Yin To My Yang Love Quotes

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And I was your moon because I shined brighter than any other star in your universe and you were my darkness. Without you I could not see the depth of my light and with you I could set the night a glow. So we needed one another—the dark and the light. Your fear. My courage. Connected, but separated. Different, but the same. A synergy that made no sense, but every bit of sense. We were neither a beginning, nor an end. We were somewhere in between our madness at sunset and the reality we awakened to with each sunrise. We were the ghosts of timing and fate. We were neither fantasy, nor reality--- we were a purpose somewhere in between.
Shannon L. Alder
But what if I should discover that the least among them all, the poorest of all beggars, the most impudent of all offenders, yea the very fiend himself - that these are within me, and that I myself stand in need of my own kindness, that I myself am the enemy who must be loved - what then? Then, as a rule, the whole truth of Christianity is reversed: there is no more talk of love and long-suffering; we say to the brother within us, "Raca," and condemn and rage against ourselves. We hide him from the world; we deny ever having met this least among the lowly in ourselves, and had it been God himself who drew near to us in this despicable form, we should have denied him a thousand times before a single cock had crowed.
C.G. Jung
What should we do?", I asked, and I had a pained feeling I thought was the beginning of love. In those early months we clung to each other with a rather silly desperation, because, in spite of everything my mother or Mrs Jordan could say, there was nothing that really prevented us from seeing each other. With imagined tragedy hovering over us, we became inseparable, two halves creating the whole: yin and yang. I was victim to his hero. I was always in danger and he was always rescuing me. I would fall and he would lift me up. It was exhilarating and draining. The emotional effect of saving and being saved was addicting to both of us. And that, as much as anything we ever did in bed, was how we made love to each other: conjoined where my weaknesses needed protection.
Amy Tan (The Joy Luck Club)
Five years ago, I said vows. And I believe in vows. I meant them, and not just when I said them out loud for an audience to hear but as a motto and a life choice. For as long as we both shall live. I hadn't anticipated the sandy flow of feeling, the yin-yang of love and dread, or the residual buildup of grievances and the slow draining of the benefit of doubt. In good times and in bad. Yes, sure, but in my naivete, I interpreted this as external; we would support each other when the world imposed and intruded. No one tells you that it's the internal that's the real challenge: those moments of decisiveness equal to taking a vow, when you feel the clawing grip of your pormises.
Julie Buxbaum (After You)
It's all about yin and yang," she said, stroking my hair in her slow calming way, her voice as sweet and delicate as summer rain. "Balancing your energy. When you're angry or upset, stop for a moment and close your eyes. Breath in slowly. Imagine as you do that the air you take in is bright and golden, as lovely and light as your eyes. Let that brightness fill your belly. Then, when you exhale, picture the darkness that had been within you--whatever it was that upset you -- and visualize it leaving your body as you release your breath.
Natasha Ngan (Girls of Paper and Fire (Girls of Paper and Fire, #1))
Growing up is an unbecoming. My healing has been a peeling away of costume after costume until here I am, still and naked and unashamed before God, stripped down to my real identity. I have unbecome. And now I stand: Warrior. Undressed for battle. Strong and benevolent. Both yin and yang. Complete, not in need of completing. Sent to fight for everything worth having: truth, beauty, kindness, shamelessness, love. To march into pain and love with eyes and heart wide open, to stand in the wreckage and believe that my power, my love, my light, are stronger than the darkness. I know my name now. Love Warrior. I came from Love and I am Love and I will return to Love. Love casts out fear. A woman who has recovered her true identity as a Love Warrior is the most powerful force on earth. All the darkness and shame and pain in the world can’t defeat her.
Glennon Doyle Melton (Love Warrior)
I believe that everything that happens in life happens for a reason. I also believe that the God that lives inside me - to call it something - is in charge of giving me everything I am going to ever need. All of my joys and pains have made me who I am. They are the yin and yang of my existence, this inseparable duality of life that blends together and makes us the people we are destined to become. I have known love and loss, joy and sadness, friendship and betrayal. I have known a sense of success I never imagined possible; I have had to withstand the attacks and accusations of my detractors; and yes, I have also had failures. Today I know that every step has taught me something and helped me grow and become a better and stronger person - a more complete human being.
Ricky Martin (Me)
My okaasan would say, 'Water is Yin. Fire is Yang. And tea is a perfect expression of both.'" "Both?" Ernest asked politely. "Both sides of life, hot and cold, light and dark, not as opposites, but as complementary parts of each other," Fahn said, pausing, as though deep in thought. "Life is about balancing the good and the bad, the past and the present.
Jamie Ford (Love and Other Consolation Prizes)
He was the yin to my yang, the sparkly jumpsuit to my Elvis.
Brooke Moss (Baby & Bump (This & That Series, #1))
You are the yin to my yang
Ashanni Jospeh
There’s an ancient saying that humans and ghosts belong on separate paths, but in all my years, I’ve never seen two people so truly desperate to be together despite being separated by yin and yang.
Priest (Guardian: Zhen Hun (Novel) Vol. 3)
And the spaces that he never saw: the ones my parents had labeled private parts when I was still small enough to fit all of my self and worries inside a bathtub, I made up for them by handing over all the private parts of me. There was no secret I did not tell him, there was no moment we did not share. We didn't grow up, we grew in: like ivy wrapping, molding each other into perfect yins and yangs.
Sarah Kay (No Matter the Wreckage: Poems)
Love is both hard and soft. It is the most believable truth and fiction. It is something we fight for and fight with. It is the yin and yang. It is the most contradictory of emotions, making you believe in both the extraordinary existence of heaven and scorches of hell. If you allow it, a saturation of complexities can destroy it and leave you desperately choking for the remnants, clawing for a miniscule flake of ash of what you had . True love is a rare miracle held in the highest veneration. Blessed are those who even come close its illumination. Only those who are selflessly brave can become victorious and claim this exceptional phenomenon, if just for a memory in time.
S.V.C. Ricketts
Some men are born warriors. Their spirit and their character are forged for the fight...Others pick up arms because they see no other solution. They wield their swords to protect those they love, spurred by their sense of purpose and idealism but taking no pleasure in it. When the threat is defeated, they return to their homes, shed their uniforms, and return to their lives...Together, they formed the yin and yang of my platoon: the born soldier and the born citizen soldier.
Sean Parnell (Outlaw Platoon: Heroes, Renegades, Infidels, and the Brotherhood of War in Afghanistan)
I have again been asked to explain how one can "become a Daoists..." with all of the sad things happening in our world today, Laozi and Zhuangzi give words of advice, tho not necessarily to become a Daoist priest or priestess... " So many foreigners who want to become “Religious Daoists” 道教的道师 (道士) do not realize that they must not only receive a transmission of a Lu 籙 register which identifies their Daoist school, and learn as well how to sing the ritual melodies, play the flute, stringed instruments, drums, and sacred dance steps, required to be an ordained and functioning Daoist priest or priestess. This process usually takes 10 years or more of daily discipleship and practice, to accomplish. There are 86 schools and genre of Daoist rituals listed in the Baiyun Guan Gazeteer, 白雲觀志, which was edited by Oyanagi Sensei, in Tokyo, 1928, and again in 1934, and re-published by Baiyun Guan in Beijing, available in their book shop to purchase. Some of the schools, such as the Quanzhen Longmen 全真龙门orders, allow their rituals and Lu registers to be learned by a number of worthy disciples or monks; others, such as the Zhengyi, Qingwei, Pole Star, and Shangqing 正一,清微,北极,上请 registers may only be taught in their fullness to one son and/or one disciple, each generation. Each of the schools also have an identifying poem, from 20 or 40 character in length, or in the case of monastic orders (who pass on the registers to many disciples), longer poems up to 100 characters, which identify the generation of transmission from master to disciple. The Daoist who receives a Lu register (給籙元科, pronounced "Ji Lu Yuanke"), must use the character from the poem given to him by his or her master, when composing biao 表 memorials, shuwen 梳文 rescripts, and other documents, sent to the spirits of the 3 realms (heaven, earth, water /underworld). The rituals and documents are ineffective unless the correct characters and talismanic signature are used. The registers are not given to those who simply practice martial artists, Chinese medicine, and especially never shown to scholars. The punishment for revealing them to the unworthy is quite severe, for those who take payment for Lu transmission, or teaching how to perform the Jinlu Jiao and Huanglu Zhai 金籙醮,黃籙齋 科儀 keyi rituals, music, drum, sacred dance steps. Tang dynasty Tangwen 唐文 pronunciation must also be used when addressing the highest Daoist spirits, i.e., the 3 Pure Ones and 5 Emperors 三请五帝. In order to learn the rituals and receive a Lu transmission, it requires at least 10 years of daily practice with a master, by taking part in the Jiao and Zhai rituals, as an acolyte, cantor, or procession leader. Note that a proper use of Daoist ritual also includes learning Inner Alchemy, ie inner contemplative Daoist meditation, the visualization of spirits, where to implant them in the body, and how to summon them forth during ritual. The woman Daoist master Wei Huacun’s Huangting Neijing, 黃庭內經 to learn the esoteric names of the internalized Daoist spirits. Readers must be warned never to go to Longhu Shan, where a huge sum is charged to foreigners ($5000 to $9000) to receive a falsified document, called a "license" to be a Daoist! The first steps to true Daoist practice, Daoist Master Zhuang insisted to his disciples, is to read and follow the Laozi Daode Jing and the Zhuangzi Neipian, on a daily basis. Laozi Ch 66, "the ocean is the greatest of all creatures because it is the lowest", and Ch 67, "my 3 most precious things: compassion for all, frugal living for myself, respect all others and never put anyone down" are the basis for all Daoist practice. The words of Zhuangzi, Ch 7, are also deeply meaningful: "Yin and Yang were 2 little children who loved to play inside Hundun (ie Taiji, gestating Dao). They felt sorry because Hundun did not have eyes, or eats, or other senses. So everyday they drilled one hole, ie 2 eyes, 2 ears, 2 nostrils, one mouth; and on the 7th day, Hundun died.
Michael Saso
MY GOALS MOSTLY involved maintaining normalcy and stability, but those would never be Barack’s. We’d grown better about recognizing this and letting it be. One yin, one yang. I craved routine and order, and he did not. He could live in the ocean; I needed the boat. When he was present at home, he was at least impressively present, playing on the floor with the girls, reading Harry Potter out loud with Malia at night, laughing at my jokes and hugging me, reminding us of his love and steadiness before vanishing again for another half a week or more.
Michelle Obama (Becoming)
She made her way to her favorite area of the daycare. The smaller of the two playrooms' aesthetic was a nod to her Frenchie's white-and-black piebald coat, with splashes of purple to add a royal flare. Portraits of Duchess hung on the walls in gilded frames. Was it a bit over the top? Absolutely. But when it came to her baby there was no top. Seconds after she entered the room, Ashanti was bombarded by a cadre of feisty canines with Napoleon complexes. This is what she missed the most. Having to devote so much time to baking, she didn't get to play with the dogs nearly as much as she wanted to. "Hey, Lulu and Sparkle," she greeted the Pomeranians, giving each dog one of the dime-sized treats from her pocket. "And how is my favorite Chihuahua," she called to Bingo, who had been coming to the daycare since the first week it opened. She followed the treats with quick head rubs for each dog, then went in search of Duchess. "Where's my dog?" Ashanti asked Leslie, who was running the Parkers' Cavalier King Charles through the agility maze. Leslie gestured to cushioned mats in the corner. Ashanti walked over and found Duchess hugged up next to Puddin'. The two lay in a yin-yang pattern, with Duchess's head nestled against Puddin's chest, and her squat legs arcing around the puffy topknot atop the poodle's head. "Kara was right. You two really do need a room." At the sound of her voice, Duchess's stubby tail started wagging like a windshield wiper gone haywire, but she still didn't move away from Puddin'. "If you don't get over here," Ashanti said. She reached down and lifted Duchess into her arms. "Don't forget who keeps you in tiaras and rawhide," she said, nuzzling the dog's flat nose with her own.
Farrah Rochon (Pardon My Frenchie)
You are the sun to my moon, the yin to my yang, the white to my black, the good to my bad.
Emmanuelle Snow (Pink and Country (Carter Hills Band #2-3; Carter Hills Band Universe #1))
We advertise good friendships as part of the Complete Teenage Experience, because good friendships make for great stories. Content creators romanticize adolescent friendships the same way Hallmark movies treat love: there is a lid for every pot, a yin for every yang, and a savior for every screwup. Turn on any Netflix original movie about teenagers or read any great YA book, and you will see that the perfect sidekick (funny! supportive! quirky! endlessly loyal!) is a fixture in each teen’s life. In reality, middle school friendships play out less like Netflix originals, and more like those toy commercials that came on during Saturday morning cartoons when we were kids. As an only child, I remember yearning to have the same fun those kids were having, begging my parents for the Barbie Jeep or Hot Wheels Track until they gave in. But soon after ripping the toy from its packaging, I came to the stark realization that it was nothing like advertised. Those kids were only pretending to have fun, the set designers made the toys seem infinitely cooler than they actually were, and more often than not, we didn’t even have the right-sized batteries. What a colossal disappointment! Especially when those kids on TV looked like they were having the time of their lives.
Michelle Icard (Fourteen Talks by Age Fourteen: The Essential Conversations You Need to Have with Your Kids Before They Start High School)
there is no context in which my ego, if not fastidiously monitored, won’t run amok. It is extremely difficult to put aside a lifetime’s conditioning. The only way I can stay drug free is one day at a time, with vigilance, humility, and support. My tendency is still, after eleven years, to drift towards oblivion. My appetite for attention too can only be positively directed with great care. Look out your window, turn on your TV, see which values are being promoted, which aspects of humanity are being celebrated. The alarm bells of fear and desire are everywhere; these powerful primal tools, designed to aid survival in a world unrecognizable to modern civilized humans, are relentlessly jangled. A facet of our unevolved nature—comparable to that which still craves sugar and fat, a relic from the days when it was scarce—is being pricked and jabbed and buzzed every time we see a billboard bikini or a Coca-Cola floozy. Our saber-toothed terrors and mammoth anxieties are being dragged up and strung out by shrill transmissions about immigrants, junkies, pit bulls, and cancer. Once I sat in that kundalini class, in white robes, cross-legged, with pan-piped serenity caressing the congregation as we meditated as one, and all I was really thinking about was if I should buy a gun. I was in America after all and you are allowed a gun. Have you ever held a Glock 38? It feels so cool in your hand. Even the word makes you feel tough. “Glock.” Tupac had one; Eminem loves them—I want one. Never mind all this hippie-dippie, yin–yang, Ramadan, green-juice bullshit; I want a gat, like Tupac. Of course, I think things like that; the messages that are broadcast on that frequency move fast and stick hard. Look at the state of the world. I didn’t buy one, though; my mum had to remind me that I’m a peace-loving lad and that if I had a gun in the house, the person most at risk would be me. The kundalini techniques worked: They advanced my mind, they tuned me in. How much more powerful these techniques would be if supported by a culture of spiritual evolution, not one of self-fortification.
Russell Brand (Revolution)
My Love, you are the Yin to the Yang of my life. ~Zaid Asha~
Zaid Asha
My love, you are the Yin to the Yang of my life.
Zaid Asha
Chimes at the Edge of Hearing (2011) Chimes in the heavens sound so fine, Whither does it go; how it chimes the time. Tumultuous river of colored tinselly sounds, Their music brasses forth, it has no bounds. Tinkle clackle tinke koo, How infinite the melody with notes so few. Chimes clanging silent at the edge of hearing, Does it not sound so jingly and endearing? Klankle ping chinkle cree, Quite the sound of discordant harmony. Pakkle kikkle ringly kat, Chimes echo out; they drift cackling back. A cacophony of clingles, pims and tinkle-ets, Chimes shinkle loud at the crescendo of their octets. Pakickle tamtankle jjingling kites, They fly into darkness on the clatter of midnight. Chimes symphonic at the coming black storm, Upon the shrieks their shimmering rrrings are born. Sounds and silences; the glistening chimes adorn, Haunting images of sounds so distant and forlorned. Cymbal they together; the sound of crackly glass, They remind of the times and rattles of the past. Metals on metals trinklelink clapping down the time, Their clittering rhythms broke, raw and refined. Concerto of jangles jinkles and dings, See their sound, how pleasant they dream. Off they go, winds klickle on smooth breeze, And chinkle and pinkle through my melodic tree. dlaurent
Douglas M. Laurent
I loved the difference in our height, build, and coloring. He was dark where I was light, the yin to my yang, the night to my day, and the sky to my sun---opposites, but equal and you couldn't have one without the other. He was mine, I was his, and we were us.
Aimee Nicole Walker (I Do, or Dye Trying (Curl Up and Dye Mysteries, #4))