixated on his eyelashes, which ordinarily you don't notice much because they're so blond. But up close, in the sunlight slanting in from the window, they're a light golden color and so long I don't see how they keep from getting all tangled up when he blinks.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once, with a bang. And maybe, Richie thought, that's the scary part. How you didn't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons. The kid in you just leaked out, like the air of a tire.
”
”
Stephen King (It)
“
I was astonished to see Adrian watching me, a look of contentment on his face. His eyes seemed to study my every feature. Seeing me notice him, he immediately looked away. His usual smirky expression replaced by a dreamy one.
“The mechanic will wait,” he said.
“Yeah, but I’m supposed to meet Brayden soon, I’ll be-” That’s when I got a good look at Adrian. “What have you done? Look at you! You shouldn’t be out here.”
“It’s not that bad.”
He was lying, and we both knew it.
“Come on, we have to get you out of here before you get worse. What were you thinking?”
His expression was astonishingly nonchalant for someone who looked like he would pass out. “It was worth it. You looked…happy
”
”
Richelle Mead
“
In this new year, may you have a deep understanding of your true value and worth, an absolute faith in your unlimited potential, peace of mind in the midst of uncertainty, the confidence to let go when you need to, acceptance to replace your resistance, gratitude to open your heart, the strength to meet your challenges, great love to replace your fear, forgiveness and compassion for those who offend you, clear sight to see your best and true path, hope to dispel obscurity, the conviction to make your dreams come true, meaningful and rewarding synchronicities, dear friends who truly know and love you, a childlike trust in the benevolence of the universe, the humility to remain teachable, the wisdom to fully embrace your life exactly as it is, the understanding that every soul has its own course to follow, the discernment to recognize your own unique inner voice of truth, and the courage to learn to be still.
”
”
Janet Rebhan
“
I actually attack the concept of happiness. The idea that - I don’t mind people being happy - but the idea that everything we do is part of the pursuit of happiness seems to me a really dangerous idea and has led to a contemporary disease in Western society, which is fear of sadness. It’s a really odd thing that we’re now seeing people saying “write down 3 things that made you happy today before you go to sleep”, and “cheer up” and “happiness is our birthright” and so on. We’re kind of teaching our kids that happiness is the default position - it’s rubbish. Wholeness is what we ought to be striving for and part of that is sadness, disappointment, frustration, failure; all of those things which make us who we are. Happiness and victory and fulfillment are nice little things that also happen to us, but they don’t teach us much. Everyone says we grow through pain and then as soon as they experience pain they say “Quick! Move on! Cheer up!” I’d like just for a year to have a moratorium on the word “happiness” and to replace it with the word “wholeness”. Ask yourself “is this contributing to my wholeness?” and if you’re having a bad day, it is.
”
”
Hugh Mackay
“
Relax, Mr. Diggums. Have another nettle beer, or some spring water." The commander took two bottles from the cooler and offered one to Mulch.
Mulch studied the label. "Derrier? No thanks. You know how they put the bubbles in this stuff?"
Vinyaya's mouth twitched with the ghost of a smile. "I thought it was naturally carbonated."
"Yeah, that's what I thought until I got a prison job at the Derrier plant. They employ every dwarf in the Deeps. They made us sign confidentiality contracts."
Vinyaya was hooked. "So go on, tell me. How do they get the bubbles in?"
Mulch tapped his nose. "Can't say. Breach of contract. All I can say is it involves a huge vat of water and several dwarfs using our ...eh" Mulch pointed to his rear end-"... natural talents."
Vinyaya gingerly replaced her bottle.
”
”
Eoin Colfer (The Lost Colony (Artemis Fowl, #5))
“
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.'
He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
”
”
F. Scott Fitzgerald (The Short Stories)
“
So, how was work? You clearly missed me.”
I put my hands on my face in embarrassment and he just laughs a bit to himself.
“It was boring.” It’s the truth.
“No one to antagonize, huh?”
“I tried abusing some of the gentle folk in payroll but they got all teary.”
“The trick is to find that one person who can give it back as good as they can take it.” He takes out a pan and begins to fry the vegetables in a single, stingy drop of oil.
“Sonja Rutherford, probably. That scary lady in the mailroom that looks like an albino Morticia Addams.”
“Don’t line my replacement up too quick. You’ll hurt my feelings.
”
”
Sally Thorne (The Hating Game)
“
I don't miss him anymore. Most of the time, anyway. I want to. I wish I could but unfortunately, it's true: time does heal. It will do so whether you like it or not, and there's nothing anyone can do about it. If you're not careful, time will take away everything that ever hurt you, everything you have lost, and replace it with knowledge. Time is a machine: it will convert your pain into experience... It will force you to move on and you will not have a choice in the matter.
”
”
Charles Yu (How to Live Safely in a Science Fictional Universe)
“
Are You Ready for New Urban Fragrances?
Yeah, I guess I'm ready, but listen:
Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.
Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.
I want to travel on a train that smells like snowflakes.
I want to sip in cafes that smell like comets.
Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.
I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.
I want to carry luggage that reeks of the neurons in Einstein's brain.
I want a city's gases to smell like the golden belly hairs of the gods.
And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
”
”
Tom Robbins (Wild Ducks Flying Backward)
“
I can wait in silence no longer, but I’m afraid I’m already too late. I am trapped between agony and hope—believing I have no right to speak, but knowing more how much I’d regret it if I did not. Tell me I’m not wrong. Tell me that, this time, you will accept my offer. Because I’m making it again. I want you with me, Elliot. It’s all I have ever wanted. I offer you everything I have—my world, my ship, my self—perhaps they will be enough to replace what I know you would be giving up if you came with me.
”
”
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
“
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”
Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees.
Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”
Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota.
Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”
Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”
Voicemail #20: “I wish you’d answer.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
When the faithful are asked whether God really exists, they often begin by talking about the enigmatic mysteries of the universe and the limits of human understanding. ‘Science cannot explain the Big Bang,’ they exclaim, ‘so that must be God’s doing.’ Yet like a magician fooling an audience by imperceptibly replacing one card with another, the faithful quickly replace the cosmic mystery with the worldly lawgiver. After giving the name of ‘God’ to the unknown secrets of the cosmos, they then use this to somehow condemn bikinis and divorces. ‘We do not understand the Big Bang – therefore you must cover your hair in public and vote against gay marriage.’ Not only is there no logical connection between the two, but they are in fact contradictory. The deeper the mysteries of the universe, the less likely it is that whatever is responsible for them gives a damn about female dress codes or human sexual behaviour.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
Dear God
Please take away my pain and despair of yesterday and any unpleasant memories and replace them with Your glorious promise of new hope. Show me a fresh HS-inspired way of relating to negative things that have happened. I ask You for the mind of Christ so I can discern Your voice from the voice of my past. I pray that former rejection and deep hurts will not color what I see and hear now.
Help me to see all the choices I have ahead of me that can alter the direction of my life. I ask You to empower me to let go of the painful events and heartaches that would keep me bound. Thank You for Your forgiveness that You have offered to me at such a great price. Pour it into my heart so I can relinquish bitterness hurts and disappointments that have no place in my life. Please set me free to forgive those who have sinned against me and caused me pain and also myself. Open my heart to receive Your complete forgiveness and amazing grace. You have promised to bind up my wounds Psa 147:3 and restore my soul Psa 23:3 .
Help me to relinquish my past surrender to You my present and move to the future You have prepared for me. I ask You to come into my heart and make me who You would have me to be so that I might do Your will here on earth. I thank You Lord for all that’s happened in my past and for all I have become through those experiences. I pray You will begin to gloriously renew my present.
”
”
Sue Augustine (When Your Past Is Hurting Your Present: Getting Beyond Fears That Hold You Back)
“
--and then you're in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it's the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it's you, the Substance has devoured or replaced and become you, and the puke-, drool- and Substance-crusted T-shirt you've both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest's center and centerless eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you've been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It's your enemy and your worst personal nightmare and the trouble It's gotten you into is undeniable and you still can't stop. Doing the Substance now is like attending Black Mass but you still can't stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around.
”
”
David Foster Wallace (Infinite Jest)
“
At the beginning of the semester, when you asked who I loved the most, an image of my mother popped in my head. When you asked me who I loved the most for the second time, it wasn’t an image of my mother. Instead, it was replaced by an image of a strawberry blonde with big, blue eyes.
It took me a long time to figure out the exact moment I fell in love with her, partly because I denied that I did until it was too late.
I fucked up so badly and did so many things wrong, to the point of no return, so I let her go. The selfless part inside of me wants to say I did the right thing, and the selfish part of me thinks I made the biggest mistake of my life. I guess the selfless side won out because, every time I look at her and see what I did, I realize I don’t deserve her.
I was never supposed to fall in love with her, but that was the best mistake of my life. I will always love her; I have ever since I purposely bumped into her in the hallway.
”
”
Sarah Brianne (Nero (Made Men, #1))
“
i will tell you about selfish people. even when they know they will hurt you they walk into your life to taste you because you are the type of being they don’t want to miss out on. you are too much shine to not be felt. so when they have gotten a good look at everything you have to offer. when they have taken your skin your hair and your secrets with them. when they realize how real this is. how much of a storm you are and it hits them.
that is when the cowardice sets in. that is when the person you thought they were is replaced by the sad reality of what they are. that is when they lose every fighting bone in their body and leave after saying you will find better than me.
you will stand there naked with half of them still hidden somewhere inside you and sob. asking them why they did it. why they forced you to love them when they had no intention of loving you back and they’ll say something along the lines of i just had to try. i had to give it a chance. it was you after all.
but that isn’t romantic. it isn’t sweet. the idea that they were so engulfed by your existence they had to risk breaking it for the sake of knowing they weren’t the one missing out. your existence meant that little next to their curiosity of you.
”
”
Rupi Kaur (milk and honey)
“
The most insightful thing I ever heard, was overheard. I was waiting for a rail replacement bus in Hackney Wick. These two old women weren’t even talking to me - not because I’d offended them, I hadn’t, I’d been angelic at that bus stop, except for the eavesdropping. Rail replacement buses take an eternity, because they think they’re doing you a favour by covering for the absent train, you’ve no recourse.
Eventually the bus appeared, on the distant horizon, and one of the women, with the relief and disbelief that often accompanies the arrival of public transport said, ‘Oh look, the bus is coming.’ The other woman - a wise woman, seemingly aware that her words and attitude were potent and poetic enough to form the final sentence in a stranger’s book - paused, then said, ‘The bus was always coming.
”
”
Russell Brand (My Booky Wook)
“
We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book.
"No one sees the barn," he said finally.
A long silence followed.
"Once you've seen the signs about the barn, it becomes impossible to see the barn."
He fell silent once more. People with cameras left the elevated site, replaced by others.
We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies."
There was an extended silence. The man in the booth sold postcards and slides.
"Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."
Another silence ensued.
"They are taking pictures of taking pictures," he said.
”
”
Don DeLillo (White Noise)
“
You don’t know anyone at the party, so you don’t want to go. You don’t like cottage cheese, so you haven’t eaten it in years. This is your choice, of course, but don’t kid yourself: it’s also the flinch. Your personality is not set in stone. You may think a morning coffee is the most enjoyable thing in the world, but it’s really just a habit. Thirty days without it, and you would be fine. You think you have a soul mate, but in fact you could have had any number of spouses. You would have evolved differently, but been just as happy.
You can change what you want about yourself at any time. You see yourself as someone who can’t write or play an instrument, who gives in to temptation or makes bad decisions, but that’s really not you. It’s not ingrained. It’s not your personality. Your personality is something else, something deeper than just preferences, and these details on the surface, you can change anytime you like.
If it is useful to do so, you must abandon your identity and start again. Sometimes, it’s the only way.
Set fire to your old self. It’s not needed here. It’s too busy shopping, gossiping about others, and watching days go by and asking why you haven’t gotten as far as you’d like. This old self will die and be forgotten by all but family, and replaced by someone who makes a difference.
Your new self is not like that. Your new self is the Great Chicago Fire—overwhelming, overpowering, and destroying everything that isn’t necessary.
”
”
Julien Smith (The Flinch)
“
Do you know when you've lost something—like your favorite T-shirt or a set of keys—and while looking for it, you come across something else you once missed but have long since forgotten? Well whatever it was, there was a point where you decided to stop searching, maybe because it was no longer required or a new replacement was found. It is almost as if it never existed in the first place—until that moment of rediscovery, a flash of recognition.
Everyone has one—an inventory of lost things waiting to be found. Yearning to be acknowledged for the worth they once held in your life.
I think this is where I belong—among all your other lost things. A crumpled note at the bottom of a drawer or an old photograph pressed between the pages of a book. I hope someday you will find me and remember what I once meant to you.
”
”
Lang Leav (Love & Misadventure)
“
The soul gropes in search of a soul, and finds it. And that soul, found and proven, is a woman. A hand sustains you, it is hers; lips lightly touch your forehead, they are her lips; you hear breathing near you, it is she. To have her wholly, from her devotion to her pity, never to be left alone, to have that sweet shyness as, to lean on that unbending reed, to touch, Providence with your hands and be able to grasp it in your arms; God made palpable, what transport! The heart, that dark celestial flower, bursts into a mysterious bloom. You would not give up that shade for all the light in the world! The angel soul is there, forever there; if she goes away, it is only to return; she fades away in a dream and reappears in reality. You feel an approaching warmth, she is there. You overflow with serenity, gaiety, and ecstasy; you are radiant in your darkness. And the thousand little cares! The trifles that are enormous in this void. The most ineffable accents of the womanly voice used to comfort you, and replacing for you the vanished universe! You are caressed through the soul. You see nothing but you feel yourself adored. It is paradise of darkness.
”
”
Victor Hugo (Les Misérables)
“
when I was four years old
they tried to test my I.Q.
they showed me a picture
of 3 oranges and a pear
they said,
which one is different?
it does not belong
they taught me different is wrong
but when I was 13 years old
I woke up one morning
thighs covered in blood
like a war
like a warning
that I live in a breakable takeable body
an ever-increasingly valuable body
that a woman had come in the night to replace me
deface me
see,
my body is borrowed
yeah, I got it on loan
for the time in between my mom and some maggots
I don't need anyone to hold me
I can hold my own
I got highways for stretchmarks
see where I've grown
I sing sometimes
like my life is at stake
'cause you're only as loud
as the noises you make
I'm learning to laugh as hard
as I can listen
'cause silence
is violence
in women and poor people
if more people were screaming then I could relax
but a good brain ain't diddley
if you don't have the facts
we live in a breakable takeable world
an ever available possible world
and we can make music
like we can make do
genius is in a back beat
backseat to nothing if you're dancing
especially something stupid
like I.Q.
for every lie I unlearn
I learn something new
I sing sometimes for the war that I fight
'cause every tool is a weapon -
if you hold it right.
”
”
Ani DiFranco
“
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
My name...my name is Mary. I'm here with a friend.'
Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered.
'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.'
Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly.
He closed his eyes. 'Say something else.'
'What?' she asked, baffled.
'Talk. Talk to me. I want to hear your voice.'
She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?'
He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin.
'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better.
'Could you... could you please let go of me?'
'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.'
She started to struggle. 'You're crowding me.'
'I know. Talk.'
'Oh for God's sake, what do you want me to say?'
Even exasperated, her voice was beautiful. 'Anything.'
'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.'
He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft.
'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon.
When she pushed against him, he leaned his full weight into her. Her breath came out in a rush.
'Please,' he murmured.
Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.'
He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.'
'What?'
'Nothing. Say nothing. Over and over and over again. Do it.'
She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.'
"Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
But when you talk about Nabokov and Coover, you’re talking about real geniuses, the writers who weathered real shock and invented this stuff in contemporary fiction. But after the pioneers always come the crank turners, the little gray people who take the machines others have built and just turn the crank, and little pellets of metafiction come out the other end. The crank-turners capitalize for a while on sheer fashion, and they get their plaudits and grants and buy their IRAs and retire to the Hamptons well out of range of the eventual blast radius. There are some interesting parallels between postmodern crank-turners and what’s happened since post-structural theory took off here in the U.S., why there’s such a big backlash against post-structuralism going on now. It’s the crank-turners fault. I think the crank-turners replaced the critic as the real angel of death as far as literary movements are concerned, now. You get some bona fide artists who come along and really divide by zero and weather some serious shit-storms of shock and ridicule in order to promulgate some really important ideas. Once they triumph, though, and their ideas become legitimate and accepted, the crank-turners and wannabes come running to the machine, and out pour the gray pellets and now the whole thing’s become a hollow form, just another institution of fashion. Take a look at some of the critical-theory Ph.D. dissertations being written now. They’re like de Man and Foucault in the mouth of a dull child. Academia and commercial culture have somehow become these gigantic mechanisms of commodification that drain the weight and color out of even the most radical new advances. It’s a surreal inversion of the death-by-neglect that used to kill off prescient art. Now prescient art suffers death-by acceptance. We love things to death, now. Then we retire to the Hamptons.
”
”
David Foster Wallace
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
Why should I give up revenge? On behalf of what? Moral principles? And what of the higher order of things, in which evil deeds are punished? For you, a philosopher and ethicist, an act of revenge is bad, disgraceful, unethical and illegal. But I ask: where is the punishment for evil? Who has it and grants access? The Gods, in which you do not believe? The great demiurge-creator, which you decided to replace the gods with? Or maybe the law? [...] I know what evil is afraid of. Not your ethics, Vysogota, not your preaching or moral treaties on the life of dignity. Evil is afraid of pain, mutilation, suffering and at the end of the day, death! The dog howls when it is badly wounded! Writhing on the ground and growls, watching the blood flow from its veins and arteries, seeing the bone that sticks out from a stump, watching its guts escape its open belly, feeling the cold as death is about to take them. Then and only then will evil begin to beg, 'Have mercy! I regret my sins! I'll be good, I swear! Just save me, do not let me waste away!'. Yes, hermit. That is the way to fight evil! When evil wants to harm you, inflict pain - anticipate them, it's best if evil does not expect it. But if you fail to prevent evil, if you have been hurt by evil, then avenge him! It is best when they have already forgotten, when they feel safe. Then pay them in double. In triple. An eye for an eye? No! Both eyes for an eye! A tooth for a tooth? No! All their teeth for a tooth! Repay evil! Make it wail in pain, howling until their eyes pop from their sockets. And then, you can look under your feet and boldly declare that what is there cannot endanger anyone, cannot hurt anyone. How can someone be a danger, when they have no eyes? How can someone hurt when they have no hands? They can only wait until they bleed to death.
”
”
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))