Yellow Fellow Quotes

Old Tom Bombadil is a merry fellow, Bright blue his jacket is, and his boots are yellow. None has ever caught him yet, for Tom, he is the Master: His songs are stronger songs, and his feet are faster.

Clothes are nothing more than a fig leaf. And the bodies beneath are just another layer of clothing, an outfit of flesh with an impractically thin leather exterior, in various shades of pink, yellow and brown. The souls alone are real. Seen in this way, there can never be any such thing as social unease or shyness or embarrassment. All you need do is greet your fellow soul.

You might one day be offered the opportunity to display symbols of loyalty. Make sure that such symbols include your fellow citizens rather than exclude them. Even the history of lapel pins is far from innocent. In Nazi Germany in 1933, people wore lapel pins that said "Yes" during the elections and referendum that confirmed the one-party state. In Austria in 1938, people who had not previously been Nazis began to wear swastika pins. What might seem like a gesture of pride can be a source of exclusion. In the Europe of the 1930s and '40s, some people chose to wear swastikas, and then others had to wear yellow stars.

Oh, Anyone can make a quilt,' she said modestly. 'It's just scraps, from the clothes you've sewn.' 'Yes, but the talent is in joining the pieces, the way you have.' 'Look,' Om pointed, 'look at that - the poplin from our very first job.' 'You remember,' said Dina, pleased. 'And how fast you finished those first dresses. I thought I had two geniuses.' 'Hungry stomachs were driving our fingers,' chuckled Ishvar. 'Then came that yellow calico with orange strips. And what a hard time this young fellow gave me. Fighting and arguing about everything.' 'Me?Argue?Never.' ......... He steeped back, pleased with himself, as though he had elucidated an intricate theorem. 'So that's the rule to remember, the whole quilt is much more important than the square'.

Prayer seems to me a cry of weakness, and an attempt to avoid, by trickery, the rules of the game as laid down. I do not choose to admit weakness. I accept the challenge of responsibility. Life, as it is, does not frighten me, since I have made my peace with the universe as I find it, and bow to its laws. The ever-sleepless sea in its bed, crying out “how long?” to Time; million-formed and never motionless flame; the contemplation of these two aspects alone, affords me sufficient food for ten spans of my expected lifetime. It seems to me that organized creeds are collections of words around a wish. I feel no need for such. However, I would not, by word or deed, attempt to deprive another of the consolation it affords. It is simply not for me. Somebody else may have my rapturous glance at the archangels. The springing of the yellow line of morning out of the misty deep of dawn, is glory enough for me. I know that nothing is destructible; things merely change forms. When the consciousness we know as life ceases, I know that I shall still be part and parcel of the world. I was a part before the sun rolled into shape and burst forth in the glory of change. I was, when the earth was hurled out from its fiery rim. I shall return with the earth to Father Sun, and still exist in substance when the sun has lost its fire, and disintegrated into infinity to perhaps become a part of the whirling rubble of space. Why fear? The stuff of my being is matter, ever changing, ever moving, but never lost; so what need of denominations and creeds to deny myself the comfort of all my fellow men? The wide belt of the universe has no need for finger-rings. I am one with the infinite and need no other assurance.

For thirty years now I have been studying my fellow-men. I do not know very much about them. I should certainly hesitate to engage a servant on his face, and yet I suppose it is on the face that for the most part we judge the persons we meet. We draw our conclusions from the shape of the jaw, the look in the eyes, the contour of the mouth. I wonder if we are more often right than wrong. Why novels and plays are so often untrue to life is because their authors, perhaps of necessity, make their characters all of a piece. They cannot afford to make them self-contradictory, for then they become incomprehensible, and yet self-contradictory is what most of us are. We are a haphazard bundle of inconsistent qualities. In books on logic they will tell you that it is absurd to say that yellow is tubular or gratitude heavier than air; but in that mixture of incongruities that makes up the self yellow may very well be a horse and cart and gratitude the middle of the week. I shrug my shoulders when people tell me that their first impressions of a person are always right. I think they must have small insight or great vanity. For my own part I find that the longer I know people the more they puzzled me: my oldest friends are just these of whom I can say that I don't know the first thing about them.

ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

Half a mile from Haverstraw there lived a halfwit fellow, Half his house was brick and red, and half was wood and yellow; Half the town knew half his name but only half could spell it. If you will sit for half an hour, I’ve half a mind to tell it.

I look in the glass sometimes at my two long, cylindrical bags (so picturesquely rugged about the knees), my stand-up collar and billycock hat, and wonder what right I have to go about making God's world hideous. Then wild and wicked thoughts come into my heart. I don't want to be good and respectable. (I never can be sensible, I'm told; so that don't matter.) I want to put on lavender-colored tights, with red velvet breeches and a green doublet slashed with yellow; to have a light-blue silk cloak on my shoulder, and a black eagle's plume waving from my hat, and a big sword, and a falcon, and a lance, and a prancing horse, so that I might go about and gladden the eyes of the people. Why should we all try to look like ants crawling over a dust-heap? Why shouldn't we dress a little gayly? I am sure if we did we should be happier. True, it is a little thing, but we are a little race, and what is the use of our pretending otherwise and spoiling fun? Let philosophers get themselves up like old crows if they like. But let me be a butterfly.

Name me or be eaten!” Shezmu bellowed. “I name you!” I shouted back. “Shezmu, Slaughterer of Souls, Fierce of Face!” “GAAAAHHHHH!” He writhed in pain. “How do they always know?” “Let us pass!” I commanded. “Oh, and one more thing...my brother wants a free sample.” I just had time to step away, and Carter just had time to look confused before the demon blew yellow dust all over him. Then Shezmu sank under the waves. “What a nice fellow,” I said. “Pah!” Carter spit perfume. He looked like a piece of breaded fish. “What was that for?” “You smell lovely,” I assured him.

The poor foreigner,' he said, 'has been acquainted with our grasslands but for four short days.' 'We must pity him,' said the old man with feeling. 'How hard it must be,' commented the woman, 'not to be born a Mongolian.' 'To be sure,' said the old man, 'the fellow is most unfortunate. But how blessed he is to have found his way to us!

Old Tom Bombadil is a merry fellow; Bright blue his jacket is, and his boots are yellow.

I am a black man, born in Jamaica, B.W.I., and have been living in America for the last years. It was the first time I had ever come face to face with such manifest, implacable hate of my race, and my feelings were indescribable … Looking about me with bigger and clearer eyes I saw that this cruelty in different ways was going on all over the world. Whites were exploiting and oppressing whites even as they exploited and oppressed the yellows and blacks. And the oppressed, groaning under the leash, evinced the same despicable hate and harshness toward their weaker fellows. I ceased to think of people and things in the mass. [O]ne must seek for the noblest and best in the individual life only: each soul must save itself.

Storms of all sorts, were facts of our lives. Those images shown on the news of fellow citizens drowned, abandoned, and calling for help were not news to us, but still further evidence of what we long ago. I knew, for example, that we lived in an unequal, masquerading world when I was eight and crossing the dangerous Chef Menteur Highway with Alvin. I knew it at Livingston Middle School when I did not learn because no one was teaching me. I knew it in 1994, when we were petrified, afraid, the law might kill us—knew it before, during, and after the Water. Katrina's postscript—the physical wasteland—was only a manifestation of all that ailed me and my family in mind and spirit.

Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year

With the first jolt he was in daylight; they had left the gateways of King’s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes — a wheel, whose fellow was the descending moon — and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees — that is a fact — grow out of one of the graves in Tewin churchyard. The grave’s occupant — that is the legend — is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit — Mrs. Wilcox had known him — who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of “now. ” She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful.

Gentlemen and ladies- in green, yellow, pink- arriving on the terrace, sweeping down the stone stairs onto the lawn. Jazz music floating on the air; Chinese lanterns flickering in the breeze; Mr. Hamilton's hired waiters balancing huge silver trays of sparkling champagne flutes on raised hands, weaving through the growing crowds; Emmeline, shimmering in pink, leading a laughing fellow to the dance floor to perform the Shimmy shake.

Marthe said dryly, ‘Philippa wishes only to say thank you, and so also do I. They say in Italy, don’t they, that the boat will sink that carries neither monk, nor student, nor whore.… How good that we have Mr Blyth.' ‘How good that we have Mlle Marthe,’ Lymond replied. His clothes, freshly changed, were impeccable and his brushed yellow hair, free of sand, was lit guinea-gold by the gleam of the lamps. ‘Of her fellow men so charming a student.

I MEAN not to defend the scapes of any, Or justify my vices being many; For I confess, if that might merit favour, Here I display my lewd and loose behaviour. I loathe, yet after that I loathe, I run: 5 Oh, how the burthen irks, that we should shun. I cannot rule myself but where Love please; Am driven like a ship upon rough seas. No one face likes me best, all faces move, A hundred reasons make me ever love. 10 If any eye me with a modest look, I blush, and by that blushful glance am took; And she that’s coy I like, for being no clown, Methinks she would be nimble when she’s down. Though her sour looks a Sabine’s brow resemble, 15 I think she’ll do, but deeply can dissemble. If she be learned, then for her skill I crave her; If not, because she’s simple I would have her. Before Callimachus one prefers me far; Seeing she likes my books, why should we jar? 20 Another rails at me, and that I write, Yet would I lie with her, if that I might: Trips she, it likes me well; plods she, what then? She would be nimbler lying with a man. And when one sweetly sings, then straight I long, 25 To quaver on her lips even in her song; Or if one touch the lute with art and cunning, Who would not love those hands for their swift running? And her I like that with a majesty, Folds up her arms, and makes low courtesy. 30 To leave myself, that am in love with all, Some one of these might make the chastest fall. If she be tall, she’s like an Amazon, And therefore fills the bed she lies upon: If short, she lies the rounder: to speak troth, 35 Both short and long please me, for I love both. I think what one undecked would be, being drest; Is she attired? then show her graces best. A white wench thralls me, so doth golden yellow: And nut-brown girls in doing have no fellow. 40 If her white neck be shadowed with brown hair, Why so was Leda’s, yet was Leda fair. Amber-tress’d is she? Then on the morn think I: My love alludes to every history: A young wench pleaseth, and an old is good, 45 This for her looks, that for her womanhood: Nay what is she, that any Roman loves, But my ambitious ranging mind approves?

Must we believe those who tell us that a hand foul with the filth of a shameful life is the only one a young girl cares to be caressed by? That is the teaching that is bawled out day by day from between those yellow covers. Do they ever pause to think, I wonder, those devil's lady-helps, what mischief they are doing crawling about God's garden, and telling childish Eves and silly Adams that sin is sweet, and that decency is ridiculous and vulgar? How many an innocent girl do they not degrade into an evil-minded woman? To how many a weak lad do they not point out the dirty by-path as the shortest cut to a maiden's heart? It is not as if they wrote of life as it really is. Speak truth, and right will take care of itself. But their pictures are coarse daubs painted from the sickly fancies of their own diseased imaginations. We want to think of women not--as their own sex would show them--as Loreleis luring us to destruction, but as good angels beckoning us upward. They have more power for good or evil than they dream of. It is just at the very age when a man's character is forming that he tumbles into love, and then the lass he loves has the making or marring of him. Unconsciously he molds himself to what she would have him, good or bad. I am sorry to have to be ungallant enough to say that I do not think they always use their influence for the best. . . . And yet, women, you could make us so much better, if you only would. It rests with you more than with all the preachers, to roll this world a little nearer heaven. Chivalry is not dead; it only sleeps for want of work to do. It is you who must wake it to noble deeds. You must be worthy of knightly worship. You must be higher than ourselves. [1886]

Oh, what delight it was to be thus seated aloft, rumbling along the broad, sunshiny road, with the fresh morning breeze in my face, surrounded by an unknown country, all smiling—cheerfully, gloriously smiling in the yellow lustre of those early beams; with my darling child in my arms, almost as happy as myself, and my faithful friend beside me: a prison and despair behind me, receding further, further back at every clatter of the horses' feet; and liberty and hope before! I could hardly refrain from praising God aloud for my deliverance, or astonishing my fellow—passengers by some surprising outburst of hilarity.

Elijah had roasted duck confit legs in toasted, ground coriander, cumin, and chili; he'd paired it with a strawberry and pink peppercorn gastrique sauce drizzled overtop and dotted on the platter. He'd baked walnut, ramp, and queso fresco financiers in small round molds and topped each of them with a strawberry flower. He'd colored more of his homemade queso fresco---one of Penelope's recipes---with beet powder, which he'd molded into spheres, dotted with nigella seeds, and topped with strawberry stems to approximate the look of strawberries while adding a creamy element to the dish. To punctuate the strawberry-patch appearance further and add another contrast, he'd scattered pickled half-ripe strawberry cubes, more strawberry blossoms, and tiny, fragrant yellow and red alpine strawberries across the plate. Shards of sumptuous, crispy duck skin finished the plate.

Returning the Pencil to Its Tray Everything is fine— the first bits of sun are on the yellow flowers behind the low wall, people in cars are on their way to work, and I will never have to write again. Just looking around will suffice from here on in. Who said I had to always play the secretary of the interior? And I am getting good at being blank, staring at all the zeroes in the air. It must have been all the time spent in the kayak this summer that brought this out, the yellow one which went nicely with the pale blue life jacket— the sudden, tippy buoyancy of the launch, then the exertion, striking into the wind against the short waves, but the best was drifting back, the paddle resting athwart the craft, and me mindless in the middle of time. Not even that dark cormorant perched on the No Wake sign, his narrow head raised as if he were looking over something, not even that inquisitive little fellow could bring me to write another word.

Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.

So many socks. After the pair the undertaker asks for (I picture them black beneath the fold in your open casket, your toes still cold) what else to do,. Body bags of old suits, shirts still pressed, long johns, the unworn, unwashed wreckage of your closet, too many coats to keep, though I will save so many. How can I give away the last of your scent? And still, father, you have errands, errant dry cleaning to pick up-- yellow tags whose ghostly carbon tells a story where to look. One place closed for good, the tag old. One place with none of your clothes, just stares as if no one ever dies, as if you are naked somewhere, & I suppose you are. Nothing here. The last place knows exactly what I mean, brings me shirts hanging like a head. Starched collars your beard had worn. One man saying sorry, older lady in the back saying how funny you were, how you joked with her weekly. Sorry— & a fellow black man hands your clothes back for free, don’t worry. I’ve learned death has few kindnesses left. Such is charity—so rare & so rarely free— that on the way back to your emptying house I weep. Then drive everything, swaying, straight to Goodwill— open late—to live on another body & day.

One spring day, when the daffodils were blowing on the Ingleside lawn, and the banks of the brook in Rainbow Valley were sweet with white and purple violets, the little, lazy afternoon accommodation train pulled into the Glen station. It was very seldom that passengers for the Glen came by that train, so nobody was there to meet it except the new station agent and a small black-and-yellow dog, who for four and a half years had met every train that had steamed into Glen St. Mary. Thousands of trains had Dog Monday met and never had the boy he waited and watched for returned. Yet still Dog Monday watched on with eyes that never quite lost hope. Perhaps his dog-heart failed him at times; he was growing old and rheumatic; when he walked back to his kennel after each train had gone his gait was very sober now—he never trotted but went slowly with a drooping head and a depressed tail that had quite lost its old saucy uplift. One passenger stepped off the train—a tall fellow in a faded lieutenant’s uniform, who walked with a barely perceptible limp. He had a bronzed face and there were some grey hairs in the ruddy curls that clustered around his forehead. The new station agent looked at him anxiously. He was used to seeing the khaki-clad figures come off the train, some met by a tumultuous crowd, others, who had sent no word of their coming, stepping off quietly like this one. But there was a certain distinction of bearing and features in this soldier that caught his attention and made him wonder a little more interestedly who he was. A black-and-yellow streak shot past the station agent. Dog Monday stiff? Dog Monday rheumatic? Dog Monday old? Never believe it. Dog Monday was a young pup, gone clean mad with rejuvenating joy. He flung himself against the tall soldier, with a bark that choked in his throat from sheer rapture. He flung himself on the ground and writhed in a frenzy of welcome. He tried to climb the soldier’s khaki legs and slipped down and groveled in an ecstasy that seemed as if it must tear his little body in pieces. He licked his boots and when the lieutenant had, with laughter on his lips and tears in his eyes, succeeded in gathering the little creature up in his arms Dog Monday laid his head on the khaki shoulder and licked the sunburned neck, making queer sounds between barks and sobs. The station agent had heard the story of Dog Monday. He knew now who the returned soldier was. Dog Monday’s long vigil was ended. Jem Blythe had come home.

I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.

We are accustomed to thinking of Ernest Hemingway as a boozy, undisciplined genius who got through a quart of whiskey a day for the last twenty years of his life but nevertheless had the muse upon him. He was indeed an alcoholic driven by complex passions.2 But when it came to writing, he was the quintessence of discipline! His early writing was characterized by obsessive literary perfectionism as he labored to develop his economy of style, spending hours polishing a sentence, or searching for the mot juste—the right word. It is a well-known fact that he rewrote the conclusion to his novel A Farewell to Arms seventeen times in an effort to get it right. This is characteristic of great writers. Dylan Thomas made over two hundred handwritten(!) manuscript versions of his poem “Fern Hill.”3 Even toward the end, when Hemingway was reaping the ravages of his lifestyle, while writing at his Finca Vigia in Cuba he daily stood before an improvised desk in oversized loafers on yellow tiles from 6:30 A.M. until noon every day, carefully marking his production for the day on a chart. His average was only two pages — five hundred words.4 It was discipline, Ernest Hemingway’s massive literary discipline, which transformed the way his fellow Americans, and people throughout the English-speaking world, expressed themselves.

But then a peculiar thing happened. I became extraordinarily affected by the summer afternoons in the laboratory. The August sunlight came streaming in the great dusty fanlights and lay in yellow bars across the room. The old building ticked and creaked in the heat. Outside we could hear the cries of summer students playing touch football. In the course of an afternoon the yellow sunlight moved across old group pictures of the biology faculty. I became bewitched by the presence of the building; for minutes at a stretch I sat on the floor and watched the motes rise and fall in the sunlight. I called Harry’s attention to the presence but he shrugged and went on with his work. He was absolutely unaffected by the singularities of time and place. His abode was anywhere. It was all the same to him whether he catheterized a pig at four o’clock in the afternoon in New Orleans or at midnight in Transylvania. He was actually like one of those scientists in the movies who don’t care about anything but the problem in their heads - now here is a fellow who does have a “flair for research” and will be heard from. Yet I do not envy him. I would not change places with him if he discovered the cause and cure of cancer. For he is no more aware of the mystery which surrounds him than a fish is aware of the water it swims in. He could do research for a thousand years and never have an inkling of it.

Mario'd fallen in love with the first Madame Psychosis programs because he felt like he was listening to someone sad read out loud from yellow letters she'd taken out of a shoebox on a rainy p.m., stuff about heartbreak and people you loved dying and U.S. woe, stuff that was real. It is increasingly hard to find valid art that is about stuff that is real in this way. The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that's really real uncomfortable and they get embarrassed. It's like there's some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn't happy. The worstfeeling thing that happened today was at lunch when Michael Pemulis told Mario he had an idea for setting up a Dial-a-Prayer telephone service for atheists in which the atheist dials the number and the line just rings and rings and no one answers. It was a joke and a good one, and Mario got it; what was unpleasant was that Mario was the only one at the big table whose laugh was a happy laugh; everybody else sort of looked down like they were laughing at somebody with a disability. The whole issue was far above Mario's head, and he was unable to understand Lyle's replies when he tried to bring the confusion up. And Hal was for once no help, because Hal seemed even more uncomfortable and embarrassed than the fellows at lunch, and when Mario brought up real stuff Hal called him Booboo and acted like he'd wet himself and Hal was going to be very patient about helping him change.

Today I've prepared a dish I'm calling 'Sea Bass of Three.' The first is a citrus ceviche with yellow chilies and a hint of preserved lemon, to be eaten with plantain crisps on the left of your plate." Even from her vantage, Penelope could see Elijah had molded the ceviche into a vague fish shape that pointed to the center of the plate. "Next, in the center, is a pan-sautéed fillet of sea bass coated in chili de árbol, and paprika potatoes sliced and arranged to resemble fish scales," Elijah continued. Penelope's mouth watered at the sight of the fillet, which looked perfectly crisp and very much resembled a small fish. It again seemed to point to the third and final part of the dish, thanks to the way he'd arranged it all. "And for the final phase, you have a sea-bass-and-cod fritter with fresh coriander leaves, serrano chilies, and a pineapple, chili, and lime foam." The queen and the princess nodded and started to eat the ceviche. "Will you explain what you've done with the samphire?" Lady Rutland asked, pointing to the green seaweed that resembled very thin asparagus spears. "The samphire is meant to symbolize the sea, just as the pineapple foam is meant to suggest sea foam. I sautéed the samphire in a spiced butter," Elijah replied. Penelope grinned from her seat behind the Minstrels' Gallery's open door. He'd almost made it look like the fish (especially the potato-scaled fillet in the center) was still swimming in the sea. From what she could see, he'd dotted the foam in strategic places on the plate, including near the ceviche, so one could take a bite with a plantain crisp and the foam, or try it plain.

These are merely a few of the things that went through my mind, and are related for the sake of vindicating myself in advance in the weak and helpless role I was destined to play. But I thought, also, of my mother and sisters, and pictured their grief. I was among the missing dead of the Martinez disaster, an unrecovered body. I could see the head-lines in the papers; the fellows at the University Club and the Bibelot shaking their heads and saying, “Poor chap!” And I could see Charley Furuseth, as I had said good-bye to him that morning, lounging in a dressing-gown on the be-pillowed window couch and delivering himself of oracular and pessimistic epigrams. And all the while, rolling, plunging, climbing the moving mountains and falling and wallowing in the foaming valleys, the schooner Ghost was fighting her way farther and farther into the heart of the Pacific—and I was on her. I could hear the wind above. It came to my ears as a muffled roar. Now and again feet stamped overhead. An endless creaking was going on all about me, the woodwork and the fittings groaning and squeaking and complaining in a thousand keys. The hunters were still arguing and roaring like some semi-human amphibious breed. The air was filled with oaths and indecent expressions. I could see their faces, flushed and angry, the brutality distorted and emphasized by the sickly yellow of the sea-lamps which rocked back and forth with the ship. Through the dim smoke-haze the bunks looked like the sleeping dens of animals in a menagerie. Oilskins and sea-boots were hanging from the walls, and here and there rifles and shotguns rested securely in the racks. It was a sea-fitting for the buccaneers and pirates of by-gone years. My imagination ran riot, and still I could not sleep. And it was a long, long night, weary and dreary and long.

I have been all over the world cooking and eating and training under extraordinary chefs. And the two food guys I would most like to go on a road trip with are Anthony Bourdain and Michael Ruhlmann, both of whom I have met, and who are genuinely awesome guys, hysterically funny and easy to be with. But as much as I want to be the Batgirl in that trio, I fear that I would be woefully unprepared. Because an essential part of the food experience that those two enjoy the most is stuff that, quite frankly, would make me ralph. I don't feel overly bad about the offal thing. After all, variety meats seem to be the one area that people can get a pass on. With the possible exception of foie gras, which I wish like heckfire I liked, but I simply cannot get behind it, and nothing is worse than the look on a fellow foodie's face when you pass on the pate. I do love tongue, and off cuts like oxtails and cheeks, but please, no innards. Blue or overly stinky cheeses, cannot do it. Not a fan of raw tomatoes or tomato juice- again I can eat them, but choose not to if I can help it. Ditto, raw onions of every variety (pickled is fine, and I cannot get enough of them cooked), but I bonded with Scott Conant at the James Beard Awards dinner, when we both went on a rant about the evils of raw onion. I know he is often sort of douchey on television, but he was nice to me, very funny, and the man makes the best freaking spaghetti in tomato sauce on the planet. I have issues with bell peppers. Green, red, yellow, white, purple, orange. Roasted or raw. Idk. If I eat them raw I burp them up for days, and cooked they smell to me like old armpit. I have an appreciation for many of the other pepper varieties, and cook with them, but the bell pepper? Not my friend. Spicy isn't so much a preference as a physical necessity. In addition to my chronic and severe gastric reflux, I also have no gallbladder. When my gallbladder and I divorced several years ago, it got custody of anything spicier than my own fairly mild chili, Emily's sesame noodles, and that plastic Velveeta-Ro-Tel dip that I probably shouldn't admit to liking. I'm allowed very occasional visitation rights, but only at my own risk. I like a gentle back-of-the-throat heat to things, but I'm never going to meet you for all-you-can-eat buffalo wings. Mayonnaise squicks me out, except as an ingredient in other things. Avocado's bland oiliness, okra's slickery slime, and don't even get me started on runny eggs. I know. It's mortifying.

In 1931, amid that incredible transformation, a brilliant young Russian psychologist named Alexander Luria recognized a fleeting “natural experiment,” unique in the history of the world. He wondered if changing citizens’ work might also change their minds. When Luria arrived, the most remote villages had not yet been touched by the warp-speed restructuring of traditional society. Those villages gave him a control group. He learned the local language and brought fellow psychologists to engage villagers in relaxed social situations—teahouses or pastures—and discuss questions or tasks designed to discern their habits of mind. Some were very simple: present skeins of wool or silk in an array of hues and ask participants to describe them. The collective farmers and farm leaders, as well as the female students, easily picked out blue, red, and yellow, sometimes with variations, like dark blue or light yellow. The most remote villagers, who were still “premodern,” gave more diversified descriptions: cotton in bloom, decayed teeth, a lot of water, sky, pistachio. Then they were asked to sort the skeins into groups. The collective farmers, and young people with even a little formal education, did so easily, naturally forming color groups. Even when they did not know the name of a particular color, they had little trouble putting together darker and lighter shades of the same one. The remote villagers, on the other hand, refused, even those whose work was embroidery. “It can’t be done,” they said, or, “None of them are the same, you can’t put them together.” When prodded vigorously, and only if they were allowed to make many small groups, some relented and created sets that were apparently random. A few others appeared to sort the skeins according to color saturation, without regard to the color. Geometric shapes followed suit. The greater the dose of modernity, the more likely an individual grasped the abstract concept of “shapes” and made groups of triangles, rectangles, and circles, even if they had no formal education and did not know the shapes’ names. The remote villagers, meanwhile, saw nothing alike in a square drawn with solid lines and the same exact square drawn with dotted lines. To Alieva, a twenty-six-year-old remote villager, the solid-line square was obviously a map, and the dotted-line square was a watch. “How can a map and a watch be put together?” she asked, incredulous. Khamid, a twenty-four-year-old remote villager, insisted that filled and unfilled circles could not go together because one was a coin and the other a moon.

Red next to black is a friend of Jack; red next to yellow will kill a fellow.

It’s not just Africa’s movie and music industry that is booming. African literature, led by the Young Lions, or rather, Lionesses, is seeing a revival, too. I mentioned Chimamanda Ngozi Adichie and her TED Talk about Africa’s “Single Story.” But Adichie, 37, is best known for writing, and her novels Half of a Yellow Sun (now a film directed by fellow Nigerian novelist Biyi Bandele) and Americanah, winner of the United States’ prestigious National Book Critics Circle Award in 2013, are international best sellers. Adichie is able to write in an authentic African voice and yet still connect with huge numbers of readers in the West. I have been told about other young African women who are taking the literary world by storm such as Zimbabwean NoViolet Bulawayo, who was long-listed for Britain’s Man Booker Prize, and her countrywoman, international trade lawyer Petina Gappah, a finalist for the United Kingdom’s prestigious Orwell Prize in 2010. These talented women are part of a confident, new, global Africa.

A rugged-looking fellow with long, curly black hair loosened his jaw by repeating the phrase, “red leather, yellow leather, red leather, yellow leather.” I wondered if that was a secret exercise actors did before kissing scenes [Cram, Cusi, "‘One Life to Live’ and 14 Beautiful Boys to Kiss," Cafe, January 14, 2015].

They whirled around in the light dance of a duchess entering a ball—majestic yet understated—a spiraling splash of purity of color that took shape under nature’s watch. A newly-sculpted garden burst forth, glistening in an afternoon sun. It welcomed the dusty pink rose, who stood beside its fellows, basked themselves in their own serenity of white, triumphant red, or cheery yellow. It swayed in the breath of a wind, caressing each and becoming more. It was a mixture of quiet and thunderous, light and dark, shyness and boldness. It was a mixture of the quiet strength and overwhelming courage that the human soul might wish to one day possess.

Having failed the Civil Service entrance examinations, he had become – she recalled – a clerk at the London office of the Hong Kong and Shanghai Bank on 31 Lombard Street, at the age of eighteen – one of his ‘fellow employees’ there had been the young P. G. Wodehouse

You could see them tooling around the Strip in Cocoa Beach in their Ban-Lon shirts and baggy pants...They reminded you, in a way, of those fellows whom everyone growing up in America had seen at one time or another, those fellows from the neighborhood who wear sport shirts designed in weird blooms and streaks of tubercular blue and runny-egg yellow hanging out over pants the color of a fifteen-cent cigar, with balloon seats and pleats and narrow cuffs that stop three or four inches above the ground, the better to reveal their olive-green GI socks and black bulb-toed bluchers, as they head off to the Republic Auto Parts store for a set of shock-absorber pads so they can prop up the 1953 Hudson Hornet on some cinderblocks and spend Saturday and Sunday underneath it beefing up the suspension.

As the boys walked down the stone steps of headquarters, Frank said, “How about a milk-shake?” Joe grinned. “You read my mind. I can sure use one!” They drove several blocks to the Hot Rocket, a favorite eating spot of their high school crowd. A familiar yellow jalopy was parked outside. “Well, well! Look who’s in there!” Frank said. The chunky figure of Chet Morton, the jalopy’s owner, was seated in one of the booths. He was poring over a magazine and munching a hamburger. “Hi, fellows!” he mumbled.

Suddenly both Hardys noticed that Chet’s attention had been diverted. He stared longingly ahead. “What’s so interesting?” Joe asked. “Don’t pass it,” pleaded Chet. “Pass what?” “That milk bar up there. They serve a terrific sundae, covered with whipped cream, cherries, and nuts. It’s called a Bigloo Igloo. Come on, fellows. It’s lunchtime.” “Okay.” Frank laughed. The yellow convertible turned in and stopped before the little white building. Soon the boys were seated together in a booth.

The Hardys started down the street. They had gone only three blocks when their chubby friend Chet Morton jumped out of a yellow sedan which stopped briefly and then went on. He was munching an apple. “Hi, fellows,” he greeted them. “I was on my way to your house. Phil gave me a ride. Going anywhere special?” “Well, sort of,” Joe replied. “Why?” “Put it off,” Chet insisted importantly. “I’ve got something to show you.

One fellow said he was raised in a church that taught wearing yellow and black together was an important sin. It got me thinking of the failed denomination I was part of: that old false dream of woman. I believed it was a triumph to have access to their mystery. To see the hidden hair, to feel my spirit topple over, to lie together in the afternoon while it rained all the way to Indonesia. I had crazy ideas of what it was. Like being in a dark woods at night when an invisible figure crosses the still snow, making a sound like some other planet’s machinery. — Jack Gilbert, from “Sects,” Collected Poems (Alfred A. Knopf, 2012)

Fear has nothing to do with cowardice. A fellow is only yellow when he lets his fear make him quit.

The cacophony of county jail is deafening: That's what hap- pens when you jam thousands of women into concrete rooms that were intended to house a population half our size. We sleep in bunk beds in the common areas, feet away from the tables where we play cards and read all day. We urinate in overwhelmed toilets that clog and overflow. We stand in lines for showers, meals, hair- cuts, telephones, meds. At all hours of the day and night, the con- crete echoes with screams and prayers and tears and laughter and curses. There is nothing to do here but wait. I mill around the common room in my canary-yellow prison suit, watching the hands of the clock in the cage on the wall slowly ticking away the minutes of the days. I wait for mealtime, though I have no interest in eating the gray slurry that slides around tray. I wait for the library cart to come around, so I can pick out the least offensive romance novel on offer. I wait for lights-out, so that I can lie in my upper bunk in the semi-dark, listening to the snores and whispers of my fellow inmates while I wait for sleep to come. my It hardly ever does. But mostly, I wait for someone to come help me.

The following is a quotation from the Mahābhārata that describes our present era and the immediately preceding yuga, revealing a progressive deterioration of humanity’s moral fiber. Again, in the dvāpara-yuga the moral order (dharma) exists [only] half. [God] Vishnu becomes yellow, and the Veda is now fourfold [i.e., the original wisdom is split into the four Vedic hymnodies]. Thence, some [adhere to] four Vedas, others to three Vedas, or two Vedas, or a single Veda, while yet others have no hymns [at all]. Thus, owing to the broken traditions, rites become manifold and creatures, fond of austerities and almsgiving, become rajas-motivated2. Due to ignorance about the single Veda, the Vedas become multiple and because of the collapse of truth, few adhere to truthfulness. Many diseases appear for those who have fallen from truth, and there are desires and disasters caused by fate. Afflicted by these, [some] men perform very severe austerities; others, filled with [worldly] desires or desiring heaven, conduct sacrifices. Thus with the onset of the dvāpara, creatures perish through their lawlessness. In the kali-yuga, O Kaunteya, the moral order (dharma) exists by one quarter only. With the onset of this tamas-motivated3 age, O Keshava [i.e., God Vishnu] becomes black (krishna). The Vedic ways of life end, and so do the moral order, sacrifice, and rites. Plagues, disease, sloth, blemishes such as anger, as well as calamities, sickness, and afflictions prevail. In the course of the yugas, the moral order diminishes increasingly. With the diminution of the moral order, the people (loka) diminish. This description of the kali-yuga is not as daunting as it is in some other scriptures. But the message is clear enough: Ours is a sinister age. What thinking person would not agree? Can we not, by now, fill a whole library with tales of human foolishness, of humanity’s thoughtless interference with the life-world and its almost unbelievable lack of concern for fellow beings, both human and nonhuman? Is there no hope, then, for humankind? Is historian Oswald Spengler’s dark prophecy of the decline of the West (and with it, also of the East) coming true?4 Or are there, today, forces at work that countermand the Zeitgeist, the spirit of the age? This latter appears to be the case. It could not be otherwise. Or else our species would have perished long ago, right at the outset of the kali-yuga. The kali-yuga, then, does not signal total spiritual darkness or inevitable doom. Inverting a popular maxim, one can perhaps say that where there is shadow there is also light. Here and there, the present dark age is pierced by shafts of light. It is not without its benign counterbalancing influences.

One spring day, when the daffodils were blowing on the Ingleside lawn, and the banks of the brook in Rainbow Valley were sweet with white and purple violets, the little, lazy afternoon accommodation train pulled into the Glen station. It was very seldom that passengers for the Glen came by that train, so nobody was there to meet it except the new station agent and a small black and yellow dog, who for four and a half long years had met every train that had steamed into Glen St. Mary. Thousands of trains had Dog Monday met and never had the boy he waited and watched for returned. Yet still Dog Monday watched on with eyes that never quite lost hope. Perhaps his dog-heart failed him at times; he was growing old and rheumatic; when he walked back to his kennel after each train had gone his gait was very sober now—he never trotted but went slowly with a drooping head and a depressed tail that had quite lost its old saucy uplift. One passenger stepped off the train—a tall fellow in a faded lieutenant’s uniform, who walked with a barely perceptible limp. He had a bronzed face and there were some grey hairs in the ruddy curls that clustered around his forehead. The new station agent looked at him anxiously. He was used to seeing the khaki-clad figures come off the train, some met by a tumultuous crowd, others, who had sent no word of their coming, stepping off quietly like this one. But there was a certain distinction of bearing and features in this soldier that caught his attention and made him wonder a little more interestedly who he was. A black and yellow streak shot past the station agent. Dog Monday stiff? Dog Monday rheumatic? Dog Monday old? Never believe it. Dog Monday was a young pup, gone clean mad with rejuvenating joy. He flung himself against the tall soldier, with a bark that choked in his throat from sheer rapture. He flung himself on the ground and writhed in a frenzy of welcome. He tried to climb the soldier’s khaki legs and slipped down and grovelled in an ecstasy that seemed as if it must tear his little body in pieces. He licked his boots and when the lieutenant had, with laughter on his lips and tears in his eyes, succeeded in gathering the little creature up in his arms Dog Monday laid his head on the khaki shoulder and licked the sunburned neck, making queer sounds between barks and sobs. The station agent had heard the story of Dog Monday. He knew now who the returned soldier was. Dog Monday’s long vigil was ended. Jem Blythe had come home.

And, if that’s not enough, the fellow who murdered her has the impudence, the colossal impudence, to attach himself to me as my secretary. My secretary, if you please! I’m tired of secretaries, I won’t have any more secretaries. Either they’re concealed murderers or else they’re drunken brawlers. Have you seen Pagett’s black eye? But of course you have. How can I go about with a secretary like that? And his face is such a nasty shade of yellow too—just the colour that doesn’t go with a black eye. I’ve done with secretaries—unless I have a girl. A nice girl, with liquid eyes, who’ll hold my hand when I’m feeling cross.

Justice Louis D. Brandeis, the Supreme Court’s newest member, wrote a dissenting opinion in which he argued that the union had pursued peaceful, legal means to a legitimate end; that miners who joined the union had no intention to injure their employer’s business; and finally that the UMWA could not be judged an illegal organization under an antitrust law Congress had aimed at monopoly corporations. In Brandeis’s view, the court’s majority naively assumed that Hitchman’s miners freely chose to sign yellow dog contracts. Like his fellow justice Oliver Wendell Holmes Jr., Brandeis believed there could be “no liberty of contract where there was no equality of bargaining position.” Under modern industrial conditions, Holmes had written, it was natural for a worker to believe that he could not secure a fair contract unless he belonged to a union. On this basis, Justice Holmes and one other member of the high court joined in Brandeis’s dissent.

But I won't leave the store just yet. Like the rest of my fellow customers, I'm happy to be here in this cozy and solid place, happy to be alone among others.

What happened to your face, sir?” Rose answered before he did, with the pride of a child who was delivering news of great significance. “Mr. Bronson ran into a left hook again, Mama. He was fighting. And he brought this to me.” She pulled the end of her button string from her large apron pocket and climbed into Holly's lap to display her newest acquisition. Cuddling her daughter, Holly examined the button carefully. It was fashioned of a huge sparkling diamond encased in rich yellow gold. Bewildered, she glanced at Elizabeth's rueful face, and Paula's tight-lipped one, before finally staring into Bronson's enigmatic black eyes. “You shouldn't have given Rose such a costly object, Mr. Bronson. Whose button is it? And why were you fighting?” “I had a disagreement with someone in my club.” “Over money?… Over a woman?…” Bronson's expression revealed nothing, and he gave an indifferent shrug, as if the matter were of no importance. Considering various possibilities, Holly continued to stare at him in the tense silence that had overtaken the room. Suddenly the answer occurred to her. “Over me?” she whispered. Idly Bronson picked a skein of thread from his sleeve. “Not really.” Holly suddenly discovered that she knew him well enough to discern when he was lying. “Yes, it was,” she said with growing conviction. “Someone must have said something unpleasant, and instead of ignoring the remark, you took up the challenge. Oh, Mr. Bronson, how could you?” Seeing her unhappiness, instead of the grateful admiration he had probably expected, Bronson scowled. “Would you rather I allowed some high-kick b—” He paused to correct himself as he noticed the rapt attention Rose was paying to the conversation. “Some high-kick fellow,” he said, his tone softening a degree, “to spread lies about you? His mouth needed to be shut, and I was able and willing to do it.” “The only way to respond to a distasteful remark is to ignore it,” Holly said crisply. “You did the exact opposite, thereby creating the impression in some people's minds that there may be a grain of truth in it. You should not have fought for my honor. You should have smiled disdainfully at any slight upon it, resting secure in the knowledge that there is nothing dishonorable about our relationship.” “But my lady, I would fight the world for you.” Bronson said it in the way he always made such startling comments, in a tone of such jeering lightness that the listener had no doubt he was being facetious. Elizabeth broke in then, her lips curved in a droll smile. “He'll use any excuse to fight, Lady Holly. My brother enjoys using his fists, primitive male that he is.” “That is an aspect of his character we will have to correct.

When he came in sight of the prisoner he stopped short. The man sat with his hands bound behind him, securely strapped into a seat and guarded by two Yellow Squad troopers, a big fellow and a thin woman who made Mark think of a snake, all sinuous muscle and unblinking beady eyes. The prisoner looked a striking forty or so years of age, and wore a torn brown silk tunic and trousers. Loose strands of dark hair escaped from a gold ring on the back of his head and fell about his face. He did not struggle, but sat calmly, waiting, with a cold patience that quite matched the snake-woman’s. Bharaputra. The Bharaputra, Baron Bharaputra, Vasa Luigi himself. The man hadn’t changed a hair in the eight years since Mark had last glimpsed him. Vasa

He’s fair-haired, wi’ long yellow locks tied up wi’ blue ribbon. And big eyes and long lashes, too, like a lassie’s.” Hayes leered at his listeners, batting his own stubby lashes in mock flirtation. Encouraged by the laughter, he went on to describe the new Governor’s clothes—“fine as a laird’s”—his equipage and servant—“one of they Sassenachs as talks like he’s burnt his tongue”—and as much as had been overheard of the new man’s speech. “He talks sharp and quick, like he’ll know what’s what,” Hayes said, shaking his head dubiously. “But he’s verra young, forbye—he looks scarce more than a wean, though I’d reckon he’s older than his looks.” “Aye, he’s a bittie fellow, smaller than wee Angus,” Baird chimed in, with a jerk of the head at Angus MacKenzie, who looked down at himself in startlement.

My dear melancholy, Enraged she's colic! Lovely indeed a fellow And so sweet a collie. Never but so mellow Can she be like a dolly? However she's so frolic! Or could she get yellow Like a peach, but jolly? You'll regret her follies!

There you are, Amelia,” his lordship drawled in a bored voice. “Thank God you’ve finally come in. You’re the only bright note in this otherwise dreary affair. Can’t imagine what Lady Winterson was thinking this year. No dancing and a bunch of ill-mannered, grubby children kicking up a fuss. It’s beastly, if you want to know. I don’t know how you can bear it.” Nigel felt Amelia’s slender body go rigid, understandably, since two of the grubby children were her siblings. He could also tell that while a retort hovered on the tip of her tongue, her sense of courtesy prevented her from voicing it. But Nigel was done with niceties when it came to idiots like Broadmore. “Really, Broadmore?” he said. “Don’t mean to insult you, but the children aren’t the ones kicking up the fuss.” He inspected one young lad, dressed neat as a pin and sitting quietly with Lady Peterson, then shifted his gaze onto Broadmore’s garish purple and yellow striped waistcoat that made Nigel’s color choice look positively subdued. “In fact, I’m forced to remark that the children seem both better behaved and better dressed than you. Can’t imagine why you thought that particular color combination in a waistcoat was a good idea. Makes you look rather like a large insect.” Broadmore gaped at him momentarily, but then his dark eyebrows snapped together in a thunderous scowl. Amelia made a choking sound before clutching Nigel’s sleeve and pulling him away. “Excuse us, Lord Broadmore,” she said in a bright voice over her shoulder, “but I’ve been meaning to introduce Mr. Dash to my sister Penelope. You know this is her first ton party, and she’s feeling a little shy.” Broadmore’s scowl was replaced by a smirk. “Oh, of course. Dash is the perfect fellow to sit with the children while we enjoy ourselves. I’ll come rescue you in a few minutes, my dear. You needn’t worry that I’ll abandon you this evening.” Before Nigel could make a suitable riposte, Amelia dragged him off to the other end of the cavernous drawing room.

Caucasian laborers could not compete with the Chinese, could not live upon a handful of rice and work for a pittance, and found themselves being steadily crowded out from occupation after occupation by the thrifty, skillful Orientals, who, with their yellow skin and strange, debasing habits of life, seemed to them hardly fellow men at all, but evil spirit, rather.

To Loretta’s dismay, the closer they got to her home, the less anxious she was to get there. The time passed too quickly. At dust the next day they stopped for the night at the base of Whiskey Mountain. During the trip, the men had collected slender willow limbs, and they now sat in small groups to make lances, each of which was marked with the maker’s feathers. Loretta was at first alarmed, but after Hunter assured her they had no intention of making war at her farm, she relaxed and sat beside him to watch. His long, lean fingers fascinated her--graceful, yet leathery and strong. She recalled how they felt against her skin, warm and feather light, capable of inflicting pain yet always gentle. A tingling sensation crawled up her throat. She noticed that each man’s feathers were painted differently. “What do your feathers say?” “They have my mark. And tell a little bit my life song.” His full lower lip quirked in a grin. “My marks say I am a fine fellow--a good lover, a good hunter, with a mighty arm to shield a little yellow-hair.” She hugged her knees and grinned back at him. “I bet your marks say you’re a fierce warrior, and yellow-hairs should beware.

What do your feathers say?” “They have my mark. And tell a little bit my life song.” His full lower lip quirked in a grin. “My marks say I am a fine fellow--a good lover, a good hunter, with a mighty arm to shield a little yellow-hair.” She hugged her knees and grinned back at him. “I bet your marks say you’re a fierce warrior, and yellow-hairs should beware.

What do your feathers say?” “They have my mark. And tell a little bit my life song.” His full lower lip quirked in a grin. “My marks say I am a fine fellow--a good lover, a good hunter, with a mighty arm to shield a little yellow-hair.” She hugged her knees and grinned back at him. “I bet your marks say you’re a fierce warrior, and yellow-hairs should beware.” He shrugged. “I fight the big fight for my people. This is bad?” Loretta grabbed a handful of grass and ripped it up. Its smell was sharp in her nostrils. “A-are you going on a raid tomorrow after you take me home?” He glanced up from his work. “With this? His dark eyes filled with laughter as he peered along the crooked shaft of the lance. “Blue Eyes, a crooked tse-ak such as this would kill my friend beside me. This tse-ak will say hi, hites, hello, my friend.” “To who?” “To all who pass. You will see, eh?” “You’re sure you aren’t planning to attack my home?” “No fight. You will be easy.

but fear and prejudice were amplified by local politics, and a push-button issue was constructed out of little more than worked-up imaginings of the ‘Yellow Peril’. ‘My neighbor is a Jap’, one farmer told a journalist: He has an eighty acre place next to mine and he is a smart fellow. He has a white woman living in his house and upon that white woman’s knee is a baby. Now what is that baby? It isn’t white. It isn’t Japanese. I’ll tell you what it is. It is the beginning of a problem – the biggest race problem the world has ever known.

The Comanche rode in a wide circle around the frightened, riderless horses and tossed Amy into the arms of a fellow Indian who waited in the ranks. The little girl’s indignant screeching filled the air. Loretta lifted the Spencer carbine to her shoulder, leveling the sights on the Comanche as he circled back to her. The bells on his moccasins tinkled merrily with each movement of his horse. “Let me go!” Amy screamed. “You stinkin’ savage.” Loretta glanced toward the child. A young brave struggled to keep Amy atop his pony. He laughed uproariously when she tried to scratch him. The girl caught a handful of his black hair and pulled with all her might. “Ai-ee!” the boy exclaimed. “She tries to take my scalp.” Whoops of laughter spiraled among the men. Loretta dragged her gaze back to Hunter. He had halted his mount some fifteen feet from her. “Where will you spend your cartridge?” he asked. “If you love her, shoot her. It is wisdom.” Amy’s screaming turned to pitiful sobbing. Loretta’s aim wavered, and she glanced toward the other Indians, trying to see her cousin. What was Henry doing? Why didn’t he back her up? How long could it take to load a rifle? The miserable coward. “You have time for one shot,” Hunter went on. “If you waste it on me, my friend will take your sister and avenge me. Your father hides behind his wooden walls. You stand alone.” Sweat ran into Loretta’s eyes. She turned slightly and leveled the barrel of her gun at Amy. Blinking, she snugged her finger around the trigger. Tears sprang to her eyes as she recalled Amy’s queries about blessed release. It’s something bad, isn’t it? It’s killing yourself, isn’t it? Not always, Loretta thought. Sometimes it was death by a loved one’s hand. “Think long on this, Yellow Hair,” Hunter cautioned. “I came in peace to buy a woman, not steal a child. She is too skinny to bring this Comanche pleasure. You are not.” He leaned forward, stretching an arm along his horse’s neck, his hand open to her. “Come to me, and I will send your sister back to her mother unharmed.” Loretta stared at him. Did he mean it? His eyes pierced hers. The scar on the side of his face flickered as his jaw muscle tightened. If the tales about him were true, he might spare Amy. On the other hand, he might take them both captive if given half a chance. She remembered how gently he had touched her last night, and her confusion mounted. “Drop the weapon and come,” he urged. “It is a fair trade, no? She goes free. I have spoken it.” In the background, Loretta heard laughter ringing. Already the braves made sport of Amy. The child screeched again. “You will do this, no? You have courage. It shines in your eyes. If you fight the big fight, you cannot win. It is best to hold the head high and surrender with dignity. Put down the gun.

Thus a dish of tench and eel was arranged so that the pointed head of the eels, gills splayed, thrust through a sea of delicate yellow sauce (toasted breadcrumbs, red wine and vinegar, more red wine reduced to defrutum, long pepper, grains of paradise, cloves, all passed through a sieve and tinted with saffron) towards the gaping lips of the tench. A plate of grilled partridges was presented with the birds still spitted from arsenal to beak, the spits radiating out from a magnificent cockerel, skinned, roasted and recloaked in its feathers, tail and red-combed head; the whole arranged on an armature so that it raised one leg and crowed at the ceiling. Inside the hollow body of the cockerel I had arranged a small silver alembic, its narrow end, no wider than a stalk of grass (I had borrowed it from an alchemist I knew through the Academy) protruding from the beak, and below it a tiny spirit lamp, which I lit as the serving men were already taking the dish away. The alembic was filled with Greco wine tinted with the milk of almonds, and I calculated that the wine would boil more or less when the dish was set on the table, and jet from the proud cock, showering the skewered partridges in aromatic white sauce. There were the ripest figs, all splitting, of course, served with boiled crayfish- as eager, these bright red fellows, to explore the figs as the eels had been curious about the tench- and torte of rucola and pine nuts, liberally spiced with garlic and cloves.

It was Vivi who’d worked out the code that the triangles represented, through talking to the other women in the barracks. Yellow ones were worn by Jews, and sometimes a red inverted triangle was overlain by a yellow one the opposite way up, indicating a dual categorisation. Green triangles were worn by convicted criminals, who were often put in charge of work parties as they were prison-toughened which made them ruthless overseers, or kapos as they were known in the camp, prepared to mete out punishments to their fellow inmates. Black was for those classed as mentally

It was Vivi who’d worked out the code that the triangles represented, through talking to the other women in the barracks. Yellow ones were worn by Jews, and sometimes a red inverted triangle was overlain by a yellow one the opposite way up, indicating a dual categorisation. Green triangles were worn by convicted criminals, who were often put in charge of work parties as they were prison-toughened which made them ruthless overseers, or kapos as they were known in the camp, prepared to mete out punishments to their fellow inmates. Black was for those classed as mentally ill, or as gypsies, vagrants and addicts.

In the eyes of God, all men and women are naked. Clothes are nothing more than a fig leaf. And the bodies beneath are just another layer of clothing, an outfit of flesh with an impractically thin leather exterior, in various shades of pink, yellow and brown. The souls alone are real. Seen in this way, there can never be any such thing as social unease or shyness or embarrassment. All you need do is greet your fellow soul.

If you can count your friends - those who will miss you, perhaps shed a tear for you after you conk off - you're one lucky fellow. I guess I am lucky. Then again, who can tell? May be I will have to cut off a finger! For, who knows, in the passage of time, who turns yellow.

approaching her. “She’s-she’s out, I guess,” the girl replied, trying to sound confident but not succeeding. “But she should be back real soon.” The old man smiled again, more of a sneer, as he wavered slightly. “And that little shit brother of yours?” demanded her stepfather. “Where’s he at?” “I-I don’t know,” she mumbled. “No one was home when I got here.” “So it’s just you and me, huh, kiddo?” he mused, scratching his stubble thoughtfully as his cold bleary eyes wandered over the forms of her body beneath her thin, yellow sundress. “I’m sure Mom will be back real soon,” she repeated tearfully as she shrunk into the corner, shivering with terror. The old man grinned at her for a few seconds, then stepped back and pushed the door shut. As he returned, he started unbuttoning his jeans and retorted, “Well, girly, real soon is just not soon enough for me today. You’re just gonna have to fill your mama’s shoes.” The boy rolled away from the grill, not wanting to see what was taking place. His sister shrieked and several slaps were heard amidst a muttered “Quiet, little lady.” Covering his ears, the youngster cowered in the darkness and silently wept with frustration. But, what could he do? He was only ten. After a minute or two, the boy heard the bedroom door below swing open and slam shut and everything grew quiet. With tears in his eyes, he crawled forward and once again peered down through the grill. Their stepfather was gone but his sister was still there, lying on the bed, whimpering and shaking uncontrollably. Her dress was ripped and he could see her exposed breasts, scratched and bruised. Her left eye, just above the cheekbone, was already starting to swell from when the pig had hit her and the sheets were spattered with blood. He began to soundlessly weep once more as he vowed that he would get even when he was older. Chapter 1 - Tuesday, June 25, 1996 8:00 p.m. Sandy was at school, her last night of the spring term and would not be home for a while. She had mentioned that she would be going for a drink or two after class with a few fellow students to celebrate the completion of another semester. She would therefore most likely not be home before midnight. She never was on such occasions as she enjoyed these mini social events. With Sandy out, he was alone for the evening but this had never proved to be a problem in the past and this night would not be any different. He was perfectly capable of looking after himself and could always find a way to occupy his time. He pulled on some black Levi’s and a dark t-shirt, slipped into his black Reeboks and laced them securely. Leaving the bedroom, he descended to the main floor, headed for the foyer closet and retrieved his black leather jacket. No studs or chains, just black leather. He slipped into the coat and donned

There is a place called 'heaven' where the good here unfinished is completed; and where the stories unwritten, and the hopes unfulfilled, are continued. We may laugh together yet... 55 Cecil Roth...himself came and called me at 10 to 7; so that I could go to Communion! It seemed like a fleeting glimpse of an unfallen world...the incursion of this gentle Jew, and his sombre glance at my rosary by my bed, settled it. 67 How stupid everything is!, and war multiplies the stupidity by 3 and its power by itself: so one's precious days are days are ruled by (3x)^2 when x=normal human crassitude (and that's bad enough). 73 Do 'ramble on'. Letters need not be only about exterior events (though all details are welcome). What you are thinking is just as important. 96 [H]e [Frodo] had... reached the conclusion that physical fighting is actually less ultimately good than most (good) men think it! Actually I am a Christian, and indeed a Roman Catholic, so that I do not expect 'history' to be anything but a 'long defeat'-though it contains... some samples or glimpses of final victory. 255 I do not feel quite 'real' or whole, and in a sense there is no one to talk to...we had shared all joys and griefs, and all opinions (in agreement or otherwise), so that I still often find myself thinking 'I must tell E. about this'-then suddenly I feel like a castaway left on a barren island under a heedless sky... 416 The... Fellowes' Garden looks like the foreground of a pre-Raphaelite picture: blazing green starred like the Milky Way with blue anemones, purple/white/yellow crocuses, and final surprise, clouded-yellow, peacock, and tortoiseshell butterflies flitting about...I have a faint hope that perhaps you and your wife could soon pick a fine day and visit me. Excuse scrawl. 417 [I]f lit. teaches us anything at all, it is this: that we have in us an eternal element, free from care and fear, which can survey things that in 'life' we call evil with serenity (that is not...appreciating their quality, but without any disturbance of our spiritual equilibrium)...in some such way, we shall doubtless survey our own story when we know it (and a great deal more of the Whole Story). 126-127.