D Coleman Quotes

We've searched our database for all the quotes and captions related to D Coleman. Here they are! All 36 of them:

They'd had fun, for sure. They laughed and enjoyed being together. But if she was painfully honest with herself, something was missing. Something in the way Tim looked at her. She remembered her mom's word. "I saw the way he looked at you...he adores you." Maybe that was it. Tim looked at her on a surface level. He smiled and seemed happy to see her. But When Cody looked at her, there were no layers left, nothing her didn't reveal, nothing he couldn't see. He didn't really look at her so much as he looked into her. To the deepest, most real places in her heart and soul.
Karen Kingsbury (Take Two (Above the Line, #2))
Love is a funny thing," he says, breaking the silence. "Sometimes, I'd like to be better with words, so that I could talk about it more. It seems so wrong to me that there is this condition that affects all of us, more than anything else in our lives ever will, and only the poets and song writers get to talk about it with any sort of authority.
Rowan Coleman (The Day We Met)
It’s hard not to empathize with the mayor’s anger, given the injustices he’d suffered, but righteous anger rarely leads to wise policy.
Edward L. Glaeser (Triumph of the City: How Our Greatest Invention Makes Us Richer, Smarter, Greener, Healthier and Happier)
looking at my reflection, in the window opposite, hollow and translucent, I see a woman disappearing. It would help if I looked like that in real life – if the more the disease advanced, the more ‘see-through’ I became until, eventually, I would be just a wisp of a ghost. How much more convenient it would be, how much easier for everyone, including me, if my body just melted away along with my mind. Then we’d all know where we were, literally and metaphysically.
Rowan Coleman (The Day We Met)
I'd burned bridges between us that had yet to be built.
Reed Farrel Coleman (Gun Church)
Though his health and family had been broken in the process, he'd found his purpose in life — to share the ancient key discovered anew in the garden: if we feed the earth, it will feed us. I see that is the secret, too, to living. Though the earth demands its sacrifices, spring will always return
Melissa Coleman
How did he get so terribly smart, so determined? Maybe it was the pain I'd caused that made him that way, and if that were true, then I'd sort of had a hand in it, in making him as smart and devious as he was. I was really starting to dislike the guy. But I also felt a little proud, like Dr. Frankenstein must have felt when his monster turned on him, because after all, it was Dr. Frankenstein who had made the monster strong and cunning enough to turn on him.
Brock Clarke (An Arsonist's Guide to Writers' Homes in New England)
While I held the letter in my hand and as carefully as I could--and as Coleman would have me do--appraised the choice of words and their linear deployment as if they'd been composed not by Delphine Roux but by Emily Dickinson...
Philip Roth (The Human Stain (The American Trilogy, #3))
The word “valiant,” as the preacher intoned it, stripped away Coleman’s manly effort at sober, stoical self-control and laid bare a child’s longing for that man closest to him that he’d never see again, the mammoth, secretly suffering father who talked so easily, so sweepingly, who with just his powers of speech had inadvertently taught Coleman to want to be stupendous.
Philip Roth (The Human Stain (The American Trilogy, #3))
You combed Third Avenue last year For some small gift that was not too dear, Like a candy cane or a worn out truss, To give to a loving friend like us You'd found gold eggs for such wealthy hicks As the Edsel Fords and the Pittsburgh Fricks The Andy Mellons, the Teddy Shonts The Coleman T. and Pierre duponts But not one gift to brighten our home So I'm giving you back your Goddamn poem.
F. Scott Fitzgerald (A Life in Letters)
You've created this distance not because your community rejected you but because you felt you were not worthy of being part of it. This is an easy trap to fall into, Benny. Believe me, I've done it myself. For a long time, I labelled myself shy and quiet, until I started to realise that I'd outgrown that label. I wasn't that person anymore. And my label was keeping me from things I wanted to do, people I wanted to get closer to.
Colleen Coleman (Don't Stop Me Now)
There was another inspiring moment: a rough, choppy, moonlit night on the water, and the Dreadnaught's manager looked out the window suddenly to spy thousands of tiny baitfish breaking the surface, rushing frantically toward shore. He knew what that meant, as did everyone else in town with a boat, a gaff and a loaf of Wonder bread to use as bait: the stripers were running! Thousands of the highly prized, relatively expensive striped bass were, in a rare feeding frenzy, suddenly there for the taking. You had literally only to throw bread on the water, bash the tasty fish on the head with a gaff and then haul them in. They were taking them by the hundreds of pounds. Every restaurant in town was loading up on them, their parking lots, like ours, suddenly a Coleman-lit staging area for scaling, gutting and wrapping operations. The Dreadnaught lot, like every other lot in town, was suddenly filled with gore-covered cooks and dishwashers, laboring under flickering gaslamps and naked bulbs to clean, wrap and freeze the valuable white meat. We worked for hours with our knives, our hair sparkling with snowflake-like fish scales, scraping, tearing, filleting. At the end of the night's work, I took home a 35-pound monster, still twisted with rigor. My room-mates were smoking weed when I got back to our little place on the beach and, as often happens on such occasions, were hungry. We had only the bass, some butter and a lemon to work with, but we cooked that sucker up under the tiny home broiler and served it on aluminum foil, tearing at it with our fingers. It was a bright, moonlit sky now, a mean high tide was lapping at the edges of our house, and as the windows began to shake in their frames, a smell of white spindrift and salt saturated the air as we ate. It was the freshest piece of fish I'd ever eaten, and I don't know if it was due to the dramatic quality the weather was beginning to take on, but it hit me right in the brainpan, a meal that made me feel better about things, made me better for eating it, somehow even smarter, somehow . . . It was a protein rush to the cortex, a clean, three-ingredient ingredient high, eaten with the hands. Could anything be better than that?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
The Austrian born Von Hayek has long been under the control of David Rockefeller, and Von Hayek theories have been fairly widely accepted in the United States for some time, especially in “conservative” circles. According to Von Hayek, a future United States economic platform must be based on (a) urban black markets, (b) small Hong Kong type industries utilizing sweatshop labor, (c) the tourist trade, (d) free enterprise zones where speculators can operate unhindered and where the drug trade can flourish, (e) the end of all industrial activity and (f) closing down of all nuclear energy plants.
John Coleman (The Conspirator's Hierarchy: The Committee of 300)
This means, a woman might think, that the law will treat her fairly in employment disputes if only she does her part, looks pretty, and dresses femininely. She would be dangerously wrong, though. Let’s look at an American working woman standing in front of her wardrobe, and imagine the disembodied voice of legal counsel advising her on each choice as she takes it out on its hanger. “Feminine, then,” she asks, “in reaction to the Craft decision?” “You’d be asking for it. In 1986, Mechelle Vinson filed a sex discrimination case in the District of Columbia against her employer, the Meritor Savings Bank, on the grounds that her boss had sexually harassed her, subjecting her to fondling, exposure, and rape. Vinson was young and ‘beautiful’ and carefully dressed. The district court ruled that her appearance counted against her: Testimony about her ‘provocative’ dress could be heard to decide whether her harassment was ‘welcome.’” “Did she dress provocatively?” “As her counsel put it in exasperation, ‘Mechelle Vinson wore clothes.’ Her beauty in her clothes was admitted as evidence to prove that she welcomed rape from her employer.” “Well, feminine, but not too feminine, then.” “Careful: In Hopkins v. Price-Waterhouse, Ms. Hopkins was denied a partnership because she needed to learn to ‘walk more femininely, talk more femininely, dress more femininely,’ and ‘wear makeup.’” “Maybe she didn’t deserve a partnership?” “She brought in the most business of any employee.” “Hmm. Well, maybe a little more feminine.” “Not so fast. Policewoman Nancy Fahdl was fired because she looked ‘too much like a lady.’” “All right, less feminine. I’ve wiped off my blusher.” “You can lose your job if you don’t wear makeup. See Tamini v. Howard Johnson Company, Inc.” “How about this, then, sort of…womanly?” “Sorry. You can lose your job if you dress like a woman. In Andre v. Bendix Corporation, it was ruled ‘inappropriate for a supervisor’ of women to dress like ‘a woman.’” “What am I supposed to do? Wear a sack?” “Well, the women in Buren v. City of East Chicago had to ‘dress to cover themselves from neck to toe’ because the men at work were ‘kind of nasty.’” “Won’t a dress code get me out of this?” “Don’t bet on it. In Diaz v. Coleman, a dress code of short skirts was set by an employer who allegedly sexually harassed his female employees because they complied with it.
Naomi Wolf (The Beauty Myth)
One can do only so much to control one's life,' Ernestine said, and with that, a summary statement as philosophically potent as any she cared to make, she returned the wallet to her handbag, thanked me for lunch, and, gathering herself almost visibly back into that orderly, ordinary existence that rigorously distanced itself from delusionary thinking, whether white or black or in between, she left the car. Instead of my then heading home, I drove crosstown to the cemetery and, after parking on the street, walked in through the gate, and not quite knowing what was happening, standing in the falling darkness beside the uneven earth mound roughly heaped over Coleman's coffin, I was completely seized by his story, by its end and by its beginning, and, then and there, I began this book. I began by wondering what it had been like when Coleman had told Faunia the truth about that beginning--assuming that he ever had; assuming, that is, that he had to have. Assuming that what he could not outright say to me on the day he burst in all but shouting, "Write my story, damn you!" and what he could not say to me when he had to abandon (because of the secret, I now realized) writing the story himself, he could not in the end resist confessing to her, to the college cleaning woman who'd become his comrade-in-arms, the first and last person since Ellie Magee for whom he could strip down and turn around so as to expose, protruding from his naked back, the mechanical key by which he had wound himself up to set off on his great escapade. Ellie, before her Steena, and finally Faunia. The only woman never to know his secret is the woman he spent his life with, his wife. Why Faunia?
Philip Roth (The Human Stain (The American Trilogy, #3))
Of course he wept at the funeral and knew how colossal this thing was that, without warning, had been taken away. When the minister read, along with the biblical stuff, a selection from Julius Caesar out of his father's cherished volume of Shakespeare's plays —the oversized book with the floppy leather binding that, when Coleman was a small boy, always reminded him of a cocker spaniel —the son felt his father's majesty as never before: the grandeur of both his rise and his fall, the grandeur that, as a college freshman away for barely a month from the tiny enclosure of his East Orange home, Coleman had begun faintly to discern for what it was. "Cowards die many times before their deaths; The valiant never taste of death but once. Of all the wonders that I yet have heard, It seems to me most strange that men should fear; Seeing that death, a necessary end, Will come when it will come." The word "valiant," as the preacher intoned it, stripped away Coleman's manly effort at sober, stoical self-control and laid bare a child's longing for that man closest to him that he'd never see again, the mammoth, secretly suffering father who talked so easily, so sweepingly, who with just his powers of speech had inadvertently taught Coleman to want to be stupendous. Coleman wept with the most fundamental and copious of all emotions, reduced helplessly to everything he could not bear. As an adolescent complaining about his father to his friends, he would characterize him with far more scorn than he felt or had the capacity to feel—pretending to an impersonal way of judging his own father was one more method he'd devised to invent and claim impregnability. But to be no longer circumscribed and defined by his father was like finding that all the clocks wherever he looked had stopped, and all the watches, and that there was no way of knowing what time it was. Down to the day he arrived in Washington and entered Howard, it was, like it or not, his father who had been making up Coleman's story for him; now he would have to make it up himself, and the prospect was terrifying.
Philip Roth (The Human Stain (The American Trilogy, #3))
Handling Abusive or Disrespectful Behavior Decide what you want to say before the interaction. What are your goals? Are there particular points that you want to make sure you make? Write out the two or three most important things you want to say. If you’re particularly nervous, practice saying them out loud. Have an exit plan. How will you get off the phone or away from the interaction if it starts to head south? Consider prefacing the conversation with some ground rules if prior interactions have gone poorly. Say something like “I know these conversations haven’t gone very well when we’ve had them in the past, so let’s both make a good effort to keep it calm and reasonable, okay? Maybe you should tell me what you’d like to get out of the conversation and I’ll tell you what I’d like to get. How does that sound?” Express good intentions. “I really do want to understand what you’re saying. I would like to have a closer relationship with you.” Or “I’m sure these interactions haven’t felt very good to you in the past, either.” Start by expressing a belief in the child’s good intentions even if you don’t like how he or she is saying it. “I think that you’re telling me something that you really want me to understand. Something that you think is very important.” Describe your perception of your child’s dilemma that is causing them to talk to you in a disrespectful manner. “You must feel like I’m not going to understand unless you beat me over the head with it.” Describe your dilemma. “While I want to understand what you’re saying, it’s hard to focus on it when you’re yelling at me or calling me names. I’m sure you can understand that.” Ask for different behavior. “Do you think you could try to tell that to me in a calmer way so I can focus on what you’re telling me? It’s actually hard for me to hear what you want me to hear when you talk to me like that.” Give an example of appropriate behavior. “You can tell me you’re furious with me or even tell me that you hate my guts if you like, but you can’t scream at me and you can’t call me names.” Stay calm. Take deep breaths. Count to ten. Set limits. “If you can’t talk to me in a more respectful tone, I’m getting off the phone.
Joshua Coleman (Rules of Estrangement: Why Adult Children Cut Ties and How to Heal the Conflict)
The door was still open, so I shut it and was returning to my desk when I braked. There was a backpack resting on the other side of my desk chair. It wasn’t mine. It wasn’t Missy’s. I was pretty sure it wasn’t Holly’s or the cousin’s. “Shit,” I muttered under my breath. “Huh?” she barked, her head swinging around to me. A quick glance confirmed what I already knew. She was drunk. “Nothing.” She pulled out one of her shirts, but it wasn’t her normal pajama top. She was really drunk. I picked up Shay’s bag and checked the contents to make sure it was his. It was. I saw his planner with his name scrawled at the top, so I zipped that bag and put it in the back of my closet. No one needed to go through it. I didn’t think Missy would, but I just never knew. Dropping into my chair, I picked up my phone to text Shay as Missy fell to the floor. I looked up to watch. I couldn’t not see this. I was tempted to video it, but I was being nice. For once. As Missy wrestled with her jeans and lifted them over her head to throw into her closet, I texted Shay. Me: You left your bag here. Missy let out a half-gurgled moan and a cry of frustration at the same time. She didn’t stand, instead crawling to the closet. She grabbed another pair of pants. Those weren’t her pajamas, either. As she pulled them on—or tried since her feet kept eluding the pants’ hole—my phone buzzed back. Coleman: Can I pick it up in the morning? I texted back. Me: When? Missy got one leg in. Success. I wanted to thrust my fist in the air for her. My phone buzzed again. Coleman: Early. My playbook is in there. I groaned. Me: When is early? I’m in college, Coleman. Sleeping in is mandatory. Coleman: Nine too early for you? I can come back to get it now. Nine was doable. Me: Let’s do an exchange. You bring me coffee, and I’ll meet you at the parking lot curb with your bag. Coleman: Done. Decaf okay? I glared at my phone. Me: Back to hating you. Coleman: Never stop that. The world’s equilibrium will be fucked up. I have to know what’s right and wrong. Don’t screw with my moral compass, Cute Ass. Oh, no! No way. Me: Third rule of what we don’t talk about. No nicknames unless they reconfirm our mutual dislike for each other. No Cute Ass. His response was immediate. Coleman: Cunt Ass? A second squeak from me. Me: NO! I could almost hear him laughing. Coleman: Relax. I know. Clarke’s Ass. That’s how you are in my phone. The tension left my shoulders. Me: See you in the morning. 9 sharp. Coleman: Night. I put my phone down, but then it buzzed once again. Coleman: Ass. I was struggling to wipe this stupid grin off my face. All was right again. I plugged my phone in, pulled my laptop back toward me, and sent a response to Gage’s email. I’ll sit with you, but only if we’re in the opposing team’s section. He’d be pissed, but that was the only way. I turned the computer off, and by then Missy was climbing up the ladder in a bright pink silk shirt. The buttons were left buttoned, and her pajama bottoms were a pair of corduroy khakis. I was pretty sure she didn’t brush her teeth, but before my head even hit the pillow, she was snoring
Tijan (Hate to Love You)
It has been said that if a drug has no side effects, then it is unlikely to work. Drug therapy labours under the fundamental problem that usually every single cell in the body has to be treated just to exert a beneficial effect on a small group of cells, perhaps in one tissue. Although drug-targeting technology is improving rapidly, most of us who take an oral dose are still faced with the problem that the vast majority of our cells are being unnecessarily exposed to an agent that at best will have no effect, but at worst will exert many unwanted effects. Essentially, all drug treatment is really a compromise between positive and negative effects in the patient.
Michael D. Coleman (Human Drug Metabolism)
Danny’s mind drifted to the poem by Yeats. He was pretty sure the title was “The Second Coming.” Those were some groovy lyrics, he thought, and then wondered if he’d just spoken that thought aloud.
Christopher Coleman (The Sighting (The Sighting #1))
he stops to show me the label. ‘This is one of my favourite local wines: Costa d’Amalfi Tramonti Bianco. Tenuta San Francesco grow their wines on the steep terraced hills in Tramonti, in the heart of the Amalfi Coast. Try it – I bought this specially for us to enjoy tonight.’ Nico passes me a glass and I pretend to know
Lucy Coleman (Finding Love in Positano)
She’d had enough of this silly solstice party. She was finished with people’s crazy behavior. Only when she was settled in bed with a book could she breathe properly again. Chapter Fifteen Present Day The day after the Coleman family dinner party, Samantha agreed to meet Derek at Patrick’s apartment.
Katie Winters (The Jessabelle House (The Coleman Series Book 1))
I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .
Tim Dorsey (Electric Barracuda (Serge Storms #13))
We used to do stuff together. Nice stuff. We used to be happy. She used to laugh and joke around, but now she just moans and sighs and sometimes shouts and yells.’ He flicks me a look. ‘I’m just saying how it is, Evelyn.’ I need to sit on my hands to steady them, I’m that angry. This marriage counselling was supposed to be about James realising he was a crappy husband; this is not about me. I nag and snap and yell because he makes me do it! If he just did what he was supposed to, when he was supposed to, and to a decent standard, I’d not have to go on at him like I do. My face is flushed with infuriation. I need to get myself together. I can’t sit here with a red face and
Colleen Coleman (I'm Still Standing)
Caine, Philip D. Aircraft Down! Evading Capture in WWII Europe. Virginia: Potomac Books, 1997. Champlain, Héléne de. The Secret War of Helene De Champlain. Great Britain: Redwood Burn, Ltd., 1980. Chevrillon, Claire. Code Name Christiane Clouet: A Woman in the French Resistance. Texas: Texas A&M University Press, 1995. Coleman, Fred. The Marcel Network: How One French Couple Saved 527 from the Holocaust. Virginia: Potomac Books, 2013. Eisner, Peter. The Freedom Line: The Brave Men and Women Who Rescued Allied Airmen from the Nazis During World War II. New York: HarperCollins, 2004. Fitzsimons, Peter. Nancy Wake: A Biography of Our Greatest War Heroine. New York: HarperCollins, 2001. Foot, M.R.D., and J.M. Langley. MI9: Escape and Evasion, 1939–1945. Boston: Little Brown, 1979. Humbert, Agnés. Résistance: A Woman’s Journal of Struggle and Defiance in Occupied France. New York: Bloomsbury USA, 2004. Jackson, Julian. France: The Dark Years, 1940–1944. New York: Oxford University Press, 2001. Litoff, Judy Barrett. An American Heroine in the French Resistance. The Diary and Memoir of Virginia d’Albert-Lake. New York: Fordham University Press, 2006. Long, Helen. Safe Houses Are Dangerous. London: William Kimber, 1985. Moorehead, Caroline. A Train in Winter: An Extraordinary Story of Women, Friendship, and Resistance in Occupied France. New York: HarperCollins, 2011. Neave, Airey. Little Cyclone. London: Coronet Books, 1954.
Kristin Hannah (The Nightingale)
From accepting that first date with Craig Johnson to the numerous run-ins she’d had with Dr. Coleman.
Farrah Rochon (The Hookup Plan)
Nick formed the fingers of his left hand into a b and the fingers of his right hand into a d. “Little b is for bread. Little d is for drink. The bread plate is on the left. Water glass on the right.
Reed Farrel Coleman (Sleepless City (Nick Ryan, #1))
Love is a funny thing," he says, breaking the silence. "Sometimes, I'd like to be better with words, so that I could talk about it more. It seems so wrong to me that there is this condition that affects all of us, more than anything else in our lives ever will, and only the poets and song writers get to talk about it with any sort of authority.
Rowan Coleman (The Day We Met)
I just find myself reminded of that time when you visited my territory and the subject of a mating ceremony for Taryn and me was brought up. I said if she wanted to have one, we’d have one, but that if she didn’t, we wouldn’t. What was it you said? Oh, that’s it. You said I shouldn’t let my mate have her own way all the time. Hmm. Right back atcha.
Suzanne Wright (Carnal Secrets (The Phoenix Pack, #3))
Franklin D. Roosevelt, when addressing the Great Depression, realized that it was far too complex to understand and know how to intervene effectively. So he decided to begin as many positive initiatives as possible, thanking that it would increase the odds that some of them would help. To some degree, this is how we should view the Israeli-Palestinian conflict. What would help is vision of how a comprehensive set of initiatives can increase the probabilities for constructive dynamics and decrease the probabilities of destructive dynamics or war. These activities can come from many sources: from grassroots to national leaders to international powers and agencies.
Peter T. Coleman (The Five Percent: Finding Solutions to Seemingly Impossible Conflicts)
Look, Dante, I’ll admit I like her—she’s fun to have around and she knows what she’s doing in the bedroom—but it wouldn’t have mattered if I hadn’t liked her or if she was someone else, we still would have mated and fucked. This is about a deal, that’s all.” Trey was aware that he’d sounded pretty harsh. He was also aware by the scent that suddenly flavored the air that Taryn had heard him. Shit. Taryn had been following Trey’s scent, hoping to hunt him down and get him to stop brooding, when she heard Dante’s words: “You know, you could just ask her to stay for good.” It was said that eavesdroppers tended to hear things they didn’t like. In this case, the saying had proven to be true. It wasn’t as though she’d thought things were any different than what Trey firmly stated to Dante, and it wasn’t as though she’d thought he cared for her. Yet the effect was still like a hot lance slicing through her. Why? For the same reason that a dull pain had struck her chest and her windpipe had begun to ache…She loved Trey Coleman. The realization punched the breath from her lungs. God, how horrible was this? She loved a guy to whom she was basically a faceless fuck. She could be anyone to him. In other words, she was no one and nothing to him.
Suzanne Wright (Feral Sins (The Phoenix Pack, #1))
The University of Leicester recently announced that it would stop teaching Geoffrey Chaucer in favour of modules on race and sexuality. The English department was told that texts like The Canterbury Tales, Mort d’Arthur, Sir Gawain and the Green Knight and Beowulf would no longer be taught and that mediaeval literature would be banned. Viking myths and sagas, the role of the church and the state in literature – all gone. Nothing written before 1500 AD will be taught. Paradise Lost seems likely to disappear though the University of Leicester did agree that teaching on William Shakespeare would remain in place. It seems that Shakespeare isn’t yet quite old enough to be banished.
Vernon Coleman (Endgame: The Hidden Agenda 21)
Caine, Philip D. Aircraft Down! Evading Capture in WWII Europe. Virginia: Potomac Books, 1997. Champlain, Héléne de. The Secret War of Helene De Champlain. Great Britain: Redwood Burn, Ltd., 1980. Chevrillon, Claire. Code Name Christiane Clouet: A Woman in the French Resistance. Texas: Texas A&M University Press, 1995. Coleman, Fred. The Marcel Network: How One French Couple Saved 527 from the Holocaust. Virginia: Potomac Books, 2013. Eisner, Peter. The Freedom Line: The Brave Men and Women Who Rescued Allied Airmen from the Nazis During World War II. New York: HarperCollins, 2004. Fitzsimons, Peter. Nancy Wake: A Biography of Our Greatest War Heroine. New York: HarperCollins, 2001. Foot, M.R.D., and J.M. Langley. MI9: Escape and Evasion, 1939–1945. Boston: Little Brown, 1979. Humbert, Agnés. Résistance: A Woman’s Journal of Struggle and Defiance in Occupied France. New York: Bloomsbury USA, 2004. Jackson, Julian. France: The Dark Years, 1940–1944. New York: Oxford University Press, 2001. Litoff, Judy Barrett. An American Heroine in the French Resistance. The Diary and Memoir of Virginia d’Albert-Lake. New York: Fordham University Press, 2006. Long, Helen. Safe Houses Are Dangerous. London: William Kimber, 1985. Moorehead, Caroline. A Train in Winter: An Extraordinary Story of Women, Friendship, and Resistance in Occupied France. New York: HarperCollins, 2011. Neave, Airey. Little Cyclone. London: Coronet Books, 1954. Ideas for Book Groups Dear Readers, I truly believe in book groups.
Kristin Hannah (The Nightingale)
her and her daughters to look at two properties she’d already ruled out, without viewing. You know what it’s like, when people start looking they expect a photo to make them instantly say “that’s the one!” and they discard details for
Lucy Coleman (One Perfect French Summer)
No. But I…ah…knew there was a possibility of a child. I had to finish my enlistment with the militia. That’s what took me so long. I’ve made arrangements for us. Here. In Hallowell.” Sarah beams. “He’s bought Coleman’s Store!” “You’re the man from Boston?” “I am. And I thought that’s where we’d have to live. But my grandfather died last year. Left me a bit of an inheritance. And that gave me the option of moving here instead.
Ariel Lawhon (The Frozen River)
people back in DC who would flip if they knew he was planning on exposing himself like this, but unlike them, Coleman had seen him in action enough to defer to the younger man’s expertise. Rapp was the perfect balance of athleticism, grace, and skill. Coleman had worked with the best, and he was one of them himself. The tight fraternity of Special Forces operators was made up of men who were pushed and trained to the absolute limits. He’d known a few guys who were better shots than Rapp, a few more who were stronger, and maybe only one or two who could match his endurance. But they all lacked Rapp’s experience,
Vince Flynn (Consent to Kill (Mitch Rapp, #8))