Yoshitomo Nara Quotes

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Anything with human form will resemble someone you know.
Yoshitomo Nara
Today I said, 'I really don't care.' Yesterday, in a similar situation, I said, 'It's none of your business?' Before that, it was 'What the hell are you trying to say?' And before that, 'Leave me alone' ...Sometimes I spit out words like 'Shit!' 'Damn!' 'Jesus!' The air vibrates and roars. If you listen closely, you can hear flames of anger. It is like a dragon belching out fire. Whenever I spit out these words, I feel a little better, and it helps a little, if just a little, to put out the fire.
Yoshitomo Nara
Here is how the harmful becomes profitable: That which yesterday was reviled today ends up in Urban Outfitters. The critic Rebecca Solnit has summarized it this way: 'Eat your heart out on a plastic tray,' say the Sex Pistols. Now, we know where to buy the tray and what the heart tastes like.
Josh Kun (Yoshitomo Nara: Nothing Ever Happens)
they found themselves drawn to Japanese references over and over: the deceptively innocent paintings of Yoshitomo Nara; Miyazaki anime like Kiki’s Delivery Service and Princess Mononoke; other, more adult anime like Akira and Ghost in the Shell, both of which Sam had loved; and of course, Hokusai’s Thirty-Six Views of Mount Fuji series, the first of which is The Great Wave.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
It was 1996, and the word “appropriation” never occurred to either of them. They were drawn to these references because they loved them, and they found them inspiring. They weren’t trying to steal from another culture, though that is probably what they did. Consider Mazer in a 2017 interview with Kotaku, celebrating the twentieth-anniversary Nintendo Switch port of the original Ichigo: kotaku: It is said that the original Ichigo is one of the most graphically beautiful low-budget games ever made, but its critics also accuse it of appropriation. How do you respond to that? mazer: I do not respond to that. kotaku: Okay…But would you make the same game if you were making it now? mazer: No, because I am a different person than I was then. kotaku: In terms of its obvious Japanese references, I mean. Ichigo looks like a character Yoshitomo Nara could have painted. The world design looks like Hokusai, except for the Undead level, which looks like Murakami. The soundtrack sounds like Toshiro Mayuzumi… mazer: I won’t apologize for the game Sadie and I made. [Long pause.] We had many references—Dickens, Shakespeare, Homer, the Bible, Philip Glass, Chuck Close, Escher. [Another long pause.] And what is the alternative to appropriation? kotaku: I don’t know. mazer: The alternative to appropriation is a world in which artists only reference their own cultures. kotaku: That’s an oversimplification of the issue. mazer: The alternative to appropriation is a world where white European people make art about white European people, with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world, don’t you? I’m terrified of that world, and I don’t want to live in that world, and as a mixed-race person, I literally don’t exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Koreatown, Los Angeles. And as any mixed-race person will tell you—to be half of two things is to be whole of nothing. And, by the way, I don’t own or have a particularly rich understanding of the references of Jewishness or Koreanness because I happen to be those things. But if Ichigo had been fucking Korean, it wouldn’t be a problem for you, I guess?
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
【V信83113305】:The Tokyo University of the Arts, or Geidai, stands as Japan's most prestigious national institution for the arts. Nestled in the cultural heart of Ueno, it has shaped the nation's artistic landscape since its founding in 1949. Geidai offers unparalleled training in fine arts, music, film, and traditional Japanese arts, fostering a unique environment where deep tradition converges with radical innovation. Its alumni include some of Japan's most celebrated artists, such as Takashi Murakami and Yoshitomo Nara, who have propelled the university's global reputation. More than just a school, Geidai is a vital custodian of cultural heritage and a dynamic incubator for avant-garde expression, continuously pushing the boundaries of creative possibility.,日本東京芸術大学毕业证仪式感|购买东京艺术大学学位证, 高端東京芸術大学东京艺术大学毕业证办理流程, 东京艺术大学毕业证, 办理日本毕业证, 修改東京芸術大学东京艺术大学成绩单电子版gpa让学历更出色, 哪里买东京艺术大学毕业证|東京芸術大学成绩单, 100%学历東京芸術大学东京艺术大学毕业证成绩单制作, 东京艺术大学毕业证成绩单学历认证最安全办理方式, 出售東京芸術大学东京艺术大学研究生学历文凭
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