Tom Ferry Quotes

We've searched our database for all the quotes and captions related to Tom Ferry. Here they are! All 9 of them:

At cocktail parties, I played the part of a successful businessman's wife to perfection. I smiled, I made polite chit-chat, and I dressed the part. Denial and rationalization were two of my most effective tools in working my way through our social obligations. I believed that playing the roles of wife and mother were the least I could do to help support Tom's career. During the day, I was a puzzle with innumerable pieces. One piece made my family a nourishing breakfast. Another piece ferried the kids to school and to soccer practice. A third piece managed to trip to the grocery store. There was also a piece that wanted to sleep for eighteen hours a day and the piece that woke up shaking from yet another nightmare. And there was the piece that attended business functions and actually fooled people into thinking I might have something constructive to offer. I was a circus performer traversing the tightwire, and I could fall off into a vortex devoid of reality at any moment. There was, and had been for a very long time, an intense sense of despair. A self-deprecating voice inside told me I had no chance of getting better. I lived in an emotional black hole. p20-21, talking about dissociative identity disorder (formerly multiple personality disorder).
Suzie Burke (Wholeness: My Healing Journey from Ritual Abuse)
ferry landing, found
Mark Twain (The Adventures of Tom Sawyer)
We are in receipt of numerous communications concerning the Harper's Ferry affair, and the various topics connected with it... We must decline to publish them all,-simply because we see no possible good which they could accomplish.
Melanie Benjamin (The Autobiography of Mrs. Tom Thumb)
O shoe, leather ship that sails our cement rivers and woven seas, steering by the star of fashion, circumnavigating hostile reefs of tar and bubble gum; one hour, a tanker ferrying champagne to a playboy’s sip; the next, a raft in the slime; bon voyage, bright barge! May you dock in calm closets, safe from the rape of shoe trees.
Tom Robbins (Skinny Legs and All)
SOME PEOPLE WOULD NEVER FORGET certain people, a few people would remember everyone, and most of us would mostly be forgotten. Sometimes it was for the best. Larry Novotny wanted to be forgotten for his dalliance with Amber Ludwig. Tom Mota wanted to be forgotten for that incident involving the paintballs. But did anybody want to be forgotten about completely? We had dedicated years to that place, we labored under the notion we were making names for ourselves, we had to believe in our hearts that each one of us was memorable. And yet who wanted to be remembered for their poor taste or bad breath? Still, better to be remembered for those things than forgotten for your perfect parboiled blandness.
Joshua Ferris (Then We Came to the End)
My preferred mode of travel to and from the island is the fast ferry. From April through December, both the Steamship Authority and Hy-Line Cruises operate ferries throughout the day. The trip takes an hour, and round trip costs around eighty dollars. Weather often affects travel to and from the island. If the wind is blowing twenty-five miles an hour or stronger, the ferries may cancel (each trip is at the discretion of the captain). If there is fog (which there often is in June and early July), planes are grounded. (Fun fact: Tom Nevers Field was used by the U.S. military in World War II to practice taking off and landing in the fog.) Once on Nantucket, you can either rent a Jeep (Nantucket Windmill Auto Rental, Nantucket Island Rent a Car) or rent a bike (Young’s Bicycle Shop, Nantucket Bike
Elin Hilderbrand (The Hotel Nantucket)
Popularity at the box office did not translate into support from [director John Sturges'] peers in the Academy. In February, when Oscar nominations were announced, The Great Escape had to make do with one, for [Ferris] Webster’s editing. Paramount’s Hud and UA’s Tom Jones, which would bring Tony Richardson the best-director Oscar, dominated the field. Sturges’s rightful place in the best-picture category was taken by 20th Century Fox’s Cleopatra, a lavish flop.
Glenn Lovell (Escape Artist: The Life and Films of John Sturges (Wisconsin Studies in Film))
The four of them stand in the cockpit of the Misdemeanor as they motor from one town to another. They pass their house, which is not theirs any longer. Libby cuts the throttle, and they stall there in front of their sprawling memory. The four of them have come up for the closing; since all of them are owners, they all must be present to sign away this place. They have given most of the land to the Maine Preservation Society, and the house, they have sold to a family who promises not to tear the whole thing down, though they know that is a lie. The oak is yellow and peeks from behind the house. The glossy white windows of the great room look down upon them. It is cold and they all wear their foul-weather gear, bright-yellow slickers, except Gwen, in a red poncho to accommodate the swell of her belly. Libby keeps one hand on the tiller and the other she slips into Tom’s hand. He gives it a squeeze and then puts his arm around her. Danny moves from the stern to stand between Tom and Gwen. They all stand on the starboard side looking at the house. Libby and Tom, then Danny, his hand resting on his brother’s shoulder, and Gwen next to him, her arms crossed over her protruding belly, her hair long and dark hanging down her back. She is no longer a beacon, but a buoy in her poncho, red right returning. The sky is gray and low and promises a choppy ferry ride to the mainland, but there in the safe haven of the harbor it is calm and windless, and the house isn’t empty, but expectant. The flat water, dark green now, lies empty, the float pulled out the month before. Going from town dock to town dock, there is no need for a tender. There is no way for them to come ashore, even if they wanted to. A house like this is not supposed to exist now. It comes from another era. It is a ghost, like the schooners that sail through the thoroughfare every summer. It is an aberration, a figment. It is their great shingled memory.
Sarah Moriarty (North Haven)
When you feel overwhelmed or unfocused, what do you do? Whenever I’m feeling like I need to prioritize what I’m doing or overthinking a particular situation that is making me anxious, I try to remember this great exchange in the film Bridge of Spies. Tom Hanks, who plays a lawyer, asks his client, who is being accused of being a spy, “Aren’t you worried?” His answer: “Would it help?” I always think, “Would it help?” That is the pivotal question that I ask myself every day. If you put everything through that prism, it is a remarkably effective way to cut through the clutter.
Timothy Ferris (Tribe of Mentors: Short Life Advice from the Best in the World)