You Are My Refuge Quotes

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I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.
Vladimir Nabokov
Lost in thought, it took her several moments to realize that Jace had been saying something to her. When she blinked at him, she saw a wry grin spread across his face. "What?" she asked, ungraciously. "I wish you'd stop desperately trying to get my attention like this," he said. "It's become embarrassing." "Sarcasm is the last refuge of the imaginatively bankrupt," she told him. "I can't help it. I use my rapier wit to hide my inner pain." "Your pain will be outer soon if you don't get out of traffic. Are you trying to get run over by a cab?" "Don't be ridiculous," he said. "We could never get a cab that easily in this neighborhood.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
When my husband died, because he was so famous and known for not being a believer, many people would come up to me-it still sometimes happens-and ask me if Carl changed at the end and converted to a belief in an afterlife. They also frequently ask me if I think I will see him again. Carl faced his death with unflagging courage and never sought refuge in illusions. The tragedy was that we knew we would never see each other again. I don't ever expect to be reunited with Carl. But, the great thing is that when we were together, for nearly twenty years, we lived with a vivid appreciation of how brief and precious life is. We never trivialized the meaning of death by pretending it was anything other than a final parting. Every single moment that we were alive and we were together was miraculous-not miraculous in the sense of inexplicable or supernatural. We knew we were beneficiaries of chance. . . . That pure chance could be so generous and so kind. . . . That we could find each other, as Carl wrote so beautifully in Cosmos, you know, in the vastness of space and the immensity of time. . . . That we could be together for twenty years. That is something which sustains me and it’s much more meaningful. . . . The way he treated me and the way I treated him, the way we took care of each other and our family, while he lived. That is so much more important than the idea I will see him someday. I don't think I'll ever see Carl again. But I saw him. We saw each other. We found each other in the cosmos, and that was wonderful.
Ann Druyan
I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come out of him, like black smoke, like a demented giant, and pull him apart nerve by nerve. ...I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.
Vladimir Nabokov (Lolita)
I'm thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art, And this is the only immortality that you and I may share, my Lolita.
Vladimir Nabokov (Lolita)
…You see, my dear friend, I am made up of contradictions, and I have reached a very mature age without resting upon anything positive, without having calmed my restless spirit either by religion or philosophy. Undoubtedly I should have gone mad but for music. Music is indeed the most beautiful of all Heaven's gifts to humanity wandering in the darkness. Alone it calms, enlightens, and stills our souls. It is not the straw to which the drowning man clings; but a true friend, refuge, and comforter, for whose sake life is worth living
Peter Ilyich Tchaikovsky
If you want the naked beauty of my vulnerability, you have to have the strength to share the burden of, the private pain, that makes me feel so tender and fragile. For i am as strong, as i am, weak. If you want me to come home to you, be the safe harbor, in which, i can seek refuge.
Jaeda DeWalt
I wish you'd stop desperately trying to get my attention like this," he said. "It's become embarrassing." "Sarcasm is the last refuge of the imaginatively bankrupt," she told him. "I can't help it. I use my rapier wit to hide my inner pain.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Thus, neither of us is alive when the reader opens this book. But while the blood still throbs through my writing hand, you are still as much part of blessed matter as I am, and I can still talk to you from here to Alaska. Be true to your Dick. Do not let other fellows touch you. Do not talk to strangers. I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come at him, like black smoke, like a demented giant, and pull him apart nerve by nerve. And do not pity C. Q. One had to choose between him and H.H., and one wanted H.H. to exist at least a couple of months longer, so as to have him make you live in the minds of later generations. I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.
Vladimir Nabokov (Lolita)
My dear friends, my dear disciples, don’t take refuge in anything outside of you.
Thich Nhat Hanh (Fear: Essential Wisdom for Getting Through the Storm)
O Sacred Heart of Jesus, fountain of eternal life, Your Heart is a glowing furnace of Love. You are my refuge and my sanctuary. O my adorable and loving Savior, consume my heart with the burning fire with which Yours is aflamed. Pour down on my soul those graces which flow from Your love. Let my heart be united with Yours. Let my will be conformed to Yours in all things. May Your Will be the rule of all my desires and actions. Amen.
Gertrude the Great
Most helpful, Mr. Caelum," she said. "Very, very useful information. And now, shall we hear from Saint Augustine?" I shrugged. "Why not?" I said Dr. P read from a blood-red leather book. "My soul was a burden, bruised and bleeding. It was tired of the man who carried it, but I found no place to set it down to rest. Neither the charm of the countryside nor the sweet scents of a garden could soothe it. It found no peace in song or laughter, none in the company of friends at table or in the pleasures of love, none even in books or poetry.... Where could my heart find refuge from itself? Where could I go, yet leave myself behind?" She closed the book, then reached across the table and took Maureen's hand in hers. "Does that passage speak to you?" she asked. Mo nodded and began to cry. "And so, Mr. Caelum, good-bye." Because the passage had spoken to me, too, it took me a few seconds to react. "Oh," I said. "You want me to leave?" "I do. Yes, yes.
Wally Lamb (The Hour I First Believed)
Psalm 57:1--Have mercy on me, my God, have mercy on me, for in you I take refuge. I will take refuge in the shadow of your wings until the disaster has passed.
Ronie Kendig (Hawk (The Quiet Professionals, #2))
Ah, the beautiful Celine,” Desmund said, earning a smile from her. “Did I ever tell you that you remind me of a courtesan I knew once in King George’s court? She was stunning to look upon and much sought after.” Celine toyed with her hair. “You flatter me, Desmund. Was she someone of noble birth?” “No, but I believe she serviced a duke or two.” I choked on my water. Tristan reached over to pat my back, while smiling graciously at the outraged woman.
Karen Lynch (Refuge (Relentless, #2))
And because I am a gentleman I am very glad I am not enamored of you.” My eyebrows rose. “Why?” He chuckled. “Because then I would have to fight Nikolas Danshov for you and I like my head right where it is.
Karen Lynch (Refuge (Relentless, #2))
You and I have been happy; we haven’t been happy just once, we’ve been happy a thousand times. The chances that spring, that’s for everyone, like in the popular songs, may belong to us too – the chances are pretty bright at this time because as usual, I can carry most of contemporary literary opinion, liquidated, in the hollow of my hand – and when I do, I see the swan floating on it and – I find it to be you and you only…. Forget the past – what you can of it, and turn about and swim back home to me, to your haven for ever and ever – even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you – turn gently in the waters through which you move and sail back…
F. Scott Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
Then tell me this: How do I outthink an enemy I know is smarter than I am?' ... I face some of the most crafty people who have ever lived. My current foe understands the minds of others in a way that I cannot hope to match. So how do I defeat her? She will vanish the moment I threaten her, running to one of a dozen other refuges that she is sure to have set up. ... I have to peer into her eyes, see into her soul, and know that it's her that I face and not some decoy. I have to do that without frightening her into running. How?' *** The question remains,' he said, voice soft but tense. 'How would you fight her, Nynaeve?' I don't care to play your games, Rand al'Thor,' Nynaeve replied with a huff. 'You've obviously already decided what you intend to do. Why ask me?' Because what I'm about to do should frighten me,' he said. 'It doesn't.
Brandon Sanderson (The Gathering Storm (The Wheel of Time, #12))
Lord, I trusted You and found You trustworthy. I now know that when You ask me to wait it’s because You’re making me ready. You had to remove from me the very things the enemy would have used against me. Your ways are always motivated by love. I embrace contentment because You are always my safest place. My refuge.
Susie Larson (Your Beautiful Purpose: Discovering and Enjoying What God Can Do Through You)
She was one of those exceptional children who do still spend time outside, in solitude. In her case nature represented beauty - and refuge. "It's so peaceful out there and the air smells so good. I mean, it's polluted, but not as much as the city air. For me, it's completely different there," she said. "It's like you're free when you go out there. It's your own time. Sometimes I go there when I'm mad - and then, just with the peacefulness, I'm better. I can come back home happy, and my mom doesn't even know why."      The she described her special part of the woods.      "I had a place. There was a big waterfall and a creek on one side of it. I'd dug a big hole there, and sometimes I'd take a tent back there, or a blanket, and just lie down in the hole, and look up at the trees and sky. Sometimes I'd fall asleep back there. I just felt free; it was like my place, and I could do what I wanted, with nobody to stop me. I used to go down there almost every day."      The young poet's face flushed. Her voice thickened.      "And then they just cut the woods down. It was like they cut down part of me.
Richard Louv (Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder)
Then you pray the prayer that is the essence of every ritual: God, I have no hope. I am torn to shreds. You are my first and my last and only refuge. Don’t do daily prayers like a bird pecking, moving its head up and down. Prayer is an egg. Hatch out the total helplessness inside. —RUMI
Tim Farrington (A Hell of Mercy: A Meditation on Depression and the Dark Night of the Soul)
The man who is alone, who stands on his own feet, who is stripped bare, who asks for nothing and wants nothing, who has reached the apex of disinterested­ness not through blind renunciation but through ex­cess of clear vision, turns to the world which stretches out before him as a burned prairie, as a devastated city —a world in which no churches, asylums, refuges, ideals, are left—and says: “Though you promise me nothing I am still with you, I am still an atom of your energies, my work is part of your work; I am your companion and your mirror as you march on your merciless way.
Giovanni Papini (Un uomo finito)
Nikolas made a sound deep in his chest, and everyone but Tristan and I took a step back. I came up short and narrowed my eyes at him. “Did you just growl at me?
Karen Lynch (Refuge (Relentless, #2))
I cry to you,Lord; my redeemer, my refuge, my hope, my strength, my saviour and my King.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
You say it's too late. In my opinion, only a thimbleful of situations in life are that dire. Death begins and ends that list. Everything else is simply an obstacle that must be dealt with.
Kathleen Baldwin (Refuge for Masterminds (Stranje House, #3))
Liberty On my notebooks from school On my desk and the trees On the sand, on the snow I write your name On every page read On all the white sheets Stone blood paper or ash I write your name On the golden images On the soldier’s weapons On the crowns of kings I write your name On the jungle, the desert The nests and the bushes On the echo of childhood I write your name On the wonder of nights On the white bread of days On the seasons engaged I write your name On all my blue rags On the pond mildewed sun On the lake living moon I write your name On the fields, the horizon The wings of the birds On the windmill of shadows I write your name On the foam of the clouds On the sweat of the storm On dark insipid rain I write your name On the glittering forms On the bells of colour On physical truth I write your name On the wakened paths On the opened ways On the scattered places I write your name On the lamp that gives light On the lamp that is drowned On my house reunited I write your name On the bisected fruit Of my mirror and room On my bed’s empty shell I write your name On my dog greedy tender On his listening ears On his awkward paws I write your name On the sill of my door On familiar things On the fire’s sacred stream I write your name On all flesh that’s in tune On the brows of my friends On each hand that extends I write your name On the glass of surprises On lips that attend High over the silence I write your name On my ravaged refuges On my fallen lighthouses On the walls of my boredom I write your name On passionless absence On naked solitude On the marches of death I write your name On health that’s regained On danger that’s past On hope without memories I write your name By the power of the word I regain my life I was born to know you And to name you LIBERTY
Paul Éluard
I don't care about your family," he said sharply. "Whatever you choose must be for you and you alone. You waste my time. This is no riddle to debate and stew. Just choose," He bellowed, causing me to jump. [...] "Refuge," I whispered. The growling stopped.
M.J. Haag (Devastation: A Beauty and the Beast Novel (Beastly Tales))
In fact, you couldn't even be sure that everything you had assumed to be an expression of your black, unfettered self-- the humor, the song, the behind-the-back pass-- had been freely chosen by you. At best, these things were a refuge; at worst, a trap. Following this maddening logic, the only thing you could choose as your own was withdrawal into a smaller and smaller coil of rage, until being black meant only the knowledge of your own powerlessness, of your own defeat. And the final irony: Should you refuse this defeat and lash out at your captors, they would have a name for that, too, a name that could cage you just as good. Paranoid. Militant. Violent. Nigger.
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
Father, I thank You for Your hedge of protection over me, for Your mighty presence, and for You incomparable peace. Help me to turn to You before anything else in my time of need, to rely upon You and to seek refuge in You, no matter what storms come. In Christ’s name, amen.
Grace A. Johnson (With Fear and Trembling)
As we joined the line of people getting off at the last stop before Sofia, I looked once more at the little boy, whom I felt I would never forget, though maybe it wasn't exactly him I would remember, I thought, but the use I would make of him. I had my notes, I knew I would write a poem about him, and then it would be the poem I remembered, which would be both true and false at once, the image I made replacing the real image. Making poems was a way of loving things, I had always thought, of preserving them, of living moments twice; or more than that, it was a way of living more fully, of bestowing on experience a richer meaning. But that wasn't what it felt like when I looked back at the boy, wanting a last glimpse of him; it felt like a loss. Whatever I could make of him would diminish him, and I wondered whether I wasn't really turning my back on things in making them into poems, whether instead of preserving the world I was taking refuge from it.
Garth Greenwell (What Belongs to You)
Nothing has changed, Claire. You're still as beautiful as you were when we met first and I am still in love with everything about you. We may be worlds apart but this doesn't keep our hearts at distance. I feel your breath in every breath of mine and I hear your heartbeat in every beat of my heart. I traveled to far away lands, rivers, forests, mountains, glaciers, deserts and skyscrapers but wherever I go I find you there. My dreams aren't illusions but visions of a beautiful yesterday; I play with your hair-locks, I kiss your eyes, I embrace your hands and you giggle in my arms blossoming like a flower. My love, you're my only reality, my only fantasy, my only celebration and my only refuge. I have waited a thousands suns and I can wait a thousand more to witness the moment you call out to me. That day you'll find me and even if I don't live up to see that day I will be with you forever, just remember me.
Huseyn Raza
You see, my son, a city is all about how you look at it...We must learn to see it in many ways, so that when one of the ways of looking hurts us, we can take refuge in another way of looking. You must always love the city.
Bilal Tanweer (The Scatter Here Is Too Great)
I said it to the Flower, I'll say it again: There's a solace to be found in sadness. And I understand why ye’d think ye deserve that dark. Easier to find refuge in drink, in rage, to say hell with it all and push everyone away. Because ye think that cold is easier to live with than the pain that could come if ye let the warmth back in, only to be burned again. But that's the fire that lets us know we're alive, Gabriel." ‘I shook my head, two pale shadows now rising at my back. “‘You can't fix a broken blade, Phoebe." “‘But don't ye see? We don't get broken. We’re made broken. We are not whole alone. But if we're blessed, if we're brave, we might find those few whose edges fit against our own. Like pieces of the same puzzle, or shards of the same shattered blade. Those people who, in their own broken way, make our broken edge complete.
Jay Kristoff (Empire of the Damned (Empire of the Vampire, #2))
They found my husband with his feet treading empty air, touching the soil of no country. Death, of course, is a refuge. It's where you go when a new name, or a mask and cape, can no longer hide you from yourself. It's where you run to when none of the principalities of your conscience will grant you asylum.
Chris Cleave (Little Bee)
Now I stand on the knoll before the grave of Jacob Kahn, the cypress tall against the blue morning sky and the wind warm on my face. It is the only sense left me, I hear him say. There are colors in the wind, Asher Lev. Find your demons again and return to your work. Colors wait for you in the wind. Things were too comfortable for you. An artist needs a broken world in order to have pieces to shape into art. Isn't that right, Asher Lev? Comfort is death to art. Asher Lev, artist. Asher Lev, troubler. Asher Lev, my future. His voice weaves through the wind, and I add to it the words of the psalmist, " 'Protect me, O God, for I seek refuge in You. I say to the Lord, Your are my benefactor; there is no one above You....' " The wind is red and black in the trembling cypress.
Chaim Potok (The Gift of Asher Lev)
In your country, if you are not scared enough already, you can go to watch a horror film... For me and the girls from my village, horror is a disease and we are sick with it. it is not an illness you can cure yourself of my standing up and letting the big red cinema seat fold itself up behind you. That would be a good trick... But the film in your memory, you cannot walk out of it so easily. Wherever you go it is always playing. So when I say that I am a refugee, you must understand that there is no refuge.
Chris Cleave
It may seem impossible to you, but a mere human can indeed come to know God — not merely about God, but to really know God. Listen while I explain how to do that: Through devoting your whole mind to Divinity (Me), loving only Me, meditating on Me, and depending wholly on Me as your only refuge, you will, without any doubt, come to know Me in My entirety.
Krishna-Dwaipayana Vyasa
What do you think, demon? I asked it as I drifted deeper into sleep. You ready to make some other friends? It could have been my imagination, but I swear it said, No.
Karen Lynch (Refuge (Relentless, #2))
You're my fate and you're my dire necessity. You're my refuge when I'm lost, and losing you would kill me. Your flights and falls are dreamlike and perfect and I'm blessed to be the one to witness them.
Claire Oshetsky (Chouette)
The marks life leaves on everything it touches transform perfection into wholeness. Older, wiser cultures choose to claim this wholeness in the things that they create. In Japan, Zen gardeners purposefully leave a fat dandelion in the midst of the exquisite, ritually precise patterns of the meditation garden. In Iran, even the most skilled of rug weavers includes an intentional error, the “Persian Flaw,” in the magnificence of a Tabriz or Qashqai carpet…and Native Americans wove a broken bead, the “spirit bead,” into every beaded masterpiece. Nothing that has a soul is perfect. When life weaves a spirit bead into your very fabric, you may stumble upon a wholeness greater than you had dreamed possible before.
Rachel Naomi Remen (My Grandfather's Blessings : Stories of Strength, Refuge, and Belonging)
This is not my house; it is the house of Jesus Christ. This door does not demand of him who enters whether he has a name, but whether he has a grief. You suffer, you are hungry and thirsty; you are welcome. And do not thank me; do not say that I receive you in my house. No one is at home here, except the man who needs a refuge. I say to you, who are passing by, that you are much more at home here than I am myself.
Victor Hugo (Les Misérables)
In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
I want you to read ‘God Sees the Truth, but Waits,’ ” said Mother. “Tolstoy writes about a man, wrongly accused of a murder, who spends the rest of his life in a prison camp. Twenty-six years later, as a convict in Siberia, he meets the true murderer and has an opportunity to free himself, but chooses not to. His longing for home leaves him and he dies.” I ask Mother why this story matters to her. “Each of us must face our own Siberia,” she says. “We must come to peace within our own isolation. No one can rescue us. My cancer is my Siberia.” Suddenly, two white birds about the size of finches, dart in front of us and land on the snow.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
I have changed refuge so often, in the course of my rout, that now I can't tell between dens and ruins. But there was never any city but the one. It is true you often move along in a dream, houses and factories darken the air, trams go by and under your feet wet from the grass there are suddenly cobbles. I only know the city of my childhood, I must have seen the other, but unbelieving. All I say cancels out, I'll have said nothing.
Samuel Beckett
Scarlett, I don't know just when it was that the bleak realization came over me that my own private shadow show was over. Perhaps in the first five minutes at Bull Run when I saw the first man I killed drop to the ground. But I knew it was over and I could no longer be a spectator. No, I suddenly found myself on the curtain, an actor, posturing and making futile gestures. My little inner world was gone, invaded by people whose thoughts were not my thoughts, whose actions were as alien as a Hottentot's. They'd tramped through my world with slimy feet and there was no place left where I could take refuge when things became too bad to stand. When I was in prison, I thought: When the war is over, I can go back to the old life and the old dreams and watch the shadow show again. But, Scarlett, there's no going back. And this which is facing all of us now is worse than war and worse than prison—and, to me, worse than death.... So, you see, Scarlett, I'm being punished for being afraid.
Margaret Mitchell (Gone with the Wind)
My good creature,” cried the Rocket in a very haughty tone of voice, “I see that you belong to the lower orders.  A person of my position is never useful.  We have certain accomplishments, and that is more than sufficient.  I have no sympathy myself with industry of any kind, least of all with such industries as you seem to recommend.  Indeed, I have always been of opinion that hard work is simply the refuge of people who have nothing whatever to do.
Oscar Wilde (The Happy Prince and Other Tales)
Jubal shrugged. "Abstract design is all right-for wall paper or linoleum. But art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturbation. . . whereas creative art is more like intercourse, in which the artist must seduce- render emotional-his audience, each time. These ladies who won't deign to do that- and perhaps can't- of course lost the public. If they hadn't lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for 'art' that leaves him unmoved- if he does pay for it, the money has to be conned out of him, by taxes or such." "You know, Jubal, I've always wondered why i didn't give a hoot for paintings or statues- but I thought it was something missing in me, like color blindness." "Mmm, one does have to learn to look at art, just as you must know French to read a story printed in French. But in general terms it's up to the artist to use language that can be understood, not hide it in some private code like Pepys and his diary. Most of these jokers don't even want to use language you and I know or can learn. . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything- obscurity is usually the refuge of incompetence. Ben, would you call me an artists?” “Huh? Well, I’ve never thought about it. You write a pretty good stick.” “Thank you. ‘Artist’ is a word I avoid for the same reasons I hate to be called ‘Doctor.’ But I am an artist, albeit a minor one. Admittedly most of my stuff is fit to read only once… and not even once for a busy person who already knows the little I have to say. But I am an honest artist, because what I write is consciously intended to reach the customer… reach him and affect him, if possible with pity and terror… or, if not, at least to divert the tedium of his hours with a chuckle or an odd idea. But I am never trying to hide it from him in a private language, nor am I seeking the praise of other writers for ‘technique’ or other balderdash. I want the praise of the cash customer, given in cash because I’ve reached him- or I don’t want anything. Support for the arts- merde! A government-supported artist is an incompetent whore! Damn it, you punched one of my buttons. Let me fill your glass and you tell me what is on your mind.
Robert A. Heinlein (Stranger in a Strange Land)
Mistaken Memories are all that I have to anchor me, Yet they’re often what leaves me unhinged, Falling from that could I thought was so safe. You came to a place, where – besides me – You were uninvited. Leaving, you promised me I could always Count on you. I especially miss that. My kindred spirit, The one who promised to love me, Only to prove yourself a liar – Going from Prince Charming To the Big Bad Wolf, Truly thinking only of yourself Leaving me With empty promises, alone in the dark, Burnt from the initial spark Of what I mistook for love, Making my memories a false refuge. (full poem)
Jenn Waterman (Persevering Phoenix)
I write for you, for me, for the 70% of us who make up the fabric of society: ordinary people with extraordinary lives, who play the roles of parents, siblings, children, neighbors and friends. We are those who work and study with tenacity, those who with effort and dedication bring sustenance to our homes, my novels and stories of horror, suspense and mystery are designed for the emerging generations, for those readers who seek freshness in literature and who feel distant from traditional literature, with its labyrinth of ostentatious and complex words that often alienate the average citizen..., I write for the marginalized, for those who have felt that literature does not offer them a mirror in which to reflect themselves, for those who seek in the pages a refuge or an acknowledgement of their existence, I write for the free and critical spirits, for the innate rebels who question the structures and narratives of our civilization, I write for the dreamers who imagine a world beyond the reach of politics and corporations, for those who resist being molded by the great machines of entertainment that seek to numb our minds and wills; It is my voice, through writing, that seeks to resonate with yours, inviting you on a literary journey where together we explore the confines of our reality and the abysses of our imagination.
Marcos Orowitz (Talent for Horror: Homage to Edgard Allan Poe ("Talent for Horror" Series book revelation 2022))
I was weary of flying from pillar to post. I had been chased during half my life, and it seemed as if the chase was never to end. There I sat, in that great city, guiltless of crime, yet not daring to worship God in any of the churches. I heard the bells ringing for afternoon service, and, with contemptuous sarcasm, I said, "Will the preachers take for their text, 'Proclaim liberty to the captive, and the opening of prison doors to them that are bound'? or will they preach from the text, 'Do unto others as ye would they should do unto you'?" Oppressed Poles and Hungarians could find a safe refuge in that city; John Mitchell was free to proclaim in the City Hall his desire for "a plantation well stocked with slaves"; but there I sat, an oppressed American, not daring to show my face.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
Making poems was a way of loving things, I had always thought, of preserving them, of living moments twice; or more than that, it was a way of living more fully, of bestowing on experience a richer meaning. But that wasn’t what it felt like when I looked back at the boy, wanting a last glimpse of him; it felt like a loss. Whatever I could make of him would diminish him, and I wondered whether I wasn’t really turning my back on things in making them into poems, whether instead of preserving the world I was taking refuge from it.
Garth Greenwell (What Belongs to You)
There I sat, in that great city, guiltless of crime, yet not daring to worship God in any of the churches. I heard the bells ringing for afternoon service, and, with contemptuous sarcasm, I said, "Will the preachers take for their text, 'Proclaim liberty to the captive, and the opening of prison doors to them that are bound'? or will they preach from the text, 'Do unto others as ye would they should do unto you'?" Oppressed Poles and Hungarians could find a safe refuge in that city; John Mitchell was free to proclaim in the City Hall his desire for "a plantation well stocked with slaves;" but there I sat, an oppressed American, not daring to show my face. God forgive the black and bitter thoughts I indulged on that Sabbath day! The Scripture says, "Oppression makes even a wise man mad;" and I was not wise.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
they say home is a place, but a home without your love is just walls and a bed. when I lay with you, head on your chest, I seek refuge from the storm. there in your arms, I find pieces of myself, and you return them with peace. they say home is a place, but you are home to me.
Rose Brik (My Father's Eyes, My Mother's Rage)
At the meeting, Jefferson addressed the chiefs as “my children” and said, “It is so long since our forefathers came from beyond the great water, that we have lost the memory of it, and seem to have grown out of this land, as you have done….We are all now of one family.” He went on, “On your return tell your people that I take them all by the hand; that I become their father hereafter, that they shall know our nation only as friends and benefactors.” But within four years Jefferson had compelled the Osage to relinquish their territory between the Arkansas River and the Missouri River. The Osage chief stated that his people “had no choice, they must either sign the treaty or be declared enemies of the United States.” Over the next two decades, the Osage were forced to cede nearly a hundred million acres of their ancestral land, ultimately finding refuge in a 50-by-125-mile area in southeastern Kansas. And it was in this place where Mollie’s mother and father had come of age. Mollie’s
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
I was asked to talk to a roomful of undergraduates in a university in a beautiful coastal valley. I talked about place, about the way we often talk about love of place, but seldom how places love us back, of what they give us. They give us continuity, something to return to, and offer familiarity that allows some portion of our lives to remain collected and coherent. They give us an expansive scale in which our troubles are set into context, in which the largeness of the world is a balm to loss, trouble, and ugliness. And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite. The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest. Being able to travel in both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that comes literally in a landscape or that tugs you out of yourself in a story..... I told the student that they were at an age when they might begin to choose the places that would sustain them the rest of their lives, that places were much more reliable than human beings, and often much longer-lasting, and I asked each of them where they felt at home. They answered, each of them, down the rows, for an hour, the immigrants who had never stayed anywhere long or left a familiar world behind, the teenagers who'd left the home they'd spent their whole lives in for the first time, the ones who loved or missed familiar landscapes and the ones who had not yet noticed them. I found books and places before I found friends and mentors, and they gave me a lot, if not quite what a human being would. As a child, I spun outward in trouble, for in that inside-out world [of my family], everywhere but home was safe. Happily, the oaks were there, the hills, the creeks, the groves, the birds, the old dairy and horse ranches, the rock outcroppings, the open space inviting me to leap out of the personal into the embrace of the nonhuman world.
Rebecca Solnit (The Faraway Nearby)
She took both my hands in hers and murmured, 'I had heard you were coming.' I noticed she was not very young--I mean not girlish. She had a mature capacity for fidelity, for belief, for suffering. The room seemed to have grown darker, as if all the sad light of the cloudy evening had taken refuge on her forehead.
Joseph Conrad (Heart of Darkness)
These are among the people I've tried to know twice, the second time in memory and language. Through them, myself. They are what I've become, in ways I don't understand but which I believe will accrue to a rounded truth, a second life for me as well as them. Cracking jokes in the mandatory American manner of people self-concious about death. This is the humor of violent surprise. How do you connect things? Learn their names. It was a strange conversation, full of hedged remarks and obscure undercurrents, perfect in its way. I was not a happy runner. I did it to stay interested in my body, to stay informed, and to set up clear lines of endeavor, a standard to meet, a limit to stay within. I was just enough of a puritan to think there must be some virtue in rigorous things, although I was careful not to overdo it. I never wore the clothes. the shorts, tank top, high socks. Just running shoes and a lightweight shirt and jeans. I ran disguised as an ordinary person. -When are you two going to have children? -We're our own children. In novels lately the only real love, the unconditional love I ever come across is what people feel for animals. Dolphins, bears, wolves, canaries. I would avoid people, stop drinking. There was a beggar with a Panasonic. This is what love comes down to, things that happen and what we say about them. But nothing mattered so much on this second reading as a number of spirited misspellings. I found these mangled words exhilarating. He'd made them new again, made me see how they worked, what they really were. They were ancient things, secret, reshapable.The only safety is in details. Hardship makes the world obscure. How else could men love themselves but in memory, knowing what they know? The world has become self-referring. You know this. This thing has seeped into the texture of the world. The world for thousands of years was our escape, was our refuge. Men hid from themselves in the world. We hid from God or death. The world was where we lived, the self was where we went mad and died. But now the world has made a self of its own.
Don DeLillo (The Names)
Coughing, I turned my face into his chest to keep from drowning in the onslaught. A minute later, a deep rumbling started in his chest and I pulled away when I realized he was laughing. “I’m glad you’re enjoying yourself,” I grumbled, still upset about how close I’d come to stripping in front of him and everyone else. “Immensely.
Karen Lynch (Refuge (Relentless, #2))
PRAYER IS AN EGG On Resurrection Day God will say, "What did you do with the strength and energy your food gave you on earth? How did you use your eyes? What did you make with your five senses while they were dimming and playing out? I gave you hands and feet as tools for preparing the ground for planting. Did you, in the health I gave, do the plowing?" You will not be able to stand when you hear those questions. You will bend double, and finally acknowledge the glory. God will say, "Lift your head and answer the questions." Your head will rise a little, then slump again. "Look at me! Tell what you've done." You try, but you fall back flat as a snake. "I want every detail. Say!" Eventually you will be able to get to a sitting position. "Be plain and clear. I have given you such gifts. What did you do with them?" You turn to the right looking to the prophet for help, as though to say, I am stuck in the mud of my life. Help me out of this! They will answer, those kings, "The time for helping is past. The plow stands there in the field. You should have used it. "Then you turn to the left, where your family is, and they will say, "Don't look at us! This conversation is between you and your creator." Then you pray the prayer that is the essence of every ritual: God, I have no hope. I am torn to shreds. You are my first and last and only refuge. Don't do daily prayers like a bird pecking, moving its head up and down. Prayer is an egg. Hatch out the total helplessness inside.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
I don’t understand,” I said without taking my eyes off Nikolas. Tristan’s exhale was loud in the silence. “I know and I will explain it to you later. Right now, you need to do what I tell you. Nikolas’s Mori is upset, and the only thing that will calm him is to see that you are unhurt.” Nikolas was about to lose it and Tristan wanted me to go to him? Was he nuts? “Can’t he see that from here?” “No. You need to get a lot closer. He won’t hurt you. If there is anyone here who is safe from him, it is you.” My
Karen Lynch (Refuge (Relentless, #2))
The Bishop, who was sitting close to him, gently touched his hand. "You could not help telling me who you were. This is not my house; it is the house of Jesus Christ. This door does not demand of him who enters whether he has a name, but whether he has a grief. You suffer, you are hungry and thirsty; you are welcome. And do not thank me; do not say that I receive you in my house. No one is at home here, except the man who needs a refuge. I say to you, who are passing by, that you are much more at home here than I am myself. Everything here is yours. What need have I to know your name? Besides, before you told me you had one which I knew." The man opened his eyes in astonishment.
Victor Hugo (Les Misérables)
You don’t have to stay with me. The healer said I’m fine.” “I’m sorry for yelling at you.” My jaw dropped. Did I hear that right? Did Nikolas just apologize to me? “I
Karen Lynch (Refuge (Relentless, #2))
I love you, O LORD, my strength.     2 The LORD is my rock and my fortress and my deliverer,         my God, my rock, in whom I take refuge,         my shield, and the horn
Anonymous (The Holy Bible, English Standard Version (without Cross-References))
If I was your warmth and your refuge, you were my shining ray of light in an otherwise dark world.
Pamela Sparkman (Reverend of Silence)
My favorite place on earth is wherever you are. You're my refuge. When everything goes dark, I want your shadows wrapped around me and nothing else.
R. Nimes (Shadows of the past)
Letter to Myself, in Remission, from Myself, Terminal" You'll come to hate your own poems, read them as pretty wisps of colorful thinking, all those images just a splash of colored oil sloshed over a pool gone rancid. Admit it. Atheists always scared you. And no wonder. Those nights you switched on the fan so no one could hear you scream into your pillow, weeping and biting your own hands like a motherless monkey,banded to a body that despised you, a suit of coals with a jammed-shut zipper. Instead of the truth, you took refuge in stories and souls, wore the word survivor like a pink nimbus. All the while, my dear, I waited, knowing you'd catch up to me one day. I'm holding the black- backed mirror to your face. Look into it.
Anya Krugovoy Silver
How do you do it, my love? My haven is in your heart and my shelter is in your arms. When your eyes find mine, they give me refuge from the storm. Did you know I’m homesick without you?
Nicole Fiorina (Stay with Me (Stay with Me, #1))
I love you, O LORD, my strength.     2 The LORD is my rock and my fortress and my deliverer,         my God, my rock, in whom I take refuge,         my shield, and the horn of my salvation, my stronghold.
Anonymous (The Holy Bible, English Standard Version (without Cross-References))
The thing about Roland is that it’s really hard to resist his laughter. “Feel better?” he asked when we’d both finally stopped cracking up. “Yes.” I wiped my eyes. “You’re an ass.” “But you love me anyway.
Karen Lynch (Refuge (Relentless, #2))
When I was a young woman with four children, I was always living ahead of myself,” she said. “Everything I was doing was projected toward the future, and I was so busy, busy, busy, preparing for tomorrow, for the next week, for the next month. Then one day, it all changed. At thirty-eight years old, I found I had breast cancer. I can remember asking my doctor what I should plan for in my future. He said, ‘Diane, my advice to you is to live each day as richly as you can.’ As I lay in my bed after he left, I thought, will I be alive next year to take my son to first grade? Will I see my children marry? And will I know the joy of holding my grandchildren?” She looked out over the water, barefoot, her legs outstretched; a white visor held down her short, black hair. “For the first time in my life, I started to be fully present in the day I was living. I was alive. My goals were no longer long-range plans, they were daily goals, much more meaningful to me because at the end of each day, I could evaluate what I had done.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
Much better. Now, I don’t suppose any of you know how my hellhounds ended up here.” One of the twins gaped at me. “Your hellhounds?” I patted one of the huge heads. “Do they look like they belong to someone else?
Karen Lynch (Refuge (Relentless, #2))
In my tradition, God revealed Himself in words and lives in stories and, no, you cannot touch or even see Him. The Word, in Judaism, was never made flesh. The closest God came to embodiment was in the Temple in Jerusalem...But the Temple was destroyed. In Judaism, the flesh became words. Words were the traditional refuge of the Jewish people - Yochanan ben Zakkai led a yeshiva, my father became a professor. And little boys, in the Middle Ages, ate cakes with verses inscribed on them, an image I find deeply moving and, somehow, deeply depressing. This might help explain a certain melancholy quality books in general, for all their bright allure, have always had for me. As many times as I went down to my parents' library for comfort, I would find myself standing in front of the books and could almost feel them turning back into trees, failing me somehow.
Jonathan Rosen (The Talmud and the Internet: A Journey between Worlds)
Sara, you look like you just won a wet T-shirt contest,” she announced, causing more than one male head turned my way. “What?” I croaked and looked down at the pale yellow V-neck clinging to me in a way that left absolutely nothing to the imagination. Heat enflamed my cheeks, and I yanked the wet material away from my chest.  Nikolas stepped in front of me, and I stared at his broad back as he blocked me from the others in the room.
Karen Lynch (Refuge (Relentless, #2))
You are one of the most willful people I’ve ever met, and it would take a lot more than a demon to control you.” His mouth curved into a smile, and I felt an answering warmth in my belly. “That I know from experience.” “Are
Karen Lynch (Refuge (Relentless, #2))
I told you, there is nothing going on between us. He’s my trainer and that is all.” She laid her food and water on my nightstand and sat on the bed again. “Uh-huh. That’s why he threw himself over you like a living shield.” I
Karen Lynch (Refuge (Relentless, #2))
Well, you did call me a danger magnet once.” A small smile hovered at the corners of his mouth. “I believe I said disaster magnet.” “The kark incident could hardly be called a disaster, so I think my luck is improving.” “Maybe
Karen Lynch (Refuge (Relentless, #2))
They would never be my refuge, my first call in a crisis. Even if you found your birth family, how could you ever be certain they would stick around? How could you think of them as your real family when they hadn’t been there all along?
Nicole Chung (All You Can Ever Know)
For as to what we have heard you affirm, that there are other kingdoms and states in the world inhabited by human creatures as large as yourself, our philosophers are in much doubt, and would rather conjecture that you dropped from the moon, or one of the stars; because it is certain, that a hundred mortals of your bulk would in a short time destroy all the fruits and cattle of his majesty’s dominions: besides, our histories of six thousand moons make no mention of any other regions than the two great empires of Lilliput and Blefuscu. Which two mighty powers have, as I was going to tell you, been engaged in a most obstinate war for six-and-thirty moons past. It began upon the following occasion. It is allowed on all hands, that the primitive way of breaking eggs, before we eat them, was upon the larger end; but his present majesty’s grandfather, while he was a boy, going to eat an egg, and breaking it according to the ancient practice, happened to cut one of his fingers. Whereupon the emperor his father published an edict, commanding all his subjects, upon great penalties, to break the smaller end of their eggs. The people so highly resented this law, that our histories tell us, there have been six rebellions raised on that account; wherein one emperor lost his life, and another his crown. These civil commotions were constantly fomented by the monarchs of Blefuscu; and when they were quelled, the exiles always fled for refuge to that empire. It is computed that eleven thousand persons have at several times suffered death, rather than submit to break their eggs at the smaller end. Many hundred large volumes have been published upon this controversy: but the books of the Big-endians have been long forbidden, and the whole party rendered incapable by law of holding employments. During the course of these troubles, the emperors of Blefusca did frequently expostulate by their ambassadors, accusing us of making a schism in religion, by offending against a fundamental doctrine of our great prophet Lustrog, in the fifty-fourth chapter of the Blundecral (which is their Alcoran). This, however, is thought to be a mere strain upon the text; for the words are these: ‘that all true believers break their eggs at the convenient end.’ And which is the convenient end, seems, in my humble opinion to be left to every man’s conscience, or at least in the power of the chief magistrate to determine.
Jonathan Swift (Gulliver's Travels)
You can't fight instinct. You can't teach genuine restraint. I got my instincts from a man whose supply of restraint was as limited and unpredictable as the supply of black market music tapes or the last stash of sour cherries in the freezer.
Dina Nayeri (Refuge)
am proud to belong to a religion which has taught the world both tolerance and universal acceptance. We believe not only in universal toleration, but we accept all religions as true. I am proud to belong to a nation which has sheltered the persecuted and the refugees of all religions and all nations of the earth. I am proud to tell you that we have gathered in our bosom the purest remnant of the Israelites, who came to southern India and took refuge with us in the very year in which their holy temple was shattered to pieces by Roman tyranny. I am proud to belong to the religion which has sheltered and is still fostering the remnant of the grand Zoroastrian nation. I remember having repeated a hymn from my earliest boyhood, which is every day repeated by millions of human beings: “As the different streams having their sources in different places all mingle their water in the sea, so, O Lord, the different paths which men take through different tendencies, various though they appear, crooked or straight, all lead to Thee.”. . . [T]he wonderful doctrine preached in the Gita [says]: “Whosoever comes to Me, through whatsoever form, I reach him; all men are struggling through paths which in the end lead to me.
Shashi Tharoor (India: From Midnight to the Millennium and Beyond)
O my God, my great mercy, my refuge (Ps. 58: 18, 143: 2) from the terrible dangers in which I was wandering. My stiff neck took me further and further away from you. I loved my own ways, not yours. The liberty I loved was merely that of a runaway.
Augustine of Hippo (Confessions)
I love you, O Lord, my strength. The Lord is my rock, my fortress, and my deliverer, my God, my rock in whom I take refuge, my shield, and the horn of my salvation, my stronghold. I call upon the Lord, who is worthy to be praised. . . . —Psalm 18:1‒3 (NRSV)
Guideposts (Daily Guideposts 2018: A Spirit-Lifting Devotional)
I love you, O LORD, my strength. The LORD is my rock and my  fortress and my deliverer, my God, my  rock, in whom I take refuge, my shield, and the horn of my salvation, my stronghold. I call upon the LORD, who is worthy to be praised, and I am saved from my enemies.
Anonymous
Sorrow fills me, it always had a substantial appeal; even if does not exist, I will invent it. I will make time for it, even if I have none. It is what fills the vacancies of my mind. I walk with its supple benevolence in preponderance against uneventfulness. It is my refuge from despair sir! You see! It's better to be morose than be nothing at all. You should taste its pernicious pleasures. . Happiness! you say, sir! Sir, that has nothing to do with art or artist. Happy people live in their means. They offer nothing to the world but inspire despicable envy.
Teufel Damon
For it is you who light my  zlamp; the LORD my God lightens my darkness. 29 For by you I can run against a troop, and by my God I can  aleap over  ba wall. 30 This God—his way is  cperfect; [4] the word of the LORD  dproves true; he is  ea shield for all those who  ftake refuge in him.
Anonymous (ESV Classic Reference Bible)
They say you only really appreciate a garden once you reach a certain age, and I suppose there is a truth in that. It’s probably something to do with the great circle of life. There seems to be something miraculous about seeing the relentless optimism of new growth after the bleakness of winter, a kind of joy in the difference every year, the way nature chooses to show off different parts of the garden to its full advantage. There have been times—the times when my marriage proved to be somewhat more populated than I had anticipated—when it has been a refuge, times when it has been a joy. There
Jojo Moyes (Me Before You (Me Before You, #1))
In my own childhood and boyhood my father was the refuge from all the ills of life, even sharp pain itself. Therefore I say to son or daughter who has no pleasure in the name Father, "You must interpret the word by all that you have missed in life. Every time a man might have been to you a refuge from the wind, a covert from the tempest, the shadow of a great rock in a weary land, that was a time when a father might have been a father indeed. Happy you are yet, if you have found man or woman such a refuge. So far have you known a shadow of the perfect, seen the back of the only man, the perfect Son of the perfect Father. All that human tenderness can give or desire in the nearness and readiness of love, all and infinitely more must be true of the perfect Father—of the maker of fatherhood, the Father of all the fathers of the earth, specially the Father of those who have specially shown a father-heart.
George MacDonald (Your Life in Christ: Selected Sermons)
Because you like me . . . a lot.” My face grew hot and I turned to glare at him, but whatever I was going to say was forgotten when I took in his tousled hair, warm eyes, and sensual smile. My stomach did a somersault, and my only thought was that I wanted to go back and wake up in his arms all over again.
Karen Lynch (Refuge (Relentless, #2))
Where, she wondered, is Elizabeth? Where in the tightness of the skin over her arms and legs, in the narrow bones of her back and the planned structure of her ribs, in the tiny toes and fingers and the vital plan for her neck and head . . . where, in all this, was there room for anyone else? Could Lizzie be seen moving furtively behind the clarity of the eyes, edging in caution to peer out at herself; was she gone far within, waiting behind the heart or the throat, to seize with both hands and take control with a murderous attack? Was she under the hair, had she found refuge in a knee? Where was Lizzie? For a moment, staring, Betsy wanted frantically to rip herself apart, and give half to Lizzie and never be troubled again, saying take this, and take this and take this, and you can have this, and now get out of my sight, get away from my body, get away and leave me alone. Lizzie could have the useless parts, the breasts and the thighs and the parts she took such pleasure in letting give her pain; Lizzie could have the back so she would always have a backache, and the stomach so she would always be able to have cramps; give Elizabeth all the country of the inside, and let her go away, and leave Betsy in possession of her own.
Shirley Jackson (The Bird's Nest)
Prayer Declaration I will trust in the covering of Your wings, and in the shadow of Your wings I will trust. Be my defense and refuge in times of trouble. I will sing of Your strength. In the morning I will sing of Your love, for You are my fortress. You are my strength. I sing praise to You, for on You I can rely.
John Eckhardt (Women's Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
Have You Prayed” When the wind turns and asks, in my father’s voice, Have you prayed? I know three things. One: I’m never finished answering to the dead. Two: A man is four winds and three fires. And the four winds are his father’s voice, his mother’s voice . . . Or maybe he’s seven winds and ten fires. And the fires are seeing, hearing, touching, dreaming, thinking . . . Or is he the breath of God? When the wind turns traveler and asks, in my father’s voice, Have you prayed? I remember three things. One: A father’s love is milk and sugar, two-thirds worry, two-thirds grief, and what’s left over is trimmed and leavened to make the bread the dead and the living share. And patience? That’s to endure the terrible leavening and kneading. And wisdom? That’s my father’s face in sleep. When the wind asks, Have you prayed? I know it’s only me reminding myself a flower is one station between earth’s wish and earth’s rapture, and blood was fire, salt, and breath long before it quickened any wand or branch, any limb that woke speaking. It’s just me in the gowns of the wind, or my father through me, asking, Have you found your refuge yet? asking, Are you happy? Strange. A troubled father. A happy son. The wind with a voice. And me talking to no one.
Li-Young Lee (Behind My Eyes: Poems)
I love you, O LORD, my strength. 2    The LORD is my  i rock and my  j fortress and my deliverer,         my God, my  i rock, in  k whom I take refuge,         my  l shield, and  m the horn of my salvation, my  n stronghold. 3    I call upon the LORD, who is  o worthy to be praised,         and I am saved from my enemies.
Anonymous (Holy Bible: English Standard Version (ESV))
Cocooned in his arms with his heart beating beneath my hand, I felt a sense of wholeness and belonging unlike anything I had ever known. It was incredible and wonderful and a little frightening to care so deeply for another person, especially with a monster out there determined to take everyone I loved from me. I love you.
Karen Lynch (Refuge (Relentless, #2))
9Because you have made the LORD, who is †my refuge, Even the Most High, †your dwelling place, 10†No evil shall befall you, Nor shall any plague come near your dwelling; 11†For He shall give His angels charge over you, To keep you in all your ways. 12In their hands they shall cbear you up, †Lest you ddash your foot against a stone.
Anonymous (Holy Bible, New King James Version)
I write for you, for me, for the 70% of us who make up the fabric of society: ordinary people with extraordinary lives, who play the roles of parents, siblings, children, neighbours and friends. We are those who work and study with tenacity, those who with effort and dedication bring sustenance to our homes, my novels and stories of horror, suspense and mystery are designed for the emerging generations, for those readers who seek freshness in literature and who feel distanced from traditional literature, with its labyrinth of ostentatious and complex words that often alienate the average citizen..., I write for the marginalised, for those who have felt that literature does not offer them a mirror in which to reflect themselves, for those who seek in the pages a refuge or an acknowledgement of their existence, I write for the free and critical spirits, for the innate rebels who question the structures and narratives of our civilisation, I write for the dreamers who imagine a world beyond the reach of politics and corporations, for those who resist being moulded by the great entertainment machines that seek to numb our minds and wills; It is my voice, through writing, that seeks to resonate with yours, inviting you on a literary journey where together we explore the confines of our reality and the abysses of our imagination".
Marcos Orowitz (Talent for Horror: Homage to Edgard Allan Poe ("Talent for Horror" Series book revelation 2022))
Poetry lets me pour out my various emotions even the suppressed ones we didn't know exist inside us' til the moment you start jotting down what you're feeling. It's more than an escape into the unknown, a refuge for your creativity and sometimes wild imagination not all ordinary, ungifted people like us understand." -Elizabeth's Quotes
Elizabeth E. Castillo
I've been thinking about what it means to bear witness. The past ten years I've been bearing witness to death, bearing witness to women I love, and bearing witness to the [nuclear] testing going on in the Nevada desert. I've been bearing witness to bombing runs on the edge of the Cabeza Prieta Wildlife Refuge, bearing witness to the burning of yew trees and their healing secrets in slash piles in the Pacific Northwest and thinking this is not so unlike the burning of witches, who also held knowledge of heading within their bones. I've been bearing witness to traplines of coyotes being poisoned by the Animal Damage Control. And I've been bearing witness to beauty, beauty that strikes a chord so deep you can't stop the tears from flowing. At places as astonishing as Mono Lake, where I've stood knee-deep in salt-water to watch the fresh water of Lee Vining Creek flow over the top like water on vinegar....It's the space of angels. I've been bearing witness to dancing grouse on their leks up at Malheur in Oregon. Bearing witness to both the beauty and pain of our world is a task that I want to be part of. As a writer, this is my work. By bearing witness, the story that is told can provide a healing ground. Through the art of language, the art of story, alchemy can occur. And if we choose to turn our backs, we've walked away from what it means to be human.
Terry Tempest Williams
Lord, help me resist the inclination to rely upon my own wisdom and strength which makes me vulnerable to temptation. Help me avoid fleeing responsibility and neglecting to run to You for refuge. My natural instincts would lead me to a position in which the enemy would defeat me, but You are my righteousness. I seek You and long to see Your face.
Jerry Rankin (In the Secret Place)
Everyday i get closer to our meeting i feel like i've been walking this path for a thousand years towards you.. and yet i'm still not there so close, and yet so far but i keep walking despite the tears despite the wind despite the skinned knees and broken bones despite the bruises and scars that made this heart what it is today i keep walking towards you there's only one direction one direction: towards you... from you, to you i have nothing else nothing that is my poverty i keep walking because behind every sun's setting is a rising behind every storm is a refuge behind every fall is a rise behind every tear is a cleansing of the eyes and in every spot i've ever been stabbed, is a healing and the creation of skin stronger than it was i keep walking because WALLAHI i've nothing but your mercy i've nothing but your promise your words your promise that: يَا أَيُّهَا الْإِنسَانُ إِنَّكَ كَادِحٌ إِلَىٰ رَبِّكَ كَدْحًا فَمُلَاقِيهِ - 84:6 O mankind, indeed you are laboring toward your Lord with [great] exertion and will meet it. [Quran 84:6]
Yasmin Mogahed (Reclaim Your Heart: Personal Insights on Breaking Free from Life's Shackles)
Take his hand. Trust me.” My stomach twisted nervously as I moved until no more than a foot separated us. Without taking my eyes from Nikolas’s, I reached out and placed my hand inside his. The instant we touched, my fingers twitched as a warm tingle ran through them. Then they were crushed as his hand closed around them in a painful grip. “Ow!” Tears sprang into my eyes, and I smacked him hard in the chest with my free hand. “Let go!” When he didn’t respond, I reached up and slapped his cheek. “Nikolas, snap out of it! You’re breaking my hand.” He released my hand, but before I could nurse my bruised fingers, he pulled me against him and wrapped his arms around me so tightly I could scarcely breathe.
Karen Lynch (Refuge (Relentless, #2))
Till now I thought philosophy made us masters, of all our passions, and that it was a refuge from the storms in which weak mortals are tossed and shipwrecked; but you have destroyed my security, and broken this philosophic courage. I have despised riches; honour and its pageantries could never raise a weak thought in me; beauty alone hath fired my soul.
Pierre Abélard (The Letters of Abélard and Héloïse)
Does Jesus Care? In a fit of despondency, the psalmist once bemoaned, “No one cares for my soul” (Ps. 142:4). But in the next verse he turned his gloom into a prayer, declaring to God, “You are my refuge.” The word care occurs eighty-two times in the Bible, which frequently reminds us that when “the days are weary, the long nights dreary,” our Savior cares. Frank Graeff wrote “Does Jesus Care?” in 1901, and it was set to music by the noted conductor and composer, Dr. J. Lincoln Hall (born November 4, 1866), who later called it his most inspired piece of music. The form of the hymn is unusual. Each stanza asks questions about God’s care for us in various situations, and the chorus resounds with the bolstering answer: “Oh yes, He cares, I know He cares!” NOVEMBER 4 Does Jesus care when my heart is pained Too deeply for mirth or song, As the burdens press, and the cares distress And the way grows weary and long? Does Jesus care when I’ve tried and failed To resist some temptation strong; When for my deep grief there is no relief, Though my tears flow all the night long? Does Jesus care when I’ve said “good-bye” To the dearest on earth to me, And my sad heart aches till it nearly breaks, Is it aught to Him? Does He see? Oh yes, He cares, I know He cares, His heart is touched with my grief; When the days are weary, the long nights dreary, I know my Savior cares. . . . casting all your care upon Him, for He cares for you. – 1 Peter 5:7
Robert J. Morgan (Near To The Heart Of God)
What was it like when your mother passed away?” I asked Mimi. “I was twenty-eight years old. I had just given birth to John when I found out Mother had died from a stomach ulcer. A sudden infection. She had just made plans to come from Washington, D.C. to see him.” She paused. “I’ll never forget the telegram my sister Marion sent. I couldn’t believe it. It was so final. Suddenly, the world seemed very dark. I couldn’t imagine how I was going to live without her and I grieved deeply that she was never able to see her first grandchild. But I will tell you, Terry, you do get along. It isn’t easy. The void is always with you. But you will get by without your mother just fine and I promise you, you will become stronger and stronger each day.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
An inexpressible radiance suffused me. The chair was so much more beautiful than my cinematic memory that speech was inadequate. It was a haven, a refuge; I saw myself lolling in it, churchwarden poised, evolving new cosmogonies, quoting abstruse references to Occam’s razor and Paley’s watch. “Oh, God,” I choked, extracting a fistful of bills. “I—You’ve made me so happy! How much?
S.J. Perelman (The World of SJ Perelman: The Marx Brother's Greatest Scriptwriter)
She is one of the timid, innocent, humble, creatures who can't push their way, and so get put aside and forgotten, She has tried all sorts of poorly paid work, couldn't live on it decently, got discouraged, sick, frightened, and could see no refuge from the big, bad world but to get out of it while she wasn't afraid to die. A very old story, my dear, new and dreadful as it seems to you.
Louisa May Alcott (An Old-Fashioned Girl)
Even though I was born in America, and my ancestors built its infrastructure for free, I’m not a part of the “Our” when they sing, “Our flag was still there!” I feel like the “Our” doesn’t include blacks, most women, gays, trans, and poor people of all colors. And, sadly, our nation reminds us every day. Some may reject the anthem because Francis Scott Key sang for freedom while enslaving blacks. His hatred even bled into the lyrics of the elongated version of “The Star-Spangled Banner” you won’t hear at a sporting event. The third stanza reads: No refuge could save the hireling and slave/From the terror of flight, or the gloom of the grave That line was basically a shot at slaves who agreed to fight with the British during the War of 1812 in exchange for their freedom.
D. Watkins (The Beast Side: Living and Dying While Black in America)
The just, bold as a lion, shall be without dread. There was no other in all the wide plains of Troy who was kind to me, and my friend. Here, in the tenth region of the Night, will be waged the battle between the light and the darkness, between the dragon, the World-Devourer, and the king of the sun. Be unto me a God, a protector, and a house of refuge to save me. For you are my strength and my refuge.
Taylor R. Marshall (The Tenth Region of the Night (Sword and Serpent, #2))
Sit down, my dear,” said Mr. Jarndyce. “This, you must know, is the growlery. When I am out of humour, I come and growl here.” “You must be here very seldom, sir,” said I. “Oh, you don’t know me!” he returned. “When I am deceived or disappointed in — the wind, and it’s easterly, I take refuge here. The growlery is the best-used room in the house. You are not aware of half my humours yet. My dear, how you are trembling!
Charles Dickens (The Complete Works of Charles Dickens)
Psalm 18 [David] sang to the LORD the words of this song when the LORD delivered him from the hand of all his enemies and from the hand of Saul. He said: 1 I love you, O LORD, my strength. 2 The LORD is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge. He is my shield and the horn of my salvation, my stronghold. 3 I call to the LORD, who is worthy of praise, and I am saved from my enemies.
Beth Moore (A Heart Like His: Intimate Reflections on the Life of David)
There is nothing very new about all that; I have never rejected these harmless emotions; far from it. In order to feel them, it is sufficent to be a little isolated, just enough to get rid plausability at the right moment. But I remained close to people, on the surface of solitude, quite determined, in case of emergency, to take refuge in their midst: so far I am an amateur at heart. Now, there are objects everywhere like this glass of beer, here on the table. When I see it, I feel like saying:"pax, I'm not playing any more". I realize perfectly well that I have gone too far. I don't suppose you can 'make allowances' for solitude. That doesn't mean I dont look under my bed before going to sleep or that I'm afraid of seeing the door of my room open suddenly in the middle of the night. All the same I am ill at ease. For half an hour I have been avoiding looking at this glass of beer. And I know very well that all the bachelors around me can'thelp me in any way : it is too late, and i can no longer take refuge among them...... ..... I know all that, but I know that there's something else. Almost nothing. But I can no longer explain what I see. To anybody. There it is: I am gently slipping into the water's depths, towards fear. I am alone in the midst of these happy, reasonable voices.
Jean-Paul Sartre (Nausea (Penguin Modern Classics))
Well, brethren, you and I are committed to the onward course, we cannot go back; neither can we turn to the right hand or to the left. What shall we do, then? Shall we lie down, and fret? Shall we stand still, and be dismayed? No! In the Name of the Lord, let us again set up our banner, the royal standard of Jesus the Crucified. Let us sound the trumpets joyously, and let us march on, not with the trembling footsteps of those who know that they are bent upon an enterprise of evil, but with the gallant bearing of men whose cause is Divine, whose warfare is a crusade. Courage, my brethren; behold, the angels of God fly in our front, and, lo, the eternal God Himself leads our van. "The Lord of hosts is with us; the God of Jacob is our refuge." "Therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
My good creature,” cried the Rocket in a very haughty tone of voice, “I see that you belong to the lower orders. A person of my position is never useful. We have certain accomplishments, and that is more than sufficient. I have no sympathy myself with industry of any kind, least of all with such industries as you seem to recommend. Indeed, I have always been of opinion that hard work is simply the refuge of people who have nothing whatever to do.
Oscar Wilde (Delphi Complete Works of Oscar Wilde (Illustrated))
Last night, I spoke at one of the Circle Meetings of the Baptist Church. Afterward, a Kenyan friend, Wangari Waigwa-Stone, and I spoke about darkness and stars. “I was raised under an African sky,” she said. “Darkness was never something I was afraid of. The clarity, definition, and profusion of stars became maps as to how one navigates at night. I always knew where I was simply by looking up.” She paused. “My sons do not have these guides. They have no relationship to darkness, nothing in their imagination tells them there are pathways in the night they can move through.” “I have a Norwegian friend who says, ‘City lights are a conspiracy against higher thought,’ ” I added. “Indeed,” Wangari said, smiling, her rich, deep voice resonating. “I am Kikuyu. My people believe if you are close to the Earth, you are close to people.” “How so?” I asked. “What an African woman nurtures in the soil will eventually feed her family. Likewise, what she nurtures in her relations will ultimately nurture her community. It is a matter of living the circle. “Because we have forgotten our kinship with the land,” she continued, “our kinship with each other has become pale. We shy away from accountability and involvement. We choose to be occupied, which is quite different from being engaged. In America, time is money. In Kenya, time is relationship. We look at investments differently.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
It’s the “If only I could understand this or that, then I’d be secure” way of living. But it never works. In your most brilliant moment, you will still be left with mystery in your life; sometimes even painful mystery. We all face things that appear to make little sense and don’t seem to serve any good purpose. So rest is never found in the quest to understand it all. No, rest is found in trusting the One who understands it all and rules it all for his glory and our good. Few passages capture that rest better than Psalm 62:5–7: “For God alone, O my soul, wait in silence, for my hope is from him. He only is my rock and my salvation, my fortress; I shall not be shaken. On God rests my salvation and my glory; my mighty rock, my refuge is God.” In moments when you wish you knew what you can’t know, there is rest to be found. There is One who knows. He loves you and rules what you don’t understand with your good in mind.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
Welcome back, little one. And if you worry us like that again, I will lock you up myself for the next fifty years.” “Get in line,” Nikolas muttered. Great, all I needed was another male in my life who thought he knew what was best for me. I didn’t know whether to scowl at the pair of them or be amazed that they were in agreement on something. Unfortunately, with my penchant for attracting trouble, I’d probably see how serious their threats were sooner rather than later.
Karen Lynch (Refuge (Relentless, #2))
As in past years, the self-absorbed Jesse Root Grant and equally self-absorbed Colonel Dent continued to find each other insufferable and Grant took refuge in his old strategy of passive detachment. With Colonel Dent monopolizing the White House, Jesse stayed at an inexpensive hotel when he visited Washington. The two men took turns insulting each other, pretending the other was a doddering old fool. “You should take better care of that old gentleman, Julia,” Dent would say of Jesse Grant. “He is feeble and deaf as a post, and yet you permit him to wander all over Washington alone. It is not safe; he should never be allowed out without an attendant.”18 To insult Jesse, Colonel Dent would pop out of his armchair whenever Jesse entered the room. “Accept my chair, Mr. Grant,” he would say with elaborate courtesy, as if humoring a senile old man. Stiffly indignant, Jesse would reply in a stage whisper to a grandson, “I hope I shall not live to become as
Ron Chernow (Grant)
91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge
Anonymous (Holy Bible: English Standard Version (ESV))
: Whether we are aware of it or not, we will refine the quality of our humanity throughout the course of our lives. More and more, people seek spiritual techniques to help them do this. But joy and suffering will do this for you, too. Every lifetime offers countless opportunities to become more whole. Life offers its wisdom generously. Everything teaches. Not everyone learns. Life asks of us the same thing we have been asked in every class: "Stay awake." "Pay attention." But paying attention is no simple matter. It requires us not to be distracted by expectations, past experiences, labels, and masks. It asks that we not jump to early conclusions and that we remain open to surprise. Wisdom comes most easily to those who have the courage to embrace life without judgment and are willing to not know, sometimes for a long time. It requires us to be more fully and simply alive than we have been taught to be. It may require us to suffer. But ultimately we will be more than we were when we began.
Rachel Naomi Remen (My Grandfather's Blessings : Stories of Strength, Refuge, and Belonging)
My entrance into the courtyard caused a small stir among the lookouts. I could tell because in the middle of February, in the dark of night, Baxter Terrace suddenly sounded like an Audubon Society refuge - birdcalls being the latest in urban drug - selling counterintelligence... Birdcalls allowed much more information to be imparted to other members of the operation, without the visitor being aware of what was being communicated. So while a crow's harsh cry could harken the arrival of a member of the city narcotics unit - a significant threat - the sweet song of a chickadee might signal an officer who was merely escorting a social worker to an appointment allowing business to continue in guarded fashion. Someone like me, a stranger on unknown business, might warrant a whipporwill's call. Where exactly a city kid learned what a whipporwill sounded like, I have no idea. But these kids were nothing if not resourceful. It makes you wonder what they could have accomplished under different circumstances.
Brad Parks (Eyes of the Innocent (Carter Ross Mystery #2))
But what if I tried to use it on Nikolas and I couldn’t control it? What if I hurt him or worse? The thought of him dying left me cold; the thought of me being the one to end his life sucked the air from my lungs, and I had to remind myself to breathe. “I can’t . . . I can’t do it . . . ” I wheezed, close to hyperventilating. Nikolas moved so fast he was gripping my shoulders before I could react. His eyes softened to a smoky gray as they captured mine. “This really frightens you, doesn’t it?” I could only nod.
Karen Lynch (Refuge (Relentless, #2))
-Too often college Bible classes end up like this- With eager knife that oft has sliced At Gentile gloss, or Jewish fable, Before the crowd you lay the Christ Upon the lecture table. From bondage to the old beliefs You say our rescue must begin, But I want refuge from my griefs And saving from my sin. The strong, the easy and the glad Hang, blandly listening, on your word; But I am sick, and I am sad, And I want Thee, O Lord. (From Amy Carmichael's 1950 bio of Thomas Walker of Tinnevelly, India — poem written in about 1905 by Canon Ainger)
Canon Ainger
The idea filled her with a nameless horror. Lost in thought, it took her several moments to realize that Jace had been saying something to her. When she blinked at him, she saw a wry grin spread across his face. “What?” she asked, ungraciously. “I wish you’d stop desperately trying to get my attention like this,” he said. “It’s become embarrassing.” “Sarcasm is the last refuge of the imaginatively bankrupt,” she told him. “I can’t help it. I use my rapier wit to hide my inner pain.” “Your pain will be outer soon if you don’t get out of traffic.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Perhaps I am here because of last night’s dream, when I stood on the frozen lake before a kayak made of sealskin. I walked on the ice toward the boat and picked up a handful of shredded hide and guts. An old Eskimo man said, “You have much to work with.” Suddenly, the kayak was stripped of its skin. It was a rib cage of willow. It was the skeleton of a fish. I want to see it for myself, wild exposure, in January, when this desert is most severe. The lake is like steel. I wrap my alpaca shawl tight around my face until only my eyes are exposed. I must keep walking to stay warm. Even the land is frozen. There is no give beneath my feet. I want to see the lake as Woman, as myself, in her refusal to be tamed. The State of Utah may try to dike her, divert her waters, build roads across her shores, but ultimately, it won’t matter. She will survive us. I recognize her as a wilderness, raw and self-defined. Great Salt Lake strips me of contrivances and conditioning, saying, “I am not what you see. Question me. Stand by your own impressions.” We are taught not to trust our own experiences. Great Salt Lake teaches me experience is all we have.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
God understands what we’re going through. His Word promises He will help us in times of trouble. When adversity strikes, God offers Himself as our refuge and His strength to weather life’s storms. No matter the problems tossing us about, we don’t have to feel like we’re simply hanging on. Instead, we can trust the One who offers us peace and carries us through until we get to calmer shores. Dear Lord, I feel beaten down by the storms of life, drowning in a sea of adversity and stress. I commit to depend on You as my refuge and I place my trust in You. In Jesus’ name, Amen.
Renee Swope (Encouragement for Today: Devotions for Everyday Living (A 100-Day Devotional))
PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.
Anonymous (Holy Bible: English Standard Version (ESV))
When did it happen?” “A longer time ago than you can conceive. It was very hard. I fought for a hundred days and a hundred nights without hope or refuge.” An almost imperceptible smile played on her lips. “That’s the only thing I’m proud of—having fought to the end. I retreated but didn’t turn my back, surrounded by others also fallen from on high. I was hoarse with shouting out my fury, my fear and exhaustion. After the battle, I walked across a plain as desolate and lonely as eternity is cold. . . . I still sometimes come across a trace of the battle, or an old comrade who passes by without daring to look up.
Arturo Pérez-Reverte (The Club Dumas)
PSALM 57  lBe merciful to me, O God, be merciful to me, for in you my soul  mtakes refuge; in  nthe shadow of your wings I will take refuge, otill the storms of destruction pass by. 2 I cry out to God Most High, to God who  pfulfills his purpose for me. 3  qHe will send from heaven and save me; he will put to shame  rhim who tramples on me. Selah sGod will send out  this steadfast love and his faithfulness! 4 My soul is in the midst of  ulions; I lie down amid fiery beasts— the children of man, whose  vteeth are spears and arrows, whose  wtongues are sharp swords. 5  xBe exalted, O God, above the heavens! Let your glory be over all the earth!
Anonymous (Holy Bible: English Standard Version (ESV))
I too entered the Lager as a nonbeliever, and as a nonbeliever I was liberated and have lived to this day. Actually, the experience of the Lager with its frightful iniquity confirmed me in my nonbelief. It has prevented me, and still prevents me, from conceiving of any form of providence or transcendent justice . . . I must nevertheless admit that I experienced (and again only once) the temptation to yield, to seek refuge in prayer. This happened in October 1944, in the one moment in which I lucidly perceived the imminence of death . . . naked and compressed among my naked companions with my personal index card in hand, I was waiting to file past the ‘commission’ that with one glance would decide whether I should go immediately into the gas chamber or was instead strong enough to go on working. For one instance I felt the need to ask for help and asylum; then, despite my anguish, equanimity prevailed: one does not change the rules of the game at the end of the match, nor when you are losing. A prayer under these conditions would have been not only absurd (what rights could I claim? and from whom?) but blasphemous, obscene, laden with the greatest impiety of which a nonbeliever is capable. I rejected the temptation: I knew that otherwise were I to survive, I would have to be ashamed of it.” —FROM PRIMO LEVI: THE DROWNED AND THE SAVED (1986)
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
When I was growing up, we took Texas history twice—if I remember correctly, in the fourth and the seventh grades. I cannot say with certainty that slavery was never mentioned. Of course, I didn’t need school to tell me that Blacks had been enslaved in Texas. I heard references to slavery from my parents and grandparents. A common retort when another kid—often a sibling—insisted you do something for them you didn’t want to do was “Slavery time is over.” And we celebrated Juneteenth, which marked the end of the institution. But if slavery was mentioned in the early days of my education, it didn’t figure prominently enough in our lessons to give us a clear and complete picture of the role the institution played in the state’s early development, its days as a Republic, its entry into the Union, and its role in the Civil War and its aftermath. Instead, as with the claim “The American Civil War was not about slavery. It was about states’ rights,” the move when talking about Texas’s rebellion against Mexico was to take similar refuge in concerns about overreaching federal authorities. Anglo-Texans chafed at the centralizing tendencies of the Mexican government and longed to be free. As one could ask about the states’ rights argument—states’ rights to do what?—I don’t recall my teachers giving a complete explanation for why Anglo-Texans felt so threatened by the Mexican government.
Annette Gordon-Reed (On Juneteenth)
Listen: There are two things the Devil is deathly afraid of: fervent Communions and frequent visits to the Blessed Sacrament. Do you want Our Lord to grant you many graces? Visit him often. Do you want Him to grant you only a few? Visit Him only seldom. Do you want the Devil to attack you? Rarely visit the Blessed Sacrament. Do you want the Devil to flee from you? Visit Jesus often. Do you want to overcome the Devil? Take refuge at Jesus’ feet. Do you want to be overcome by the Devil? Give up visiting Jesus. Visiting the Blessed Sacrament is essential, my dear boys, if you want to overcome the Devil. Therefore, make frequent visits to Jesus. If you do that, the Devil will never prevail against you.
Paul Thigpen (Manual for Spiritual Warfare)
PSALM 11 In the LORD I take refuge; how can you say to my soul, z“Flee like a bird to your mountain, 2 for behold, the wicked  abend the bow; bthey have fitted their arrow to the string to shoot in the dark at the upright in heart; 3 if  cthe foundations are destroyed, what can the righteous do?” [1] 4  dThe LORD is in his holy temple; the LORD’s  ethrone is in heaven; his eyes see, his eyelids  ftest the children of man. 5 The LORD  gtests the righteous, but  hhis soul hates the wicked and the one who loves violence. 6 Let him rain coals on the wicked; ifire and sulfur and a scorching wind shall be  jthe portion of their cup. 7 For the LORD is righteous; he  kloves righteous deeds; lthe upright shall behold his face.
Anonymous (Holy Bible: English Standard Version (ESV))
As the hush of evening crept over the world and we proceeded over the hill crest towards Wimbledon, Weena grew tired and wanted to return to the house of grey stone. But I pointed out the distant pinnacles of the Palace of Green Porcelain to her, and contrived to make her understand that we were seeking a refuge there from her Fear. You know that great pause that comes upon things before the dusk? Even the breeze stops in the trees. To me there is always an air of expectation about that evening stillness. The sky was clear, remote, and empty save for a few horizontal bars far down in the sunset. Well, that night the expectation took the colour of my fears. In that darkling calm my senses seemed preternaturally sharpened.
H.G. Wells (The Time Machine)
At that time, a number of myths were created by the young people of the smoking carriages and forests of hallucinogenic mushrooms, the hungry for the thirst of lysergic acid, who were too tired of the suffering they grew up in and needed to take refuge in dreams. In these children's universe there were unbelievable stories about places in the mountains that women sought to retreat to, places where people were united by music and love for a mutual spiritual growth. For Aunt Jeanine, who had grown up with the image of her father, an amputee due to the war, feeding on such stories was like a haven, one she would later try to turn into her home. And one of those stories, one particular one, stood in her memory until the last stage of her life, when she passed away at eighty-one, burned with fire. (...) At that time, kid, they said that if we searched enough, we would find a place where the world wouldn't end. Men would never know what hell of a place that was, totally unconquerable! A place where the dirty hands of men would never arrive. A place men would never know about . Don't you think I could find it? To have my body disappearing in the woods, as I saw happening to kids in Japan, in that forest that swallows them to its core. Flesh turned to powder, my essence disappearing in the middle of life. They said that, when you die at a place, you'll stay at that place forever. That was why everyone was afraid to go to war. They weren't afraid of dying, kid, they were afraid of dying there.
Pat R (Os Homens Nunca Saberão Nada Disto)
Wölfe whispered in my ear. —You chose this godsforsaken place over her. It’s your fault she’s frozen in time. You had to take the crown from the little prince, so you could wear it. Now, we both suffer. Now, we both mourn her. You don’t deserve her—not when you don’t put her first. You killed her. No! I have not lost her. She’s still here, and soon she will awaken. And once she was back, she would soothe all this pain away with only a smile. And her mouth and smooth skin would provide refuge. Her touch would be a salve to all this loss. —How selfish are you? Can’t you think of no one else but yourself? No matter. While you cry like a weakling, I will be the one soothing her, protecting her, making sure she’s safe. I shook my head, a growl escaping me.
Ingrid Seymour (A Court So Dark (Healer of Kingdoms, #3))
PSALM 91 He who dwells in  athe shelter of the Most High will abide in  bthe shadow of the Almighty. 2 I will say [1] to the LORD, “My  crefuge and my  dfortress, my God, in whom I  etrust.” 3 For he will deliver you from  fthe snare of the fowler and from the deadly pestilence. 4 He will  gcover you with his pinions, and under his  hwings you will  ifind refuge; his  jfaithfulness is  ka shield and buckler. 5  lYou will not fear  mthe terror of the night, nor the arrow that flies by day, 6 nor the pestilence that stalks in darkness, nor the destruction that wastes at noonday. 7 A thousand may fall at your side, ten thousand at your right hand, but it will not come near you. 8 You will only look with your eyes and  nsee the recompense of the wicked. 9 Because you have made the LORD your  odwelling place— the Most High, who is my  crefuge [2]— 10  pno evil shall be allowed to befall you, qno plague come near your tent. 11  rFor he will command his  sangels concerning you to  tguard you in all your ways. 12 On their hands they will bear you up, lest you  ustrike your foot against a stone. 13 You will tread on  vthe lion and the  wadder; the young lion and  xthe serpent you will  ytrample underfoot. 14 “Because he  zholds fast to me in love, I will deliver him; I will protect him, because he  aknows my name. 15 When he  bcalls to me, I will answer him; I will be with him in trouble; I will rescue him and  chonor him. 16 With  dlong life I will satisfy him and  eshow him my salvation.” How Great Are Your Works A Psalm. A Song for the Sabbath.
Anonymous (Holy Bible: English Standard Version (ESV))
And God himself will have his servants, and his graces, tried and exercised by difficulties. He never intended us the reward for sitting still; nor the crown of victory, without a fight; nor a fight, without an enemy and opposition. Innocent Adam was unfit for his state of confirmation and reward, till he had been tried by temptation. therefore the martyrs have the most glorious crown, as having undergone the greatest trial. and shall we presume to murmur at the method of God? And Satan, having liberty to tempt and try us, will quickly raise up storms and waves before us, as soon as we are set to sea: which make young beginners often fear, that they shall never live to reach the haven. He will show thee the greatness of thy former sins, to persuade thee that they shall not be pardoned. he will show thee the strength of thy passions and corruption, to make thee think they will never be overcome. he will show thee the greatness of the opposition and suffering which thou art like to undergo, to make thee think thou shall never persevere. He will do his worst to poverty, losses , crosses, injuries, vexations, and cruelties, yea , and unkind dearest friends, as he did by Job, to ill of God, or of His service. If he can , he will make them thy enemies that are of thine own household. He will stir up thy own father, or mother, or husband, or wife, or brother, or sister, or children, against thee, to persuade or persecute thee from Christ: therefore Christ tells us, that if we hate not all these that is cannot forsake them, and use them as men do hated things; when they would turn us from him, we cannot be his disciples". Look for the worst that the devil can do against thee, if thou hast once lifted thyself against him, in the army of Christ, and resolvest, whatever it cost thee, to be saved. Read heb.xi. But How little cause you have to be discouraged, though earth and hell should do their worst , you may perceive by these few considerations. God is on your side, who hath all your enemies in his hand, and can rebuke them, or destroy them in a moment. O what is the breath or fury of dust or devils, against the Lord Almighty? "If God be for us, who can be against us?" read often that chapter, Rom. viii. In the day when thou didst enter into covenant with God, and he with thee, thou didst enter into the most impregnable rock and fortress, and house thyself in that castle of defense, where thought mayst (modestly)defy all adverse powers of earth or hell. If God cannot save thee, he is not God. And if he will not save thee, he must break his covenant. Indeed, he may resolve to save thee, not from affliction and persecution, but in it, and by it. But in all these sufferings you will "be more than conquerors, through Christ that loveth you;" that is, it is far more desirable and excellent, to conquer by patience, in suffering for Christ, than to conquer our persecutors in the field, by force arms. O think on the saints triumphant boastings in their God:" God is our refuge and strength, a very present help in trouble: therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea". when his " enemies were many" and "wrested his words daily," and "fought against him, and all their thoughts were against him, " yet he saith, "What time I am afraid, I will trust in thee. in God I will praise his word; in God I have put my trust: I will not fear what flesh can do unto me". Remember Christ's charge, " Be not afraid of them that kill the body, and after that have no more that they can do. But I will forewarn you whom ye shall fear: fear him, which after he hath killed, hath power to cast into hell; yea, I say unto you , Fear him" if all the world were on they side, thou might yet have cause to fear; but to have God on thy side, is infinitely more. Practical works of Richard Baxter,Ch 2 Directions to Weak Christians for Their Establishment and Growth, page 43.
Richard Baxter
...[A] poor priest, Chandi Das, was shocking Bengal by composing Dantean songs to a peasant Beatrice, ideal­izing her with romantic passion, exalting her as a symbol of divinity, and making his love an allegory of his desire for absorption in God; at the same time he inaugurated the use of Bengali as a literary language. "I have taken refuge at your feet, my beloved. When I do not see you my mind has no rest .... I cannot forget your grace and your charm,—and yet there is no desire in my heart." Excommunicated by his fellow Brahmans on the ground that he was scandalizing the public, he agreed to renounce his love, Rami, in a public ceremony of recantation; but when, in the course of this ritual, he saw Rami in the crowd, he withdrew his recanta­tion, and going up to her, bowed before her with hands joined in adora- tion.
Will Durant (Our Oriental Heritage (The Story of Civilization, #1))
Monsieur le Curé," said the man, "you are good; you do not despise me. You receive me into your house. You light your candles for me. Yet I have not concealed from you whence I come and that I am an unfortunate man." The Bishop, who was sitting close to him, gently touched his hand. "You could not help telling me who you were. This is not my house; it is the house of Jesus Christ. This door does not demand of him who enters whether he has a name, but whether he has a grief. You suffer, you are hungry and thirsty; you are welcome. And do not thank me; do not say that I receive you in my house. No one is at home here, except the man who needs a refuge. I say to you, who are passing by, that you are much more at home here than I am myself. Everything here is yours. What need have I to know your name? Besides, before you told me you had one which I knew.
Victor Hugo (Les Misérables)
The name of the Lord is a strong tower; the righteous run to it and are safe. PROVERBS 18:10 NKJV When you are confused about the future, go to your Jehovah-raah, your caring shepherd. When you are anxious about provision, talk to Jehovah-jireh, the Lord who provides. Are your challenges too great? Seek the help of Jehovah-shalom, the Lord is peace. Is your body sick? Are your emotions weak? Jehovah-rophe, the Lord who heals you, will see you now. Do you feel like a soldier stranded behind enemy lines? Take refuge in Jehovah-nissi, the Lord my banner. Meditating on the names of God reminds you of the character of God. Take these names and bury them in your heart. God is the shepherd who guides, the Lord who provides, the voice who brings peace in the storm, the physician who heals the sick, and the banner that guides the soldier. The Great House of God
Max Lucado (Grace for the Moment: Inspirational Thoughts for Each Day of the Year, Volume 1)
BUT SURFING ALWAYS HAD this horizon, this fear line, that made it different from other things, certainly from other sports I knew. You could do it with friends, but when the waves got big, or you got into trouble, there never seemed to be anyone around. Everything out there was disturbingly interlaced with everything else. Waves were the playing field. They were the goal. They were the object of your deepest desire and adoration. At the same time, they were your adversary, your nemesis, even your mortal enemy. The surf was your refuge, your happy hiding place, but it was also a hostile wilderness—a dynamic, indifferent world. At thirteen, I had mostly stopped believing in God, but that was a new development, and it had left a hole in my world, a feeling that I’d been abandoned. The ocean was like an uncaring God, endlessly dangerous, power beyond measure.
William Finnegan (Barbarian Days: A Surfing Life)
I startle, breathing faster, grateful he can only sense the general direction of my feelings and not more than that. For a moment I actually want to say no. No, I’m not scared. I’m petrified. Because being this close to you is doing things to me. Strange things and irrational things and things that flutter against my chest and braid my bones together. I want a pocketful of punctuation marks to end the thoughts he’s forced into my head. But I don’t say any of those things. Instead, I ask a question I already know the answer to. “Why would I be scared?” “You’re shaking,” he says. “Oh.” The two letters and their small, startled sound run right out of my mouth to seek refuge in a place far from here. I keep wishing I had the strength to look away from him in moments like this. I keep wishing my cheeks wouldn’t so easily enflame. I keep wasting my wishes on stupid things, I think.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
The theater was less crowded than I worried it would be but it was only nine-forty and it was bound to fill up. I thought as I sat and stared at the massive set of curtains draped in front of the 70-millimiter screen. Writing this now, I can’t believe that I was left to my own devices for twenty minutes, just idly sitting there, thinking about things, about Them and about Susan, waiting without something to distract me. Instead, I took in the theater–my favorite in Westwood and the largest, with over fourteen hundred seats; it was its own vast world I took refuge in and it was one of the few places I was aware I might actually be saved–because movies were a religion in that moment, they could change you, alter your perception, you could rise toward the screen and share a moment of transcendence, all the disappointments and fears would be wiped away for a few hours in that church: movies acted like a drug for me.
Bret Easton Ellis (The Shards)
The theater was less crowded than I worried it would be but it was only nine-forty and it was bound to fill up. I thought as I sat and stared at the massive set of curtains draped in front of the 70-millimiter screen. Writing this now, I can’t believe that I was left to my own devices for twenty minutes, just idly sitting there, thinking about things, about Thom and about Susan, waiting without something to distract me. Instead, I took in the theater–my favorite in Westwood and the largest, with over fourteen hundred seats; it was its own vast world I took refuge in and it was one of the few places I was aware I might actually be saved–because movies were a religion in that moment, they could change you, alter your perception, you could rise toward the screen and share a moment of transcendence, all the disappointments and fears would be wiped away for a few hours in that church: movies acted like a drug for me.
Bret Easton Ellis
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roy Choudhury (Selected Poems)
Only, this was the thing: you'd provided me with the possibility of getting away from myself and making myself at home in another world. You were like a messenger from that world. With you, I could give my real self a rest. You were part and parcel of that dissolving of reality - myself included - that I'd been working on for seven or eight years through writing. For me, you were the herald out in front who showed me how to put the menacing world on hold. In that world I was a refugee whose existence was not legitimate, whose future never went beyond the three months of a temporary visa. I had no desire to come back to earth. I'd found a refuge in a magical experience and I wasn't about to let it get dragged down into reality. As far back as I can remember, I'd always sought not to exist. You've had to work for years on end to get me to accept the fact that I do exist. And I really don't think your work is over yet.
André Gorz (Letter to D: A Love Story)
Be calm! I entreat you to hear me, before you give vent to your hatred on my devoted head. Have I not suffered enough that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine; my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king, if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other, and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember, that I am thy creature; I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous." "Begone! I will not hear you. There can be no community between you and me; we are enemies. Begone, or let us try our strength in a fight, in which one must fall." "How can I move thee? Will no entreaties cause thee to turn a favourable eye upon thy creature, who implores thy goodness and compassion? Believe me, Frankenstein: I was benevolent; my soul glowed with love and humanity: but am I not alone, miserably alone? You, my creator, abhor me; what hope can I gather from your fellow-creatures, who owe me nothing? they spurn and hate me. The desert mountains and dreary glaciers are my refuge. I have wandered here many days; the caves of ice, which I only do not fear, are a dwelling to me, and the only one which man does not grudge. These bleak skies I hail, for they are kinder to me than your fellow-beings. If the multitude of mankind knew of my existence, they would do as you do, and arm themselves for my destruction. Shall I not then hate them who abhor me? I will keep no terms with my enemies. I am miserable, and they shall share my wretchedness. Yet it is in your power to recompense me, and deliver them from an evil which it only remains for you to make so great that not only you and your family, but thousands of others, shall be swallowed up in the whirlwinds of its rage. Let your compassion be moved, and do not disdain me. Listen to my tale: when you have heard that, abandon or commiserate me, as you shall judge that I deserve. But hear me. The guilty are allowed, by human laws, bloody as they are, to speak in their own defence before they are condemned. Listen to me, Frankenstein. You accuse me of murder; and yet you would, with a satisfied conscience, destroy your own creature. Oh, praise the eternal justice of man! Yet I ask you not to spare me: listen to me; and then, if you can, and if you will, destroy the work of your hands.
Mary Wollstonecraft Shelley (Frankenstein)
So you understand, sir,” the stranger went on, “that I have a right to treat you as my enemy.” I kept quiet, with good reason. What was the use of debating such a proposition, when superior force can wipe out the best arguments? “It took me a good while to decide,” the commander went on. “Nothing obliged me to grant you hospitality. If I were to part company with you, I’d have no personal interest in ever seeing you again. I could put you back on the platform of this ship that has served as your refuge. I could sink under the sea, and I could forget you ever existed. Wouldn’t that be my right?” “Perhaps it would be the right of a savage,” I replied. “But not that of a civilized man.” “Professor,” the commander replied swiftly, “I’m not what you term a civilized man! I’ve severed all ties with society, for reasons that I alone have the right to appreciate. Therefore I obey none of its regulations, and I insist that you never invoke them in front of me!
Jules Verne
In Psalm 57: 1, David says, “In the shadow of thy wings will I make my refuge, until these calamities be overpass.” Instead of going out to fight his own battles, David took refuge in God. How tempting it might have been for him to show the enemy his strength and might. To show his enemy that he was not somebody to be messed with must have been a great temptation for a man like David. Instead of engaging the enemy, however, David took refuge in the shadow of God’s wings. What a blessed truth to understand that, in the middle of all of our difficulties and calamities, we have a refuge. Certainly, there is a time to go forth into battle and engage the enemy. But this should only be under the direct orders of the Captain of our salvation. Young David understood this as he faced Goliath. And all this assembly shall know that the LORD saveth not with sword and spear: for the battle is the LORD’s, and he will give you into our hands (1 Sam. 17: 47). The battle is always the Lord’s.
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
The LORD is my rock and my fortress and my deliverer; my God, my strength, in whom I will trust; my shield and the horn of my salvation, my stronghold. I will call upon the LORD, who is worthy to be praised; so shall I be saved from my enemies. PSALM 18:2-3 Because you have made the LORD, who is my refuge, even the Most High, your dwelling place, no evil shall befall you, nor shall any plague come near your dwelling; for He shall give His angels charge over you, to keep you in all your ways. In their hands they shall bear you up, lest you dash your foot against a stone. PSALM 91:9-12 I will restore health to you and heal you of your wounds. JEREMIAH 30:17 Do you not know that your body is the temple of the Holy Spirit who is in you, whom you have from God, and you are not your own? For you were bought at a price; therefore glorify God in your body and in your spirit, which are God’s. 1 CORINTHIANS 6:19-20 The prayer of faith will save the sick, and the Lord will raise him up. JAMES 5:15
Stormie Omartian (The Power of a Praying Husband)
There is little honour to be won by a numerous army over a few scattered bands, by men clad in mail over half-armed husbandmen and shepherds—of such conquest small were the glory. But if, as all Christian men believe, and as it is the constant trust of my countrymen, from memory of the times of our fathers,—if the Lord of Hosts should cast the balance in behalf of the fewer numbers and worse-armed party, I leave it with your Highness to judge what would, in that event, be the diminution of worship and fame. Is it extent of vassalage and dominion your Highness desires, by warring with your mountain neighbours? Know 187that you may, if it be God's will, gain our barren and rugged mountains; but, like our ancestors of old, we will seek refuge in wilder and more distant solitudes, and, when we have resisted to the last, we will starve in the icy wastes of the glaciers. Ay, men, women, and children, we will be frozen into annihilation together, ere one free Switzer will acknowledge a foreign master.
Walter Scott (Anne of Geierstein)
PSALM 2 rWhy do sthe nations rage [1] and the peoples plot in vain? 2 The kings of the earth set themselves, and the rulers take counsel together, against the LORD and against his  tAnointed, saying, 3 “Let us  uburst their bonds apart and cast away their cords from us.” 4 He who  vsits in the heavens  wlaughs; the Lord holds them in derision. 5 Then he will speak to them in his  xwrath, and terrify them in his fury, saying, 6 “As for me, I have  yset my King on zZion, my aholy hill.” 7 I will tell of the decree: The LORD said to me,  b“You are my Son; today I have begotten you. 8 Ask of me, and I will make the nations your heritage, and  cthe ends of the earth your possession. 9 You shall  dbreak [2] them with  ea rod of iron and dash them in pieces like  fa potter’s vessel.” 10 Now therefore, O kings, be wise; be warned, O rulers of the earth. 11  gServe the LORD with  hfear, and irejoice with htrembling. 12 jKiss kthe Son, lest he be angry, and you perish in the way, for his  lwrath is quickly kindled. mBlessed are all who take refuge
Anonymous (Holy Bible: English Standard Version (ESV))
[Sidenote: What Men Shall Pray For] IX. But what are the things which we must bring before Almighty God in prayer and lamentation, to exercise faith thereby? Answer: First, every man's own besetting need and trouble, of which David says, Psalm xxxii: "Thou art my refuge in all trouble which compasseth me about; Thou art my comfort, to preserve me from all evil which surrounds me." [Ps. 32:7] likewise, Psalm cxlii: "I cried unto the Lord with my voice; with my voice unto the Lord did I make my supplication. I poured out my complaint before Him; I showed before Him my trouble." [Ps. 142:2] In the mass a Christian shall keep in mind the short-comings or excesses he feels, and pour out all these freely before God with weeping and groaning, as woefully as he can, as to his faithful Father, who is ready to help him. And if you do not know or recognise your need, or have no trouble, then you shall know that you are in the worst possible plight. For this is the greatest trouble, that you find yourself so hardened, hard-hearted and insensible that no trouble moves you.
Martin Luther (Works of Martin Luther With Introductions and Notes, Volume I)
Dear Bride to Be Come to me, Dear Bride to be, And kneel before My Throne And I will share My heart with you And make your house a home. Listen well, lean closely There are secrets at My feet— The marriage you will soon begin This Bridegroom will complete. The man with whom you'll journey Is your wedding gift from me To teach you things beyond this world… A precious mystery. Bearing all these things in mind You'll never lack for wealth For through your union I will choose To teach you of Myself. Let him hold you tightly And keep you safe from harm Until I'll one day hold you In My everlasting arms. Let him wipe your tears away And trust him with your pain Until I wipe them all away And Heaven is your gain. Pray to love his tender touch And want his gentle kiss I grant you both my blessing And ask you not to miss The reason why I've chosen For two halves to become one— That you might see the Bride of Christ, Sweet Daughter and Dear Son. So make his home a refuge He's to love you as I do Until your mansion is complete... A place prepared for you. And if I should choose to leave you here When I have called him home Trust I'll be your husband near... You'll never be alone.
Beth Moore (Things Pondered: From the Heart of a Lesser Woman)
Oh, my son loves Japan!" she says, her voice soaring. "He's been studying Japanese, all by himself, and he went there recently actually for the first time, and he said he just felt immediately at home there, you know really comfortable. I mean with him it's mostly the, the, the-" My brain silently fills in the next word: anime. "The animation and so on, you know he's really into technology. I mean he's only seventeen, you know so who knows what is going to happen. But it does seem like, you know, a real thing for him." "Right," I say, and I nod. "That's great." Sometimes at times like these, what fills my head is the things I do not and could not ever say. For example: "You have no idea how many stories I've heard exactly like that one!" Or: "You know, even though I'm generally reluctant to admit the existence of 'types' among people, I'm often shocked by the parallels that exist between the kind of young men who like anime and all things Japanese, to the extent that I sometimes struggle to believe that a group of people with such intensely similar interests are in fact individuals." Certainly I do not say: "And what would you like to bet that he ends up marrying a Japanese woman and becomes an academic teaching the world about Japanese culture while she gives up her job to bring up his children?" But even if these things flicker through my mind, I'm not anywhere near as rageful as any of that makes me sound. In fact, if anything, what I feel in this particular moment is something like envy, for this son of hers that I've never met, I understand that taking refuge in Japan and being shielded from the demands of full adulthood is a privilege offered to predominantly white, educated, Anglophone men, because they are deemed the most desirable that the world has to offer; that it feeds off power relations that date back to the American occupation and beyond, and which hew closely to the colonial paradigm even if there are important differences (and even if Japan also has a history of colonialism of its own to reckon with); and that even leaving all of this aside, this Peter Pan status is not something I am interested in. And yet I can't help but look at the sort of person who feels "immediately" comfortable in Japan and wish that I had felt like that, only because it might validate the way I've dedicated a lot of my life to the country, but because the security of that sensation in itself feels like something I would love to experience.
Polly Barton (Fifty Sounds)
And the worst fault I have to find with the world is, that it is dull. Do you know, I am going to justify gambling in spite of you. It is a refuge from dullness." "I don't admit the justification," said Deronda. "I think what we call the dullness of things is a disease in ourselves. Else how can any one find an intense interest in life? And many do." "Ah, I see! The fault I find in the world is my own fault," said Gwendolen, smiling at him. Then after a moment, looking up at the ivory again, she said, "Do _you_ never find fault with the world or with others?" "Oh, yes. When I am in a grumbling mood." "And hate people? Confess you hate them when they stand in your way--when their gain is your loss? That is your own phrase, you know." "We are often standing in each other's way when we can't help it. I think it is stupid to hate people on that ground." "But if they injure you and could have helped it?" said Gwendolen with a hard intensity unaccountable in incidental talk like this. Deronda wondered at her choice of subjects. A painful impression arrested his answer a moment, but at last he said, with a graver, deeper intonation, "Why, then, after all, I prefer my place to theirs." "There I believe you are right," said Gwendolen.
George Eliot (Daniel Deronda)
MAY 20 WHEN YOUR SINS WEIGH HEAVILY upon you, come to Me. Confess your wrongdoing, which I know all about before you say a word. Stay in the Light of My Presence, receiving forgiveness, cleansing, and healing. Remember that I have clothed you in My righteousness, so nothing can separate you from Me. Whenever you stumble or fall, I am there to help you up. Man’s tendency is to hide from his sin, seeking refuge in the darkness. There he indulges in self-pity, denial, self-righteousness, blaming, and hatred. But I am the Light of the world, and My illumination decimates the darkness. Come close to Me and let My Light envelop you, driving out darkness and permeating you with Peace. But if we walk in the light, as he is in the light, we have fellowship with one another, and the blood of Jesus, his Son, purifies us from all sin. —1 JOHN 1:7 I delight greatly in the LORD; my soul rejoices in my God. For he has clothed me with garments of salvation and arrayed me in a robe of righteousness, as a bridegroom adorns his head like a priest, and as a bride adorns herself with her jewels. —ISAIAH 61:10 When Jesus spoke again to the people, he said, “I am the light of the world. Whoever follows me will never walk in darkness, but will have the light of life.” —JOHN 8:12
Sarah Young (Jesus Calling, with Scripture References: Enjoying Peace in His Presence (A 365-Day Devotional) (Jesus Calling®))
From the vantage point of the stars, the world below stretched out in a vast expanse, a tapestry of shimmering lights against the backdrop of infinite darkness. Yet, amidst the grandeur of the cosmos, there lingered an unmistakable sense of loneliness—an ache that reverberated through the void, echoing the emptiness of the universe itself. In the silent expanse of space, I found myself confronting the stark reality of my own existence. I had outlasted all my desires, watched as my dreams drifted further and further away, until they were mere specks in the distant horizon of memory. What remained was a cavernous grief, an echo chamber of loss reverberating within the hollow confines of my heart. But amid the desolation, there existed a beacon of light—a solitary name that pierced through the darkness, igniting a spark within me. In that lonesome place, your name resonated like a melody, stirring my soul from its slumber, infusing it with the warmth of love and companionship. With each beat of my heart, I felt the tender embrace of your presence, a reminder that amidst the vastness of the cosmos, we are never truly alone. In your love, I found solace—a refuge from the solitude of the stars, a sanctuary where emptiness gave way to the richness of connection and belonging. Thank you for existing!
Rolf van der Wind
The LORD Is My Strength and My Shield Of David.     PSALM 28 To you, O LORD, I call;          j my rock, be not deaf to me,     lest, if you  k be silent to me,         I become like those who  l go down to the pit.     2  m Hear the voice of my pleas for mercy,         when I cry to you for help,     when I  n lift up my hands          o toward your most holy sanctuary. [1]     3 Do not  p drag me off with the wicked,         with the workers of evil,      q who speak peace with their neighbors         while evil is in their hearts.     4  r Give to them according to their work         and according to the evil of their deeds;     give to them according to the work of their hands;          s render them their due reward.     5 Because they  t do not regard the works of the LORD         or the work of his hands,     he will tear them down and build them up no more.     6 Blessed be the LORD!         For he has  u heard the voice of my pleas for mercy.     7 The LORD is my strength and  v my shield;         in him my heart  w trusts, and I am helped;     my heart exults,         and with my  x song I give thanks to him.     8 The LORD is the strength of his people; [2]         he is  y the saving refuge of his anointed.     9 Oh, save your people and bless  z your heritage!          a Be their shepherd and  b carry them forever.
Anonymous (Holy Bible: English Standard Version (ESV))
The LORD Is My Rock and My Fortress To the choirmaster. A Psalm of David,  f the servant of the LORD,  g who addressed the words of this  h song to the LORD on the day when the LORD delivered him from the hand of all his enemies, and from the hand of Saul. He said: PSALM 18 I love you, O LORD, my strength. 2 The LORD is my  i rock and my  j fortress and my deliverer, my God, my i rock, in k whom I take refuge, my l shield, and m the horn of my salvation, my n stronghold. 3 I call upon the LORD, who is  o worthy to be praised, and I am saved from my enemies. 4  p The cords of death encompassed me; q the torrents of destruction assailed me; [1] 5  p the cords of Sheol entangled me; the snares of death confronted me. 6  r In my distress I called upon the LORD; to my God I cried for help. From his  s temple he heard my voice, and my cry to him reached his ears. 7 Then the earth  t reeled and rocked; the foundations also of the mountains trembled and quaked, because he was angry. 8 Smoke went up from his nostrils, [2] and devouring  u fire from his mouth; glowing coals flamed forth from him. 9 He v bowed the heavens and w came down;  x thick darkness was under his feet. 10 He rode on a cherub and flew; he came swiftly on  z the wings of the wind. 11 He made darkness his covering, his  a canopy around him, thick clouds b dark with water.
Anonymous (Holy Bible: English Standard Version (ESV))
It is related that Satan came before Yahyâ . The latter saw that Satan had plucks of everything on his body. He asked him: “O Satan! What are these plucks?” He replied: “These are the desires with which I hunt mankind.” Yahyâ asked: “Do you have any of my plucks there?” He replied: “Perhaps you ate a stomach full which caused you to feel heavy and uncomfortable in offeringsalâh and remembering Allâh .” Yahyâ asked: “Is there anything else?” He replied: “No.” Yahyâ said: “I take an oath that I will never fill my stomach with food.” Satan said to him: “I take an oath that I will never advise a Muslim.” Among them is the love to have beautiful utensils, clothing and to adorn and decorate the house. When Satan sees that this quality has overpowered the heart of a particular person, he settles down and establishes himself in that person’s heart. He then continually invites him towards building the house, beautifying its roofs and walls, expanding it, etc. He also invites him towards beautifying himself with clothing and animals. He causes the person to undergo losses throughout his life in fulfilling all these demands. Once he gets him involved in all this, he does not have to go that person a second time because these very demands [and desires] lead him to fulfil other demands. This continues till his death. He thus dies in the path of Satan and in following his desires. An evil destiny is thus feared from all this. We seek refuge in Allâh
Abu Hamid al-Ghazali (An Exposition of the Hearts: Makashifat-ul-Quloob (Ihyaʾ Ulūm al-Dīn))
Be Still and Know Let be and be still, and know (recognize and understand) that I am God. I will be exalted among the nations! I will be exalted in the earth! PSALM 46:10 AMP September 11, 2001. A day Americans will remember forever. Terrorists took over passenger planes and ran two of them into the World Trade Center towers in New York City. Another crashed into the Pentagon in Washington, DC. Yet another plane headed to the nation’s capitol crashed into a Pennsylvania field when the passengers took out the hijackers, refusing to let them fulfill their purpose. While the whole world watched the horrible events unfold, many turned to the Word of God to find comfort in this unprecedented carnage. Psalm 46 is one of the passages promising peace in the midst of cataclysmic events. The psalmist starts the song with “God is our refuge and strength, always ready to help in times of trouble. So we will not fear when earthquakes come and the mountains crumble into the sea” (vv. 1–2 NLT). No matter what happens, God is standing ready to help. Later in the psalm, the reader is invited to “see the glorious works of the LORD” (v. 8), to watch as the Lord destroys all those who stand in opposition to Him. Then the reader sees the command: “Be still, and know that I am God.” In another version the phrase is translated, “Cease striving” (NASB). No matter what happens, God has it all under His control. There is no need for fear. Father, quiet my spirit before You today so I may know who You are.
Various (Daily Wisdom for Women 2015 Devotional Collection - January (None))
Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep. Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.
Anne Carson (Norma Jeane Baker of Troy)
She walked on in this way for several more minutes and at last came to a place in the labyrinth close to the circumference of the circle where the path unexpectedly turns sharply to the right. As you turn, you discover that you have reached the end of the path and a few more steps will take you to the center of the circle. Turning to the right, Glory suddenly felt the pinecone in her hands move as if it had become her own living heart. Deeply shaken, she looked up for the first time and found an unmistakable Presence in the center of the labyrinth, waiting for her. For just the briefest moment she could see Him quite clearly. His heart was open, a place of refuge for all who suffer. It had been broken open by the suffering in the world in the same way hers had been. Suddenly she understood why others had come to her for refuge since her childhood. The suffering she was able to feel had made her trustworthy. She stumbled the last few steps into the center of the labyrinth, knelt down, and for the first time since she was a child, she wept. In a talk about compassion, a former teacher of mine once said that practice prepares the mind, but suffering prepares the heart. Perhaps the final step in the healing of all wounds is the discovery of the capacity for compassion, an intuitive knowing that no one is singled out in their suffering, that all living beings are vulnerable to loss, attachment, and limitation. It is only in the presence of compassion that we can show our wounds without diminishing our wholeness. The Dalai Lama has said that “compassion occurs only between equals.” For those who have compassion, woundedness is not a place of judgment but a place of genuine meeting.
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
Activists who expressed genuine and reasonable concern for the struggles of trans-identified people would simultaneously dismiss women’s desire for safety, privacy, dignity and fair competition. Unlike those activists, I feel compassion both for people who feel at odds with their sexed bodies, and for the people, mainly women and children, who are harmed when sexual dimorphism is denied. At first I was puzzled that well-educated young women were the most ardent supporters of this new policy of gender self-identification, even though it is very much against their interests. A man may be embarrassed if a female person uses a male changing room; a male in a communal female facility can inspire fear. I came to see it as the rising generation’s ‘luxury belief’ – a creed espoused by members of an elite to enhance their status in each other’s eyes, with the harms experienced by the less fortunate. If you have social and financial capital, you can buy your way out of problems – if a facility you use jeopardises your safety or privacy, you will simply switch. It is poorer and older women who are stuck with the consequences of self-ID in women’s prisons, shelters and refuges, hospital wards and care homes. And some women’s apparent support for self-ID is deceptive, expressed for fear of what open opposition would bring. The few male academics and journalists who write critically on this topic tell me that they get only a fraction of the hate directed at their female peers (and are spared the sexualised insults and rape threats). This dynamic is reinforced by ageism, which is inextricably intertwined with misogyny – including internalised misogyny. I was astonished by the young female reviewer who described my book’s tone as ‘harsh’ and ‘unfortunate’. I wondered if she knew that sexists often say they would have listened to women if only they had stated their demands more nicely and politely, and whether she realised that once she is no longer young and beautiful, the same sorts of things will be said about her, too.
Helen Joyce (Trans: When Ideology Meets Reality)
Where is all that marvelous respect a man as powerful as myself deserves?” His thumb stroked across her full lower lip, a sensuous caress. Raven closed her eyes against the inevitable. She wanted to cry. Her feelings for him were so strong, her throat was aching and burning. Mikhail brushed her eyes with his lips, tasted a tear, sought refuge in the sweetness of her mouth. “Why would you cry for me, Raven?” he murmured against her throat. “Is it that you still want to run from me? Am I really so terrible? I would never allow any living creature, man or beast, to harm you, not if it was in my power to prevent it. I thought our hearts and minds were in the same place. Am I wrong? Is it that you no longer want me?” His words tore at her heart. “It isn’t that, Mikhail, never that, I’m just so confused at all of this,” she said quickly, afraid she had hurt him. She caressed his face with her fingertips, reverence in her touch. “You are the most fascinating man I’ve ever known. I feel as if I belong here with you, as though I know you completely. It’s impossible in the short time we’ve been together. I know if I could put some distance between us, I could think more clearly. Everything happened so fast. It’s as though I’m obsessed with you. I don’t want to make a mistake that will cause both of us pain.” His hand framed her cheek. “It would cause me great pain if you were to desert me, to leave me alone again after I have found you.” “I just want some time, Mikhail, to think things through. It’s frightening, the way I am about you. I think about you every minute. I want to touch you, just to know I can, to feel you beneath my fingers. It’s as if you crawled into my head and my heart, even my body, and I can’t get you out.” She made it a confession, her head bent, ashamed. Mikhail took her hand, tugged at her to get her walking with him. “This is the way of my people, the way we feel about a mate. It is not always comfortable, is it? We are passionate by nature, highly sexual, and very possessive. The things that you are feeling, I feel too.
Christine Feehan (Dark Prince (Dark, #1))
This is life seen by life. I may not have meaning but it is the same lack of meaning that the pulsing vein has. I want to write to you like someone learning. I deepen the words as if I were painting, more than an object, its shadow. I don’t want to ask why, you can always ask why and always get no answer—could I manage to surrender to the expectant silence that follows a question without an answer? Though I sense that some place or time the great answer for me does exist. And then I shall know how to paint and write, after the strange but intimate answer. Listen to me, listen to the silence. What I say to you is never what I say to you but something else instead. It captures the thing that escapes me and yet I live from it and am above a shining darkness. One instant athematic theme unfurls without a plan but geometric like the successive shapes in a kaleidoscope. I slowly enter my gift to myself, splendor ripped open by the final song that seems to be the first. I enter the writing slowly as I once entered painting. It is a world tangled up in creepers, syllables, woodbine, colors and words—threshold of an ancestral cavern that is the womb of the world and from it I shall be born. And if I often paint caves that is because they are my plunge into the earth, dark but haloed with brightness, and I, blood of nature— extravagant and dangerous caves, talisman of the Earth, where stalactites, fossils and rocks come together, and where the animals mad by their own malign nature seek refuge. The caves are my hell. Forever dreaming cave with its fogs, memory or longing? eerie, eerie, esoteric greenish with the slime of time. All is weighted with sleep when I paint a cave or write to you about it—from outside it comes the clatter of dozens of wild horses stamping with dry hoofs the darkness, and from the friction of the hoofs the rejoicing is freed in sparks: here I am, I and the cave, in the very time that will rot us. I want to put into words but without description the existence of the cave that some time ago I painted—and I don’t know how. Only by repeating its sweet horror, cavern of terror and wonders, place of afflicted souls, winter and hell, unpredictable substratum of the evil that is inside an earth that is not fertile. I call the cave by its name and it begins to live with its miasma. I then fear myself who knows how to paint the horror, I, creature of echoing caverns that I am, and I suffocate because I am word and also its echo.
Clarice Lispector (Água Viva)
Psalm 34 * Theme: God pays attention to those who call on him. Whether God offers escape from trouble or help in times of trouble, we can be certain that he always hears and acts on behalf of those who love him. Author: David, after pretending to be insane in order to escape from King Achish (1 Samuel 21:10-15) A psalm of David, regarding the time he pretended to be insane in front of Abimelech, who sent him away.     1I will praise the LORD at all times.         I will constantly speak his praises. +     2I will boast only in the LORD;         let all who are helpless take heart. +     3Come, let us tell of the LORD’s greatness;         let us exalt his name together.     4I prayed to the LORD, and he answered me.         He freed me from all my fears.     5Those who look to him for help will be radiant with joy;         no shadow of shame will darken their faces. +     6In my desperation I prayed, and the LORD listened;         he saved me from all my troubles.     7For the angel of the LORD is a guard;         he surrounds and defends all who fear him. +     8Taste and see that the LORD is good.         Oh, the joys of those who take refuge in him! +     9Fear the LORD, you his godly people,         for those who fear him will have all they need. +    10Even strong young lions sometimes go hungry,         but those who trust in the LORD will lack no good thing. +    11Come, my children, and listen to me,         and I will teach you to fear the LORD. +    12Does anyone want to live a life         that is long and prosperous? +    13Then keep your tongue from speaking evil         and your lips from telling lies! +    14Turn away from evil and do good.         Search for peace, and work to maintain it. +    15The eyes of the LORD watch over those who do right;         his ears are open to their cries for help. +    16But the LORD turns his face against those who do evil;         he will erase their memory from the earth. +    17The LORD hears his people when they call to him for help.         He rescues them from all their troubles.    18The LORD is close to the brokenhearted;         he rescues those whose spirits are crushed. +    19The righteous person faces many troubles,         but the LORD comes to the rescue each time. +    20For the LORD protects the bones of the righteous;         not one of them is broken!    21Calamity will surely destroy the wicked,         and those who hate the righteous will be punished. +    22But the LORD will redeem those who serve him.         No one who takes refuge in him will be condemned.
Anonymous (Life Application Study Bible: New Living Translation)
The stench of the pigpens made him take shallow breaths. Michael desperately wanted another drink to drown his sorrows…or, more aptly, his angers. He promised himself that once he found the source of the problem, he’d head to Rigsby’s and let alcohol smooth the edge off his ire. Maybe with a few drinks in him, he could better handle Prudence. Nothing else I’ve tried has worked. “Michael!” At the sound of his wife’s voice, he stiffened. Speak of the devil. Is there a word for female devil? He couldn’t think of one. He nodded good-bye to Hong and was stepping away when--- “Michael, I want to talk to you!” Her voice rose until the timbre was almost a shriek. She ploughed pell-mell for him, her face red with anger. Hong ducked into his tent. Out of sight, maybe, but not out of earshot. The Guans’ should stuff cotton in their ears to block out the worst of Prudence’s screeches. “I need a drink,” he said, beginning to turn away. “Oh, dear Lord. Don’t tell me you’re a drunkard like that Obadiah Kettering. Is that another thing you omitted to tell me about your character?” He swung back. She was inches away, arms flung wide. “You omitted telling me I’d be marrying a shrew,” he said. “You should have written the word at the top of your fancy stationary in big block letters.” He sketched the word in the air and stated each letter. “S-H-R-E-W.” “Why…why I never!” Her mouth opened and closed as if she sought just the right words to hurl at him. “As for being a drunkard. Up until today, I only occasionally sought refuge in the bottle. But I think being married to you, my dear wife, will make me a frequent patron of Rigsbys Saloon. In fact, I might as well take up residence in the place.” Stepping forward, she brought up her hand to slap him. He leaped out of the way. Prudence missed, and her hand sailed past, making her off balance. Sure she was going to try again, Michael moved away, putting more space between them. Prudence slipped on a slimy rock and lost her balance, rotating and stepping sideways only to catch her heel in the hem of her skirt. She teetered backward toward the pigpen. Her legs hit the low fence, catching her at knee-height. Oh, no! Michael leaped to catch her. With a horrified expression, Prudence windmilled her arms in an effort to right herself. Michael missed, grabbing only a fold of her skirt. He yanked back, hoping to pull her upright, but instead, with a ripping sound, the fabric tore. The momentum toppled Prudence backwards into the pigpen, where she landed on her rump in the mire. “Grrrrrr!” She scooped up two handfuls of mud and flung them at him. Shocked, Michael didn’t dodge until the last minute, and the stinking mud went splat against his chest and face.
Debra Holland (Prudence (Mail-Order Brides of the West, #4))
refuge imagine how it feels to be chased out of home. to have your grip ripped. loosened from your fingertips, something you so dearly held on to. like a lover’s hand that slips when pulled away you are always reaching. my father would speak of home. reaching. speaking of familiar faces. girl next door who would eventually grow up to be my mother. the fruit seller at the market. the lonely man at the top of the road who nobody spoke to. and our house at the bottom of the street lit up by a single flickering lamp where beyond was only darkness. there they would sit and tell stories of monsters that lurked and came only at night to catch the children who sat and listened to stories of monsters that lurked. this is how they lived. each memory buried. an artefact left to be discovered by archaeologists. the last words on a dying family member’s lips. this was sacred. not even monsters could taint it. but there were monsters that came during the day. monsters that tore families apart with their giant hands. and fingers that slept on triggers. the sound of gunshots ripping through the sky became familiar like the tapping of rain fall on a window sill. monsters that would kill and hide behind speeches, suits and ties. monsters that would chase families away forcing them to leave everything behind. i remember when we first stepped off the plane. everything was foreign. unfamiliar. uninviting. even the air in my lungs left me short of breath. we came here to find refuge. they called us refugees so, we hid ourselves in their language until we sounded just like them. changed the way we dressed to look just like them. made this our home until we lived just like them and began to speak of familiar faces. girl next door who would grow up to be a mother. the fruit seller at the market. the lonely man at the top of the road who nobody spoke to. and our house at the bottom of the street lit up by a flickering lamp to keep away the darkness. there we would sit and watch police that lurked and came only at night to arrest the youths who sat and watched police that lurked and came only at night. this is how we lived. i remember one day i heard them say to me they come here to take our jobs they need to go back to where they came from not knowing that i was one of the ones who came. i told them that a refugee is simply someone who is trying to make a home. so next time when you go home tuck your children in and kiss your families goodnight, be glad that the monsters never came for you. in their suits and ties. never came for you. in the newspapers with the media lies. never came for you. that you are not despised. and know that deep inside the hearts of each and every one of us we are all always reaching for a place that we can call home.
J.J. Bola (REFUGE: The Collected Poetry of JJ Bola)
A similar theological—and particularly ecclesiological—logic shapes the Durham Declaration, a manifesto against abortion addressed specifically to the United Methodist Church by a group of United Methodist pastors and theologians. The declaration is addressed not to legislators or the public media but to the community of the faithful. It concludes with a series of pledges, including the following: We pledge, with Cod’s help, to become a church that hospitably provides safe refuge for the so-called “unwanted child” and mother. We will joyfully welcome and generously support—with prayer, friendship, and material resources—both child and mother. This support includes strong encouragement for the biological father to be a father, in deed, to his child.27 No one can make such a pledge lightly. A church that seriously attempted to live out such a commitment would quickly find itself extended to the limits of its resources, and its members would be called upon to make serious personal sacrifices. In other words, it would find itself living as the church envisioned by the New Testament. William H. Willimon tells the story of a group of ministers debating the morality of abortion. One of the ministers argues that abortion is justified in some cases because young teenage girls cannot possibly be expected to raise children by themselves. But a black minister, the pastor of a large African American congregation, takes the other side of the question. “We have young girls who have this happen to them. I have a fourteen year old in my congregation who had a baby last month. We’re going to baptize the child next Sunday,” he added. “Do you really think that she is capable of raising a little baby?” another minister asked. “Of course not,” he replied. No fourteen year old is capable of raising a baby. For that matter, not many thirty year olds are qualified. A baby’s too difficult for any one person to raise by herself.” “So what do you do with babies?” they asked. “Well, we baptize them so that we all raise them together. In the case of that fourteen year old, we have given her baby to a retired couple who have enough time and enough wisdom to raise children. They can then raise the mama along with her baby. That’s the way we do it.”28 Only a church living such a life of disciplined service has the possibility of witnessing credibly to the state against abortion. Here we see the gospel fully embodied in a community that has been so formed by Scripture that the three focal images employed throughout this study can be brought to bear also on our “reading” of the church’s action. Community: the congregation’s assumption of responsibility for a pregnant teenager. Cross: the young girl’s endurance of shame and the physical difficulty of pregnancy, along with the retired couple’s sacrifice of their peace and freedom for the sake of a helpless child. New creation: the promise of baptism, a sign that the destructive power of the world is broken and that this child receives the grace of God and hope for the future.29 There, in microcosm, is the ethic of the New Testament. When the community of God’s people is living in responsive obedience to God’s Word, we will find, again and again, such grace-filled homologies between the story of Scripture and its performance in our midst.
Richard B. Hays (The Moral Vision of the New Testament: A Contemporary Introduction to New Testament Ethics)
Stark Electric Jesus Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide
Maitreyee Bhattacharjee Chowdhury (The Hungryalists)
WALKING WITH ANGELS IN THE COOL OF THE DAY A short time later I felt someone poke me hard in the left arm. I turned to see who it was, but there was no one there. At the time, I dismissed it and returned my attention to my thoughts. After a minute I was poked again, only this time the poke was accompanied with an audible voice! The Holy Spirit said, “I want to go for a walk with you in the cool of the day.” I jumped up totally flabbergasted. I quickly left the room and grabbed my coat, telling everyone that I was going for a walk in the “cool of the day.” It just happened to be minus 12 degrees Fahrenheit (or minus 24 Celsius)! The moment I walked out the door, the presence of the Holy Spirit fell upon me, and I began to weep again. The tears were starting to freeze on my cheeks, but I did not mind. God began to talk to me in an audible voice. I was walking through the streets of Botwood in the presence of the Holy Ghost. I could also sense that many angels were accompanying us. The angels were laughing and singing as we strolled along the snow-covered streets. It was about 8:00 A.M. The Holy Spirit led me along a road which was on the shore of the North Atlantic Ocean. For the first time since leaving the house, I began to notice that it was very cold. However, it was worth it to be in the presence of the Lord. I was directed to a small breezeway that leads out over the Bay of Exploits (this name truly proved to be quite prophetic) to a tiny island called Killick Island. As we were walking across the breezeway, the wind was whipping off the ocean at about 40 knots. Combined with the negative temperature, the wind was turning my skin numb, and my tears had crystallized into ice on my face and mustache. THE CITY OF REFUGE I said, “Holy Spirit, it is really cold out here, and my face is turning numb.” The Lord replied, “Do not fear; when we get onto this island, there will be a city of refuge.” I had no idea what a city of refuge was, but I hoped that it would be warm and safe. (See Numbers 35:25.) The winter’s day had turned even colder and grayer; there was no sun, and the dark gray sky was totally overcast. Snow was falling lightly, and being blown about by a brisk wind. As we walked onto Killick Island, it got even colder and windier. The Holy Spirit whispered to me, “Do not fear; the city of refuge is just up these steps, hidden in those fir trees.” When I ascended a few dozen steps, I saw a small stand of fir trees to the left. Just before I stepped into the middle of them, a shaft of brilliant bright light, a lone sunbeam, cracked the sky to illuminate the city of refuge. When I entered the little circle of fir trees, what the Holy Spirit had called a “city of refuge,” I encountered the manifest glory of God. Angels were everywhere. It was 8:50 A.M. As we entered, I walked through some kind of invisible barrier. Surprisingly, inside the city of refuge, the temperature was very pleasant, even warm. The bright beam of sunlight slashed into the cold, gray atmosphere. As this heavenly light hit the fresh snow, there appeared to be rainbows of colors that seemed to radiate from the trees, tickling my eyes. Suddenly, the Holy Spirit began to ask me questions. The Lord asked me to “describe what you are seeing.” Every color of the rainbow seemed to dance from the tiny snowflakes as they slowly drifted
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
ESTABLISH STABLE ANCHORS OF ATTENTION Mindfulness meditation typically involves something known as an anchor of attention—a neutral reference point that helps support mental stability. An anchor might be the sensation of our breath coming in and out of the nostrils, or the rising and falling of our abdomen. When we become lost in thought during practice, we can return to our anchor, fixing our attention on the stimuli we’ve chosen. But anchors can also intensify trauma. The breath, for instance, is far from neutral for many survivors. It’s an area of the body that can hold tension related to a trauma and connect to overwhelming, life-threatening events. When Dylan paid attention to the rising and falling of his abdomen, he would be swamped with memories of mocking faces while walking down the hallway. Other times, feeling a constriction of his breath in the chest echoed a feeling of immobility, which was a traumatic reminder. For Dylan, the breath simply wasn’t a neutral anchor. As a remedy, we can encourage survivors to establish stabilizing anchors of attention. This means finding a focus of attention that supports one’s window of tolerance—creating stability in the nervous system as opposed to dysregulation. Each person’s anchor will vary: for some, it could be the sensations of their hands resting on their thighs, or their buttocks on the cushion. Other stabilizing anchors might include another sense altogether, such as hearing or sight. When Dylan and I worked together, it took a while until he could find a part of his body that didn’t make him more agitated. He eventually found that the sense of hearing was a neutral anchor of attention. At my office, he’d listen for the sound of the birds or the traffic outside, which he found to be stabilizing. “It’s subtle,” he said to me, opening his eyes and rubbing the back of his neck with his hand. “But it is a lot less charged. I’m not getting riled up the same way, which is a huge relief.” In sessions together, Dylan’s anchor was a spot he’d rest his attention on at the beginning of a session or a place to return to if he felt overwhelmed. If he practiced meditation at home—I’d recommended short periods if he could stay in his window of tolerance—he used hearing as an anchor, or “home base” as he called it. “I finally feel like I can access a kind of refuge,” he said quietly, placing his hand on his belly. “My body hasn’t felt safe in so long. It’s a relief to finally feel like I’m learning how to be in here.” Anchors of attention you can offer students and clients practicing mindfulness—besides the sensation of the breath in the abdomen or nostrils—include different physical sensations (feet, buttocks, back, hands) and other senses (seeing, smelling, hearing). One client of mine had a soft blanket that she would touch slowly as an anchor. Another used a candle. For some, walking meditation is a great way to develop more stable anchors of attention, such as the feeling of one’s feet on the ground—whatever supports stability and one’s window of tolerance. Experimentation is key. Using subtler anchors does come with benefits and drawbacks. One advantage to working with the breath is that it is dynamic and tends to hold our attention more easily. When we work with a sense that’s less tactile—hearing, for instance—we may be more prone to drifting off into distraction. The more tangible the anchor, the easier it is to return to it when attention wanders.
David A. Treleaven (Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing)
Chatting to the gossip of flames waking from the slumber of our flesh-drunk night together— it’s only when I step out to pee do I notice— how far, burgundy-dark, the moon has risen…. On four paws the shepherd- dogs bound, lightly though the trees they hardly touch on earth— we saw it from far sunk here in an always-ache…. Dyeing paling twilight woods— a pair of wasps, spiraling, writhe…. Wetted lips of hers and mine, just-parted, move over each other with tongues just-coming but refuse— like mists of evening they've no place to settle…. Just-here though she's singing she’s in some song from long ago— poised on the brink of twilight longing three thousand miles rush through my heart…. Under undulating curtains— I hover above her the tips of me brushing the tips of her— breathing back and forth a column of air we share our breath slowly asphyxiating…. From burning wood campfire sparks dart off extinguishing in the wet blue dark… how you blow your long wind across my embers, through my soul, she pleads me, take away the pain— I dip a branch in blue water and plunge it into coals…. *** In pre-dawn dark, against a leaping inferno of flames black monolith of wood in the cast iron compartment softens, and—gradually— fractures to cells, warping upward, until from the top a shard splinters: pearls of flame string a fiber and leap in little tongues while the log, glowing, engulfed, is consumed by the inferno contained…. A shadow daunts me, haunts and taunts me now reaching far, now recoiling, now growing bold…. I once sang eruptions and the wind— then appeared you it took my whole life singing only the songs of you and still I sing for you what other refuge can stay me from this torment? So— my doppelganger has arrived no one said it would happen this way but the way his hands fold like mine, the style of his humor, broadness of his smile— even the way he walks…. Licking and lapping these lashings of grasses are in tongues at my feet smoldering's the fury within me— I have seen my fields of daylight warp to noxious-air infernos but still to the clean blue of the flame I take rest in her breast…. His songs I mouth, and in my head is his voice— I cannot hear my own…. in my mind I see myself— thin, stupid— my arms too weak, my own chest too frail— and besides I prefer him more…. Along spiral lines, seed-heads decay— swept away they whirl and writhe in the hot blue fire of evening…. Stuck in a mural of sticky flesh— the family… I am locked-in-arms with brothers and sisters, drooping at the thighs with nieces and nephews, grafted to parents at the scalp, and pasted with toddlers all over… hived, sapped, black I sit, subject to the flavors and aromas of your abuse…. Then— be wrapped in his presence… crescendo to his warmth the cascade of your laughter search in his wrinkles for the boy inside him… I’m just biding here, bragless, trying to admit these rival-streams that flow in one latticework of blood…. Halves of flesh and bosomy hips, lips like dark ripe fruits they're chasing— I chased them… full-feathered was their hair like floss in the sunshine fine-fingered was their style like laces cut to curves: and then there was you, returning one, just there like the midnight moon in my sky at noontime….
Mark Kaplon
Naturally, without intending to, I transitioned from these dreams in which I healed myself to some in which I cared for others: I am flying over the Champs-Élysées Avenue in Paris. Below me, thousands of people are marching, demanding world peace. They carry a cardboard dove a kilometer long with its wings and chest stained with blood. I begin to circle around them to get their attention. The people, astonished, point up at me, seeing me levitate. Then I ask them to join hands and form a chain so that they can fly with me. I gently take one hand and lift. The others, still holding hands, also rise up. I fly through the air, drawing beautiful figures with this human chain. The cardboard dove follows us. Its bloodstains have vanished. I wake up with the feeling of peace and joy that comes from good dreams. Three days later, while walking with my children along the Champs-Élysées Avenue, I saw an elderly gentleman under the trees near the obelisk whose entire body was covered by sparrows. He was sitting completely still on one of the metal benches put there by the city council with his hand outstretched, holding out a piece of cake. There were birds flitting around tearing off crumbs while others waited their turn, lovingly perched on his head, his shoulders, his legs. There were hundreds of birds. I was surprised to see tourists passing by without paying much attention to what I considered a miracle. Unable to contain my curiosity, I approached the old man. As soon as I got within a couple of meters of him, all the sparrows flew away to take refuge in the tree branches. “Excuse me,” I said, “how does this happen?” The gentleman answered me amiably. “I come here every year at this time of the season. The birds know me. They pass on the memory of my person through their generations. I make the cake that I offer. I know what they like and what ingredients to use. The arm and hand must be still and the wrist tilted so that they can clearly see the food. And then, when they come, stop thinking and love them very much. Would you like to try?” I asked my children to sit and wait on a nearby bench. I took the piece of cake, reached my hand out, and stood still. No sparrow dared approach. The kind old man stood beside me and took my hand. Immediately, some of the birds came and landed on my head, shoulders, and arm, while others pecked at the treat. The gentleman let go of me. Immediately the birds fled. He took my hand and asked me to take my son’s hand, and he another hand, so that my children formed a chain. We did. The birds returned and perched fearlessly on our bodies. Every time the old man let go of us, the sparrows fled. I realized that for the birds when their benefactor, full of goodness, took us by the hand, we became part of him. When he let go of us, we went back to being ourselves, frightening humans. I did not want to disrupt the work of this saintly man any longer. I offered him money. He absolutely would not accept. I never saw him again. Thanks to him, I understood certain passages of the Gospels: Jesus blesses children without uttering any prayer, just by putting his hands on them (Matthew 19:13–15). In Mark 16:18, the Messiah commands his apostles, “They shall lay hands on the sick, and they shall recover.” St. John the Apostle says mysteriously in his first epistle, 1.1, “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon, and our hands have handled, of the Word of life.
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
My mother was a force. She had little tolerance for fools. She kept her hair short and wore practical, unfussy clothes. Everything about her radiated competence and calm. As it had been when Craig and I were kids, she didn’t get involved with our private lives. Her love came in the form of reliability. She showed up when your flight came in. She drove you home and offered food if you were hungry. Her even temper was like shelter to me, a place to seek refuge.
Michelle Obama (Becoming)
I know I saw nothing wrong with insurance fraud, just as I saw nothing wrong with drug smuggling, or with anything else I considered a victimless crime. Draft dodging, still well in the future for me but already upending the lives of the older brothers of friends, I vehemently endorsed. The Vietnam War was wrong, rotten to the core. But the military, the government, the police, big business were all congealing in my view into a single oppressive mass—the System, the Man. These were standard-issue youth politics at the time, of course, and I was soon folding school authorities into the enemy force. And my casual, even contemptuous attitude toward the law was mostly a holdover from childhood, when a large part of glory was defiance and what you could get away with. But a more conscious, analytic, loosely Marxist disaffection was also taking root in my politics in my midteens. (And disaggregating, intellectually and emotionally, the mass of institutional power—sorting out how things actually worked, beyond how they felt as a whole—would turn out to be the work of many years.) In the meantime, surfing became an excellent refuge from the conflict—a consuming, physically exhausting, joy-drenched reason to live. It also, in its vaguely outlaw uselessness, its disengagement from productive labor, neatly expressed one’s disaffection. Where was my sense of social responsibility? Not much in evidence. I marched in peace marches. I was still a good student, which really proved nothing except that I liked to read and was hedging my bets.
William Finnegan (Barbarian Days: A Surfing Life)
Man has such strange ideas of the meaning of My invitation "Come unto Me." Too often has it been interpreted as an urge to pay a duty owed to a Creator, or a debt owed to a Saviour. That "Come unto Me" holds in it a wealth of meaning far surpassing even that. "Come unto Me" for the solution of every problem, for the calming of every fear, for all you need—physical, mental, spiritual. Sick, come to Me for health. Homeless, ask Me for a home. Friendless, claim a friend. Hopeless, a refuge.
A.J. Russell (God Calling for Morning and Evening)
In this we may be alike, Assassin, you & me: we believe We want what’s best for humanity. I'll probably survive Dancing with the kinds of people who must find refuge Among the sweat & rancor of a Fish & Chicken Shack But Assassin, they'll probably murder you. Do you ask, Why you should die for me if I will not die for you? I do.
Terrance Hayes (American Sonnets for My Past and Future Assassin)
I am an ocean of trust, love, and refuge; I respect humanity. I defend people’s rights. I am light, not the darkness; you will find peace for your mind, heart, and soul that you never-ever would have thought. Just enter into my life, you will see and meet your love and soul-mate.
Ehsan Sehgal
It used to be a place of refuge,' he said. 'Now, it's become a place of nightmares. But it can only stay that way if you let it.' 'If I let it? How do I change the fact that Rylan died out there?' 'You don't.' I stared up at him. 'I'm not following where you're going with this.' He stepped closer, dipping his chin. 'You can't change what happened in there. Just like you can't change the fact that the courtyard ued to give you peace. You just replace your last memory- a bad one- with a new one- a good one- and you keep doing that until the initial one no longer outweighs the replacement.' I opened my mouth, but then I really thought about what he'd said. My gaze travelled to the darkness beyond the door. What he's said actually made sense. 'You make it sound so easy.' 'It's not. It's hard and uncomfortable, but it works.' He extended his bare hand, and I looked down, staring at it as if a dangerous animal rested in his palm- a fluffy, cute one that I wanted to pet. 'And you won't be alone. I'll be there with you, and not just watching over you.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
I'm Impossible (Sonnet 1272) I don't need to play word games, to say, impossible means I am possible; my existence is epitome of the impossible. I don't make plans, I make purpose, then the purpose plans me, into unstoppable. Does that mean, loneliness doesn't bother me, Of course it does - it makes the torture worse. Anybody who says, they enjoy loneliness, is either lying or plain narcissistic retard. But then again, just when I feel super gloomy, I remember my responsibility to my world family. Time and again, my purpose drags me out, Electrifying my veins with incorruptible duty. ¡Viva la humanidad, viva la familia mundial! Long live humanity, long live world family! Whenever you are down, take refuge in purpose; Your purpose will reawaken your invincibility.
Abhijit Naskar (Bulletproof Backbone: Injustice Not Allowed on My Watch)
You don't get it, she whispered, My entire life, I've felt as if I'm on the outside looking in. Watching people find love, connect, feeling as if I'm missing the gene that allows me to do the same. But with you ... from the seconde I saw you on stage something inside me just clicked. It was as if I was waiting for you.
Susan Stoker (Deserving Cora (The Refuge, #4))
And so my eyes wandered, restless and sleepless, searching for its lost light that resided within you grace.
C. Madan (The Poetic Refuge: An Anthology)
For you have been to me a fortress and a refuge in the day of my distress.
Anonymous (Holy Bible - ESV MacArthur Study Bible)
for you have been my refuge, a strong tower against the enemy.
Anonymous (Holy Bible - ESV MacArthur Study Bible)
Wings of passion She appears in flashes of past moments, In every feeling, in every emotion, in every sensation, but in segments, Where past always sails into the present, In ways surreal and sometimes too decadent, Until you feel you are leading a life that now belongs partly to the past, Where you felt her and kissed her the last, Then the present evaporates, leaving behind only the moments lived long ago, And the heart rushes there where the mind dares not to go, A past that has no end, because it always begins in the present, And then I feel covered in her scent, Now past too disappears and time does not appear to exist anywhere, Because now I feel just like her scent, everything and everywhere, And all feelings get recreated, giving birth to endless emotions and a new sensation, And from them I seek my moments of salvation, Because now she is the undying and never quitting sensation, Achieved after the ultimate act of emotional distillation, Where present disappears, past does not exist and only her memories appear as flashes of feelings, To become the minds refuge and the heart’s ever stretching wings, Leading it into the world where she is the sky, And in it and unto it, the heart loves to fly, And now she appears like the beauty’s self manifesting expression, In every feeling, in every emotion, in every sensation; as the heart spreads its wings of passion!
Javid Ahmad Tak (They Loved in 2075!)
They're Killing Us (Poem) ________ May my feet land on the safe ends of Your robes, For human land drinks human blood and feasts on its remains. May my hands be held by Your hands, For human hands were loving me yesterday but are murdering me today. May my eyes be filled with sanity, for this generation is piercing me with its inhumanity. May I dwell in Your heaven, as I no longer feel safe on this earth even. My feet are stumbling on many dead bodies. My hands are replete with burns and bruises from the spears of those who You lovingly created in Your image just as I was crested. My eyes are filled with images of my people killed. My body is garmented in agony, trauma, confusion, and fume. Where can I take refuge from these dirty souls who seek my blood? To whom should I run to brood these now broken soles, and eyes filled with floods? Lead me to where it’s safest. Lead me to where it’s kindest.
Mitta Xinindlu
People ridiculed me. 'What on each are you doing?' they asked. 'Why are you working so hard?' They didn't understand that driving that tractor was the only freedom I had, my only respite from the orders and insults that assaulted us day in and day out. So no, I wasn't crazy. Work was my only refuge. And I just enjoyed driving that tractor.
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
My Lady Liberty (The Sonnet) O my beloved lady liberty, Here, I place my head at your feet. The way you've been upholding freedom, May I live as vigorous without greed. You have given refuge to the persecuted, You have shown light to the distressed. May I be as upright as you my dear, May my life shelter the meek and repressed. Let me absorb you through my every pore, So I may draw from your eternal strength. The way you stand as testament of justice, May I stand as steady giving up my last breath. I can never repay my debt to you lady liberty. Take my life and use it as ointment for society.
Abhijit Naskar (Earthquakin' Egalitarian: I Die Everyday So Your Children Can Live)
But the LORD will be a refuge for his people, a stronghold for the people of Israel. “Then you will know that I, the LORD your God, dwell in Zion, my holy hill. Jerusalem will be holy; never again will foreigners invade her.
F. LaGard Smith (The Daily Bible (NIV))
Carl Sagan, who introduced so many people to the wonders of the cosmos, died in 1996. At an event in 2003, his wife, Ann Druyan, was asked about him. Her response is worth quoting at length: When my husband died, because he was so famous and known for not being a believer, many people would come up to me—it still sometimes happens—and ask me if Carl changed at the end and converted to a belief in an afterlife. They also frequently ask me if I think I will see him again. Carl faced his death with unflagging courage and never sought refuge in illusions. The tragedy was that we knew we would never see each other again. I don’t ever expect to be reunited with Carl. But, the great thing is that when we were together, for nearly twenty years, we lived with a vivid appreciation of how brief and precious life is. We never trivialized the meaning of death by pretending it was anything other than a final parting. Every single moment that we were alive and we were together was miraculous—not miraculous in the sense of inexplicable or supernatural. We knew we were beneficiaries of chance. . . . That pure chance could be so generous and so kind. . . . That we could find each other, as Carl wrote so beautifully in Cosmos, you know, in the vastness of space and the immensity of time. . . . That we could be together for twenty years. That is something which sustains me and it’s much more meaningful. . . . The way he treated me and the way I treated him, the way we took care of each other and our family, while he lived. That is so much more important than the idea I will see him someday. I don’t think I’ll ever see Carl again. But I saw him. We saw each other. We found each other in the cosmos, and that was wonderful.
Sean Carroll (The Big Picture: On the Origins of Life, Meaning, and the Universe Itself)
Wings of passion She appears in flashes of past moments, In every feeling, in every emotion, in every sensation, but in segments, Where past always sails into the present, In ways surreal and sometimes too decadent, Until you feel you are leading a life that now belongs partly to the past, Where you felt her and kissed her the last, Then the present evaporates, leaving behind only the moments lived long ago, And the heart rushes there where the mind dares not to go, A past that has no end, because it always begins in the present, And then I feel covered in her scent, Now past too disappears and time does not appear to exist anywhere, Because now I feel just like her scent, everything and everywhere, And all feelings get recreated, giving birth to endless emotions and a new sensation, And from them I seek my moments of salvation, Because now she is the undying and never quitting sensation, Achieved after the ultimate act of emotional distillation, Where present disappears, past does not exist and only her memories appear as flashes of feelings, To become the mind’s refuge and the heart’s ever stretching wings, Leading it into the world where she is the sky, And in it and unto it, the heart loves to fly, And now she appears like the beauty’s self manifesting expression, In every feeling, in every emotion, in every sensation; as the heart spreads its wings of passion!
Javid Ahmad Tak (They Loved in 2075!)
The Lord is my light and my salvation; whom shall, I fear? The Lord is the strength of my life; of whom shall I be afraid? When the wicked came against me to eat up my flesh, my enemies, and foes, they stumbled and fell. Though an army may encamp against me, my heart shall not fear; though war should rise against me, in this I will be confident” (Psalm 27:1-3). “God is our refuge and strength, a very present help in trouble. Therefore, we will not fear, even though the earth be removed, and though the mountains be carried into the midst of the sea; though its waters roar and be troubled, though the mountains shake with its swelling” (Psalm 46:1-3). “Whenever I am afraid, I will trust in You” (Psalm 56:3). “In God (I will praise His word), in God I have put my trust; I will not fear. What can flesh do to me?” (Psalm 56:4).
Larry D. Davis (Spiritually Hacked: Gods' Spiritual Malware)
Other cities,” he said calmly, “are known to the world. Velaris has remained secret beyond the borders of these lands for millennia. Amarantha did not touch it, because she did not know it existed. None of her beasts did. No one in the other courts knows of its existence, either.” “How?” “Spells and wards and my ruthless, ruthless ancestors, who were willing to do anything to preserve a piece of goodness in our wretched world.” “And when Amarantha came,” I said, nearly spitting her name, “you didn’t think to open this place as a refuge?” “When Amarantha came,” he said, his temper slipping the leash a bit as his eyes flashed, “I had to make some very hard choices, very quickly.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
At first, you became a refuge from my crazy world.
Iris West (Forever Your Best Friend (The O'Connors Of Blossom Ford, #8))
Lead me, LORD, in your righteousness because of my enemies— make your way straight before me. Not a word from their mouth can be trusted; their heart is filled with malice. Their throat is an open grave; with their tongues they tell lies. Declare them guilty, O God! Let their intrigues be their downfall. Banish them for their many sins, for they have rebelled against you. But let all who take refuge in you be glad; let them ever sing for joy. Spread your protection over them, that those who love your name may rejoice in you.
F. LaGard Smith (The Daily Bible (NIV))
Psalms 71 In you, O LORD, I take refuge. Do not forsake me when my strength fails. I will tell of your righteousness. I will praise you, O God.
Chris Juby (Bible Summary: Every Chapter in 140 Characters or Less)
Psalms 91 I will say of the LORD, "My refuge and my fortress." His faithfulness will be your shield. He will command his angels to guard you.
Chris Juby (Bible Summary: Every Chapter in 140 Characters or Less)
Psalm 2:2–6, 10–12 (NLT): The kings of the earth prepare for battle; the rulers plot together against the Lord and against his anointed one. “Let us break their chains,” they cry, “and free ourselves from slavery to God.” But the one who rules in heaven laughs. The Lord scoffs at them. Then in anger he rebukes them, terrifying them with his fierce fury. For the Lord declares, “I have placed my chosen king on the throne in Jerusalem, on my holy mountain.” . . . Now then, you kings, act wisely! Be warned, you rulers of the earth! Serve the Lord with reverent fear and rejoice with trembling. Submit to God’s royal son, or he will become angry, and you will be destroyed in the midst of all your activities—for his anger flares up in an instant. But what joy for all who take refuge in him!
Mark E. Fisher (Last Days of the End (Days Of The Apocalypse #5))
Past, Present, and Future *** My past is a darkness of grief and pain, My present is tears of hopelessness, And isolation My future is a mirage. If you think Such a person matters to you Be present to prove your devotion And affection Since I am tired of my journey. Open your arms and move forward To hold me tight, With true passion I want to take refuge In purity of your heartbeats In the sincerity of your love Until my last breath.
Ehsan Sehgal