Yossarian Quotes

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They're trying to kill me," Yossarian told him calmly. No one's trying to kill you," Clevinger cried. Then why are they shooting at me?" Yossarian asked. They're shooting at everyone," Clevinger answered. "They're trying to kill everyone." And what difference does that make?
Joseph Heller (Catch-22)
There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle. "That's some catch, that Catch-22," he observed. "It's the best there is," Doc Daneeka agreed.
Joseph Heller (Catch-22)
From now on I'm thinking only of me." Major Danby replied indulgently with a superior smile: "But, Yossarian, suppose everyone felt that way." "Then," said Yossarian, "I'd certainly be a damned fool to feel any other way, wouldn't I?
Joseph Heller (Catch-22)
Where were you born?" "On a battlefield," [Yossarian] answered. "No, no. In what state were you born?" "In a state of innocence.
Joseph Heller (Catch-22)
Morale was deteriorating and it was all Yossarian's fault. The country was in peril; he was jeopardizing his traditional rights of freedom and independence by daring to exercise them.
Joseph Heller (Catch-22)
You have deep-seated survival anxieties. And you don't like bigots, bullies, snobs or hypocrites. Subconsciously there are many people you hate." "Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously.
Joseph Heller (Catch-22)
You have a morbid aversion to dying. You probably resent the fact that you're at war and might get your head blown off any second." "I more than resent it, sir. I'm absolutely incensed." "You have deep-seated survival anxieties. And you don't like bigots, bullies, snobs, or hypocrites. Subconsciously there are many people you hate." "Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously." "You're antagonistic to the idea of being robbed, exploited, degraded, humiliated, or deceived. Misery depresses you. Ignorance depresses you. Persecution depresses you. Violence depresses you. Corruption depresses you. You know, it wouldn't surprise me if you're a manic-depressive!" "Yes, sir. Perhaps I am." "Don't try to deny it." "I'm not denying it, sir," said Yossarian, pleased with the miraculous rapport that finally existed between them. "I agree with all you've said.
Joseph Heller (Catch-22)
Sure, that's what I mean,' Doc Daneeka said. 'A little grease is what makes this world go round. One hand washes the other. Know what I mean? You scratch my back, I'll scratch yours.' Yossarian knew what he meant. That's not what I meant,' Doc Daneeka said, as Yossarian began scratching his back.
Joseph Heller (Catch-22)
To Yossarian, the idea of pennants as prizes was absurd. No money went with them, no class privileges. Like Olympic medals and tennis trophies, all they signified was that the owner had done something of no benefit to anyone more capably than everyone else.
Joseph Heller (Catch-22)
What would they do to me," he asked in confidential tones, "if I refused to fly them?" We'd probably shoot you," ex-P.F.C. Wintergreen replied. We?" Yossarian cried in surprise. "What do you mean, we? Since when are you on their side?" If you're going to be shot, whose side do you expect me to be on?" ex-P.F.C. Wintergreen retorted
Joseph Heller (Catch-22)
I’m not running away from my responsibilities. I’m running to them. There’s nothing negative about running away to save my life.
Joseph Heller (Catch-22)
Who's they?" He wanted to know. "Who, specifically, do you think is trying to murder you?" "Every one of them," Yossarian told him. "Every one of whom?" "Every one of whom do you think?" "I haven't any idea." "Then how do you know they aren't?" "Because..." Clevinger sputtered, and turned speechless with frustration. Clevinger really thought he was right, but Yossarian had proof, because strangers he didn't know shot at him with cannons every time he flew up into the air to drop bombs on them, and it wasn't funny at all.
Joseph Heller (Catch-22)
History did not demand Yossarian's premature demise, justice could be satisfied without it, progress did not hinge upon it, victory did not depend on it. That men would die was a matter of necessity; WHICH men would die, though, was a matter of circumstance, and Yossarian was willing to be the victim of anything but circumstance. But that was war. Just about all he could find in its favor was that it paid well and liberated children from the pernicious influence of their parents.
Joseph Heller (Catch-22)
The enemy," retorted Yossarian with weighted precision, "is anybody who's going to get you killed, no matter which side he's on, and that includes Colonel Cathcart. And don't you forget that, because the longer you remember it, the longer you might live.
Joseph Heller (Catch-22)
But Yossarian knew he was right, because, as he explained to Clevinger, to the best of his knowledge he had never been wrong.
Joseph Heller (Catch-22)
Actually there were many officers' clubs that Yossarian had not helped build, but he was proudest of the one on Pianosa. It was a sturdy and complex monument to his powers of determination. Yossarian never went there to help until it was finished; then he went there often, so pleased was he with the large , fine, rambling shingled building. It was a truly splendid building, and Yossarian throbbed with a mighty sense of accomplishment each time he gazed at it and reflected that none of the work that had gone into it was his.
Joseph Heller (Catch-22)
Yossarian decided to change the subject. "Now you're changing the subject." he pointed out diplomatically. "I'll bet I can name two things to be miserable about for every one you can name to be thankful for.
Joseph Heller (Catch-22)
It was love at first sight. The first time Yossarian saw the chaplain he fell madly in love with him.
Joseph Heller
What the hell are you getting so upset about?' he asked her bewilderedly in a tone of contrive amusement. 'I thought you didn't believe in God.' I don't,' she sobbed, bursting violently into tears. 'But the God I don't believe in is a good God, a just God, a merciful God. He's not the mean and stupid God you make Him to be.' Yossarian laughed and turned her arms loose. 'Let's have a little more religious freedom between us,' he proposed obligingly. 'You don't believe in the God you want to, and I won't believe in the God I want to . Is that a deal?
Joseph Heller (Catch-22)
...'You haven't got a chance kid,' he had told him glumly. 'They hate Jews.' 'But I'm not Jewish,' answered Clevinger. 'It will make no difference,' Yossarian promised, and Yossarian was right. 'They're after everybody.
Joseph Heller (Catch-22)
[Chief White Halfoat:] Racial prejudice is a terrible thing, Yossarian. It really is. It's a terrible thing to treat a decent, loyal Indian like a nigger, kike, wop, or spic.
Joseph Heller (Catch-22)
Good God, how much reverence can you have for a Supreme Being who finds it necessary to include tooth decay in His divine system of creation? Why in the world did He ever create pain?' 'Pain?' Lieutenant Shiesskopf's wife pounced upon the word victoriously. 'Pain is a warning to us of bodily dangers.' 'And who created the dangers?' Yossarian demanded. 'Why couldn't He have used a doorbell to notify us, or one of His celestial choirs? Or a system of blue-and-red neon tubes right in the middle of each person's forehead?' 'People would certainly look silly walking around with red neon tubes right in the middle of their foreheads.' 'They certainly look beautiful now writhing in agony, don't they?
Joseph Heller (Catch-22)
There was a click and then nothing CALL DISCONECTED flashed on the digital display. "NO! NO!" Clary hit the redial button, her fingers trembling. Simon picked up immediatly. "Sorry. Yossarian scratched me and I dropped the phone.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I’m cold,' Snowden said softly, 'I’m cold.' 'You’re going to be all right, kid,' Yossarian reassured him with a grin. 'You’re going to be all right.' 'I’m cold,' Snowden said again in a frail, childlike voice. 'I’m cold.' 'There, there,' Yossarian said, because he did not know what else to say. 'There, there.' 'I’m cold,' Snowden whimpered. 'I’m cold.' 'There, there. There, there.
Joseph Heller (Catch-22)
Nurse Duckett found Yossarian wonderful and was already trying to change him.
Joseph Heller
When I was a kid," Orr replied, "I used to walk around all day with crab apples in my cheeks. One in each cheek." ... A minute passed. "Why?" [Yossarian] found himself forced to ask finally. Orr tittered triumphantly. "Because they're better than horse chestnuts... When I couldn't get crab apples," Orr continued, "I used horse chestnuts. Horse chestnuts are about the same size as crab apples and actually have a better shape, although the shape doesn't matter a bit." "Why did you walk around with crab apples in your cheeks?" Yossarian asked again. "That's what I asked." "Because they've got a better shape than horse chestnuts," Orr answered. "I just told you that." "Why," swore Yossarian at him approvingly, "you evil-eyed, mechanically aptituded, disaffiliated son of a bitch, did you walk around with anything in your cheeks?" "I didn't," Orr said, "walk around with anything in my cheeks. I walked around with crab applies in my cheeks. When I couldn't get crab apples I walked around with horse chestnuts. In my cheeks.
Joseph Heller (Catch-22)
So many things were testing his faith. There was the Bible, of course, but the Bible was a book, and so were Bleak House, Treasure Island, Ethan Frome and The Last of the Mohicans. Did it then seem probable, as he had once overheard Dunbar ask, that the answers to riddles of creation would be supplied by people too ignorant to understand the mechanics of rainfall? Had Almighty God, in all His infinite wisdom, really been afraid that men six thousand years ago would succeed in building a tower to heaven?
Joseph Heller (Catch-22)
Yossarian was cold, too, and shivering uncontrollably. He felt goose pimples clacking all over him as he gazed down despondently at the grim secret Snowden had spilled all over the messy floor. It was easy to read the message in his entrails. Man was matter, that was Snowden's secret. Drop him out a window and he'll fall. Set fire to him and he'll burn. Bury him and he'll rot, like other kinds of garbage. The spirit gone, man is garbage. That was Snowden's secret. Ripeness was all. I'm cold,' Snowden said. 'I'm cold.
Joseph Heller (Catch-22)
They were the most depressing group of people Yossarian had ever been with. They were always in high spirits.
Joseph Heller
The captain was a good chess player, and the games were always interesting. Yossarian had stopped playing chess with him because the games were so interesting they were foolish.
Joseph Heller
And don't tell me God works in mysterious ways," Yossarian continued, hurtling on over her objection. "There's nothing so mysterious about it. He's not working at all. He's playing. Or else He's forgotten all about us. That's the kind of God you people talk about - a country bumpkin, a clumsy, bungling, brainless, conceited, uncouth hayseed.
Joseph Heller (Catch-22)
After he made up his mind to spend the rest of the war in the hospital, Yossarian wrote letters to everyone he knew saying that he was in the hospital but never mentioning why. One day he had a better idea. To everyone he knew he wrote that he was going on a very dangerous mission. "They asked for volunteers. It's very dangerous, but someone has to do it. I'll write you the instant I get back." And he had not written anyone since.
Joseph Heller (Catch-22)
Yossarian marveled that children could suffer such barbaric sacrifice without evincing the slightest hint of fear or pain. He took for granted that they did submit so stoically. If not, he reasoned, the custom would certainly have died, for no craving for wealth or immortality could be so great, he felt, as to subsist on the sorrow of children.
Joseph Heller (Catch-22)
He found Luciana sitting alone at a table in the Allied officers' night club, where the drunken Anzac major who had brought her there had been stupid enough to desert her for the ribald company of some singing comrades at the bar. "All right, I'll dance with you," she said, before Yossarian could even speak. "But I won't let you sleep with me." "Who asked you?" Yossarian asked her. "You don't want to sleep with me?" she exclaimed with surprise. "I don't want to dance with you.
Joseph Heller (Catch-22)
Her own body was such a familiar and unremarkable thing to her that she was puzzled by the convulsive ecstasy men could take from it, by the intense and amusing need they had merely to touch it, to reach out urgently and press it, squeeze it, pinch it, rub it. She did not understand Yossarian's lust; but she was willing to take is word for it.
Joseph Heller
Yossarian - the very sight of the name made Colonel Cathcart shudder. There were so many esses in it. It just had to be subversive. It was like the word "subversive" itself. It was like "seditious" and "insidious" too, and like "socialist," "suspicious," "fascist" and "Communist." It was an odious, alien, distasteful name, a name that just did not inspire confidence.
Joseph Heller (Catch-22)
That's some catch, that Catch-22,' he observed. 'It's the best there is,' Doc Daneeka agreed. Yossarian saw it clearly in all its spinning reasonableness. There was an elliptical precision about its perfect pairs of parts that was graceful and shocking, like good modern art, and at times Yossarian wasn't quite sure that he saw it at all, just the way he was never quite sure about good modern art…
Joseph Heller (Catch-22)
Know what I mean? You scratch my back, I’ll scratch yours.” Yossarian knew what he meant. “That’s not what I meant,” Doc Daneeka said as Yossarian began scratching his back.
Joseph Heller (Catch-22)
How do you feel Yossarian?" "Fine. No, I'm very frightened." "That's good," said Major Danby. "It proves you're still alive. It won't be fun." Yossarian started out. "Yes it will.
Joseph Heller (Catch-22)
Yossarian was in love with the maid in the lime-colored panties because she seemed to be the only woman left he could make love to without falling in love with.
Joseph Heller (Catch-22)
Hungry Joe was crazy, and no one knew it better than Yossarian, who did everything he could to help him. Hungry Joe just wouldn’t listen to Yossarian. Hungry Joe just wouldn’t listen because he thought Yossarian was crazy
Joseph Heller (Catch-22)
Doc Daneeka was Yossarian's friend and would do just about nothing in his power to help him.
Joseph Heller (Catch-22)
Oh, they're there all right," Orr had assured him about the flies in Appleby's eyes after Yossarian's fist fight in the officers' club, "although he probably doesn't even know it. That's why he can't see things as they really are." "How come he doesn't know it?" inquired Yossarian. "Because he's got flies in his eyes," Orr explained with exaggerated patience. "How can he see he's got flies in his eyes if he's got flies in his eyes?
Joseph Heller (Catch-22)
Last night in the latrine. Didn't you whisper that we couldn't punish you to that other dirty son of a bitch we don't like? What's his name?" "Yossarian, sir," Lieutenant Scheisskopf said. "Yes, Yossarian. That's right. Yossarian. Yossarian? Is that his name? Yossarian? What the hell kind of a name is Yossarian?" Lieutenant Scheisskopf had the facts at his finger tips. "It's Yossarian's name, sir," he explained.
Joseph Heller (Catch-22)
This is our siblings of more famous BookWorld Personalities self-help group expalined Loser (Gatsby). That's Sharon Eyre, the younger and wholly disreputable sister of Jane; Roger Yossarian, the draft dodger and coward; Rupert Bond, still a virgin and can't keep a secret; Tracy Capulet, who has slept her way round Verona twice; and Nancy Potter, who is a Muggle.
Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
Help!' he shrieked shrilly in a voice strangling in its own emotion, as the policemen carried him to the open doors in the rear of the ambulance and threw him inside. 'Police! Help! Police!' The doors were shut and bolted, and the ambulance raced away. There was a humorless irony in the ludicrous panic of the man screaming for help to the police while policemen were all around him. Yossarian smiled wryly at the futile and ridiculous cry for aid, then saw with a start that the words were ambiguous, realized with alarm that they were not perhaps, intended as a call for police but as a heroic warning from the grave by a doomed friend to everyone who was not a policeman with a club and gun and a mob of other policemen with clubs and guns to back him up. 'Help! Police!' the man had cried, and he could have been shouting of danger.
Joseph Heller (Catch-22)
In short, he was a dope. He often looked to Yossarian like one of those people hanging around modern museums with both eyes together on one side of a face. It was an illusion, of course, generated by Clevinger's predilection for staring fixedly at one side of a question and never seeing the other side at all.
Joseph Heller (Catch-22)
Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously.
Joseph Heller (Catch-22)
His heart cracked, and he fell in love. He wondered if she would marry him. “Tu sei pazzo,” she told him with a pleasant laugh. “Why am I crazy?” he asked. “Perché non posso sposare.” “Why can’t you get married?” “Because I am not a virgin,” she answered. “What has that got to do with it?” “Who will marry me? No one wants a girl who is not a virgin.” “I will. I’ll marry you.” “Ma non posso sposarti.” “Why can’t you marry me?” “Perché sei pazzo.” “Why am I crazy?” “Perché vuoi sposarmi.” Yossarian wrinkled his forehead with quizzical amusement. “You won’t marry me because I’m crazy, and you say I’m crazy because I want to marry you? Is that right?” “Si.” “Tu sei pazz’!” he told her loudly. “Perché?” she shouted back at him indignantly, her unavoidable round breasts rising and falling in a saucy huff beneath the pink chemise as she sat up in bed indignantly. “Why am I crazy?” “Because you won’t marry me.” “Stupido!” she shouted back at him, and smacked him loudly and flamboyantly on the chest with the back of her hand. “Non posso sposarti! Non capisci? Non posso sposarti.” “Oh, sure, I understand. And why can’t you marry me?” “Perché sei pazzo!” “And why am I crazy?” “Perché vuoi sposarmi.” “Because I want to marry you. Carina, ti amo,” he explained, and he drew her gently back down to the pillow. “Ti amo molto.” “Tu sei pazzo,” she murmured in reply, flattered. “Perché?” “Because you say you love me. How can you love a girl who is not a virgin?” “Because I can’t marry you.” She bolted right up again in a threatening rage. “Why can’t you marry me?” she demanded, ready to clout him again if he gave an uncomplimentary reply. “Just because I am not a virgin?” “No, no, darling. Because you’re crazy.
Joseph Heller (Catch-22)
Yossarian's attitude toward his roommates turned merciful and protective at the mere recollection of Captain Black. It was not their fault that they were young and cheerful, he reminded himself as he carried the swinging beam of his flashlight back through the darkness. He wished that he could be young and cheerful, too. And it wasn't their fault that they were courageous, confident and carefree. He would just have to be patient with them until one or two were killed and the rest wounded, and then they would all turn out okay.
Joseph Heller (Catch-22)
As far back as Yossarian could recall, he explained to Clevinger with a patient smile, somebody was always hatching a plot to kill him. There were people who cared for him and people who didn't, and those who hated him were out to get him. They hated him because he was Assyrian. But they couldn't touch him, he told Clevinger, because he had a sound mind in a pure body and was as strong as an ox. They couldn't touch him because he was Tarzan, Mandrake, Flash Gordon. He was Bill Shakespeare. He was Cain, Ulysses, the Flying Dutchman; he was Lot in Sodom, Deirdre of the Sorrows, Sweeney in the nightingales among trees. He was miracle ingredient Z-247. He was - Crazy!" Clevinger interrupted, shrieking. "That's what you are! Crazy!" "immense. I'm a real slam-bang, honest-to-goodness, three-fisted humdinger. I'm a bona fide Supraman." "Superman?" Clevinger cried. "Superman?" Supraman," Yossarian corrected.
Joseph Heller (Catch-22)
The first time Yossarian saw the chaplain he fell madly in love with him.
Joseph Heller (Catch-22)
The dead man in Yossarian's tent was a pest, and Yossarian didn't like him, even though he had never seen him. Having him laying around all day annoyed Yossarian so much that he had gone to the orderly room several times to complain to Sergeant Towser, who refused to admit that the dead man even existed, which, of course, he no longer did.
Joseph Heller (Catch-22)
The enemy," retorted Yossarian with weighted precision, "is anybody who's going to get you killed, no matter which side he's on
Joseph Heller (Catch-22)
Yossarian attended the education sessions because he wanted to find out why so many people were working so hard to kill him.
Joseph Heller (Catch-22)
You pompous, rotund, neighborly, vacuous, complacent... - Yossarian
Joseph Heller (Catch-22)
It was love at first sight. The first time Yossarian say the chaplain he fell madly in love with him.
Joseph Heller (Catch-22)
It was truly a splendid structure, and Yossarian throbbed with a mighty sense of accomplishment each time he gazed at it and reflected that none of the work that had gone into it was his.
Joseph Heller (Catch-22)
This stuff is better than cotton candy, really it is. It’s made out of real cotton. Yossarian, you’ve got to help me make the men eat it. Egyptian cotton is the finest cotton in the world.
Joseph Heller (Catch-22 (SparkNotes Literature Guide Series))
I only raped her once,” he explained. Yossarian was aghast. “But you killed her, Aarfy! You killed her!” “Oh, I had to do that after I raped her,” Aarfy replied in his most condescending manner.
Joseph Heller (Catch-22)
Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle. 'That's some catch, that Catch-22,' he observed. 'It's the best there is,' Doc Daneeka agreed. Yossarian saw it clearly in all its spinning reasonableness. There was an elliptical precision about its perfect pairs of parts that was graceful and shocking, like good modern art, and at times Yossarian wasn't quite sure he saw it at all, just the way he was never quite sure about good modern art or about the flies Orr saw in Appleby's eyes. he had Orr's word to take for Appleby's eyes.
Joseph Heller (Catch-22)
Clevinger really thought he was right, but Yossarian had proof, because strangers he didn't know shot at him with cannons every time he flew up into the air to drop bombs on them, and it wasn't funny at all
Joseph Heller
Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle. "That's some catch, that Catch-22," he observed. "It's the best there is," Doc Daneeka agreed.
Joseph Heller (Catch-22)
He loved her manner of sleepy acquiescence when they lay on the beach at dusk. He drew solace and sedation from her nearness. He had a craving to touch her always, to remain always in physical communication. He liked to encircle her ankle loosely with his fingers...to lightly and lovingly caress the downy skin of her fair, smooth thigh with the backs of his nails or dreamily, sensuously, almost unconsciously, slide his proprietary, respectful hand up the shell-like ridge of her spine... ...she was puzzled by the convulsive ecstasy men could take from [her body], by the intense and amazing need they had merely to touch it, to reach out urgently and press it, squeeze it, rub it... ...It thrilled Nurse Duckett rapturously that Yossarian could not keep his hand off her when they were together. She loved to look at his wide, long, sinewy back with its bronzed, unblemished skin. She loved to bring him to flame instantly by taking his whole ear in her mouth suddenly and running her hand down his front all the way. She loved to make him burn and suffer till dark, then satisfy him. Then kiss him adoringly because she had brought him such bliss.
Joseph Heller (Catch-22)
And don't tell me God works in mysterious ways," Yossarian continued. … "There's nothing mysterious about it, He's not working at all. He's playing. Or else He's forgotten all about us. That's the kind of God you people talk about, a country bumpkin, a clumsy, bungling, brainless, conceited, uncouth hayseed. Good God, how much reverence can you have for a Supreme Being who finds it necessary to include such phenomena as phlegm and tooth decay in His divine system of Creation? What in the world was running through that warped, evil, scatological mind of His when He robbed old people of the power to control their bowel movements? Why in the world did He ever create pain?
Joseph Heller (Catch-22)
A distant warm look entered Major Danby's eyes. "It must be nice to live like a vegetable," he conceded wistfully. "It's lousy," answered Yossarian. "No, it must be very pleasant to be free from all this doubt and pressure," insisted Major Danby. "I think I'd like to live like a vegetable and make no important decisions." "What kind of vegetable, Danby?" "A cucumber or a carrot." "What kind of a cucumber? A good one or a bad one?" "Oh, a good one, of course." "They'd cut you off in your prime and slice you up for a salad." Major Danby's face fell. "A poor one, then." "They'd let you rot and use you for fertilizer to help the good ones grow." "I guess I don't want to live like a vegetable, then," said Major Danby with a smile of sad resignation.
Joseph Heller (Catch-22)
They were four clean-cut kids who were having lots of fun, and they were driving Yossarian nuts. He could not make them understand that he was a crotchety old fogey of twenty-eight, that he belonged to another generation, another era, another world, that having a good time bored him and was not worth the effort, and that they bored him, too. He could not make them shut up; they were worse than women. They had not brains enough to be introverted and repressed.
Joseph Heller (Catch-22)
Only a fraction of his countrymen would give up their lives to win it (the war), and it was not his ambition to be among them. To die or not to die, that was the question, and Clevinger grew limp trying to answer it. History did not demand Yossarian's premature demise, justice could be satisfied without it, progress did not hinge upon it, victory did not depend on it. That men would die was a matter of necessity; which men would die, though, was a matter of circumstance, and Yossarian was willing to be the victim of anything but circumstance. But that was war. Just about all he could find in its favor was that it paid well and liberated children from the pernicious influence of their parents.
Joseph Heller (Catch-22)
Yossarian left money in the old woman’s lap—it was odd how many wrongs leaving money seemed to right—and
Joseph Heller (Catch-22)
Why,” swore Yossarian at him approvingly, “you evil-eyed, mechanicallyaptituded, disaffiliated son of a bitch, did you walk around with anything in your cheeks?
Joseph Heller (Catch-22)
Yossarian wrinkled his forehead with quizzical amusement. “You won’t marry me because I’m crazy, and you say I’m crazy because I want to marry you? Is that right?
Joseph Heller (Catch-22)
The only thing going on was a war, and no one seemed to notice but Yossarian and Dunbar. And when Yossarian tried to remind people, they drew away from him and thought he was crazy.
Joseph Heller (Catch-22)
Yossarian was moved by such intense pity for his poverty that he wanted to smash his pale, sad, sickly face with his fist and knock him out of existence because he brought to mind all the pale, sad, sickly children in Italy that same night who needed haircuts and needed shoes and socks.
Joseph Heller (Catch-22)
Men,” Colonel Cargill began in Yossarian’s squadron, measuring his pauses carefully. “You’re American officers. The officers of no other army in the world can make that statement. Think about it.
Joseph Heller (Catch-22)
They began to invent humourless, glum jokes of their own and disastrous rumours about the destruction awaiting them at Bologna. Yossarian sidled up drunkenly to Colonel Korn at the officers' club one night to kid with him about the new Lepage gun that the Germans had moved in. 'What Lepage gun?' Colonle Korn inquired with curiousity. 'The new three-hundred-and-forty-four-millimeter Lepage glue gun,' Yossarian answered. 'It glues a whole formation of planes together in mid-air.' Colonel Korn jerked his elbow free from Yossarian's clutching fingers in startled affront. 'Let go of me, you idiot!' he cried out furiously, glaring with vindictive approval as Nately leaped upon Yossarian's back and pulled him away. 'Who is that lunatic anyway?' Colonel Cathcart chortled merrily. 'That's the man you made me give a medal to after Ferrara. You had me promote him to captain, too, remember? It serves you right.' Nately was lighter than Yossarian and had great difficulty maneuvering Yossarian's luching bulk across the room to an unoccupied table. 'Are you crazy?' Nately kept hissing with trepidation. 'That was Colonel Korn. Are you crazy?' Yossarian wanted another drink and promised to leave quietly if Nately bought him one. Then he made Nately bring him two more. When Nately finally coaxed him to the door, Captain Black came stomping in from outside, banging his sloshing shoes down hard on the wood floor and spilling water from his eaves like a high roof. 'Boy, are you bastards in for it!' he announced exuberantly, splashing away from the puddle forming at his feet. 'I just got a call from Colonel Korn. Do you know what they've got waiting for you at Bologna? Ha! Ha! They've got the new Lepage glue gun. It glues a whole formation of planes together in mid-air.' 'My God, it's true!' Yossarian shrieked, and collapsed against Nately in terror.
Joseph Heller (Catch-22)
Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland. For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city. When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. "I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. "It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someone would only tiptoe up to the map in the middle of the night and move the bomb line over Bologna. Can you imagine? You and I must be the only rational ones left." In the middle of the night Yossarian knocked on wood, crossed his fingers, and tiptoed out of his tent to move the bomb line up over Bologna.
Joseph Heller (Catch-22)
One hand washes the other. Know what I mean? You scratch my back, I’ll scratch yours.” Yossarian knew what he meant. “That’s not what I meant,” Doc Daneeka said as Yossarian began scratching his back.
Joseph Heller (Catch-22)
Appleby was as good at shooting crap as he was at playing Ping-Pong, and he was as good at playing Ping-Pong as he was at everything else. Everything Appleby did, he did well. Appleby was a fair-haired boy from Iowa who believed in God, Motherhood, and the American Way of Life, without ever thinking about any of them, and everybody who knew him liked him. "I hate that son of a bitch," Yossarian growled.
Joseph Heller
The only end in sight was Yossarian's own, and he might have remained in the hospital until doomsday had it not been for that patriotic Texan with his infundibuliform jowls and his lumpy, rumpleheaded, indestructible smile cracked forever across the front of his face like the brim of a black ten-gallon hat.
Joseph Heller (Catch-22)
Oh, don’t you worry about that,” Yossarian comforted him with a toneless snicker as the engines of the jeeps and ambulance fractured the drowsy silence and the vehicles in the rear began driving away backward.
Joseph Heller (Catch-22)
It was a vile and muddy war, and Yossarian could have lived without it—lived forever, perhaps. Only a fraction of his countrymen would give up their lives to win it, and it was not his ambition to be among them. To die or not to die, that was the question, and Clevinger grew limp trying to answer it. History did not demand Yossarian’s premature demise, justice could be satisfied without it, progress did not hinge upon it, victory did not depend on it. That men would die was a matter of necessity; which men would die, though, was a matter of circumstance, and Yossarian was willing to be the victim of anything but circumstance. But that was war. Just about all he could find in its favor was that it paid well and liberated children from the pernicious influence of their parents.
Joseph Heller (Catch-22)
Yossarian makes any attempts to excuse himself from the perilous missions then he is caught in Catch-22: if he flies he is crazy, and doesn't have to; but if he doesn't want to he must be sane and has to. That's some catch...
Joseph Heller (Catch-22)
Why,' swore Yossarian at him approvingly, 'you evil-eyed, mechanically-aptituded, disaffiliated son of a -----, did you walk around with anything in your cheeks?' 'I didn't,' Orr said, 'walk around with anything in my cheeks. I walked around with crab apples in my cheeks. When I couldn't get crab apples, I walked around with horse chestnuts. In my cheeks.
Joseph Heller (Catch-22)
The leader of this team of doctors was a dignified, solicitous gentleman who held one finger up directly in front of Yossarian and demanded, “How many fingers do you see?” “Two,” said Yossarian. “How many fingers do you see now?” asked the doctor, holding up two. “Two,” said Yossarian. “And how many now?” asked the doctor, holding up none. “Two,” said Yossarian. The doctor’s face wreathed with a smile. “By Jove, he’s right,” he declared jubilantly. “He does see everything twice.
Joseph Heller (Catch-22)
The soldier who saw everything twice nodded weakly and sank back on his bed. Yossarian nodded weakly too, eyeing his talented roommate with great humility and admiration. He knew he was in the presence of a master. His talented roommate was obviously a person to be studied and emulated. During the night, his talented roommate died, and Yossarian decided that he had followed him far enough.
Joseph Heller (Catch-22)
Havermeyer was a lead bombardier who never missed. Yossarian was a lead bombardier who had been demoted because he no longer gave a damn whether he missed or not. He had decided to live forever or die in the attempt, and his only mission each time he went up was to come down alive.
Joseph Heller (Catch-22)
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. “I’m cold,” Snowden had whimpered. “I’m cold.” “There, there,” Yossarian had tried to comfort him. “There, there.” They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
Joseph Heller (Catch-22)
There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle. “That’s some catch, that Catch-22,” he observed. “It’s the best there is,” Doc Daneeka agreed.
Joseph Heller (Catch-22)
You make the bribe big enough and they’ll find you. Just make sure you do everything right out in the open. Let everyone know exactly what you want and how much you’re willing to pay for it. The first time you act guilty or ashamed, you might get into trouble.” “I wish you’d come with me,” Milo remarked. “I won’t feel safe among people who take bribes. They’re no better than a bunch of crooks.” “You’ll be all right,” Yossarian assured him with confidence. “If you run into trouble, just tell everybody that the security of the country requires a strong domestic Egyptian-cotton speculating industry.
Joseph Heller (Catch-22)
I'm cold,' Snowden whimpered. 'I'm cold.' 'There, there,' Yossarian mumbled mechanically in a voice too low to be heard. 'There, there.' Yossarian was cold, too, and shivering uncontrollably. He felt goose pimples clacking all over him as he gazed down despondently at the grim secret Snowden had spilled all over the messy floor. It was easy to read the message in his entrails. Man was matter, that was Snowden's secret. Drop him out a window and he'll fall. Set fire to him and he'll burn. Bury him and he'll rot, like other kinds of garbage. The spirit gone, man is garbage. That was Snowden's secret. Ripeness was all.
Joseph Heller (Catch-22)
Clevinger really thought he was right, but Yossarian had proof, because strangers he didn’t know shot at him with cannons every time he flew up into the air to drop bombs on them, and it wasn’t funny at all. And if that wasn’t funny, there were lots of things that weren’t even funnier. There was nothing funny about living like a bum in a tent in Pianosa between fat mountains behind him and a placid blue sea in front that could gulp down a person with a cramp in the twinkling of an eye and ship him back to shore three days later, all charges paid, bloated, blue and putrescent, water draining out through both cold nostrils.
Joseph Heller (Catch-22)
Through the lavender gloom clouding the entrance of the operations tent, Yossarian glimpsed Chief White Halfoat, diligently embezzling whiskey rations, forging the signatures of nondrinkers and pouring off the alcohol with which he was poisoning himself into separate bottles rapidly in order to steal as much as he could before Captain Black roused himself with recollection and came hurrying over indolently to steal the rest himself.
Joseph Heller (Catch-22)
They'll have to try like hell to catch me this time. They will try like hell. And even if they don't find you, what kind of way is that to live? You'll always be alone, no one will ever be on your side, and you'll always live in danger of betrayal. I live that way now. But you can't just turn your back on all your responsibilities and run away from them, Major Danby insisted. It's such a negative mood. It's escapist. Yossarian laughed with buoyant scorn and shook his head. I'm not running away from my responsibilities. I'm running to them. There's nothing negative about running away to save my life." Hetson: As I said in class, a lot of critics find that moment too sentimental. An author ham-fistedly reaching in and injecting an amoral tale with a moral. An embarrassing betrayal of all the dark comedy that came before it. But me? I've always kind of liked it. It has such a nice, hopeful ring to it. Do you see my point?
Kevin Williamson
No one could recall who he was or what he had looked like, least of all Captain Piltchard and Captain Wren, who remembered only that a new officer had shown up at the operations tent just in time to be killed and who colored uneasily every time the matter of the dead man in Yossarian's tent was mentioned. The only one who might have seen Mudd, the men in the same plane, had all been blown to bits with him. Yossarian, on the other hand, knew exactly who Mudd was. Mudd was the unknown soldier who had never had a chance, for that was the only thing anyone ever did know about all the unknown soldiers - they never had a chance. They had to be dead.
Joseph Heller (Catch-22)
There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
Joseph Heller (Catch-22)
There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and he could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
Joseph Heller (Catch-22)
Good God, how much reverence can you have for a Supreme Being who finds it necessary to include such phenomena as phlegm and tooth decay in His divine system of creation? What in the world was running through that warped, evil, scatological mind of His when He robbed old people of the power to control their bowel movements? Why in the world did He ever create pain?' 'Pain?' Lieutenant Scheisskopf's wife pounced upon the word victoriously. 'Pain is a useful symptom. Pain is a warning to us of bodily dangers.' 'And who created the dangers?' Yossarian demanded. He laughed caustically. 'Oh, He was really being charitable to us when He gave us pain! Why couldn't He have used a doorbell instead to notify us, or one of His celestial choirs? Or a system of blue-and-red neon tubes right in the middle of each person's forehead. Any jukebox manufacturer worth his salt could have done that. Why couldn't He?' 'People would certainly look silly walking around with red neon tubes in the middle of their foreheads.' 'They certainly look beautiful now writhing in agony or stupefied with morphine, don't they?
Joseph Heller (Catch-22)
They [the dying in hospitals] did not blow up in mid-air like Kraft or the dead man in Yossarian's tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. […] They didn't take it out on the lam weirdly inside a cloud the way Clevinger had done. They didn't explode into blood and clotted matter. They didn't drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn't get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, bludgeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don't business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain't. There were no famines or floods. Children didn't suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn't stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh! accelerating at the rate of thirty-two feet per second to land with hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hair strawberry ice cream, bleeding, pink toes awry
Joseph Heller (Catch-22)
In short, Clevinger was one of those people with lots of intelligence and no brains, and everyone knew it except those who soon found it out. In short, he was a dope. He often looked to Yossarian like one of those people hanging around modern museums with both eyes together on one side of a face. It was an illusion, of course, generated by Clevinger’s predilection for staring fixedly at one side of a question and never seeing the other side at all. Politically, he was a humanitarian who did know right from left and was trapped uncomfortably between the two. He was constantly defending his Communist friends to his right-wing enemies and his right-wing friends to his Communist enemies, and he was thoroughly detested by both groups, who never defended him to anyone because they thought he was a dope. He was a very serious, very earnest and very conscientious dope. It was impossible to go to a movie with him without getting involved afterward in a discussion on empathy, Aristotle, universals, messages and the obligations of the cinema as an art form in a materialistic society. Girls he took to the theater had to wait until the first intermission to find out from him whether or not they were seeing a good or a bad play, and then found out at once. He was a militant idealist who crusaded against racial bigotry by growing faint in its presence. He knew everything about literature except how to enjoy it. Yossarian
Joseph Heller (Catch-22)
- Kad sam bio klinac – odvrati Orr – hodao sam po cijeli dan s divljim jabukama u ustima. S po jednom ispod svakog obraza. Yossarian odloži torbicu iz koje je počeo vaditi toaletne potrepštine, pa se sumnjičavo sav ukruti. Prođe jedna minuta. - A zašto? – nije mogao da najposlije ne zapita. Orr se slavodobitno naceri. - Zato što su bolje nego divlje kestenje – odgovori. Orr je klečao na podu šatora. Radio je bez predaha, rastavljao ventil, pomno rasprostirao sve sićušne djeliće, brojio ih i onda beskonačno proučavao svaki pojedini od njih, kao da nikad u životu nije vidio ništa ni približno slično, pa onda ponovo sastavljao cijeli mali mehanizam, pa opet, i opet, i opet, i opet, a da nije ni najmanje gubio strpljenje ni zanimanje, niti pokazivao znakove umora ni namjeru da ikad završi posao. Yossarian ga je promatrao kako se bakće, i bio je uvjeren da će biti prisiljen da ga ubije s predumišljajem ako ne bude prestao. Pogled mu pade na lovački nož koji je mrtvac objesio iznad okvira mreže protiv komaraca onoga dana kad je stigao. Nož je visio uz mrtvačevu praznu kožnu futrolu iz koje je Havermayer ukrao revolver. - Kad nisam mogao doći do divljih jabuka – nastavi Orr – uzimao sam divlje kestenove. Divlji kestenovi su otprilike iste veličine kao divlje jabuke i zapravo imaju bolji oblik, iako oblik nije uopće važan. - A zašto si nosio divlje jabuke u ustima? – upita ga iznova Yossarian. – To sam te pitao. - Zato što imaju bolji oblik nego divlji kestenovi – odgovori Orr – Upravo sam ti to sad rekao. - A zašto si ti – opsova Yossarian i zadivljeno – zlopogleđo, odrode i kučkin sine sa sklonošću za tehniku, nosio bilo šta u ustima? - Ja nisam nosio bilo šta u ustima – reče Orr – Ja sam nosio divlje jabuke u ustima. Kad nisam imao divlje jabuke, nosio sam divlje kestenove. U ustima. Orr se kesio. Yossarian odluči da šuti i šutio je. Orr je čekao. Yossarian je čekao dulje. - Po jedan ispod svakog obraza – reče Orr. - Zašto? Orr to jedva dočeka. - Kako zašto? Yossarian odmahnu glavom smješkajući se i ne hoteći dalje govoriti. - Nešto je čudno na ovom ventilu – razmišljaše Orr naglas. - Šta to? – priupita Yossarian. - Zato što sam htio… Yossarian je već znao. - Isuse Kriste! Zašto si htio… - … Da imam obraze kao jabuke. - … Da imaš obraze kao jabuke? – pripita Yossarian. - Htio sam da imam obraze kao jabuke – ponovi Orr. – Još dok sam bio klinac, htio sam da jednom imam obraze kao jabuke, pa sam odlučio da radim na tome dok ih ne dobijem, i bogami sam radio dok ih nisam dobio, a eto vidiš kako sam to postigao, noseći divlje jabuke u ustima po cijele dane. On se ponovo naceri. – Po jednu ispod svakog obraza. - A zašto si htio da imaš obraze kao jabuke? - Nisam ja htio da imam obraze kao jabuke – reče Orr. – Ja sam htio da imam velike obraze. Nije mi bilo toliko stalo do boje, samo sam htio da budu veliki. Radio sam na tome baš kao oni luđaci o kojima pišu u novinama kako po cijele dane stišću gumene lopte samo zato da ojačaju ruke. Zapravo sam i ja bio jedan od tih luđaka. I ja sam po cijele dane nosio u rukama lopte. - Zašto? - Kako zašto? - Zašto si po cijele dane nosio u rukama lopte? - Zato što su lopte… - poče Orr. - … Bolje nego divlje jabuke? Orr odmahnu glavom smijuckajući se. - Ja sam to radio zato da sačuvam svoj dobar glas, ako me tko uhvati kako nosim divlje jabuke u ustima. Kad sam imao lopte u rukama, mogao sam poricati da u ustima imam divlje jabuke. Kad god bi me tko zapitao zašto nosim u ustima divlje jabuke, samo bih otvorio šake i pokazao da nosim gumene lopte, a ne divlje jabuke, i da su mi u rukama, a ne u ustima. To je dobar izgovor. Ali nisam nikad znao jesam li ga jasno izložio, jer te ljudi prilično teško razumiju kad govoriš sa dvije divlje jabuke u ustima.
Joseph Heller