“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
”
”
Bob Marley
“
To me, “FEARLESS” is not the absence of fear. It’s not being completely unafraid. To me, FEARLESS is having fears. FEARLESS is having doubts. Lots of them. To me, FEARLESS is living in spite of those things that scare you to death. FEARLESS is falling madly in love again, even though you’ve been hurt before. FEARLESS is walking into your freshmen year of high school at fifteen. FEARLESS is getting back up and fighting for what you want over and over again… even though every time you’ve tried before, you’ve lost. It’s FEARLESS to have faith that someday things will change. FEARLESS is having the courage to say goodbye to someone who only hurts you, even if you can’t breathe without them. I think it’s FEARLESS to fall for your best friend, even though he’s in love with someone else. And when someone apologizes to you enough times for things they’ll never stop doing, I think it’s FEARLESS to stop believing them. It’s FEARLESS to say “you’re NOT sorry”, and walk away. I think loving someone despite what people think is FEARLESS. I think allowing yourself to cry on the bathroom floor is FEARLESS. Letting go is FEARLESS. Then, moving on and being alright…That’sFEARLESS too. But no matter what love throws at you, you have to believe in it. You have to believe in love stories and prince charmings and happily ever after. That’s why I write these songs. Because I think love is FEARLESS.
”
”
Taylor Swift
“
I'm under strict instructions to write a happy ending. Rule number ninety-seven: You're not allowed to make a dragon cry."
"Right," Said Sophie, starting the engine. "Tears might quench their fire.
”
”
Chris d'Lacey (The Fire Within (The Last Dragon Chronicles, #1))
“
Strength is taking charge of your own destiny and not waiting on others to do so. You don’t have to swear and drink and beat people up and slay monsters. You’re allowed to cry and take care of children and cook and get your heart broken and dress up and date and get pregnant. But when decisions have to be made, a strong character makes them and doesn’t wait for someone else.
”
”
Mur Lafferty
“
On occasion, it occurs to adults that they are allowed to do all the things that being a child prevented them from doing. But those desires change when you're not looking. There was a time when your favorite color transferred from purple to blue to whatever shade it is when you realize having a favorite color is a trite personality crutch, an unstable cultivation of quirk and a possible cry for help. You just don't notice the time of your own metamorphosis. Until you do. Every once in a while time dissolves and you remember what you liked as a kid. You jump on your hotel bed, order dessert first, decide to put every piece of jewelry you own on your body and leave the house. Why? Because you can. Because you're the boss. Because . . . Ooooh. Shiny.
”
”
Sloane Crosley (How Did You Get This Number: Essays)
“
Sugar, you’re allowed to feel any damn way you want.” Just don’t cry because your tears hurt worse than a knife wound to the gut.
”
”
Jessica Clare (Last Breath (Hitman, #2))
“
Going back to the basis, the phrase ‘Fight Like A Girl’, and we’ve all heard that growing up. And by that they mean that you’re some kind of weakling and have no skills as a male. It’s said to little boys when they can’t fight yet, and it ridicules us. By the time we were born, the most of us hear things which program you to accept and know that you are less than your male counter part. It comes apparent in the way you’re paid for your job, it comes apparent when yóu are not allowed to go outside after a certain hour because you stand a good chance of getting raped while no one says that to your boyfriend. While women, anywhere, live in some kind of fear, there is no equality and that is mathematically impossible. We cannot see that change or solved in our lifetimes, but we have to do everything that we can. We should remind ourselves that we are fifty-one percent. Everyone should know that fighting like a girl is a positive thing and that there is not inherently anything wrong with us by the fact that we are born like ladies. That is a beautiful thing that we should never be put down because of. Being compared to a woman should only make a man feel stronger. It should be a compliment. In this world we’re creating it actually is.
I remember this one guy who came to our show in Texas or something and he had painted his shirt “real men fight like a girl”, and I cried, because he was going away in the army next day. He bought my book because he wanted something he could read over there. I just hoped that this men, fully straight and fully male can maintain and retain all of those things that make him understand us, and what makes him so beautiful. A lot of military training is step one: you take all those guys and put them in front of bunch of hardcore videogames where you kill a bunch of people and become desensitised. But that is NOT power! I will not do that. I will not become less of a human being and I refuse to give up my femininity because that’s bullshit. I’m not going to have to shave my head and become all buff and all that to be able to say “now I’m powerful” because that’s bullshit. All of this, all of us, we are power. You don’t have to change anything to be strong.
”
”
Emilie Autumn
“
You had no right.” “Ah, the morally outraged cry of the weak: You’re not ‘allowed’ to do that. One is allowed to do anything one can get away with. Only when you understand that will you know your place in this world. And your power. Might is right.
”
”
Karen Marie Moning (Burned (Fever #7))
“
Being strong means allowing yourself to cry over the things you can't change; laugh when things are funny; smile when you're happy. It means understanding where your breaking point is, and yet, going further and still remaining whole. Strong people push themselves to the limits of pain and joy. They fall to their knees in agony, then they lift up their faces to find the beautiful morning rays shining down on them, and they rise to their feet. Being strong means never giving up, no matter how crushed you are, and finding happiness in the smallest parts of life.
”
”
D. Nichole King (Love Always, Kate (Love Always, #1))
“
Dear Mommy
I’m doing really good,
I get all A’s in school
And I don’t cry at bedtime anymore,
Though my new mom said I could.
I remember how much you hate tears,
You slapped them out of me
To make me strong,
I think it worked.
I learned to use a microscope
And my hair grew two inches.
It’s pretty, just like yours.
I’m not allowed to clean the house,
Only my own room,
Isn’t that a funny rule?
You say kids are so much trouble
Getting born, they better pay it back.
I’m not supposed to take care
Of the other kids, only me, I sort of like it.
I still get the hole in my stomach
When I do something wrong,
I have a saying on my mirror
“Kids make mistakes, It’s OK,”
I read it every day,
Sometimes I even believe it.
I wonder if you ever think of me
Or if you’re glad the troublemaker’s gone,
I never want to see you again.
I love you, Mommy.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
And it's stupid to have rules about how long you're allowed to cry and when you're supposed to flip a switch and stop crying. You can't even think. All you can do is feel. So how the heck are you supposed to follow rules?
”
”
Lynn Plourde (Maxi's Secrets: (or what you can learn from a dog))
“
Dear Exquisite Black Queen… Being a Strong Black Woman doesn’t mean that you can’t be vulnerable. It’s okay to cry. It’s okay if you’re having a bad day. It’s okay if some days you feel like giving up. It’s okay if you need to ask for help. It’s okay if you’re feeling stressed out. It’s okay if you’re feeling a little depressed. It’s okay if you’re not quite sure about what you’re going to do next. It’s okay if you fall short sometimes. It’s okay if you don’t have all the answers. It’s okay to show your true emotions and not feel weak. I encourage you to not be so hard on yourself! Allow yourself to feel whatever it is you’re feeling, and know that it’s okay. You’re human, and you’re doing your VERY best, Queen. Love, respect, and appreciate the Black Queen you are!
”
”
Stephanie Lahart
“
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her.
"I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow.
"We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used.
"Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him.
"Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face.
"If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye.
She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her.
"You're not laughing at me, are you?" she asked warily, just as a precaution.
"No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard.
"But for some reason, you and I will never happen," she said, feeling calm.
"Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes."
Lucas ran his lips around her throat and let her put her arms around him, but that was all.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
She recommended books. Books about being the child of immature parents. About healing from trauma. It gave me all this perspective I didn't know what to do with. And it hatched this anger. There was suddenly so much of it. Too much. I didn't know how to experience it. I didn't know how to hold it, where to put it. When you're sad, you cry. When you're happy, you smile, you laugh. But what do you do when you're angry? Not just mad, but filled with this ugly, consuming rage? And the thing is women aren't allowed to be angry. Nobody likes a mad woman. They're crazy. Irrational. Obnoxious. Shrill.
”
”
Rachel Harrison (Such Sharp Teeth)
“
Oh Kay you are like a key that opens the door of my heart. Your charm crushes me. Like a clinking machete slicing my flesh thinly cutting my heart. Let you hit my neck with the longing that you create without compassion and mercy.
Kay oh Kay there's no one like you in this world. Because for you, I'm a little kid who can cry for a stuffed toy. Wherever you sing, the rhythm of the music will accompany you. And let the dance floor come to you, twisting and lifting you in a dance that makes everyone crazy.
Kay oh Kay you are my sickle machete. You are the dagger that stabbed my soul, you stoned me with the sweet needle of your innocent smile. You're the sweet mouth that sighs that moans that laughs that makes my soul restless.
Kay oh Kay. Your sweet spit drips like the most sugary honey on my thirsty mind. I desire you from the most sordid nests, the most abominable paths and the most perverted thoughts. I want to taste the most delicious nectar of your flowers.
Oh how you taint me with your fire. You trapped me with your innocence. With your nakedness that leads me astray. How you give hope that I do not have. You won a heart I didn't fight for.
Kay oh Kay you are the only answer I never questioned. A destination I never expected but greeted me with joy. You are the reality that I never dreamed of but came true by itself.
How do I accept you as you accept me with all the charm of your madness. Kay oh Kay my sunshine moon. You are my river and sea. Only you my eyes are fixed, only you my heart trembles.
You let me be the key that enters the darkest hole of your soul. It is not in your majesty that my dreams wander, but in your intoxicating beauty. You have imprisoned my most wretched soul.
Oh Kay you are my kitchen knife, my axe, my saw, my hammer, my screwdriver. You enslaved me in this unbreakable lust. I serve you like a stupid servant. A deaf and blind goat that only serves one master. You are the master of all this passion and madness.
Everything I know about you is a lie. How did you deign to allow me to love someone other than you? Kay oh Kay, if truly adoring you will give me the true meaning of a poem, then how can you give me true love that you never had?
”
”
Titon Rahmawan
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey
“
He brought his other foot to the ground and gingerly tested his ankle. It would be a little sore, but it was still sound. He kept his back half turned from her as he ground his teeth, waiting for the insolent giggle he’d heard in so many other courts when he’d been maneuvered into looking foolish. He was furious for failing, furious because of the sudden despair he felt that she would think him an inadequate companion. He had forgotten that Jaenelle was Jaenelle. “I’m sorry, Daemon,” said a wavering, whispery voice behind him. “I’m sorry. Are you hurt?”
“Only my pride,” Daemon said as he turned around, his lips set in a rueful smile.
“Lady?” Then, alarmed. “Lady! Jaenelle, no, darling, don’t cry.” He gathered her into his arms while her shoulders shuddered with the effort not to make a sound. “Don’t cry,” Daemon crooned as he stroked her hair. “Please don’t cry. I’m not hurt. Honestly I’m not.” Since her face was buried against his chest, he allowed himself a pained smile as he kissed her hair. “I guess I’m too much of a grown-up to learn magic.”
“No, you’re not,” Jaenelle said, pushing away from him and scrubbing the tears off her face with the backs of her hands. “I’ve just never tried to explain it to anyone before.”
“Well, there you are,” he said too brightly. “If you’ve never shown anyone—” “Oh, I’ve shown lots of my other friends,” Jaenelle said brusquely. “I’ve just never tried to explain it.” Daemon was puzzled. “How did you show them?” Instantly he felt her pull away from him. Not physically—she hadn’t moved—but within. Jaenelle glanced at him nervously before ducking behind her veil of hair. “I…touched…them so they could understand.
”
”
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
“
Being strong means allowing yourself to cry over the things you can’t change; laugh when things are funny; smile when you’re happy. It means understanding where your breaking point is, and yet, going further and still remaining whole.
”
”
D. Nichole King (Love Always, Kate (Love Always, #1))
“
I have no problem with being fabulous. My problem comes when you won't allow yourself to be an ordinary woman with a decent apartment and an okay job. When only the mom is allowed to be boring—because her life is so rich with meaning.
When I carefully choreographed the story of how amazing I was, I was acting like one of those helicopter parents—you know, the ones who refuse to admit that their Jackson might suck at math or Stella might not be the world's greatest violinist. 'You are special! You are special!' they cry to their children, hoping this will boost their confidence. But the real message is one of panic: You must be special. Ordinary is not okay. When I walked into a party projecting the Shiny Girl—she of the lighthearted flings and glitzy job—I was essentially doing the same thing.
”
”
Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
“
There are those who sail through a ‘visit from Auntie Flo’, enduring little more than a twinge in the abdomen. And then there are people like me, who firmly believe their uterus is re-enacting the Battle of the Somme.
Allow me to paint a picture for you. It’s fucking ugly. Your body bloats, your tits hurt and you sweat uncontrollably. Your crevices start to feel like a swamp and your head is pounding all the time. You feel like you have a cold – shivering, aching, nauseous – and have the hair-trigger emotions of someone who has not slept for days. But we’re not done yet. The intense cramping across your lower abdomen feels like the worst diarrhoea you’ve ever had – in fact, you’ll also get diarrhoea, to help with the crying fits. As your internal organs contract and tear themselves to blooded bits so you can lay an egg, blasts of searing pain rip through you.
You bleed so much that all ‘intimate feminine hygiene products’ fail you – it’s like trying to control a lava flow with an oven mitt. You worry people can smell your period. You are terrified to sit on anything or stand up for a week in case you’ve bled through. And as you’re sitting, a crying, sweaty, wobbly, spotty, smelly mess, some bastard asks ‘Time of the month, love?’ And then you have to eat his head.
”
”
Kate Lister (A Curious History of Sex)
“
The hit-woman opened the door. No dead body on the floor. Thank God.
I heard an unearthly roar and then Jordan charged Liz from where she’d been hiding beside the door. She tackled her to the floor and stabbed her through the wrist with a small switchblade. The hit-woman shrieked and let go of the gun, allowing Jordan precious seconds to bat it across the room. She landed a couple hard punches to the assassin’s nose, bloodying it, before the other woman got the upper hand.
She grabbed a handful of Jordan’s ponytail and slammed her head into the edge of the coffee table. Jordan cried out, but didn’t let go of the knife. She withdrew it and held it against the assassin’s throat, shouting, “Move again and I’ll kill you, puta!”
Liz panted madly, but stayed put. Jordan glanced up at me. “You okay?”
“Alive,” I said through a grimace. “Not okay.”
“Good enough.” She returned her gaze to the woman pinned beneath her and glared.
“The police are on their way. And not the nice, human police. Angels. Get any ideas about trying to kill me again and you won’t even get to deal with them.”
“I’ve been in jail before,” Liz said, attempting to recapture her former arrogance. “I’ll get over it.”
Jordan leaned down a few inches, lowering her voice. “Really? How’d you like to return without your tongue?”
Liz’s eyes went wide, as did mine. “You wouldn’t dare.”
“You shot my best friend. Multiple times. Lex talionis.”
“You can’t kill me. You’re not a policewoman. You’re just a girl.”
“No. I’m a Seer. You and the rest of your friends had better learn the difference between a sheep and a wolf in sheep’s clothing. Until then…”
She lifted her fist and punched Liz hard in the temple. The assassin went out like a light.
“Vaya con dios, bitch.
”
”
Kyoko M. (The Deadly Seven (The Black Parade, #1.5))
“
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.”
There was a beat. Then John said cautiously, “What do you mean?”
“The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?”
John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me.
And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another.
“Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“
“Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“
I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say.
“Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.”
“I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.”
“I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.”
I raised my gaze to his. “You’re right about that, at least,” I said.
“So am I forgiven?” he asked.
I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his.
Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it.
“Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.”
John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
When I heard you were almost surely dead, that’s when I knew what you were to me. My woman. You rode back to me from the dead. I’ll never let you go again.”
Weak and spent, I said desperately, as if I were shouting at him in a foreign language, “You don’t love me or you’d care what I feel!”
“I do care. In a year you’ll love me.”
Even at that moment, when I hated him, my blood quickened as he smiled. I cried defiance as much to my treacherous body as to him. “I won’t. I’ll hate you more than I do know. “
“We’ll see.” He cupped my chin and raised my face. “You’re tired darling. Sleep now. You can give me your answer in the morning.”
I couldn’t let him kill Trace. But to submit to those muscular, golden-haired arms? Let him do the things Trace had? And it wouldn’t be for one time only, I was sure of that. Court might after a season let me go, but I had a frightening dread that if he possessed me long enough, he would drain me till I became his thing, his creature—that I wouldn’t go, even if he allowed it and Trace would take me.
”
”
Jeanne Williams (A Lady Bought with Rifles)
“
... You become responsible forever for what you’ve tamed. You’re responsible for your rose.
-----
I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that has not much improved my opinion of them.
----
I am who I am and I have the need to be.
----
It is far more difficult to judge oneself than to judge others. If you succeed in judging yourself correctly, then you are truly a man of wisdom.
-----
Straight ahead you can not go very far.
-----
Grown-ups love figures... When you tell them you've made a new friend they never ask you any questions about essential matters. They never say to you "What does his voice sound like? What games does he love best? Does he collect butterflies? " Instead they demand "How old is he? How much does he weigh? How much money does his father make? " Only from these figures do they think they have learned anything about him. If you say to the grown-ups: 'I've seen a lovely house made of pink brick, with geraniums in the windows and doves on the rood', they are unable to picture such a house. You must say: I saw a house that come a hundred thousand francs.' Then they cry out: 'How pretty!'
----
One runs the risk of crying a bit if one allows oneself to be tamed.
”
”
Richard Howard (The Little Prince)
“
You complain that you cry out, and that God doesn't reply. You feel imprisoned and you're afraid that it is a life sentence... although no one has said anything. Consider then, that you are your own judge and your own gaoler. Prisoner, leave your prison! To your astonishment you will find that no one will stop you. The reality outside prison is indeed terrifying, but never as terrifying as your anguish down in that locked room. Take your first step towards freedom. It is not difficult. The second step is more difficult, but never allow yourself to be defeated by your gaolers who are only your own fear and your own pride.
”
”
Ingmar Bergman (Larmar och gör sig till)
“
Why are you wailing away? What is the matter with you?”
“I was playing and—“ and her lip quivered as she spoke, “—and it was cloudy, and then—“ a sniff, “—and then, as I was playing, the sun came out.”
I gave her a flat look. “You’re crying because the sun came out?”
“Yes,” she moped, wiping the tears from her eyes, “the sun came out, and now—“ she heaved, “—and now, it’s hot! I don’t like it when it’s hot. Being hot is dumb!”
I immediately absolved her of all previous sins. I slumped over the sill and gave her as much sympathy as my now warm face allowed. “Yes, child, being hot is very dumb indeed. Very well, you have a reason for crying. But then why are you outside?”
“Because it was too hot inside and mommy won’t let me have ice cream.”
“Well, there is your problem. You must get an air conditioner and a new mother.
”
”
Michelle Franklin (I Hate Summer: My tribulations with seasonal depression, anxiety, plumbers, spiders, neighbours, and the world.)
“
No, you have to stay here with me, Jamie, the way you said you would always. And for you to stay here with me means the rest of them must die. They keep you from me.”
“I’m not going to stay a boy, Peter. I’m going to grow up,” I said. “I already am.”
He seemed to look at me then for the first time, really look at me. He hadn’t, not properly, since before he took Charlie to the Many-Eyed. Now he took in my taller body and my bigger hands and the hair on my face that hadn’t been there before.
His face twisted into something awful then, something monstrous and terrifying. He pulled Charlie tighter to his body and the younger boy cried out in pain.
“No,” Peter said, stalking closer to me. “No, no, no, no, no! You’re not allowed to grow up. You’re supposed to stay here with me forever, for always. Who am I to play with if you grow up, Jamie?
”
”
Christina Henry
“
When you're being chased by a lion, what do you do? You run. So when you're stressed out by your job (or by your sex life), what do you do? You run...or walk, or get on the elliptical machine or go out dancing or even just dance around your bedroom. Physical activity is the single most efficient strategy for completing the stress response cycle and recalibrating your central nervous system into a calm state...Here are some other things that science says can genuinely help us not only "feel better" but actually faciliatate the completion of the stress response cycle: sleep; affection (more on that in the next section); any form of meditation, including mindfulness, yoga, tai chi, body scans, etc. (more on that in chapter 9); and allowing yourself a good old cry or primal scream-though you have to be careful with this one...Art, used in the same way, can help.
”
”
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
“
Many potential readers will skip the shopping cart or cash-out clerk because they have seen so many disasters reported in the news that they’ve acquired a panic mentality when they think of them. “Disasters scare me to death!” they cry. “I don’t want to read about them!”
But really, how can a picture hurt you?
Better that each serve as a Hallmark card that greets your fitful fevers with reason and uncurtains your valor. Then, so gospeled, you may see that defeating a disaster is as innocently easy as deciding to go out to dinner. Remove the dread that bars your doors of perception, and you will enjoy a banquet of treats that will make the difference between suffering and safety. You will enter a brave new world that will erase your panic, and release you from the grip of terror, and relieve you of the deadening effects of indifference —and you will find that switch of initiative that will energize your intelligence, empower your imagination, and rouse your sense of vigilance in ways that will tilt the odds of danger from being forever against you to being always in your favor. Indeed, just thinking about a disaster is one of the best things you can do —because it allows you to imagine how you would respond in a way that is free of pain and destruction.
Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time.
In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Witness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing.
Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.
”
”
Robert Brown Butler (Architecture Laid Bare!: In Shades of Green)
“
You’re angry at me,” she says.
I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing.
“You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.”
Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away.
She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers.
In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep.
“You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying.
The hard casement inside me breaks.
“Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin.
There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders.
“Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.”
She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep.
“I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
... You become responsible forever for what you’ve tamed. You’re responsible for your rose.
-----
I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that has not much improved my opinion of them.
----
I am who I am and I have the need to be.
----
It is far more difficult to judge oneself than to judge others. If you succeed in judging yourself correctly, then you are truly a man of wisdom.
-----
Straight ahead you can not go very far.
-----
Grown-ups love figures... When you tell them you've made a new friend they never ask you any questions about essential matters. They never say to you "What does his voice sound like? What games does he love best? Does he collect butterflies? " Instead they demand "How old is he? How much does he weigh? How much money does his father make? " Only from these figures do they think they have learned anything about him. If you say to the grown-ups: 'I've seen a lovely house made of pink brick, with geraniums in the windows and doves on the rood', they are unable to picture such a house. You must say: I saw a house that come a hundred thousand francs.' Then they cry out: 'How pretty!'
----
One runs the risk of crying a bit if one allows oneself to be tamed.
”
”
Antoine de Saint-Exupéry (The Little Prince: Written and illustrated by)
“
That?” cried Charley with astonishment. “A loaf of bread and a flagon of wine? Of course it’s very well painted.” “Yes, you’re right; it’s very well painted; it’s painted with pity and love. It’s not only a loaf of bread and a flagon of wine; it’s the bread of life and the blood of Christ, but not held back from those who starve and thirst for them and doled out by priests on stated occasions; it’s the daily fare of suffering men and women. It’s so humble, so natural, so friendly; it’s the bread and wine of the poor who ask no more than that they should be left in peace, allowed to work and eat their simple food in freedom. It’s the cry of the despised and rejected. It tells you that whatever their sins men at heart are good. That loaf of bread and that flagon of wine are symbols of the joys and sorrows of the meek and lowly. They ask for your mercy and your affection; they tell you that they’re of the same flesh and blood as you. They tell you that life is short and hard and the grave is cold and lonely. It’s not only a loaf of bread and a flagon of wine; it’s the mystery of man’s lot on earth, his craving for a little friendship and a little love, the humility of his resignation when he sees that even they must be denied him.” Lydia
”
”
W. Somerset Maugham (Christmas Holiday (Vintage International))
“
Hetty was awakened from a doze in a chair by the sound of a door opening. She was about to make herself known to whoever had entered the library when someone else entered, too, and she heard Minerva say, “Well? What do you think? Am I right about Oliver and Miss Butterfield?”
Shrinking into the chair, she prayed she wouldn’t be noticed in the corner.
“It certainly looks that way.” It was Jarret’s voice. “He does seem to have genuine feelings for her. I’ve never witnessed him act like that over a woman. You should have seen him-ready to strike me when I suggested going after her myself.”
“What a brilliant touch!” Minerva cried. “I told you he liked her. And I’ll hazard a guess that she likes him, too. I went up to her room after they got back, and she blushed furiously when I asked if Oliver had behaved himself.”
“That’s the problem. Liking her is one thing, but whether he’ll act on the attraction honorably is another matter entirely. Oliver isn’t used to being around a woman he’s not allowed to…er…”
“Take to bed.”
Hetty blinked.
“My God, Minerva, don’t say things like that! You’re not supposed to know about such matters.”
“Pish posh. I could hardly grow up with a rogue for a father and three rogue brothers without hearing a few things.”
Hetty had to chomp on the inside of her cheek to stifle her laugh.
“Well, at least pretend you don’t know, will you?” Jarret grumbled. “One day you’ll say something like that in public and give me heart failure.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Lord Gareth?" He froze. It was she, staring out at him with an expression of astounded disbelief on her lovely face. Gareth was caught totally unprepared. He knew he must look like an arse because he certainly felt like one. But the comic ridiculousness of the situation suddenly hit him, and his lips began twitching uncontrollably. He gazed up at her with perfect innocence. "Hello, Juliet." A chorus of out-of-tune voices came up from below. "Romeo, O Romeo, wherefore art thou, Romeo?" Gareth flung his crop down at their heads. Cokeham let out a yelp, then fell to laughing. The girl's smooth, high brow pleated in a frown as she took in the scene. Perry down there with the horses. The other Den of Debauchery members all gathered below, beaming stupidly up at her. And Gareth, grinning, sprawled full-length along a tree branch just outside her window. "Just what on earth are you doing, Lord Gareth?" The way she said it made his cheeks warm with embarrassment. So he was a pillock. Who cared? Instead, he gave her his most devastating grin and said with cheerful earnestness, "Why, I have come to rescue you, of course." "Rescue me?" "Surely you didn't think I'd allow Lucien to banish you into obscurity, now, did you?" "Well, I — The duke didn't ban—" She gave a disbelieving little laugh and leaned out the window, grasping the blanket tightly at her breasts. Her hair, caught in a long, dark braid, swung tantalizingly out over her bosom. "Really, Lord Gareth. This is ... highly irregular!" "Yes, but the hour is late, and as it took me all day to find you, I was feeling rather impatient. I do hope you'll forgive me for resorting to such desperate measures. May I come in and talk?" "Of course not! I — I cannot have a man in my bedroom!" "Why not, my sweet?" He pushed aside a small, leafy twig in order to see her better and grinned cajolingly up at her. "I had you in mine." She shook her head, torn between what she wanted to do — and what she ought to do. "Really, Lord Gareth ... your brother will never approve of this. You should go home. After all, you're the son of a duke and I'm just a — " " — beautiful young woman with nowhere else to go. A beautiful young woman who should be a part of my family. Now, do collect Charlotte and your things, Miss Paige — I fear we must make haste, if we are to marry before Lucien catches up to us." "Marry?!" she cried, forgetting to whisper. He gazed at her in blank, perfect innocence. "Well, yes, of course," he said, clinging to the branch as it dropped another few inches. "Surely you don't think I'd be hanging out of a tree for anything less, do you?" "But —" "Come now." He smiled disarmingly. "Surely, you must see there is really no other option for you. And I won't have my niece growing up without a father. What kind of a man do you think I am? Now, gather up Charlotte and get your things, my dear Miss Paige, and come outside. I am growing most uncomfortable." Juliet
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
I teach excessively agreeable people to note the emergence of such resentment, which is a very important, although very toxic, emotion. There are only two major reasons for resentment: being taken advantage of (or allowing yourself to be taken advantage of), or whiny refusal to adopt responsibility and grow up. If you’re resentful, look for the reasons. Perhaps discuss the issue with someone you trust. Are you feeling hard done by, in an immature manner? If, after some honest consideration, you don’t think it’s that, perhaps someone is taking advantage of you. This means that you now face a moral obligation to speak up for yourself. This might mean confronting your boss, or your husband, or your wife, or your child, or your parents. It might mean gathering some evidence, strategically, so that when you confront that person, you can give them several examples of their misbehaviour (at least three), so they can’t easily weasel out of your accusations. It might mean failing to concede when they offer you their counterarguments. People rarely have more than four at hand. If you remain unmoved, they get angry, or cry, or run away. It’s very useful to attend to tears in such situations. They can be used to motivate guilt on the part of the accuser due, theoretically, to having caused hurt feelings and pain. But tears are often shed in anger. A red face is a good cue. If you can push your point past the first four responses and stand fast against the consequent emotion, you will gain your target’s attention—and, perhaps, their respect. This is genuine conflict, however, and it’s neither pleasant nor easy.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off?
Then Daniel dropped the ax to the ground.
"What are you doing?" Luce asked.
Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned.
And then-
Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward.
Shouts rang out around the cenote:
"What is he?"
"The boy is winged!"
"He is a god! Sent to us by Chaat!"
Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until-
Until she couldn't move anymore.
Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun.
Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening.
Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed.
She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin.
Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out.
Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke.
Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame.
All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce.
"Ix Cuat!" Daniel reached for her.
His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious."
"Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-"
"I'm still here," Luce insisted.
"You're still-" He was crying. "Can you see me? The true me?"
"I can see you."
And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before.
Hadn't she?
As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her.
"No!" she cried,feeling the fire sear her heart and her body shake free of something.
”
”
Lauren Kate (Passion (Fallen, #3))
“
Tell me you didn’t,” she groaned, knowing it would not be the truth. “Please tell me you didn’t take advantage of these poor people.”
“I didn’t,” he chirped.
“Liar.”
With an irritated sigh he tried to convince her. “Amora, you’re not seeing things from an immortal perspective. The people who built this temple…”
“Temple?” she cried, cutting him off. “You forced these people to build you a temple? Why? Because all of a sudden you’re God now?”
Perturbed by her interruption, he raised a warning finger. “No, no, Amora, not God. But from their viewpoint I may seem a bit…..god-like.”
She rolled her eyes in an exaggerated manner.
“If you would let me finish,” he went on, “these particular individuals had no part in the construction of that monument; it was their ancestors who erected it. And I must say, they did a fine job. My likeness has weathered the centuries quite well.”
“You’re despicable.”
He frowned at the insult. “Nobody was forced to build us a temple, Amora. They chose to do so.”
“You were that impressive to them, huh?”
“Apparently.” His eyes twinkled at the memory. He took a few steps toward the distant city, pulling Eena along. “Come on, let’s go have some fun.”
“No way.” She planted her feet, refusing. Surprisingly it put a stop to him.
“And why not?”
“Because your sudden appearance will upset them! No doubt you’ll want to show off with some shockingly grand entrance. I’m not going to take part in a game of deceit.”
“I’m not deceiving anyone,” Edgar disputed. “I can’t help it if they happen to think I’m perfectly magnificent.”
His pompous view of himself earned a nasty look as well as a lecture. “I can’t believe you’re okay with selling people lies that affect the way they live and think! You’re not even close to being a god, Edgar, and yet you allow them to accept you as some sort of deity because of your unusual abilities. For centuries now you’ve abandoned this world and a population who probably looked to you and your lousy sisters for help. It’s all a big, disgusting sham!”
Edgar pouted like a child. “Fine—spoil all my fun. We’ll go do something else. Something that doesn’t include your poor, fragile, stupid mortals.”
“They’re not stupid.”
“They think I’m a god,” he snapped.
That was a pretty good argument.
”
”
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
“
When an ovulating woman offers herself to you, she's the choicest morsel on the planet. Her nipples are already sharp, her labia already swollen, her spine already undulating. Her skin is damp and she pants. If you touch the center of her forehead with your thumb she isn't thinking about her head—she isn't thinking at all, she's imagining, believing, willing your hand to lift and turn and curve, cup the back of her head. She's living in a reality where the hand will have no choice but to slide down that soft, flexing muscle valley of the spine to the flare of strong hips, where the other hand joins the first to hold both hip bones, immobilize them against the side of the counter, so that you can touch the base of her throat gently with your lips and she will whimper and writhe and let the muscles in her legs go, but she won't fall, because you have her.
She'll be feeling this as though it's already happening, knowing absolutely that it will, because every cell is alive and crying out, Fill me, love me, cherish me, be tender, but, oh God, be sure. She wants you to want her. And when her pupils expand like that, as though you have dropped black ink into a saucer of cool blue water, and her head tips just a little, as though she's gone blind or has had a terrible shock or maybe just too much to drink, to her she is crying in a great voice, Fuck me, right here, right now against the kitchen counter, because I want you wrist-deep inside me. I hunger, I burn, I need.
It doesn't matter if you are tired, or unsure, if your stomach is hard with dread at not being forgiven. If you allow yourself one moment's distraction—a microsecond's break in eye contact, a slight shift in weight—she knows, and that knowledge is a punch in the gut. She will back up a step and search your face, and she'll feel embarrassed—a fool or a whore—at offering so blatantly what you're not interested in, and her fine sense of being queen of the world will shiver and break like a glass shield hit by a mace, and fall around her in dust. Oh, it will still sparkle, because sex is magic, but she will be standing there naked, and you will be a monster, and the next time she feels her womb quiver and clench she'll hesitate, which will confuse you, even on a day when there is no dread, no uncertainty, and that singing sureness between you will dissolve and very slowly begin to sicken and die.
The body knows. I listened to the deep message—but carefully, because at some point the deep message also must be a conscious message. Active, not just passive, agreement. I took her hand and guided the wok back down to the gas burner. Yes, her body still said, yes. I turned off the gas, but slowly, and now she reached for me.
”
”
Nicola Griffith (Always (Aud Torvingen #3))
“
Chicago, Illinois 1896
Opening Night
Wearing her Brünnhilda costume, complete with padding, breastplate, helm, and false blond braids, and holding a spear as if it were a staff, Sophia Maxwell waited in the wings of the Canfield-Pendegast theatre. The bright stage lighting made it difficult to see the audience filling the seats for opening night of Die Walküre, but she could feel their anticipation build as the time drew near for the appearance of the Songbird of Chicago.
She took slow deep breaths, inhaling the smell of the greasepaint she wore on her face. Part of her listened to the music for her cue, and the other part immersed herself in the role of the god Wotan’s favorite daughter. From long practice, Sophia tried to ignore quivers of nervousness. Never before had stage fright made her feel ill. Usually she couldn’t wait to make her appearance. Now, however, nausea churned in her stomach, timpani banged pain-throbs through her head, her muscles ached, and heat made beads of persperation break out on her brow. I feel more like a plucked chicken than a songbird, but I will not let my audience down.
Annoyed with herself, Sophia reached for a towel held by her dresser, Nan, standing at her side. She lifted the helm and blotted her forehead, careful not to streak the greasepaint.
Nan tisked and pulled out a small brush and a tin of powder from one of the caprious pockets of her apron. She dipped the brush into the powder and wisked it across Sophia’s forehead. “You’re too pale. You need more rouge.”
“No time.”
A rhythmic sword motif sounded the prelude to Act ll. Sophia pivoted away from Nan and moved to the edge of the wing, looking out to the scene of a rocky mountain pass. Soon the warrior-maiden Brünnhilda would make an appearance with her famous battle cry.
She allowed the anticpaptory energy of the audience to fill her body. The trills of the high strings and upward rushing passes in the woodwinds introduced Brünnhilda. Right on cue, Sophia made her entrance and struck a pose. She took a deep breath, preparing to hit the opening notes of her battle call.
But as she opened her mouth to sing, nothing came out. Caught off guard, Sophia cleared her throat and tried again. Nothing. Horrified, she glanced around, as if seeking help, her body hot and shaky with shame.
Across the stage in the wings, Sophia could see Judith Deal, her understudy and rival, watching.
The other singer was clad in a similar costume to Sophia’s for her role as the valkerie Gerhilde. A triumphant expression crossed her face.
Warwick Canfield-Pendegast, owner of the theatre, stood next to Judith, his face contorted in fury. He clenched his chubby hands.
A wave of dizziness swept through Sophia. The stage lights dimmed. Her knees buckled. As she crumpled to the ground, one final thought followed her into the darkness. I’ve just lost my position as prima dona of the Canfield-Pendegast Opera Company.
”
”
Debra Holland (Singing Montana Sky (Montana Sky, #7))
“
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현재까지 많은단골분들 모시고있구요 단골분들 추천으로구입하시는분들에게는 저희가 사은품 넉넉히 챙겨드리고있습니다
☆100%정품보장
☆총알배송
☆투명한 가격
☆편한 상담
☆끝내주는 서비스
☆고객님 정보 보호
☆깔끔한 거래
카톡【pak6】 텔레:【JRJR331】텔레:【TTZZZ6】라인【TTZZ6】
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
♥경영항목♥
수면제,여성최음제,ghb애더럴,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,99정,정력제,남성성기확대제,카마그라젤,비닉스,센돔,남성조루방지제,네노마정,러쉬파퍼,등많은제품판매하고있습니다
애더럴 효능,애더럴 복용법,애더럴 정품구입,애더럴 구입방법,애더럴 구매,애더럴 판매,애더럴 파는곳,애더럴 구매방법,애더럴 효과,애더럴 복용법,애더럴 부작용,애더럴 지속시간,애더럴 약효,애더럴 구입,애더럴 가격,애더럴 파는곳
”
”
애더럴구입처구매
“
The name is somewhat familiar, but I can’t recall a face to go with it.”
Obviously disappointed in her reaction, her uncle said irritably, “You apparently have a poor memory. If you can’t recall a knight or an earl,” he added sarcastically, “I doubt you’ll remember a mere mister.”
Stung by his unprovoked remark, she said stiffly, “Who is the third?”
“Mr. Ian Thornton. He’s-“
That name sent Elizabeth jolting to her feet while a blaze of animosity and a sock of terror erupted through her entire body. “Ian Thornton!” she cried, leaning her palms on the desk to steady herself. “Ian Thornton!” she repeated, her voice rising with a mixture of anger and hysterical laughter. “Uncle, if Ian Thornton discussed marrying me, it was at the point of Robert’s gun! His interest in me was never marriage, and Robert dueled with him over his behavior. In fact, Robert shot him!”
Instead of relenting or being upset, her uncle merely regarded her with blank indifference, and Elizabeth said fiercely, “Don’t you understand?”
“What I understand,” he said, glowering, “is that he replied to my message in the affirmative and was very cordial. Perhaps he regrets his earlier behavior and wishes to make amends.”
“Amends!” she cried. “I’ve no idea whether he feels loathing for me or merely contempt, but I can assure you he does not and has never wished to wed me! He’s the reason I can’t show my face in society!”
“In my opinion, you’re better off away from that decadent London influence; however, that’s not to the point. He has accepted my terms.”
“What terms?”
Inured to Elizabeth’s quaking alarm, Julius stated matter-of-factly, “Each of the three candidates has agreed that you will come to visit him briefly in order to allow you to decide if you suit. Lucinda will accompany you as chaperon. You’re to leave in five days. Belhaven is first, then Marchman, then Thornton.”
The room swam before Elizabeth’s eyes. “I can’t believe this!” she burst out, and in her misery she seized on the least of her problems. “Lucinda has taken her first holiday in years! She’s in Devon visiting her sister.”
“Then take Berta instead and have Lucinda join you later when you go to visit Thornton in Scotland.”
“Berta! Berta is a maid. My reputation will be in shreds if I spend a week in the home of a man with no one but a maid for a chaperon.”
“Then don’t say she’s a maid,” he snapped. “Since I already referred to Lucinda Throckmorton-Jones as your chaperon in my letters, you can say that Berta is your aunt No more objections, miss,” he finished, “the matter is settled. That will be all for now. You may go.”
“It’s not settled! There’s been some sort of horrible mistake, I tell you. Ian Thornton would never want to see me, any more than I wish to see him!”
“There’s no mistake,” Julius said with completely finality. “Ian Thornton received my letter and accepted our offer. He even sent directions to his place in Scotland.”
“Your offer,” Elizabeth cried, “not mine!”
“I’ll not debate technicalities any further with you, Elizabeth. This discussion is at an end.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Are you interested in medical marijuana but have no idea what it is? In recent years, there is a growing cry for the legalization of cannabis because of its proven health benefits. Read on as we try to look into the basics of the drug, what it really does to the human body, and how it can benefit you. Keep in mind that medical marijuana is not for everyone, so it’s important that you know how you’re going to be using it before you actually use it.
What is Marijuana?
Most likely, everyone has heard of marijuana and know what it is. However, many people hold misconceptions of marijuana because of inaccurate news and reporting, which has led to the drug being demonized—even when numerous studies have proven the health benefits of medical marijuana when it is used in moderation. (Even though yes, weed is also used as a recreational drug.)
First and foremost, medical marijuana is a plant. The drug that we know of is made of its shredded leaves and flowers of the cannabis sativa or indica plant. Whatever its strain or form, all types of cannabis alter the mind and have some degree of psychoactivity. The plant is made of chemicals, with tetrahydrocannabinol (THC) being the most powerful and causing the biggest impact on the brain.
How is Medical Marijuana Used?
There are several ways medical weed is used, depending on the user’s need, convenience and preference. The most common ways are in joint form, and also using bongs and vaporizers. But with its growing legalization, we’re seeing numerous forms of cannabis consumption methods being introduced (like oils, edibles, drinks and many more).
● Joint – Loose marijuana leaves are rolled into a cigarette. Sometimes, it’s mixed with tobacco to cut the intensity of the cannabis.
● Bong – This is a large water pipe that heats weed into smoke, which the user then inhales.
● Vaporizer – Working like small bongs, this is a small gadget that makes it easier to bring and use weed practically anywhere.
What’s Some Common Medical Marijuana Lingo?
We hear numerous terms from people when it comes to describing medical marijuana, and this list continually grows. An example of this is the growing number of marijuana nicknames which include pot, grass, reefer, Mary Jane, dope, skunk, ganja, boom, chronic and herb among many others. Below are some common marijuana terms and what they really mean.
● Bong – Water pipe that allows for weed to be inhaled
● Blunt – Hollowed-out cigar with the tobacco replaced with weed
● Hash – Mix of medical weed and tobacco
● Joint – Rolled cigarette-like way to consume medical cannabis
How Does It Feel to be High?
When consumed in moderation, weed’s common effects include a heightened sense of euphoria and well-being. You’ll most likely talk and laugh more. At its height, the high creates a feeling of pensive dreaminess that wears off and becomes sleepiness. In a group setting, there are commonly feelings of exaggerated physical and emotional sensitivity as well as strong feelings of camaraderie.
Medical marijuana also has a direct impact on a person’s speech patterns, which will get slower. There will be an impairment in your ability to carry out conversations. Cannabis also affects short-term memory. The usual high that one gets from cannabis can last for about two hours; when you overindulge, it can last for up to 12 hours.
Is Using Medical Marijuana Safe?
Medical cannabis is scientifically proven to be safer compared to alcohol or nicotine. Marijuana is slowly being legalized around the world because of its numerous health benefits, particularly among people suffering from mental illness like depression, anxiety and stress. It also has physical benefits, like helping in managing pain and the treatment of glaucoma and cancer.
”
”
Kurt
“
He has a very strong sense of beauty, he has. You're to dress entirely in black and white and silver."
"Why?"
"Ask him yourself, miss. He'll be here in a minute."
"He certainly won't!" Emma cried, leaping for the black dress and pulling it over her head, slapping away Mrs. Rumson's clumsy attempts to assist her. The gown was barely around her shoulders when the door opened, without so much as a knock. Beneath the yards of filmy material, Emma allowed herself a quiet snarl.
"Arguing with Mrs. Rumson again, my angel?"
Emma yanked the gown down, half hoping it would rip. It didn't, and the clinging black silk gauze settled around her curves perfectly. "I'm not used to dressing in front of an audience," she said sternly.
Killoran had already availed himself of the most comfortable chair and seemed prepared to enjoy himself. "Accustom yourself, Emma," he said. "It is quite the fashion. Great beauties have their cicisbeis to guide their choices of jewelry and maquillage. Think of me as merely a servant to your exquisite loveliness."
She scowled. "I am not a great beauty," she said, advancing on him as Mrs. Rumson struggled behind her, trying to fasten the myriad of tiny black buttons. "I don't wear maquillage, and I have no jewelry."
She halted, her anger carrying her so far and no farther. She was already dangerously close to him, and he simply looked up at her, that cool, assessing expression on his face. He said nothing for a long moment, merely let his eyelids droop as he surveyed the length of her.
"Perhaps you're right," he said finally. "You are no common beauty. You are, however, quite... magnificent." There was an undercurrent of heat in his words that terrified her, but a moment later it had vanished, and he was leaning back, watching her with detached interest.
”
”
Anne Stuart (To Love a Dark Lord)
“
Seeds of greatness
My question for you is this: Are you really alive? Are you passionate about your life or are you stuck in a rut, letting the pressures of life weigh you down, or taking for granted what you have? You weren’t created to simply exist, to endure, or to go through the motions; you were created to be really alive.
You have seeds of greatness on the inside. There’s something more for you to accomplish. The day you quit being excited about your future is the day you quit living. When you quit being passionate about your future, you go from living to merely existing.
In the natural there may not be anything for you to be excited about. When you look into the future, all you see is more of the same. You have to be strong and say, “I refuse to drag through this day with no passion. I am grateful that I’m alive. I’m grateful that I can breathe without pain. I’m grateful that I can hear my children playing. I am grateful that I was not hurt in that accident. I’m grateful that I have opportunity. I’m not just alive--I’m really alive.”
This is what Paul told Timothy in the Bible: “Stir up the gift, fan the flame.” When you stir up the passion, your faith will allow God to do amazing things. If you want to remain passionate, you cannot let what once was a miracle become ordinary. When you stared that new job you were so excited. You told all your friends. You knew it was God’s favor. Don’t lose the excitement just because you’ve had it for five years.
When you fell in love after meeting the person of your dreams, you were on cloud nine. You knew this match was the result of God’s goodness. Don’t take it for granted. Remember what God has done.
When your children were born, you cried for joy. Their births were miracles. You were so excited. Now you have teenagers and you’re saying, “God, why did you do this to me?”
Don’t let what was once a miracle become so common that it’s ordinary. Every time you see your children you should say, “Thank you, Lord, for the gift you’ve given me.”
We worked for three years to acquire the former Houston Rockets basketball arena for our church. During that time, it was still for sports and music events. When there wasn’t a ball game or concert, Victoria and I would come up late at night and walk around it. We’d pray and ask God for His favor.
When the city leaders approved our purchase, we celebrated. It was a dream come true. Nearly ten years later, it’s easy to get used to. Holding services in such a huge building could become common, ordinary, and routine because we’ve been doing it so long now. But I have to admit that every time I walk in the building, I can’t help but say, “God, thank you. You have done more than I can ask or think.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
There’s something I need to tell you.” “Hadley’s intending to court me, isn’t he?” “Damned if I know, but Lucien would never allow it so don’t waste a moment’s worry on it. No, Nerissa, that’s not I came down here to tell you.” She went back to the cot and sat heavily down. “Oh, out with it, Andrew. I’m too tired and too upset to play games.” He came and sat beside her. Took a deep, bracing sigh and took her hand. “That villain who caused all this, Ruaidri O’ Devir—I have no wish to upset you even more, Nerissa, but… he’s alive.” “What?” “I’m sorry.” She stared at him, blinking, her mouth agape. Then her lip began to tremble, her body to shake, and the tears flowed down her cheeks in fresh abandon. “I don’t understand,” she whispered. “He looked to be dead….” “Yes, well, rats, cockroaches and parasites are also hard to kill, aren’t they?” She looked over at him, her eyes suddenly flashing. “How dare you say such an awful thing!” “What?” “You heard me!” He stared at her, saw the anger in her eyes and suddenly it dawned on him why she’d been crying. The truth hit him like a punch to the stomach. “Oh, damn it all,” he muttered in disgust. “I knew it.” “Knew what?” “That you were in love with him. For God’s sake, Nerissa, what is the matter with you? You’ve always been a bit on the wayward side, but this really takes the cake.” She rounded on him. “None of us get to choose whom we fall in love with, Andrew, and you of all people should know that. You might’ve married someone of your own station, but Charles and Gareth certainly did not, and that doesn’t make their love for their wives any less valid or our sisters-in-law any less worthy just because they’re not of blue blood!” “Marriage?! Who said anything about marriage? Dear God, don’t tell me you’re going to marry him!” “I would indeed if he were to ask me!” “Has he?” “No, but if he did—” “Nerissa, he’s Irish.” “I don’t care if he’s from the damned moon!
”
”
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
“
Every couple of months or so, some boundary breaking article comes out in a nationally published magazine. The article makes a big thesis statement about relationships. Like say how, women don’t need men anymore, or how if you’re a woman over thirty-five, you should just settle with whatever guy is half-way nice to you, or how monogamy is not feasible, or plausible, or enjoyable, for any human. And we should all be swingers, or a study is released that say’s, you don’t have to love your kids anymore or something. They’re the kind of articles that are e-mailed everywhere and I get them forwarded to me about eight times. I will read one of these articles and immediately afterward I’m so swept up in it, I can’t help but think Yes, Yes, that is one-hundred percent right. Finally! Someone has confirmed that little voice in the back of my mind that has always not loved my kids, or I’m so happy I’m that much closer to my swinging lifestyle I’ve always secretly been craving. I’m normal and now it’s a national discussion and others agree and I can feel normal now. But then, a week later I’m thinking, I hate this. I feel awful. This wretched little magazine article has helped convinced more open minded liberal arts graduates that, the nuclear family doesn’t exist without some hideous twist, like the dad is allowed to go to an S & M dungeon once a week or something. It makes me cry because it means that fewer and fewer people are believing it’s cool to want what I want, which is to be married and have kids and love each other in a monogamous, long-lasting relationship.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Then I review: I said to my son in the time before separation, “Sweetie, I know it’s so hard for you when Mommy has to do work. That makes sense; you love being by Mommy’s side! You will be with Daddy, and I will see you for lunch. Mommy always comes back.” I set boundaries that felt right to me, and I expressed validation with my words and empathy with my tone. My son protested. And screamed. And cried. He did his job: he experienced and expressed feelings. In response, I said, “I know it’s so hard, sweetie. You’re allowed to be upset. I love you,” and then left. Validation, empathy, boundary. He cried. Again, experiencing and expressing feelings.
”
”
Becky Kennedy (Good Inside: A Practical Guide to Resilient Parenting Prioritizing Connection Over Correction)
“
If we know why our baby is crying, we might say, for example, “You bumped your head and it hurt.” When we say things like “You’re okay” or “Stop crying,” we can inadvertently negate, brush away, or ignore the baby’s feelings. Instead, allow the feelings and let the baby know that we hear them, we recognize their feelings, and we are there. In this way, we accept and respect their emotions.
”
”
Simone Davies (The Montessori Baby: A Parent's Guide to Nurturing Your Baby with Love, Respect, and Understanding)
“
No, you idiot. You have to live,” I cry, fisting his jersey with both hands. “You may look like a hockey Thor, but you’re not a god, Ilmari. You’re flesh and blood and you’re grinding yourself into that ice. And I won’t allow it.
”
”
Emily Rath (Pucking Around (Jacksonville Rays, #1))
“
I always stopped myself from crying because I wasn't allowed to feel my "bad" emotions. I've learned that there is no such thing as bad emotions. To expand is to feel everything because they are part of being human. Never resist your true feelings because then you're resisting yourself and your chance to grow.
”
”
Karen A. Baquiran
“
Her heart heavy, she lay behind him on the small cot and snuggled close to his warm body. She shouldn’t be doing this. Christian would no doubt protest if he knew what she was about. Yet she couldn’t stop herself. She wanted to hold him. Needed to feel his strength with her body. She felt lost. Alone. She didn’t know what her future held anymore. Truthfully, that terrified her. Uncertainties assailed her in the darkness and brought tears to her eyes. “What’s to become of me?” she whispered as silent tears started falling. “I need guidance, Lord. Wisdom. My people need a queen who knows what she’s doing, not one who is lost and unsure.”
Suddenly she felt the strength of Christian’s hand on hers. She swallowed in trepidation as he lifted her hand to his lips and kissed it. She pulled back as Christian rolled over to face her.
“Don’t cry, Adara,” he whispered, wiping the tears from her cheeks. “I won’t let them hurt you or take your kingdom from you. I know what it’s like to be without a home and I will pledge my eternal soul that you will never know that feeling.”
His words only succeeded in making her cry more. Christian was at a loss as to how to cope with her tears. He’d never spent enough time with women to witness them often. The only woman he’d spent much time with was Mary, who had been a captive with them in the Holy Land. But Mary had never once wept. His stomach tightened in hopelessness. “Shhh,” he breathed, wiping her tears with his hand.
“I’m sorry,” she sobbed. “I don’t normally cry. I don’t. I’m j-just at a loss.”
“I’m so often at a loss that it seems my most natural state.” He couldn’t believe he’d confessed that to her. Even when he was at his most perplexed, he refused to allow anyone to know it.
“You’re just trying to make me feel better.”
“Nay, my lady. Truly. I am often baffled by life. Struck dumb, point of fact.”
-Adara & Christian
”
”
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
“
How long do you intend for us to wait? Obviously you’re not perfect, but--”
“‘Not perfect’ is having a bald spot or pockmarks. My problems are a bit more significant than that.”
Beatrix answered in an anxious tumble of words. “I come from a family of flawed people who marry other flawed people. Every one of us has taken a chance on love.”
‘I love you too much to risk your safety.”
“Love me even more, then,” she begged. “Enough to marry me no matter what the obstacles are.”
Christopher scowled. “Don’t you think it would be easier for me to take what I want, regardless of the consequences? I want to hold you every night. I want to make love to you so badly I can’t even breathe. But I won’t allow any harm to come to you, especially from my hands.”
“You wouldn’t hurt me. Your instincts wouldn’t let you.”
“My instincts are those of a madman.”
Beatrix wrapped her arms around her bent knees. “You’re willing to accept my problems,” she said dolefully, “but you won’t allow me to accept yours.” She buried her face in her arms. “You don’t trust me.”
“You know that’s not the issue. I don’t trust myself.”
In her volatile state, it was difficult not to cry. The situation was so vastly unfair. Maddening.
“Beatrix.” Christopher knelt beside her, drawing her against him. She stiffened. “Let me hold you,” he said near her ear.
“If we don’t marry, when will I see you?” she asked miserably. “On chaperoned visits? Carriage drives? Stolen moments?”
Christopher smoothed her hair and stared into her swimming eyes. “It’s more than we’ve had until now.”
“It’s not enough.” Beatrix wrapped her arms around him. “I’m not afraid of you.” Gripping the back of his shirt, she gave it a little shake for emphasis. “I want you, and you say you want me, and the only thing standing in our way is you. Don’t tell me that you survived all those battles, and suffered through so much, merely to come home for this--”
He laid his fingers against her mouth. “Quiet. Let me think.”
“What is there to--”
“Beatrix,” he warned.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
He touched her lips softly with his, gently, tentatively. Her eyes closed as she allowed this and his arms tightened around her as he pressed more firmly against her lips. Hers opened and his breath caught as he opened his own and felt her small tongue dart into his mouth. His world reeled and he was lost in a kiss that deepened, that moved him, that shook him. “Don’t,” she whispered against his mouth. “Don’t get mixed up with me, Jack.” He kissed her again, holding her against him as though he would never let her go. “Don’t worry about me,” he said against her lips. “You don’t understand. I have nothing to give. Nothing.” “I haven’t asked you for a thing,” he said. But in his mind he was saying, You’re mistaken. You are giving, and taking—and it feels damn good. All Mel could think, in the abstract, was that her body for once wasn’t hollow and so empty she ached. She drank it in, the feeling of being connected to something. To someone. Anchored. So wonderful to have that human contact again. In her soul she had forgotten how, but her body remembered. “You’re a good man, Jack,” she said against his lips. “I don’t want you to be hurt. Because I can’t love anyone.” All he said was, “I can take care of myself.” She kissed him again. Deeply. Passionately. For a long minute; two minutes, moving under his mouth with heat. And the baby fussed. She pulled away from him. “Oh, man, why’d I do that?” she asked. “That’s a mistake.” He shrugged. “Mistake? Nah. We’re friends,” he said. “We’re close. You needed some comfort and—and here I am.” “That just can’t happen,” she said, sounding a little desperate. He took charge, feeling his own sense of desperation. “Mel, stop it. You were crying. That’s all.” “I was kissing,” she said. “And so were you!” He smiled at her. “You are so hard on yourself sometimes. It’s okay to feel something that doesn’t hurt once in a while.” “Promise me that won’t happen again!” “It won’t if you don’t want it to. But let me tell you something—if you do want it to, I’m going to let you. You know why? Because I like kissing. And I don’t beat myself up about it.” “I’m not doing that,” she said. “I just don’t want to be stupid.” “You’re punishing yourself. I can’t figure out why. But,” he said, lifting her off his lap and putting her on her feet, “you get to call the shots. Personally, I think you secretly like me. Trust me. And I think for a minute there, you also liked kissing me.” He grinned at her. “I could tell. I’m so smart that way.” “You’re just desperate for a little female companionship,” she said. “Oh, there are females around. That has nothing to do with anything.” “Still—you have to promise.” “Sure,” he said. “If that’s what you want.” “It’s what I need.” He
”
”
Robyn Carr (Virgin River (Virgin River #1))
“
I…I thought you were going to heal my lip.” Sylvan stroked her hair which had come loose from the knot at the back of her neck and now cascaded down her shoulders in soft chestnut waves. “I thought your heart needed healing first.” She shifted against him, getting more comfortable. “This is nice,” she admitted softly. “I…I’m sorry I freaked out on you.” “The fault is entirely mine,” Sylvan murmured. “The urlich aroused my protective rage. And then I got so completely focused on marking you I forgot to consider your feelings. Can you forgive me?” “I…I think so.” She looked up at him. “I guess you can’t help the way you get when there’s an enemy around. But please just…don’t come at me that way again.” “I won’t. I swear it.” He meant it from the bottom of his heart and Sophia seemed to sense his sincerity. “Thank you,” she whispered, her gaze still locked with his. “I…I appreciate that.” “I don’t want you to fear me.” Sylvan heard the break in his own voice but he couldn’t help it. “I would die to protect you, Sophia. To think you would believe I could hurt you in any way—especially that way…” But he couldn’t go on. “Sylvan…” She was looking at him with something like wonder on her face. “You…you’re crying,” she whispered. She sounded like she could hardly believe it. Sylvan didn’t believe it himself. “No, I’m not.” He had never given in to such emotion, never allowed himself such weakness before. Even after his father’s passing and Feenah’s betrayal, not so much as a single tear had come to his eyes. But Sophia was nodding. “Yes, you are. Or at least, you’re sort of leaking a little.” Reaching up, she brushed lightly at his cheek. “See?” She held out her hand. To his surprise her fingertips were wet. “I’m sorry,” he said stiffly. “Why?” Sophia sounded genuinely curious. He shook his head. “To show such weakness before one I am supposed to protect…it is unacceptable. Unforgivable.” “No, it’s not.” Suddenly she put her arms around his neck and hugged him. “It’s not, Sylvan,” she whispered in his ear, pressing her soft cheek against his. “Not at all, I promise you.” His heart swelled until he thought it might burst and he hugged her back carefully. He no longer cared if the urlich and the AllFather with all his hellish legions came upon him and killed him. At that moment, with Sophia willingly in his arms and her sweet feminine fragrance invading his senses, he knew he could die a happy and contented male.
”
”
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
“
Sweetheart, you’re crying? Why?” “I can’t Brandon … I can’t.” I choked on a sob and put my fist to my mouth to muffle it, Liam had started dozing off again. “Harper what is wrong? Please tell me.” I was trying, I just couldn’t speak yet so I held up a finger, silently asking him to give me a second to calm down a little, “I can’t leave him. I’m terrified of what might happen if I do. Chase and your dad were gone just like that. I don’t want to lose him and I don’t want him to lose one or both of us. We know what it’s like to be without a parent, I can’t do that to him.” “Aw hell, sweetheart that won’t happen. I know why you’re scared, but we can’t live like that. We can’t let what’s happened in our pasts, rule our lives now and in the future. That’s not fair to us, and it’s not fair to Liam. Nothing is going to happen, you need to allow yourself to enjoy our lives, as well as his. I don’t want to be away from him either, but I will admit, I want alone time with you. We need to have time where it’s just us. Even if it’s just a couple hours, once a week.” “I’m sorry.
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
You’re crying.” His voice roughened with concern. “Am I?” She raised one hand to her face and her fingers came away wet. His slashing black brows lowered. “Did I hurt you?” When he shifted, his body slipped from hers. She missed him immediately. “No.” She blushed, although surely an earl’s mistress should have long ago lost the ability to blush. “I’m just…overwhelmed.” “I wanted to overwhelm you,” he said softly, his voice weighted with drowsiness. He drew her against him. “Rest now.” Past the line of his shoulder, she watched the cat stretch and pad toward the door. “I’ll tend to the cat first.” She always allowed Plato a couple of hours to roam while she was here. “Hurry back,” he murmured, kissing the tip of her shoulder. She
”
”
Anna Campbell (A Grosvenor Square Christmas)
“
My love, If you're reading this, that means I'm no longer there with you and that worries me more than you know. The idea of leaving you is almost more than I can bear, so I'm going to leave that thought right there and move on to more important things. I've told you so many times how much I love you. Please remember that every single day for the rest of your life. You are my everything, you hold my heart and carry my soul. You made my life better. My only regret was not meeting you sooner, so we could have had more time together in this life. Please make sure Autumn and Robert have what they need. I've taken care of them financially, but I'm sure you know that by now. Let them know how much I love and cherish them, how much I love our family, and how proud I am of who they've become as people. Please look in on my mother. She won't allow you to take care of her, but please visit her often. I love her very much, too. These flowers will keep coming so you know how much I truly love you. I tried to come close to the ones you sent me all those years ago. I'm not sure if you even remember them, but I do. What a special memory that has been. And what a beautiful life I had the honor of sharing with you. I know I'm waiting for you. Take your time, do what you need to do there, but I know I'm wherever I'm supposed to be, waiting for you to walk beside me again for all eternity. You are my soul, my always. Never doubt that for a single moment. I'm crying, Kane, and I haven't even left you yet. I'm not afraid to die, but I am afraid of leaving you. I'll be waiting. I love you always, A Kane
”
”
Kindle Alexander (Always (Always & Forever #1))
“
I, the Lord your God, hold your right hand and say to you, “Do not fear, I will help you.” Isaiah 41:13 It's okay with God for you to be scared to death. He recognizes our fears and our insecurities. I feel like the Spirit of God sometimes says to me, “You know, Beth, I understand that you're not very happy about this. I understand that you may be crying over this. Cry, shake, whatever— but do My will, child. Do My will. I have victory for you.” So even though you may be afraid about many things, don't be afraid to allow God to do His work in you, looking into the deepest part of your heart and releasing freedom in your life, teaching you how to live in victory.
”
”
Beth Moore (Breaking Free Day by Day)
“
Miss Addie!” Edward, too, rushed to her side, but Gideon reached her first and pranced around her. “I’m all right,” she said as John arrived. He knelt beside her and slipped his arm around her. “Are you injured?” She had no idea of her true condition with him so close. Assessing the pain level, she leaned her head against his shoulder. His presence was the best medicine. “I-I don’t think so.” Edward threw himself atop her, and she pulled him onto her lap when she realized he was crying. “It’s okay, darling.” “You’re bleeding,” the child wailed. John moved away, and she hugged Edward, relishing the little-boy scent of grass and dog. “It’s merely a scratch, Edward. Proof of valor.” John was still near enough that she could smell his bay rum hair tonic. “I should call the doctor,” John said. He placed his hand on her shoulder. “No, no, I think I can get up with your assistance.” Aware she was showing more of her leg than was seemly, Addie flipped her skirt into place. She brushed a kiss across Edward’s cheek and scooted him onto the grass. “Papa’s going to help me up.” She grasped John’s arm and allowed him to lift her to her feet. “Does anything hurt?” he asked. She smiled into his face. “Only my pride.” “Let’s get you inside.” She glanced at the heap of wheels and metal. “No, I want to get back on the bicycle.” His mouth gaped. “You aren’t afraid?” “I’m terrified. But if I don’t get back on now, I might never do it. The fall will expand in my mind. I want to learn this.” She released his arm and stepped away, though she preferred to stay close to him. “The bicycle appears unharmed.” “But you’re not. You’re bleeding.” She bent her elbow up to have a look. “As I said, it’s merely a scratch.
”
”
Colleen Coble (The Lightkeeper's Daughter (Mercy Falls, #1))
“
Only once in your life, I truly
believe, you find someone who
can completely turn your world
around. You tell them things that
you’ve never shared with another
soul and they absorb everything
you say and actually want to hear
more. You share hopes for the
future, dreams that will never
come true, goals that were never
achieved and the many
disappointments life has thrown
at you. When something
wonderful happens, you can’t
wait to tell them about it, knowing
they will share in your
excitement. They are not
embarrassed to cry with you
when you are hurting or laugh
with you when you make a fool of
yourself. Never do they hurt your
feelings or make you feel like you
are not good enough, but rather
they build you up and show you
the things about yourself that
make you special and even
beautiful. There is never any
pressure, jealousy or competition
but only a quiet calmness when
they are around. You can be
yourself and not worry about
what they will think of you
because they love you for who you
are. The things that seem
insignificant to most people such
as a note, song or walk become
invaluable treasures kept safe in
your heart to cherish forever.
Memories of your childhood come
back and are so clear and vivid
it’s like being young again.
Colours seem brighter and more
brilliant. Laughter seems part of
daily life where before it was
infrequent or didn’t exist at all. A
phone call or two during the day
helps to get you through a long
day’s work and always brings a
smile to your face. In their
presence, there’s no need for
continuous conversation, but you
find you’re quite content in just
having them nearby. Things that
never interested you before
become fascinating because you
know they are important to this
person who is so special to you.
You think of this person on every
occasion and in everything you
do. Simple things bring them to
mind like a pale blue sky, gentle
wind or even a storm cloud on the
horizon. You open your heart
knowing that there’s a chance it
may be broken one day and in
opening your heart, you
experience a love and joy that you
never dreamed possible. You find
that being vulnerable is the only
way to allow your heart to feel
true pleasure that’s so real it
scares you. You find strength in
knowing you have a true friend
and possibly a soul mate who will
remain loyal to the end. Life
seems completely different,
exciting and worthwhile. Your
only hope and security is in
knowing that they are a part of
your life.
”
”
Delsin 474
“
You’re not fine, bella. You’ve been crying,” he said and tipped up her chin.
“I have not,” she said indignantly but didn’t find the strength to pull out of his grasp.
“You’re a terrible liar,” he said with a smile. The back of his fingers ran along her cheek and she allowed the caress.
”
”
Mila Rossi (Under Construction)
“
You dragged her in here without letting her change or say goodbye to her family?” The two officers looked as sheepish as six foot six males could. “Standard operating procedure,” one of them mumbled defiantly. “Allowing the subject out of your sight, even for an instant, more than doubles the flight risk.” “She’s not a subject, you fuckin’ idiot,” growled the dark warrior, his amber eyes flashing. “She’s my bride. I don’t give a good goddamn what your SOP is, if I find you’ve hurt her in any way, you’ll both answer to me.” “I’m so sorry,” the blond Kindred said awkwardly as the dark one raked the officers over the coals. “None of this was handled very well.” He put a hand tentatively on Sophia’s shoulder and she flinched away from him. “Don’t touch me!” she flared, shooting him a deadly glare from narrowed green eyes. The blond Kindred’s ice blue eyes widened, then narrowed as well. “Forgive me. I wasn’t aware you’d take a gesture of comfort as a threat.” The double set of fangs in his upper teeth seemed to sharpen alarmingly. “Okay, everybody take it down a notch.” Kat raised her voice to be heard over the babble. She looked at Liv. “First the good news. It’s only for thirty days.” “Only thirty days?” Sophia cried, still clinging to her. “That’s a long time to be abused and molested, Kat!” “Nobody’s getting abused or molested,” the dark warrior growled. “Oh really? So you have no interest in having sex with my sister?” Sophia demanded of him. Liv felt her cheeks heat. “Sophie, please.” The warrior’s eyes flashed. “Hell yes, I’m interested and I’m not gonna deny it. She’s mine—I need to claim her. Bond with her. Can’t do that without sex.” Liv felt her face get even hotter. Oh my God, is he for real? The thought of being pressed up against that huge, masculine, muscular body was doing strange things to her, things she didn’t want to admit even to herself. And no one had ever said they wanted to bond with her before. “Baird, you’re only making things worse,” the blond Kindred muttered, tugging at the other one’s muscular arm. Baird—is
”
”
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
But first, please tell me your name. I really would like to know it.” “Sophia.” She looked up at him at last. “But my friends call me Sophie.” Sylvan smiled, being careful not to show his fangs this time. “I hope to someday call you that but I think I’d better stick to Sophia for now.” She sighed. “Look, I’m sorry I was nasty to you earlier. I know you’re not exactly to blame for what’s happened and you’re just doing what you do, making a genetic trade or whatever. It’s just that…my sister is my best friend and I can’t stand the thought of never seeing her again.” “You’ll still see her,” Sylvan objected. “Kindred brides are allowed to return to their home planet on most of the major holidays.” “Great, so I get to see her for Christmas and Thanksgiving? Two or three days out of the year? Thanks a lot!” Sophia leaned forward and looked at him. “Let me tell you something—Liv and I have never gone a whole day without speaking to each other in our lives. Even when we were babies my mom said we would cry and cry if you took one of us out of the room, away from the other one. And after our parents died, we got even closer. So please try to understand. I love her—she’s all I have left and I just can’t lose her like this.” Sylvan nodded gravely. “I can see your point. There is a similar bond between Baird and myself. We have the same father and we’ve saved each other’s lives many times in battle. I would be sad to only see him a few days of the year.” “So you get it.” She touched his knee lightly for emphasis and Sylvan felt his shaft harden in response. “How would you feel if I was threatening to take your brother and best friend away from you for basically the rest of his life?” she asked earnestly. “I wouldn’t like it.” Sylvan shifted uncomfortably, hoping she couldn’t see the evidence of her effect on him in his tight black uniform pants. “I guess the only way around your dilemma is for you to be claimed by a warrior yourself. Then you could see your sister every day on our ship.” “Oh…oh, no!
”
”
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
a tea shop in Oxford, Freddie told Tessa about it. ‘If you’re in the Fifth and Sixth, you’re allowed to skate for half an hour before prep. And an hour at weekends.’ ‘Do you remember,’ said Tessa, ‘when we were living in Geneva, and we used to go skating on the lake?’ ‘Mama used to watch,’ said Freddie. ‘She used to sit in the café, drinking hot chocolate.’ They often talked about their mother; had decided to, mutually and silently, three years ago, the spring after they had left Italy, after they had been told that she had died during an acute asthmatic attack. That was how you kept someone alive. ‘We were staying in that funny little pension,’ said Freddie. ‘What was the landlady’s name? Madame . . . Madame . . .’ ‘Madame Depaul.’Tessa smiled. ‘We had toasted cheese for supper every night. Madame Depaul thought that was what English people liked to eat. In the morning, after breakfast, Mama used to put on her fur coat and we’d all go down to the lake.’ Tessa had inherited her mother’s fur coat. When it had first arrived from Italy, Christina’s scent had lingered. Tessa had put on the coat and closed her eyes and breathed in Mitsouko and had cried, her
”
”
Judith Lennox (Catching the Tide)
“
You’re all forgetting about Farmer Ben’s pride,” he said. “I hardly think he’ll allow someone else to name his new market.”
The other cubs agreed instantly. They all raced to the farmhouse to tell Farmer Ben about Trudy’s idea.
Just as Ferdy had predicted, Ben was in the living room, gazing at the portraits of his ancestors. As Trudy breathlessly told him about her idea, a smile came to his face and a twinkle to his eye.
“That’s a great idea!” he said. He looked back at the portraits. “I knew you’d come through,” he told them.
“What will you name the new market, Farmer Ben?” asked Queenie. “Can you think of a good snappy name that folks will notice?”
Farmer Ben thought hard for quite a while. Finally his eyes lit up. He raised a forefinger high in the air. “I’ve got it!” he cried. “The perfect name!”
“What is it?” asked the cubs all at once.
Smiling broadly, Ben announced the perfect name: “Farmer Ben’s Market!”
While the cubs shot puzzled looks at each other, Ferdy spoke up. “An excellent name!” he said. “So simple and direct! You certainly have a way with words, Farmer Ben.
”
”
Stan Berenstain (The Berenstain Bears and the Haunted Hayride)
“
Don’t play with the humans. Until you’re ready to eat them. They’re easily traumatized, which sours the meat.” They also bruised like peaches. It was why she wasn’t allowed to play dodgeball once she hit puberty. Cry babies. Dexter
”
”
Eve Langlais (Dragon Squeeze (Dragon Point, #2))
“
One of the things Clovis had been most afraid of was being forced to ride. He had seen the horses in the stables, and they looked large and twitchy. If Sir Aubrey put him in the saddle, Clovis meant to confess straightaway and take the money Finn had given him to run away to his foster mother.
But the week after he arrived at Westwood, Sir Aubrey asked Clovis to come into the library because he had some bad news for him.
“Now I want you to be brave about this, my boy. I want you to take this like a man and a Taverner.”
Clovis’s heart began to thump. Could someone have died--Maia perhaps, or his foster mother--and if so, how did Sir Aubrey know? Or was it just that he had been found out?”
“I won’t hide from you the fact that the Basher--your aunt Joan, I mean--disagrees with me. She was all ready to teach you. She had picked out a fine mettlesome filly to start you on; nothing sluggish or second rate. A real Thoroughbred. You’d be going over jumps in a couple of weeks. But I’m afraid I cannot allow it.”
“Can’t allow what, sir?” asked Clovis.
“Can’t allow you to ride. Can’t allow you to go on a horse. You can imagine what it cost me to come to this decision; the Taverner children have always been up in the saddle from when they were two years old. But after Dudley’s terrible accident…” Tears came into Sir Aubrey’s eyes. He turned away. “If there was anyone else to inherit Westwood, I would let you take your chance, but with Bernard and Dudley both gone…” He pressed Clovis’s shoulder. “You’re taking this very well, my boy. Very well indeed. You’re taking it like a man. I confess I expected arguments, even tantrums.”
“Well, it is a disappointment,” said Clovis, wondering whether to break down and cry, a thing all actors learn to do at the drop of a hat. But in the end he just gave a brave gulp instead. “I had, of course, been looking forward…” He looked out of the window to where the Basher, mounted on a bruising chestnut, was galloping across a field. “But I do understand. One must always think of Westwood.
”
”
Eva Ibbotson (Journey to the River Sea)
“
Who do you belong to?"
I gasped, trying to form a coherent thought with the painful pleasure he wrought between my thighs with every pass.
"Say it!" He gritted out, his control slipping.
"You!" I cried.
"That's right. You're my little whore, and you will be for the rest of your life. You'll only be allowed to come around my fingers, my tongue, my cock, for so long as we both shall live.
”
”
Siena Trap (Bagging the Blueliner (Connecticut Comets Hockey, #1))
“
We can better assimilate ourselves to emotional health by allowing ourselves to lay down, cry it out, vent, and embrace the low tides when they come, knowing the dawn will always rise.
”
”
Brianna Wiest (When You're Ready, This Is How You Heal)
“
While I wait to heal, I often find solace in solitude. I don't fully understand why, but I know I must be alone. I withdraw from the world, and in that quiet space, I focus solely on my recovery. This solitude forces me to confront my raw emotions, with no distractions to dull their intensity. It is within these moments of despair that my most brilliant ideas emerge.
I allow myself to feel deeply, to the point where I can no longer feel. To overcome heartache, it's essential to exhaust every emotion—cry until the tears run dry, feel until you're tired of feeling, talk about the person until even your own voice bores you. When you are drained, empty, and devoid of emotion, you are almost across the bridge to healing. It is only then that true detachment begins.
Each time my heart has been broken, I've learned how to heal myself. Heartbreak no longer holds power over me. I've realized that the only way to get over it is to go through it. The longer I deny my feelings to protect myself, the more pain I endure. But if I accept the situation and fully experience my emotions, the pain fades more quickly. At most, they may occupy my thoughts for a few days; if I loved them deeply, maybe two or three weeks.
I simply withdraw from society and return when I am better, when I am healed. During my healing process, I commit to self-improvement. I channel my energy into refining the parts of myself that led to unnecessary pain. I acknowledge my mistakes, see where I went wrong, and take responsibility for my role in my suffering. And as long as he makes no effort, I am gone. The quickest way for any man to lose me is to stop trying and to make his intentions clear.
While he may think I am suffering, I am actually healing. I am recalibrating, renewing, and rehabilitating. I am resurrecting, realigning, adjusting, refocusing, and resetting. I am fine-tuning.
In the midst of this, I give him nothing—no attention, no thoughts, no feelings. Exes thrive on your negative emotions, so silence must be so profound that it echoes. No attention, no access. They may resort to stalking through fake profiles, but let them exert the effort. Block all other avenues of communication.
I am reshaping, reorienting, tweaking, reassessing, reconfiguring, restructuring.
In my absence, I am transforming.
Ducked.
I am for all ill purposes and intentions, my most productive and fruitful self when I am hurt or alone.
This leads my naysayers, detractors and enemies to learn that for the most part, excluding death, I am by most standards, indestructible.
I will build empires with the stones one throws at me.
I will create fertilizers with the trash and feaces hurled at me.
I will rise like pheonix from the ashes.
I am antifragile, I can withstand trials, tribulations, chaos and uncertainty and grow in the face of adversity.
I am the epitome of the resilience paradox, trial bloom, adversity alchemy, refiners fire and the pheonix effect.
I am fortitude - me.
Ducked.
What’s even more magical, is what comes out on the other side of this process.
It’s a peace, you do not want anyone to destroy.
A clarity, you won’t risk blurring.
A renewed you, a different version of you, stronger, fierce, centered and certain.
A rebirth, refinement.
You never saw it coming.
Neither will they.
Copyright ©️ 2024
Crystal Evans
”
”
Crystal Evans (100 Dating Tips for Jamaican Women)
“
For roughly sixty minutes, they scored on me at will. If they weren’t identical twins, I would’ve thought I was seeing double. By the end, I was utterly broken. As I sat crying in my car, I thought about what Coach Gable must have been thinking. In the exhaustion, my mind played tricks on me. When we experience disappointment, our thoughts spiral, and it’s important in those moments to press pause and assess the situation, not be led by our emotions. The #1 indicator of sustained success is emotional control. We must keep the issue in the appropriate bucket. Too often, we allow issues from one part of our lives to overflow into another. Therefore, pressing pause at such a time is crucial. Thankfully, at that moment, I pushed pause to consider my options. I could drive back to Syracuse. My coaches there would gladly allow me to return. I was the reigning EIWA Champ with a redshirt and two more years of eligibility. However, when my tears and emotions got under control, I thought more clearly. When you’re under emotional duress, it’s not a good time to make any decisions. I’ve seen lives ruined over emotional decisions.
”
”
Tom Ryan (Chosen Suffering: Becoming Elite In Life And Leadership)
“
Because I plan to have my cum dripping from your greedy cunt before it’s wrapped around him.” He growls to himself at the thought before slamming my wrist back against the wall, causing me to cry out in pain. “You watch me the entire time, and don’t you for a fucking second think you’re allowed to come. If I sense you’re deriving any pleasure out of this at all, I’ll kill you both myself and burn the whole fucking church down over your rotting corpses. You got that, sweetheart?” I swallow what feels like a mound of sand, nervous at his calm yet intimidating demeanor, my body trembling in fear at his tone alone. Because I know for a fact, he’d do just that, if not worse. Mutilation would be in there somewhere. “N-never,” I stutter, attempting to wet my dry mouth. “I’d never—
”
”
Jescie Hall (That Sik Luv)
“
When you’re not allowed to cry to deal with your issues, alcohol is the next best thing. I never thought I’d be a person who wanted to get drunk alone but having no skating partner for eight weeks will do that to a girl.
”
”
Hannah Grace (Icebreaker (UCMH, #1))
“
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly."
"I'm not a Strander," she said, looking him in the eye.
"Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off."
Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it.
"I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?"
Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks.
"WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?"
Maraly mumbled.
"What?" Claxton shouted, clenching her throat tighter.
She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love."
"Love," Claxton sputtered. He snorted with laughter.
Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me."
"You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike.
Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain.
But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt.
"Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
”
”
Andrew Peterson
“
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly."
"I'm not a Strander," she said, looking him in the eye.
"Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off."
Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it.
"I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?"
Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks.
"WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?"
Maraly mumbled.
"What?" Claxton shouted, clenching her throat tighter.
She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love."
"Love," Claxton sputtered. He snorted with laughter.
Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me."
"You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike.
Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain.
But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt.
"Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
”
”
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
“
The looks, the heat
Every smile, so sour, so sweet.
All I had known was that you made me complete.
Everything I needed, I never wanted more,
Yet every time I was run down straight to the core.
Every kiss, every step, every dance on the floor,
Everything was nothing. When you left me...out that door.
Our life, our plans, our future, in your hands.
Like a stab or a wound. I'll get better...if I can.
I know it's not the same, forever is the blame.
I tried so hard, for one who wanted more, for someone's heart
Who won't be allowed to be tamed.
It was the best, a love, never small but when one
Leaves the other, the rest will fall.
Let the tears drop. Let the feelings fly.
Because at least not in public, I will not cry.
My heart still beats, locked in your chest.
It's pitiful, sad, but I love you, dear traitor.
If you can stay, you can trample my heart, but don't ever go away
But if not, you're gone, I don't expect less
But if it's true just lay with me and rest
Help me rebuild me
Out of whatever's left.
”
”
Jessie
“
Elena stared down at me, fury pinching her pale brows. “Theo is a pussy-whipped little boy. His ex told me all about him. His dad controls him, and he lets it happen. He seems like a nice guy, but that’s only to get what he wants. If you think that kind of dick is better than you, then you’re not the girl I thought you were back in high school when you intimidated the hell out of every soft boy you passed in the halls.” “She’s sad, El. Let her be sad,” Zadie said. “I’m letting her be sad over her dead friend. I refuse to allow her to cry over Theo fucking Whitlock. He’s hot, but he’s proven himself unworthy. Helen is a warrior. Theo is bullshit.
”
”
Julia Wolf (Soft Like Thunder (Savage U, #1))
“
If taking care of yourself involves crying, then you do that too.” His thumb runs along my jaw. “There’s no shame in tears, pet—you don’t need to earn them and there’s no limit on how many you’re allowed to cry. It so happens that I like a good cry myself. You put on a sappy movie, and I will wreck an entire box of tissues.
”
”
Rebecca Quinn (Entangled (Brutes of Bristlebrook, #2))
“
Please allow this book to offer one piece of serious advice (don't worry, this is the only one): Take control.
Decide that enough is enough. Stop waiting for your advisor to guide your work - write a paper using your own brain and slap it down on his or her desk. Study - really, actually study - what it is you're studying. Realize that you can't include everything in your thesis, and drop your lofty and unrealistic plan to transform the field. You won't. Plan what you need to do to graduate, write it down, sit with the person whose approval you need, and work up a timeline. Seek out interesting conferences, and if your department won't pay for you to attend them, search for outside sponsorship. (You have the freaking internet, for crying out loud.) Actively pursue your goals, because - and it's so easy to forget this - that's why you're here.
Can't find the motivation to work today? Tough shit.
It's like a snow day: Every day off you give yourself makes you feel good that day, but it's one more day you'll have to make up in June when you really want to be out of school.
It's possible that many graduate programs want you to get depressed, say "Fuck it" and take charge of your own destiny. They may consider this part of your necessary struggle. Well, so be it. Wait no longer. Take charge now.
And get on with your stupid, stupid career.
”
”
Adam Ruben, "Surviving Your Stupid, Stupid Decision to Go To Grad School""
“
K. allowed himself to become involved in an involuntary staring match with Franz, but at least thumped his paper and said: "Here are my identification papers." "So what?" the taller guard cried out, "you're behaving worse than a child. What is it you want? Do you think you can bring your whole damn trial to a quick conclusion by discussing your identity and arrest warrant with your guards? We're lowly employees who can barely make our way through such documents and whose only role in your affair is to stand guard over you ten hours a day and get paid for it. That's all we are, but we're smart enough to realize that before ordering such an arrest the higher authorities who employ us inform themselves in great detail about the person they're arresting and the grounds for the arrest. there's been no mistake. After all, our department, as far as I know, and I know only the lowest level, doesn't seek out guilt among the general population, but, as the Law states, is attracted by guilt and has to send us guards out. That's the Law. What mistake could there be?
”
”
Franz Kafka (The Trial)
“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.”
― Bob Marley
”
”
Bob Marley
“
Gabrielle, my dear, my sweet, my flower, I, the King of Romance, have come for you!” The person who had appeared was wearing a white tuxedo that was different from everyone else’s plaid pants and blazer combination. He had bright blond hair that was slicked back. His eyes were blue. Gabrielle had seen him numerous times already, but she couldn’t for the life of her remember his name. The blond man walked up the stairs toward her, his hand extended in a grand gesture. “My love, you are the only one whose beauty can captivate me so. Please, allow me, the King of Love, the sweep you off your feet!” The blond knelt before Gabrielle and took her hand in his. He stared into her eyes. Why was he staring into her eyes so hard? It looked like he was trying to drill holes through her with his gaze. Creepy. Gabrielle responded to this man the same way she had done every time he appeared. “Who are you again?” The reaction around the room was instant. The whole class burst out laughing. Ryoko and Serah were the worst perpetrators, bent over the table and howling with laughter as they were, but even Kazekiri was snickering into her hand while trying to look stern. Gabrielle just smiled. She didn’t really know what was so funny. “W-why is it that you can never remember my name?” The blond cried out. “I’m Jameson de Truante, the most handsome man in this entire school. I am so handsome that people often call me the King of Good Looks.” “Hmm…” Gabrielle crossed her arms. That’s right. This boy was Jasmine’s older brother, wasn’t he? She remembered now. However… “I’m sorry, but you’re nowhere near as handsome as Alex.” “Hurk!” Jameson jerked backwards as though he’d been shot through the heart with something, though all this did was cause him to lose his balance. With a loud squawk that reminded her of an Angelisian parocetian (a lizard found on Angelisia that sounded like a parrot), he rolled down the stairs, bounced along the floor, and hit the stage with a harsh thud. And there he lay, insensate to the world around him. “Oh! That was rich!” Ryoko continued to laugh. “He keeps… keeps making passes at you… and you… you can’t even remember his name!! Bwa-ha-ha-ha!” “Serves the jerk right,” Serah added. Kazekiri sighed. “I normally would not approve of such behavior, but Jameson has always been a problem child, so I will let this slide once.” “Um, thank you?” Gabrielle said, not quite sure if she should be grateful or not. “Don’t worry,” Selene said upon seeing her confused look. “You might not understand right now, but you did a very good thing.” “Oh.” Gabrielle paused, and then beamed brightly at her friend. “Okay!” Class eventually settled down, though Jameson remained lying on the floor. Students chatted about this and that. Gabrielle engaged in her own conversation with her friends, discussing the possibility of going to sing karaoke this weekend. Of course, she invited Kazekiri to come as well, to which the young woman replied that she would think about it. Gabrielle hoped that meant she would come. It wasn’t long before the students were forced to settle down as their teacher came in and barked at them. Their homeroom teacher, a stern-looking man with neatly combed gray hair named Mr. Sanchez, took one look at Jameson, sighed, and then said, “Does anyone want to explain why Mr. Truante is lying unconscious on the floor?
”
”
Brandon Varnell (A Most Unlikely Hero, Vol. 6 (A Most Unlikely Hero, #6))
“
Sometimes you cry about things you thought you were over. That’s normal. Healing doesn’t follow a checklist; it’s a process. You’re not a robot. Trauma embeds itself into the genetic fiber of our being. So allow for little pockets of grief… even from things you’re healed from.
”
”
Steve Maraboli
“
You don’t just decide to be happy and then start feeling happy. You decide to be happy, you question everything, and then you allow your soul to search for the answers to the questions you’ve been stressing out about for so long! You tell your subconscious to go deeper. You allow your heart to open. You decide to invite happiness into your reality, and you stay mindful of the things that show up to greet you. When it feels hopeless, and you’re crying, doubled over and sobbing, feeling all the feels…keep crying. Cry with all your might, but then, choose happiness.
”
”
Diana Ricciardi (Return to Saturn: guiding soul seekers off their ass and out of their head in 19 days)
“
Let me get it,” he says, standing much too close for my comfort. It’s downright suffocating.
“Not a chance, darlin’,” I drawl, giving him a dose of his own medicine.
I hand the youngish sales lady my tags and bury my gaze inside my purse in search of my wallet. When I look up, I find a loopy smile on her face and it’s directed at him. The happy bastard smiles right back.
“Are you two done? Can I pay for these, or would you like to go on a date before you ring me up?”
They both turn to stare. She’s cherry red and pushing all the wrong buttons on the register while Dane’s busy scowling at me. I hand her my credit card without taking my eyes off of him.
“Did I do something to you, Stella?”
The thing is, I’m not mad at him. I’m mad at myself. I cannot believe that I allowed myself to fall under his spell. I don’t blame the sales girl either. She never stood a chance under the magnetic force that is Dane Wylder. I fell for it and I’ve been vaccinated against this particular virulent disease. I have Paul Donovan to thank for that.
Turning back to the sales person, I take the receipt she hands me. “I’m sorry,” I murmur. “Hormones––they’re wreaking havoc.”
“Oh, I get the same way when I get my period,” she replies in the sweetest drawl.
“Thanks for your help,” I tell her in an apologetic tone.
With that I walk away from the counter, and the two of them. A second later a big hand grabs a hold of my upper arm. I stop and turn, my expression not a happy one.
“You didn’t answer me?”
“No, Dane. You did nothing. Like I said, it’s the hormones.”
He looks pensive, his sexy lips pursed as he’s mulling this over. “We should get you some ice cream.”
I don’t know whether to laugh, or cry. He genuinely thinks ice cream is the solution to our problem? Then again he doesn’t have a problem.
I’m the one with the urge. I’m the one with the craving. Unless ice cream comes in a flavor called Sweaty Sex With Dane, I don’t want it…and about as smart as jumping out of a plane with no parachute. The ride will be fast and thrilling and most certainly prove painful when I hit bottom.
“What does ice cream have to do with it?”
“Maybe it’ll make you nicer. You know, take the edge off.”
My eyes automatically narrow. “Maybe we need to give each other space.”
“No,” he huffs, arms crossed in front of his broad chest, his shirt straining against the swell of his pecs, expression locked in the determined position.
“No?”
“No. No space. I see what you’re doing here. This is some kinda female mental jujitsu. You say you want space, but you don’t really want it.”
I’m seconds from punching him in the nut sac, which is almost directly in my line of sight. There is something to be said about being short. Or for him being grotesquely tall.
“I…I’m going to…I can’t.” I flee to the cosmetics department in search of the Holy Grail, a flat iron, before I do or say something I’ll regret.
And find one. Thank the Lord. This goes a small way to propping up my mood. I’m almost tempted to purchase two.
”
”
P. Dangelico (Baby Maker (It Takes Two, #1))
“
믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다.
24시간 문의상담과 서울 경기지방은 퀵으로도 가능합니다
믿고 주문하시면 좋은인연으로 vip고객님으로 모시겠습니다.
원하시는제품있으시면 추천상으로 구입문의 도와드릴수있습니다
현재까지 많은단골분들 모시고있구요 단골분들 추천으로구입하시는분들에게는 저희가 사은품 넉넉히 챙겨드리고있습니다
☆100%정품보장
☆총알배송
☆투명한 가격
☆편한 상담
☆끝내주는 서비스
☆고객님 정보 보호
☆깔끔한 거래
홈피【kkd55.c33.kr】
카톡【ACD5】 텔레【KKD55】
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
♥경영항목♥
수면제,여성최음제,ghb애더럴,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,99정,정력제,남성성기확대제,카마그라젤,비닉스,센돔,남성조루방지제,네노마정,러쉬파퍼,등많은제품판매하고있습니다
애더럴 효능,애더럴 복용법,애더럴 정품구입,애더럴 구입방법,애더럴 구매,애더럴 판매,애더럴 파는곳,애더럴 구매방법,애더럴 효과,애더럴 복용법,애더럴 부작용,애더럴 지속시간,애더럴 약효,애더럴 구입,애더럴 가격,애더럴 파는곳
”
”
애더럴구입처구매
“
I don’t want you to go, Brooke.”
Resentful, overwhelmed, significant tears streaked down my cheeks and I turned my face toward his arm. “You don’t get to say things like that.”
“Why not?” he asked, his lips skating over my neck, my shoulder. “You’re allowed to hate me just as much as I’m allowed to want you. It’s always been that way.
”
”
Kate Canterbary (Far Cry (Talbott's Cove, #3))
“
I stayed home, trying my best to figure out how in the world to be a good mother. It's not like I had anything decent to go on. It's not like I was going to ask my own mother for advice on mothering. I ended up buying a library of parenting books and reading every fucking one of them. For anyone who is thinking of doing the same, allow me to summarize: Sleeping with your baby is good. Sleeping with your baby is bad. Schedules, yes. Schedules, no. Lay them on their stomachs. Lay them on their backs. Bottle. Breast. Wean. Don't wean. Toilet train. Dont toilet train. Pick them up when they cry. Never pick up a crying baby. Public school. Home school. Montessori. Competitive sports are good. Competitive sports are bad. Fluoride. No fluoride. Vaccines. No vaccines.
You're welcome.
”
”
Mary Guterson (We Are All Fine Here)
“
During our own requisite holidays at the great house, we spent hours chasing Dev through rooms big as skating rinks packed with costly breakables, which we weren’t allowed to move out of kid reach. A sofa lined with antique dolls stared at Dev with insouciant porcelain faces he squirmed in my arms to get at. Once, from exhausted spite, I let him smash one. As for Mr. Whitbread, he seemed to eye Dev’s festive ramblings as he might have a cockroach’s. He once made the boy cry by calling him—beyond my earshot, of course—an ignorant little crud. Dev’s teary response, which Warren reported—You’re a big fat man with a red nose—proved Dev had enough Texan in him to take the patriarch in a verbal tussle.
”
”
Mary Karr (Lit)
“
He gave the illusion of being a gentleman, so friendly, yet he had not released her or moved even an inch to allow her to get by him. He inhaled, dragged her scent into his lungs. Suddenly his entire demeanor changed. His body stiffened. His fingers dug into her arm. White teeth gleamed a predator’s flash of warning. “Why did you not answer me when I spoke to you?” His words were low and menacing. The suave stranger was frightening.
“Let go of me.” She kept her voice even, her mind working at top speed, looking for a way out. He seemed to hold all the cards, but…
“Tell me who you are,” he demanded.
“Let go of me now.” She lowered her voice, pitched it to a soft, hypnotic melody. “You want to let me go.”
The stranger shook his head, his eyes narrowing, recognizing the hint of compulsion in her voice. He inhaled a second time, drinking in her fragrance. At once his face seemed to go still. “I recognize that scent. Jacques. He is dead these seven years, yet his blood runs in your veins.” His voice crawled with deadly threat.
For a moment she was frozen with fear. Was this the betrayer Jacques had spoken of? Shea swung her head sideways to remove his fingers from her chin. “I have no idea what you’re talking about. Let go of me now!”
Byron let out his breath in a low, venomous hiss. “If you wish to see another night, you will tell me what you have done with him.”
“You’re hurting me.” He was drawing closer, leaning toward her neck, bending her backward like a bow as she tried to elude him. His breath was hot on her throat, and Shea gasped as she felt needle-sharp teeth pierce her skin. With a low cry she jerked sideways, her heart pounding.
Without warning he caught at the neckline of her shirt to examine the bruises at her throat. She could feel his puzzlement, his confusion. Shea took advantage of his momentarily distraction. As hard as she was able, she brought up her knee and screamed for all she was worth. Byron looked so shocked, she nearly laughed. He had been absolutely certain she wouldn’t want attention drawn to her. His hiss, a deadly promise of retaliation, was the last thing she heard before he melted away.
And he literally melted away. Shea never saw him move. One moment he was there, his body trapping hers against the wall, and then he was gone. A fine mist was mixing with the layers of fog covering the ground to about knee level.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
As soon as I got my feet under me, indignant rage bubbled over. “Don’t ever do that again. I’m not your fucking possession,” I hissed at him.
His eyes flashed. “No, you’re not my anything, are you? I’m allowed to touch you as long as I don’t act like it means something, right?”
The emotion on his face twisted my insides. Anguish and despair swirled in his eyes.
I turned back for the bar to escape that look, and his arms were around my shoulders in a second, locking my back against his chest.
His lips went to my ear. “I can see the way you feel about me when you don’t think anyone is looking. I fucking see it, Kristen.” His voice cracked. “I remember what you said to me that night in Vegas. I remember.”
All of the fight drained out of my body in an instant.
He breathed into my ear. “Why won’t you just let me love you?”
A sob burst from my mouth, and I went limp in his arms. He held me up, hugging me to himself, absorbing my surrender.
I turned in the circle of his embrace and buried my crying in his shirt. He put his face into my neck and held me so tightly I couldn’t breathe. But I didn’t want to breathe. I wanted to be his prisoner. I wanted to never escape.
Tears poured out of me. “I can’t, Josh.” I gasped into his chest. “You don’t know it all.”
“Then tell me,” he said. He pulled away from me and spoke to my eyes. “What is it? Because I know you want me. I know you’re acting. Just tell me why.”
How do you share something like that? How could I tell him that my body could never do the one thing he needed it to? I couldn’t. I couldn’t get the words out. I couldn’t bear to see my value drop in his eyes, see him realize I wasn’t actually what he wanted.
Less of a woman.
Damaged goods.
Barren.
Sterile.
I shook my head, biting my lips together. “Josh, you should just forget about me. Get serious with one of those other women you see. Have sex with them. Move on.”
He let out a puff of exasperation. “What other women? There are no other women. There never has been. Do you know what I’m doing when you think I’m on dates? I’m at home, alone, wishing I was with you. This is what you’ve made me into. I pretend to see other people because I know if I don’t, you won’t see me anymore. Why?”
“You…you haven’t been seeing anyone else?” I blinked at him.
“Of course not. I’m fucking in love with you.”
And like he couldn’t stand not to for one more second, he grabbed me and kissed me. His lips were pained and desperate, and I hopelessly kissed him back. I climbed him, combing my hands in his hair. I wished I could drown in him. I needed to extinguish the burning disappointment in my soul, and for a few seconds, I did.
And then I pushed him away.
He let me go and I staggered back in the grass, and he stood there, panting.
“Josh, I can’t see you anymore, okay? This is over.” I choked on the words.
I watched what I said hit him like a smack. “Why?”
I wiped my face with the back of my hand and blinked through the tears. “Because you’re obviously taking this way more seriously than you should be. I told you. I told you from day one that this would only ever be sex. I never lied to you.”
His jaw went rigid. “You’re lying to me right now. I know this isn’t what you want. You fucking love me, Kristen. Just stop—” He reached for me and I smacked his hand away.
He stood staring at me, confusion and hurt etched all over his handsome face. “Why aren’t I good enough? Is it because I don’t speak a dozen languages? I don’t have a fucking master’s degree? I don’t make enough money? What is it?”
It’s not you.
I let the tears run down my face, and I clutched at my facade. “You thought you could change me just like you thought you could change Celeste. You’re changing the rules, just like you did to her. Don’t put your shit on me, Josh. You said you could handle this. You said you could—”
“I’m not fucking crazy! Stop acting like I’m making this up!
”
”
Abby Jimenez
“
So, when you notice yourself building up an image of invincibility, or strength, or special knowledge, or wisdom based on your meditative experiences, thinking perhaps that you’re getting somewhere in your practice, and you start talking a lot about meditation in a way that is self-promotional and inflationary, it’s a good idea to bring mindfulness to that mind-set and to ask yourself whether you are running from your vulnerability, or perhaps from grief you may be carrying, or from fear of some sort. If you are truly strong, there is little need to emphasize it to yourself or to others. Best to take another tack entirely and direct your attention where you fear most to look. You can do this by allowing yourself to feel, even to cry, to not have to have opinions about everything, to not appear invincible or unfeeling to others, but instead to be in touch with and appropriately open about your feelings. What looks like weakness is actually where your strength lies. And what looks like strength is often weakness, an attempt to cover up fear; this is an act or a facade, however convincing it might appear to others or even to yourself.
”
”
Jon Kabat-Zinn (Wherever You Go, There You Are)
“
The door opened wide, and Stephanie popped her head. “You’re up in five . . . ” her voice trailed off as she looked at Matt and Maude. He let go of her abruptly. “Umm, I was just leaving.” Stephanie looked past him. “What happened to your face?!” she shrieked. She hurried towards Maude to repair her makeup. Matt headed for the door but Maude stopped him. “Stay, please,” she asked, almost shyly. “I’m not going anywhere.” Stephanie huffed and puffed and fixed Maude’s makeup with a few expert strokes, whimpering that boyfriends should never be allowed into dressing rooms before concerts because they always made girls cry and she had to repair the damage.
”
”
Anna Adams (A French Girl in New York (The French Girl, #1))
“
So how do you think scripts should be read? How can they be read? When I was trying to write the stage directions for publication—in those final few weeks of scramble before we opened—I got really worried about all this. I remember in rehearsals we’d delete chunks of the script because the actors were communicating something effortlessly with a look, so didn’t need the lines I’d written. This script was created for a particular group of actors, but others need to inhabit the roles too. The reader needs to visualize the characters, as does the director. When you’re reading a script for the first time, what are you looking for? JOHN: As a director, the first time you read a new script is very precious. It’s the closest you’re ever going to be to an audience watching a production of this script for the first time. Reading a finished script should allow us access to the story, its characters, and the themes the playwright is exploring. A script can make us laugh and cry. It can take us through the joy of its story and also make us feel deep despair for the suffering of its characters. A script builds towards a fully realized production and an experience that can be shared with the audience. As a playwright, how much of this full experience do you imagine when you are writing a script? Do you speak the characters’ lines out loud as you type them? JACK: I do worse than that, I move like them. Which, when you’re working in well-known coffee shops and sandwich retailers, can lead to you attracting some strange looks. I find myself twisting into the character and gesticulating like them. It’s all very embarrassing. The thing that was perhaps most interesting about the process of writing this particular script is that I have never spent more time with actors—ever. Through the weeks of workshops and then weeks of rehearsals we were all in those rooms together for so long, all of us, from the design team to the sound team to the lights. I don’t think any of us have experienced anything like that—I think it probably works out at eight months or so, all in all. What effect would you say that had on what was created? I’m sure it made it all a lot better, but more than that do you think it somehow changed the tone of what we did?
”
”
John Tiffany (Harry Potter and the Cursed Child - Parts One and Two: The Official Playscript of the Original West End Production)
“
As a kid, Maddy didn’t understand the whole expression no use crying over spilled milk. She thought it was insensitive. “Does that mean we’re not allowed to be upset when sad things happen?” she asked our mom once. Mom told her that wasn’t what the saying meant at all. “It means when you do something wrong and make a mess, you shouldn’t just stand there and say how sad you are about it. Clean up your mess. Because everybody makes mistakes—there’s no way to avoid it. But you can choose whether to clean it up or not, and that’s what people will remember about you. Whether you’re the kind of person who cleans up her mess.
”
”
Sadie Moss (Spark (Academy of Unpredictable Magic, #1))
“
I think maybe you should focus on your own feelings about your father, and not project your worries over your mother into it. What happens if you allow this grudge to fester? Let me tell you. He dies. And whatever sins he’s committed in his life, whatever bad judgment or bad choices he made, that all dies with him. If you are religious, then you have your own beliefs over what happens after that. If you’re not, his life becomes dust. But Jacob, you get to live. And that hate, those bad feelings you carry? That festers and grows and soon overpowers you. It becomes part of you—and then, well, maybe you aren’t any better than your father. But he’s gone—and you’re walking the earth with blackness inside that threatens the very happiness you could achieve in your life. Just forgive your father, Jacob. You don’t have to profess your love to him. You don’t have to cry by his bedside. But forgive. And let those bad feelings die when he does.” Jacob
”
”
Holly Greene (Summer in Sorrento (Escape to Italy #0))
“
You had no right.” “Ah, the morally outraged cry of the weak: You’re not ‘allowed’ to do that. One is allowed to do anything one can get away with. Only when you understand that will you know your place in this world. And your power. Might is right.” “Ah,” I mock, “the morally bankrupt howl of the predator.” “Guilty as charged.
”
”
Karen Marie Moning (Burned (Fever #7))
“
phone, twisted it out of her hand, and slammed it on the hook. “I cry good, don’t I?” she asked with a grin, and she was out the door. “Davenport, Davenport,” Daniel moaned. He gripped handfuls of hair on the side of his head as he watched Jennifer finish the broadcast. “ . . . called by some the smartest man in the department, told me personally that he did not believe that Smithe is guilty of the spectacular murders and that he fears the premature arrest could destroy Smithe’s burgeoning career with the welfare department . . .” “Burgeoning career? TV people shouldn’t be allowed to use big words,” Lucas muttered. “So now what?” Daniel asked angrily. “How in the hell could you do this?” “I didn’t know I was,” Lucas said mildly. “I thought we were having a personal conversation.” “I told you that your dick was going to get you in trouble with that woman,” Daniel said. “What the hell am I going to tell Lester? He’s been out there in front of the cameras making his case and you’re talking to this puss behind his back. You cut his legs out from under him. He’ll be after your head.” “Tell him you’re suspending me. What’s bad? Two weeks? Then I’ll appeal to the civil-service board. Even if the board okays the suspension, it’ll be months from now. We should be able to put it off until this thing is settled, one way or another.” “Okay. That might do it.” Daniel nodded and then laughed unpleasantly, shaking his head. “Christ, I’m glad that wasn’t me getting grilled. You better get out of here before Lester arrives or we’ll be busting him for assault.” At two o’clock in the morning the telephone rang. Lucas looked up from the drawing table where he was working on Everwhen, reached over, and picked it up. “Hello?” “Still mad?” Jennifer asked. “ You bitch. Daniel’s suspending me. I’m giving interviews to everybody except you guys, you can go suck—” “Nasty, nasty—” He slammed the receiver back on the hook. A moment later the phone rang again. He watched it like a cobra, then picked it up, unable to resist. “I’m coming over,” she said, and hung up. Lucas reached for it, to call her, to tell her not to come, but stopped with his hand on the receiver. Jennifer wore a black leather jacket, jeans, black boots, and driving
”
”
John Sandford (Rules Of Prey (Lucas Davenport, #1))