Yorkshire Terrier Quotes

Everything is inspiration. If you look at the world as the incredible place it is, then each moment is a feast.

All anyone really needs to know about barbed wire is that it can tear the arse out of your trousers, give a cow a good fright, entangle a Yorkshire terrier for life, and is nasty stuff made by greedy men.

Our Yorkshire terrier, Prescott Peabody III, was getting up there in years, so he wasn’t as desperate for outside time as he used to be. He took so long to poop these days that I felt the desire to bring him a newspaper and a cup of coffee.

...of the 10 thopusand Indian soldiers and camp followers who went into captivity at Kut, as few as one third would live to see the war's end. ....Taken to Constantinople, he [Gen. Charles Townshend British Commander of forces surrendered at Kut] spent the remainder of the war in a pleasant villa on an island on the Bosporus, where he was given the use of a Turkish naval yachtand frequently attended diplomatic receptions at the Ottoman court. Joining him in Constantinople were his 3 prized Yorkshire terriers, pets that, despitethe mear-starvation co9nditionsin Kut, had weatheredthe ordeal quite nicely. (p. 178)

Wynne carried Smoky to the lawn outside, where he propped her into a GI helmet, to recreate the winning Yank Magazine image for the Red Cross photographer. But Smoky's tongue was hanging out exhaustedly, and it struck Wynne that she looked more like a dog-tired, war bitten soldier, than what she had been back then - namely, the gift that never stopped giving.

Este es uno de los objetivos de la comunicación acústica: avisar de un peligro que se cierne sobre el grupo, de manera que pueda organizarse una rápida defensa.

There was never any peace. There were never any quiet, family moments. They were always working. All of them, all the time. For some reason Michael saw an image of the sitting room at the house in Yorkshire. The TV was on, but there was no one watching it. The terrier was polishing off a plate of dinner that had been abandoned on the arm of the couch. That was the way their lives were. They hadn't sat down to a meal once since they arrived in Scotland. They were a dealer's yard, not a family.

It was also important that she think he liked her dog. It was not nearly so important that he actually did. Which was fortunate, really. Yorkshire Terriers were just so … sickeningly cute.

She haunted many a low resort, Round the grimy road of Tottenham Court. She flitted around the no man’s land From The Rising Sun to The Friend At Hand And the postman sighed as he scratched his head You really would have thought she ought to be dead And who would ever suppose that that Was Grizabella The Glamour Cat. And that was not all. There was a letter from Tom Eliot to his publisher Geoffrey Faber about an event which brought all the Pollicle Dogs and Jellicle Cats together who then ascended to the “Heaviside Layer” in a great big air balloon. There was even a couplet to go with it: “Up, up, up, past the Russell Hotel, / Up, up, up, to the Heaviside Layer.” So Eliot himself had an idea for a bigger structure for these poems, very vague, but it was there. I knew then that I had the bare bones of a stage musical. Most importantly Grizabella the Glamour Cat gave me a tragic character, a character who you would really care about. I asked Cameron and Gillie to join Valerie and Matthew, and the excitement was tangible. There were other poems too, the story of a parrot called Billy McCaw, who lived on the bar of an East End pub. There was the saga of a Yorkshire terrier called Little Tom Pollicle which was apparently Eliot’s nickname, and a long poem about a man in white spats who meets a casual diner in a pub called the Princess Louise and starts talking about “this’s and thats and Pollicle Dogs and Jellicle Cats.” I asked Valerie what the words “Pollicle” and “Jellicle” meant. She explained it was Eliot’s private joke about how the British upper class slurred the words “poor little dogs” and “dear little cats.” She also revealed that Eliot intended the “Princess Louise” poem, as we came to call it, to be the preface of a book about dogs and cats, but in the end cats prevailed. “The Awefull Battle of the

And that was not all. There was a letter from Tom Eliot to his publisher Geoffrey Faber about an event which brought all the Pollicle Dogs and Jellicle Cats together who then ascended to the “Heaviside Layer” in a great big air balloon. There was even a couplet to go with it: “Up, up, up, past the Russell Hotel, / Up, up, up, to the Heaviside Layer.” So Eliot himself had an idea for a bigger structure for these poems, very vague, but it was there. I knew then that I had the bare bones of a stage musical. Most importantly Grizabella the Glamour Cat gave me a tragic character, a character who you would really care about. I asked Cameron and Gillie to join Valerie and Matthew, and the excitement was tangible. There were other poems too, the story of a parrot called Billy McCaw, who lived on the bar of an East End pub. There was the saga of a Yorkshire terrier called Little Tom Pollicle which was apparently Eliot’s nickname, and a long poem about a man in white spats who meets a casual diner in a pub called the Princess Louise and starts talking about “this’s and thats and Pollicle Dogs and Jellicle Cats.” I asked Valerie what the words “Pollicle” and “Jellicle” meant. She explained it was Eliot’s private joke about how the British upper class slurred the words “poor little dogs” and “dear little cats.” She also revealed that Eliot intended the “Princess Louise” poem, as we came to call it, to be the preface of a book about dogs and cats, but in the end cats prevailed. “The Awefull Battle of the

I have known many breeds, — Irish Terriers, Airedales, Blue Bedlingtons, Collies, Spaniels, Yorkshires, English Bulldogs, — but it seems to me that the Scottish terrier has the most generous charm of all. Nature was liberal to him in giving him the heart of a big dog in a body so compact and small that he might be the perfect companion indoors and out.

This particular day in May, Fiona has slipped Thatch a note in the hallway between history and music class, a scrap of paper that says, simply, "cheesecake." Last week, she passed him notes that said "quiche" and "meatballs," and the week before it was "bread pudding" and "veal parmigiana." Most of the time the word is enticing enough to get him over right after school- for example, the veal parmigiana. Thatcher and Jimmy and Phil sat at Fiona's kitchen table throwing apples from the fruit bowl at one another and teasing the Kemps' Yorkshire terrier, Sharky, while Fiona, in her mother's frilly, flowered, and very queer-looking apron, dredged the veal cutlets in flour, dipped them in egg, dressed them with breadcrumbs, and then sautéed them in hot oil in her mother's electric frying pan. The boys really liked the frying part- there was something cool about meat in hot, splattering oil. But they lost interest during the sauce and cheese steps, and by the time Fiona slid the baking pan into the oven, Jimmy and Phil were ready to go home. Not Thatcher- he stayed until Fiona pulled the cheesy, bubbling dish from the oven and ate with Fiona and Dr. and Mrs. Kemp. His father worked late and his brothers were scattered throughout the neighborhood (his two older brothers could drive and many times they ate at the Burger King on Grape Road). Thatcher liked it when Fiona cooked; he liked it more than he would ever admit.